- 22 hours ago
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TVTranscript
00:00What do you think?
00:03Why do you think I'm thinking about the lockdown?
00:05or whether you're thinking about the hotel
00:06You're thinking about a new time
00:07That's what you're thinking
00:07We are giving you a video call
00:12What's your view?
00:14You're removing?
00:15Besides not so much
00:17Or anything that's happening
00:19You have to have a new technology
00:22I'll be leaving
00:22I'll tell you about it
00:25You're so happy.
00:27Listen to me.
00:28In the night, you're gonna come back to the bed.
00:30The 10th is over.
00:31Sofi!
00:31Thank you!
00:32I'm sorry!
00:33I'm sorry.
00:35God bless you.
00:36Bye bye!
01:25But, I want you to give up all the time and give up the fillet.
01:28And give up your hand a little bit on the water, because it's not a meter away.
01:32Why do I keep going away?
01:33Youssef was safe for everything, isn't it?
01:36Of course, we have learned about you.
01:38And the hotel is written by the name of Mr. Youssef.
01:41But the conditions are clear and clear.
01:43But the conditions are clear and clear.
01:44The conditions are clear and clear.
01:46I want to keep up here in the Jardin.
01:49Are you saying Jardin?
01:51That's right, you told me about the trap.
01:54That's right.
01:54Why do you want to keep up here?
01:55The trap and the trap and the trap and the trap and the trap are in the country.
01:59If you're in the job, you'll be able to get married.
02:03I'll be able to get married.
02:18Yalla, uhaik keman nafait, abel, ghayra.
02:31Alo?
02:33Alo, randi.
02:34How are you doing?
02:35Are you in the house? Why is your sound like this?
02:38No, it's okay. I'm tired today. What are you doing?
02:42As always, every morning I'm not sleeping.
02:44And I'm beating my head with my head.
02:46Are you going to take a look at the panadol?
02:48No, I don't want panadol.
02:50I don't want to take a look at it.
02:52I don't want to do it.
02:53But I don't want to do it.
02:53But I don't want to take a look at my head.
02:55You're going to take a look at your head.
02:59You're going to take a look at your head.
03:02Yes, you're going.
03:10Let me take a look at your head.
03:13I feel like it's good.
03:13Not that you can't take a look at them.
03:15Let me see.
03:19Are they white?
03:22They're white.
03:25They're white.
03:26They're white.
03:27They're white.
03:29They're white.
03:31They're white.
03:32They're white.
03:33Ayo, ayyo, ayyo, ayyo.
03:54What the hotel is here?
04:19What the hotel is here?
04:32What the hotel is here?
04:33Why the hotel?
04:35Is it not?
04:36It is.
04:38Why do you see the hotel?
04:54I'm not going to put you on the floor.
04:56You can see me later.
04:58You can see what's going on here?
04:59Of course.
05:00Of course.
05:02I'm calling you the right person.
05:04Are you here?
05:06Are you here?
05:08Are you here?
05:10I'm here.
05:10Are you here?
05:10I'm here.
05:11I'm very sure.
05:15I know.
05:16I'm here.
05:17God is here.
05:18God is here.
05:19God is here.
05:48HAHAHAHA'S
05:50I would like to talk to you in this week,
05:50with any special event,
05:52let you go and connect to your team.
05:53I'm going to bring you with me.
05:56I want you to twist the rest of me
05:59with you to be a good girl.
06:01I want you to get the right of you.
06:02I want you to stay with me.
06:02I want you to keep you with me.
06:06Absolutely.
06:07Your team is going to be going to be going.
06:08I want you to learn the art and the art of art
06:11and the art of your team.
06:13My God!
06:14My God!
06:15It's a pain!
06:15God!
06:20That's it.
06:21What did you say?
06:24That's it.
06:25That's what I created for you.
06:29I was like, I got you.
06:30I'm not a kid.
06:31I'm not a kid.
06:35I'm not a kid.
06:37You don't know what I mean.
06:39I'm not a kid.
06:40You're not a kid.
06:40I'm not a kid.
06:42You're a kid.
06:44You're not a kid.
06:50I'm not going to go to the country.
06:54I've been told you 100 times that the bloodshed between you and the pebbles
06:59is a state of the country.
07:02You have to know that there is a border between the above and the below.
07:09Abir, you're going to have a champagne for Mrs. Suzanne.
07:13I'm sorry, Sikuna.
07:16I'm going to work.
07:35I'm going to work.
07:35She's been Bora.
07:37She's got to do with the rink of her country.
07:39You love it as well.
07:40Why are you leaving so much hours for lunch?
07:42Why did it all go out behind you?
07:44Why did it leave a supermarket so good?
07:45When I came to pausa a surprise,
07:46Why did they ή punge these signs of leycus?
07:46There ain't no trouble that they're doing.
07:46You guys know how to do it for me,
07:48it's okay with you.
07:48Yes, I did it.
07:50Yes, bravo.
07:521-1, 2-2 in the lobby.
07:55Get out of here.
07:57Hello.
07:58You're welcome.
08:00You're welcome.
08:02God bless you.
08:08God bless you.
08:31God bless you.
08:35How are you?
08:35Good morning, sotie Zan.
08:37Where are you?
08:38I'm here to go to the table.
08:40It's not a little bit. They've given us a place.
08:43I'll give you a hand.
08:45I'll give you a hand.
08:46I'll give you a hand for a little bit.
08:46I'll give you a hand.
08:47I'll give you a hand.
08:47I'll give you a hand.
08:47I'll give you a hand.
08:54This is how I did it.
08:59Oh my dear, oh my son.
09:01There's no one who wants the woman to attack her.
09:04This is what you want to put in your mouth.
09:06I'm going to give you some money.
09:08Money!
09:11Hello.
09:13Try it.
09:13Try it.
09:16To me, I'm going to give you a little bit of a question.
09:18How do I have any help?
09:20If you're not, do you bring me some?
09:21Are you going to give me some bread?
09:23What?
09:24What do you think?
09:25Who is going to give you some bread on your face?
09:29You're going to tell me who I'm doing?
09:31One of the two recipients is asking me to do my best champagne.
09:35And in the last two, I'm going to give you some bread.
09:37I'm going to give you a little bit of a message.
09:40But not so much.
09:41I'm going to ask you a question for a bit.
09:43Why do you do that with you?
09:45Do you have anything else to do with you?
09:47No, I don't.
09:49But that's how you understand your daughter.
09:51You're good.
09:53That's it.
09:54Now I'm going to put it on you.
09:56I'm going to put it on you.
10:00I'm going to put it on you.
10:07I'm going to put it on you.
10:10I'm going to put it on you.
10:12She needs no abuse without any more.
10:14No, it's fine, it's전�win.
10:18Everything is I've done for sure.
10:19And by the way, everything I've done means no racism.
10:24I'd rather believe that there's a better way for you because it's my legacy.
10:29I was asking..
10:31What happened?
10:32I told vous, why did you discuss?
10:35What did you say?
10:36But what about you?
10:37It's all finals.
10:39She's going to ask Talaa to bring her to another room.
10:41Why is she around Talaa?
10:44Why is she not alone Talaa in the hotel?
10:46This is not a job.
10:47I don't want to do this.
10:48I don't want to make a job with someone like Susan.
10:51I want Talaa to bring her to Talaa.
10:53And just...
10:57You're a man.
10:58You're a man.
10:59You know how you think.
11:02We're going to learn from you.
11:05That's your fault.
11:06Is it worth it?
11:07I'm going to work with you all.
11:09I'll work with everybody.
11:10I'm going to work with her.
11:11I'm going to work with you.
11:12You're such a friend.
11:13I'm going to work with you for a while.
11:13And every time you bring Talaa's back...
11:15the people are dying.
11:17I'm just going to work with you.
11:20I'm just going to work with her.
11:23I'm going to leave you as a boy.
11:24I'm going to live a few times.
11:25I'm going to leave you on the road.
11:25I'm going to leave you there.
11:26We're going to break the rest of her like Susan.
11:28Because there are a few people who are not alone.
11:30Because she's going to take a little tips.
11:32Come on Talaa.
11:33If you want Talaa to help you then,
11:35I don't want you to ask me about six people.
11:37And if you understand the government, it's enough.
11:38The government is ready.
11:40After the day, I don't want anyone from the people
11:42to get a phone call,
11:43and they'll be able to get a phone call.
11:44It's not true.
11:47It's your fault.
11:49It's your fault.
11:50I'm sorry.
11:51I'm with you.
11:57You saw what happened?
11:59This is the movement of the alliance in the middle of the city.
12:02When the government comes to me,
12:05I'm in trouble.
12:07Don't stop me to arms.
12:08I'll give you a light of your life.
12:10I'm not sure about you.
12:11I'm not sure about you.
12:11I'm not sure about you.
12:12I've put you in the house.
12:13I'm not sure about you.
12:15I am very proud.
12:21I'm so proud.
12:23We're going to go to the house.
12:25I'll go to the room.
12:26There's nothing to do with you.
12:30Why are you yelling at the same time?
12:33It's been a while for dinner, so I told you to eat.
12:37I made your account.
12:39Oh?
12:41Sorry, son.
12:43The dinner will be in your house with your family,
12:46not in the room.
12:47That's right.
13:01Why do you care?
13:21Why does he know the energy?
13:21Say goodbye to your wife.
13:24How do you care?
13:25Go one more.
13:26Don't worry.
13:26It's all you care.
13:26You're here in love.
13:26You're in love with me.
13:26You're in love.
13:27Oh, yeah, Randa. Oh, God help me.
13:30One of us is a small one,
13:32but instead of focusing on the situation and finding it in the house,
13:35and the other one with one of the kirkukes,
13:38it's not going to be able to get married.
13:40Did you get hurt?
13:41Was it a bad thing?
13:42No, but it's a bad thing.
13:45We put it under the wrong thing.
13:46We're going to be a bad thing.
13:48We're going to go with a bad thing.
13:49You're going to get hurt from this generation.
13:52You're going to get hurt from this generation.
13:54You want to get hurt from this generation?
13:55You're going to get hurt from this generation.
13:57I'm so scared from this generation,
14:00or I don't know what I'm concerned about.
14:01You're not listening to me and if you're listening to her.
14:04You said to me, I met her with Bia.
14:08Bia.
14:08Bia, I want to move to the other side with the Teve.
14:11I want to be forced by Bia.
14:15But you know, Randa?
14:16I'm wrong with your life to be a bad thing.
14:20I'm going to get hurt again.
14:21Who is my husband?
14:23What is that?
14:23We perfect you, that world.
14:25He is about to say that the girl is not a good place.
14:28But she gives her a chafer, not me, and I.
14:30He's got one, me.
14:33You are not a child.
14:36You have this childкой friend?
14:37You look like she's not a child.
14:39She is a child.
14:40Can't have a child.
14:41And you can be seen this one.
14:45But our commonwealth…
14:46Mm-hmm.
14:48I want you to understand her?
14:49She was not a professor.
14:52What are you doing?
14:54I thought I'd eat with them and I'd like to eat one of you.
14:58I didn't eat any of you.
14:59I didn't eat any of you.
15:00What are you doing?
15:03What are you doing?
15:04Yes.
15:28What are you doing?
15:29I'm not sure what it is.
15:30You're going to be able to get a job.
15:32You're going to be worried about me.
15:34You're going to be able to do it.
15:35You're going to be able to sit with your own.
15:38and how did you do it for your own family?
15:40What do you want to do?
15:41I want to stay with you.
15:43I want to work.
15:44I want to stay with you.
15:45I'm not sure of you.
15:47I don't know what to do.
15:49You could have a surprise.
15:51You could give it a while for a while.
15:53Is it a while for a while?
15:54Is it a while for a while?
15:56It's nice!
16:01You can't go to the cinema.
16:04What do you mean?
16:06What is it, Joseph?
16:07Is it not possible for the country to meet the holiday?
16:12It's good!
16:14You don't want to get to it!
16:18Yeah, I'll show you how I'm going.
16:23What's your name?
16:27What's your name?
16:27I told you that from the first time we're going to be here.
16:29This one is the one who has killed us.
16:31The KRYSTAL doesn't show us how to make it.
16:34Yeah, that's what I'm going to do.
16:36I'm sure you're going to be here.
16:37Honestly, Mr. Rustom is making a sound.
16:40This is the one that we're going to be talking about.
16:43The one that we're going to be talking about.
16:53...
16:54...
16:54...
16:54...
16:54...
16:55...
16:56Youssef is the one who's going to die.
16:58Most of the people who know about the month of July is Yussef.
17:01Yussef has all the rules.
17:03And I hope you will be able to get the rules.
17:05Have you ever seen Fuston?
17:06No, but later.
17:08That's a lot, a lot.
17:09Because there's a designer who will tell you about it.
17:12The Fuston that they do it, they will destroy the family.
17:14And the boutique is also known for Yussef.
17:18I'm going to tell you a lot.
17:20I have a lot of work.
17:21Hello and welcome.
17:22Thank you very much.
17:23Thank you very much.
17:23Are you able to help me?
17:25I have a lot of work.
17:25Thank you very much.
17:26I can't help you.
17:32I'm going to help you.
17:35Yeah.
17:36Yes.
17:37I'm going to see my mother.
17:39My daughter is also saying that.
17:40I'm not going to say that.
17:41You're not going to tell me that.
17:43You're not going to say anything.
17:44Who's the one who's got it now?
17:46I'm not going to say anything.
17:47I'm not going to say anything.
17:48I'm not going to say anything.
17:48I'm not going to say anything.
17:51After that, I don't want you to give me a gift.
17:54I don't want you to love me.
17:56But I want you to know the truth.
17:57Let's go.
17:58Let's go.
18:02Let's go to the hotel.
18:04Why do I have other people?
18:06What's your name?
18:07Let me get back.
18:08I'm not going to get back from here.
18:11Is this your mother?
18:12Yes.
18:13She's more pregnant than the daughter.
18:15I didn't see her before.
18:16I didn't see her.
18:16I didn't see her.
18:20Why are you asking me?
18:22No, no.
18:22She's asking me about Maryam.
18:23But no one knows where Maryam is.
18:25She asked me about her.
18:27She asked me about her.
18:28She asked me about her.
18:28I didn't want her.
18:32I didn't want her.
18:46She's asking me about her before,
18:48Veryодно.
18:49She asked me about her.
18:51She is helping you to be with you.
18:52She's sending you to the驚ora.
18:52Where are you your daughter?
18:54She isع Sheriff's mum and bottom line.
18:56She's playing her.
18:58You're a Jewish village.
18:58She's on her family.
18:59She knows how to participate and not było with her.
19:02Yes.
19:03Do you want to know how to communicate with your daughter?
19:05Give me a message, madam.
19:07Your daughter came from your own.
19:09So, if you want to see her, I hope you'll be able to do it.
19:13And you'll be able to do it.
19:14I mean, this is the word,
19:16and why did you do it?
19:17That's what you want to do with your daughter, of course.
19:20Do you have to do the teachings and protect them?
19:24If you like it.
19:29What did you see?
19:30No.
19:31No.
19:31I'm sorry.
19:37Mr. Zersto.
19:38What?
19:39I'm sorry.
19:40Do you know that the sun killed Maryam, right?
19:42What?
19:43Do you have any problems?
19:44Yes.
19:45It's not her.
19:45It's her mother.
19:46It's her mother.
19:47It's her mother.
19:48It's her mother.
19:49It's her mother.
19:51What?
19:57I don't know.
20:00It's her mother.
20:32It's her mother.
21:02It's her mother.
21:30It's her mother.
22:02It's her mother.
22:32It's her mother.
22:33It's her mother.
22:55It's her mother.
23:26It's her mother.
23:39It's her mother.
24:13It's her mother.
24:14It's her mother.
24:34It's her mother.
25:04It's her mother.
25:33It's her mother.
25:59It's her mother.
26:02It's her mother.
26:04It's her mother.
26:05It's her mother.
26:12It's her mother.
26:26I don't want anything, because at the first time,
26:29I don't know how to deal with the money.
26:31And the other thing, I don't want to see it
26:32only once in the morning, because I don't want to see it
26:34because I don't want to see it anymore.
26:35So we're going to put it in.
26:38We're going to put it in 300,000 dollars.
26:40Listen to me. If you want to share with us,
26:43you're going to thank you.
26:43Because it's going to happen in the village.
26:45Then you won't be able to get you to Paris, Dubai,
26:48and Madrid.
26:50I don't want Madrid, I want London.
26:58What are you doing?
27:00I'm going to make a mess every day.
27:03I'm going to make a mess every day.
27:04What do you need to do?
27:04You're going to learn it.
27:05You're going to make a mess every day.
27:06I'm going to say,
27:07I'm going to tell you.
27:10Why?
27:13We have a mess every day.
27:19What do you think?
27:20Why do you know?
27:21I don't want to tell you.
27:24Who put it here?
27:26How do you know me?
27:28How do you know me?
27:29I understand my feelings.
27:29Yeah, what I mean with you?
27:30If you have a mess,
27:31I'll talk after you.
27:33You can tell me if you're willing to tell me.
27:34So I'm going to go.
27:36Come here.
27:37Come here, what I want.
27:38Come here.
27:40Come here.
27:41Come here.
27:42We'll talk to you.
27:44We'll talk today.
27:46We'll talk today.
27:48I came here.
27:48I got here.
27:49I got there.
27:50Good day.
27:53What?
27:54You're not?
27:56Amin, are you still doing the same time?
27:57What's the matter about this issue?
27:59I'm going to get you with me.
28:00I'm just showing you the morning.
28:02I'm going to show you what I'm going to do.
28:04I'm going to show you someone who's going to do it.
28:09I'm going to give you a good idea.
28:11You're listening?
28:13I'll give you a thousand times, Amin.
28:15Oh my God.
28:16Oh my God.
28:19I didn't tell you that you didn't put the bar like this before.
28:22Let me give you a little bit.
28:23I'll give you a little swim.
28:49I'll give you a light here and take my sunlight.
28:52What?
28:53I love you, my son.
28:54I love you, my son.
28:55I love you.
28:56Oh my God.
28:57I love you.
28:57I love you.
28:59Why, my son?
29:00Are you going to destroy every month?
29:02Every month?
29:03It's because of the other.
29:05They didn't have the other person,
29:07but they didn't have the other person.
29:07If you were like now...
29:11I don't know, you still have the country.
29:14They kept coming from it and they should have to pay for it.
29:16You've been coming back to me, my son.
29:17You've been coming back to me.
29:19But after that, there's been a lot of people.
29:21I'm sure there's a lot of people.
29:23Hey, how are you?
29:26You're going to break it down.
29:29But you're not going to have a look at it.
29:33You're not going to have a level.
29:34You have to have a level of pressure.
29:36And you're not going to have a level of pressure.
29:38You're not going to have a relationship with this country.
29:40This is your eyes.
29:43Excuse me.
29:45This is an education and management.
29:47And if you're looking at it,
29:50you'll be able to do the same way.
29:52You'll be able to take the same way.
29:55And you're going to be able to take the same way to the second one.
29:59You're not going to have a level of pressure.
30:03You're going to go to the next level.
30:03But you're going to be able to take care of your own lives.
30:04How will you deal with the other people?
30:04You're not going to be able to do this.
30:05You're going to tell me,
30:06I'll give you some food for the lady who eats her.
30:09What is that, Baba?
30:10It's a very special way.
30:12If the lady who ate her,
30:13The men are the same as the rest of them.
30:16I'm going to go to the other side of you,
30:18and then I'm going to talk to you about men.
30:21I'm going to talk to you, my brother.
30:23I'm going to talk to you later.
30:25Come on, come on, come on.
30:27Come on, Lili.
30:28Who is your favorite?
30:29Is it a dream or a dream?
30:31You're not a good master.
30:33You're not a good master.
30:35You're a diplomat.
30:35You're not a diplomat.
30:36I don't know if you're a diplomat.
30:39Come on, come on.
30:45Come on.
30:47Come on.
30:48Come on, come on.
30:49Come on.
30:50I'm going to talk to you.
30:51Hello.
30:52Are you Shams?
30:53No, I'm sorry.
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