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Esta série diurna, ambientada em um grande prédio convertido em pensão, teve duas fases: uma de pequenos dramas independentes, cada um sobre a vida de alguns moradores e seus amigos, familiares ou colegas; e uma posterior - com personagens diferentes - composta por uma sequência contínua de episódios, no estilo novela, retratando os moradores como um todo.
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00:19A CIDADE NO BRASIL
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03:26AND
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03:33at all it's not happen again i was only thinking of you yes you don't want empty rooms i don't
03:40want
03:40people i know nothing about and you'll be complaining when the bills coming
03:49clive yeah are you listening i'm busy stop fiddling me that jewelry setting stones happens
03:56to be a highly skilled job somebody don't make more money out of it then it's a pity we've got
04:00an empty room this is my house and i'll run it my way you're not to let a room to
04:07anybody else
04:08without me seeing them first you've finished now have you where are you going i'm going to the pub
04:12i'm going to sell some of this stuff i've heard that one before i met a potential customer the
04:18other night oh go where you like i will someone's going to make some money if you're going to let
04:24rooms go empty
04:33will you let me acquit
04:59i'll show you a good place to put those
05:05more room on your draining board
05:07it's all
05:10it's silly really but you've been here two weeks and we haven't even spoken yet
05:15no
05:18my name's jan
05:22i don't know your name what's the difference
05:28well um in case the phone went i wouldn't know who they were asking for i mean
05:33i wouldn't know who they meant if they said brian jackson
05:38who's brian jackson no i meant if your name were brian jackson
05:44i won't be getting any phone calls
05:51well at least they're honest with the meters here i was once in a place where the electric meter kicked
05:56away even when you weren't using it you'd have to put 20 pence in before it gave you any power
06:00and
06:01then it only gave you five p's worth real rooks eh real rooks
06:05it's all people you like to stick the nut in
06:08stick the nut in
06:10yeah forehead on the nose stick the nut in
06:13smash nose
06:14oh it sounds nasty
06:16yeah well it makes your eyes water
06:17you um you go in for that sort of thing do you
06:22no not these days
06:24very pleased to hear it
06:25what do you not oh coming would you like to come in and have a coffee
06:30oh no tom are you sure yeah thanks
06:39tony with the tea
06:41well i i expect i'll be seeing you around then tony with the tea
06:46yeah i see you rank it
06:48i think it didn't affect the architecture
06:50no it's dade gotham i've actually spoken to him
06:53oh the new fella
06:54is that the guy out in the passing
06:56that's him
06:56what's he like
06:57oh uh furtive aggressive
07:00anyway the same thing might have invited him in for coffee
07:02i did
07:03there's this place in hampshire with italian arabesques
07:06do you think you could arabesque those shelves up for me
07:09of course don't worry
07:11and they're mingled with pinnacles of perpendicular gothic
07:16you know i've been thinking about this place jan
07:18it's a bit depressing
07:20i agree it's not up to the standards of kensington and chelsea and all the things
07:23that you're used to
07:24and you take the risk of being raped
07:26by strange young men tapping out jazz rhythms
07:29oh smashing
07:30i just thought if we got a group of us together
07:33say you me sally and reg
07:35i thought we could get a place big enough for all of us
07:38are you back with reg again
07:40no sort of
07:41oh you secretive cow you never said
07:44no one else would take him on
07:48a place before would cost though john
07:50of course it would but there'd be four of us to pay wouldn't there
07:53and you've been working all summer stacks of overtime
07:56it would just creases
07:57yes but i have to send some to my mother
07:59and what about your brother oh he's been chasing one of his boyfriends across the continent
08:04look let's go out for a drink and talk about it
08:06john i'm tired i've been on my feet ten hours in the restaurant
08:09you work too hard oh john why are you so thick
08:13my mother needs the money your mommy and daddy give you money
08:17i haven't noticed you eating any less just because i pay for it out of my allowance
08:20what do you pay for cinema meals
08:24when was the last time you paid for a meal you're so bloody mean we have to go dutch when
08:29we go out
08:29now that's a lie oh your life is so simple and uncomplicated and you bore me
08:33charming then go home to your mother
08:37i think you're right there's no point in the thought of us sharing
08:41no one wants to live with a like you
08:48you want those shells out nope you are in a lousy mood has she been like this all day
08:59i'll go out and get something to eat shall i well what would you like
09:06chinese
09:08we've eaten we get our meals free it's one of the perks
09:12we'll get as fat as pigs i don't want to go out on my own well you'll have to you're
09:17a big boy now
09:26you really do put him through it at times don't you
09:31didn't even put the shelves up you could hardly expect it
09:37anyway i'll see you in the morning
09:41i don't know how they do it
09:42who waitresses if i had to do it all the time i think i'd wear out in a couple of
09:47years you don't
09:47have to come down you're walking like an old lady as it is it's my feet take care and you
10:09hello mark yeah it's me yeah how are you hey no i'm not in any trouble
10:19who who well what did they want
10:25well what did you tell them
10:30no i i suspect they just wanted to come around for a chat say hello you know
10:36yeah yeah i'll i'll send you some tomorrow is the old man working yeah well listen keep him out
10:45the booze all right yeah well you tell him i'll be down here to stick a nut in
10:51yeah don't worry i'll send you some tomorrow right no no you can't get hold of me
10:58well i'm not on the phone hey i'm ringing from a phone box
11:05no well we're sort of in the middle of moving
11:10yeah look look i'll be in touch hey yeah yeah ciao
11:19you've been on holiday yeah that's right what's your job i'm an engineer
11:26what um television engineer yeah yeah tell me and all that
11:34have you finished with the phone oh yeah it's all yours
11:38i've got to phone my brother if he's back one of his boyfriends is being a real bitch to him
11:51hello tony are you there do you think you could do me a favor
11:54uh yeah yeah what is it
11:57i'm sorry to call you but my hair dryer's not going on
11:59i wondered if you being a television engineer and
12:02and everything if you could possibly have a look at it for me
12:05i do realize that a hair dryer isn't a television or a radio
12:08well i'll have a look at it i don't know much about them though
12:11do you know anything about them about as much as i know of elena troy
12:16which is no well um i've got a bag of tools in my room very from clark
12:30have you checked the fuse which fuse in a plug no it's very kind of you
12:37oh no it's nothing oh i really do appreciate it
12:41it's a nice room well i've done a few things to it
12:46oh i like those they were done by a man called frank sutcliffe
12:51he was a well he was a sort of pioneer of a documentary photograph
12:55they're all right those
13:00what's the word for shelves friends putting them up for me
13:03unfortunately though he's better at classical history
13:07university is he yeah that's right he's been away all summer writing
13:12he had an article published a few months ago on classical greek culture and their cities
13:16heck i missed that
13:19yeah there you go oh that's marvelous
13:22you better try it first it mightn't work
13:25i can't tell you how grateful i am
13:26you're at university and owning polytechnic start again next week hey
13:34what you been doing then working in a restaurant oh yeah
13:42what you've been studying at this polytechnic architecture and building
13:50oh hey that's a dead easy job you know is it yeah because well you've got your recess see
13:56you just have to put a couple of bits of wood there a support's like and what you rest your
14:00shelves
14:00on top of them yeah but would that hold heavy books well you'd have to screw them in properly
14:05yeah job would have a go for you oh no really i don't know it's a lot of work no
14:10it's not well i
14:11couldn't let you do it for nothing no i don't want anything do you like jazz yeah how did you
14:24know
14:24passing by your room i've heard you sometimes oh yeah i like traditional jazz do you play an
14:31instrument me talk soft well why not there's no reason why you shouldn't play something
14:39yeah well i don't would you like a coffee are these walls concrete by any chance i don't know
14:46oh i shouldn't think they are now you can't draw walls in some of these modern flats on account of
14:52being concrete you must let me give you something no i'm enjoying this all right then you must let me
15:00cook you a meal sometime i must be fed up with tins yeah well they do get you down a
15:04bit you know
15:08you should have learned to play something me i could never have had the lessons
15:15why well we didn't do things like that we yeah the lads anyway we never had any money
15:24if you'd had the choice what would you have been a choice oh heck i don't know
15:32a surgeon or a scientist or a famous jazz man maybe well not even famous i just like to play
15:40jazz you
15:41know there was this pub we used to go to they had great sessions on a sunday night everybody used
15:49to go families with their kids little nippers no bigger than eighties well you could get a drink at
15:55the bar like and then you could go out to dracula's cave what it was this big room around the
16:01back
16:01where they had these great sessions they take the out round for the old silver collection you know
16:07if i was sure i had to make myself scarce but i'll give one i could like because well when
16:13you see
16:13someone doing something like that and doing something that they're really good at and doing it for no
16:18bread well you want to give something then don't you there's this bloke there he used to play the
16:25clarinet and he used to go i mean he he'd just go he was in a world of his own
16:31he wasn't in that big
16:33barn of a place of a sunday dinner time it must be great that to be able to get away
16:40from yourself
16:40like that it's not too late to learn to play something now i'd never get down to it yes you
16:48could night classes i'm sure you could learn no you wouldn't understand you're still in the learning
16:55habit i gave that up years ago i don't think i ever started you just bring your fetus what art
17:03do you
17:03want this set on your shelf um can you leave enough room for some of the big books look here
17:09you are
17:09here's one
17:17how long you uh you've been doing this architecture course here look here oh charl's
17:26it's looking good yeah we'll get there would you like a biscuit no touch now how long you've
17:35been doing this course then i'm taking a degree we had a kid in our street went to university
17:41it was a quid to speak to the family and now he went into the law he didn't go much
17:46after that
17:48oh that's awful what is people work hard to give their children a good education and then when
17:56they provide them with the opportunity all it does is well it's to separate them make a sort of gap
18:01oh mind you you you caught and blamed this fella i mean he was a barrister like you could hardly
18:07expect
18:07him to go with his mum there could you i think she was down to bingo most nights don't think
18:13bingo was
18:13his taste somehow are you with me did you leave school at 15 too right and you went straight into
18:23being a television engineer no i i did a bit of carpentry first didn't i really yeah
18:30you in the life factory turning legs for tables and chairs assembly skill you didn't like it no
18:39well you ever thought what it's like working on the machine i didn't even get to chisel the wood
18:44it was all done automatic i used to watch that machine all day it turned out leg after leg all
18:50perfect i mean much better than any skilled man could do it and there was me i was only in
18:56the
18:56business for a year and i was doing more production than a fella with 30 years experience doing it by
19:02hand
19:04now they've nearly done away we've crafted them scientists no that that's why i like them
19:13why
19:15well
19:17because you can see that they're proud to be farmers
19:22you can see the skill just by the way they stand
19:26there's a a kind of a roughness in them men what it has to do with a contact with the
19:32earth light
19:35hey you take a photograph of a turner of machine legs it'd be as dead as a dodo
19:41i never knew there was women architects there are women everything i never heard of a woman down
19:47of mine i never heard of a woman furnishment have you heard of any architects oh yeah there was um
19:56there was that christopher wren and there was uh frank lloyd wright and here was that balson
20:05catholic tastes and they're your favorites
20:08well i know about christopher wren because she went on and out into st paul's cathedral when we were kids
20:14and i i know about frank lloyd wright because of that that pops on and i know about polson because
20:20i read the newspapers don't i now frank lloyd wright once said well something like
20:27a house is a machine for living in it's a funny way to talk about an house yes well
20:33it's very difficult to put into words because once you start talking about architecture you
20:39you sound pretentious but a building is a statement without words how do you mean
20:47oh
20:52hell's bells what's the matter
20:55ready's not working it's not my day
20:58look um i hate to ask you but do you think you could take the back off and have a
21:03look for me
21:07what's wrong
21:11i don't know the back comes off with it
21:15you must know
21:18if you're a television engineer you must know
21:25you're not are you
21:29you ask too many questions
21:32you want to leave people alone if you want to stay out of trouble you know well i'm sure you're
21:35in
21:36some kind of trouble if i can do anything to help you can trust me i think you're on the
21:42run
21:45you're clever
21:48all right then who's after me the police i suppose
21:53oh one jerking you'll never draw again for the rest of your life
21:56oh now you're kidding you sure
22:07yeah you're all right i'm on the run
22:11i'm what's known as AWOL
22:14hello oh hello hello uh this is tony tony
22:20yes from across the way my hair dry broke and he came in and mended it for me
22:24very kind
22:25he started on the shelves too
22:29yeah the only thing i couldn't do was fix the telly
22:33but i expect she'll tell you about that
22:37am i right why should you be able to fix it
22:41you i'm sorry i couldn't anyway
22:46am i interrupting something
22:47don't be stupid i just wanted to find out about him that's all
22:50be careful you let him in you'll have him dropping around all the time
22:53maybe
22:57about the other night i'm sorry
23:00it was my fault
23:02look let's go out see a film have a meal make up for the round
23:07i pay no going dutch
23:11i'm sorry about that look i must just clear these things up sit down i won't be long
23:17oh what's sam luton match oh hell
23:20what is it i want to watch the match and the telly's bust
23:30but i thought he said it was broken
23:32just forgot to switch on
23:35nothing blokes like that in your room
23:36what
23:37the vast majority of women of the rate are attacked in their own homes
23:41you're full of useful information you are
23:45you know i still think we ought to think about that flat
23:47i had a chat with reggie's very keen so sally
23:51john what's awol
23:54awol absent without leave why
23:56nothing i i just read it in here
23:58west ham we're leaving orient one nil here in upton park
24:01wow booty
24:03oh
24:04oh
24:34Legenda Adriana Zanotto
24:47Legenda Adriana Zanotto
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