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00:00Gracias.
00:36Thank you very much, Suzanne.
00:38Congratulations.
00:41Here, please.
00:43Here.
00:44Sorry, sorry.
00:45Congratulations.
00:47We come from the Basque country.
00:50We are Basque TV.
00:51Our language is the Basque Euskera.
00:53I'm understanding you perfectly.
00:55Thank you.
00:58I know that you have been in the Basque country in San Sebastian Film Festival.
01:03And the question is, what do you think about Basque cinema?
01:08What do you think about the Basque country?
01:10Thank you very much.
01:13I can't say that I know a lot about Basque film.
01:17You know, I do, honestly.
01:19I mean, I love the country there.
01:22What is going on now there?
01:23The last time I was there, there were women marching with the pictures of their men that
01:31were held in tales far away.
01:33And they were trying to get them to come closer.
01:36So what is going on now in the Basque country that I should know about?
01:42Can you tell me?
01:52Oh, is he not going to answer my question?
01:54Oh, shit.
01:58Pss, pss, pss, pss.
02:00Pss, pss.
02:01Could you tell me that ASCIATING in the fix for that?
02:08Perdona, perdona.
02:26Bueno, hasta ahora esto está funcionando bien.
02:35Gracias, señor.
02:36Gracias, señor.
02:40En estos awards,
02:45tenemos muchas nubes para la Comunidad de Basque,
02:49así que estamos muy contentos de la Comunidad Basque.
02:52Mi pregunta es como la de la Comunidad de Basque.
02:58Pues, quizás me puede leer algunas películas de los colegas.
03:01¿Sí? Gracias.
03:33Wow, that's so funny.
03:39I don't have a choice about activism.
03:42I think that's just necessary,
03:47and when people don't have a voice,
03:50I feel it's my responsibility to give them,
03:53help them have a voice.
03:55But I can't say that it's the most fun times I've ever had.
04:00You know, there's a lot of negative ramifications
04:05for being outspoken.
04:07But I'm always happy when I'm filming.
04:10I make it a point to have a good time when I'm filming
04:16because I love the community of filming.
04:19I love the crew.
04:21I love, you know, being able to be in a different time
04:26in a different place.
04:27So I am happiest with my family,
04:31but second comes in filming, for sure.
04:34And I think it would be really great
04:36to be filming with my family.
04:38I think that would be like a double dip, you know.
04:42But activism makes me,
04:47moves me to be with dedicated people
04:51who want the same thing.
04:52But sometimes it can also be quite lonely.
05:00Maybe a follow-up of that question.
05:03What do you think about this discussion nowadays
05:05about if artists should talk about politics
05:08or should be committed with politics?
05:11Because it's a discussion that we have in Berninaia
05:13and these weeks.
05:14Thank you very much.
05:15Thank you for asking that question
05:17because I disagree with that whole group
05:20and what they said.
05:21I believe all films, all stories are political.
05:27The only, they either reinforce the status quo
05:31or they challenge the status quo.
05:33And we call them political
05:35when they challenge the status quo.
05:37But every film tells you who to root for,
05:41what is funny,
05:42what it means to be a woman,
05:44what it means to be a man,
05:47and what your system of justice is.
05:52So there's a film called The Nutty Professor
05:55that, I don't know if you know that,
05:58with Eddie Murphy.
05:59And in that film,
06:01they get you to root for the girl
06:03to be with the fat guy.
06:05And it puts you in the perspective
06:07of what it means to be on the outside.
06:11And that's a very political film.
06:13But that's a comedy.
06:14So the dead man walkings of the world,
06:18people say, are political
06:20because they're obviously about an issue.
06:24But I think they're all political.
06:26And that's why, as an actor
06:28and a writer and a director,
06:31you have to be very careful
06:34what you're putting out into the world.
06:37Who is the enemy?
06:39Who is the enemy right now in all films?
06:42It shifts, right?
06:44And, yeah, I think that they're all political.
06:51Hi.
06:52I'm sorry.
06:53Maria, I'm not going to go.
06:55Well, thank you so much for being here.
06:58It's such an honor just speaking to you.
07:00You look to a generation of actors
07:04who spoke openly about politics.
07:08And now, somehow, we feel that Hollywood is a bit silent
07:16about Trump's policies.
07:18So what do you think about the silence?
07:23I think it's very dangerous.
07:25I think that we should be able to speak our minds
07:32without being threatened to never work again.
07:37And that is happening.
07:39I don't know.
07:41You know, Hollywood went through the...
07:46What was it called?
07:48You know, the commission where you were called un-American
07:50and people killed themselves and were banished and couldn't work
07:54and writers couldn't work.
07:55So Hollywood has never been political.
08:00Hollywood cares if you get old.
08:02They care if you get fat.
08:04But if your movie makes money, they don't mind.
08:07You know.
08:08You know what I'm saying?
08:10Hollywood has...
08:12I think it's a myth that Hollywood is left.
08:15I don't think that's true.
08:18I think there are small films that get made
08:21and some big films that get made.
08:23But Hollywood doesn't have a history of being...
08:27When the tough times get tough,
08:30they are not left-leaning or progressive.
08:37They mostly speak for whoever...
08:39Whatever the power of the situation is.
08:42So I don't know that through all the blacklisting,
08:47you know, we look at that period
08:49and that was pretty much what we're going through now.
08:51Thank you very much.
09:32What did you want to know about that?
09:37What's...
09:38Your opinion about the ICE, for example,
09:42or for the Gaza genocide.
09:46My opinion or Hollywood's opinion?
09:48Not your opinion.
09:49I know that Hollywood doesn't speak about this,
09:53but I want to know your opinion.
09:56I believe every nation has the right to self-determination.
09:59I'm very pro-Palestinian.
10:01I'm very much about...
10:03I'm an artist for peace and justice.
10:08I'm against killing children everywhere.
10:12ICE is very unconstitutional
10:15and doing all kinds of illegal things
10:17to black, mostly black and brown people.
10:20And what they're doing is illegal.
10:23And I'm very proud of the communities
10:26that have managed to find a way to fight against ICE.
10:30And I think that's what it's going to take
10:32because no one at the top is going to save us
10:34from any of these things.
10:36But I personally feel very strongly
10:39that the annihilation of the Palestinian people
10:43is a horrible crime.
10:44and I'm very ashamed
10:47to be paying for that.
11:16Thank you very much.
11:19por recibir un premio como El Goyne Internacional.
11:22Thank you.
11:25Thank you.
11:27Well, I'm very, very, very, very happy to be here.
11:31First of all, I love Barcelona.
11:33Barcelona.
11:35The museums, the food, the music,
11:37the industry, the actors.
11:39I just think Spain is doing an amazing job
11:43and also, and I know this is going to make me cry,
11:49in a place where you feel repression and censorship.
11:56To see Spain and to see the president
11:59and what he says
12:00and what the support that he's giving about Gaza
12:03and to have actors like Javier Bardem
12:06and come forward with such a strong voice
12:09is so important to us at the United States.
12:14I can tell you, when you turn on the TV
12:16and you see how strong Spain is
12:19and how clear that you are morally
12:22about these issues,
12:24it makes you feel less alone
12:26and it makes you feel that there is hope
12:28because of you all
12:31and the fact that
12:32you just don't hear that
12:34on television in the United States.
12:36you don't know that that exists
12:40and when someone stands up so strongly,
12:43when a nation stands up,
12:45and I include Ireland in this too,
12:48it's, I can't tell you how very important it is
12:51to those of us who are trying
12:53in an atmosphere that is very difficult.
12:59when we see that kind of strength
13:03and moral clarity,
13:04how much it means to us.
13:07So I thank you.
13:17Hola.
13:18So you have to come to live here, maybe.
13:22Estoy hablando de Cadenas de Radio.
13:24Yo quería preguntarte,
13:26has hecho todo tipo de papeles en tu carrera,
13:29papeles con los que muchas nos hemos identificado
13:32o hemos visto referentes.
13:34Ahora trabajas menos.
13:36Yo quería preguntarte a qué se debe que trabajes menos,
13:38si llegan menos papeles,
13:40si existen listas merdas en Hollywood
13:41pero si llegan menos papeles,
13:43o si es que no te interesan los papeles que te llegan.
13:51El primer de novembro,
13:53fui tirada por mi agencia.
13:56Specifically for marching and speaking out,
14:00por asking for ceasefire.
14:02And it became impossible for me
14:05to even be on television.
14:08I don't know lately if it's changed,
14:10but,
14:12and I
14:14couldn't do any major
14:17film,
14:19anything connected
14:21with,
14:23you know,
14:24Hollywood.
14:26I found
14:27agents
14:27ultimately
14:28in England
14:29and in Italy.
14:32And I worked there,
14:33I just did a film in Italy,
14:34and I did a play
14:36at the Old Vic
14:37for a number of months.
14:39But I know that,
14:40you know,
14:41this Italian director
14:42that just hired me,
14:43he was told not to hire me.
14:45So that's still recently.
14:47He didn't listen,
14:48but he had that,
14:49they had that conversation.
14:50So,
14:53right now,
14:54I kind of specialize
14:55in tiny films
14:57with directors
14:58who have never directed,
15:01you know,
15:02or independent,
15:03independent films.
15:05And films that are
15:07in Europe
15:09or in Italy,
15:11and,
15:11you know.
15:12So that's the main reason
15:14I haven't been working
15:16as much.
15:22My answer was stolen before,
15:25so I have to
15:26introduce another one.
15:27What do you think,
15:29you talk about
15:30the Spanish government,
15:32you feel good here in Spain.
15:34What do you think exactly
15:36about the Spanish
15:37prime minister,
15:37Pedro Sánchez?
15:38That handsome.
15:41That tall,
15:42handsome guy.
15:44Well,
15:45I don't know that much
15:46about him,
15:47except that whenever
15:47I've seen him,
15:49he has been
15:50on the right side
15:51of history.
15:52And,
15:53and,
15:54and also
15:55said it in a very
15:56clear way.
15:58So,
16:00I think he's going
16:01to be there
16:03tomorrow night,
16:04so maybe I'll get
16:04more information.
16:12nice to meet you.
16:13Thank you.
16:14Thank you.
16:15You've done everything
16:16in your career.
16:17What do you think
16:18you still have
16:19left to do?
16:22Interesting.
16:24Direct corn?
16:29I don't know.
16:30You know,
16:31I like to,
16:32I like the,
16:33I like working
16:35on films
16:35because I like
16:36the community.
16:38And so,
16:39I don't mind
16:39doing little parts,
16:40big parts,
16:41happy parts,
16:42comedies,
16:42you know.
16:43And I'm very content
16:44to keep doing that.
16:48There's still people
16:49that,
16:50you know,
16:50directors I'd love
16:51to work with.
16:53And,
16:54yeah.
16:56Does that answer
16:57your question?
16:58Yeah.
17:01Hello.
17:02This is
17:02from the Spanish
17:03News YF.
17:04I have two quick
17:06questions.
17:07First of all,
17:08you were so moved
17:09talking about Spain.
17:10I wonder if you will
17:11follow what it actually
17:12that maybe,
17:13like the US
17:14and live here
17:16in Spain
17:16where I think
17:18many directors
17:19would cast you.
17:20and a second one,
17:22a short one.
17:23I think you
17:24kept your Oscar
17:26in the bathroom.
17:27I wonder where
17:28you will
17:30put your Goya.
17:31Thank you so much.
17:34Well,
17:35I have worked
17:35with Richard Gere
17:36a number of times.
17:37Maybe he'll let me
17:38come stay
17:39at his house.
17:39I don't know.
17:41I have children
17:42and grandchildren
17:43and I just can't
17:46leave them,
17:47really.
17:48I just can't.
17:49So I love the idea
17:50of spending the time
17:52working with other
17:53people in other
17:54countries.
17:55I talked to Pedro
17:57Medovar about
17:58why doesn't he
18:00cast me in anything?
18:01Couldn't he find
18:02a movie where
18:03there's a stupid
18:04American that can't
18:06speak Spanish
18:06and she has a relationship
18:09with someone
18:09that does speak Spanish
18:11and how funny
18:13and interesting
18:14that would be
18:15because that happens,
18:16right?
18:16But so far
18:17he hasn't passed me.
18:19So I don't know.
18:20Maybe I'll find
18:21some other directors
18:23now that could find
18:25some way
18:25to take advantage
18:28of the fact
18:29that I don't speak Spanish.
18:30I speak some Italian
18:31because I have
18:32an Italian child
18:36so I did live
18:37in Italy
18:38for a while.
18:38Maybe if I came here
18:40I would learn
18:41to speak Spanish.
18:42I don't know.
18:43But it's so seductive.
18:47Spain has
18:51so much
18:51that's beautiful
18:52about Spain
18:53and sensual
18:55and that I could
18:57see myself
18:58living here
18:59for a while
18:59but I can't
19:00really
19:01I mean my
19:02grandkids are little
19:03so I feel like
19:05even when I'm away
19:06for a week
19:08they've changed
19:09so much
19:10so I hate being away
19:11for any period
19:12of time.
19:18Hola.
19:19Hola.
19:19Hola.
19:20I spoke sad.
19:22José Manuel Romero
19:23de la Cadena Ser
19:24le quería preguntar
19:25porque aunque
19:26ha dejado claro
19:26que no tiene
19:27mucha confianza
19:28en Hollywood
19:29sí que hay un cambio
19:30en los últimos años
19:31con muchas actrices
19:33y mujeres
19:34pasándose a producir
19:36las películas
19:37si siente que
19:37ese es un gran cambio
19:38para las mujeres
19:39el haber decidido
19:41pasar a la producción
19:42y si es algo
19:43que echó
19:44en falta
19:45en su generación
19:45de haber tomado
19:47tener ese lugar
19:48de poder
19:48quizá
19:49en la industria.
19:54I did produce
19:56Deb Mom
19:56and Deb Mom
19:57and I'm producing
19:58a film
19:59that I'm going
19:59to do
20:00now
20:01but I don't think
20:01Hollywood
20:03is changing
20:04I think there are
20:04women that are
20:05in a position
20:06to get more
20:06films made
20:07and hopefully
20:09they won't
20:10make
20:11the same mistakes
20:12that have been
20:13made before
20:14but I think
20:16the first wave
20:17of something
20:18that was really
20:19different
20:19came
20:21a number
20:22of years ago
20:23when all
20:23of those
20:24female comedians
20:25made movies
20:26and suddenly
20:27that was the
20:28first
20:30group of
20:31independent
20:32female
20:33producers
20:34that really
20:35made successes
20:37were a wave
20:38of comedies
20:39that women
20:41did
20:42but there are
20:43a lot of
20:44women producing
20:45now actors
20:45and I think
20:46that's fabulous
20:47and I think
20:48it will
20:49continue.
20:50There's a lot
20:50of, you know
20:51the problem
20:52is not getting
20:52a movie made
20:53the problem
20:55is where
20:55do you put
20:56it?
20:58You know
20:58where
20:59you don't
21:00have those
21:01little cinemas
21:01that you
21:02used to have
21:03that I could
21:03see a lot
21:04of foreign
21:04films in
21:06anymore
21:06they're all
21:07taken over
21:08by these
21:08conglomerates
21:09as everything
21:10has been
21:11right
21:11so if you
21:12do a little
21:13independent
21:14film
21:14and of course
21:15it goes
21:16to festivals
21:17and you're
21:19trying to find
21:20a way that
21:21you can get
21:21it seen
21:22so what we
21:23need is
21:23not just
21:24people producing
21:25independent
21:26films
21:26we need
21:27some kind
21:27of a platform
21:28to see
21:29those films
21:31there's a
21:32platform called
21:33watermelon films
21:34that has
21:35scooped up
21:36a lot of
21:36the films
21:37that are
21:37about
21:37Palestinians
21:38or related
21:39in some
21:40way
21:40to that
21:41kind of
21:42historical
21:42event
21:43but there
21:44aren't
21:44places
21:45to put
21:45these
21:46gems
21:47these
21:47little
21:48independent
21:49beautiful
21:50films
21:50unless
21:51someone finds
21:52it and
21:53really
21:53champions
21:53it
21:54because
21:54if it
21:54doesn't
21:55cost
21:55a lot
21:55to make
21:57studios
21:58don't want
21:58to put
21:58a lot
21:59of money
21:59into it
21:59if it's
22:00not theirs
22:00you know
22:01so
22:03I think
22:04that it's
22:06wonderful
22:07that so
22:07many films
22:08are being
22:09made
22:09but we
22:10have to
22:10find
22:11some
22:11way
22:11that
22:12they
22:12can
22:12be
22:12seen
22:21what
22:28has
22:29changed
22:29feminism
22:32has
22:33feminism
22:33changed
22:35I'm
22:36not sure
22:36I even
22:37know
22:37what
22:37everybody
22:37it's
22:38like
22:38communism
22:38feminism
22:39everybody
22:39has a
22:40different
22:40idea
22:40of what
22:41feminism
22:41is
22:42different
22:42idea
22:43of what
22:43communism
22:44is
22:44all
22:44these
22:44isms
22:46I think
22:47that
22:49as
22:50you said
22:51there's
22:52more women
22:52that are
22:53telling
22:53women's
22:53stories
22:54and I
22:54think
22:54that's
22:55really
22:55important
22:56and there's
22:57a lot
22:57of women
22:57that
23:00have
23:01their
23:01businesses
23:02have more
23:03choice
23:03about whether
23:03or not
23:04you have
23:04a child
23:05in the
23:05United
23:06States
23:06we seem
23:07to be
23:07going
23:07backwards
23:07about all
23:08that
23:08so I
23:09don't
23:10include
23:10just
23:11feminism
23:12in the
23:12United
23:12States
23:13because
23:13between
23:14the
23:15banning
23:16of
23:16contraception
23:17and abortion
23:18and
23:20all of
23:21the other
23:21things
23:22that are
23:23being
23:23passed
23:23now
23:24that
23:25have
23:26there's
23:27been a
23:27real
23:27attempt
23:28to
23:28erase
23:30women
23:30from
23:31jobs
23:32and from
23:33history
23:33especially
23:35women of
23:35color
23:36so I
23:37think
23:37in a
23:37way
23:37we're
23:38going
23:39backwards
23:39but I
23:40don't know
23:41what
23:41feminism
23:42is doing
23:42I mean
23:43if feminism
23:43means
23:45women get
23:46the same
23:46amount
23:46of pay
23:47women get
23:47the same
23:48choices
23:48I think
23:49it's
23:50it's a little
23:51shaky at the
23:52moment
23:52I don't know
23:52how you feel
23:53about it
23:54in Spain
23:54do you feel
23:55that that's
23:55happening
23:56here
23:57in terms
23:58of
23:58feminism
23:59do you think
23:59I don't know
24:03I don't know
24:06I don't know
24:18my wife
24:19Las mujeres siempre eran salvadas por un hombre, pero usted nunca ha hecho ese tipo de personajes.
24:26Sus personajes son valientes, son autosuficientes, y en un momento, quizás dio voz a esas mujeres,
24:35ahora es más fácil hablar de feminismo, pero en ese momento quizás no lo fue tanto.
24:40Susan, ¿qué piensas sobre esta apreciación?
24:46Bueno, Robert Redford tried to save me on the wing of a plane, and I died,
24:51so he didn't do a very good job of saving me in that movie.
24:56I'm trying to think through everything.
25:01God, I've done so many films.
25:04I'm so old.
25:08I have to say that, you know, when I get a question like that,
25:12I don't feel like my characters are that brave.
25:14I feel like they do what they have to do, but it's not easy, which isn't the same thing.
25:20When I was helping write Dead Man Walking,
25:25one of the things about Sister Helen that was so interesting
25:29was that she didn't start off as a hero.
25:34She just kept getting deeper and deeper and deeper and deeper
25:38because of circumstances and because of questions,
25:42and she eventually became the woman that she was.
25:47But it wasn't, she didn't, it's not like men when they're heroes in films
25:51and they just come through the door shooting.
25:53I had a real problem with Elma Louise
25:56because I said to Ridley, I don't want to do a revenge film.
26:02I think she feels after she's inadvertently killed that man
26:08that she has to pay a price.
26:10And that's what makes her different than a man doing a revenge film.
26:15It's not making her happy.
26:17She's trying to understand what happened.
26:21I think revenge is so cheap.
26:25And so in a way, somehow I got this reputation for playing really strong women,
26:32but they never feel like they really are on top of it to me.
26:36And I think that's what life's about, is you just keep going forward.
26:41Even when you don't know what you're doing and it costs you a lot,
26:46you just keep moving.
26:49And that's what they feel like more.
26:51You know, that even when they're brave, it costs them.
27:01You just said that you're going to produce a new film.
27:04My question is, why haven't you directed your own films?
27:07And if you were to direct, whose steps would you follow?
27:11Any filmmakers come to mind?
27:13Thank you.
27:17I just can't deal with the suits.
27:23Do you know what that means?
27:24Like, I can't...
27:26I don't think I could work within a system
27:30where there's eight people at the monitor watching
27:33and telling you what tie he should be wearing.
27:36That kind of filmmaking doesn't interest me.
27:38But a small film, a very small...
27:43you know, with few people and with a very intimate crew,
27:46that does interest me.
27:48I guess for a while I didn't do theater
27:52and I was very careful about when I worked
27:55because I was raising my children.
27:57And I was very hands-on.
27:59And I've lived with a few directors
28:01and I know how much time it takes to direct a film.
28:06And not just the film, that's the easy part.
28:08Then afterwards, all the fighting about the poster
28:12and the distribution and where's the money.
28:15And that doesn't appeal to me at all.
28:18So I'm trying to stay happy in my life, you know,
28:22and I don't know if it's worth it
28:24to really take on those headaches.
28:27So the films that I've produced have been small.
28:30This one that I'm going to do with Ney
28:32is a friend of mine who will be his first movie
28:36that he's directed.
28:37It's with friends and like-minded people
28:41and very tiny.
28:43And so I can make decisions about that.
28:47But I'm not interested really in...
28:52At the end of the day, around 7 o'clock,
28:55I don't really care where the truck is parked.
28:59You know?
29:00That's the kind of...
29:01You have to be so kind of obsessive
29:05about certain things that don't matter to me.
29:07You know?
29:08At all.
29:09I'm focused more on what happens between the people
29:16and, you know, to do 35 trucks
29:19because the wind is blowing or...
29:20I'm just not that kind of person.
29:24So maybe I won't end up directing.
29:27That might be next time around.
29:30I don't know.
29:33Oh, well.
29:34Hi, Susan Matthias here.
29:35Thank you for your time.
29:36I want to talk to you.
29:37We'll talk a lot about politics today.
29:40But I wanted to ask you about the future
29:43for cinephiles and for cinephiles
29:45who care about politics.
29:48Yeah, by administrations come and go,
29:50fashion for unions come and go.
29:52But what's next for us?
29:53What's next for American citizens?
29:55What's next for cinephiles
29:56who care about politics?
29:57Thank you.
30:00I don't know.
30:02What's next?
30:03I think that we're watching...
30:05a lot of the systems fall apart.
30:11I think we're watching the young people
30:14who are not obedient to their parents' affiliations
30:20ask some really important questions
30:23about the environment.
30:26I mean, the world that they're going to be left with
30:28because of the greed and the violence
30:31and the short-mindedness of a lot of our leaders
30:36and the takeover by corporate everything, right?
30:40And I put my faith in them
30:43and I put my faith in young filmmakers too
30:46who are finding ways to talk.
30:48I don't think of myself as a filmmaker.
30:50I think of myself as a storyteller.
30:52And I think of this group as a group of storytellers.
30:56Whether or not you're writing a book or a song
30:58or reporting in a newspaper,
31:00you're telling a story.
31:01And I think stories will always be there.
31:05Storytellers have always been on the outside
31:07and somehow they always survived.
31:09And every culture had to have us storytellers
31:12from the very beginning of time.
31:15So strangely enough,
31:16those of us who have always been on the outside
31:18and had no permanence, no guarantees,
31:23are ending up in better shape
31:24than the people that had jobs
31:25that they thought they could count on
31:27because everything's falling apart.
31:29At least where I come from,
31:31everything's falling apart.
31:32And so I think we have to think
31:36of what the communities will be.
31:39What will the structure be?
31:40Because these systems are not doing very well.
31:44And I don't know what that answer is,
31:48except that it has something to do with community.
31:51So I believe in that.
31:54And I hope that as things fall apart
31:59and there are more spaces for new leaders,
32:02that those leaders are brave and principled
32:05and care about the right things.
32:09And what we have to do, I think,
32:11is spend a lot more time listening
32:17than talking
32:20and hear each other.
32:22Because really everybody needs and wants the same things.
32:25As an actor, that's what happens.
32:27You have kind of an enforced...
32:31You have so many lives.
32:32So you find yourself feeling things
32:36that you never thought you were capable of.
32:39You find yourself having more compassion,
32:43less judgment,
32:44because you don't know what it's like
32:46to be in that situation.
32:48And what's so fabulous about films
32:51is that you get to learn in small doses
32:53about these bubbles
32:55that you don't know anything about,
32:56these times in history,
32:58what it means to be that kind of a worker,
33:00what it means to be trying to raise the kids here.
33:03You know, and it makes you so much more generous
33:09because you understand how we're all connected.
33:12And that's the one thing we can't lose,
33:14is that connectedness and storytelling,
33:17especially when you go into a dark theater
33:19and you can just be defenseless
33:22and watch a story about something
33:24you didn't know anything about
33:26or a person that you thought you didn't like
33:27or, you know,
33:29it affects you
33:32and you leave that theater
33:36looking at the world a little bit differently,
33:38at least for a few hours.
33:40You know, I remember Wings of Desire.
33:44I remember leaving the theater after that
33:47and just being blown away.
33:48Everywhere I looked, I was seeing angels,
33:51you know,
33:52or the conformist,
33:53or Lucci's conformist,
33:55was the first time I saw a film
33:56that did something so drastically different.
33:59I didn't even really know what it was about.
34:01And I saw it recently
34:03and the way that it's filmed
34:04and that story is told
34:06is just so modern and so interesting.
34:09And this is, you know,
34:11I'm so proud to be part of this community
34:13as everybody is who watches film
34:16and talks about film and writes
34:20because that can make a big difference
34:23in how we look at each other
34:25and how we forgive each other
34:27and love each other.
34:30Última pregunta, por favor.
34:32Hello.
34:33Here.
34:34Anadiel from Ondantero.
34:36Maybe it's a difficult question
34:37because you cannot take sight,
34:39but I wanted to know
34:40if you had the opportunity
34:41to watch some of the films
34:43that are nominated tomorrow.
34:45And I wanted to know
34:46if you have an opinion
34:48about some of them.
34:50You're very dangerous.
34:52I know.
34:53I don't know.
34:54Or at least an opinion
34:56about the current vision
34:58of Spanish film.
34:59I think it's a bit of a question for you.
35:02Tell me what...
35:04Give me an example.
35:05I don't know necessarily
35:07the Spanish film.
35:08About the films that are...
35:10Yeah, which film
35:10are you tricking me with here?
35:12For the book, yeah,
35:13which is also...
35:14All right, that killed me.
35:18Spoiler alert
35:18if anyone hasn't seen it yet.
35:20When the kid goes over in the car,
35:21I was like...
35:23Now anything can happen.
35:25And I stupidly told my son to see it.
35:28And he came in the house saying,
35:30Why did you send me to this film?
35:32I'm never going to be able to sleep again.
35:35What was that about?
35:36Couldn't they have just danced for two hours?
35:38What's going on?
35:40So I thought that was...
35:41I mean, sometimes what happens to me
35:43when I'm watching a film
35:44is that I also feel bad for the actors
35:47because I'm thinking,
35:48How are they dehydrating in the desert?
35:51You know, I start to think,
35:53Oh my God, it's so cold.
35:55They must have been dying.
35:56So for that film,
35:58I mean, I thought it was amazing.
36:00And I think I'm sitting next to that director,
36:02they told me so.
36:04Who's apparently quite tall.
36:06Yeah, so is my son,
36:07who said,
36:07Why did you send me to that film?
36:10But I thought it was remarkable
36:12that they did it.
36:13I would love to know how.
36:15And I'm not quite sure
36:17what the point is,
36:18but if you're talking about cinema,
36:21bringing you into a world
36:23that you don't know,
36:24he definitely accomplished that.
36:27And so it was very dramatic,
36:30very cinematic.
36:32But, you know,
36:34it was...
36:36Someone said it was disturbing.
36:39It's much more than disturbing.
36:42I mean, it's scarring,
36:43I think, that film.
36:45Yeah.
36:47Muchísimas gracias.
36:50Muchas gracias.
37:27Gracias.
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