Tarzan and the Green Goddess (1938) is an action‑packed jungle adventure starring Bruce Bennett, released as the second half of the feature‑length version of the serial The New Adventures of Tarzan. Directed by Edward Kull and Wilbur F. McGaugh, the film follows Tarzan on a perilous mission involving ancient relics, hidden temples, and dangerous enemies.
The story centers on Tarzan’s quest to recover the Green Goddess, a sacred artifact containing a powerful secret. As he journeys through dense jungles and treacherous terrain, Tarzan faces hostile tribes, ruthless treasure hunters, and deadly traps. With its exotic locations, cliffhanger pacing, and classic adventure tone, Tarzan and the Green Goddess remains a fascinating entry in early Tarzan cinema.
Film Details
Title: Tarzan and the Green Goddess
Year: 1938
Genre: Adventure / Action
Directors: Edward Kull, Wilbur F. McGaugh
Starring:
Bruce Bennett (as Herman Brix)
Ula Holt
Frank Baker
Dale Walsh
Runtime: 72 minutes
Studio: Burroughs‑Tarzan Enterprises
Country: United States
Format: Black‑and‑white
#Tarzan #TarzanAndTheGreenGoddess #BruceBennett #HermanBrix #JungleAdventure #EdgarRiceBurroughs #ClassicTarzan #1930sCinema #BlackAndWhiteFilm #VintageMovies #SerialAdventure #FullMovie
The story centers on Tarzan’s quest to recover the Green Goddess, a sacred artifact containing a powerful secret. As he journeys through dense jungles and treacherous terrain, Tarzan faces hostile tribes, ruthless treasure hunters, and deadly traps. With its exotic locations, cliffhanger pacing, and classic adventure tone, Tarzan and the Green Goddess remains a fascinating entry in early Tarzan cinema.
Film Details
Title: Tarzan and the Green Goddess
Year: 1938
Genre: Adventure / Action
Directors: Edward Kull, Wilbur F. McGaugh
Starring:
Bruce Bennett (as Herman Brix)
Ula Holt
Frank Baker
Dale Walsh
Runtime: 72 minutes
Studio: Burroughs‑Tarzan Enterprises
Country: United States
Format: Black‑and‑white
#Tarzan #TarzanAndTheGreenGoddess #BruceBennett #HermanBrix #JungleAdventure #EdgarRiceBurroughs #ClassicTarzan #1930sCinema #BlackAndWhiteFilm #VintageMovies #SerialAdventure #FullMovie
Category
🎥
Short filmTranscript
00:00:10It's time to say for a minute,
00:00:11I'm ready.
00:00:11I'm ready.
00:00:14I'm ready.
00:00:15I'm ready.
00:00:16I'm ready.
00:00:17I'm ready.
00:00:18I'm ready.
00:00:20You're ready.
00:00:31The End
00:00:59Guatemala, a strange and beautiful country many thousands of miles away.
00:01:04A country with lofty snow-crested mountains, mighty rivers and deep lakes.
00:01:09Quaint little villages and picturesque natives.
00:01:12This is Guatemala on the surface.
00:01:15What a tourist might see if a tourist could ever get there.
00:01:18But under this superficial beauty lie many unsuspected dangers.
00:01:24Those mighty rivers run through treacherous jungle where wild animal life lurks in the shadows.
00:01:30Man-eating lions roam abroad.
00:01:31The deep lakes are infested with crocodile and alligators.
00:01:40And the natives may look picturesque but are deadly to a white man.
00:01:45In the heart of this impenetrable jungle stand the ruins of all that is left of an ancient Mayan civilization.
00:01:52Older far than Guatemala.
00:01:54The natives today are in great anger.
00:01:57Their ancient idol, the green goddess, has been snatched from the high altar.
00:02:01The high priest vows to avenge by a slow and torturing death.
00:02:06The violator and desecrator of the sacred cathedral.
00:02:10But unknown to the natives, unknown even to the high priest,
00:02:13this stolen idol is more than a graven image.
00:02:17The hidden inside it is a secret formula for a new explosive.
00:02:21Powerful and deadly enough to blow whole cities sky high.
00:02:24A potential menace to modern civilization and a real menace should the formula fall into unscrupulous hands.
00:02:32Tarzan and his band of intrepid followers, both men and women, have faced untold dangers.
00:02:38Wild animals, hostile natives, a rival expedition of murderous crooks and the horrors of fever-infested swamps
00:02:45to take the idol from the natives that the secret formula might be safe.
00:02:50At last successful, with the goddess in their possession,
00:02:54the Tarzan expedition starts on its long and arduous journey home.
00:02:58Everything's checked, Major Marling.
00:03:01Clemwood.
00:03:02Well, I hope you have a nice trip to Livingston.
00:03:06Goodbye, sir.
00:03:07And good luck.
00:03:08Miss Veyo?
00:03:10Goodbye.
00:03:11Goodbye, Tarzan.
00:03:13Goodbye, old man.
00:03:14Goodbye, George.
00:03:16Goodbye.
00:03:20Nothing to do now, but go home, sir.
00:03:22Right, George.
00:03:24Home abound at last.
00:03:26With a green goddess.
00:03:28And our mission fulfilled, Marling.
00:03:30Yes.
00:03:31Thanks to you, old man.
00:03:34Our only remaining task is the safe return of this relic to civilization.
00:03:40Well, shall we proceed?
00:03:41Surely.
00:03:43I'll get in the chemo and follow.
00:03:45Come on.
00:03:49Get your barrels ready.
00:03:51Put your best man on this.
00:04:12Come on.
00:04:13Good morning, sir.
00:04:15You see your power's here?
00:04:17I'm Raglan.
00:04:33I'll have to do it.
00:04:34Well, Rackham.
00:04:39What's the case?
00:04:41Did you find the dead city?
00:04:44Yes.
00:04:45I found the dead city in the goddess.
00:04:48The goddess?
00:04:49Oh, she's not.
00:04:51Well, where is it?
00:04:54Well, it was in my hands when...
00:04:56Oh, never mind the excuses.
00:04:59Where is the idol now?
00:05:02The Martling Expedition Hazard.
00:05:05So the Martling Expedition Hazard, eh?
00:05:09Eternal blunder, do you realize what your mistake means?
00:05:12We've lost a fortune.
00:05:14That green goddess contained the formula of the ancient Mayan explosion.
00:05:18Any nation would give millions to get it. Millions.
00:05:21I would like to see you got them from that ape man.
00:05:24The ape man?
00:05:29Do you mean Tarzan?
00:05:32I wonder if you know what it means
00:05:33to be in the jungles with him on your trail.
00:05:37Any moment he's liable to drop down out of a tree,
00:05:40lurking in the very shadows,
00:05:42his hands almost touching your throat.
00:05:46Why, I tell you man,
00:05:48I was lucky to get out of there with my life.
00:05:50Let alone any goddess.
00:05:58Look here, Raglan.
00:06:00We still have a chance.
00:06:03I'll leave it once for the East Coast.
00:06:06I'll have Simon Blade meet you with his ship at Libby's.
00:06:10Now there's only one trail leading to the rear Dulce,
00:06:13and the Martling Expedition will have to travel on it to get to the river.
00:06:17Yeah.
00:06:18Now what's to prevent you?
00:06:39You've got men hidden on both sides of the ravine.
00:06:42Si, senor.
00:06:43Sure.
00:06:56What's going on?
00:06:57Let's go!
00:06:57Let's try out!
00:07:05I wish Tarzan wouldn't lag behind us like this.
00:07:08Maybe something's happened to him.
00:07:11Ridiculous.
00:07:12What would happen to Tarzan?
00:07:14You never can tell.
00:07:16Suppose some of those monsters from the dead city has followed us.
00:07:20Well, you know, they may be right.
00:07:21Don't be silly, George.
00:07:23There isn't anything to fear any longer.
00:08:01Come on, let's get going. Get your men moving.
00:08:04Compañero.
00:08:51Come on.
00:08:52Come on.
00:08:53Come on.
00:08:53Come on.
00:09:06We will run away.
00:09:10Hold on.
00:09:12Come on.
00:09:15Come.
00:09:16Come!
00:09:18Come.
00:09:19Come on.
00:09:40Yes, Senor, Injan, get garbage.
00:09:51watch out for a moment.
00:10:14Are you all right?
00:10:16I think so.
00:10:19I still have to get that code book from Martling.
00:10:22You watch the goddess while I see what I can do.
00:10:29The goddess, it's gone.
00:10:32What did I tell you?
00:10:34Didn't I tell you that those fellas from the ruins of the old Lark Trail?
00:10:38Whoever stole the goddess had no connection with the dead city, George.
00:10:41Well, whom do you suspect, then?
00:10:43It wouldn't surprise me if it were Raglan.
00:10:46What about the document?
00:10:53Thank heaven they didn't get it.
00:10:55The code is no good without the goddess.
00:10:59Without this document, the thief dare not open the goddess.
00:11:03He'd be blown to atoms by the secret explosive it contains.
00:11:07Then there's still a chance to recover the goddess.
00:11:09Have the porters make camp.
00:11:11Thomas, prepare camp here.
00:11:23This husband is the first one.
00:11:25Six minutes.
00:11:25Six minutes.
00:11:38Yeah.
00:11:39The scuments are supposed to take a look at.
00:11:40Oh
00:11:42Oh
00:12:08Maybe maybe
00:12:12Raglan
00:12:22Barkley
00:12:24What happened?
00:12:28Take your time, Mark
00:12:29It was Raglan
00:12:37The book
00:12:38Gone
00:13:00You two men go to Manteek and send that message from the radio office
00:13:05If all goes well, I'll meet you at Porta Barrios
00:13:33Good night
00:13:37Let me see what's bothering you.
00:13:41No wonder you're limping.
00:13:45All right, I'll have it out in a moment.
00:13:52There it is.
00:14:06There it is.
00:14:08There it is.
00:14:45There it is.
00:15:31There it is.
00:15:48Come on.
00:16:12Let's go.
00:16:38Let's go.
00:17:17What about Raglan? Did you see him?
00:17:19Raglan caught the boat for Porto Barrios.
00:17:22I'm sorry to have failed, Martling.
00:17:25But if we get to start for the river at once, we can signal the next boat and catch Raglan
00:17:29there.
00:17:33We'll break camp at once.
00:17:47All right, George.
00:17:48Stay to see you.
00:18:38Our better plan would be to search the cantinas.
00:18:42Raglan would most likely hide if some out-of-the-way
00:18:44place.
00:18:47Let's split here.
00:18:49I'll go through this neighborhood,
00:18:50and you can search the other parts of town.
00:18:53Linda,
00:18:55I have to go to the cable office anyhow.
00:18:57I'd like to go along with you, Major,
00:18:59if I may.
00:19:00Suddenly, my dear.
00:19:12In the wood?
00:19:13No, your friend sent no message.
00:19:18I'm going to my room.
00:19:19If anyone inquires for me, I'm not there.
00:19:23You understand.
00:19:25Perfectly.
00:19:41Everything all right?
00:19:47Well, did we get any word?
00:19:48Yeah.
00:19:49There's a radio for you.
00:20:10Here.
00:20:11Here.
00:20:12There's a radio interview.
00:20:14I'm going to see you.
00:20:15Here.
00:20:16I'm going to see you now.
00:20:17I'm going to see you now.
00:20:19I'm going to see you.
00:20:19Here he is.
00:20:20Let me see you.
00:20:20What a sea of enough water.
00:20:20Where a sea of enough water.
00:20:22George.
00:20:23Yes, sir.
00:20:24Can I rely on you to do just one thing correctly?
00:20:27Oh, yes, sir.
00:20:29Well, stay around here.
00:20:30I have no time to waste looking for you when I return.
00:20:34I'll be over on that bench and I'll stay right there.
00:20:37I'll see that you do.
00:20:38No, sir. Oh, I mean, yes, sir.
00:20:54All right.
00:21:02Yes, sir.
00:21:03All right.
00:21:03Oh, my God.
00:21:07Oh, yes, sir.
00:21:09Oh, yes, sir.
00:21:11Oh, yes!
00:21:12Oh, yes!
00:21:16And that I will put my gun on there.
00:21:42George!
00:21:58And what is the meaning of this?
00:22:01Well, you see, sir, I sat down on that bench with the best of intentions.
00:22:06But this guide insisted that I see Portavarius.
00:22:10Besides, he had my yo-yo.
00:22:16Come on.
00:22:17Yes, sir.
00:22:17No.
00:22:40Our search has ended, Martling.
00:22:42What do you mean?
00:22:43Raglan was on that balcony just a moment ago.
00:22:47What are you going to do?
00:22:49The jungle tracking is for me.
00:23:05I'd like to see Mr. Raglan.
00:23:07There's no one here by that name.
00:23:12He may use another name.
00:23:14I've already told you he is not here.
00:23:16Very well.
00:23:18We'll wait for him.
00:23:36Four, two, one.
00:23:40One.
00:23:43One.
00:23:44One.
00:23:46Two.
00:23:48Let's go.
00:24:21Let's go.
00:24:56Let's go.
00:25:23Let's go.
00:25:26Oh, gosh.
00:25:26Look.
00:25:29Come on.
00:25:38You hurt badly, old man.
00:25:40Gee, I think all your bones will be broken.
00:25:42I'm all right, George.
00:25:46Well, then, what happened?
00:25:50I found Raglan in a room up there and attempted to get the idol, but...
00:26:01Listen, you get some native bearish, and we'll meet you at the south end of town.
00:26:05All right, chief.
00:26:07We can certainly be thankful.
00:26:09You've covered the code.
00:26:11Yes.
00:26:13But if I hadn't been so impulsive, you might have the goddess, too.
00:26:20It's a clue.
00:26:21What is it?
00:26:32It's a clue to Raglan's route and plans.
00:26:35Look.
00:26:38Let us find some bears and start at once.
00:26:40We must stop them before he meets the others.
00:26:44Here.
00:26:45You better take care of this.
00:26:51Say, what's out of here, chief?
00:26:53What's your hurry?
00:26:55Tarzan, he might be on our trail.
00:26:58Not a chance.
00:26:59Not after falling off that balcony, Willie.
00:27:01He must have broken his neck.
00:27:04Not Tarzan.
00:27:05He's got more lives than the jungle animals he plays with.
00:27:08You wait back there for me.
00:27:09If Tarzan comes, you'll be needing all the men.
00:27:11Don't worry.
00:27:12We'll handle him.
00:27:17All right, boys.
00:27:38Say, I wonder if the chief is right about Tarzan being on our trail.
00:27:42Ah, that chief is crazy.
00:27:45I tell you, that guy Tarzan is as dead as a mackerel.
00:28:11I tell you, that guy is dead as a mackerel.
00:28:17Hey!
00:28:28Don!
00:28:33Wait!
00:28:34Oh, let me finish him.
00:28:36No, let's hold him until the chief gets back.
00:28:37Then we can force him to where Martin is and get the coat bucket.
00:28:40All right, get a rope on his back, and we'll tie him up.
00:29:03Hello, horse, till the chief gets back.
00:29:42I'm sorry, I'm sorry, I'm sorry.
00:30:03Oh, my God.
00:30:28Oh, my God.
00:30:53What was that?
00:30:54You asking me?
00:31:11There it is again.
00:31:29Hey, stop!
00:31:32Come back here!
00:31:42Come back here!
00:32:18Come back here!
00:32:31Come there.
00:32:38Where's Raglan?
00:32:40Oh, they're somewhere.
00:32:42He didn't want anyone to know where he hid the goddess.
00:32:46All right.
00:32:47Get out of here, both of you.
00:32:49And don't stop till you get to Forte Berries.
00:33:21And don't stop till you get to Forte Berries.
00:33:22Come on.
00:33:22Come on.
00:33:22Come on!
00:33:22Come on.
00:33:23Come on!
00:33:24Come on!
00:33:27Come on!
00:33:30Come on!
00:33:44Let's go!
00:33:52Let's go!
00:33:53Our man!
00:33:54We're here!
00:33:57Let's go!
00:33:58We're here!
00:33:58Let's go.
00:34:35Let's go.
00:35:20He's up the trail, George.
00:35:23D- Maybe he's hiding somewhere, trying to open a goddess.
00:35:27Here we go.
00:35:44Franklin.
00:35:45Emmanuel may be following him.
00:35:52You go that way, George.
00:35:54We'll see if his trail leaves the river.
00:35:56I've got along the top of the bank.
00:36:00Yes, sir.
00:36:37Take him off.
00:36:38Let him into my leg.
00:36:39Take him off.
00:36:44No!
00:36:45No!
00:36:50No!
00:36:52No!
00:36:54George is searching the other way.
00:36:56Take him off!
00:36:58Take him off!
00:36:59Take him off!
00:37:00Where is that?
00:37:01Help!
00:37:02Major Marley!
00:37:03Major Marley!
00:37:04Where is that?
00:37:05Hey, Major Marley!
00:37:06Oh, God!
00:37:07Oh!
00:37:08Where is that Marley?
00:37:09Take it off!
00:37:10Take it off!
00:37:11There's nothing there, George.
00:37:13They attacked me!
00:37:14Thousands upon thousands!
00:37:16Thousands of what?
00:37:17Turtles!
00:37:20Listen, Major.
00:37:22Really, there was that...
00:37:23Oh, your code book!
00:37:25I'll get it.
00:37:34There's a caratasm.
00:37:35You've got to get that book.
00:38:01There's a caratasm.
00:38:02Look, Pa!
00:38:02He's going to get it!
00:38:06Oh, my God.
00:38:09Let's go!
00:38:54Mira, mira, pa, allá.
00:39:11Mira, mira, mira, mira.
00:39:40Mira, mira, mira.
00:40:25Mira, mira, mira.
00:40:40Mira, mira, mira.
00:40:46Mira, mira.
00:40:57Mira, mira.
00:41:05Mira, mira.
00:41:13Mira, mira.
00:41:16Mira, mira.
00:41:27Mira, mira.
00:41:42Mira, mira.
00:42:09Do they come, senorita?
00:42:11No.
00:42:12We're heading to the dead city.
00:42:14If Tarzan loses their trail, we may be able to help.
00:42:17But senorita, those blocks...
00:42:19Never mind, hurry up.
00:43:00You are to be held as hostages for the safe return of the Green Garden.
00:43:05You speak English.
00:43:07Who are you?
00:43:09Who am I?
00:43:11What does it matter?
00:43:13Once I was known in the world of science,
00:43:16but 20 years ago I cast my lot to these people.
00:43:21And I am content.
00:43:29No, he...
00:43:31He demands to know where you have taken the Green Garden.
00:43:35It was stolen and carried away by someone else.
00:43:39Someone, not in our party.
00:43:41Voila!
00:43:52You must reduce the gun.
00:43:54If you fail, you die.
00:43:58One.
00:44:01Two.
00:44:03One.
00:44:07Two.
00:44:10Two.
00:44:16Two.
00:44:17Two.
00:44:20Three.
00:44:28Whoa, whoa, whoa, whoa, whoa, whoa!
00:45:01Oh, whoa, whoa!
00:45:27Come on, come on, come on!
00:46:13Come on, come on!
00:46:54Come on, come on!
00:46:57Come on, come on!
00:47:22Do something!
00:47:23Get him out of there!
00:47:29Get him out of there!
00:47:49Where is he?
00:47:58Quick, over here!
00:48:32Come on!
00:48:33No!
00:48:37Come on, Jimmy!
00:48:39I love you!
00:48:40I love you!
00:48:42Let's go.
00:49:23Let's go.
00:49:41Let's go.
00:49:43I'm in Blade here.
00:49:45Yeah, on board the ship off Carapointe.
00:49:49Listen.
00:49:50I'm being watched.
00:49:52I can't come aboard until dusk.
00:49:54I'll have a man signal you from the point.
00:49:59You understand?
00:50:00Aye, aye, sir.
00:50:07What do we do now?
00:50:08Crawl through here.
00:50:09When they come for me, we'll make a break for it.
00:50:20Keep up your nerves.
00:50:22Here they come.
00:51:01Oh, look.
00:51:08Where have they brought it here?
00:51:10You're to be questioned by the high priest through me.
00:51:16These instruments bring out truthful answers.
00:51:20But I've already told you.
00:51:22We haven't the green goddess, nor do we know where it is.
00:51:25The fellow by the name of Raglan goddess.
00:51:27And we don't know what he did with it.
00:51:28What?
00:51:30What are they going to do to me?
00:51:31That's why you can tell them nothing.
00:51:33Let them question me.
00:51:39No!
00:52:07You won't sit down there.
00:52:11Hold the rug.
00:52:13No!
00:52:15Oh, my goodness.
00:52:25Hold on.
00:52:26Do not.
00:52:30You're going to leave the pole.
00:52:31You're exactly the same thing.
00:52:31We did not wait until we came to record.
00:52:31Oh, what?
00:52:31Hey!
00:52:31Hey!
00:52:41Hey!
00:52:44Hey!
00:52:47Hey!
00:52:51Hey!
00:52:53Hey!
00:53:05Hey, Kevin, we escaped without any casualties.
00:53:08Say, what would happen to Raglan if the monster caught him with the goddess?
00:53:12I don't think they will, George.
00:53:15By now, Raglan's probably found a safe refuge.
00:53:19Don't give up hope, Major. We may yet catch Raglan.
00:53:22When I saw him heading downstream, I sent one of my men after him.
00:53:26He'll either return with news or send words.
00:53:28Look!
00:53:30Someone's coming!
00:53:34It must be Lopez.
00:53:36The messenger reminds man said he sent him to Nantique.
00:53:55Come on, Lopez.
00:53:57Bien, gracias.
00:54:01News of Raglan?
00:54:03Yes.
00:54:04Senor Lopez.
00:54:08Raglan seems to be waiting for someone at Manteique.
00:54:11But whom, Jose does not yet know.
00:54:14Well, is Jose still watching Raglan?
00:54:16Oh, si, senor.
00:54:18And there's a strange sailing ship laying off the shore south of Manteique.
00:54:22And Jose thinks that possibly those in Raglan's waiting for are on board that boat.
00:54:28I'd like to see that mysterious ship.
00:54:30The Cayuca won't carry all of us.
00:54:32So I'll cut through the jungle and meet you at Manteique.
00:54:50Well, we've got a boat.
00:54:51And I'm going to play them in a boat.
00:54:54We've just got a boat!
00:54:54We've got a boat.
00:54:54Hey!
00:54:55We've got a boat!
00:54:57We've got a boat.
00:54:57I've got a boat.
00:55:01I've got a boat.
00:55:02I've got a boat!
00:56:44Get your hands off that gunners.
00:56:45This will be the last time you'll meddle in my business.
00:57:10What is that?
00:57:11The gunner.
00:57:12Quick.
00:57:13We'd better get out of here.
00:57:14We have a car back on the road.
00:57:15Good.
00:57:20All right.
00:57:21I'll get my party together and be aboard within an hour.
00:57:24That'll be fine, Major.
00:57:40Good.
00:57:41Good.
00:57:43Good.
00:57:44Good.
00:57:59Good.
00:58:02Good.
00:58:02Good.
00:58:02Good.
00:58:02Good.
00:58:02Good.
00:58:05Good.
00:58:11Good.
00:58:23Good.
00:58:25Good.
00:58:26Good.
00:58:40Good.
00:58:47Good.
00:58:48Good.
00:58:48Good.
00:58:48Good.
00:58:49Good.
00:58:49Good.
00:58:49Good.
00:58:49Good.
00:58:49Good.
00:58:49I hope you'll be comfortable thank you I know I will be it isn't often these days
00:58:54we have a lady aboard I suppose not captain I know you're going to have a
00:58:58very pleasant voice I'm sure now major you'll excuse me I'll give orders to
00:59:04set sail Linda well homeward bound at last
00:59:16my fellow we kept them very okay tonight
00:59:47so
00:59:53so
01:00:04so
01:00:09so
01:00:10so
01:00:16so
01:00:30so
01:00:31so
01:00:34so
01:00:35so
01:00:36so
01:00:39so
01:00:39I think I'll turn in before it gets worse
01:00:41all right my dear good night
01:00:42good night
01:00:59I'm hurt
01:01:00I just saw him
01:01:01him
01:01:04are you quite sure you're a positive guy then
01:01:07where
01:01:09I was on the way to my cabin
01:01:11he was in the companionway
01:01:16now it's right Marlin
01:01:18we've walked you to a trap
01:01:20but you may not know that you would have saw right now
01:01:25you brought this thing to a crisis before I was ready did you
01:01:29what are you waiting
01:01:29that male woman saw you
01:01:31yeah
01:01:36you know what
01:01:37I want
01:01:38are you
01:01:42all of you go quietly to your cabin
01:01:44I'll remain on deck
01:01:45I may learn something definite
01:01:52get some of the crew get him out of here
01:01:54may I
01:01:55sir
01:02:02no
01:02:05fine
01:02:07no
01:02:08no
01:02:35Let's go.
01:02:40Father, make it!
01:03:09Oh, my God!
01:03:11To the brigades!
01:03:13To the brigades!
01:03:16To the brigades!
01:03:19help, help!
01:03:24We help.
01:03:26We help.
01:03:29We help it
01:03:31We help.
01:03:32Go, go, go, go!
01:03:41Put any of your heaviest men on the front!
01:03:53Let's stand away, boys!
01:04:04Go, go, go!
01:04:32Go, go, go, go!
01:04:54The danger is going.
01:04:56The danger is in their cavern.
01:04:58Hey!
01:04:59Hey!
01:05:38Can you read it, Martley?
01:05:41Yes, partly.
01:05:45This is undoubtedly the formula.
01:06:08And here's the formula, the cause of all our difficulties.
01:06:11Well, that's all over now.
01:06:14I've looked in the crystal and seen that it's much too dangerous to be in anyone's hands.
01:06:18There was major...
01:06:45Well, Eula, do you feel compensated for all your hardships now that the document is destroyed?
01:06:51More than compensated for them.
01:06:54Meeting and learning to know you is well worth any hardship.
01:06:59I'm the one who is grateful, Eula, for having met you.
01:07:07Then we both owe much to that little parchment.
01:07:09We surely do.
01:07:23And, however, you want to make your own happiness before you go.
01:07:25Let's see, what you're doing next one...
01:07:25Let's just check in.
01:07:25You can see.
01:07:25Let's go.
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