00:16They're going to do a documentary on me and they're making this thing and I hate it.
00:23They think they're going to make a couple of bucks on this, I disagree.
00:27It's so boring. You're going to have to cut the chicks dancing or something.
00:33You know, you have to remember that this isn't a multi-million dollar picture.
00:38To do a low budget movie would take three weeks or a month.
00:42And then it became two weeks and then they started shooting them in a week.
00:46My small films, sometimes I shoot them in three days.
00:50The name of the movie is The Witches of Rustwick.
00:55Big chase and a big chest. Add those two to the film and you are going to be a winner.
01:01Make sure your tits look huge.
01:02Make sure you have a little action, a couple of good looking babes. You can't really lose.
01:08Jim's biggest strength is his ability to get something done under the time constraints and the money constraints that he's
01:16facing.
01:18Let's talk about lights.
01:22Here's what I'd like to get. I'd like to get two lights.
01:25Something that lights breasts really well.
01:27Hmm, some soft lights?
01:29Yes.
01:29Okay.
01:31I've worked with some directors that would just rush through everything. They just want to get it done.
01:35We're ready, so do it, do it, do it.
01:37While we're young.
01:39Anytime, guys.
01:43I don't know what they're doing.
01:44They're idiots.
01:46Full-fledged, card-carrying, all-American idiots.
01:49When Jim has something to communicate, um, he kind of tends to bark it at you.
01:55I'm, I'm, I'm, cut it.
01:57What's the problem?
02:00We've been sitting down there waiting for you.
02:04Idiots.
02:04No, but, you know, we normally say rolling.
02:07All right, here we go, here we go.
02:08You know.
02:09He doesn't always have the patience to understand that you can't read his mind and you don't know what the
02:15heck he's talking about.
02:16All right, guys, cut, cut. Turn the car off.
02:19When he's making a movie, he gets very caught up in all that that entails.
02:25And he, he's a Leo.
02:26And his theory is if you're not going to do your job, I'll do it for you.
02:31What's he doing?
02:31That might be all you do.
02:35You want me to do this show?
02:36Just get out, let me do it.
02:38And he will get very caught up in wearing a million hats.
02:42I'll meet you up there.
02:42And get angry about it, but he'll take it on.
02:44Just let me break it myself.
02:47Oh, fuck.
02:48I've done no seat.
02:51Action.
02:52Why don't you wait on the patio?
02:53No, no, no, no, no, no, no.
02:55Jim isn't exactly the most tactful person on the planet.
03:00I don't hate it. I hate it.
03:01I hate it.
03:02I hate it.
03:04I hate it.
03:04He is rude, insensitive, uncompassionate, and just downright dirty.
03:13And I don't like it.
03:14Smile and go.
03:15I smirked.
03:16You're not where he's at.
03:17And it was an evil smirk, and then it went to a smile.
03:20He's not a very sensitive guy.
03:23All right, this is a lesson for all you stupid, stupid, stupid, stupid
03:27chicks out in Hollywood.
03:28And there's plenty of you.
03:30That would be great.
03:31Is there a number on here?
03:32Um, I don't have a pen, but I can call you.
03:35I'm going to leave my number on your voicemail.
03:36Just do that.
03:38Okay, well, do you have a resume?
03:39Do you have a number on a certain employee?
03:40No, I don't have a resume.
03:42In terms of Jim directing Emotion, you know, he really leaves it up to the actor.
03:49Oh!
03:50Oh, cut, cut.
03:52Joe.
03:52What?
03:53I don't want to see your face.
03:54I want to see her face, okay?
03:55So get up.
03:55It was my fault I turned my head.
03:56Don't.
03:57Well, Joe, turn your head.
03:58You look at the woods over there and make her look at the camera, okay?
04:02He cares.
04:03You know, he's an artist.
04:04He wants it to be right.
04:06I guess Picasso painted pictures.
04:10And I'm not Picasso.
04:12I'm more like the guy who paints Elvis on velvet.
04:15But, uh, I still like what I do.
04:18I love what I do.
04:19Ready and action.
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