مسلسل دارا الحلقة 6 السادسة
#مسلسلات_رمضان_2026
#مسلسلات_عربية_2026
#مسلسلات_عربية
#مسلسلات_رمضان_2026
#مسلسلات_عربية_2026
#مسلسلات_عربية
Category
📺
TVTranscript
00:28Transcribed by ESO, translated by —
00:32What do you do, my fellow?
00:33Run! Escape!
00:35Run!
00:35I can't.
00:38You need to save us.
01:00I can't.
01:31I can't.
02:00I can't.
02:45I can't.
02:49Messy?
02:51Visited his wife this morning.
02:53She says he's run off.
02:55No idea where.
02:57Doesn't shout innocence, does it?
02:59Maybe guilt.
03:01Maybe shame for leaving her behind on Dara.
03:04You'd like to see the best in people, don't you?
03:07If I didn't, I'd forget what I meant to protect.
03:12What is this picnic of cucumber sandwich?
03:16I found in the recovered items of the wreckage.
03:22Must have washed ashore.
03:23Could belong to anyone.
03:24It's expensive looking.
03:26It looks like it belonged to someone who knew a thing or two about taking pictures.
03:30It will be a miracle if the film still works.
03:33We just used up a miracle finding it, but worth a try.
03:36All right.
03:40Let's bring Yang Ganes in.
03:43See what he tells us.
03:48Julian.
03:51If you found him, don't mention we found the camera.
03:56I want to see his face when he lands.
04:16I don't know what you're talking about.
04:18I don't know what you're talking about.
04:19We're going to ask you to know what you can say.
04:25I'm going to ask you to know what you're talking about.
04:27I said that this thing is a bad thing.
04:29I'll tell you, the camera that you're stuck, was it a bad thing?
04:36You were a gift.
04:38And what was it a bad thing?
04:42I don't know what the camera is, but it's a good thing.
04:47What's the matter with the question?
04:55Royer Savoy.
04:58The name of the British?
05:01No, French.
05:04I'll do a question with you.
05:09I don't think you were a good one.
05:17Where did you go?
08:54What is it?
09:00Who would stop to take a picture while the ship is sinking?
09:25Why did you go to the house?
09:30Why did you go to the house?
09:58Why did you go to the house?
10:01Why did you go to the house?
10:08Why did you go to the house?
10:22Why did you go to the house?
10:24Why did you go to the house?
10:51Why did you go to the house?
10:56Why did you go to the house?
11:02Okay, stay.
11:30Why did you go to the house?
11:33Excuse me, may I take a photo of you?
12:23I take a photo of you.
13:03Salim.
13:12Take care of yourself.
13:19Look.
13:20This is the name of Alisa.
13:24From behind,
13:25we'll put the film.
13:27What's going on?
13:28What's going on?
13:30We're going to show you some pictures.
13:32Why did you lose?
13:34Okay.
13:35I'll tell you to be happy to be sorry for you.
13:44Where is it?
13:47Where is it?
13:49That's it.
13:50I'm not able to tell you anymore.
13:52But after the first time I'm out of the grave,
13:55I'll send you back to her and send you back to her.
13:57Did we open it?
14:02Salem.
14:12Anis,
14:13if you were at the third level,
14:16how do you feel like you're going to move every place in the grave?
14:21It's a job.
14:31Do you know the captain before?
14:39Captain, smile.
14:41Yeah.
14:51Not sure why you'd want a picture of an old sea dog.
14:56You're more than that to me, Captain.
14:58You were hardly bigger than that camera when you were born on my ship.
15:01You're the only man of the sea we have left.
15:06My parents always spoke kindly of you.
15:11And I was very fond of them.
15:14I am sorry to hear of their passing.
15:18Sir, can you please grab on this?
15:21Like so?
15:22Yes.
15:26And how are you now, young Ennis?
15:29I'm okay.
15:30I'm studying, sir.
15:33Photography.
15:34Splendid.
15:35I'm actually using this trip to build my portfolio.
15:40My dream is to work for a prestigious magazine someday.
15:43Portfolio of what? Portraits?
15:45Well, anything that catches the eye.
15:53From Bab al-Adab,
15:55you can see the people who are watching.
15:59What is it?
16:01Why?
16:03Don't mind my first captain, Said.
16:05He's as tough as a nail, so I don't have to be.
16:09Now, if you'll excuse us, we have a ship to sail.
16:11And you have a portfolio to build.
16:15Wait, Ennis.
16:18If anyone on the upper decks gives you any trouble about being beyond your lower deck privileges,
16:23show them this.
16:27What is it, sir?
16:29It states that you have been assigned to take photographs of Dara.
16:35All of Dara.
16:37On the captain's orders.
16:45Thank you, Captain.
16:53So...
16:55Right.
16:57What's the first thing about Ennis?
17:01What did you think about Ennis?
17:01You always think Dara's hair from the captain's eyes.
17:04To see the things that we couldn't see.
17:07And what's the one that we didn't see the captain?
17:10I knew the captain was loved Ennis because he was a newborn.
17:14He loved him.
17:16And he loved him.
17:17And he loved him.
17:18But what he knew, he didn't know anything about us.
17:21He didn't know what we didn't know.
17:22It's possible to be free, or to be free,
17:28so that I can't let you go.
17:33What did you do?
17:35I got my eyes.
17:37I got my eyes from the captain.
18:06Excuse me, may I take a photo of you?
18:17Hello, excuse me, may I take a photo of you?
18:22Excuse me, can I help you?
18:25Thank you, I'm just taking photos of the diners.
18:27No, I will handle this.
18:49There's someone like you, who understands me.
18:52What is it for?
18:54Arabic, from the outside,
18:58started from zero to reach here.
19:02If you don't know the Arabian, how did he start from zero,
19:05and how did he get here?
19:07You have to know how many people are here,
19:09and there are people who say,
19:10and how many people do it,
19:12and how many people do it,
19:12and how many people do it?
19:14I think I'm one of them.
19:30Oh, no.
19:34I want them to know the fact.
19:35Enter your country's office.
19:36Let them have time.
19:38What are you saying?
19:39I'm going to go back to her.
19:40You know, I'm an old man, and I can't be able to do that.
19:43You understand that you're an old man?
19:45You understand, but we'll come back to her,
19:47and we'll go back to her.
19:48I'll come back to you again.
19:50Can I get you?
19:52Can I take you a picture?
19:54What's that?
19:55Do you see us an old man,
19:58and we're talking about special things?
20:01I want to understand how this person came here.
20:03I know.
20:04I know that it's impossible
20:06to get to the third stage.
20:08What do you know?
20:10I can't wait.
20:12There's a bad idea.
20:14Bad idea?
20:16Between me and between you?
20:19I'm not from the third stage, sure.
20:22My father was very generous to my world level.
20:26Wow, really?
20:28I know.
20:30It's not between me.
20:32But there's a place I taught you as a picture in Bombay.
20:35That if you look like a kid,
20:38you can see them easily,
20:40and you can see them in the streets,
20:42without having eyes on me.
20:44And on my camera, of course,
20:45because it's a lot of bad.
20:47Like if you know,
20:49there's always a shame and a shame in these streets,
20:53and you'll be afraid of me.
20:55You won't be afraid of anyone, right?
20:57Yeah, sure, no.
21:01But unfortunately,
21:02I don't think I'm afraid of these streets
21:03as long as the streets,
21:04because the streets of the street
21:06were in my neighborhood
21:06and they were in my neighborhood.
21:08What?
21:08There's a lot of streets.
21:10It's a profession.
21:13It's a profession.
21:14It's a very important place.
21:16It's a shame that happened to you.
21:18But tell me,
21:19what are the things you say about it?
21:21What?
21:22It's my modern Wonders.
21:24It's so that she's taught
21:25that one of the different people
21:26of the world.
21:28I can.
21:29I can be.
21:30It's a good idea.
21:31But I'm going to be brave on you.
21:32I don't go ahead of my life.
21:34Ok, let's have a look.
21:36Let's take a look.
21:37Let's take a look.
21:39My pleasure.
21:41Let's take a look.
21:44Nice.
21:45Yeah.
21:45Perfect frame by the way.
21:49Perfect, okay, give me a smile
21:58Hey
22:00I love you. I love you
22:04Perfect, let's get another one
22:07Oh
22:17Oh
22:51Oh
22:52Oh
22:54Oh
22:57Oh
22:57Oh
23:17Oh
23:38Captain, I have returned him back to his father on the lower deck
23:43But in all fairness, it's been difficult restraining him
23:47His name?
23:48Jumma
23:52Sims
23:53We have problem with theater class passengers
23:56He's acting if I want on the ship
23:58Don't you get tired of clicking pictures of different faces all day long?
24:04Sometimes, yes
24:05To be honest, I wish something more dramatic would happen
24:09What do you mean?
24:13And that's what he said
24:14That he wants something dramatic to happen
24:18Yes
24:20And what do you think?
24:22What can everyone say?
24:29I think he thinks what he said
24:33It's hard to believe
24:43What?
24:44What?
24:46All these pictures
24:47People
24:48The people
24:48The people
24:49The people
24:49The emotions
24:49The images
24:50The beautiful pictures
24:51From the first to third
24:53All this
24:55I understand all this
24:55What?
24:58What?
24:59What?
25:00What?
25:04What?
25:33What?
25:41It doesn't sound very dramatic.
25:47It's dramatic for me.
26:04It's dramatic.
26:50Then why did you take these pictures?
27:04I got the attention.
27:08I got the mind.
27:11I got the attention.
27:15Someone who got the attention to me.
27:17But it's also more than I get.
27:21You can get the distance.
27:25I saw you on this day,
27:28I don't know what they can do.
27:30What do you think?
27:32The people who say the same thing.
27:35I looked at the camera.
27:41I was like, I'm not in this moment.
27:45I didn't see the world who was angry.
27:48I didn't see the world who was angry.
27:49I didn't see the world who was dying.
27:52I was the mirror who was looking at this.
28:01This is a picture.
28:05This is not a picture for me.
28:11This is a picture for me.
28:16I'm afraid.
28:22I'm afraid.
28:30I'm afraid.
28:31There's something else in this picture.
28:33What is it?
28:51What is it?
28:55Same boy.
29:06What is it?
29:06I didn't see the camera.
29:08And after that,
29:11I didn't see the picture.
29:13I noticed that the camera was angry.
29:19I didn't see the water.
29:23I didn't want to come back to my life.
29:33You're not 있을 too many.
29:49I was telling you.
29:52What happened you said?
29:59Oh, my God.
30:28A minute.
30:29A minute.
30:30A minute.
30:30If you don't ask anything, you can tell me a minute.
30:33What are the pictures?
30:35A house.
30:40What's that?
30:42What's that?
30:44What's that?
30:44This is a real estate.
30:46We have a house for a visit.
30:47What's that?
30:51What's that?
30:54But...
30:54What's that?
30:59What's that?
31:06What's that?
31:08What's that?
31:09That's not how I put my eyes on.
31:10I'm not sure what's that.
31:14I'm not sure what's that.
31:15I'm trying to change my mind.
31:17What is the desire?
31:31So what is this new piece of the puzzle?
31:33Yeah.
31:34It's a big piece.
31:44It seems like Adnan has eyes on him
31:47And from the look of it
31:49Not with kindness
31:54Shukran
32:03Looks like he has a birthmark
32:04On his face
32:06We should check the hospice
32:08See if anyone with mark was brought in
32:11In the meantime I'll find Adnan myself
32:13His name keeps coming up in every witnesses account
32:18It's time I spoke to him
32:19All I can say is
32:21Be careful
32:23Be careful of what?
32:25I only managed to speak to his wife and daughter
32:27Because he was away on business
32:29The truth is
32:30He's a major shareholder
32:32In the British India Steam Navigation Company
32:34If he feels he's being accused of anything
32:37It might not go well for us
32:41What are you saying, Julian?
32:44I'm saying
32:45Handle him the wrong way
32:46And he is powerful enough
32:48To shut down our entire case
32:50What are you doing?
33:08Are you serious about
33:12What are you saying, Julian?
Comments