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Jupiter Moon is a science fiction soap opera television series first broadcast by British Satellite Broadcasting's Galaxy channel in 1990. 150 episodes were commissioned and made, but only the first 108 were broadcast before the closure of BSB. Episodes 109–150 were first shown in the UK on the Sci Fi Channel in 1996.

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Transcript
00:01Finbo, I got a call from the commission today.
00:04They want me to take over as captain of the Ilya.
00:08Did you accept?
00:12I told them I'd only take the position if you were my first officer.
00:17What did they say?
00:19They said you were unsuitable.
00:20So I told them to find another captain.
00:23You can't do that.
00:24I did.
00:25That would have been your first commission.
00:28Finbo.
00:29There are currently only three flight officers in the Jupiter system
00:33qualified to command a fusion-powered ship.
00:35One of them is me, one is you,
00:37and the other is Drummond, who isn't interested.
00:41You'd better start unpacking.
01:21There's a shuttle going down in ten minutes. I'll meet you in the Stardust at 11.
01:24OK, I'll see you then.
01:25Tim?
01:25Yeah?
01:26Are you going down to Space City?
01:27Yeah, I want to go back home.
01:27Yes, there's something you can get for me.
01:29I'm sorry.
01:29I thought we were going to the house.
01:31No, I'm sorry.
01:33Hi, Tim.
01:34Hi.
01:34It's an exercise to help with your dramatic preparation.
01:37Look, what exercise is it that we can only do in Space City, huh?
01:40Don't argue.
01:41Look, if you don't want to come, Anna...
01:42If she wants to be in the play, she does as she's told.
01:49Oh, come on, Anna, it'll be a lot. We worked all yesterday. We need a break.
01:54But I learned my lines this morning. I'll forget them by this afternoon.
01:57Anna, who's in charge here?
02:03Open.
02:06Good morning.
02:07Your friendly breakfast-in-bed service, madame.
02:10No, Daniel.
02:11We have croissant, strawberry jam, fruit of undisclosed origins, coffee, decaf, of course.
02:18Is this one of your new business ventures? Because if so, I'm broke.
02:22Melody.
02:23Oh, is it my birthday or something?
02:24No.
02:25It's time for the civilized pleasures of leisurely lines and insumptuous breakfasts.
02:30For those of us that appreciate such things.
02:32Well, not really hungry.
02:34Everyone's scurrying down to Space City.
02:36Common room looks like a graveyard.
02:38Sir and Fiona took the first shuttle down.
02:41They were under pain of death not to wake me.
02:43I couldn't even bribe Tim to bring me back a bottle of Lily's gin.
02:46Tim?
02:47He didn't tell me he was going down.
02:49No.
02:52Timothy Shaw.
02:54Tim, what are you doing there?
02:56I'm going down to Space City.
02:57Who with?
02:58No one.
02:59Why?
03:00It's none of your business, Melody.
03:01Oh.
03:02Well, um, listen, will you get me some mascara?
03:05Black.
03:06Or brown if they haven't got any black.
03:08Oh, and Daniel wants a...
03:09Oh.
03:10He's gone.
03:12He's acting really strangely at the moment, Daniel.
03:14Mm.
03:22She's very worried about something.
03:24Will the central straws got the shed of lipstick she wants, perhaps?
03:27That little frown.
03:28No, no, no, no.
03:29She's waiting for someone.
03:31Someone who's late.
03:32Well, no, she's not facing the door,
03:33and she hasn't looked at Autosec once.
03:36What's this got to do with Romeo and Juliet?
03:39Reading of character, Anna.
03:40Body language.
03:41Mood as expressed through movement.
03:45Hey, hey, what's going on here?
03:47Mm.
03:48Nothing important if it involves Timmy.
03:50Now, that is interesting body language.
03:52Oh, very furtive.
03:54If you ask me, she's a spy,
03:56bribing Tim to hand over secrets about the Ilya.
03:59A Carina wage slave trying to get back at the system.
04:02You can tell all that just by looking at her.
04:05No, actually, I know her.
04:06She used to work for my dad.
04:08She's very alternative.
04:10Alternative?
04:10Yeah, Space Freedom Fraternity.
04:12What's Timmy doing talking to her?
04:14Plotting the downfall of the Space Commission?
04:17Do you think so?
04:18Tim probably met Elva on Island Five.
04:20Oh, Elva.
04:21Yeah, her daughter.
04:22Elva and her friend Tranquility
04:24are known as the terrible twins of Island Five.
04:27I bet Tim had a wild time with those two.
04:30Oh.
04:33Hi.
04:35Ah, good morning, Captain.
04:36I'll let you bet on it.
04:37I was looking for Finbo.
04:39Space City Medicenter.
04:40Birdie will be back on the next shuttle knowing Finbo.
04:42Problem?
04:43Space Command at Moon Station.
04:45Ah.
04:45How can you conduct delicate negotiations
04:47with a 52-minute comms delay in each direction?
04:50Very slowly.
04:51I say, if Finbo's not first officer, you don't get me his captain.
04:55Do they reply?
04:56Finbo must go to pacify.
04:58Where, by inference, do they want me to go?
05:00Back to I.O.
05:01One minute they say, choose your first officer.
05:04The next they say, but not Lewis.
05:06Yeah, well, I don't think they rate him very highly.
05:08Oh?
05:09Well, I reminded them that Jupiter's a long way from Moon Station.
05:12Out here, people are precious.
05:14Every skill is needed.
05:16Courage, I told them.
05:17Who can issue a contract for courage?
05:19Who has courage on their staff management spreadsheets?
05:23Jelly Bean?
05:25Hey, Zadok!
05:27Fire him!
05:28Yo, little brother.
05:32How'd you like your new Romeo?
05:34He'll do.
05:35I got the brains, he got the looks.
05:38My brother, Zadok.
05:40And this, could this be Juliet?
05:42Gabriella, actually.
05:44Gabriella.
05:47And this is Anna.
05:48She's playing the nurse.
05:49Hi, Zadok.
05:50Zadok.
05:53Actually, I've got the looks and the brains, but I don't like to show my brother up.
05:56Yeah, yeah.
05:57All right, all right.
05:58How are the folks?
05:59Mum says when you're coming home for a visit, and Dad says no, he can't have any more money.
06:03Oh, great.
06:04You can buy the drinks in that case.
06:06You're not serious about this play business, are you?
06:08You haven't seen your position.
06:11Jim was good.
06:12I thought Jim was very good.
06:13Oh, shut up, Anna.
06:13Anna, Jim makes Romeo sound like a nice kid with a bit of a girlfriend problem.
06:18I want passion.
06:20They were only 14.
06:21Romeo and Juliet.
06:22Oh, Anna.
06:23You grew up fast in those days.
06:24It's the story of sweet, innocent first love.
06:27So, I want to take as my starting point the Stratford, Ontario production, 2033.
06:33But I'm going to take it much further than they ever dreamt of.
06:40He's changed since he got back from Island Five, don't you think?
06:43I don't really see that much of him.
06:45Oh, that's what I mean.
06:47He used to tell me everything.
06:48He used to tell me everything.
06:48Now he only comes to see me if he wants money.
06:50A plague on both your houses!
06:52I don't think I know him anymore.
06:54My own brother.
06:55I've been reading about Adolescent Rebellion.
06:58Reading about it?
06:58Yeah, well the baby chapters are dead boring or feeds in toilet training.
07:02Anyway, it says that Tim is testing authority.
07:05He needs to be reassured that there are limits to his freedom.
07:08Because the freedom of adulthood is frightening at his age.
07:12So, you've got to talk to him, Daniel.
07:14Me?
07:16A young boy needs a strong authority to figure in his life.
07:19Tim's never had that.
07:20Yeah, but me?
07:22Well, who else is going to do it?
07:24I'm just not sure I'm ready for this, Maladie.
07:30Dr. O. Doherty at Medi-Centre to Dr. Chazalot.
07:34Great, Petra, put her through.
07:35You're weird.
07:36Really weird.
07:37I know.
07:40Thimbo.
07:41Ah, Anna, hello.
07:43What are you doing?
07:44Waiting for the shuttle.
07:45Yeah, me too.
07:47Waiting, waiting.
07:54Waiting.
07:55Waiting is life wished away.
07:57My grandma used to say that.
07:59These last few days have seemed like years.
08:01Poor Thimbo.
08:02My life is at the mercy of every bureaucrat down here
08:05and every doctor between here and Mars.
08:07Hey, don't worry.
08:08I feel completely useless.
08:12Okay, so we get the go-ahead, providing we can set up an instantaneous comms link.
08:16How much time do you need?
08:17Half an hour with full backup.
08:19But it's imperative that the signal is not interrupted with once we start the operation.
08:22If we open a dual telemetry link via Valhalla control, that way we can use their ultra comms booster to
08:28get a minimal time delay.
08:30Relay to, let's see, commsat 5 will have the best position.
08:34Switch back to commsat 3 orbiting Europa.
08:37That'll be secure window 12 and 5.
08:39Hmm.
08:40When can it be set up?
08:41There'll be a clear window 12 and 5 at 04.40 hours tomorrow morning.
08:45But it'll only be open for 40 minutes.
08:47That's gonna be tight.
08:48It's the best you're gonna get for a couple of weeks.
08:51Well, that's going to have to do then.
08:53A lot of edge priority channels.
08:55It's not gonna give me much time to set up Medicom.
08:58Or to prepare King Paul.
09:23Docking complete.
09:24Airlock to man.
09:30I'll take you to your room.
09:31We can dump your stuff and then we'll get down to rehearsals.
09:34He's such a slave driver.
09:36I can't wait to see the two of you acting.
09:38I know it's gonna be great.
09:40Hey, rehearsals in the dome. Half an hour.
09:43How'd it go?
09:44You tell me.
09:45I bet Medicenta were on to you before I even went in the airlock.
09:48Come on, we need to talk.
09:52Dr. O'Doherty is willing to assist in the operation.
09:56She was an odd woman.
09:57She's a damn good surgeon, Pindle.
09:59Well, why can't you do the operation yourself, then?
10:01Why do we need the bloke from Island 5?
10:02Because it's only a new technique.
10:04The first trials were only carried out six months ago.
10:06On animals?
10:07Afraid so.
10:09Now, cataract in the right eye should be easy enough to deal with.
10:12It's the corneal lesions that are the problem.
10:14We're going to be using a new technique called laser lamination.
10:17Now, this will cut the damaged upper...
10:20Yeah, I don't think I want to know the details.
10:21You have to know the details.
10:22I want to know when we can get on with it.
10:24Sooner than you think.
10:26The window for the comms link that we need will be open at 0440 hours tomorrow morning for 40 minutes
10:31only.
10:32Oh.
10:33But?
10:33You still got time to think about it.
10:35What's there to think about it?
10:37Natasha wanted to see you.
10:39I forgot.
10:39Did she?
10:41Ah.
10:42Right.
10:42I'd better get changed, then.
10:44Oh, then, dear saint, let lips do what hands do.
10:48They pray, grant thou, lest faith turn to despair.
10:52Saints do not move, though grant for prayer's sake.
10:54Then move not, while my prayer's effects I take.
10:59Thus, from my lips by thine, my sin is purged.
11:05Then have my lips.
11:06I know.
11:08Anna, stay back.
11:09Sorry, I was only trying to help.
11:10Well, don't.
11:12Okay.
11:13As you were.
11:15Then have my lips the sin that they have took.
11:18Sin from my lips?
11:20Oh, Trespa's sweetly urged.
11:21Pray, let me sin again.
11:24We kissed by the book.
11:26Madam, your mother craves a word with you.
11:31What is her mother?
11:32Mary Batchelor.
11:33Her mother is lady of the house.
11:34No, no.
11:34Anna, Anna.
11:35Much more saucy.
11:37Flirt with him.
11:38But I'm the nurse.
11:39Look.
11:40The man is a charmer.
11:43Juliet has just fallen in love with him in two minutes.
11:46Flat.
11:47I have to be able to believe that.
11:49I don't think that it's...
11:50You're acting as their go-between.
11:53Why would you do that if you didn't fall in love with him just a little bit?
11:57Trust me, Anna.
11:57Trust me.
12:00Mary Batchelor.
12:01Her mother is a lady of the house.
12:02And a good lady.
12:03And wise and virtuous.
12:06Oh, God.
12:08Hello.
12:10There you are.
12:12How's things?
12:13Fine, thanks.
12:16Do you fancy doing something this evening?
12:18We could play Supernova.
12:19I've got some things to do, Mel.
12:21Tim, we never spend time together anymore.
12:24I think we should spend some time together.
12:25You don't have to.
12:26I'm all right.
12:27No, but I want to.
12:28I don't know my little boy anymore.
12:29We used to have fun, didn't we?
12:30You worry too much.
12:33It's my fault.
12:34I know.
12:36I've been wrapped up in my own problems since you got back from Island Five, but listen,
12:39it doesn't mean that...
12:39Melody, I know that.
12:42And remind you that however far out you are, you are not independent from Space Command.
12:48Lieutenant Lewis is a valued officer, but he has impaired eyesight and requires a course of advanced radiation therapy.
12:56It is obviously not sensible for him to remain as First Officer on the Iliad.
13:00End of message from Commander Hagstrom, Space Command.
13:04Comm's interval with Moon Station is now 48 minutes.
13:09Hi.
13:11Finbo.
13:12Sir, they still want me to go to Pacify.
13:16Let's have a talk, Finbo.
13:18Officer to officer.
13:20I don't know.
13:21Come and sit down.
13:24How did you get on with the doctors?
13:26Oh, fine, fine.
13:27I've never had so much attention in my life.
13:29We're all on your side, you know.
13:31Yes, well, I really am very grateful.
13:34Even Moon Station think they have your best interests at heart.
13:38I don't want to go to Pacify.
13:41Have you really thought about it?
13:46You think they're right.
13:47Look, Finbo.
13:49I want you as First Officer on the Iliad and I'll fight for you as First Officer.
13:54As passed over First Officer.
13:57I wouldn't have put it that bluntly.
13:59Seeing as you did, it looks bad in career terms.
14:03You want me to go.
14:04No matter how the operation turns out, you think I should go.
14:10Sweet, sweet, sweet nurse.
14:13Tell me, what says my love?
14:15Your love says, like an honest gentleman, and a courteous, and a kind, and a handsome...
14:21Anna, Anna.
14:22Anna, where's the irony?
14:27And I'll warrant a virtuous.
14:29Where's thy mother?
14:30No, no.
14:31Anna, Anna.
14:34Where is thy mother?
14:36You're not asking after her health.
14:39That's what I said.
14:40Look, give me soul, Anna.
14:43Anna, you've got no soul.
14:45Soul?
14:46Think about it.
14:47You're caught in the middle here.
14:49If Juliet gets caught, she gets sent to her bedroom.
14:53Nurses out of a job.
14:56Think about it.
15:00Where is thy mother?
15:02Much better, but even more.
15:05Trust me, Anna.
15:07First officer on pacifier, that's hardly a step up.
15:09No, but it's good experience running a small space station.
15:13I'll be a glorified traffic controller, that's all.
15:16You'll be responsible for more people than you are here.
15:18I know what the job entails, and I know what you're saying.
15:21You've been on the Ilya for five years.
15:23Oh, and the commission likes its officers to move round.
15:25A new challenge.
15:27It won't be the same.
15:28It's the whole point.
15:30The Ilya's special.
15:31And not just because she's my first ship, because...
15:34Well, I still don't know everything about her.
15:37Even now, she still surprises me with what she can do.
15:39There'll be other ships.
15:41And what about the college?
15:42I like lecturing.
15:43I miss the students.
15:44You have to think of your career.
15:46I haven't made the right career move so far.
15:48Why should I start now?
15:49I want to stay here until I know everything about her.
15:54Every system, every power centre, until they've absolutely got to make me captain.
15:59What about me?
16:01Oh, I know you.
16:02Yes?
16:02You're a high flyer.
16:03You won't stay here long.
16:04You'll be off.
16:07Can't argue with a man who knows what he wants.
16:09Yes.
16:11Petra, open comms link, person to person to Commander Hagstrom, Moon Station.
16:16Commander Hagstrom, channel open.
16:19I note what you say, but repeat my request for Lieutenant Lewis to remain as First Officer Ilya.
16:26Commander Paul Drummond is based on the Ilya for the next six months, researching the Oort Cloud and teaching in
16:31the college.
16:32He's a highly experienced officer and will act as backup officer until Lieutenant Lewis is fully fit and well.
16:40Transmit, Petra.
16:42Transmitting.
16:45That was a risk.
16:47High flyers shouldn't take risks.
16:51Oh, look, Daniel, you've got to talk to him.
16:53He's now changed the code on his door lock so I can't get into his cabin. I used to have
16:57access.
16:58Why would he suddenly get so secretive?
17:00He wants privacy.
17:02He never needed it before.
17:04Why does a 15-year-old boy need privacy?
17:06Didn't you ever want a room of your own?
17:08Do you realise I don't even know who his friends are anymore?
17:12Well, he's always been a strange kid.
17:14No, he hasn't. How can you say that?
17:16Well, he hasn't got a lot of friends, has he?
17:18He hasn't had an ordinary upbringing.
17:20He relates to computers better than he relates to people.
17:23What's the phases going through?
17:24Phases don't last most of your life, Melody.
17:31All right, I'll speak to him.
17:33Only because I hate to see you worrying about it so much.
17:36You will.
17:38Thank you, Daniel.
17:40I know he looks up to you.
17:47Hello.
17:52Having a quiet hack, are we?
17:53It's my neural networking module, if you must know.
17:56Hey, this is me you're talking to, Tim. You don't have to pretend with me.
17:58Not much you could teach me about hacking, eh?
18:01I wasn't hacking.
18:02Best thing I ever did.
18:04Until I discovered other things, you know what I mean?
18:06Daniel, get off. I'm trying to think.
18:09Yeah.
18:13It's a tough time when you're growing up.
18:16Assign logic matrix at this point.
18:19One day girls are boring and the next day you...
18:22You suddenly find yourself changing your login password to Carlotta.
18:26Indicate preferred pathway.
18:29Yeah.
18:30And you think, nobody understands.
18:33Nobody's ever felt how I feel.
18:35But you're wrong, Tim. You're so wrong. We've all been there.
18:40Still, look on the bright side, eh?
18:42At least you and I have parents around to complicate everything.
18:47Daniel, I'm trying to think.
18:53It's your intersecting.
18:54Yeah.
18:57Do you want me to get it?
18:57No, I'll get it.
18:59Sorry, I can't talk now.
19:05So...
19:07What's her name?
19:09I know not.
19:11No, no, no. Absolutely not.
19:15But that's how she would do it. I know that's how she would do it.
19:18Anna, you have got to forget every production of Romeo and Juliet that you've ever seen.
19:22You have to come to this with an open mind. A fresh mind.
19:26You're determined to see sex in everything.
19:28It's all there in the text. Shakespeare is bawdy stuff. The Elizabethans weren't prudes.
19:34Neither am I. But I just don't like this nudge-nudge business.
19:38It's the contrast, the decadence of the adults with the innocence of the lovers.
19:43The nurse is not a comedy character.
19:46Earthy. Not comic. There is a difference. Trust me, Anna.
19:51Trust you. That's all I hear.
19:54If you think I'm going to make a fool of myself, you are crazy.
19:58I've had enough. I can't do it.
20:01I won't do it.
20:03Anna!
20:05Now, that completes the operating procedure on the main docking bay
20:08and robot-controlled storage areas on Gantry 2.
20:10Now, if we look at...
20:12I think that covers everything I need to know.
20:14Yes, well, Petra can practically run the ship on auto anyway.
20:16And it's not as if you'll be far away if I have any questions.
20:19Well, it's better to be safe.
20:21The motto of a good space commission officer.
20:24Now you're making fun of me.
20:25Look, you won't be off duty long enough for me to have to deal with half of these procedures.
20:29Person-to-person call for Captain Kovitsky from Commander Hagstrom.
20:34Okay, Petra.
20:35Dependent on the successful outcome of Lieutenant Lewis's eye operation
20:39and his passing the medical requirements before returning to duty.
20:44Lieutenant Lewis may continue as first officer on the ILLIA
20:47with Commander Drummond available as backup cover.
20:51Open.
20:53Oh, go away.
20:56Yeah, look, Anna, I'm sorry.
20:59Come on, they're all waiting.
21:01I'm not coming back. I resign. I've had enough.
21:04Look, I didn't mean you to take what I said so seriously.
21:08You criticize everything I do all day.
21:10No, I don't.
21:11Yes, you did.
21:14I didn't realize I was doing it. I'm sorry.
21:16Oh, let's be honest. You never wanted me in your play.
21:20It's not my play. It's the college play.
21:23It's your play.
21:26Look, I'm the producer. I have to do it the way I see it.
21:30Well, I certainly can do something I don't believe in 100%.
21:35I'm sorry you feel that way.
21:36I never wanted to do Romeo and Juliet.
21:39The song of Bernadette was my choice.
21:44Look, perhaps you could be a wardrobe mistress.
21:49Scenery changer? We're sure to, though.
21:52Yeah.
21:54Well, I've got to go.
21:55Yeah.
21:59Well, we reached an understanding.
22:02Great.
22:03Where is she?
22:06We reached the understanding that there was no point in talking about her anymore.
22:10Byron!
22:11We need her.
22:12The nurse is a big part.
22:14We'll just have to recast, won't we?
22:16Melody.
22:17No.
22:17No, no, no. Count me out. Sorry.
22:20Who else is there?
22:22Victoria.
22:23Not interested.
22:24We need someone with experience.
22:26Sarah did quite a bit of acting at school.
22:30Yeah, we could recast Lady Capulet.
22:33How about Sarah?
22:36Well, come on, well.
22:38I tried.
22:39And?
22:40How can I put this?
22:42He was not forthcoming.
22:44Oh, Daniel, I'm really worried.
22:47The others say they've seen him in the Stardust talking to a woman.
22:50It's Tim we're talking about here, Melody.
22:52Tim!
22:53I mean, he can't really get into any serious trouble.
22:55He might nick the odd Vitachok bar, but he's not going to do anything seriously wrong.
23:17Ah, sorry.
23:29It's me! I have to be this evening.
23:31I'll meet you at 20.30 as we arranged.
23:34Okay, I'll see you then.
24:15I'll see you then.
24:31I'll see you then.
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