00:00Yeah, I think you're right. I think that there were, it seemed like the interesting tensions present themselves right there
00:07that, as you said, that there's a different kind of threat or different kind of menace if it's two young
00:17men kidnapping young women.
00:19But then we kind of play to play with that in an interesting way. So we're not saying anything too
00:27specific about who Teddy and Don are, what their proclivities are. And then, you know, also, you know, the character
00:35of Teddy is someone who very much very clearly feels the absence of his mother.
00:39And then there might be something interesting in that dynamic. And also, it just, as she does when, you know,
00:47she's first kidnapped, which, as she says to Teddy, you know, me being a very high-powered female CEO who's
00:56been kidnapped, are the optics of that playing into her?
00:59I think they are, you know. And so that, I think that also plays a bit into their dynamic, right?
01:06That, yes, just, yeah, just the optics of a powerful woman, it's a little different, right?
01:14And so all those things felt maybe culturally interesting to explore. But, yeah, maybe also just on a very basic
01:24level, I feel like, not only in the original film, but in general, you know, if you were to write
01:29a character like this, usually the kind of bog-standard version is, well, high-powered, very powerful CEO, man.
01:37And just assume maybe just interesting to just, without thinking about it too much, I just kind of, if you
01:42flip that, what emerges?
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