Darling Prabhas Hilarious Interview With Santosh Soban & Couple Friendly Team

Mana entertainment

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Transcript

00:00I was having a car to get a movie from the cinema,

00:02because I was on the call,

00:04where I was going to get a success meet.

00:07I was happy to get a job,

00:10and I was happy to get a successful successful theater.

00:16But I was like,

00:19I was like,

00:20I was like,

00:21I was like,

00:22I was like,

00:23I was like,

00:23I was like, I want to go to my life.

00:27And that's it.

00:29I'm going to go to my house.

00:30You've been in the 8th year?

00:32You've been in the 8th year.

00:34I've been in the 8th year.

00:35I'm not a blockbuster.

00:38Because I don't have to say anything like that.

00:41Actually, I'm going to try my gifts.

00:44But I'm going to give you a gift.

00:48I'm going to give you a hit.

00:50And this is it.

00:51This is our moment.

00:53This is my moment.

00:54But this scene, it's been a long time.

00:58I'm going to shoot night shoes.

01:02But what a feel.

01:05The last 20 minutes, the director, the first creator.

01:09Santosh, the heroine.

01:11It's a great film.

01:13I want to tell you about the fans.

01:17The beauty about us being your fans.

01:21Our biggest high.

01:23My biggest high is you.

01:27You're playing the cinema.

01:28You're playing the cinema.

01:29At a distance also, we will love you the most.

01:33This is not just me.

01:34This is every fan of yours.

01:35I know, I know what you mean.

01:37I'm going to show you.

01:39You're playing the movie.

01:40You're playing the movie, you're playing it.

01:43You're playing the movie, you're playing the film.

01:58But I'm playing the movie.

02:01We'll play the cinema.

02:03Thanks.

02:03So, my name is Ashwin, you have been working with Chennai, so you are also looking at Chennai as authentic

02:10and real as Chennai as a character, and he wanted to ask you something about Chennai.

02:16Sir, I heard you have shifted here, so Chennai, what is there inside you, sir?

02:23Yeah, definitely Chennai, this is a touch, there is a touch here, I feel Chennai, so I will go to

02:38the Tamil, but Rajvamaster, Prabhuamaster are very close, very close friends, so technicians, and lot of technicians are Tamil there,

02:49in the Telugu industry.

02:50Also, Rajvamaster, Rajvamaster, Ammar Rajvamaster, all of them are Tamil, there are a lot of Tamil technicians, so they can

02:56talk a little bit better.

02:59If you want to go to the Tamil, I will go to Chennai, I will see Donbo school, so I

03:07miss Chennai sometimes, yeah, but I like Chennai a lot.

03:12Tamil is very close, sir.

03:13If you want to go to Chennai, I will go to Chennai, I will go to Chennai, I will go

03:20to Chennai, I will go to Chennai, I will go to Chennai.

03:29Sir, I just got to know that one of your favourite love stories is Geetanjali.

03:33Yes, one of my favourite movies is Geetanjali. You can say that, like, I am a full action hero.

03:41I am a full action hero, I will show you to the directors.

03:44My favourite film is Geetanjali.

03:46Meera, you know Geetanjali.

03:47I don't like that action, I don't like that action, I don't like that action.

03:51But my favourite film is Geetanjali, definitely all time.

03:55I am a Manratma fan basically, Babu, Manratma fan.

03:58Geetanjali is my all time favourite, no doubt.

04:02Is a love story your favourite genre?

04:04It's not like that, I like all the genres.

04:06Okay.

04:07But Geetanjali is my favourite.

04:10I don't know, it's my favourite movie.

04:13There are many movies, maybe the top one, I don't know.

04:17But it is my favourite movie.

04:20I have a cut-feel movie.

04:23It's amazing.

04:24In the climax, I took a lot of time to come out.

04:30The last 20 minutes.

04:32Very beautiful, very emotional.

04:35It's a very well made film.

04:37You can watch it three or four times.

04:40Definitely.

04:41Thanks Allah.

04:42You can watch it.

04:43It's something you're going to miss.

04:47You can watch it.

04:48You can watch it.

04:50This cinema, first Manod,

04:53I mentioned Instagram,

04:54Kalawalan JP.

04:55Yeah.

04:56And I wanted to share this with you also is that all of this,

05:07all of this success,

05:08it was possible because this man stood by us.

05:11There is no support.

05:15Literally, like of course,

05:17like UV creations is my family.

05:19Yeah, yeah definitely.

05:20My fourth film with them.

05:21But then, you can watch it.

05:24You can watch it.

05:25Very good.

05:26If you play a role,

05:28you can watch it all.

05:30You can watch it all.

05:32You can watch it all.

05:34You can watch it all.

05:35It's family.

05:37And somewhere,

05:39I know this for a fact that

05:40wherever I go,

05:42if you get a film from the UV,

05:44if you get a film from the UV,

05:45and somewhere,

05:47you are our identity.

05:49Because,

05:50you are our goodwill.

05:51And I feel like somewhere,

05:53we are always protected

05:54and we are always loved

05:56because of the positivity that

05:58you are always behind us.

06:00And,

06:00I mean,

06:02thank you chaplain.

06:03I'm so emotional.

06:05You said it all,

06:06thank you so much.

06:07But,

06:08you know,

06:09you can watch the cinema cast

06:10as a producer.

06:12You can watch it,

06:13you can watch it,

06:14you can watch it.

06:16one day,

06:17you can watch it.

06:17You can watch it.

06:18Everyone will always let you know.

06:19To me,

06:20heres are the director.

06:21Yes!

06:25We were shooting on the road

06:27at the real location.

06:30We didn't have a kiss.

06:32We hit the road here.

06:33We were shooting on the road.

06:34The center of the way station,

06:35the camera had the back.

06:37The police should have to shoot

06:38the body.

06:40Thank you,

06:40We had a short film in the police.

06:43Please sir, I request you.

06:45We did a nice cinema.

06:48There was a night scene in Pandi Bajar.

06:51We were shooting a night scene.

06:53That was the dialogue.

06:55I was just a man.

06:58It was all traffic.

07:02There was a whole traffic in Pandi Bajar.

07:06There was a police station.

07:07There was a police station.

07:09Sir, please sir.

07:11Sir, to stop traffic.

07:13That was the director.

07:14Evening 6.30, 7.30.

07:16It was full of heavy traffic.

07:18There was a lot of tension.

07:209.30, 10.00.

07:21But it was a real feel.

07:23We were famous in Pandi Bajar.

07:26No.

07:27It was the result of that customer.

07:30Ronu Bajar is a police station.

07:31Sir, you can tell a short film.

07:33You can tell a pre-wedding shoot.

07:35He is a police station.

07:38But luckily, police are also a police station.

07:41Yes, they are a police station.

07:42Yes, they are a police station.

07:44It's a police station.

07:44Even the house of hero.

07:47There was a Jafar Khan.

07:50There was people who were shooting.

07:52There was a whole crowd.

07:53They shot in the building.

07:55He was shooting.

07:56There were properties and properties.

07:58We did shoot in the building.

08:02They were shooting in the building.

08:03That was a very nice feeling.

08:09That's what we need, sir.

08:11Yeah, really, really.

08:12It worked.

08:1220 days before the actors came to the same location.

08:19Why did you do that?

08:2020 days before the actors came to the same location.

08:23What is the reason?

08:23Sir, we can't go for the retex.

08:27So, the public, whatever.

08:29So, first, we have to rehearse with a phone camera.

08:34We are going to shoot.

08:36So, you are going to say this dialogue.

08:38And he is going to say this dialogue.

08:39So, if you practice any first, it will be easy.

08:42Yeah.

08:42We can't go for the retex.

08:44Yeah, yeah.

08:45It's a real question.

08:46It's a problem.

08:48So, that's what happened.

08:4920 days before the director was very particular.

08:53It's very nice.

08:55The actors came to the same location.

08:57The sound, the horn, the dialogue.

09:01So, it's very complicated at the original location.

09:04Obviously, sir.

09:05So, it's very nice.

09:07It's very nice.

09:09I don't know what the actors are doing.

09:12But, yeah, it's nice.

09:14So, it's a lot better.

09:16Definitely.

09:18Time.

09:19Yeah, time.

09:20And it's a real feeling.

09:23Because we wouldn't have been able to create that.

09:26Yeah, yeah.

09:27Definitely, we can't.

09:28It's real.

09:29It's real real.

09:29Yeah, yeah.

09:30So, how did you feel?

09:31It was incredible, sir.

09:33And Valuja, for example, Chenna is also a character.

09:35Yeah, yeah, yeah.

09:36It is a very important character.

09:38And so, for the workshop, it was also like doing workshop with the city character.

09:45Yeah, yeah, yeah.

09:45But, how did you feel?

09:47It wasn't hard.

09:48Like with the horn, people around suddenly coming and disturbing.

09:53Full madness.

09:54Yeah, how is that?

09:55You know, you have to do it.

09:56You have to do it.

09:57You have to do it.

09:59You have to do it.

09:59Actually, you have to do it.

10:01You have to do it.

10:03You have to do it.

10:04You have to do it.

10:05Yeah, but like in Pani Bazaar and all.

10:07Yeah.

10:08You shot in very difficult places.

10:09Right.

10:10What?

10:11What?

10:11What's your style?

10:12What's your style?

10:12I think the funniest parts were, sir, especially when we were in the metro station, we were shooting

10:18very intense fight scene.

10:20We were in the mood.

10:22Suddenly, we were in the mood.

10:24We were in the mood.

10:25And you know, to really like hold our ground and flying things.

10:33It's very, very tough.

10:35Yeah.

10:35Very, very tough.

10:36Yeah.

10:36Very tough.

10:36Because I was like, you know, maybe you're a manager.

10:40But for you, how was it?

10:43Like suddenly people come and they look at your face.

10:46Suddenly, you have to do it.

10:47You have to do it.

10:49You have to do it.

10:50You have to do it.

10:52You have to do it.

10:53You have to do it.

10:55You have to do it.

10:56You have to do it.

10:58You have to do it.

10:59You have to do it.

10:59No, no.

11:00So, how did you feel?

11:01Oh, no.

11:02That was the beauty, sir.

11:03I feel in retrospect, I'll just tell you, it's a lot of fun.

11:07But, we know for a fact that shooting in the end, we can't do it.

11:12Yeah.

11:13It's really tricky.

11:14You don't know the thing.

11:16You're in the road crossing.

11:17You're in the road crossing.

11:18Oh, wow!

11:19You're in the road crossing.

11:21You're in the scene.

11:22You're in the scene.

11:23You're in the scene.

11:24You're in the scene.

11:24Who knows the camera?

11:26Who knows?

11:27I'm in the scene, but not in the scene.

11:30No one knows the shooting.

11:32I'm in the scene.

11:33That's it.

11:33You understand it.

11:34You're in the scene, I'm in the scene, I'm in the scene.

11:38You're in the scene.

11:39I'm in the scene.

11:39I'm in the scene, I'm in the scene.

11:41That's the case.

11:43The bike and the pedda suit case.

11:45The other bag.

11:47The camera's in the van.

11:50It's a signal.

11:51What's that?

11:52It's original.

11:52I can't tell you.

11:53I can't tell you.

11:56We have to talk about the traffic.

11:58We have to talk about the dialogue.

12:00It's all about the traffic.

12:01Dad is life and death.

12:04Yeah, yeah.

12:06We can't tell you about the same thing.

12:08We can't drive it.

12:10It's a red car.

12:11Car is much easier than bike.

12:13And my mother and the luggage

12:15has to talk about the signal.

12:17It's not a dialogue.

12:18It's not a dialogue.

12:20It was very tough.

12:22I can't tell you.

12:24Wow.

12:26I had a little trauma on the road.

12:29Yeah, yeah.

12:31We have to talk about it.

12:32We have to shoot three days.

12:34We have to talk about it.

12:35We have to talk about it.

12:37We have to talk about it.

12:39We have to talk about it.

12:42But in the sound, you can hear his voice.

12:46Yes.

12:46We have to talk about it.

12:48We have to talk about it.

12:50We have to talk about it.

12:51We have to talk about it.

12:51There are the same technical team.

12:58We have to take the camera.

12:59That's the real feeling.

13:01How do we feel about it?

13:03It's a lot of the film.

13:06And definitely acting wise, we have to talk about it.

13:08Yeah.

13:08We have to talk about it.

13:10No.

13:11We have to talk about it.

13:13We have to talk about it.

13:14We have to talk about it.

13:16I feel like nature forced us to be real.

13:18Because all the rain sequences that we had planned.

13:21Full preparation.

13:23With the water tanks.

13:25That was also the original rain.

13:28Yeah.

13:29There was a sequence.

13:30The Pascas sequence.

13:31That was actually the original rain.

13:32Original rain.

13:33The rain is better.

13:34The rain is better.

13:35The rain is better.

13:36It's going to be heavy rain.

13:37That's right.

13:38In this place, we have to be a cameraman.

13:40Yeah.

13:41Super support.

13:42Yeah.

13:42We have to be a cameraman support.

13:44Yeah.

13:44Dinesh.

13:45Dinesh.

13:47Even before the 20 days practice, I have to be a cameraman.

13:53Yeah.

13:54Super.

13:54He will be B-side always.

13:55Always.

13:56Super.

13:56Sir, you have to try to do the tri-dress.

13:59Yes, sir.

14:00Hahaha.

14:04Sure.

14:04Yeah.

14:05Really, my visuals are amazing.

14:06Hahaha!

14:08How did you promote these things?

14:09We were going to promote a lot of.

14:11We had a couple of times.

14:11This is one of the summer holidays.

14:13I had a friend to promote with my best friends.

14:14Cousins and best friends.

14:15So this is one of the most important things.

14:18You are going to promote in my honesty.

14:18So I went to my father, mom.

14:19Now, I went to a little bit of a Whoa-Frannd seat.

14:23And then went to a front seat.

14:24I went to the front seat.

14:24I was going to go to the back.

14:25Then, I went to the front seat.

14:25And I just went to the back.

14:25In full speed.

14:26I was in the hospital, I was in the hospital.

14:28I thought, I don't know if I had a phone call.

14:31I still remember that.

14:34I was in the visual, I was in the car and I was in the car.

14:39But it was too good.

14:40I didn't know how to call my phone call.

14:41I was in the life.

14:42I was in the small, small, small, small.

14:46I was in the water.

14:49I was in the house and I was in the house.

14:53It was excellent.

14:54Excellent and excellent.

14:56You guys are in the emotions, sir.

14:58Yeah, it is, it is.

15:00Every, every...

15:01If you have any food that is special,

15:04I am in the water.

15:06It was too good.

15:08I didn't know how to call my phone call.

15:10I didn't know how to call my phone call.

15:14I didn't know how to call my phone call.

15:14I was in the night travel.

15:16I didn't know how to call my phone call.

15:18I didn't know how to call my phone call.

15:22Not me even if you talk about them.

15:28I was in the area when my phone call.

15:29I do my favourite, Iaware it myself.

15:32As you found my girlfriend,

15:35it is a very odd attitude.

15:38And that, that is an irreplaceable attitude.

15:40It is a very heavy gem,

15:43a lot of creativity.

15:43You try to call your dressing pattern.

15:45I like it. I like it. I like it. You have a plain shirt, a toned denim and you have

15:49a sneaker and you have handcuffs and you are a bounty hunter.

15:55So, that is iconic. And in particular, you have a dialogue delivery in that cinema.

16:02So, basically, you have a lot of dialogue.

16:07For example, I like it. I like it. I like it.

16:12And I like it. I like it. I like it. And I like it.

16:19I'm very happy.

16:23So, basically, what does this hold on your memory?

16:28It doesn't seem like I am.

16:33I can't change my character.

16:36I was like, oh, I didn't know what I was doing.

16:37I was like, oh, I don't know what I was doing.

16:41But then I was like, oh, I'm not going to be a guy.

16:47I was like, oh, I'm sorry.

16:47I'm sorry.

16:49I was like, oh, I'm sorry.

16:56I'll start an interview.

17:00I'll ask you what I'm talking about.

17:03There is no way to write about it.

17:05It's his writing.

17:06The character designing...

17:09It's not the way to write something.

17:12It's different in India.

17:13It's a different person.

17:14The character needs to be one person.

17:17He needs to be one person.

17:18He doesn't imitate it.

17:21You're not so strong in that way

17:23You're naturally a character.

17:25I am a good guy.

17:25I think you are good.

17:28Hey, who is taking me, sir?

17:29I am a little.

17:30That's true.

17:33I have a favorite for my guest.

17:35He's a good guy.

17:36I think he is a good guy.

17:41He is a good guy.

17:43I know he is a good guy.

17:47He has a good guy.

17:48He is a good guy.

17:49He is a good guy.

17:50He is a good guy.

17:52You can use it in a Hindi film.

17:57It's cool.

17:58I think it's also a hero, a villain.

18:03Did you say that same thing?

18:04Yeah, same thing.

18:06I used it in a Hindi film.

18:09It's cool.

18:11You decide your styling.

18:13You can set it in every movie.

18:15Because every film is a darling.

18:16You don't have to lose sight, sir.

18:18In the first time, you have a shell of two buttons.

18:23Yeah, yeah.

18:24So, each character you raise, of course, you know there was something else.

18:28Yeah.

18:29How do you decide on that?

18:30Definitely, as a director and costume designer.

18:33But, this is an effort for a cinema to push this.

18:39So, Baskin got a dialogue.

18:42What do you say?

18:43This is a long-term dialogue.

18:48You don't even have to worry about it.

18:50I just don't have to worry about it.

18:51Because, I don't have to worry about it.

18:54I don't have to worry about it.

18:56I'm just trying to take a risk.

18:59It's about a lot of the time when I try to risk it.

19:00I've been doing the same thing.

19:04I'm doing it like my dress.

19:05I'm trying to do it different.

19:06I'm doing it kind of a bond.

19:07and I thought, I'm going to tell you about it.

19:12I thought, I'm going to risk it.

19:15I'm going to tell you about it,

19:17I'm going to tell you about it.

19:18I'm going to be confident.

19:20This is impossible to accept.

19:25It's because it's a super game,

19:26but normally in any film,

19:28if you're looking at a loose dress,

19:30you'll see it's not tight.

19:34I'm going to accept it.

19:36I am doing a lot of style.

19:42I have a lot of fun to play.

19:45I do not play a game.

19:46But I will play a game.

19:47I will play a game for my mom's thing.

19:51That's why I will play a game with a loose dress.

19:56You're done.

20:00It's a big game.

20:05And I thought, what do you think? What do you think? What do you think?

20:10I think I have a character.

20:13If I lose a jar, I don't have a jar.

20:17I don't have a pant.

20:19I think I have a design.

20:21Yeah.

20:24That's a risk.

20:25That's crazy.

20:27Now, Ajay, I think.

20:28Now, I think.

20:29Now, I think.

20:30Now, I think.

20:30I think.

20:31I think.

20:32I think.

20:33I just thought, I think.

20:33I think.

20:35It's a treasure trove and the story.

20:38You can't tell them.

20:41You can't tell them.

20:42You can tell them.

20:43You can tell them.

20:43I don't tell them.

20:44I don't tell them.

20:44So, I think.

20:46What's your story?

20:47Is it Bujjigar?

20:48Bujjigar.

20:49Bujjigar.

20:50Bujjigar.

20:51Bujjigar.

20:52Bujjigar dressing, chimpi and all that.

20:54Make sure you talk about it.

20:56It's the world's best place here and Milan is the best in it.

21:00Okay, we'll go to Milan.

21:01So, Milan, Ajay, and everyone else.

21:04I'm shopping super fast.

21:06That means it's a big deal.

21:08It's a big deal with friends who have credit card and bill.

21:12I'm going to go to the shop at that time.

21:13Ace and E.P., it's super fast.

21:16You have a shuttle.

21:18You don't have a shuttle yet.

21:20You don't have a shuttle yet.

21:20You don't have to do that yet.

21:23That's how fast.

21:24So, no, I'm just going to go, I'll go.

21:29I'll be like, I'll go to the hospital again.

21:32Ajay, I'll help you.

21:35I'll go the same time and see.

21:41Yeah, I'll help you.

21:42What's up?

21:43Yeah, I'll do that.

21:47I'll do that.

21:48I'll take some time.

21:51I'll take some time.

21:51So, Ajay helped me at the same time.

21:53What's up?

21:54There is no street in Wailan.

21:58It has been just three days of the bus.

22:01Chael fast.

22:03Then I said, what's going on?

22:06I said, I said, what's going on?

22:10What's that?

22:11How'd I find this?

22:12I said, I'm from Milank.

22:13I said, that's how long it was.

22:14I said, that's all I have to do.

22:15Then I had to do it.

22:17They thought, hey, these are the 20s.

22:20Then I would like to ask.

22:22I thought.

22:23Ajay was a cinema shooting.

22:25Time is not too long.

22:26It was two days.

22:27He was doing anything like this.

22:29He was a little girl and would have to go to a shop.

22:33He asked me.

22:35And he asked.

22:36He asked me if I could help.

22:38He asked me.

22:40He said, what do you think?

22:40Ajay is a good thing.

22:42I thought it was a good thing.

22:43And I thought, what do you think?

22:44But there is no time.

22:45I don't have time to get the juice.

22:48I don't have time to get the juice.

22:51I don't have time to get the juice.

22:55That trip is super fun.

22:57It's not a normal trip.

22:58Where did you go? Belgium, Paris.

23:03Paris, Amsterdam, Amsterdam, Amsterdam.

23:07You can't get the juice.

23:11You can't get the juice.

23:13You can't get the juice.

23:14It's a very fast trip.

23:19It's a very good trip.

23:22Interlac is a lot of fun.

23:24Interlac is a lot of fun.

23:27You can get the train.

23:30It's a beautiful trip.

23:32What was your shocking news?

23:35You can get the juice.

23:38You can't get the juice.

23:40I feel like you're all in a place.

23:43You can get the juice.

23:47You got the juice.

23:49You did that in Bombay.

24:01No matter how many people were, they were cheated on me.

24:08If you were not in Bombay, you would get it to be that?

24:13I told him that I was doing it to be a good food

24:16I said, okay, I'm making a good food.

24:19just wait I got the fish at all.

24:21Just wait in 10,000,000,000,000 .

24:23They gave me food what I had last.

24:27Alright wait I got the fish and I came here.

24:29What did I do to you know?

24:30I took a while and I came here and I came here.

24:34I came here and I came here.

24:35She came here and I told them to eat.

24:37Maybe I have Tamil food.

24:40Like Tamil food or Andhra food.

24:42She comes here and I came here and I came here.

24:46She came here and I came here and she took a chicken.

24:48And I came here and I came here and saw them.

24:48See you get sent in the garage,

24:49I thought it was a good time to get a flight from a plane to a plane.

24:54Then, I got to go to the plane on the plane.

24:57Then I kept going and I said,

24:59I'm not my mum.

25:01You're not my mum.

25:03I took the plane on the plane.

25:04I kept going to the plane on the plane and got to go to the plane.

25:07I kept going to the plane.

25:09I kept going, I kept going.

25:12I kept going there, but I felt felt.

25:16So, pie, biriyanis, it's different.

25:20I mean, it's the best biriyanis in Hyderabad.

25:23It's a tomato flavor.

25:25It's different.

25:26It's different.

25:27It's different.

25:29It's different.

25:31It's different.

25:32It's different.

25:36In my cinema,

25:39what's your impression about the scene?

25:42What's your impression about the scene?

25:43That's the last caption.

25:45Life is about sudden goodbyes.

25:48And the handle with care.

25:50After the movie,

25:54it's been 15-20 minutes.

25:56Ajay's message.

25:58The message is clear.

26:01It's a great film.

26:03It's a good touch.

26:04It's a good touch.

26:05It's a little bit different.

26:09It's a good touch.

26:10But it's beautiful.

26:12It's not depressing,

26:15but it's different.

26:18It's not a dark film.

26:20It's very beautiful.

26:22Very beautiful.

26:23It's a great feeling.

26:24I think that this film will have a lot of sound.

26:28So, I'm going to talk about the dialogue.

26:32It's a great dialogue.

26:35I was like, what do you want to do with my life?

26:41When I was in the building, I was like, the phone was great.

26:47The moment started, then again, the phone was beautiful.

26:56Normally, it's the next step, right?

26:58We were like, the phone was beautiful.

27:01It was great.

27:08You got a cop in the interview.

27:11You were like, I'm not going to do that.

27:15You're also a very strong character.

27:17Very well written.

27:19I watched this film a lot.

27:24Thank you so much.

27:26Thank you so much.

27:27And I was like, Santosh was like,

27:31As usual, everyone didn't release a cinema,

27:34What did you do?

27:35What did you dance?

27:36Santosh was very adamant.

27:38Like, you didn't know anything.

27:40This is what the film is.

27:42This is what the film is.

27:43You fought it.

27:45It's very good.

27:47It's very good.

27:48Everyone is confused.

27:50That's very good.

27:52You can't do it.

27:54You're so strong.

27:55That's very strong.

27:56So, you're the best to do it.

28:00I'm strong.

28:03It's important.

28:03Today, the effort matters.

28:04The audience deserves the best.

28:08It's very clear.

28:09We need to correct the intent.

28:12We need to correct the intent.

28:12We need to correct the judgment.

28:15We need to correct the judgment.

28:16We need to correct the intent.

28:18The intent is clear.

28:19The intent is,

28:21First,

28:21I think you're the best to do the cinema.

28:23I think you're the best to do the story.

28:25It's the best to do the story for the players.

28:27That's the best to do the characters.

28:27One year old,

28:27I have been traveling with the audience.

28:30It's the best to do it.

28:35I was the best to do the best.

28:35I can tell you about the intention,

28:36Everyone is talking about the fact.

28:38If you're not here,

28:39you're visiting the cinema.

28:40You're going to dance.

28:41You're going to dance.

28:41I'm talking about the same fight.

28:42I'm telling you, if you're strong enough, you have a lot of experience in that level.

28:50But the fight is not a joke, but I'm fully impressed with you.

28:56You know, I had a great team. I had a great director.

28:59Yeah, that's all. Okay, I understand. But why he's so strong?

29:02I mean, if you're strong enough, you don't have to be strong enough.

29:08You don't have to be a director. You don't have to be a director.

29:10You don't have to be a director. You don't have to be a director.

29:14It's very good.

29:15That's why you have a very superb future.

29:18Thanks, sir.

29:20That's why you don't have to do it every Friday.

29:25That's very good.

29:27That's why the director has a lot of help.

29:30You're going to be disappointed.

29:31You are going to be disappointed.

29:34Through honesty and creating this show, I was first to about the intention of trying to do it.

29:38For me, the effort and honesty, I won't do anything.

29:40I think it's not only for me to do it.

29:42I won't do anything against it.

29:44I believed I didn't put it wrong.

29:45The dissertation start is a bit like this.

29:47They can do it.

29:47And I've seen lots of the last Mek shot.

29:51Being so beautiful and simple and great emotions.

29:55I've seen that a lot.

29:56I've seen so many dramatically.

29:57So she's so beautiful and really beautiful.

29:59I think it's a classic shot, but it's the last shot.

30:02It's a real thing.

30:04It's a thing that I've done.

30:06I've done it for 10,000 times.

30:09It's a classic shot, it goes to the director definitely.

30:13Thank you. Thank you.

30:14It's a very risky shot.

30:16Yeah.

30:16I don't know what I've done.

30:18I don't know.

30:18I don't know what I've done.

30:20I don't know what I've done.

30:21I don't know what I've done.

30:22I don't know what I've done.

30:23Yeah, yeah.

30:24Wow.

30:25That's a hats off.

30:26And short hats off.

30:29But the way he acted.

30:30The girl acted so well, subtle.

30:35That's what you did.

30:36Thank you so much.

30:37I'm a big lover of your work.

30:40The platform there was a lot of fun.

30:43Crying after coming back from the hospital.

30:47It was a lot of fun.

30:48Thanks, Anah.

30:49Well, I don't know why I'm doing it.

30:51It's a lot of fun.

30:54It's a lot of fun.

30:57So far, that's what happens.

31:00I've come to see my first time,

31:02just like Nitra.

31:03It's stayed for many people.

31:08We spent love.

31:08It's a lot of fun.

31:09We spent the time of life.

31:09I already knew how to think about it.

31:12I was feeling guilty.

31:14I felt worried about it.

31:16I didn't have a lie.

31:16I gave my phone to the hospital.

31:18I had to go to the hospital...

31:20Literally, my life is in the ICU, in the bed.

31:25Sir, sit here and sit with a small pillow.

31:30Actually, I'm a director.

31:32A small pillow.

31:34There's a bar, sir.

31:37You're sitting there.

31:39A small pillow.

31:41First, we'll take a shot.

31:42But we'll open the door to the hero.

31:45The hero opens the door.

31:48I don't understand.

31:50If you're an artist,

31:51I'm not sure how to do it.

31:55I'm not sure how to do it.

31:57The hero opens the door.

31:59I was very proud of him that day.

32:02Somewhere, that's what I think.

32:04I think because I have a great co-actor, I have a great director.

32:09It became easy for me.

32:11It was difficult, but I had a great team.

32:14Yeah.

32:16Father, if you hug me, I'm not sure how to do it.

32:19Yeah.

32:20Thanks, man.

32:21I'm not sure how to do it.

32:24The screenplay was very good.

32:26Kerala and Chennai.

32:28There were a lot of different modes.

32:32That's right.

32:32There were a lot of different modes.

32:35Very good screenplay.

32:37The Kerala episode was cut.

32:39Yeah.

32:39Because you have a lot of modes.

32:41Yeah.

32:42Yeah.

32:42There's a lot of intense style here.

32:46Yeah.

32:46I don't want to tell it.

32:47My movies are one of my most favourite dialogues.

32:50We like to pray with them, dude.

32:52We like to pray with them, dude.

32:53We like to pray with them.

32:55Because there's so much love in the dialogue.

32:57Also, couple friendly.

32:59Valentine's.

33:00Love is in the air.

33:03What's your love?

33:05Personal lotion, right?

33:08What's your love?

33:09I've told you that the song is your movie.

33:12And I think love is your movie.

33:16100%.

33:16I felt...

33:20I wanted to fall in love.

33:21That's what I feel.

33:23Oh.

33:25I just chose that.

33:28I was very young.

33:31But not everyone.

33:32I chose that.

33:33I chose that.

33:34I chose that.

33:35which I would fall in love.

33:37I have a personal question.

33:40What do you want to do in the interview with me?

33:44What do you want to do with me?

33:46We love you, sir.

33:49That dialogue is very special.

33:54Every human being has a great dialogue.

33:57Life leads me to a super way.

34:00There is a lot of love.

34:01There is a lot of love.

34:02There is a lot of love.

34:05I think we have to do the same thing in cinema and love.

34:08Superb actually.

34:10Very good.

34:11Shivagar has a lot of dialogue.

34:13It is a super philosophy.

34:15It is a complicated life.

34:18It is simple and entertaining.

34:21It is a lot of serious dialogue.

34:24It is a lot of dialogue.

34:25I have one of the favourite dialogues.

34:29It is a lot of love in the cupboard.

34:30Thanks.

34:31It is soothing and beautiful.

34:34Everyone starts the life.

34:36Yes, you have to get that small thing in life.

34:38Something is a great a lot.

34:41The way you treated it, definitely.

34:43I had a lot of the scenes, and the reaction was beautiful. Very well. Very well.

34:52Very interesting. It was a big one. But I had a lot of the pictures. I liked that scene also.

35:00Oh my god.

35:01So, Anna, in the final eight years, we have been working with the Kalsan and the projections.

35:07So, we had a lot of clarity for our fans.

35:12We didn't have any phone numbers.

35:16We didn't have any phone numbers.

35:18We didn't have any phone numbers.

35:21So, we didn't have any phone numbers.

35:25I am also a fan.

35:29I am also a phone number.

35:31We didn't have any phone numbers, we didn't have any phone numbers.

35:35We didn't have any phone numbers.

35:37It was alright.

35:38It was alright.

35:39I was here.

35:40I was here.

35:41You did.

35:45I have no phone numbers.

35:47I can't.

35:47Alright.

35:50We stopped doing an important job.

35:53We did, we stopped doing.

35:54I promise.

35:55Love you Anna.

35:57I love you, Anna. I love you so much. This is everything.

36:02I love you. Seriously, I love you.

36:04Your attitude. You can tell yourself.

36:08Basically, you can tell yourself.

36:12You can tell yourself. You can tell yourself.

36:16You can tell yourself. You can tell yourself.

36:19You can tell yourself.

36:20Your attitude.

36:21Thanks, Anna.

36:22Grow big.

36:24You can tell yourself.

36:26You can tell yourself.

36:28You can tell yourself.

36:31Yes.

36:32I'm happy for you.

36:34Love you, Anna.

36:36I love you, Anna.

36:37I love you, Anna.

36:38Basically, you have the emotion on the film.

36:41You can hug yourself.

36:43Anna.

36:47All the best, man.

36:48Thank you, Anna. Thank you so much.

36:50Thank you, Anna.

36:50All the best for everything.

36:51Thank you, Anna.

36:53Thank you so much.

36:55All the best, all the best.

36:57Thank you, Anna.

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