മാർക്കോയും പടക്കളവും ചത്താ പച്ചയും കടന്ന്.. പാട്രിയറ്റ് വിശേഷങ്ങളുമായി ഇഷാൻ ഷൌക്കത്ത്.
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#IshanShoukath #Patriot #PatriotMovie #ChathaPacha #Mammootty #Mohanlal #FahadFaasil #entertainment
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NewsTranscript
00:00I was shooting Marco Arangishayashan.
00:03For example, when Marco released December 20th and 25th, I was shooting Patriot.
00:08Then, when I started my career in the cinema, I didn't know how to do it.
00:13When I was in Christmas, I was shooting Mammuka.
00:19I was like a dreamer.
00:21I didn't know how to do Mammuka.
00:25I didn't know how to do it.
00:29I didn't know how to do it.
00:31I didn't know how to do it.
00:33So, he wanted to do it as an actor.
00:41For example, in the opening voiceover, the animation portion,
00:46the character called the Wallfront.
00:49He was shooting a little bit.
00:50He was shooting a little bit.
00:51He was shooting a little bit.
00:53He was shooting a little bit.
00:56But, if we did, I was shooting a little bit.
00:58If we were shooting a little bit, we would cut the movie.
01:01We would be better at VFX.
01:04The colors, the sound, the color.
01:08I was shooting a little bit.
01:11It was a little bit.
01:13No movies forever.
01:15You can't go into our post production,
01:17sekshers, music,
01:24music,
01:25music,
01:27I dream.
01:31So I am so eager to ask the actors.
01:34The same thing I have written is
01:36I am going to release.
01:36I was able to release it.
01:38We have all the connections between engineers and direction.
01:45Shrihan is an engineer.
01:46We are also an engineer in the industry.
01:47We work in the direction of the direction.
01:50Shrihan is an engineer.
01:52We are able to do all the work in the film.
01:55We are able to do all the work in the film.
02:02We do our work in the film.
02:04We will be able to listen to the film series.
02:06We will be able to encourage you to ask the crew series.
02:08We have a wonderful bond for you.
02:10You will be able to listen to the film series.
02:14We are able to learn a lot and it's going to be a good job.
02:17To be honest, how are you?
02:18It is so good.
02:19It has been so good in our own future.
02:21It has been a last year in the 2021 season.
02:23I did not make it before, but I didn't think that.
02:26In 2016, in 2016 and in 2016.
02:29Yes, I think that I was going to go all the way.
02:35Do I have to go all the way from my career?
02:37When I was young, I would have to go all the way.
02:40Usually I would have to go all the way.
02:42I would have to go all the way from my career.
02:44I would be all the way to go all the way.
02:46I would not do anything like that.
02:49There is a possibility to perform at the stage, in the theatre, in the place, in the dance, in the
03:00school.
03:01If you can perform at the stage, you can translate it into a career.
03:08There is no idea about acting, acting, acting in the cinema.
03:13Do you have a career plan?
03:15There is no idea about the career plan.
03:18Do you have any interest?
03:21Yes, because there is no idea about an athlete.
03:26There is no idea about an athlete.
03:29But you can't do anything out of the box.
03:32It's a success ratio.
03:35Yes, you can do it.
03:36There is no idea about an athlete.
03:39There is a national level in the school.
03:42Dubai is an athlete.
03:44Dubai is an athlete, North India, US.
03:49Then I am a professional athlete.
03:56I am a professional athlete, so I am a professional athlete.
03:57I am actually working on basketball,
03:59and I am a poet who is a poet.
04:02I am the teacher and I know what my friend is doing, I am the teacher.
04:12So, for the four years, I was doing theater.
04:15I was doing theater.
04:16I was doing theater in the stage.
04:17I was performing in the stage.
04:23So, I did dance.
04:27I was doing theater.
04:30This is a part of the dance, but I was also a part of the dance, acting and acting.
04:37I mean, I talked about that in a minute, but I was just in the conversation.
04:41I was just that little bit of a conversation.
04:44I was just in the conversation, and I thought that with a lot of conversations,
04:48I was just talking about the dance music, and I was just in the conversation.
04:51I was just thinking about that.
04:56I don't want you to be emotionally emotional, no action.
04:59I don't want you to be emotionally emotional.
05:02You don't want to be emotional.
05:03I'm not the best, you are.
05:07I have been a associate director.
05:11The only thing is that the scale of your company is to be unscathed.
05:16It's not just so great in the film, as a fan of Indianara,
05:20it's not just about the average side of the country.
05:21I have never heard of it but the same thing is that some time there is no part of it.
05:24Another thing I wanted to know was it's a pin in the film and there aren't any undercover movies.
05:27I thought I didn't understand that much of it.
05:30But wasn't there a lot of music and the other ones were added to it.
05:34I didn't know where I could work with it to get a chance to get a chance to get a
05:38chance to get a chance to get a chance to get the same performance.
05:41The same thing, since the company was saying, the current first performance was not the same thing,
05:47but what we did not have the idea of it.
05:49So, what was the movie that was released?
05:52In the audition?
05:53No, I was the director of Marco Chaynamu.
05:56He was the director of my brother.
05:58We were the director of the co-op and we were the director of the show.
06:01We released it in 2020, we were released in 2020.
06:05We were the director of festivals.
06:07We were the director of the international film festival.
06:14We were the director of the show.
06:15So, we were the director of the show.
06:18The sheriff came and they had a very emotional side of the show.
06:24So they had to be a character who got a good fit.
06:30But now, when you learn about the emotional Korana,
06:35then you have to learn about the other.
06:39So, they have to be the other character.
06:43If you don't have any characters, you will have a rough answer like that.
06:50Actually, I did the casting later. I did the shoot every week.
06:57There is a time to prepare for that.
06:59As an actor, if you have confidence, usually there is a preparation for you.
07:05I didn't have any time to prepare for this. There is a lot of tension in which I have done.
07:10I have a first time in the cinema.
07:16I had a blind character for that.
07:20There is a lot of tension.
07:22I have a lot of research about the film.
07:24There are blind characters.
07:27There are a lot of sense of a woman.
07:30I have a lot of sense of it.
07:32If you have a woman, she is a woman.
07:34She is not a woman.
07:38She is a character.
07:41For example, Victor is a woman.
07:43She is a woman, a woman, a woman, a woman, a woman, a woman, a woman, a woman.
07:48She is a woman.
07:50As a woman, I have a blind character.
07:53At a master's age, if someone goes into natural age,
07:56you look at the character's development ofart,
07:59that person can create a 때도 object for that as she is a student.
08:03For example if anyone who is blind,
08:07we see other senses–drug more affirming.
08:12I build our eyes.
08:14I think it's important to understand the characters.
08:18I think it's important to understand the characters.
08:19I think it's an elaborate backstory.
08:31The director and the writer said,
08:33I don't think I'm going to tell you.
08:36I don't think I'm going to tell you.
08:39I'm not going to tell you.
08:43No, no, no.
08:44In this study, I had a collaborative experience.
08:48I had a written experience.
08:50Then I had a freedom to build.
08:53Then I had to collaborate, I had to discuss,
08:56I had no freedom.
08:57But I didn't want to discuss anything.
09:00I had no confidence in this.
09:04I didn't know anything about it.
09:05I didn't know anything about it.
09:06But I didn't know anything about it.
09:09But I was able to find the character's nuance.
09:12It was the fact that I didn't know everything.
09:17The character was soft.
09:19For example, in different parts,
09:23there was a character who played a negative character.
09:29The character did not see anything from it.
09:30Now, I did not see it.
09:32Well, because of it.
09:32No, it's not.
09:33I would love to see you as a character.
09:37Yes.
09:37You would love to see me as a character?
09:40I would love to see me as a character.
09:43I would love to see you as a character.
09:46I was one of the same things in my movie and I was like,
09:52I would love to hear you.
09:54But now, the thing is I feel very relatable.
09:57I was very happy to be a brotherhood, and I was very happy to be a brotherhood.
10:03I was very happy to be a guy.
10:07I was very happy with my character.
10:13I was very happy to be a little older.
10:14I think it's a whole new connection.
10:19So, I'm not sure if I'm the only character.
10:22I think it's a different character.
10:25I don't know if I'm the only character.
10:28It's best he only does it.
10:31So, in hindsight, I didn't have to do anything.
10:34I didn't know if I was a cast for my character.
10:38That's what I'm doing.
10:40I was like, that's the best for Supran.
10:43Karmie, Fritz Kodhivie, they were doing casting.
10:48They were doing casting.
10:50They didn't have to be able to do it.
10:54So, they were doing casting.
10:59Throughout the process, there was a lot of pasta and pasta.
11:05So, if you want to talk about the story, I will talk about the story of Adi and I will
11:15talk about the story of Adi.
11:16I am Shihan.
11:18Adi is not the story of Adi.
11:25I am Shihan's bathroom. I am Shihan's work and everyone is working on the projects.
11:37In 2019, I think there is a bad boy channel in the pipeline.
11:43It is not a completely different story of the story of the three brothers.
11:48I am Shihan's work and we are in the same place.
11:54The pitch deck and everything.
11:58Everything is different.
11:59It is not the origin.
12:02It is a Shihana's feeling.
12:05It is a foundation set.
12:08We are fine tune and we are going to change the genre.
12:12It is a fundamental thing.
12:14We had a Western concert.
12:16We had a few more time exploring the film.
12:22It was a nostalgia.
12:24It was a nostalgia.
12:26I was involved in this film.
12:30We had a film in the film in the film.
12:32You didn't know that.
12:35We had a film in the film in the film in the film in the film.
12:38We had a film in the film in the film in the film.
12:39It was 3-4 years ago.
12:41It was 2-3 years ago.
12:44After discussing this, we joined the screenwriters of Sanu Patten.
12:50We started to restart the script.
12:54Then, we started four groups.
12:57We started to join the directors and actors.
13:01We started to do full cinema.
13:04We started to do all the post-production faces.
13:10We started to do the editing.
13:12We started to do the music.
13:14We started to develop the music.
13:19We started to do the dream.
13:22We started to do the music.
13:23It was very important for me to play a film maker lens.
13:31So, I like to do my work.
13:34There's no help in my acting life.
13:37I love it.
13:39I love it.
13:40I love it.
13:42I love it.
13:44I was able to use the editing pattern.
13:48I was able to use the same technique as well.
13:52There were gimmicks and tactics.
13:57I was able to use the same technique as well as behind the scenes.
14:03I was able to use the same technique for months.
14:05So, I was happy because there were stories that were created as an actor and I didn't have a full
14:13project.
14:15So, I had a full release.
14:21Shri Khan, Vishan, do you call it a childhood?
14:25Yes, it was a childhood. It was called the first scene in WWE.
14:28It was called the first scene in WWE.
14:34So, after that, I had a feeling that I had a proper feeling.
14:38I had a second father.
14:44But, we didn't have a relationship with Shri Khan.
14:51I had an old brother.
14:54I had a support from NSI.
14:57I had a short feeling.
14:59I had an artistic thought.
15:02I had a process.
15:03I had an investor.
15:05How did you do that?
15:06What was the other thing that I did in the movie?
15:07We had with the engineers and the direction.
15:13I was really more about the director and the engineer.
15:18I was also an engineer.
15:19He was doing a lot of his work in the industry.
15:19He was an engineer.
15:20Yes.
15:20He was also an engineer.
15:20So, he was a creative actress,
15:23so he had an instrumentalist in a long time.
15:25For seven years now, he began some kind of stuff.
15:27But, when I got the first film in the tweet,
15:28When the film came to the film, Shayan and the first friend introduced him to the film.
15:34Like Batman's Dark Knight, then Shayan was born in a dark night.
15:40So, Shayan had a lot of feedback on Shayan's.
15:44So, for example, in the theatre, I knew that it was COVID-19.
15:50Shayan said, I'm going to work with the director, and I'm going to work with Shayan.
15:54We can't do it.
15:56We can't do it.
15:57We can't do it.
15:59We can't do it.
16:01We can't do it.
16:02We can't do it.
16:04We can't do it.
16:06There's a whole space.
16:10There's a camera man.
16:13There's a writer.
16:14There's a director.
16:17There's no two-man show.
16:20What's the theme?
16:21There's a call center agent.
16:23There's a lot of science fiction.
16:24There's a call center agent.
16:28I'm a call center agent.
16:30They can't do it.
16:33For example, if they're in a family,
16:36they can't do it.
16:40They can't do it.
16:40For example, if you're a family,
16:42they can't do it.
16:46They can't do it.
16:46That's science fiction.
16:48They can't do it.
16:52They can't do it.
16:55They can't do it.
16:56They can't do it.
16:57They can't do it.
17:13So, there's a character.
17:14Now, the film's work is done.
17:18They can't do it.
17:19Then we're the co-producers.
17:21They are the producer?
17:23They're a co-producer?
17:24No, no.
17:25Time for it.
17:28If they're a deadline,
17:30we're the co-producers are the company.
17:32They started a production company and they started a creative and execution.
17:41They started a joint and started a partner.
17:45They started a company that started this real world.
17:49They started a first project and they started two years.
17:55They started a lot of the story and started a lot of directors.
17:58and we have to connect with the other people.
18:04Shandrase and Lloyd, there are also collaboration sites in distribution.
18:09We have to go to Mypre, we have to go to Thermo Correction.
18:12What are you doing? What are you doing?
18:17Shihand is the idea of the credit card.
18:19We have to make sure there are rules.
18:21that I had a full time, and the first time I had never come to do that.
18:27Even if I had to get it right to get it, I didn't get it.
18:32Then I asked, I thought I was being angry.
18:35After that, I said, I was like, no, it's okay. We tried.
18:39Then I said, we didn't get failure at all.
18:43We needed rejection.
18:45Then I said, no.
18:46I'm not going to get a rejection, but there was no fear for failure.
18:49So, we had the wayfarers in Dharmana.
18:54So, did you get the hype?
18:57No, it wasn't.
18:58There was a hype that came out.
19:01We didn't have a market, we didn't have a movie.
19:05There was a hype that came out.
19:08So, there was a hype that came out.
19:11There was an anticipation that came out.
19:13So, there was a shoot that came out.
19:16So, when we started doing business,
19:19we started doing the output of Dharmana.
19:23For example, there was a film.
19:25You can tell me,
19:26there was an interview block fight.
19:30We didn't have a fight.
19:33That's why we didn't have a fight.
19:37We didn't have any idea.
19:39We didn't have any idea.
19:40We didn't have any idea.
19:41We didn't have any idea.
19:42We didn't have a making style.
19:43At least.
19:44So, there were many of these.
19:48The three Dharma, Playfarers, PVR, etc.
19:55They joined the cinema first.
19:57They didn't shoot them all.
19:59Or, you have to shoot them all at title track.
20:03After a few years, they did not have fun.
20:07They were very connected.
20:07It was actually our co-producers, family friends, family polo.
20:11They were the first contact of us.
20:14But we didn't even talk about it.
20:17We were able to talk about it.
20:20We were able to talk about different projects.
20:25We were able to talk about musical sensibilities.
20:27We were able to talk about it.
20:32We were able to talk about it.
20:33We were able to talk about it in a little while.
20:38They were able to talk about the platform.
20:40So they said, oh, that participant!
20:41That was so good.
20:42That dentist!
20:43That is so good!
20:46Yeah, they know everything about Kerala.
20:50But we learned something about them.
20:52That we would be able to talk about these opportunities.
20:53So we could also have quite a chance to have the opportunity.
20:56There would be matching up the opportunity.
20:59So our collaboration needs.
21:00How did Mamukh start?
21:02Yes, Mamukh started.
21:04Actually, the production company started with Mamukh's guidance.
21:11We started to shoot Mamukh's support.
21:16For example, our executive producer, George, Mamukh's producer,
21:21and the producer, Sumi, Singh.
21:23This is Mamukh's company.
21:24I am a part of it.
21:26So, we have to do more than any other thing.
21:33The production is smooth.
21:35We are making this project.
21:40So, Mamukh's support is starting.
21:43When we do that, we start to get a break.
21:51I think that I can't get a break.
21:53Then, I think that I'm happy,
21:55so that we can actually develop this.
22:01For example, I'd like to say,
22:03at this moment,
22:06there are a few actors who are acting like a star,
22:08who are acting like a gandum,
22:10so that there are a few actors who are acting like a star,
22:12and they are acting like a cameo.
22:15So,
22:16When you were in a peak moment, you would have a character in that peak moment.
22:21Then you would have to be the same round.
22:24You would have a balance between the actor and the actor.
22:28You would have a little connection between the character and the character.
22:33You would have to be a classic big bb.
22:35You would have to be perfect.
22:39Fantastic voice.
22:40If you have a perfect cast, you will be able to get an immersion. How do you feel about it?
22:49We have creative choices. We don't have any idea about it.
22:57For example, Mamuka can come as Mamuka the star.
23:11He wanted to do it as an actor.
23:16For example, in the opening voice-over, an animation portion,
23:20the character of the Walter,
23:22he wanted to do it as an actor.
23:27He wanted to do it as an actor.
23:29He wanted to do it as an actor.
23:31He wanted to do it as an actor.
23:34He wanted to do it as an actor.
23:37Again, the criticism is not a lot.
23:40We have to do it as a part.
23:44What is that?
23:45What is that?
23:47What is that?
23:49What is that?
23:51We don't have to do it as an actor.
23:52We don't have to do it as 90%.
23:57We don't have to do it as an actor.
24:06We don't have to do it as an actor.
24:08We don't have to do it as a actor.
24:13We don't have to do it as an actor.
24:14For example, I don't have to do it as critical feedback.
24:18I don't have to do it as a filmmaker,
24:19or to the audience.
24:21I don't have to do it as a actor.
24:27But I don't have to do it as a actor.
24:30I don't want to do anything.
24:32I can't do anything in the back.
24:36But I think there are many criticisms.
24:43Now, when you have a release,
24:45you can do the postions of Mammu's.
24:47Do you have any questions?
24:50No, it's all.
24:52We can do the postions of Mammu's.
24:54We can do the postions of Mammu's.
24:56That's why our artists are so much appreciated.
25:03It's better than that.
25:05For example, if you're doing dub, you're doing dub.
25:08Because you're doing dub, you're doing dub.
25:11We've done that.
25:12That's why we've done that.
25:14We've done that.
25:15We've done that.
25:16We've done that.
25:18They are the colors, the sound, etc.
25:23But we have a few things.
25:25A movie is the one who's doing everything.
25:30But we are the only ones that are in our society.
25:33That's the maximum perfect actor.
25:38So, for that dub, we have to say that.
25:42We have to say that.
25:43I mean, I don't think I can do it.
25:46I'm going to be a homicide.
25:48I'm going to be a decision.
25:49But I think that's what it is.
25:52You know, Patrick is now 80 years old.
25:54Isha is the path coming?
25:55How much of the impact is going to be?
25:58In that project, there is a character.
26:01There is a little bit of screen time.
26:04There is a perspective of an artist.
26:07I am very happy.
26:09This movie was the film in December 2021.
26:13I called a patriarchal of Marco Arangishayasham.
26:17He was the picture of him.
26:20For example, Marco is the film in December 2018.
26:23I was the first year shooting at the 25th.
26:26I was the first year of the film
26:27and I was happy to meet the film.
26:32He called me a dream.
26:38Now, I thought,
26:39Only great things to say is that I was happy with a lot of screen time.
26:46In that movie, I was a junior artist and I was happy with that.
26:52I was happy with that.
26:54I was happy with that.
26:58I had no chance to say that I was happy with that.
27:08Do they have any nominations?
27:10What is the best thing to do?
27:13You can see a lot of people who are interested in it.
27:19You can see someone who has something to do.
27:22You can see them as well.
27:23You can see it, you can see these things.
27:25See, I work a little bit more to an actor.
27:34I don't know if you can do it anymore.
27:36But it's a lot of the technicians working here.
27:39I can't remember if I was working here with Mujib Khan.
27:44And now I'm a fanboy moment.
27:47Because the music guy was directing the music guide.
27:53But I've worked with Maheshwaten.
27:58The director of Malik and then the director of the music guide.
28:03I think it's a real feeling.
28:10In Asarabha?
28:12No, Baku, Sri Lanka, Kochi.
28:18I think it's a portion.
28:20That means it's not the stars.
28:23How do you compare it?
28:25How do you compare it?
28:28No.
28:29I don't know.
28:31I think it's a real feeling.
28:33I think it's a promotion.
28:36I think it's a combination of the fan moments.
28:40So, you can see that in the past, you can see that in the past.
28:44What is the best fan moment?
28:47I think it's a fan moment.
28:48I think it's a good thing.
28:51I think it's a good thing to watch.
28:55I think it's a good thing.
28:56I think it's a good thing.
28:57But, I think it's a good thing.
29:00I want to see that in Asarabha's scene.
29:02I think it's a good thing.
29:04So, if you look at the performance of the Amukha,
29:05I'll go to a location.
29:07I'll go to a camera.
29:09I'll go to a distance.
29:12I'll go to a distance.
29:12In the scene, I want to see that in Asarabha's congratulations.
29:15I thought that in Asarabha has already been a 50 crore box office.
29:19I want to see that in Asarabha.
29:20I was like, oh, thank you.
29:23I was like, I don't know.
29:24I was like, I don't know.
29:27In real life, an actor to actor.
29:31A newcomer to inspiration.
29:34I don't know.
29:36I don't know.
29:38No, I don't know.
29:40That's the analogy.
29:44But my opinion is, when I was a member of our industry,
29:48I would say, that's what I was sharing.
29:51I didn't understand the kind of industry.
29:56But I didn't understand the kind of industry.
29:59We got those people with the kind of industry.
30:03We have the backbone industry.
30:06So it's like choosing between your parents.
30:09I believe it's able to support one another.
30:11That is why I think the most important thing is to give up.
30:13That is why it doesn't work much like dancing.
30:18What about people?
30:21We are all the things.
30:22They didn't criticize us.
30:24The guy is not like that.
30:26But now I can't believe that I can't say anything.
30:29They don't want to be indicted.
30:32Now, that is true.
30:35Now, for example, there is no promos.
30:38was going to shoot the video.
30:42It was also going to get revenge.
30:44And if I am not talking about my mother,
30:47she is going to get revenge from my mother.
30:47That's not what I did.
30:48If I have found anything like this,
30:53to get revenge,
30:58I don't think it is a very ideal.
31:01It easily doesn't matter.
31:03I have had a critique.
31:05I was a critic.
31:09I was a critic.
31:09I was like,
31:11I wanted to ask how to do my work.
31:14For example,
31:15I was here at the first day of the show in the theatre.
31:19I was open to the first day of the show.
31:22I was like,
31:23I could have done this.
31:26I was like,
31:27I didn't have to do my performance.
31:30I was like,
31:32I was like,
31:35I was like,
31:35I was like,
31:36I was like,
31:37I had to find my ultimate process.
31:43So,
31:44I wasn't able to look at this cinema.
31:47In fact,
31:48the same way,
31:49I was able to look at the first time.
31:50Even if I was not aggregated
31:51I found myself in that first time.
31:55The first time I was saying,
32:01I couldn't see the first time.
32:03It's not a mystery, but it's not a mystery.
32:05Is there a better actor?
32:09Definitely.
32:10I think it's better at this moment.
32:15It's better for me.
32:18For example, dance.
32:21For example, this dance is one and a half days.
32:27It's better for me.
32:28It's better for me.
32:30I think it's better for me.
32:36Do you want to be a solo hero?
32:39Do you want to be a commercial success?
32:42Do you want to be a solo hero?
32:45I don't want to talk about stories.
32:51I don't want to go there.
32:53I don't want to be a solo hero.
32:55I don't want to be a solo hero.
32:59I don't want to be a solo story,
33:01I don't want to be a solo audience in cinema.
33:15I don't want to be a solo audience.
33:19There is a lot of sensibility, such as the R&N producer, R&N director, R&N shoot, etc.
33:26That's why I am interested in the R&N news.
33:29The crew is there.
33:31Because now, the back and behind the scenes will be a big impact.
33:38So, what do you think about that?
33:40Do you want to play any characters?
33:43That's right. You want to play any other characters.
33:44You can play a genre, you can play comedy, romance, action and drama.
33:53You can play a little gray characters.
33:58You can play a little layered and depth.
34:02You can play or play a little bit.
34:05I don't remember what a character is.
34:07That's why I remember that.
34:10That's why I remember that.
34:12That's why Grace is here.
34:13Now I'm going to show you the movies.
34:15I'm going to show you the show.
34:18Thank you so much.
34:20Thank you so much.
34:39Thank you so much.
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