00:00:28Transcribed by ESO, translated by —
00:00:58Transcribed by —
00:01:12Transcribed by —
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00:01:35Transcribed by —
00:01:40My boyfriend, he's going to be looking for me.
00:01:43Your boyfriend?
00:01:45Your boyfriend's fucking useless.
00:01:58Please!
00:02:01Shut your mouth.
00:02:02Please.
00:02:14Move in.
00:02:15Move in.
00:02:17Sit, sit.
00:02:22You're on.
00:02:31It will hurt less if you don't move.
00:02:35All right?
00:02:40I really don't want to have to gag you.
00:02:43So please stay quiet, yeah?
00:02:47Hey.
00:02:48Look at me.
00:02:49Look at me.
00:02:52You're doing really well.
00:02:53Yeah?
00:02:54You are?
00:02:57Good girl.
00:03:09What the fuck?
00:03:24You're so brave.
00:03:26Coming to look for you, Lily.
00:03:33Huh?
00:03:34So brave.
00:03:37Stupid.
00:03:43I'm sorry.
00:03:45I never wanted to hurt anyone.
00:03:49But it's my daughter.
00:03:50I have to save my daughter.
00:03:53Your daughter?
00:03:54Where is she?
00:03:55We...
00:03:56We...
00:03:57We can help her.
00:03:58We've got money.
00:04:01Money!
00:04:03Money will not help you.
00:04:13My daughter's...
00:04:16She died.
00:04:20She drowned.
00:04:22She's so lucky we found you, Lily.
00:04:24You're safe.
00:04:26How can we help?
00:04:33My daughter's soul needs a body.
00:04:36And a sacrifice.
00:04:51It's time.
00:04:58Lily.
00:04:58You and Santana must drink the blood of the sacrifice.
00:05:01So Santana's soul can breathe again.
00:05:06Please!
00:05:07I am sorry.
00:05:14Please.
00:05:16Please.
00:05:18Please.
00:05:21Please.
00:05:22Please.
00:05:22Please.
00:05:23Please.
00:05:26Please.
00:05:37Please.
00:05:40Please.
00:05:40Please.
00:05:41Please.
00:05:42Please.
00:05:43Please.
00:05:44Please.
00:05:46Please.
00:05:55Please.
00:05:59Santana, please. There might not be another.
00:06:38Oh, my God.
00:07:21I'm sorry.
00:07:43You are so beautiful.
00:07:58I'm sorry.
00:08:40I like to wear their rescue teams in India.
00:08:45Many brave souls have entered, only to be forever changed by the darkness living in its walls.
00:08:51With each step, we will uncover its secrets once and for all.
00:08:55Welcome to another episode of Laid to Rest.
00:09:01Oh, Santana, we've found you.
00:09:33I'm sorry.
00:09:36I'm sorry.
00:09:37I'm sorry.
00:09:44I'm sorry.
00:09:46I'm sorry.
00:09:49I'm sorry.
00:09:50I'm sorry.
00:09:51I'm sorry.
00:09:57I'm sorry.
00:09:59I'm sorry.
00:10:02I'm sorry.
00:11:41And cut!
00:11:42Hell yeah!
00:11:43That's a wrap everybody.
00:11:45Thank you so much.
00:11:47Kisses and all that stuff.
00:11:54Uh, mic's still on.
00:11:57No, I'm missing.
00:12:23Oh, shh.
00:12:27Boris!
00:12:28Veronica!
00:12:28You're a beautiful table maker.
00:12:29I repeat.
00:12:30Barf.
00:12:32Hey, Joe!
00:12:34Woohoo!
00:12:35Give me your wrap face please!
00:12:37Perfect.
00:12:39Um, actually Michael, I wanted to speak to you about something.
00:12:43Yeah, sure. What's up? Great job. You have to get in, by the way.
00:12:46Thanks. It's just another haunted field.
00:12:49We've done, like, so many episodes like that.
00:12:52I want to do something new. I want to venture.
00:12:55Well, just let me know when you find it.
00:12:57If we can't afford to traipse around and hope we land on a goldmine, Joe, you know that.
00:13:04Besides, we have a good time, don't we?
00:13:07I love you guys. Pays our bills.
00:13:12You and Sadie found each other too?
00:13:14Huey!
00:13:18I know, I know.
00:13:20I just want to cover something no one has before.
00:13:23I want something transcendent.
00:13:27Well, I know that's code for passion projects.
00:13:31You can't afford those.
00:13:33We do this for the market.
00:13:35Look, I wish you were different, believe me.
00:13:39Yeah?
00:13:39Yeah, yeah.
00:13:41Look, you're the best there is.
00:13:45If anyone can find transcendent, it's you.
00:13:50Thanks.
00:13:52Alright.
00:14:00Sorry!
00:14:01What did I say before?
00:14:02A large cappuccino, oat milk, no whipped cream, lots of chocolate.
00:14:06About sneaking up on me.
00:14:07Oh, we film the scares, we don't make the scares.
00:14:10Exactly.
00:14:11But the cappuccino sounds good.
00:14:13Oh, I'm so sorry.
00:14:15Stupid.
00:14:15I just got all this phone email and I was trying to work out when to give it to you
00:14:18because
00:14:18you always look so busy and great, by the way.
00:14:22I think this will chew you up because you also sometimes look all depressed and I'm so sorry.
00:14:27I'm so sorry.
00:14:28Thanks.
00:14:29Thanks.
00:15:04Thanks.
00:15:40Thanks.
00:15:47Thanks.
00:15:51Thanks.
00:15:51I would like you to be the one to do it justice.
00:15:53I promise you.
00:15:55It is like nowhere you have visited before.
00:15:58Please get in touch at your earliest convenience to make the arrangements.
00:16:01If indeed you are ready.
00:16:04Warmest regards, Julian.
00:16:06Michael.
00:16:07Michael, I've got our next adventure.
00:16:10Yeah.
00:16:25Hey.
00:16:28Hey.
00:16:30Hey.
00:16:31It's all right.
00:16:32It's okay.
00:16:34It's okay.
00:16:36I found another one.
00:16:39She's coming.
00:16:40I'm in here.
00:16:44Her name is Jo.
00:16:47She's everything I hoped she would be.
00:16:52She's confident.
00:16:54She's smart.
00:16:56She's well-respected.
00:16:59Successful.
00:17:02She's perfect.
00:17:05Can I...
00:17:06Can I go?
00:17:10Please. I won't...
00:17:12I won't tell anyone.
00:17:15Can you just let me go?
00:17:19Hey.
00:17:21Yeah.
00:17:23I'm gonna let you go.
00:17:26You're free.
00:17:30There's nothing to be scared of anymore.
00:17:42I'll be good.
00:17:43I'll be good. I'll be good.
00:18:29I won't.
00:18:30I want double.
00:18:31we've already paid i've got the receipt here i know we've got a contract to film on the island
00:18:38you were specifically recommended to get us there trust me i will get you there for double
00:18:47we'll find someone else you won't find anyone else to take you there
00:18:50they all know about the island and all about the man that lives there he comes back here sometimes
00:18:57to claw through rubbish he takes old dolls with him a man alone on an island collecting dolls
00:19:06what does he do with them actually i don't want to know
00:19:12production will never go for this
00:19:17fine i guess i don't have a choice
00:19:26this will be our best production ever
00:19:30thank you very much
00:19:36so
00:19:41so
00:19:47so
00:20:15you can get up to the house that way
00:20:18good luck to you
00:20:20i'll be back here on the shore tomorrow at noon to collect you
00:20:25but know this
00:20:26if you're not there
00:20:28i'm gone
00:20:30oh
00:20:32by the way i need payment for tomorrow's journey
00:20:37i already paid you for a 10 journey
00:20:39correct
00:20:42rate's just gone up again
00:20:43i remember just how much i hate this place
00:20:48this is ridiculous
00:20:50bank transfer's fine
00:20:51you got my details
00:20:55do you know what fine
00:21:02it's good
00:21:03yes
00:21:06we appreciate your help
00:21:12intense fella
00:21:15How can you be that wired when you literally own your own boat?
00:21:20This place is so weird.
00:21:23I'd call it transcendent.
00:21:27All right, Huey, you should start getting some shots.
00:21:30Sadie, Veronica, we'll unpack in the clearing, set things up for an intro.
00:21:34Yep. All right, let's go.
00:21:51I fucking hate this place.
00:22:16Nope.
00:22:24It's okay. I'm leaving now. I won't be back.
00:22:33Fuck off.
00:22:35I'm gonna rip your face off.
00:22:39The history of Isla de las Minecas, the island of dolls, has fascinated many for years.
00:22:46His daughter's death has sparked the island's sole inhabitant.
00:22:51Julian places his daughter's doll near the site of her death.
00:22:54His heart aches, willing to do anything to get her back.
00:22:59As the years have gone by, he has placed more and more dolls by the site of her death,
00:23:04hoping against hopelessness that one day she will return.
00:23:08But what of the curse they speak of at the island?
00:23:11For the first time, cameras have been given exclusive access onto the island
00:23:15to find out more.
00:23:19And cut.
00:23:20All right, perfect.
00:23:22All right.
00:23:24Let's get some shots of the doll.
00:23:28Yeah?
00:23:30Sure.
00:23:31Are you ready?
00:23:41Hey, what's up?
00:23:45Mate.
00:23:48That's a good take. We need the shot.
00:23:50What's going on?
00:23:52Babe, are you okay?
00:23:57I saw something move behind Joe.
00:24:15I've been feeling a breeze behind me. It was probably just that.
00:24:18Look, relax.
00:24:20Hughie, we need to get these shots while it's daytime.
00:24:24It's not the wind.
00:24:26It's his head.
00:24:30It's like it's watching me.
00:24:33What?
00:24:37Look at him. He's terrified.
00:24:40All right, look.
00:24:41Hughie, you really need to pull yourself together, mate.
00:24:44Are you ready to go again?
00:24:48I have a phobia of dolls.
00:24:52Sorry?
00:24:55I have a phobia of dolls.
00:24:57Okay? It's called pediophobia.
00:24:59Pedo!
00:25:00No, not pedo. Pedio.
00:25:03It's legit.
00:25:05You freak me out.
00:25:07I can't be here. I've got to go.
00:25:09Babe, why didn't you tell me?
00:25:11Because it's so fucking funny.
00:25:13So what's the story then, Hughie?
00:25:15Where did Action Man touch you?
00:25:17V.
00:25:20Look, Hughie, you're one of the best cameramen I know.
00:25:23Think about all the haunted fields we've been to.
00:25:26We're all together. We'll be fine.
00:25:29They're just dolls. They're just ornaments.
00:25:32Haunted ornaments.
00:25:33All right.
00:25:35Look, let's just...
00:25:39Let's take a moment, shall we?
00:25:41It's been a long day already. We'll just...
00:25:44We'll pull ourselves together, get the opening shots and then...
00:25:48Find this Julian character, yeah?
00:25:51You good, Hughie?
00:25:56Let's take a walk.
00:25:58I think we should...
00:25:59See, Hughie's right, you know.
00:26:17I think I saw it move too.
00:26:19But don't worry.
00:26:20I'll protect you.
00:26:22You stick with me.
00:26:24Okay?
00:26:26Okay.
00:26:28It looks like there's a barrier clearing up ahead.
00:26:30I'm gonna check it out.
00:26:31Getting a little bit claustrophobic around here.
00:26:34Cool.
00:26:35I'll come with you.
00:26:50Oh, boy.
00:26:52I didn't think anyone would actually be here.
00:26:55Why wouldn't there be?
00:26:58Who would wanna live here?
00:27:00Well, that Julian guy, I guess.
00:27:03The doll man.
00:27:05Can't wait to meet the fella.
00:27:07He wrote to Joe.
00:27:08He sounded kinda nice.
00:27:12Joe has kind of...
00:27:15intense fans.
00:27:16So I'm glad she didn't try and come here alone.
00:27:18She can be quite naive.
00:27:22Guys!
00:27:23Creepy old house right here!
00:27:25Yeah.
00:27:30Whoa.
00:27:34Parade?
00:27:35I think it looks kinda cute.
00:27:42This is gold.
00:27:44Okay.
00:27:45Change of plan.
00:27:46Get ready for the next shot, Joe.
00:27:48We'll get you right up to the door.
00:27:51So...
00:27:52The guy who sent the letter lives here.
00:27:57I'm sure he's normal.
00:27:58Yui.
00:28:00I view it don't want normal.
00:28:01Ha ha.
00:28:04Ha ha.
00:28:18Absolutely not.
00:28:20Whoa.
00:28:21Hughie.
00:28:23Get your camera going.
00:28:25Right now.
00:28:26I knew you were gonna say that.
00:28:28You want your comfort dolly, Hughie?
00:28:30Shut up, babe.
00:28:31Oh.
00:28:35Hello?
00:28:38Julian?
00:28:41It's Joe.
00:28:42I'm here with the camera crew.
00:28:47Michael, this is gonna be really bad vibes.
00:28:50Perfect. Use it. Imagine how the viewers are going to feel.
00:29:07Okay.
00:29:16Oh, God. Gross. This guy offered to feed us, too. I don't want it.
00:29:22Give the guy a break. I doubt he has many visitors, you know?
00:29:25Not willing ones, anyways. Proper murderer vibes.
00:29:31It's...quaint.
00:29:34Perfect. Remind me of that first snippet of Doc you did.
00:29:37Oh, is that the one where Huey screamed at his own reflection?
00:29:40Yeah. I screamed because I thought it was you.
00:29:42You wish.
00:29:43Alright, guys, please.
00:29:44How many haunted houses have you done?
00:29:46We did eight in season one, but now we keep it to two every season.
00:29:50You know, otherwise it gets a bit samey.
00:29:52So, to answer your question, Tori, none. None of them have been actually haunted.
00:29:56Er, they were. I've recorded so much weird breathing.
00:30:00Because Huey had to walk up so many flights of stairs.
00:30:03What about the orbs?
00:30:04Oh, you mean the out-of-focus dust particles?
00:30:07Guys, please, come on.
00:30:09Yeah, Michael, I think I'm ready to go. Should we go?
00:30:12Cool.
00:30:13Yeah.
00:30:13You good, Huey?
00:30:14Sure.
00:30:16You get the take, we move on, right?
00:30:19Yeah.
00:30:20Okay.
00:30:22Everyone's set.
00:30:23Sadie?
00:30:26Huey?
00:30:28Sure.
00:30:30Okay.
00:30:31And...
00:30:32Action.
00:30:33I'm Joe Brooks, and we are laid to rest.
00:30:35Standing here in the island is La De Las Menecas.
00:30:38There is an atmosphere here of loss and what might have been.
00:30:41Julian, living here in the island's only house, surrounded by memories of his daughter,
00:30:46and in the hope that one day she will return.
00:30:48Julian has given us exclusive access to the island, and I cannot wait to find out what happened on that
00:30:53fateful day,
00:30:53and why this island elicits so much fear.
00:30:56Huey.
00:30:57We need this.
00:30:58Your job is on the line here, mate.
00:31:01Huey!
00:31:04Huey!
00:31:06Sick.
00:31:14Should we, um, should we continue?
00:31:16Yeah, yeah.
00:31:16Mm-hmm. Yep.
00:31:17What?
00:31:19It was it.
00:31:22And...
00:31:24Action.
00:31:28You made it!
00:31:31Welcome to Isla De Las Menecas!
00:31:47I hope you all brought Leia's with you.
00:31:50Gets a bit chilly out here at night.
00:31:54I brought my onesie.
00:31:57I can't thank you enough for this, Julian.
00:32:00We're all honoured to share your story.
00:32:03I'm delighted to have you here.
00:32:05All of you.
00:32:11Julian.
00:32:12You've got an interesting place.
00:32:16You're welcome.
00:32:22The soup was incredible, though.
00:32:24Sumac?
00:32:25Yeah.
00:32:26Well tasted.
00:32:29Julian, I just wondered if I could ask some questions with the camera.
00:32:33Of course.
00:32:35That's why you're here, right?
00:32:37When I received your letter, I was thrilled.
00:32:39I mean, we've all been waiting for somewhere like this for such a long time.
00:32:47But there is nowhere like this, correct?
00:32:50Sure, sure.
00:32:55When I first started collecting the dolls for Santana, I would get visitors from the mainland often.
00:33:03I think to begin with, it was out of sympathy.
00:33:07But then after a while, it felt like they were laughing at me.
00:33:13So I stopped sanctioning their boats.
00:33:18I felt like it was just better to be on my own.
00:33:24But now I think people should know the truth.
00:33:28Um, what is the truth?
00:33:30I mean, we've heard rumours about a curse.
00:33:35If the island is cursed by anything, it is cursed by love.
00:33:40Oh my God, that's beautiful.
00:33:43Love for Santana?
00:33:48I'm...
00:33:49We're all really sorry about what happened to your daughter.
00:33:53It must be hard hearing what people say.
00:33:56Santana is not dead.
00:34:00She...
00:34:01She not?
00:34:03No.
00:34:05Her spirit is here on the island.
00:34:08But not...
00:34:09Her body?
00:34:12Santana's spirit is what matters.
00:34:16Her body is gone.
00:34:18But she still helps give life to the island.
00:34:23She knew this would bring me great comfort.
00:34:31And where is Santana now?
00:34:33The doll?
00:34:36The dolls were my tribute to her.
00:34:41I left her favourite doll near where she died.
00:34:43And...
00:34:44And over the years, I've just added more.
00:34:49Now they are her vessels.
00:34:53They are everywhere.
00:34:56So she can watch.
00:34:59She's watching us right now.
00:35:02Waiting.
00:35:09Sorry.
00:35:11Sorry.
00:35:13Sorry.
00:35:14Do you have everything you need for now?
00:35:16Because I'm feeling a little bit tired.
00:35:19Just...
00:35:20Reliving it all.
00:35:21He kind of takes all of my energy away.
00:35:24Yes.
00:35:25Yes, of course.
00:35:27That was perfect.
00:35:29Thank you so much, Julian.
00:35:31Are you sure you're okay camping out here?
00:35:34I...
00:35:34I have some room inside.
00:35:36No, I can't.
00:35:36I think...
00:35:37I think we're fine.
00:35:39Jo?
00:35:46But...
00:35:47I can.
00:35:48We've got shots to film around here tonight and whatnot.
00:35:51And...
00:35:51You know, I'll...
00:35:52We'll be back in the morning, of course.
00:35:55As you wish.
00:35:57Goodnight, everyone.
00:35:58Goodnight.
00:35:59Goodnight.
00:36:10Oh, my God.
00:36:14That was perfect.
00:36:15He's a fucking creep.
00:36:17Aw, I actually...
00:36:19I think he's quite broken.
00:36:21And I really hope we can tell the story the way he'd like, guys.
00:36:24I think we know what he would like, honey.
00:36:26Aw.
00:36:26Aw.
00:36:28Alright, look.
00:36:29We've got some good footage today, guys.
00:36:31Tomorrow's a big day.
00:36:33We'll get the rest of Julian's story in the morning.
00:36:35We'll get a few more bits and we're back to the boat for noon.
00:36:38Tonight, we need some creepy shot from where the girl died.
00:36:42And some decent sound from the forest.
00:36:45Santana.
00:36:46Sorry?
00:36:47Her name was Santana.
00:36:49Right.
00:36:50Santana.
00:36:51Sorry.
00:36:52Where Santana died.
00:36:53I thought she didn't die.
00:37:02I'll record in the forest.
00:37:03I love all the different noises.
00:37:05Yeah, I'll come with you.
00:37:07Uh, no, Huey.
00:37:08We need you for these shots.
00:37:10We can't be up here all night.
00:37:12We've got to rest up.
00:37:13We're up at dawn.
00:37:14I can film where Santana died.
00:37:17I want to be a cinematographer one day.
00:37:20I've got a good eye.
00:37:21I can do it.
00:37:22She's taking good establishing shots for me.
00:37:25Okay, fine.
00:37:26I'll go with her.
00:37:28She might get lost.
00:37:29You know what she's like.
00:37:36Don't be too long, if all.
00:37:40Have you got time to go over the scripts?
00:37:41Yeah, sure.
00:37:58Are you scared, baby boy?
00:38:01It's a phobia.
00:38:02I can't help it.
00:38:03I'm sorry.
00:38:05I wish you would have told me.
00:38:07We wouldn't have come.
00:38:08How am I supposed to know that de las maracas meant dolls?
00:38:12Well, it doesn't.
00:38:14Maracas.
00:38:17It's cute.
00:38:18You're cute.
00:38:30Come on.
00:38:44Are you sure you don't need me to protect you?
00:38:59They're just dolls.
00:39:04My hero.
00:39:14Poor Santana.
00:39:16This is where they last saw her alive.
00:39:18It's so sad.
00:39:20Well, someone's done their research.
00:39:22I just want to do a good job.
00:39:30Jo mentioned it was one doll to begin with.
00:39:32Reckon this is it.
00:39:34This is it.
00:39:39Freaky.
00:39:40You seem pretty good Nick, though.
00:39:43He was in tennis.
00:39:44He was very special to her.
00:39:46I think it's really nice that Julian left it here for her.
00:39:52Do you reckon that guy even had a daughter?
00:39:56He's a bit off, isn't he?
00:39:59Makes a mean soup, though.
00:40:01Well, of course she was real.
00:40:02You don't lie about something like that.
00:40:04He's heartbroken.
00:40:06He's heartbroken.
00:40:06You can tell.
00:40:15What's your story then, Tori?
00:40:18My story?
00:40:19Yeah.
00:40:21You rock up as an intern.
00:40:22You've got this whole Detsy-body-in-control thing going on.
00:40:26But I know nothing about you.
00:40:31I'm sorry.
00:40:31I'm really not interested.
00:40:34Excuse me?
00:40:35I'm just here to do my job.
00:40:39Oh yeah?
00:40:40You suddenly want to become a cinematographer
00:40:42as soon as there was a chance to be alone?
00:40:45I do want to be a cinematographer.
00:41:01Veronica!
00:41:02I'm not done here!
00:41:04Where are you going?
00:41:05Veronica!
00:41:22What was that?
00:41:24Stop.
00:41:28Normal rustling to be found in any normal forest?
00:41:31No.
00:41:31No, it was something else.
00:41:39Okay, I heard that.
00:41:41Oh yeah, I'm scared.
00:41:43Who's out there?
00:41:46Veronica!
00:41:48Stop being such a weird bitch!
00:41:57I think we should go.
00:41:59No, no, no. We're not going anywhere.
00:42:01Who are you?
00:42:02This cheesy giggling is just Veronica.
00:42:04Even though I've never heard her laugh a day in my life!
00:42:08The viewers will eat this shit up.
00:42:18Yeah, haha.
00:42:20Okay, we know it's you, Veronica.
00:42:22Just give us something so we can go back to camp.
00:42:25It's chilly.
00:42:28Who, please?
00:42:30I'll give it up, V.
00:42:32Just give us your little lighting trick, whatever it is you're planning.
00:42:35Is Michael there too?
00:42:37Was this all a set up?
00:42:41Do you reckon this was all a set up?
00:42:42Do you reckon we should go?
00:42:44It's fine.
00:42:45I'm quiet now anyway.
00:42:46She gave up.
00:42:52Were those here before?
00:42:57Yeah, um...
00:42:58Okay, let's go.
00:43:12And we'll see what's going on.
00:43:13Thank you so much.
00:43:22Before we head out to camp, I'll pop up on this one.
00:43:23No where you'll tell me I'm coming.
00:43:24Oh my god.
00:43:24I know what it is.
00:43:25given away I'm coming.
00:43:27I know I'm coming.
00:43:29I know I'm coming out.
00:43:29I know I'll do so.
00:43:29Okay.
00:43:30Michael!
00:43:32Michael!
00:43:32If you're going to snore, you're sleeping in Julian's house with the creepy dolls.
00:43:46Tori!
00:43:47What did I say before?
00:43:48I'm so sorry.
00:43:50We filmed the stairs.
00:43:51We don't make the stairs.
00:43:51I'm sorry.
00:43:52I'm sorry.
00:43:52I'm just anxious for all this work stuff, you know?
00:43:55Yeah, of course.
00:44:00Anyway, did you get what you needed out there?
00:44:02Sure did.
00:44:02Great.
00:44:03Great.
00:44:04You know, I think it's really great.
00:44:06It's very creepy over there and we found Santana's doll and everything.
00:44:10Oh, cool.
00:44:10Maybe we can film that tomorrow.
00:44:12Yeah, cool.
00:44:14Great.
00:44:20Ah, Huey's camera.
00:44:21You can just put that over there with the things.
00:44:24Oh, they're not back yet?
00:44:25No.
00:44:29You know, I really admire you.
00:44:32You make everything so accessible and whenever you speak to anyone, you do it with dignity.
00:44:38You're the reason I wanted this internship so badly.
00:44:43Yeah, you've been a great addition to the team too.
00:44:47Keep up the good work.
00:44:50Do you think Huey would let me take some more shots?
00:44:54He's precious about his camera.
00:44:57Yeah, maybe I'll just wait up for him.
00:44:59I wouldn't.
00:45:00I'd dread to think what he's even doing out there and, you know, maybe ask him tomorrow.
00:45:06Yeah.
00:45:07Yeah.
00:45:08So, should you just hang out for a little bit?
00:45:16You know, I really have to get on with these notes, Tori.
00:45:19Good night.
00:45:24Good night.
00:45:36Good night.
00:45:55Good night.
00:46:14Hello?
00:46:28Hello?
00:46:54Joe?
00:46:57everything okay yeah I'm so sorry that your doll scared me yeah they have a
00:47:02tendency to do that do you want to come in um I mean sure I just I'm not sure if
00:47:14you'd rather be alone and I know we said we'd come back in in the morning it's
00:47:19no trouble I'll be glad of the company okay I can't remember the last time I
00:47:37had someone here for tea well I'm glad to be of service
00:47:55where did you find that oh I just found out outside is it your daughters yeah
00:48:13oh yeah I remember now it was sometimes friend Lily's
00:48:20she must have dropped it the last time she was here
00:48:23they used to play outside together all the time
00:48:28and Johnny
00:48:33yeah and Johnny
00:48:36little Johnny
00:48:38yeah such a crush on her
00:48:44I know it's not the same thing but
00:48:46I live alone too so I know what it's like to be alone actually I just throw myself into work
00:48:54you
00:48:55know I don't really have any family well the crew they're like my family you know I don't think they
00:49:02realise just how much they mean to me family is important and you know the best thing about family is
00:49:14that you can always make your own
00:49:17they don't have to be alone
00:49:18they don't have to be blood
00:49:18they don't have to be blood
00:49:24you know there is a difference between being alone and feeling lonely
00:49:31I don't feel lonely
00:49:35I feel Santana's spirit all around me every day
00:49:41I feel her warmth
00:49:44that's nice
00:49:53look I know you'd rather stay outside with your friends but I have some extra blankets you can take if
00:50:00you like
00:50:00that would be lovely thank you
00:50:03that would be lovely thank you
00:50:23that would be lovely thank you
00:50:56we used to sit outside and wrap ourselves in this blanket
00:50:58yeah
00:51:00it was Santana's favourite
00:51:04it's lovely and warm
00:51:24um I wouldn't without your permission of course but I just wondered if you had any photos of Santana
00:51:31um I wouldn't without your permission of course but I just wondered if you had any photos of Santana
00:51:35it's so important to life being in this place
00:51:36you know
00:51:42I have many
00:51:45I used to look at them every day
00:51:49but it was too painful to see her face
00:51:52yeah I understand
00:51:56I have some locked away
00:51:58yeah
00:51:59it's getting easier to think about looking at them again
00:52:02you mentioned before that Santana you know sees through dolls
00:52:08what do you want to know?
00:52:11um
00:52:13like
00:52:15what she's looking for
00:52:16not what
00:52:19who
00:52:20she's looking for someone
00:52:25Santana was a very curious girl
00:52:28she liked to sit in the forest and watch when we would have visitors
00:52:33she used to sit there for hours
00:52:35and just stare
00:52:38her and her sister would stay out there for hours
00:52:40her sister?
00:52:42wait
00:52:44is she alone?
00:52:47does she nip here?
00:52:50how old is she?
00:52:51enough
00:53:03I'm sorry Jo
00:53:06this is all very emotional
00:53:09it's okay
00:53:10it's okay
00:53:10I should get going because we have a really early start in the morning and
00:53:14you know I'd never hurt you Jo
00:53:19thanks for the tea Julian
00:53:25don't forget this
00:53:29good night
00:53:31sweet dreams
00:53:43okay
00:53:51it's okay
00:53:52it
00:53:53well
00:54:05it's your favorite partner
00:54:07idea
00:54:07surprise
00:54:19Spantana?
00:54:23Will you be my daughter?
00:54:36You alright, Michael?
00:54:40What's that place for?
00:54:44He's grumpy.
00:54:46I'm the director, I have to be grumpy.
00:54:50Morning guys.
00:54:53We need to be getting those shots up at the house right now.
00:54:56The boat's coming in two hours.
00:54:58I can't believe this.
00:54:59Huey and Sadie was like still sleeping or?
00:55:03They didn't come back in last night.
00:55:04What?
00:55:05You didn't see them either?
00:55:07No, I was writing some notes and I went straight to bed.
00:55:11I knew it was a bad idea to keep hiring them both.
00:55:14Ever since they got together they've been wandering off every five minutes canoodling.
00:55:18No, this isn't like them.
00:55:21We should go and look for them.
00:55:22No, no, we're not wasting any more time.
00:55:24Toy, Toy you've got the camera there, right?
00:55:27Yeah.
00:55:28How do you feel about taking over?
00:55:29I'd love it.
00:55:30Woah, woah, woah, woah.
00:55:32What about sound?
00:55:33I know I torture Huey and Sadie but they are the best.
00:55:37And they could be in trouble.
00:55:39Maybe Action Man came back for Huey?
00:55:43We don't know what's out there.
00:55:45Please, they'll be fine.
00:55:46They probably got busy in the woods and then fall asleep or something.
00:55:49I mean Huey definitely has.
00:55:51But, poor Sadie.
00:55:53Okay.
00:55:55Look, me and Toy are going up at the house to speak to Julian.
00:55:59You two find those other idiots and meet us there.
00:56:04If those two are having tea with Julian right now, I swear I'll kill them both.
00:56:09Tea with Julian?
00:56:11Yeah, sorry.
00:56:12It's a bit too normal.
00:56:14Go.
00:56:16Don't get paid enough for this.
00:56:19I think I should get paid a little more taking on these extra responsibilities.
00:56:24There's counselors out-hook.
00:56:58Let's open this.
00:56:59I see those details about you.
00:57:11Let me tell Jim
00:57:21We did say we'd be back to him this morning, right?
00:57:24Yeah.
00:57:43Fuck this.
00:57:50Julian?
00:57:53It's Michael, the director. I'm coming in.
00:58:08Julian?
00:58:16Julian?
00:58:20Julian?
00:58:23Julian?
00:58:24Julian?
00:58:25Julian?
00:58:27Julian?
00:58:28Julian?
00:58:36Julian?
00:58:43Julian?
00:58:43Julian?
00:59:01Fuck.
00:59:23Fuck.
00:59:32Yes!
00:59:34Yes!
00:59:35Yes!
00:59:36Yes!
00:59:36Yes!
00:59:48Had-ok.
00:59:50Fucking cheapskate.
01:00:14Did I do good, Dad?
01:00:17We're proud of you.
01:00:19You don't say much for your sister.
01:00:28Hughie!
01:00:29Sadie!
01:00:32You better be decent by the time I find you.
01:00:36What if something's happened to them?
01:00:38What if an animal got to them?
01:00:40An animal?
01:00:42Yeah, well, something's not right.
01:00:43Something's happened.
01:00:45Relax.
01:00:45They'll be fine.
01:00:46They're cringe little idiots and they love each other.
01:00:49They're probably trying to sneak past us while pulling on their clothes on right now.
01:00:54Hughie!
01:00:55Sadie!
01:00:59That was us once.
01:01:01What?
01:01:02Cringe little idiots who love.
01:01:05Veronica, this isn't the time.
01:01:07Come on.
01:01:08I'm just saying.
01:01:10Try and remember how great it was.
01:01:14Well, the way I remember it, it wasn't great but fun.
01:01:18I don't understand the fucking nothing reasoning why you ended it, though.
01:01:23Well, it's cool.
01:01:24Don't worry about it.
01:01:26I don't wonder what was going on in your head anymore.
01:01:28I'm over it now.
01:01:30Well, if you didn't know then that says it all, doesn't it?
01:01:35Keep going home alone and telling yourself that.
01:01:38Don't you!
01:01:42Hi, Joe.
01:01:44I can't wait for you to be my Joe.
01:01:48You should come with me.
01:01:53Uh...
01:01:54Is she for real?
01:01:56Santana.
01:01:57I saw her last night.
01:02:04Santana!
01:02:06Think fast!
01:02:10It's just a fucking dolly.
01:02:12I sliced that bitch open like I did to mine when I was a kid.
01:02:17You don't sound very nice.
01:02:20Oh, I'm not.
01:02:22I think you should go.
01:02:24You should come with me, Joe.
01:02:26She's not going anywhere with you.
01:02:30She is nice!
01:02:42You should go to my house all night.
01:02:47I cannot wait for you.
01:02:53I'm sorry.
01:02:53I can't wait for you.
01:02:54Oh!
01:02:54Oh!
01:02:56Oh!
01:02:56Oh!
01:02:57Oh!
01:03:04Oh!
01:03:04Oh, my God.
01:03:53Oh, my God.
01:04:07Oh, my God.
01:05:00Oh, my God.
01:05:09Oh, my God.
01:05:35Oh, my God.
01:05:42Oh, my God.
01:05:59Oh, my God.
01:06:02Oh, my God.
01:06:03Say...
01:06:12Just a fucking dolly.
01:06:38Veronica?
01:06:41Veronica?
01:06:42Veronica, can you hear me?
01:06:44Veronica?
01:06:51Oh my god. Are you okay?
01:06:54I feel like...
01:06:56Shit.
01:07:02I think they gave me a message.
01:07:03Oh, Michael.
01:07:05You're insane, did you?
01:07:10Get us out of here, okay? We just have to find Dorian.
01:07:13Oh, hi.
01:07:18I'm hearing aids.
01:07:20Nope.
01:07:21Hi, Veronica.
01:07:23I'm sorry about this, Joe.
01:07:25We filmed the scares. We don't make the scares.
01:07:27I tried to make sure I didn't frighten you.
01:07:29You're Julian's other daughter.
01:07:31I knew you'd work it out.
01:07:32You're so smart, Joe.
01:07:35What's going on there?
01:07:36What other daughter?
01:07:37Surprise.
01:07:39He had two daughters.
01:07:42You brought us here.
01:07:44Well, you brought us here.
01:07:45So desperate for your big story.
01:07:47My dad found you, though.
01:07:49Your series is okay, by the way.
01:07:50I think I could do better.
01:07:51You look so much like our Santana.
01:07:57See? That's me and dad.
01:08:01Oh, my God.
01:08:01Do you know what could be amazing?
01:08:04If we could turn this into a documentary.
01:08:06I mean, we wouldn't be able to show it to anyone, of course,
01:08:09but it would be amazing, wouldn't it?
01:08:11Then me and Santana could look back at it.
01:08:14You're fucking insane.
01:08:17We're so happy to have you here, Joe.
01:08:20We've been looking for a body for Santana for a long time.
01:08:23She's quite picky.
01:08:24But she really seems to like you.
01:08:27We're always here, leading us to our deaths.
01:08:30How could you?
01:08:31Not your death, Joe.
01:08:33We could never hurt you.
01:08:35But yeah, what about everyone else?
01:08:37We don't need them, do we?
01:08:38We have each other.
01:08:41Tori, you fucking bitch!
01:08:43Bring your stuff, sister,
01:08:45and I'm gonna fuck her up!
01:08:47Then it'll be your turn!
01:08:49You're so angry, Veronica.
01:08:51Do you know how much I fantasize
01:08:53about breaking your neck?
01:09:02Tori, it's me you want, isn't it?
01:09:04So just let her go.
01:09:06Please.
01:09:07If you want time,
01:09:08you're gonna...
01:09:09Why is that bitch open?
01:09:10Veronica!
01:09:12Veronica!
01:09:14So...
01:09:14Tori, this is me you want, okay?
01:09:18We don't need her,
01:09:19so just let her go, please.
01:09:21No.
01:09:22Actually, we need her.
01:09:24You see, for Santana to take her new body,
01:09:27we need a sacrifice.
01:09:28Guess who that is.
01:09:31I think that would be my favorite part.
01:09:38No!
01:09:39No!
01:09:42No!
01:09:42No!
01:09:42Tori, that's enough!
01:09:56I'm sorry I have to do all of this, girls.
01:09:59I thought I could just take two lives
01:10:01and it'd all be over.
01:10:04But I've had to kill and kill again!
01:10:09We have needed Santana's blessing
01:10:11and that has been difficult.
01:10:14Her experience has grown very powerful
01:10:17and very unsettled.
01:10:18It's taken a lot of work to find someone
01:10:20when she approves her.
01:10:22You should be honored, Jo.
01:10:25You're fucking crazy!
01:10:27Santana!
01:10:28Cover your nose, too!
01:10:34Why me?
01:10:35Why?
01:10:41Santana went missing one morning.
01:10:44The last time I saw her,
01:10:46she was playing happily in her favorite spot.
01:10:49The next thing I know,
01:10:50I find her drowned in the river.
01:10:54It fucking destroyed me!
01:10:57I didn't protect her!
01:11:00I failed as a father.
01:11:05The years passed and my pain only got worse!
01:11:10I couldn't be the father to Tori that I wanted to be
01:11:13because of it.
01:11:18I needed to do something.
01:11:32The pain.
01:11:33The grief.
01:11:34I'm sorry.
01:11:35All of that cursed Santana's soul.
01:11:38It was my fault!
01:11:45I made her a temporary body.
01:11:48Now all I can do is free her.
01:11:51She is trapped.
01:11:53And she will stay trapped
01:11:54until she finds the perfect place.
01:11:57And she does have to be perfect.
01:12:09Shut up!
01:12:14Tori was looking for her sister, too.
01:12:16We'd almost given up.
01:12:19Until I found you.
01:12:22As soon as I heard your voice,
01:12:24before I ever saw your face,
01:12:25I just knew.
01:12:28You are everything I imagined Santana to be.
01:12:32If she had lived.
01:12:34Santana knew, too.
01:12:35No!
01:12:36No!
01:12:38No!
01:12:44No!
01:12:45No!
01:12:45Now we can begin.
01:12:48No!
01:12:50Let go, please.
01:12:51No!
01:12:53No!
01:12:54No!
01:12:55Please, let us go.
01:12:57Please, Julian.
01:12:58Please.
01:12:59No!
01:13:02No!
01:13:03No!
01:13:09Please!
01:13:10Please!
01:13:11Just let us go!
01:13:12Please!
01:13:14No!
01:13:16No!
01:13:17No!
01:13:19No!
01:13:21No!
01:13:25No!
01:13:38Oh, my God.
01:13:54It is with blood running, the trap souls find a crack to escape.
01:14:00Toy, focus!
01:14:08You fucking bitch!
01:14:12What have you done?
01:14:14You spoiled the blood of the sacrifice.
01:14:22No, I didn't. They can drink from the same cup.
01:14:25They cannot drink the mixed blood, you fool!
01:14:28Fuck!
01:14:29Forgive me.
01:14:40We finished this. We will have our Santana back.
01:14:51No!
01:14:54No!
01:15:06Joe!
01:15:07Joe!
01:15:19Joe!
01:15:20Joe!
01:15:40The longer you hide, it will only get worse for you!
01:15:44Joe!
01:15:46Joe!
01:15:49You're a machine!
01:16:07Take care!
01:16:23I need you farewell. I am everywhere, EVERYWHERE!
01:16:37Joe! Joe! Joe, I love a chase.
01:16:50Joe! Joe, come out! Come out, Joe!
01:17:06Joe! Joe! Joe, now you ain't here. I'm coming for you.
01:17:11I'm coming for you.
01:17:44I'm coming for you.
01:18:06What have you done?
01:18:10You killed my dad.
01:18:11He wasn't well, Tori. How many people did he kill?
01:18:14He did what he had to. All he wanted was for us to be a family again.
01:18:18Look, I'm gonna get out of here. You can come too, girl. This gives me fun.
01:18:25You're not going anywhere.
01:18:27You know what? I used to think you were so amazing.
01:18:30I couldn't wait for us to be sisters to get my Santana back, but you're not worthy of her.
01:18:35She must have been so special for you to go to a Santana for her.
01:18:37She was my best friend!
01:18:39I didn't mean for her to die.
01:18:44You killed her?
01:18:47It was an accident.
01:18:48She fell, and I couldn't save her.
01:18:51But she fell because of me, so I have to do this for her.
01:18:54Tori, look, you're not a bad sister, okay? You're not. You're good.
01:18:58We can get out of here. We can go. We can start fresh. We can start new.
01:19:03I killed Michael too.
01:19:07I meant that one.
01:19:35I'm sorry for your dad and your sister, but it's over.
01:19:39They are not necessary.
01:19:48You're so pretty, girl.
01:19:52I can't wait for you to be my doll.
01:19:57You're an vanilla, I'm sorry.
01:19:58Oh.
01:20:04Hey, my girl.
01:20:21Hey.
01:20:21Hey Janica!
01:20:21Hey, hey!
01:20:22Hey, hey, hey!
01:20:23Hey, hey, yeah!
01:20:23Haha!
01:20:24Hello.
01:20:33I don't know.
01:21:03You're so pretty.
01:21:05Thanks for being my doll.
01:21:39You're so pretty.
01:22:18You're so pretty.
01:22:33You're so pretty.
01:22:50You're so pretty.
01:22:51You're so pretty.
01:22:52You're so pretty.
01:22:53You're so pretty.
01:22:58You're so pretty.
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