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00:01Previously on When Calls the Heart.
00:03Nathan needs me to show him where I buried the Transformer.
00:06Oh, look out!
00:09What happened?
00:10He hit his head on a rock.
00:12Did you know when that car was coming towards us,
00:14the only thing I could think about was you three?
00:17Thank you to both of you.
00:19Horses can't resist him.
00:21We should use the money from the jam to buy up Bill's half the cafe.
00:25It's Minnie's cafe.
00:27It's from my theater days back in New York.
00:29Do you ever miss it?
00:31I suppose I do.
00:32But life wouldn't be an adventure without change.
00:35Christopher's gone.
00:36Well, without him, we don't have a case.
00:42Inspiration is a funny thing.
00:45It can show up when you least expect,
00:47when you didn't even know you needed it.
00:52After losing her playhouse in the fire,
00:55Rosemary needed a new challenge.
01:00The Mark of Zorro.
01:01Oh, great choice, Mike.
01:03I loved that one when it came out.
01:04Bound to be a classic.
01:06Is there anything the pictures can't do?
01:10Touché!
01:12Moving pictures.
01:14They're the way of the future.
01:21The way of the future.
01:25Oh!
01:28The weapons you use pierce deep, senorita.
01:32It's from the movie.
01:34It's very good.
01:39You want to be a sword fighter?
01:42No, Lee.
01:44I want to burn with passion.
01:49I want to be seized with an idea that won't let me go.
01:51I want to scrape together every person, prop,
01:55and piece of equipment in this little town
01:57and make something out of nothing
01:58that no one will ever forget.
02:02You sure this doesn't have something to do
02:04with that missed opportunity you had
02:05with that film producer a few years ago?
02:07What was his name again?
02:08This has nothing to do with the past.
02:09This is about now, Lee.
02:13I want to feel alive.
02:16You.
02:17You have your construction company
02:19building with bricks and mortar.
02:22I also want to build something.
02:25A dream.
02:28Oh, Lee.
02:30The silver screen calls.
02:32And I am helpless to resist.
02:36Hmm.
02:38There she is.
02:40There's my Rosie.
02:43Welcome back, sweetheart.
02:47In typical Rosemary fashion,
02:50she's enlisting the entire town to help.
02:53But first, she needs a story.
02:56And that's where I come in.
03:00But inspiration has a fickle twin.
03:10Oh, my goodness, Mary says.
03:13Third time this week,
03:14all the morning's baking has disappeared.
03:18A pie caper?
03:20When pies fly,
03:22secrets crumble.
03:24I'm just not hearing
03:25a lot of daring do
03:27in stolen pastries.
03:29Yeah.
03:30Yeah.
03:30What else you got?
03:33Well, um...
03:33Sorry I'm late.
03:35Oh, hi, Opal.
03:36You know I can come find you later.
03:37Took me forever
03:38to find my dad's comptometer.
03:40Hmm.
03:40What on earth do you need that for?
03:41We have brought Opal here on
03:43as a fellow producer
03:43because we've all heard horror stories
03:45about moving pictures
03:46blowing through their coffers.
03:47Well, you do have impressive math scores.
03:50So, she is here to keep us on time,
03:52but more importantly...
03:53on budget.
03:54Mm-hmm.
03:56What a wonderful opportunity, Opal.
03:58Did I miss anything?
03:59No, you haven't missed anything.
04:01Come, come.
04:01Elizabeth was just getting
04:02to the good stuff.
04:03Yes.
04:04Proceed.
04:05Ahem.
04:06Um...
04:07Well, when the great Tony McAllister,
04:10mountain climber extraordinaire
04:12ascends his highest...
04:13No mountains.
04:14What?
04:15Too expensive to get the crew
04:17and equipment that far.
04:19And that...
04:21That's my girl.
04:24Okay.
04:26Mm-hmm.
04:27Ah.
04:28Sybil Featherstone
04:30is the world's greatest gem thief.
04:32Ooh, gems on screen.
04:34Can't see, the colors won't pop.
04:35Mm-hmm.
04:36Elizabeth.
04:42For your creativity.
04:43Mm-hmm.
04:44But we need a story
04:46with romance and passion
04:48and adventure,
04:49all with a bubbling core
04:51of humanity's most primal need,
04:53the search for meaning.
04:55Ooh, and some swashbuckling, too, perhaps.
04:58Oh, I have one
04:59with a pirate and a bear.
05:01Mm-mm.
05:03Budget.
05:04And no bears.
05:05Oh, talking dog,
05:07on the other hand.
05:08That sells.
05:09What happened to humanity's
05:10most primal need?
05:11Commercial success is also
05:13right there at the top of the list.
05:14Yeah, and make it funny.
05:15Not that funny, Lee.
05:16No, no, no, not that funny.
05:17We're not getting snaps.
05:18Elizabeth, remember,
05:20write what you know.
05:22Mm-hmm.
05:22Pour your soul into it.
05:25And we're gonna need you
05:26to turn it in by tomorrow.
05:28Tomorrow?
05:28It's a tight schedule.
05:29Time is money.
05:31We believe in you.
05:32Now off you go.
05:38That we will.
05:39Mm-hmm.
06:07I'm in.
06:10Hey, you're up late.
06:13I thought you might have been
06:14Rosemary here to breathe
06:15down my neck.
06:16Directors, right?
06:17You have no idea.
06:19But I think I actually
06:20may have stumbled upon a story
06:22that meets all of the requirements.
06:25Hey, how's your wound healing?
06:27Good.
06:28Yeah, Faye said
06:28there's no infection.
06:29Oh, thank goodness.
06:31So, are you able to tell me
06:33what this is about yet?
06:35Well, until I'm told otherwise,
06:36it is about a dashing Mountie
06:38and his Belle, the schoolteacher.
06:41That would never happen.
06:43They told me to write what I know.
06:46What's the plot?
06:47Well,
06:50Millie, the schoolteacher,
06:51gets kidnapped by a notorious bandit,
06:53and Apollo, the Mountie...
06:55Apollo?
06:55Yes, Apollo.
06:56He's very handsome.
06:57He risks it all
06:58to save his true love
06:59before it's too late.
07:01And does Apollo get the bad guy
07:03and save the girl?
07:05I'm not gonna spoil the ending.
07:08But do you think you could help me
07:09with the Mountie investigation part?
07:12I need insight
07:13into your incredible investigative prowess.
07:16I don't know if I'm really
07:17the right man for the job.
07:18What?
07:19Real-life investigations are
07:22painstaking and complicated.
07:24Really, they rely more on luck
07:26than prowess.
07:28Well, maybe you could help me
07:30with the painstaking
07:31and complicated parts.
07:33I'll come by in the morning.
07:34We can read the script together
07:35over a fresh pot of coffee.
07:37They need it by tomorrow.
07:40Well, then I'd better leave you to it.
07:42Happy writing, beautiful.
07:45Thanks for stopping by, handsome.
07:50And with that added complicated layer,
07:55Apollo went from being just handsome
07:56to also brilliant and courageous.
08:10I checked all the hotels
08:11at Cape Fullerton
08:12and you have a still full sign of it.
08:14What about his fiancée
08:15and her parents?
08:16Could Christopher be with them?
08:17No.
08:18I've spoken with Rachel
08:19almost every day
08:20and she's just as worried
08:22as I am.
08:23Well, it's been a week
08:23since we called that alert.
08:25He could be anywhere by now.
08:26That's why I'm concerned
08:28for his safety.
08:29Well, we're doing our best
08:31to find him, Henry.
08:32That's a promise.
08:33I'll let you know
08:34if I hear anything.
08:36Thanks, Henry.
08:41You know, I feel for him.
08:43They were just starting
08:44to get on solid ground
08:45with each other.
08:46Then there's our case.
08:47No star witness, no evidence.
08:49Just slipped right
08:51through our fingers.
08:52I was thinking of asking Georgie
08:54to look through our files with us
08:56on that Pioneer Electric trials
08:58right around the corner.
08:59Fresh set of eyes
09:00might catch something we missed.
09:02Do it.
09:03I'm going to call it a new alert.
09:05Highest priority.
09:06We've got to find Christopher.
09:13This is going to be
09:15a hit, Elizabeth.
09:17You really like it?
09:18Oh, the way Apollo
09:19comes out of nowhere
09:21and springs that track
09:22that we'd all forgotten about.
09:23Oh, I love it.
09:25Nathan gave me so many
09:26expert details.
09:27Wonderful.
09:28Now, I have a few suggestions.
09:30We'll get into that later.
09:31But, clearly,
09:32you must play Millie,
09:34the school teacher.
09:34Oh, no.
09:35No, no.
09:36I am not an actress.
09:37Who better?
09:38You practically wrote yourself.
09:40And Constable Grant
09:41has to play the Mountie.
09:42Mm, yes.
09:43Apollo, our daring hero.
09:46Think about the built-in chemistry.
09:47I definitely don't think
09:49Nathan will be interested.
09:50His uniform won't fit anyone else.
09:53He's doing it.
09:56I'll go see Allie Boat
09:57casting the scout
09:57as Terry the Talking Terrier.
10:00Is she not intimidating in class?
10:02I don't think it's that noticeable
10:03when she's in a herd.
10:06Anyway, can I get back to you
10:07about playing Millie?
10:09Yes.
10:10Of course you can.
10:13But I won't take no for an answer.
10:15I would play the role myself,
10:17naturally.
10:18But I have to focus
10:20all of my powers
10:21on the director's chair.
10:23Well.
10:23And my days of kissing co-stars
10:26are long gone.
10:27Well, I mean, not that long,
10:29but gone, nonetheless.
10:31Right.
10:32The kiss.
10:33Mm.
10:33The most important plot point
10:35in a romance.
10:36I don't want to kiss
10:38a random co-star.
10:39Thus I leave casting Nathan
10:41to you.
10:43Now, about these story changes...
10:45Uh-uh.
10:46You said suggestions.
10:48Of course.
10:49All changes start with suggestions.
10:53A dog wouldn't say that.
10:58You know, part of me
10:59wants to just file
11:00a class-action lawsuit
11:01and get all the claimants
11:02paid out that way.
11:03Well, I get it.
11:04But you'd only be letting
11:05national insurance off the hook
11:06if they claim bankruptcy.
11:08Well, now you sound
11:08like the other part of me.
11:10But it's all just so frustrating.
11:12Yes.
11:13And not surprising.
11:14It is a nascent industry
11:15rife with greed.
11:17Mm-hmm.
11:17Let's sell as many policies
11:18as possible without any thought
11:19of how we might pay them out
11:21in the future.
11:21I like your fire, counselor.
11:23You are going places.
11:24In fact...
11:27What's this?
11:28When all of this hubbub is over,
11:30you should give them a call.
11:31I already put in a word.
11:33The Franklin and Sons Foundation.
11:35The big philanthropic
11:36organization in Union City.
11:38Nestor Franklin, an old pal,
11:40one of the Sons,
11:40would like to talk to you
11:41about their work
11:42with legal aid societies.
11:44Wow.
11:45Um, thank you, Georgie.
11:48But I'm happy with my life
11:50in Hope Valley.
11:51With the work I already have.
11:53Suit yourself.
11:54I admire a woman
11:55who goes it alone.
12:04Well, how'd they like it?
12:06They loved it.
12:07I think.
12:09Rosemary had some
12:10strongly worded suggestions.
12:12Oh.
12:13But most importantly,
12:15they want you to play Apollo.
12:19What?
12:20Rosemary convinced me
12:21to play Millie,
12:22and there's a certain plot point
12:23that I'd rather you were a part of.
12:25Well, I'm curious about that,
12:27but you know I'm in the middle
12:28of a pretty important investigation
12:29right now.
12:30I know.
12:30I know.
12:31It's only if you have time.
12:32But maybe a break would do you good.
12:34And it's like you said,
12:36sometimes the best ideas
12:37come from doing something else.
12:41I don't know if I'm an actor.
12:43Danny DeMarco would like a word.
12:46Come on.
12:47It'll be fun.
12:48Let's do it together
12:50so I don't have to
12:52kiss anyone else.
12:55Well, why didn't you lead with that?
12:58Yes, of course I'll do it.
13:00Who knows,
13:01maybe I'll give Buster Keaton
13:01a run for his money.
13:02Oh.
13:03I like your confidence, Apollo.
13:05How hard can this acting thing be?
13:18I appreciate your persistence
13:19on this, Constable.
13:22A bartender in Union City
13:24said that he is certain
13:25he saw Christopher
13:26at the Highland Pub last night.
13:28It's almost like
13:28he wants you to find him.
13:30Well, if it was Christopher,
13:32and even if it was him,
13:33there's no guarantee
13:34we can catch up to him
13:35before the trial.
13:36Well, without him,
13:37all we have
13:37is a bunch of burnt concrete
13:39and this map
13:40from Pioneer Electric,
13:41which we know is fraudulent,
13:42but good luck
13:43proving that in court.
13:44There's no cartouche.
13:47Oh, is that unusual?
13:48Well, most mapmakers
13:49like to take credit
13:50for their work,
13:51pride of craft.
13:53It's a fraudulent map.
13:54Probably didn't want
13:54to put a signature on it.
13:56And yet,
13:57I know who made this map.
14:00Amy Martell and I
14:01have been poring
14:02over coverage maps
14:03from national insurance.
14:07Look at the compass roses.
14:09They are identical.
14:09The same man
14:10made both of these maps.
14:12Clement Scoggins.
14:15I told you she was good.
14:18So,
14:20national insurance
14:21and Pioneer Electric
14:22use the same mapmaker.
14:23Coincidence?
14:24Sure.
14:24But suspect?
14:25Really?
14:26Well, there are plenty
14:27of mapmakers
14:28that Pioneer Electric
14:29could have hired.
14:30But it's not just that.
14:32If the cause of the fire
14:33turns out to be arson
14:35instead of corporate negligence,
14:36national insurance
14:37doesn't have to pay out
14:38nearly as much
14:39to its clients.
14:42That's why they've been
14:43slow rolling the claims.
14:46National insurance
14:47wanted Toby and Cooper
14:48to take the fall.
14:50And then for us
14:50to make it official.
14:51Because then Pioneer Electric
14:53gets off the hook.
14:54And national insurance
14:55saves a bundle.
14:56If these two companies
14:57are colluding,
14:58then our investigation
14:59goes from a simple
15:00corporate cover-up
15:01to a conspiracy
15:03to defraud
15:03thousands of people.
15:05The mapmaker.
15:06The mapmaker's the key.
15:08We've got to find this map.
15:09I think we should get
15:10some tangible evidence
15:11in first.
15:12Bank records?
15:13Yeah, but that could
15:14take a while
15:14to get a warrant.
15:15Well, leave it to me.
15:16I'm a forensic investigator.
15:18I have friends who owe me.
15:20And some who might even
15:21be a little bit afraid of me.
15:27How hard can it be
15:29to find some decent
15:30costumes around here?
15:32We didn't have much time
15:33to prepare other options.
15:35Rosemary, are you sure
15:37that Ned's character
15:37needs to be such a character?
15:40I have a vision, Faith.
15:43And Ned is not just
15:44any character.
15:46He is Neil Fearnley.
15:49He is the heart
15:50of this entire story.
15:51I found some more
15:52from last year's
15:53Halloween party.
15:53Oh, yes.
15:55Yes, this is perfect.
15:58I need to try this on Ned
15:59right now.
16:00Let's go.
16:04Edie, I'm so sorry.
16:05We're interrupting.
16:06You're obviously busy.
16:07Actually, I could use some...
16:11More tea?
16:12A biscuit, perhaps.
16:13Those both sound lovely,
16:14but I was thinking more
16:17wise counsel.
16:19Ooh.
16:21Lucas has been
16:23all out of sorts
16:24ever since Fernando
16:25showed up.
16:26Oh, oh, oh, oh.
16:26Speaking of the devil...
16:29Hello!
16:30Ah.
16:31Hello.
16:32Oh, buenos dias, señoritas.
16:35Good morning.
16:36Good morning.
16:38Mrs. Sue Hickam.
16:41Doctora Carter.
16:44Only in town a week
16:46and already he knows
16:47everybody's name.
16:48Yeah.
16:52So, Fernando,
16:54will you be working
16:54on the film?
16:55Ah, yes.
16:56May I?
16:57Please.
16:59Mr. Coulter
17:00and an angry little señorita
17:02put me in charge
17:03of the lighting.
17:04Moving pictures
17:05are but flickers
17:07of light.
17:08Dancing on a screen.
17:10I will be the maestro
17:11leading this dance.
17:13Wow.
17:14I've never heard it
17:16but quite that way.
17:18And you, Edith?
17:20Will you join the dance?
17:22Oh, no.
17:23I'm not really one
17:25for make-believe.
17:27But fun.
17:29Now that's a different story.
17:31Ooh.
17:31Cool.
17:32Ooh.
17:33Ooh.
17:35Oh.
17:43Bravo.
17:44Fernando.
17:45Very good.
17:48You must all visit me
17:49on set.
17:56Ladies?
18:01Are you sure Lucas
18:03has nothing to worry about?
18:04That's just Fernando.
18:06He isn't happy
18:07until he's cast
18:08his little spell
18:09on everyone.
18:10It doesn't work
18:11on me anymore.
18:14Does Fernando know that?
18:23Oh.
18:24I was just about
18:25to ring you
18:28third letter
18:29this month.
18:30Very observant of you.
18:32And hopefully
18:32not the last.
18:33No stamp.
18:34No return address.
18:37Very clandestine.
18:38It's just a letter.
18:40Behold!
18:40You were looking
18:41at the newest edition
18:42to The Scarlet Heart.
18:45Oh.
18:46Rosemary's movie.
18:47She cast me.
18:48I heard.
18:50Congratulations.
18:53I-I-I thought
18:55you'd be more excited.
18:56Oh, I am.
18:57Of course, dear.
18:58You'll be marvelous.
19:00It's Molly.
19:01Hmm?
19:01She's keeping
19:02something from me.
19:03I...
19:04We've never had secrets.
19:06Oh, we-
19:06We don't get to know
19:08everything, my love.
19:09Hmm.
19:10Now then,
19:12which part is it?
19:13It is the main villain.
19:15Oh!
19:16Yes.
19:16Oh!
19:19Ask and ye shall receive
19:22the bank statement
19:23of Clement P. Scoggins.
19:26Quick work, Inspector.
19:28You're more feared
19:29than you even knew.
19:29You'll note Scoggins
19:31received a $500 payment
19:33from Pioneer Electric.
19:34That's a lot of money
19:35for a map.
19:36About 20 times
19:37the going rate.
19:38Well, it certainly
19:38looks like he's
19:39been paid off,
19:40but not enough
19:42to bring him in.
19:43Oh.
19:43Well, maybe,
19:44if somebody might
19:46need his services.
19:52Intrigue and espionage.
19:54My favorites.
20:14Mr. Scoggins.
20:16The same.
20:17Miss Wagonmeister,
20:18I presume.
20:19Indeed.
20:19Thank you
20:20for coming on
20:21such short notice.
20:22Please.
20:24No need to thank me.
20:26Short notice is
20:27just another way
20:28of saying I get paid faster.
20:30Well, then let's
20:31get right to it.
20:32I need some maps
20:34made for a financial client.
20:35They are willing
20:36to pay handsomely.
20:38My normal rate
20:39is more than adequate.
20:40And what might that be?
20:41A $25 for the initial design
20:44and $5 for each duplication.
20:47Well then,
20:48somebody better tell
20:49Pioneer Electric
20:50they got a bug deal.
20:51What's this?
20:53Because they paid you
20:54$500 for the same service.
20:56Did they not?
20:58Um,
20:59where did you get this?
21:01I...
21:01Let me tell you
21:02what this looks like, Clement.
21:04Looks like you were
21:05paid handsomely
21:05to create a fraudulent map.
21:07A map that you
21:08backdated to help
21:09Pioneer Electric
21:10hide the location
21:10of a burnt-out transformer
21:12that caused a fire
21:12and burnt down a town.
21:14Which means that
21:15you can be charged
21:16with participating
21:17in a conspiracy
21:18to obstruct justice.
21:19And do you want
21:20to add lying
21:20to an RCMP officer
21:21to that charge?
21:22I'm just an artist.
21:24A draftsman.
21:26I help people
21:27find their way.
21:28Well then,
21:29help yourself.
21:30If you cooperate,
21:31this will go
21:32much easier for you.
21:34Am I under arrest?
21:37Not yet, no.
21:39Then we're done here.
21:47That could have
21:48gone better.
21:49Maybe.
21:51He seems spooked enough.
21:53Enough to make a call?
21:55I will see.
21:57If anything comes through,
21:59you know where to find me.
22:01Oh, uh,
22:02Breck-a-Lig Apollo.
22:17Looking good, Ned.
22:19Oh, that's
22:19Neil Fernley to you, Apollo.
22:21He'll never take me alive.
22:23May, this looks wonderful.
22:25And yes, the jacket,
22:27very good.
22:28Now, Ned, listen.
22:29Neil Fernley is the linchpin.
22:32Without his quiet acts
22:34of self-sacrifice,
22:35Apollo would never
22:35have his chance to shine.
22:38Go.
22:40There they are.
22:42My stars.
22:46Such chemistry.
22:48Such charisma.
22:49Oh.
22:52There you are.
22:53What is this?
22:55They're new story pages.
22:56I fixed a few things.
22:57I wasn't aware
22:58anything was broken.
22:59Well, they're still
23:00mostly your words.
23:01I just helped it
23:03sing a little.
23:04Wait a minute.
23:05Where is Millie?
23:06Who is Octavia?
23:07You are, my dear.
23:10You are.
23:13No!
23:15Lee!
23:16Yes!
23:16What is this traffic light
23:18still doing here?
23:18I asked for it to be
23:19removed hours ago.
23:20Who's in charge?
23:22Well, clearly I am.
23:23Yes, you are.
23:24Which is why
23:24I asked for it to be removed.
23:27Hmm.
23:33Showbiz.
23:42He may not make the call
23:44for a while.
23:45If he calls.
23:46Oh, he'll make the call.
23:50Do you miss it?
23:51The thrill of the hunt.
23:53You set him up,
23:54I take him down.
23:55Oh, is that how it worked?
23:57I thought I was the one
23:58who took him down.
24:00They never really see you
24:01coming, do they?
24:04Operator,
24:05how may I direct your call?
24:07Pioneer Electric,
24:08Mr. Shelby Whittaker.
24:09Please hold.
24:11Whittaker speaking.
24:13There are to us,
24:14and I'm not taking
24:15the fall for this.
24:15Pipe down,
24:16who is this?
24:17It's me, Scoggins.
24:18Some sneaky prod
24:19said she needed a map
24:20and then the coppers
24:21were all over me.
24:22Keep your mouth shut.
24:23Someone could be listening.
24:27Is that enough
24:28to work with?
24:31There's nothing
24:32about collusion
24:33or bribery
24:34or starting a fire,
24:36but yeah,
24:36it's something.
24:37Whittaker seems to know
24:38what he's doing.
24:39Maybe.
24:40But that mapmaker's a chump.
24:43And who's he calling
24:44a sneaky broad?
24:46He's not wrong.
24:47I wear it with pride.
24:51I realize how much
24:53I've missed this.
24:55What?
24:56The thrill of the hunt?
24:57Hmm?
24:58Now I've...
25:00I've hunted enough
25:01for one life.
25:05You know I didn't ask
25:06you're here just to help
25:07Edie settle insurance claims.
25:09And you know
25:09that's not why I came.
25:22It's a magical town.
25:24I can see why you're here.
25:27What are you doing here?
25:30I'm in charge
25:31of the lighting, remember?
25:32No, I know.
25:32I mean here.
25:34In Hope Valley.
25:37Well, I'm a builder.
25:39I have business.
25:40Ah, so you just
25:41happened to show up
25:42where I am living and...
25:44I can't speak for fate,
25:45Edith.
25:47It brought us together once.
25:48Maybe it has a gang.
25:49Hmm.
25:50No.
25:52Not this time.
25:54Fernando, I...
25:56I'm sorry that I left.
25:59But I...
25:59I know now
26:00that it wasn't
26:01how it was supposed to be.
26:02It wasn't a true
26:04marriage of minds
26:05where both people grow
26:06because they inspire
26:08each other.
26:08Uh-huh.
26:10Well,
26:12the governor's a lucky man.
26:14I don't know about that.
26:15I do.
26:16And he should too.
26:20Good luck, Nando.
26:33Snacks are for the crew.
26:37Okay.
26:44Oh.
26:45Uh, Mae?
26:46Are we almost ready?
26:48Nearly.
26:49Okay.
26:50Times, money, people.
26:51Places, places.
26:53Okay, Mae.
26:57All right.
26:59All right.
27:00Take one.
27:01Roll camera.
27:03Rolling.
27:06And...
27:06Action.
27:08.
27:12Oh.
27:14Oh, oh.
27:15Oh.
27:16Oh, my.
27:20Oh, my.
27:23Oh, my.
27:26Oh, my.
27:27Oh, my.
27:32I...
27:39Oh!
27:40Cut!
27:42I'm so sorry, Rosemary.
27:44No, no, no.
27:44I think I came in a little hot.
27:46It's all right, it's all right.
27:48First time jitters.
27:50Let's just shake it off, and we'll try again.
27:52All right?
27:54Places, everyone, take two.
27:57Roll camera.
28:00Rolling.
28:01And action!
28:08Oh, cut!
28:14It's wonderful.
28:16Oh, okay.
28:17I love it.
28:18Yeah.
28:18Just let's try to forget that the camera is even here at all.
28:24Uh-huh.
28:24It's just Octavia and Apollo against the world.
28:29You got it.
28:30Uh-huh.
28:31You are a cunning and heroic Mountie.
28:36Animated by justice.
28:37Woo-hoo-hoo!
28:38Just channel you.
28:40Rosemary!
28:40Uh-huh.
28:43How am I doing?
28:45Marvelous.
28:46Just, uh, find your center.
28:50Find my center?
28:51Right-o!
28:52Take three.
28:54Roll camera.
28:56Rolling.
28:58And action!
29:01Why is she walking like that?
29:05Why does he look like a mummy?
29:07I can hear you.
29:08Am I supposed to be at least...
29:09Okay, shh.
29:09Pretend we're not here.
29:11Uh, just, let's go in for the kiss.
29:17Oh, my goodness.
29:20Oh, my goodness.
29:21Uh, let's take ten.
29:25I thought...
29:26I thought...
29:28There's something, uh, wrong with the camera.
29:31There's nothing wrong with the camera.
29:33I mean, there's something very wrong with the camera.
29:37Oh.
29:39Rosemary.
29:40Uh-huh.
29:41I know we got off to a rocky start, but I actually think we're getting the hang of things now.
29:46Absolutely.
29:47Uh, but, you know, one thing I didn't foresee when I cast both of you is, uh, you two are
29:53actually too real.
29:56You know, all of this is kind of nonsense compared to what you two actually...
30:00Rosemary.
30:01Mm-hmm.
30:02Are you firing me?
30:04You're still the writer.
30:06I didn't even want to do this!
30:08Hold on a minute.
30:09I only agreed to this because of Elizabeth.
30:12I'm not kissing anyone else.
30:13No, of course not.
30:14I think that's for the best.
30:17Absurd.
30:18Hey, hey, hey, hey, hey!
30:19Did you just fire on two leads?
30:21What now?
30:22We have a schedule.
30:23This is not a crisis.
30:24Mm-hmm.
30:25It's an opportunity.
30:27We just need to find someone undeniable.
30:33You know, I could offer my services...
30:36May I have assistance with my light, por favor?
30:39Thank you, caballero.
30:40Beautiful.
30:41Now, gently.
30:43Easy.
30:45Tilt her down.
30:48Yes.
30:48Yes.
30:49Yes!
30:50...
30:53...
31:17Joe,
32:03Cut! Brilliant! Brilliant!
32:11I suppose that's what you call chemistry.
32:15Sweetheart?
32:16Yes.
32:17Brilliant.
32:17Absolutely brilliant.
32:20Feels good to be back.
32:22Moving on!
32:24I would like to formally rescind my offer.
32:27Obviously.
32:28Si se hace, senor!
32:31Let's get you two ready for your next...
32:35Elizabeth?
32:37Thank you for taking this all in stride.
32:41It's as I always say, limitations breed creativity.
32:46About that.
32:48We need some rewrites.
32:49A location fell through and Scout's part went to Gwen in a bear suit.
32:53I thought you said no bears.
32:55I got a deal in the suit.
32:57Well?
32:58Next set up!
33:01Fine, I will make the changes.
33:03Is there a chair for me?
33:06Is there a chair for me?
33:06Can we get an apple box for the writer?
33:08I'm still Mrs. Thornton to you.
33:14There you are.
33:16I came by earlier, but you were out.
33:19I had some business.
33:20Well, I was hoping that I could lure you away for some gin.
33:25The card game, of course.
33:29I saw you and Fernando.
33:31I thought I made clear...
33:33You don't owe me any explanations, Edie.
33:35Clearly I do.
33:37There is nothing between Fernando and me.
33:40And if that wasn't clear to him before, well, it certainly is now.
33:46I see.
33:50So, what do you say?
33:57It is not that I don't believe you.
34:01But I've been here before.
34:04And people don't always know their hearts.
34:09You may have been here before, Lucas, but we haven't.
34:16Yes.
34:17I just...
34:18I don't want to be questioning and wondering, doubting you.
34:24It's not what you deserve.
34:27Okay.
34:28Well, what can I do?
34:36I think I just need time.
34:39How much time?
34:43I don't know.
34:45I don't want to make you a promise that I cannot honor.
34:51I'm very sorry.
34:56I understand.
35:00Okay.
35:03Han.
35:04Yes.
35:08Yes.
35:21No!
35:26No!
35:27the jury's attention yeah i just i wish that we had i know but short of finding christopher
35:32in that blown transformer we just have to keep digging in every lead we've got
35:42well uh we
35:48florence dorothy yost how could you betray ned with this this
35:54molly what on earth do i have something on my face no there's something on your head
36:01dear need i remind you right right right what do you think molly i could get used to this
36:07i thought florence was messing about with some floppy-haired nitwit i would never do such a
36:13thing is it floppy oh and to think you thought i was traipsing around in secret
36:19when it's you who've been holding out on me what are you implying those letters
36:25i had to learn from elizabeth that you've been taking a nursing correspondence course
36:31why didn't you tell me your opinion means so much to me i just couldn't bear to tell you and
36:36then
36:36fail well molly i'm so sorry for that and for thinking you were being unfaithful
36:45how could you think you couldn't tell me i know you're not going to fail
36:50well it seems you're right i passed i'm officially a nurse oh you see oh it was all i could
36:58do not
36:58to peek at them not that i ever have no it's a federal crime i hate not telling you you
37:03know you
37:04can always be yourself with me and that goes for you too ned i am begging you what you do
37:16fine fine fine oh thank you dear of course
37:48good evening governor oh mike i didn't order a drink
37:53you look like you could use one
37:54thank you i recognize that watch it was a gift from elizabeth yes
38:06our time has come
38:10and yet it never came that's in the past elizabeth changed her mind she followed her heart
38:19i don't resent her for that but it changed something in me
38:26you know it wasn't so long ago i was standing at this bar
38:30hesitating to ask may on a date because of some past heartbreak i was scared it was going to happen
38:37again but then someone told me not to miss my chance when the right person came along
38:44that sounds like good advice given by a good friend
38:49it was you you were the one who said that yeah i got that thank you don't let your past
38:55steal your future
39:15i have to give it to them the way faith and fernando stepped in
39:20it was impressive and their chemistry quite convincing sorry i missed it
39:28you don't think no i don't do you not at all
39:34we're talking about the same thing here right of course
39:37that we have chemistry oh tons and the real kind too
39:41mm-hmm who cares if we can't fake it yeah what does that matter anyhow
39:50there's something still nagging at you
39:56well this story that you wrote about a mountie who returns a hero
40:03no wonder i couldn't pull it off what do you mean
40:09i had him christopher the evidence everything everything we needed and
40:17i just let it slip through my fingers
40:23i mean that's why i feel like such a fraud in front of the camera
40:27i feel like i'm failing i feel like i'm failing you i feel like i'm failing benson hills
40:32i've seen firsthand how relentless you've been
40:36you can't compare yourself to a fairy tale story or a fictional character one who can't even talk
40:47the story isn't over
40:50maybe it is for our acting careers but not for this investigation and and certainly not for us
41:00i for one can't wait to see what the next act has in store
41:04you know i might have frozen in front of all those people but out here where it matters
41:14i think the mountie gets the girl
41:20definitely
41:42i think God is worth it
41:46you
41:47you
41:47you
41:52some
41:53you
41:54you
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