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  • 2 days ago
சிவகார்த்திகேயன் தயாரிப்பில் சிவகுமார் முருகேசன் இயக்கத்தில் ராதிகா சரத்குமார், சிங்கம்புலி, முனிஷ்காந்த், பால சரவணன், ரேச்சல் ரெபேக்கா உள்ளிட்ட பலர் நடிப்பில் உருவாகியுள்ள தாய் கிழவி திரைப்படம் பிப்ரவரி 27ம் தேதி திரைக்கு வருகிறது. நேற்று திரையிடப்பட்ட சிறப்புக் காட்சிக்குப் பிறகு படத்தின் விமர்சனங்கள் ட்விட்டர் உள்ளிட்ட சமூக வலைதளங்களில் வெளியாகி உள்ளன. இது குறித்து இந்த வீடியோவில் விரிவாக பார்க்கலாம் . 

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Transcript
00:00.
00:03He said he's been grabbing the camera.
00:04My father had it on my way.
00:06He said he would spend the camera.
00:08So many of us were asked.
00:10They were there.
00:13They were there.
00:15He was there.
00:15They would give the review.
00:17You heard it before.
00:19I'm sure Hathiraj did it before.
00:22I don't think I was going to give it before.
00:25The Director put it to Kamalному.
00:27There is no intro scene.
00:30Yeah bro.
00:31That's amazing.
00:33There is a intro scene.
00:34You can see the theater.
00:36You can see the theater.
00:38He's a singer and a friend.
00:41He's a friend and a friend.
00:44That's how I'll see.
00:47Now I'll show you a review.
00:49Radhika Sarathkumar.
00:52SKORAPRODUCTION.
00:53Sivakumar Muriyeshan.
00:54How are you going to talk about this?
00:56How are you going to talk about this online?
01:00That's SKO and SKO.
01:02He's like Radhika Sarathkumar.
01:04S.R.
01:05You're not going to talk about that.
01:07First, online.
01:08In other words, there is a grammar.
01:10They have a lot of problems.
01:16They have a lot of problems.
01:17They have a lot of problems.
01:17They have a lot of problems.
01:19And they have a lot of problems.
01:22And they have a lot of problems.
01:24And they have a lot of problems.
01:26They have a lot of problems.
01:27We're not going to talk about that.
01:28Radhika Sarathkumar.
01:29See, there are a lot of problems.
01:33There are a lot of problems.
01:34So, Radhika Sarathkumar is going to talk about that.
01:38So, Radhika Sarathkumar is going to talk about that.
01:38There is a lot of screen time.
01:43There is a lot of screen time.
01:46There is a lot of screen time.
02:08So, I feel like how the video is going to talk about that.
02:10We are going to talk about how the video is going to talk about,
02:21Makeup department salute.
02:23Technical sound.
02:24This product is a product for SK production, I think this product is super.
02:31That's why SK is a product for SK director.
02:35If you want to give a chance, we can get this product.
02:38You can't get this product, so you can get this product.
02:41The product is a commercial, everything is good.
02:45We have to give a set of products and a product.
02:53That's why he introduced a single person.
02:54That's why he's got a single person in Singham Puli.
02:59That's why he's got a single person in the radio.
03:01He's got a single person in the radio.
03:01He's got a single person in the radio.
03:03What are you saying?
03:05It's like Kamal.
03:07What are you talking about?
03:08Raj Ramki part.
03:10What do you think about Sathiraj?
03:13He's talking about Rajikaran part.
03:15He's talking about it.
03:16He's talking about it.
03:18He's talking about it.
03:19That's how I tell you.
03:23It's a kind of route.
03:25It's a kind of route.
03:26It's a kind of route to the Tamil Nadu.
03:28It's a kind of route to the Tamil Nadu.
03:30It's a kind of film reference.
03:35He's talking about Rajini.
03:36He's talking about Rajini.
03:38Why did you talk about Rajini?
03:41Rajini Kamal is talking about.
03:44That's why Kamal is talking about it.
03:46We are doing the next production.
03:48We are doing the next production.
03:49The director is Kamal.
03:53It's not an intro scene.
03:55Yeah.
03:57It's a very interesting intro scene.
04:00It's a Kamal song.
04:02That's why he's recreated.
04:04You are playing the theater.
04:07You are watching the scene.
04:08You are watching the theater.
04:09You are a little bit.
04:12In other words,
04:13he's talking about the theater.
04:16That's why the theater is working.
04:31It is interesting that we are all about it.
04:34I could not tell you about it if you come back and talk about it.
04:36I could never say anything about it but it is interesting to see it.
04:39They are very interesting.
04:41I can't believe it.
04:44I can't believe it.
04:44There is also a dark side comedy.
04:47Who is there?
04:49We are all about dark side comedy.
04:50We are all about dark side comedy.
04:51There is no more than that.
04:53There is a lot of intellectual and progressive things.
04:57There is a lot of.
04:58I have to say notes here.
05:02Even in a single scene, they have notes.
05:05That's the comedy.
05:09They say that they have a lot of fun.
05:14In the climax, they have an emotional story.
05:18So, they are very emotional.
05:20That's great, that's a good thing.
05:22Yes, all of them are one of them.
05:25All of them are one of them.
05:28But in this case, they all have an actor.
05:32That's why they don't know him.
05:34They don't know him.
05:37You can call him a cigarette.
05:39You can call him a cigarette.
05:39He didn't call him a cigarette.
05:41He didn't call him a cigarette.
05:44You can call him a cigarette.
05:46So how do you call him?
05:47The thing is, he is a bad guy.
05:51But if you call him a cigarette, you can call him a cigarette.
05:56They call him a cigarette.
05:58You can call him a cigarette.
05:59You can call him a cigarette.
06:00That's why his name is Muthukumar.
06:03Rendi Itli.
06:06Rendi Itli, Tolu.
06:08You can call him Rendi itli.
06:11Now, how do you call him Gubir?
06:12He is a Rendi Itli.
06:15He is like Rendi Itli.
06:16His name is Rajiv Gandhi.
06:20I'm telling you.
06:21Rajiv Gandhi.
06:23His name is Kamala Ghassan and his name is Suthi Ghassan.
06:29That's why he's a Kamal fan.
06:34He's a Kamal fan.
06:35His dad died in Kamala Ghassan.
06:39That's why Radhika, his husband,
06:41and his face reaction,
06:46he's still not aware of his face reaction.
06:49He's still there.
06:51He's still there.
06:53He's still there.
06:55He's still there.
06:56He's still there.
06:57That's why he's a medical miracle.
07:04He's saying that he's in the overseat.
07:07He's in the overseat.
07:08He's still there.
07:11He's still there.
07:12I don't know how to say that.
07:16He's still there.
07:18He's still there.
07:19In that situation,
07:22he's also a doctor.
07:25He's still there.
07:26He's saying that he's politically progressive.
07:31He's politically correct.
07:32we can study with you
07:33If you have a student,
07:36you can hear your parents
07:38and you can talk to them
07:39For that, we can talk to English
07:41they never know English
07:43We don't have any language
07:45That's it!
07:47My mother was telling you
07:50No, she was telling you
07:51She was telling you
07:52He was like, medical
07:57You're angry
07:58He did it.
07:59He said, I am not doing this.
08:01He said, I am not doing this.
08:03He said, I am doing this.
08:05He used to do the review.
08:07That's right.
08:08That's right.
08:09I wonder if I can go in a second time.
08:12I just thought I have to go in like a theater.
08:14I like that.
08:17Very good.
08:17So, it's a little bit.
08:18Little girl who is in the last time of KELAVIA.
08:21You see, KELAVIA is where I am.
08:24So, you're going to go in the first time.
08:25That's right.
08:26it was one of the same things as the guy who died
08:31he has the same thing
08:32The guy who is a guy who knows his guy
08:35So he will do the same thing
08:37They are all artists, that's only a junior artists
08:41They are only one person
08:42They are all the same
08:44that they are the one person
08:46They are the same character
08:49But they are registered
08:51They are registered in the montage
08:52He was a man in the video.
08:55They told him to give him the Karpah and...
08:58He told him to give him the Karpah.
09:02He told him to give him a look.
09:04He said the FUNMAX.
09:09He said he was very small.
09:11He told him to give him a trend, so he was a rural comedy.
09:16He told him to give him a look.
09:19He told him to give him a look.
09:21The match is not enough, we can make a match.
09:25No, the match is not even for the match.
09:26Yes, it's not for the match, but we can make a local narrative.
09:27They're not for the match, but the two things are a rural comedy.
09:29This is just for us, and we can make a lot of things.
09:37So, we can make a trend for each other, and that's why we are seeing a trend.
09:40So, come on.
09:42That's a beautiful watchable.
09:46Do you see how much audio is being?
09:47So, if you have a solid audio,
09:48So we're going to get a few more views on this video.
09:50So you can see the full reviews on this video.
09:51So you can see the negative results or any other results.
09:54But if you look at the video,
09:58we can see the video and see some of the videos.
10:00That's why everyone will see the video in the theater.
10:02So you will see a super review.
10:04If you don't miss it, you will see it.
10:06If you don't miss it, you'll see it.
10:08If you see it in the theater,
10:11you will see the audience enjoy it.
10:14So you will see it in the theater.
10:17And now we will talk about data bye-bye, Vijay Vishwa.
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