Shan-e-Sahoor | Atiqa Odho | Sania Saeed | 20th Feb 2026

Once again, heartfelt conversations, festive vibes, and unforgettable moments 🌙✨

Guest: Atiqa Odho | Sania Saeed
Host: Nida Yasir

Watch Nida Yasir in Good Morning Pakistan’s Shan-e-Sahoor, where celebrities share their Ramzan routines, reflections, and personal stories in a warm and meaningful gathering.

Tune in to ARY Digital, Monday to Saturday at 11:30PM, and be part of the conversation!

#RamzanWithGMP #ARYDigital #RamzanKiRoshni #shanesahoor #ShanESahoor #ShanERamzan #NidaYasir #atiqaodho #sanamsaeed

Transcript

00:00:01foreign

00:00:07assalamualaikum shanis sahur me aapko welcome kartei hai dousra roza complete ho

00:00:12gya aur abap sikoon se bait gay hoongay wiesse sikoon kya hai ایک certain age

00:00:18me a certain time per jub aapki struggles thudhi madham ho jati hai wiesse to struggles

00:00:23khatam nai hooti qaber tuk struggles chalati hai lakin jub aap thudhi si aapnay

00:00:28zindegi ki setting bina dite hai career set ho jata hai, ghar ban jata hai

00:00:32ya phir joh bhi aapki khab hai wou thudhe thudhe thudhe pure ho jate hai

00:00:35aur aapko sikoon ka sans milta hai, to phir aap aapni purani album nikal ke

00:00:41flashback me chale jate hai, ya album ki bhi zharuat ni pardhi, kubh eek bhar sikoon

00:00:46se chai ka cup hat me lhe kar baitate hai, aur flashback me jake yad kertai

00:00:50woh bachpun ke dhin ya phir woh early times joh aapke struggle ke thay, aapki

00:00:56ami ke ghar bitaay hoi dhin, aapke moholedharia, aapka rakh rakhau, college

00:01:02university ki yadیں, woh phasan dhida funkar, woh phasan dhida glukar,

00:01:08woh phasan dhida glukar, yeh sari chizhe aapke dhmag me dhorsi jathe

00:01:10and kubhye discussion karne bhi, aap saheliyan ya dhost, ibap, families hapas

00:01:15me baitate hai, to discuss karte hai un purani chizho ko, aur un purani chizho

00:01:20aapke me ri umar ke hai, ya muczse chotay hai, ya muczse bade hai, aur aap un dramo

00:01:26ke fans rahe hai, jn ki wajah se sadkhe khalhi ho jaya kerti tini,

00:01:31toh pher aaj hum aapke treat dhenne waale aapne show pe,

00:01:34kyunke aaj, jiasse ke aap dhek chukhe hoonge humare instagram pe bhi,

00:01:38hemne jn guests ko aaj dhawet dhie hai, aapne show pe madu kiya hai,

00:01:44woh dhonno ek saad, I don't think so, kisie show pe aapko nazar aay hoonge,

00:01:48lekin aapko, eisse aapki memory me yad hai aapko woh drame,

00:01:54jisne woh dhonno ek saad nazar aay hai,

00:01:56aur us drame ko dhekkar tadkhe khalhi hojati tini,

00:01:59toh aaj woh treat aapko mil egi,

00:02:02aaj ramzan ki khushi me, shani sahur me, woh aayengi,

00:02:05hem unse guf-tugu karengi,

00:02:07aray kya bata hoon aapko sitara meharunasar,

00:02:09jii bilkul, suspense toh aap hai nai,

00:02:12toh eek chhode se break ke ba,

00:02:13jim hem unko bulaayenge,

00:02:15toh hem unke baare me,

00:02:17puri introductory,

00:02:18hemne puri documentary si banayi bhi chhoti si,

00:02:20woh hum dhikhayenge,

00:02:21isse pahele,

00:02:22unke,

00:02:23jib mehaman ane wale hote,

00:02:24toh ghar me eek bhaag-dawr si,

00:02:26unke liye,

00:02:29unke liye,

00:02:30unki mehaman nawazi ke liye,

00:02:32mujhe meri saathi ke zarurut hai,

00:02:33aur meri saathi arush meri kitchin meh hai,

00:02:36haelo,

00:02:37arush kaisi hai,

00:02:39mein thikou, aap kaisi hai,

00:02:40bilkul,

00:02:40aapko,

00:02:41aapka roza kaisa guzra,

00:02:43aapka roza kaisa raha,

00:02:45aapka roza kaisa ta,

00:02:54aapka roza kaisa ta,

00:02:55chalenge,

00:02:55that's good to know,

00:02:56progresif,

00:02:57haa,

00:02:58wilkul,

00:02:58so, aaj humare mehmano ke liye,

00:03:00khas humare mehmano ke liye,

00:03:02kya pakakayengi aap peale Hai,

00:03:04miste boki,

00:03:05charlenge,

00:03:05kiunke pher me aaj aapko second challenge denne wale,

00:03:08peale aap mistrry box open karengi,

00:03:09tume kurungi,

00:03:10cheeek tha,

00:03:11so mistrry box me aaj kya midha nikale ka,

00:03:14mamaj challenge dungey arush ko,

00:03:16ki ye kya banane walli hai,

00:03:17allah, yye toh jane walle hai,

00:03:19anaaar,

00:03:20anaaar,

00:03:21All of you are going to be very fast.

00:03:23I know but it has a lot of resources.

00:03:26And I can think of something very fruitful with it.

00:03:29So, we can make it with passion fruit drink.

00:03:34Okay.

00:03:35And then we can make the chart in it.

00:03:39This looks really good.

00:03:40I put it in my salad.

00:03:42Chukandar, annaar, quinoa, kiwi and gajar.

00:03:48You make this salad with walnuts.

00:03:51Okay, I make mixed berries.

00:03:52So, as many berries, I add annaar with lemon.

00:03:56Okay.

00:03:58So, tell me what recipe will happen with annaar.

00:04:01One, you told me about a drink.

00:04:03Absolutely.

00:04:04Passion fruit.

00:04:05Yes.

00:04:05And then what will it be?

00:04:06Okay, I thought that because it is a lot of weight in the palm of the palm.

00:04:09So, the palm of the palm of the palm will be made.

00:04:13Crispy and crunchy.

00:04:14Okay.

00:04:15Add annaar too.

00:04:16Add annaar too.

00:04:17And there are many vegetables that we need to use.

00:04:20In there?

00:04:20Yes.

00:04:21So, basically, we serve it in a new restaurant style.

00:04:25It's not going to be something that you can get normal.

00:04:27You put it in the palm of the palm of the palm.

00:04:29It's going to be one person serving at all.

00:04:31Okay.

00:04:32So, Arush.

00:04:33I am excited.

00:04:34I am excited.

00:04:36I am excited.

00:04:37I am excited.

00:04:38Me as well.

00:04:39I want you to be the chef's training.

00:04:42He is going to make this food.

00:04:44You are no idea.

00:04:46I got discovered.

00:04:47You are not going to be disappointed.

00:04:48No, no, no, no.

00:04:49No, no, no.

00:04:50So, Arush.

00:04:51I am going to send you on the break.

00:04:53After the break, we will come back.

00:05:00And we will take you on the break.

00:05:03And follow us.

00:05:03Our friends.

00:05:09Welcome back.

00:05:11You are a's.

00:05:13And we will tell you about the pain.

00:05:17We'll take you.

00:05:18Good.

00:05:19Good.

00:05:20Good.

00:05:20You are going to be able to find it.

00:05:21Good.

00:05:23Good.

00:05:23We are here today with our show.

00:05:26Atika, Odo, Sanya, Sade,

00:05:28which I don't know about the award.

00:05:32But then, actors are also sensitive and more sensitive.

00:05:38And the work they have done here, they have themselves earned.

00:05:42And we want to do this work in a small way.

00:05:48So, let's see how we welcome our show.

00:05:54Sitara Mehren Nisa, Atika Odoo and Sanya Saeed.

00:06:08How are you feeling?

00:06:10Sitara Mehren Nisa, Atika Odoo and Sanya Saeed.

00:06:14We are also excited.

00:06:19We don't get to meet at any show.

00:06:21We don't get to meet at any show.

00:06:22How strange.

00:06:23How strange.

00:06:25Have you ever done a sitara Mehren Nisa, Atika Odoo and Sanya Saeed?

00:06:29One.

00:06:30A Dear Bitto.

00:06:31A Dear Bitto.

00:06:33Was it Serial?

00:06:34Serial.

00:06:35And where did it go?

00:06:36In ARY.

00:06:38Yes.

00:06:39About 12-13 years ago.

00:06:42And sitara Mehren Nisa, Atika Odoo and Sanya Saeed?

00:06:44That's it.

00:06:45I have been a sitara Mehren Nisa, Atika Odoo and Sanya Saeed.

00:06:51You know, it feels like it was like yesterday.

00:06:55Yesterday, right?

00:06:55It was so fast.

00:06:57And especially when we got a little bit of time, right?

00:07:01So, when we go and see it, we feel like, where is the time gone?

00:07:04Yeah.

00:07:04Because I think, Atika and I have been working on a train.

00:07:11That's what we did all our lives.

00:07:13I don't know.

00:07:14It's very soon.

00:07:16Because in your serials, it's not going to be 5 or 6 months.

00:07:19It's a whole year.

00:07:21One thing.

00:07:23When we research about it, we were surprised that there were 100, 150 episodes of drama.

00:07:28But when we come and go and go, it doesn't matter.

00:07:31I have been told that there were only 6 characters.

00:07:337.

00:07:34Just as many, the celebrity.

00:07:357.

00:07:378.

00:07:389.

00:07:3910.

00:07:3911.

00:07:4112.

00:07:4310.

00:07:448.

00:07:4910.

00:07:4911.

00:07:5311.

00:07:5412.

00:07:5512.

00:07:5914.

00:08:0014.

00:08:00promotion, social media, at that time, it was just news.

00:08:04And magazines, TV times, these all magazines that came here.

00:08:14Oh my god, it was so nostalgic.

00:08:17It was a lovely time actually.

00:08:19We actually enjoyed our time in the sense that everything was happening and we were watching.

00:08:31We were also doing it.

00:08:32We were also doing it.

00:08:33We were also doing it.

00:08:35We were also doing it.

00:08:36So, that's why we were so embedded.

00:08:39It's not that it's better today, it's better today.

00:08:45I think that the time we were exploring the product,

00:08:49after playing the next week, you were still with it.

00:08:52Although next day, you were watching another play.

00:08:56But you had 24 hours.

00:08:59I wrote it to Zaheer.

00:09:01Yes.

00:09:17Zaheer Khan.

00:09:17Now it's like a job.

00:09:18Now it's like a 9 to 5.

00:09:20Go, do a job, go.

00:09:21You're doing it too.

00:09:22But it's done.

00:09:23It's also possible.

00:09:25If you get a team, and a director, if you get a team, it's quite possible.

00:09:31But when we started, we didn't work with each other.

00:09:36We didn't work with each other.

00:09:37Oh.

00:09:38I was doing a theater with Sajid.

00:09:40I was doing a glass menagerie adaptation.

00:09:43Tennessee Williams.

00:09:45So, we were rehearsing for that.

00:09:48Sajid introduced me to Anwar.

00:09:50Oh.

00:09:51He was already casted.

00:09:54So, he said, this is Mairun Nisa.

00:09:56He was the writer of Mairun Nisa.

00:09:59Yes.

00:09:59So, he just saw me.

00:10:02That's what it was.

00:10:03That's what it was.

00:10:04Actually, Sajid played a very big role in Sathara Mairun Nisa.

00:10:07Yes.

00:10:07My first phone call was Sajid Hassan.

00:10:11Yes.

00:10:12He said, we're looking at Anwar.

00:10:14Sajid was very owned.

00:10:16Yes.

00:10:16Very, very.

00:10:16And he was very involved throughout.

00:10:18He was very involved in Sathara Mairun Nisa.

00:10:21Throughout.

00:10:21Throughout sets and rehearsals.

00:10:24He was very passionate about his work.

00:10:26Yes.

00:10:26He is very passionate.

00:10:27Yes.

00:10:28But he was very passionate about his work.

00:10:29Yes.

00:10:29And there was a very good thing.

00:10:32If you look at Ramiz's character.

00:10:34Even though he is the hero.

00:10:37But he was the actual hero.

00:10:38He was the two boys.

00:10:39He was so gracefully and so dignity.

00:10:44He knew the whole script.

00:10:45Yes.

00:10:45He knew what was going to happen.

00:10:47He knew what was going to happen.

00:10:47He knew what was going to happen in his place.

00:10:49Yes.

00:10:49He knew what was going to happen.

00:10:50Because no ego had to be in that regard.

00:10:52It was not.

00:10:53Because today is true that our name was called.

00:10:54Title for my name.

00:10:55I had seen this saying.

00:10:57I saw this in front of many heroes.

00:11:00Why is it the heroine name.

00:11:01Why is it the heroine name for me.

00:11:02Why is it not.

00:11:03It's not my name.

00:11:04Because the things which is.

00:11:05Yes.

00:11:05His name is not.

00:11:06We used to say that his name is Sathara Mairun Nisa and Ramis.

00:11:10and you know sarjit is one of the finest actors in the industry he is the finest yeah absolutely

00:11:15undoubted no doubt no doubt we haven't done it with him but undoubted

00:11:21as you enter into social media today you have made a dub smash or something like that and you get

00:11:30a chance

00:11:30the influence is taking a lot of them in the drama too

00:11:35that is the moment you come to this industry at that time it was a little difficult to come to

00:11:42this industry

00:11:42I don't know, it was a difficult in the sense that a little taboo people say it's a not easy

00:11:49place to be

00:11:51taboo and what kind of space, this word is a lot of space, but it was fantastic

00:11:59I mean I have never had any problems

00:12:02I mean it was not that there was a problem of course

00:12:05there are problems of workplaces, where the people work, there are problems

00:12:12but it was not that there was an impossible place and everyone will face it

00:12:19and today it is not necessary

00:12:20you have absolutely right work place, it is not that it is in our industry, it is in hospitals, in

00:12:28universities

00:12:29it is also in many places

00:12:31and there is a problem that I will say that it doesn't happen in the bathroom today

00:12:36we were working there in the studio

00:12:39and she actually developed kidney infection

00:12:43because she said that I don't drink water because we are going to go

00:12:46this is a big issue, we see a lot of issues today

00:12:49women don't get proper toilets to work in

00:12:52and you know this is across the world

00:12:53we have a street theatre play on it

00:12:55in workplaces

00:12:57in the industry, this is to have a lot of services

00:12:59this is to have a lot of trade unions

00:13:00and there was a basic demand

00:13:07that in the workplace, there is a toilet toilet on the workplace

00:13:13and we are talking about this

00:13:15it applies exactly to all our television centers

00:13:22I mean, rarely will you find that someone will consider it because it's not in upper management.

00:13:29P.T.V. was better than the washrooms in the inside.

00:13:31It was later, later.

00:13:33He was fighting for us.

00:13:35And I still had to fight for us.

00:13:36Right now.

00:13:39I will shoot at home, live-in at home and I will take a little bit of描ite.

00:13:47i am not sure how to do it.

00:13:49When you are in the posh areas that are set,

00:13:54But when you are in the community,

00:13:56you are not going to be in the community.

00:13:58They are very difficult.

00:14:00I had a very difficult time.

00:14:01But now, we give them that you please keep it.

00:14:06Vanity is a vanity.

00:14:08How did you come into industry?

00:14:10Were you in the theatre?

00:14:12Were you make-up artist?

00:14:13I was a stylist.

00:14:14But that didn't contribute as much because when I was working in styling, at that time I used to have

00:14:21a lot of modeling office.

00:14:22It was not a drama film, it was not a drama film.

00:14:26The drama came when I did my first commercial. Actually, from styling, I went to do advertising in front of

00:14:33the camera.

00:14:33So, I had a choice of tea.

00:14:36And Anwar Sahib said that you are a woman who can drink tea at the time.

00:14:41So, I want you to roll the sitarah.

00:14:43Sitara Mehrunessa, your first prayer?

00:14:46You didn't have a first prayer?

00:14:47No.

00:14:48Onair was first prayer.

00:14:50Because it was supposed to be a girl who killed a girl.

00:14:52No, it actually didn't start. No, no.

00:14:55So, the prayer was supposed to come on before.

00:14:57It was delayed.

00:14:59Okay, that was delayed.

00:14:59Sitara Mehrunessa went on.

00:15:01And I went to Gawadar's shoot.

00:15:03And Sitara Mehrunessa went on.

00:15:05And I didn't know that there was an overnight sensation.

00:15:08It will happen.

00:15:10I felt the impact he had on the scene, right?

00:15:11I was moving on to Gawadar's shoot.

00:15:12After the moment, I realized that Sitara Mehrunessa's impact was very different.

00:15:16A lot of stuff.

00:15:18The story of the matter is that both characters are different.

00:15:21Are you having the same character?

00:15:22Is Sitara Mehrunessa earlier?

00:15:23Yes.

00:15:23And in the shooting of Dushet?

00:15:25In the first time I was very clear that if there is not a stereotype, you should be able to

00:15:29play every kind of role.

00:15:31In fact, I was young, in the early 20s, and in DASHT I was young to old, I put a

00:15:37witener, young to old, because it was a beautiful character.

00:15:40So, you should not think about the actor, you should not do anything, the actor should do everything.

00:15:44DASHT, Abid Ali Sahib has directed?

00:15:46No, Abid Ali Sahib was a producer and then he directed a portion of it.

00:15:54But he was the...

00:15:55Qureshi Sahib?

00:15:56Yes, Qureshi Sahib, he was...

00:15:58Did he go to film type?

00:16:00No, he came from outside, but Abid Ali was the heartbeat of the project.

00:16:06So, his daughter was the child.

00:16:08So, your first two projects, sitara, Merunissa and DASHT?

00:16:12And Nijat.

00:16:13Oh boy, three years!

00:16:15I was very lucky.

00:16:16Oh my God!

00:16:17My credit was very good, and Sanya Nikita had given me.

00:16:21I was very lucky to learn Urdu, I was very lucky to learn Urdu.

00:16:24How did they write it in Roman?

00:16:25They taught me how to do it in Roman.

00:16:28I never said it in Roman, but I always said,

00:16:30whatever it is, I only do Urdu so that it improves.

00:16:33So, I always do Urdu.

00:16:36Obviously, the first language was English.

00:16:39And I always say to my wife,

00:16:41if your children have to be here and work,

00:16:43please do Urdu.

00:16:44Because we suffered, you know, I suffered.

00:16:46But Sanya Nikita and Sajit have helped me.

00:16:50How did you come to the theatre?

00:16:52I was doing the theatre.

00:16:54And we were playing a lot of stories.

00:16:58We were playing a street theatre, a woman.

00:17:01And your mother saw us.

00:17:03And she called me.

00:17:05And they said, I want to record this for the future.

00:17:08So, we said, okay, we were performing in Kumharwara.

00:17:12And we said, that time was 104 Bukhar.

00:17:15And we were performing in the art march.

00:17:19You wanted to record the theatre in the future.

00:17:21But because it was in a circle,

00:17:24when the camera reached the E&G,

00:17:27they didn't understand how to shoot.

00:17:30Because in the theatre,

00:17:31you can move and turn.

00:17:34It's a different design.

00:17:36Exactly.

00:17:36And there's no difference between them.

00:17:38But when they were looking at the camera,

00:17:41they didn't understand what happened.

00:17:42So, they told us to come to the TV.

00:17:45So, we told them to come to the TV.

00:17:48And then I asked Abbu,

00:17:49and I said, what do you want to do?

00:17:51So, Abbu, Ami, and you,

00:17:53and you, and you, and you, and you are doing a theatre.

00:17:55Yes.

00:17:56Our theatre group was 10.

00:17:5710.

00:17:58Our love was many people.

00:18:02The founder and father of PTV,

00:18:03who said, you are Asla Mazhar.

00:18:05Yes.

00:18:05Who created the TV.

00:18:06My mother also created the theatre.

00:18:08Yes.

00:18:09So, they were also my master.

00:18:11And the theatre, we also directed the theatre.

00:18:13Yes.

00:18:14So, then we went to the TV and PTV,

00:18:17so I had such a bad time,

00:18:20because it was our 20-minute play.

00:18:21And it was young to old.

00:18:23So, I used to do a young girl with a little child.

00:18:26And about the same old woman,

00:18:27there was a different oppression.

00:18:32And there is an oppression.

00:18:34We don't recognize them.

00:18:36So, those two young to old,

00:18:37two people used to go in 20 minutes.

00:18:39There were 5 different characters.

00:18:42It's been a few days to shoot it, because 20 minutes is 20 minutes.

00:18:46And you get ups too.

00:18:48We didn't do get ups in the theatre, because it was street performance.

00:18:53It was all body and voice.

00:18:57So overall, it didn't change.

00:19:00No, it didn't change.

00:19:01Dupatta will change.

00:19:02Or it will be a chadar, it will be a latte.

00:19:06You can do everything, right?

00:19:08You can do everything.

00:19:08But that is what theatre is.

00:19:12Improvise.

00:19:12So did you feel that the TV is your medium?

00:19:15No, I was so bored.

00:19:17I was at home so hard that I had to go to school.

00:19:20I was bored.

00:19:22I was in the matric.

00:19:25And I said, what is this?

00:19:27What do you do?

00:19:29There is a rehearsal sometimes, but it has a flow.

00:19:32So I was very surprised.

00:19:34But after that, Yasmin is smiling at the children's theatre.

00:19:38That was the GRIPS theatre.

00:19:40We adapted in Urdu.

00:19:41Imran Aslam.

00:19:43She was doing the TV.

00:19:45There was no marina on television.

00:19:46There was no marina on the theatre.

00:19:48There was no marina on the theatre.

00:19:49And I was at that time.

00:19:50Because I was watching all children.

00:19:52I was watching Team Team Charter.

00:19:54I was watching the TV.

00:19:55I was watching the TV.

00:19:58I was watching the TV.

00:20:05And I played in their children's theatre.

00:20:08Which I played?

00:20:09I played in Tâpesh, which was Sahira.

00:20:12That was Sahira was doing.

00:20:14That was Sahira?

00:20:15Yes, that was the other one.

00:20:16No, that was done.

00:20:19And it was shooting the student politics.

00:20:22Oh, I remember.

00:20:23I remember those, right?

00:20:24Wow.

00:20:25We could play in that time.

00:20:27I couldn't do that.

00:20:28Now, we could play in the same time.

00:20:30Okay, Tappesh.

00:20:31There was Jamal Shah.

00:20:34Rubeena Ashraf, Jamal Shah, Shafi Muhammad Shah.

00:20:37And there was Abbu.

00:20:39Abbu was playing my father.

00:20:40And then Qaisar Nizamani was playing my brother.

00:20:43We had a program with him.

00:20:47He was a small character.

00:20:49But then they liked it.

00:20:51They had to play it.

00:20:52He was a little mature.

00:20:54And he was in the first year, second year.

00:20:57Yes, he was in the first year.

00:20:59I think this is a channel of PTV.

00:21:03They put their own archives.

00:21:06Really?

00:21:06I am sure I will get them all there.

00:21:08It will be interesting to watch this.

00:21:10We have bought gay pieces.

00:21:14Seriously?

00:21:15Because we don't get them.

00:21:17We have something.

00:21:19No, but I am sure because PTV does have some YouTube channel.

00:21:23I have seen all the golden PTV drama.

00:21:26I have seen all the golden PTV drama.

00:21:27No, I have seen all the drama.

00:21:28I have seen all the drama.

00:21:29We are running behind the pig.

00:21:32But we would love to see these places.

00:21:34I often tell people,

00:21:35because people say that

00:21:38they don't know the writers,

00:21:39they don't get the scripts.

00:21:40I often say that

00:21:41when they take the classics,

00:21:42they re-write them.

00:21:44Or they have seen new dressing.

00:21:45Like Shakespeare,

00:21:46how many times people have made it.

00:21:48How many times people have made it.

00:21:49So I have said that

00:21:50our classics,

00:21:51the sitaras,

00:21:53we have also talked about it.

00:21:54One thing I will tell you.

00:21:56This experiment has happened,

00:21:57but it has not been hit.

00:21:58Which one?

00:21:58I cannot take the name of the drama.

00:22:01No, but look,

00:22:01it is not necessary.

00:22:02I will tell you in the break,

00:22:04this drama has been made with brandings.

00:22:06Yes.

00:22:06It has been made with new greatness.

00:22:09But there should be many directors.

00:22:12But there should be many directors.

00:22:14There should be many directors.

00:22:14Like the classics are created,

00:22:15the classics are recreated.

00:22:17So they should make it once again.

00:22:19Some will be hit or not.

00:22:20But they should make it in new dressing.

00:22:22They should make it in new dressing.

00:22:24Indus TV did.

00:22:26Indus TV did.

00:22:28Indus TV did.

00:22:28There were some brands they sponsored.

00:22:30That should not be done.

00:22:32Because they are brand heavy.

00:22:34And the focus is the brand.

00:22:36Which is not the point of a play.

00:22:37It should not interfere with the play.

00:22:40So these are Ashwag and Banu Kutsiya's play.

00:22:42Which were the previous TV.

00:22:44I did two plays.

00:22:45Meherine did direct.

00:22:47This is a small year in this film.

00:22:49You have come in.

00:22:51My two plays.

00:22:52You bring three heads.

00:22:53You are listening on the TV.

00:22:56You have done it much,

00:22:57You have done it.

00:22:58What?

00:22:59I mean.

00:23:00I've done it.

00:23:01Even in my work,

00:23:03I've spent two or two different dramas.

00:23:04Now the volume has increased.

00:23:06But one or two are down.

00:23:07I have run down a gap.

00:23:09I was aware of that.

00:23:11I've been given it.

00:23:11I was live in America.

00:23:12I've been living in America.

00:23:13I've been listening.

00:23:14I was working with filmmaking.

00:23:16Then I've used to make films.

00:23:18Yes, you have done it.

00:23:19But there were three of them, Nijat, Sitara Mironissa, and Dush.

00:23:24There were three of them, so it would be difficult to get out of it.

00:23:27Basically, Sitara Mironissa came before, Dush and later,

00:23:32and then they were back-to-back on-air.

00:23:35So, these were two years ago?

00:23:37Within the year.

00:23:38Within the year.

00:23:38I was shooting at Sitara Mironissa.

00:23:40It was on-air, it was shooting.

00:23:43And then Saira had approached before Nijat,

00:23:45and said, I want to finish this glamour and all that I wanted to do.

00:23:49You can do it.

00:23:50I said, yes, of course, of course.

00:23:53That was the whole idea.

00:23:54The idea was to do something,

00:23:55that you do such things,

00:23:57as I said, as an actor,

00:23:59there are so many faces.

00:24:02They should all look at it.

00:24:04Now, we're only in blow-dry,

00:24:06and we're all stuck in it.

00:24:09What was your play,

00:24:10because of the recognition that Saniya Saeed was a star?

00:24:19I think technically it would be Ahat.

00:24:24Yes, exactly.

00:24:25Ahat and Sitara Mironissa were the same year.

00:24:28Back to back.

00:24:29So Ahat was the first for me,

00:24:31and Sitara and Mironissa were the same year.

00:24:32And when it was going,

00:24:34we were doing television films.

00:24:37Oh, okay.

00:24:38Now you can go,

00:24:39Ferrar,

00:24:39and these were all going.

00:24:40Ah, I've been doing it.

00:24:42Putli Ghar,

00:24:43and these were all going.

00:24:44I think it's a very interesting parallel.

00:24:48Very interesting.

00:24:50Yeah.

00:24:50And that's why it's also interesting,

00:24:53because we were very different actors.

00:24:55Yes.

00:24:56But we always remember

00:25:03that's why we had two projects.

00:25:05Yes.

00:25:06Yes.

00:25:06But our names are always together.

00:25:09Yes.

00:25:10Yes.

00:25:11Yes.

00:25:12Yes.

00:25:13Yes.

00:25:14Yes.

00:25:15Yes.

00:25:17Yes.

00:25:19This is Sanya, this is Atika and I said hello, hello, hello.

00:25:23We went for readings, Anwar Sahib's house.

00:25:26No, it was Sajid.

00:25:27Sajid's house?

00:25:28Sajid's house.

00:25:29Sajid's house.

00:25:30Shakeelah's house.

00:25:31We went for readings.

00:25:33Later we went for Anwar Sahib's house.

00:25:35Later we went for a soft launch.

00:25:37Sajid had to meet us.

00:25:39It was a soft launch between you and me.

00:25:40We didn't start reading.

00:25:41Gap Shapti and Chaiwai.

00:25:43Because we were meeting for the first time.

00:25:45We got a new family.

00:25:46We changed things.

00:25:47If I tell new actors, there were readings.

00:25:50There were rehearsals.

00:25:52I don't know how many episodes were.

00:25:55It was such a beautiful time.

00:25:57There was a passion.

00:25:59People had to learn their work.

00:26:02And Zaheer Sahib had to keep us like a flower.

00:26:05It was just beautiful.

00:26:07And I came from college.

00:26:09I came from college.

00:26:10I came from college.

00:26:11I came from college uniform.

00:26:11In Eastern Studios, there is a picture.

00:26:13I'm standing in front of the makeup room.

00:26:15I don't know if you remember.

00:26:17There is a lot of fun.

00:26:20I was sitting there.

00:26:21I don't know.

00:26:22I had that picture.

00:26:23I don't see on the uniform.

00:26:24So I didn't see on the uniform.

00:26:25You had to come from Sitarra Menavisar's set?

00:26:27The college uniform.

00:26:29It was lovely.

00:26:30It was lovely time.

00:26:31And we didn't know.

00:26:33It was fun at night.

00:26:34Is this the fun thing that he did not do?

00:26:35Aqbar Subhani also.

00:26:37Aqbar Subhani.

00:26:38Aqbar Subhani.

00:26:39Aqbar Subhani.

00:26:40Aqbar Subhani.

00:26:44Aqbar Subhani.

00:26:45And this gentleman who played your husband later?

00:26:49Shahid.

00:26:49His name was Shahid?

00:26:50Shahid Zaman.

00:26:51He was not in such drama?

00:26:52No, he was my acquaintances.

00:26:54We said to him, please do a guest appearance.

00:26:57He's a good looking man.

00:26:58Because I don't meet her husband.

00:27:03I don't know who he is.

00:27:05Till they die and that crisis.

00:27:07And this was a private production, PTV?

00:27:10I think it was NTM.

00:27:11NTM production.

00:27:12NTM production.

00:27:13NTM production.

00:27:13It was a very fun day.

00:27:15We enjoyed it.

00:27:18It was an adventure.

00:27:18The kids came to the set.

00:27:20Yes.

00:27:20Yes, it was fun.

00:27:22And it was really fun.

00:27:23You were two kids?

00:27:24Yes, two kids.

00:27:25Little, little.

00:27:26Little, little kids.

00:27:27And that kid.

00:27:29It was very funny.

00:27:31The kids are very big, big kids.

00:27:32Yes.

00:27:32The kids are older than me.

00:27:34So one day, she said that she was directing something.

00:27:39And I think it was for some small documentary or something.

00:27:41I don't know what she was doing.

00:27:43So two or three times I said Sanya to address her.

00:27:46I don't know where she was in the room somewhere.

00:27:48She is Sanya Khala.

00:27:51She is Sanya Khala.

00:27:53She said, I am not going to call her Khala.

00:27:55Look at me.

00:27:56Look at her.

00:27:58She is Sanya Khala.

00:27:58I said, no, but, because she was a kid.

00:28:00She was a kid.

00:28:02She was a kid.

00:28:02So she will be a kid.

00:28:03She will be a kid.

00:28:05She will be a kid.

00:28:06When you talk about the old things,

00:28:07you can see the whole image of your image.

00:28:10Like you are saying, the set, the environment,

00:28:14all the things.

00:28:15I would love to go back and try.

00:28:18The dirtiest possible makeup room in the world.

00:28:22But we had such fun.

00:28:24You were so dumb, old, old, old, sofa.

00:28:26We were going to get some water.

00:28:27It was warm.

00:28:30It was warm.

00:28:30We were going to get some water on the tissue.

00:28:35It was so cold.

00:28:36We were going to take the tissue.

00:28:37I know that you are also the same.

00:28:41But it's just fine.

00:28:43Let's drink some tea.

00:28:45After that, we will be back to Shani Sahur.

00:28:50Welcome!

00:28:51Welcome back!

00:28:52I have a kitchen with Arush. What have you made in the kitchen?

00:29:02We have prepared it and have a final look.

00:29:06We have boiled chickpeas and yogurt and fresh vegetables.

00:29:13Then you will add annaar.

00:29:15There will be mint chutney and Emily chutney.

00:29:20We will add it and add it.

00:29:21Do you like it?

00:29:23Basically, we will serve it in two ways.

00:29:27Do you like it?

00:29:29One that we serve at home and one that we serve at restaurant style.

00:29:32Okay.

00:29:33What are you going to do now?

00:29:34We are going to use olive oil so that we start cooking the rest of the cooking.

00:29:40I will tell you that you are using olive oil.

00:29:43This is what we have done.

00:29:46This is a premium blend, vitamin, minerals and antioxidants.

00:29:55This is what we have done.

00:29:58So, let us know that.

00:29:59Now, let us know how to fry it.

00:29:59What do you mean by the ingredients of the food?

00:30:00The food is a vegetarian, and healthy.

00:30:05This is a meal that we use.

00:30:09This is the meal that we have come to.

00:30:13And the meal that we have said is a meal that we have done.

00:30:23So, what do you want to fry this?

00:30:25Now, what I want to tell you is a crispy spinach and potato.

00:30:29Okay, you told me the recipe.

00:30:31Yes, of course.

00:30:31We want to make it with aloo and spinach.

00:30:33We want to make it with base.

00:30:36Okay.

00:30:37We will fry it in medium-low flame.

00:30:39So, it will be in the middle.

00:30:40Cutlets will be a sort of thing, but it will be with palak.

00:30:43Absolutely.

00:30:44So, we can use iron and annaar.

00:30:47Annaar also.

00:30:48And then, what do you want to make?

00:30:50Besides, we will make passion fruit drink.

00:30:53In which we will use annaar juice.

00:30:55Okay.

00:30:56So, there will be two things.

00:30:57There will be three things.

00:30:58Three things.

00:30:58This is a kebab.

00:30:59Yes.

00:31:00Then, we have this.

00:31:01Then, dahi bade.

00:31:03What do you want to say?

00:31:04Yes.

00:31:04We can use crispy crunchy chaart.

00:31:05Crispy crunchy chaart.

00:31:07We can change the name.

00:31:08No, dahi bade.

00:31:09Because we have not used basin.

00:31:10We are keeping it healthy.

00:31:12Okay.

00:31:12And then, there is a passion fruit drink.

00:31:14So, we have two main items and one drink.

00:31:16Great.

00:31:17So, we are just waiting for your drink.

00:31:19Just as it is complete, you will tell me.

00:31:21I will play my husband.

00:31:22Sure.

00:31:22I will go to my husband's side.

00:31:25And here, we will share some golden memories.

00:31:29We will share some other memories.

00:31:30In the golden box, there are some questions.

00:31:32Oh, oh.

00:31:33We are going to go to the golden era.

00:31:37I like what Nidha is wearing.

00:31:38Yes.

00:31:39Very nice.

00:31:40Very nice.

00:31:40Elegant.

00:31:41Thank you so much.

00:31:41All her clothes are very nice.

00:31:44Yes.

00:31:45Yes.

00:31:48Yes.

00:31:54Oh, my God.

00:31:58Oh, my God.

00:31:59Oh, the photos of us.

00:32:00Yes.

00:32:01Oh my God.

00:32:02This is the picture, I guess it's nice.

00:32:05Nijat.

00:32:16Nijat.

00:32:20Yes.

00:32:20It is a sense of humor.

00:32:21Am I very serious?

00:32:23Yes.

00:32:24It is better to ask you from the same person.

00:32:27Yes.

00:32:28Yes.

00:32:28It is a sense of humor.

00:32:29It is very subtle.

00:32:30It is not a wacky, crazy sense of humor.

00:32:33If someone is laughing, they don't laugh.

00:32:37Yes.

00:32:38Yes.

00:32:39Yes.

00:32:39And it is a comedy.

00:32:41Yes.

00:32:41But it is a comedy.

00:32:42Yes.

00:32:43And it is very subtle.

00:32:44Yes.

00:32:45It is a glamouress.

00:32:45Yes.

00:32:48Yes.

00:32:50Oh, my God.

00:32:52Yes.

00:32:55Very cute.

00:32:56Yes.

00:32:56Very cute.

00:32:56Yes, it was a very cute drama.

00:32:57Yes.

00:32:57My fraternity is very cute.

00:33:02I feel so cute that so many people are in our relationship.

00:33:06Like she has worked in your production.

00:33:07Yeah, I have worked in her production. We have worked together as actors and directors.

00:33:13It's all in the family.

00:33:14It's all in the family.

00:33:16And we are so good in different artists, so I think that's a really fun thing.

00:33:23And I think that our ties are close to us.

00:33:25Absolutely.

00:33:26We can do blackmail every night.

00:33:28We're going to call them at one hour.

00:33:30You can see, I have called them early risers at night.

00:33:34We have called them at night.

00:33:35We have called them at night.

00:33:37Okay, so the next question is, one of the three characters is the special thing that you have never forgotten.

00:33:43I have known them all today.

00:33:44I have known them the three characters.

00:33:45It's Azra, Shiroani.

00:33:48Shiroani.

00:33:48Sorry, Shiroani.

00:33:50Latif Kapadia.

00:33:52The three characters.

00:33:53Play related or similar?

00:33:54Play related.

00:33:55They are similar.

00:33:56The characters.

00:33:57Or similar in these three characters.

00:34:01I remember that they are different.

00:34:04The three artists were very loved.

00:34:06Because the three artists were Sitarah Mehnem saham.

00:34:08Yes, yes.

00:34:08So let's talk about them personally.

00:34:10Love of the craft.

00:34:11No.

00:34:14Basically, they didn't take their work seriously.

00:34:17They didn't think that we were doing this as a hobby.

00:34:21They were passionate.

00:34:23All of them were very passionate.

00:34:25One thing I remember is when we were shooting the last episode of Sitarah Mehnem saham,

00:34:34Atiqa then sends a message to Ramis.

00:34:37And there was a lot of tension that

00:34:39Mehnem saham will give Ramis or Sitarah will give him?

00:34:42Yes.

00:34:42Who will stop him?

00:34:43And Ramis is now saying goodbye.

00:34:45And he's decided that whatever and he's leaving.

00:34:48Yes.

00:34:48So this was a great story.

00:34:50I remember that Gulshan-e-Memar's guest house,

00:34:54what do we call it?

00:34:57Farm house type.

00:34:59Yes, we were shooting there.

00:35:00And there was a jula.

00:35:01And I was sitting on the chair and holding the chair.

00:35:03And I was very gripped.

00:35:05That if Mehnem saham has stopped Ramis,

00:35:08then Mehnem saham will become a character.

00:35:11He has built his whole dignity,

00:35:13his self-confidence.

00:35:16And then why did he stop him from the beginning?

00:35:19Why did he say that?

00:35:22You know, we can be friends, but nothing more.

00:35:24And Adhika was saying,

00:35:26that all of the trauma has gone through.

00:35:28Now let him stop Ramis.

00:35:30We were all fighting.

00:35:32In fact, I'm sorry, I want to add to it.

00:35:35I was in Gawadar, I was in the hospital.

00:35:37I was in the hospital.

00:35:38I was in the hospital.

00:35:39I didn't realize that this wasn't possible.

00:35:41Because the initial ending was something else.

00:35:43He said, come on, we have to shoot it.

00:35:45I was Mikesh.

00:35:46I said, I will stop Ramis.

00:35:47I don't stop now.

00:35:48These were like vistas.

00:35:49They're like women's rights.

00:35:51So then they're like, right?

00:35:51They're like, right.

00:35:52You're like this!

00:35:53And I have to stop on this in daily lives.

00:35:54You're soальuros.

00:35:55All right.

00:35:56And so I was very firm.

00:35:58I was also frustrated.

00:35:58I got on the table.

00:35:59I was in the table.

00:36:00I was in the table.

00:36:03And you were like,

00:36:03I am going to be very fast.

00:36:08I got to take a picture.

00:36:11And I was like,

00:36:14I was surprised.

00:36:15a good question mark.

00:36:16We left a question mark.

00:36:18And that environment was so good.

00:36:20You think this is a 20-year-old girl

00:36:23who is going to talk about it.

00:36:25And they are giving answers.

00:36:28They are trying to keep doing it.

00:36:32Because we were all together with our clients.

00:36:35We were so connected.

00:36:36And we felt so, no, no.

00:36:39How can we do this?

00:36:40How can we do this?

00:36:41How can we do this?

00:36:45I think the environment is still there.

00:36:47There is a lot of sets.

00:36:48There is a lot of sets.

00:36:50There is a lot of sets.

00:36:51I am happy that I work on such sets.

00:36:55I think Sarmat's set is a lot of fun.

00:36:57Sarmat's set is a lot of fun.

00:36:58Sarmat's set is a lot of fun.

00:37:00I am doing a serial with Saakib Khan.

00:37:02I am doing it with her.

00:37:03I am doing it with Azra.

00:37:05I am doing it with her.

00:37:09She just had her own style.

00:37:12Her own style.

00:37:14So I am fascinated.

00:37:16One interesting thing was that

00:37:18she was a very modern-looking woman.

00:37:20She was a sari.

00:37:21She had so small hair.

00:37:23And her hair was better.

00:37:27Very proper.

00:37:36Very proper and everything.

00:37:39So it was a lot of fun.

00:37:42Contrast, contradiction.

00:37:44Yes.

00:37:44We were always watching her.

00:37:46What was the fun of Latif?

00:37:49Latif's sense of humor.

00:37:51Latif's sense of humor was great.

00:37:52They were very happy.

00:37:53They were very happy.

00:37:54They were very happy.

00:37:55Do you know this?

00:37:56Hassan Ahmed, who is Sunita's husband.

00:37:59Who is acting?

00:38:00Yes.

00:38:01This is his daughter.

00:38:02Really?

00:38:03Yes.

00:38:04I don't know this.

00:38:05The daughter of Ahmed,

00:38:06she was also in Ahat.

00:38:07Really?

00:38:08I don't know.

00:38:09The daughter of Hasan's mother.

00:38:13Yes.

00:38:14And her daughter of Ahat.

00:38:16She was in Ahat.

00:38:20Yes.

00:38:20They were very related to me.

00:38:24But I remember a lot of things.

00:38:27I remember a lot of things.

00:38:29When I was hosting a program,

00:38:33Latif's uncle came to the show.

00:38:34Latif's uncle came to the show.

00:38:35Latif's uncle came to the show.

00:38:36I saw Latif's uncle.

00:38:36I saw her.

00:38:38So, they said,

00:38:40hey, girl, you are the only one.

00:38:42Now, let's go.

00:38:45And they didn't talk about her mother.

00:38:48I didn't take a break.

00:38:49Yeah.

00:38:49Then, I said,

00:38:50hey, what's the matter about her mother?

00:38:51She frustrated her,

00:38:52so I asked her,

00:38:54what's the matter about you?

00:38:56What's the matter?

00:38:59What's she getting to know about your mother?

00:39:01Then, I asked her,

00:39:02she didn't remember her mother.

00:39:04She was very little.

00:39:07Exactly.

00:39:08She already left her in childbirth.

00:39:10And she lived back in partition.

00:39:12So, she said,

00:39:14I have a picture of her mother.

00:39:17that's that's all he remembered about his mother and he was you know it

00:39:22was so powerful at that time and he was crying and I always remember this

00:39:29I always remember how much trust and confidence they showed me in this child

00:39:36asking random questions, so emotional and personal

00:39:41so sad he's a very nice man, a lot of her smoke and a lot of her

00:39:51very nice

00:39:51and when Capriya Khanna has some of his relatives, very close relatives

00:40:01are my teachers also

00:40:06Kajal, we have seen the name of your name

00:40:11we have seen Kajal

00:40:12really?

00:40:14dark eyes

00:40:15I didn't see eye shadows

00:40:17liner, eyeliner

00:40:19I didn't see eye shadows, liner was not blended

00:40:22and very sharp eyebrows

00:40:24sharp liner, sharp eyebrows and sharp

00:40:27Kajal

00:40:28I'm just a very sharp woman, what do you say

00:40:31sharp everything

00:40:32you were a makeup artist

00:40:34but you emphasize

00:40:37liner

00:40:38kajal

00:40:39and eyebrows

00:40:40look

00:40:41my acting is eyebrows

00:40:43raising the eyebrows

00:40:46in fact

00:40:47when someone is doing my makeup

00:40:49on the set

00:40:50I say

00:40:50take care of your eyebrows

00:40:52because all the acting is here

00:40:55and one thing about

00:40:58Siddhara and Mehrun sir

00:40:59only in one scene

00:41:00my makeup is done

00:41:01which is my wedding scene

00:41:02which is the live

00:41:03singer

00:41:05in the harmonium

00:41:07and my wedding scene

00:41:09her makeup

00:41:11didn't do

00:41:11Atika

00:41:11she said

00:41:13she said

00:41:14who will make up

00:41:15she said

00:41:16no

00:41:17I will do it

00:41:18and she opened her big vanity box

00:41:20and she did my makeup

00:41:22so the makeup

00:41:23which is a

00:41:23dhang

00:41:23that you see in the serial

00:41:26that was

00:41:27atika

00:41:27you did your makeup drama

00:41:28you did your makeup drama

00:41:30Kajal

00:41:30liner

00:41:30now

00:41:31now

00:41:31I am

00:41:32now

00:41:32I am

00:41:32doing

00:41:33because

00:41:35I think

00:41:36some new ideas

00:41:37your cameras have changed

00:41:40the technique

00:41:41the base

00:41:42so I let others do it

00:41:44but

00:41:44we are acting

00:41:47so

00:41:47the base

00:41:48the base

00:41:49so

00:41:49I have seen

00:41:51your base

00:41:52so

00:41:53I have seen

00:41:54so much

00:41:55but

00:41:56I would

00:41:57put it

00:42:00depending on character

00:42:02depending on character

00:42:02I have made

00:42:06with Nijat

00:42:07basically

00:42:07contouring

00:42:08that you did

00:42:10yourself

00:42:10that you did

00:42:11you did

00:42:12but

00:42:15now

00:42:16I am a little easy

00:42:17I want other people

00:42:18to also do things

00:42:19and you know

00:42:19sort of

00:42:20make me look different

00:42:21maybe

00:42:21because

00:42:22you know

00:42:22you have a habit

00:42:22that you have to make

00:42:24eyebrows like

00:42:25you have to leave

00:42:27someone else

00:42:28to do something

00:42:28you have to change

00:42:29at a time

00:42:30you have to make

00:42:32your eyebrows

00:42:33but

00:42:33you have to make

00:42:37your eyebrows naturally

00:42:38yes

00:42:40I was at that time

00:42:41but you are not

00:42:42so

00:42:42you have to make

00:42:43but

00:42:44fashion

00:42:45yeah

00:42:46actually you see

00:42:47another thing is

00:42:48that the character

00:42:49point of view depends on

00:42:50what you are doing

00:42:51in that regard

00:42:53glamorous roles

00:42:53then you go to that level

00:42:55and if you have

00:42:58underprivileged type role

00:42:58then you go to that level

00:42:59depends on

00:43:00so

00:43:01you have fun

00:43:02every day

00:43:03a new personality

00:43:04which is great fun

00:43:06absolutely

00:43:07okay

00:43:08next question

00:43:09here

00:43:10here

00:43:12okay

00:43:13so

00:43:14this question

00:43:15today's heroine's character

00:43:17wants to be more glamourous roles

00:43:21but

00:43:21you always have a character role

00:43:23meaning

00:43:24if you are the main lead

00:43:25then

00:43:26you also have a character role

00:43:28as well

00:43:29as well

00:43:30always

00:43:31in the future

00:43:31either

00:43:32or

00:43:34art

00:43:35or

00:43:37non-glamorous roles

00:43:38like

00:43:39if we see

00:43:40most

00:43:41do you remember

00:43:42that you have a glamorous role

00:43:43with hair

00:43:44and hair

00:43:44you did one

00:43:46Asirzadi

00:43:47no

00:43:48you have done that

00:43:49a telefilm

00:43:49a talk show host

00:43:52what is the mother-in-law

00:43:54something

00:43:54what was it?

00:43:56what was her name

00:43:57Eid

00:43:58that was glamorous

00:43:59I enjoyed it

00:44:00in fact

00:44:01in fact

00:44:02I did one

00:44:03in that

00:44:04I have dressed like

00:44:05I have dressed like you

00:44:06in my hair

00:44:07and

00:44:07she is a talk show host

00:44:09and when she told me

00:44:10what was Angelina

00:44:11where is Angelina

00:44:13when Angelina told me

00:44:16that she wants to do this

00:44:16so

00:44:17I said

00:44:18she will kill me

00:44:20all

00:44:20she is left behind her

00:44:21I am not going to

00:44:22she said

00:44:23she is a great spot

00:44:24she was a compliment

00:44:25she was a morning show host

00:44:27she was a morning show host

00:44:28and then

00:44:28she takes over

00:44:30this is her conflict

00:44:32and she was very funny

00:44:34that the thing is

00:44:34that she was very funny

00:44:34which was coming out

00:44:35a funny name also

00:44:37she was very guards

00:44:38when she noticed

00:44:38that the clip was

00:44:39that I was standing on the edge

00:44:41and that's the news

00:44:42that was a funny

00:44:46that was the first place

00:44:47it was very cute

00:44:47and if we were really

00:44:50researching

00:44:50that the movie

00:44:51when we were doing

00:44:52all these characters

00:44:53It's just non-glamorous.

00:44:55That's why I think that...

00:44:59I'll tell you something.

00:45:00Like Marina Khan, this one also.

00:45:03They run away from glamour.

00:45:05They tell them to make hair, make up,

00:45:07and say, okay, okay, okay, okay.

00:45:10Marina is also the same.

00:45:11They die, but they have no interest in any of this fashion.

00:45:18That's why my background is completely different.

00:45:21And my reasons for acting were also completely different.

00:45:25So I approached the characters

00:45:28which I felt that they are close to life.

00:45:35And when I was looking at her,

00:45:37I was looking at her,

00:45:39I was looking at her.

00:45:42And I knew them better.

00:45:48And then one thing was,

00:45:50I thought this was so interesting.

00:45:55It's so interesting.

00:45:56I have to use these things without...

00:46:01I am being able...

00:46:02Will I be able to do it without using all the tools?

00:46:06Basically, Sanya came to television to do social work.

00:46:10Yes.

00:46:10They came to social work in their roles.

00:46:12Yes.

00:46:12That's true.

00:46:13That's an extension of social work.

00:46:15Look at the street theatre from the TV.

00:46:17Yeah.

00:46:17The street theatre,

00:46:18people can see a certain area.

00:46:20It's like this theatre is being there.

00:46:22Yeah.

00:46:22But with the need for acting,

00:46:24Basically, it's about awareness.

00:46:27That's true.

00:46:28Although glamour is also, by the way,

00:46:31it has its own role to play.

00:46:32Yeah.

00:46:33Of course.

00:46:33I must defend that part of our society also.

00:46:35Of course.

00:46:35And also,

00:46:37Atika,

00:46:39Saadia,

00:46:39Mariya,

00:46:41later on,

00:46:41when you joined in.

00:46:43And then,

00:46:43they were all so glamourous.

00:46:45And they were doing a great job.

00:46:47They were doing such a great job.

00:46:49But I didn't do it.

00:46:52I wasn't going to do it.

00:46:53I didn't have to do it.

00:46:54It wasn't my personality.

00:46:55Like,

00:46:55I was going to leave college.

00:46:59I was going to do it.

00:46:59It wasn't my easy going.

00:47:01Easy going.

00:47:01And it's right.

00:47:03But Shizan Sama,

00:47:04did you see her own story?

00:47:05Yes.

00:47:07I've seen all of her.

00:47:08Wow.

00:47:09What is your work, Saadia?

00:47:11Oh, God.

00:47:12You're the one who was scared,

00:47:14he's killed.

00:47:14The one who was scared,

00:47:15the one who was scared,

00:47:15the one who was scared.

00:47:15First of all, the film, as you said, that at that time, there were so many people who didn't get

00:47:23into the acting.

00:47:24It wasn't the same.

00:47:25It wasn't the same perception.

00:47:26It wasn't the same.

00:47:27It wasn't the same.

00:47:28When I went to the film from the film, people said,

00:47:33I'm going to the film and all the television people showed me.

00:47:36I said, I have to do it.

00:47:37Everyone has made it.

00:47:40So true.

00:47:42Then the question is,

00:47:44that at that time, I'm so surprised.

00:47:46No, I'll tell you one thing.

00:47:48In my childhood, my mother used to drive-in cinema.

00:47:52I used to see them on the big screen.

00:47:56So when I signed the order, I was standing in front of Nadeem, the film star.

00:48:01I said, Beg Saab, you don't understand.

00:48:03I don't want to say anything. Sorry, Beg Saab.

00:48:05I grew up watching you on the big screen.

00:48:07For me, this is like a dream come true that I'm working.

00:48:09I mean, I was very shocked acting from my childhood.

00:48:12I was watching black-and-white movies on TV.

00:48:14When I came to the weekends, black-and-white movies on TV.

00:48:16When I went to the drive-in cinema,

00:48:18I was very shocked.

00:48:19More than TV actually.

00:48:21So when I got a chance, I said, I'll do it.

00:48:22I want to try.

00:48:33If you don't have any experience, I won't do it.

00:48:37If you don't have any experience, I won't do it.

00:48:37TV is?

00:48:37Yes.

00:48:38But I have to experiment and experience.

00:48:42Because every person has a thing.

00:48:47You have to experience.

00:48:52How do you carry yourself?

00:48:53And all.

00:48:54So I said, I'll do it.

00:48:55If not, I'll leave it.

00:48:57But when I went to the film from the TV,

00:49:00the film has kept me so much.

00:49:02And the Lahore studios, the directors of the workers,

00:49:08I adore them all.

00:49:10Really.

00:49:10So after that, you have done the Lux,

00:49:12the Ard after that.

00:49:15No.

00:49:16I think I will...

00:49:17I said,

00:49:20probably the first actor,

00:49:23non-film actor,

00:49:24which signed the Lux.

00:49:26Oh.

00:49:26I got the Lux from television.

00:49:28Okay.

00:49:30So Ard from the film.

00:49:32Yes.

00:49:32And then, the film didn't have so much,

00:49:34and there wasn't even a band.

00:49:36But I am a great fan.

00:49:37It was a tough patch in the film.

00:49:40Yeah, because it was a dying art.

00:49:42So, when I film in the current day,

00:49:45I got a lot of fun because I saw both transitions.

00:49:48The techniques, equipment,

00:49:51everything changed.

00:49:54So, I had the film people who were fantastic with me.

00:49:57That's true. They were really nice.

00:49:59Very good to me.

00:50:01And in those days, all you girls used to be very nervous

00:50:03about the film fraternity, remember?

00:50:05I was hard for very different reasons.

00:50:08A, it was all Lahore based.

00:50:10I was in Karachi and I was studying at Karachi University.

00:50:14When I was in Karachi University,

00:50:15in fact, Sijad Gul was after us to make

00:50:18Sitarra Mahindrissa, the movie.

00:50:20Yes.

00:50:20Nazrul Astam was to direct it.

00:50:22He had to create our film.

00:50:24I was in Karachi University.

00:50:26Because both of them were happy,

00:50:28but I was not happy.

00:50:29So, they said,

00:50:30if we don't have three, we won't make it.

00:50:32So, that was my goal.

00:50:34Because I was in Karachi University.

00:50:36And I never thought about acting as such.

00:50:40So, I thought this is too big a transition.

00:50:44I mean, film is like now purely,

00:50:46cinema is purely your craft wise,

00:50:50your commitment to it.

00:50:51It's a whole lifestyle.

00:50:52So, it's just not.

00:50:54You've done some film now?

00:50:55Yes.

00:50:56Yes.

00:50:58Yes.

00:51:00Yes.

00:51:11Yes.

00:51:12Yes.

00:51:14Yes.

00:51:15That's true to me.

00:51:15They're good in it.

00:51:16They're great.

00:51:16I also have to buy their film.

00:51:18They're very good.

00:51:19They're very good.

00:51:19They're not part of the restriction..

00:51:22I would not do the restriction anymore.

00:51:25I didn't do the restriction.

00:51:37You've already set it down.

00:51:38Yes.

00:51:41And I agree with the way he wants to,

00:51:45I like that.

00:51:48But it's not necessary that you are fit in every genre.

00:51:52But you can do very versatile.

00:51:55Don't underestimate yourself.

00:51:57What do you mean?

00:51:58The first question was that you gave me the answer.

00:52:01The first question was,

00:52:04why do you make 5 children's mother?

00:52:06Why do you make 5 children's mother?

00:52:13I feel that they don't have a stereotype.

00:52:17I was happy to say it.

00:52:19And I say that it is a stereotype.

00:52:23Because it is a stereotype.

00:52:25I came from a different purpose.

00:52:27It was like a playground.

00:52:32That's it.

00:52:34The message was coming from the drama.

00:52:35After that, I will be the first time to sitar.

00:52:37And after that, you can go.

00:52:39After that, I will be the first time to break.

00:52:41Because I have to go to break.

00:52:43After that, we will continue.

00:52:46Shani Sahur.

00:52:49Welcome, welcome back.

00:52:51You are watching Shani Sahur.

00:52:52One side is Adika Odoh.

00:52:54One side is Saniya Saeed.

00:52:55One side is Sitara.

00:52:56One side is Mehrun Nisa.

00:52:57My sister.

00:52:58And brother, how can we give you a chance to ask her?

00:53:03So, come on.

00:53:04I have given you a chance.

00:53:05And this phone is kept here.

00:53:07If you want to ask her,

00:53:09please do the phone.

00:53:11And...

00:53:12In front of you.

00:53:13Yes.

00:53:14Who is the first call?

00:53:17MashaAllah.

00:53:17The phone is my turn.

00:53:19I am seeing your phone.

00:53:21Hello.

00:53:22Who is our sister here?

00:53:24This time?

00:53:25Hello.

00:53:26Hello.

00:53:28Hello.

00:53:28Sarah.

00:53:29I don't know.

00:53:29Yes, Sarah.

00:53:30Who will you ask?

00:53:32Both of us.

00:53:33My question is that your personality is so strong.

00:53:38But what is your personality?

00:53:44You're a little bit about it.

00:53:47How can I guess?

00:53:48What is your personality?

00:53:49What is your personality?

00:53:50What is my personality?

00:53:51I am just like.

00:53:54How can I ask?

00:53:57How can I make a personality?

00:54:00My personality is a personality.

00:54:00You are a personality.

00:54:02That's a relationship.

00:54:03A personality is a personality.

00:54:08In this country, you are able to do your work in this country, and you are able to express your

00:54:23will and exercise your will.

00:54:29It takes a lot of work.

00:54:30So I think that we are able to do a lot of work.

00:54:33We are able to do a lot of work.

00:54:35Also, because we associate with issues, this and me,

00:54:40we fight with a lot of noise.

00:54:45I don't want to watch it on Instagram.

00:54:49But it's a struggle.

00:54:56So it does take a little bit of nerves also.

00:55:00And you need to work with a lot of work.

00:55:02So, I think that you work with both of your own ways.

00:55:06You work with both of them.

00:55:08You work with both of them.

00:55:10But you work with different ways.

00:55:12I think that you work with both of them.

00:55:16I think that it is that when you talk about the world,

00:55:17I think that it is a form where I have never been rejected.

00:55:26If I thought that someone has tried to do it with me,

00:55:30or not to do it with me,

00:55:33then I would raise my voice and raise my voice.

00:55:35And I have brought changes in my life.

00:55:38I have brought changes in my life.

00:55:39I will not be rejected.

00:55:41Regardless of the consequences,

00:55:43I will do anything,

00:55:44but I will not be rejected.

00:55:46So that's why you have a lot of guts.

00:55:49That's right.

00:55:49And if you have a lot of guts,

00:55:52you can do better in your life.

00:55:57And also, if you have a lot of guts with someone,

00:55:59you can do better in your life.

00:56:00And also,

00:56:01if you have a lot of guts with someone,

00:56:03you have a lot of guts with someone with someone.

00:56:06And they want to live in themselves.

00:56:09Yes, absolutely.

00:56:10We also talked about this,

00:56:12that when you came to the industry,

00:56:14you were two children.

00:56:16If we look at the Bollywood industry,

00:56:17they have married,

00:56:19and their careers are finished.

00:56:21If we look at them,

00:56:22they also have Isaac's children.

00:56:23They have to flourish in their careers.

00:56:25And there are many other things.

00:56:26Our public is a very accepting sort of public.

00:56:30They see your work.

00:56:32They don't see what's happening at home.

00:56:35They see you on the screen

00:56:36and they judge you on your work.

00:56:39And it's accepting.

00:56:40So this is a big thing.

00:56:42I'm talking about 90s.

00:56:44When I was divorced with two children,

00:56:46I came to the field.

00:56:48I thought,

00:56:49that if I wanted to work in this situation,

00:56:53then,

00:56:54when the girls get married,

00:56:55they give them to them.

00:56:57In our country,

00:56:59there is no judge on this level.

00:57:01There is no judge on their work.

00:57:03And it's a very big thing to say about our audience.

00:57:05Our audience is very, very giving that way.

00:57:07Yeah, yeah, yeah.

00:57:07And our games,

00:57:09I can see that

00:57:10I think that the audience was objectified as a such.

00:57:12There is a very,

00:57:16and what we call these,

00:57:18that we have very substantial characters.

00:57:20Our stories were very substantial.

00:57:22If you watch films,

00:57:24which were the answer of objectification,

00:57:28there was also a show,

00:57:29there was also a picture,

00:57:30there were also a show.

00:57:31When I was a kid in my life, I would say,

00:57:34I was a kid.

00:57:36Exactly.

00:57:37And they were accepted.

00:57:39And as for the women,

00:57:42I would objectify that you never saw a woman on television.

00:57:48In fact, at our time,

00:57:50if you say that you do work in Hindustan,

00:57:53then maybe I don't have one ready for it.

00:57:55Because we were telling better stories at that time.

00:57:58We were doing better characters, we were doing better characters, and we made a lot of good films, but I

00:58:12don't want to do the stories as an actor.

00:58:15And our audience, not only, which I think is a lack of tolerance, but at that time, our audience had

00:58:23a lot of questions, they had a lot of questions, they had a lot of patience, they had a lot

00:58:28of patience, they had a lot of patience.

00:58:31They were also looking at the audience. But now we have to focus on everything we have to retaliate. Before

00:58:39that, I will give them a response.

00:58:43So they don't have to do the process, they don't have to do the wrong thing. They don't have to

00:58:47do the thing.

00:58:49So now there is a need to change. And this is what we have learned from their television.

00:58:54This is what we have learned from their stories, and this is what we have learned from their stories, and

00:58:59this is what we have learned from their stories.

00:59:07Because our girls and women are much more than this. Our stories can be much more than this.

00:59:13Exactly. So who is the next caller or who is the next caller?

00:59:17This is so dangerous.

00:59:20Thank you!

00:59:22Hello!

00:59:23Welcome!

00:59:24Hello, welcome!

00:59:25Welcome!

00:59:26Hello, I'm calling Fawazia.

00:59:28I'm watching your show. It's a live show. It's a very good show, I'm enjoying it.

00:59:34What would you ask?

00:59:36Yes, Saniya, Saeed and Atika, they are very good.

00:59:41And my question is that we have seen some of their actors' actors' today.

00:59:47They have seen some of their actors.

00:59:47How do you know today?

00:59:50When you listen to it.

00:59:52Today's actors are very angry.

00:59:55Do you know the actors like this?

00:59:59Now I'll tell you and tell them.

01:00:02Let's see.

01:00:04How do you know today?

01:00:08There's something else.

01:00:08We'll hear rumors.

01:00:09We'll hear rumors.

01:00:10Look, in every time,

01:00:15people are good and bad.

01:00:16In every field,

01:00:17in every sector,

01:00:19you get people who are wearing clothes.

01:00:22People who are wearing clothes.

01:00:23Just like that,

01:00:24in our industry,

01:00:25it's been before and now.

01:00:28It takes all kinds of people to...

01:00:30It was before.

01:00:31Some people who are tired.

01:00:35There's no way.

01:00:36In every sector.

01:00:37They are in every sector.

01:00:40And also,

01:00:40every one's tolerance is different.

01:00:42It feels glamorous by a way.

01:00:46It's very beautiful.

01:00:47And it's a different temperament.

01:00:49So, for example,

01:00:50me and I will call it warm.

01:00:53I'll do it.

01:00:54I can't do it.

01:00:55This is a good thing.

01:00:56It's a good thing.

01:00:57It's a good thing.

01:00:57Because,

01:00:58it's not a good thing.

01:00:59It's not a good thing.

01:01:00It's not a good thing.

01:01:00There's no tolerance.

01:01:01and I don't have a chance that I can tolerate it.

01:01:06So there are many different differences that make a difference for someone,

01:01:10for someone's comfort.

01:01:17Only one thing that should not be acceptable in any way or in any way,

01:01:22that is indiscipline. Indiscipline should not be acceptable.

01:01:27So we all need a different adjustment.

01:01:28Indiscipline should not be disrespected.

01:01:33What are the things that you can't bear?

01:01:35There are different personalities.

01:01:37What are the things that you can't bear?

01:01:39Do you have to be late?

01:01:40It's not easy.

01:01:41Do you have to work with others?

01:01:45Do you have to be late?

01:01:46Do you have to be shooting back up?

01:01:48For me, it's not easy. I don't like bathamese people.

01:01:52The rest of the things we do,

01:01:55but I don't like rudeness.

01:01:57Look, when we came in this work,

01:02:02first of all,

01:02:03we learned something about our seniors.

01:02:06Now, when new people come, new kids come,

01:02:09and we don't do seniors,

01:02:11that is upsetting.

01:02:13Then we have to show a little bit.

01:02:15We have to show a lot of people.

01:02:16You don't want to tell them.

01:02:17You don't like to tell them.

01:02:20You don't want to tell them.

01:02:20But you have to remind them.

01:02:21But you have to remind them.

01:02:23You are going to be very creative.

01:02:27So, the leadership of a person lives in a different field.

01:02:29We are very pleased.

01:02:31It is great.

01:02:31We have to work with a thousand people.

01:02:33We do work with a lot of people.

01:02:34We have to work with a lot of people.

01:02:41We can think of time.

01:02:49We have to work with a lot of people.

01:02:54I remember when I first came to this field, people said that this is our hobby, we are actually bankers.

01:03:01I was scared of them. I said that we are going to go to the bank.

01:03:06A professional actor is a serious leader who needs a job. Please go to the bank.

01:03:12Why don't you come here? It's not a hobby.

01:03:14This is a whole life of someone. What are you thinking?

01:03:18So, the lack of respect, I am very upset. Then I am tough.

01:03:27And what are you? What are you upset?

01:03:29Usually, I am upset. I have not encountered. I did not meet youngsters.

01:03:36Also, maybe two players will get caught in two years.

01:03:40I have never seen you in anger.

01:03:42I don't do anger. Sanya just quietly goes into a corner.

01:03:47She doesn't like controversy.

01:03:49She doesn't like controversy.

01:03:50She doesn't like controversy.

01:03:52I was watching.

01:03:53Look, now there are so many actors who don't want to create controversy.

01:03:58They are sitting there. They say something.

01:04:00They say something and they are viral on social media.

01:04:03I have never seen you.

01:04:05No, I do not know.

01:04:07That's because social media is not a very short present.

01:04:13The other thing is that if you do not solve any controversy,

01:04:18Because my training is different. My training is to work in teams and groups.

01:04:28And teams and groups also means that we will be in each type of people.

01:04:33And they will come along with their issues.

01:04:35If every person will flare up or clash, then it won't ruin.

01:04:42If something doesn't solve the problem, you can ask that there is no other problem.

01:04:55I look at it as a different way.

01:05:00Some people come from different backgrounds.

01:05:04from your time. As per company, I started working on senior level. I decided to become like a mummy,

01:05:18a woman to become a mother.

01:05:20Every woman said that?

01:05:21Yes, every woman said that. So I always ask my friends to vaccinate and understand how to

01:05:26explain.

01:05:27Did you tell me a lot more about a show with a one on the other's show?

01:05:32I was told that someone would know someone to travel.

01:05:35So, this is the most important thing.

01:05:38She is a constant mummy.

01:05:39She is a constant mummy.

01:05:41She is watching everything.

01:05:42So, I have seen a different appearance.

01:05:44I have a disease.

01:05:45I have a disease.

01:05:46I have a disease.

01:05:47I have a disease.

01:05:47My whole difference is that these are adults.

01:05:52I can't change them.

01:05:54And these are different backgrounds and baggages.

01:05:59So, at that time, the better understanding can be developed.

01:06:03It is my style.

01:06:05But, this is one of the best things.

01:06:06We are all doing different ways.

01:06:08We are doing different ways.

01:06:09We are doing different ways.

01:06:10Because, actually, as I was in my background,

01:06:13there was no one in this field.

01:06:15When I came, I learned from my seniors.

01:06:19How to do the work.

01:06:22How to do the other way.

01:06:23How to do the other way.

01:06:24So, we will not do some mentoring.

01:06:27So, a lot of the kids that come in.

01:06:28Don't have...

01:06:29If they go home and talk to their parents.

01:06:31Or their brothers.

01:06:33They are disconnected.

01:06:34Because they do not know what they are.

01:06:37They don't know what they are.

01:06:37They have never experienced.

01:06:38So, they don't understand the problem.

01:06:40So, we become the elders and the seniors on the set for them.

01:06:44I think that when you practice a certain way of working.

01:06:50Then it kind of spreads.

01:06:51That's why the very good adults are ok.

01:06:53So, you have to do many exercises in your work.

01:06:56Then you build the whole nature of your work.

01:06:58Then you build the whole life.

01:06:59The next caller is...

01:07:02...the big name...

01:07:02The bass is very strong.

01:07:04The bass is very strong.

01:07:07The bass is very strong.

01:07:07The bass is not enough, the bass is so strong.

01:07:10Hello.

01:07:11Hello.

01:07:11Hello, Ninda.

01:07:12How are you?

01:07:13God.

01:07:13Thank you so much.

01:07:15So, you are happy to have us with the sitarah of Mairon Nisa and Yad Delaadi.

01:07:19It was very good, Masha'Allah.

01:07:22Both guests were watching.

01:07:24I was going to ask them, that they have no appearance on social media.

01:07:28We have not seen them.

01:07:30So, why is this?

01:07:30These people are afraid.

01:07:32Why do they avoid it?

01:07:33Why do they cry?

01:07:33What is it that they don't appear on social media?

01:07:36Okay, I'm asking now.

01:07:38So, there are so many pictures of them.

01:07:40They are.

01:07:42They are.

01:07:43They are.

01:07:44They are not.

01:07:45Because I am around.

01:07:48I am on social media.

01:07:49You are?

01:07:49Yes.

01:07:49You are techno?

01:07:50Insta, Facebook?

01:07:51No, my team.

01:07:52I am a team.

01:07:53You can do something yourself?

01:07:54Yes.

01:07:55I have to tweak it.

01:07:58Observe it.

01:07:59That's all.

01:08:00Okay.

01:08:01And now, I think about YouTube.

01:08:03Okay.

01:08:03I want to do something.

01:08:04But I don't understand.

01:08:05Maybe some of you who are watching,

01:08:07give me ideas.

01:08:08In my DMs.

01:08:10And give me ideas.

01:08:11I want to do something on YouTube.

01:08:13But I don't understand what show you want to do.

01:08:16You do make-up.

01:08:17Yes.

01:08:18Yes.

01:08:19Yes.

01:08:20Yes.

01:08:21That's so much.

01:08:21I have done so much.

01:08:22So I have bought that all.

01:08:22Shows and other people.

01:08:24I would like to do something direct to the public.

01:08:25How are you cooking?

01:08:27No, it is my cooking.

01:08:28It is Marina's hotel.

01:08:30Marina's hotel.

01:08:31I want to do something.

01:08:32I want to do something direct but the podcast is the whole world.

01:08:37What is the difference between the people and the people and the people who use it?

01:08:41And I am very confused.

01:08:42So you guys can tell me that if I do something, I will give you something.

01:08:45And on their page, on their Instagram page,

01:08:47whatever you have in your mind, they will give you something to them directly.

01:08:50I want to know, I want to do something for the public.

01:08:54I don't understand.

01:08:57And you know that you can handle social media or not?

01:09:00Yes, I can handle it.

01:09:01Are you technical?

01:09:02Because everyone is not technical.

01:09:04No, I know how to do it, I just don't want to.

01:09:06No, it's not interest.

01:09:09No, it's not interest.

01:09:11I've had this exact information.

01:09:14If it's not there, I can see it.

01:09:21If it's not there, it's also the same question.

01:09:24And I will say something about my trust.

01:09:25My trust is Sheva, and I will give you an answer if I can help it.

01:09:29I will give you a support.

01:09:31And I will give you an answer.

01:09:34I will give you an answer.

01:09:43I am also a great animal lover. I am also an animal lover, but I am also an animal lover,

01:09:51but I am also an animal lover.

01:09:52How many years are you today?

01:09:54Mashaal.

01:09:54And four years.

01:09:55She does a lot for animal welfare. She does a lot of good work.

01:10:01My social media, I think that this can be the right purpose.

01:10:05I don't want to discuss the personal things. I don't have any difference.

01:10:09In fact, I saw your ACF video.

01:10:12And Aisha Chunderigarh has seen so much.

01:10:14No, I don't.

01:10:15My animal lovers, Aisha Chunderigarh, have done so good work.

01:10:18And now our new sanctuary is made.

01:10:21The new sanctuary is beyond words.

01:10:22I have seen videos. It is a fantastic work.

01:10:26Beyond words.

01:10:27You are the first animal lover, right?

01:10:29Yes.

01:10:30I am also an animal lover.

01:10:32Yes.

01:10:32I am the same person around your nose.

01:10:34One of those?

01:10:36Don't press the bell.

01:10:39I am sure this is up for you.

01:10:40Yes.

01:10:41Hello.

01:10:43Assalamualikum Nida.

01:10:44Waalaikumussalam.

01:10:45What are you doing?

01:10:46I am fine.

01:10:47What question are you?

01:10:49Yes.

01:10:49You are very well.

01:10:50The first thing is that I feel good.

01:10:52You are very good.

01:10:53Your love is very good.

01:10:55Thanks.

01:10:56My question is for Sania.

01:10:57Yes.

01:10:58I feel very good in their hair, but if a person is straighting, they don't think that they are straighting

01:11:09hair.

01:11:09Okay, now I'm going to ask.

01:11:11Today there are so many procedures like rebonding, carotene and I don't know what that is.

01:11:16So, have you ever done an experiment in your hair in your hair?

01:11:20Do you have straight hair?

01:11:21What did you do with your hair?

01:11:24No, with iron or permanent?

01:11:25No, permanent.

01:11:26Never mind.

01:11:27What permanent straight hair?

01:11:30Didn't even cross my mind.

01:11:32Yes.

01:11:33I like my hair.

01:11:33Because Abhinah Ji said that my hair is gone.

01:11:36Really?

01:11:37No, I feel good in my hair.

01:11:39And again, the thing is, why I can change my hair?

01:11:43It's different for fashion.

01:11:45But, you know, the nature of the human being is that the opposite of the hair.

01:11:50We have a lot of extensions.

01:11:54How do we do this for characters?

01:11:57Yes, I feel good.

01:11:58No, you didn't have to raise your hair.

01:12:01Do you have any short hair?

01:12:02No, you are small.

01:12:02Little, you are very short.

01:12:04Yes, very short.

01:12:05The car is very short, very short.

01:12:06The car is playing with small hair.

01:12:08It was very long.

01:12:09My hair is broken down.

01:12:11But I have seen your hair a lot of small.

01:12:13No, for a long time the hair was long.

01:12:18Yes, they were very long.

01:12:19In my memory, I was probably due to my mother's program.

01:12:22Yes, they were small.

01:12:23They were small.

01:12:24Then they were small.

01:12:25Yes.

01:12:26But because it's curly, it's curly.

01:12:28It goes up.

01:12:29There's so much weight here.

01:12:33It's so difficult to sleep at night.

01:12:35Yes, hair everywhere.

01:12:36No, you don't know how to wear curls.

01:12:39No, no, no, no.

01:12:40Shampoo and curl.

01:12:41They didn't have anything.

01:12:44Oh, come on.

01:12:45I'm taking a little break.

01:12:46After the break, let's see Shana Sahur.

01:12:56Welcome, welcome back.

01:12:58You're watching Shana Sahur and Sitara Mehronisa.

01:13:00They are watching the food.

01:13:03Sitara Mehronisa, what do you eat?

01:13:05What are your food?

01:13:06I eat a little bit.

01:13:09I've been left for 2-3 years.

01:13:12No, no.

01:13:13No, no.

01:13:15Because there's a lot of inflammation.

01:13:17Our confusion is in the mood and inflammation.

01:13:20Yes.

01:13:21Weight is something different.

01:13:22Inflammation.

01:13:23Inflammation is that if you put your hand,

01:13:25it's a deficiency in your body.

01:13:27I've seen you in the mood.

01:13:29I've seen you in the mood.

01:13:29You've got a little bit of a heart.

01:13:30Yes.

01:13:30But you've kept your hand,

01:13:31but you've kept your hand.

01:13:33So, the heart is leaving.

01:13:34You've got a heart.

01:13:35That's the idea of this.

01:13:36I've also learned recently.

01:13:37I'm gluten intolerant.

01:13:38Oh!

01:13:39You've got to be very careful.

01:13:41So, you've got a heart?

01:13:42Yes.

01:13:42You can't eat anything outside.

01:13:45No, but you can buy a lot of gluten-free things.

01:13:48Gluten-free items.

01:13:49You've now come into the market.

01:13:50Yes.

01:13:51Gluten-free items.

01:13:54Gluten-free items.

01:13:55Gluten-free items.

01:13:56Yes.

01:13:56Gluten-free items.

01:13:57Yes.

01:13:57But you can eat anything.

01:13:58But what is your diet?

01:14:00What do you normally do?

01:14:01Dal-chawel.

01:14:02Dal-chawel, a cake-bop.

01:14:04Yes.

01:14:05I love it.

01:14:06Always.

01:14:08I go to the set of tiffin.

01:14:09I have my dal-chawel and cake-bop.

01:14:11Now I take tiffin too.

01:14:12I don't eat the same food.

01:14:14That's good.

01:14:15You've got the food in your own house.

01:14:16Yes, it's not a home.

01:14:18I don't have to eat this, but I have to eat this.

01:14:21I have to eat this, and I have to eat this.

01:14:22And I have to eat this.

01:14:23Yes, it's a salad.

01:14:25It's so simple.

01:14:27The people who say that the people who eat this,

01:14:30the food is also a quiet place.

01:14:33Yes, absolutely.

01:14:34There are some pictures.

01:14:36And what about the pictures?

01:14:39I don't know, you've said that.

01:14:41How many pictures are you?

01:14:42I don't know, I don't know.

01:14:44No, no, no, no, no, no, no, no, no.

01:14:46No, no, no, no, no, no, no, no, no, no.

01:14:47Let me show you, brother.

01:14:48Okay, this is our Janu Shahnaz Shaykh.

01:14:52If I ask both of you,

01:14:55both of you can be different.

01:14:57The qualities of Shahnaz Shaykh's qualities,

01:14:59their performance, their personality,

01:15:02if I ask you,

01:15:03who is Shahnaz Shaykh today?

01:15:07Who is the name of Shahnaz Shaykh?

01:15:07Who is the girl?

01:15:09Interesting.

01:15:12Hey, first of all,

01:15:13I would have loved to have worked with Shahnaz.

01:15:16This is our misfortune,

01:15:17that we haven't worked with him.

01:15:19It's a great fun.

01:15:19I've never met him with his heart.

01:15:22I've never met him with his heart.

01:15:23I've never met him with his hands.

01:15:23When I met him with his hands,

01:15:24I've never met him with his hands.

01:15:26I've never met him with his hands.

01:15:29Who is Shahnaz Shaykh today?

01:15:31Who is Shahnaz Shaykh today?

01:15:33It's a very interesting question,

01:15:34because we're seeing from a personality point of view

01:15:37or a craft point of view.

01:15:38I'm also thinking.

01:15:40It's difficult to say,

01:15:41because what we know about actors,

01:15:45they're from the perspective of the characters.

01:15:48If they're writing,

01:15:49they don't get to know someone,

01:15:50how will they perform?

01:15:51how will they perform?

01:15:52You know?

01:15:53Yeah.

01:15:53But if you have a spontaneity,

01:15:56how will they perform?

01:15:58It's a difficult one.

01:15:59It's a difficult one.

01:16:00It's a difficult one.

01:16:01It's a difficult one.

01:16:01I give you options.

01:16:03If I give you.

01:16:03Yumna Zahidi.

01:16:06Sabha Kamar.

01:16:08And I don't have my mind.

01:16:11If I give you options.

01:16:13It's a difficult one.

01:16:14There are many reflections.

01:16:16There are many reflections.

01:16:16There are Aiza.

01:16:17There are Yumna.

01:16:19There are reflections of Shahnaz.

01:16:21Let me tell you.

01:16:22But not what Shahnaz brought to the screen.

01:16:25Because she's right.

01:16:27It was so different in the writing.

01:16:28And also because Shahnaz has only done two plays.

01:16:31So we don't know.

01:16:34You know,

01:16:35in those plays,

01:16:35we can say,

01:16:36who can be.

01:16:38But in Tannaya,

01:16:39it could be Yumna.

01:16:41But in Ankahi,

01:16:42it could be Hanya, I think.

01:16:45Sajal.

01:16:46Sajal.

01:16:46Sajal can be.

01:16:48But for those particular plays,

01:16:50Yes.

01:16:51So I'm asking for plays.

01:16:52If you cast them,

01:16:54maybe.

01:16:55But when they do actors,

01:16:57they will do their own.

01:16:58It will be their own.

01:16:59But if you become again,

01:17:01then there will be no age group.

01:17:03That's what you want for that drama.

01:17:05So,

01:17:06let me note one more.

01:17:07Sanam Sahih.

01:17:08Sanam B.

01:17:33Sanam B.

01:17:44Sanam B.

01:17:46Sanam B.

01:17:50Sanam B.

01:17:52Sanam B.

01:17:55Sanam B.

01:18:00Sanam B.

01:18:05Sanam B.

01:18:07Sanam B.

01:18:08Sanam B.

01:18:16Sanam B.

01:18:18Sanam B.

01:18:32Sanam B.

01:18:34Sanam B.

01:18:35Sanam B.

01:18:36Sanam B.

01:18:37Sanam B.

01:18:38Sanam B.

01:18:40Sanam B.

01:18:44Sanam B.

01:18:45Who reminds you of somebody, you know, from that point of view?

01:18:53Do you think you're a man?

01:18:55A man?

01:18:57Characters?

01:18:58I'm just thinking about characters.

01:19:00If you look at RK's character, who can do the character?

01:19:05Bilal Abbas?

01:19:06He can do the character.

01:19:07If you go back, he can do the character.

01:19:12Okay.

01:19:12The next picture.

01:19:14The next picture is your picture.

01:19:16What?

01:19:17Look at her.

01:19:19She has a picture of my house.

01:19:20My house is a picture.

01:19:21My character is a picture.

01:19:23She looks so different in these pictures.

01:19:25Every picture is different.

01:19:27Because characters are different.

01:19:29And this is TCF's fundraising appeal.

01:19:34Yes.

01:19:35Very good.

01:19:37So what do you say?

01:19:39If Sanya's characters are very versatile.

01:19:43If you pick the names of the drama,

01:19:46then it can be like that.

01:19:48I can't say this.

01:19:50But I can tell you.

01:19:51She watches more television also.

01:19:53I do.

01:19:53I review also.

01:19:54Yes, exactly.

01:19:55I don't watch TV too.

01:19:55I don't see her.

01:19:58I don't see her.

01:19:59I think that...

01:20:02Seher.

01:20:03Oh yes.

01:20:05Seher Khan.

01:20:06Yeah, Seher Khan.

01:20:07What are you thinking about now?

01:20:09Seher Khan.

01:20:10Tanman Neel.

01:20:12She's good.

01:20:13She's very good.

01:20:15She's doing great work.

01:20:19She's very good.

01:20:20You are doing well?

01:20:20Yes, she's doing well.

01:20:22Yes, yes, yes.

01:20:22I just love her.

01:20:23Sabrina is very good.

01:20:25Sabina?

01:20:25Yes.

01:20:26Sabina.

01:20:27Sabina.

01:20:29She's very good.

01:20:30She's very good.

01:20:31Because now,

01:20:34they've told me that Sabina can also do well.

01:20:36And you have told me that she can do well.

01:20:39Now, the second picture is your hand.

01:20:41Okay.

01:20:42I will not say that.

01:20:43Both will say?

01:20:45Which reflection of both of you?

01:20:50I think Aiza.

01:20:52Very similar look.

01:20:56Aiza has a similar face.

01:21:00And you also Aiza?

01:21:02Yes, I think Aiza.

01:21:04Arosh, what are you playing?

01:21:15Thank you so much.

01:21:17Thank you so much.

01:21:17How are you going to eat?

01:21:18How are you going to eat?

01:21:21Thank you so much.

01:21:21When we finish the program,

01:21:23I will tell you to eat the food.

01:21:29When the camera is off,

01:21:31we will offer you.

01:21:38And all that drama,

01:21:39the irony is that

01:21:41the man who didn't take away.

01:21:45Nothing has vanished.

01:21:46We are very blessed.

01:21:48We are very blessed now,

01:21:51and we are lucky.

01:21:51Thank you very much.

01:21:53Thank you everybody.

01:21:55So this was our Shani Sahur, and if you have seen the Sitarah Meheri Nisa and said that the half

01:22:02of the show was missed,

01:22:03then you will come on YouTube later on, but in the morning, the morning show will be repeated.

01:22:10You can see if you have to leave school for school.

01:22:14So this was our today's show.

01:22:18Inshallah, we will fight with Zara Noor Abbas.

01:22:22We will fight with Zara Noor Abbas.

01:22:29We will fight with Zara Noor Abbas.

01:22:30We will see you next time.

01:22:32Good morning.

Shan-e-Sahoor | Atiqa Odho | Sania Saeed | 20th Feb 2026 | ARY Digital

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