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00:04Go on, baby.
00:15Alex?
00:17It's John.
00:19John?
00:21Meet Alex.
00:30I'm sorry.
01:18I thought we were meeting at the airport.
01:20We need to talk first.
01:22No, you need to talk.
01:23Nothing says I gotta listen.
01:39She came to see Nana Mama once, when we were kids.
01:45You met her?
01:46No, no.
01:47I was on the stairs.
01:50I heard her voice, but never saw her face.
01:53Why was she at the house?
01:56For money.
02:02Nana wanted to adopt you, John.
02:05The court said that LaDonna had to give up her parental rights.
02:08It didn't make sense because she was unfit to be your mother, but they wouldn't let anybody
02:12adopt you unless she gave up her rights.
02:14That's why you had to stay in foster care all those years.
02:18Nana Mama never said nothing about her adopting me.
02:20She didn't want to get your hopes up, in case it didn't happen.
02:24John, Nana offered LaDonna $5,000 to give up her rights.
02:28That's more than we had.
02:30And LaDonna, she took it.
02:32Then she didn't do shit.
02:33It's been almost 30 years, Alex.
02:35I know.
02:36You never thought about telling me nothing?
02:38I'm sorry, man.
02:40I am sorry.
02:41But Nana thought you knowing how everything went down would hurt you.
02:45I thought she was right.
02:47You didn't think I could take it?
02:49I could barely take it.
02:50No longer I didn't tell you, the harder it got.
02:53But would you have told me, John?
02:56Even if you knew it would break me?
03:00I would.
03:02Because I'd be right there to pick up the pieces and put you back together.
03:09Well, fuck it.
03:10Let's go to Texas.
03:27It's been six hours.
03:29Maybe blowing up Esteban's hideout spooks him, so he decided to abort.
03:33He'll show.
03:35He wrote everything in code.
03:36There's no reason for him to believe we cracked it.
03:38Yeah?
03:39Yeah.
03:43Another text to El?
03:45Is that a thing again?
03:47Uh, I thought it was for a second.
03:51I was wrong.
03:53She's at your house, right?
03:56Just watching your kids.
03:58It's a temporary situation.
04:02I'm trying to keep a straight face.
04:04I'm sorry.
04:05Don't.
04:06Stop.
04:06I'm sorry.
04:08You're the one who was making fun of my dating life for years.
04:10Well, if the avoidant personality disorder fits.
04:13Oh, come on.
04:14If I was a man, no one would say shit about me putting my career first.
04:18Oh, you can't have both?
04:19Work and love?
04:20Yeah.
04:21Uh-huh.
04:21Until the next guy stumbles up on, you know, a stack of crime scene photos.
04:25Or, oh, I don't know, it throws a hissy fit because I'm not texting him back fast enough
04:28when I'm on a stakeout.
04:29There are people who understand.
04:31Yeah, there was one.
04:32Oh.
04:33You married her.
04:38I did?
04:39Yeah.
04:42I would have made a move on that.
04:45I just like Dick too much.
04:48You are a terrible person.
04:50Just.
04:51I know.
04:52I know.
04:55Shit.
05:02Okay.
05:03Nature calls.
05:05Hmm.
05:06Nature?
05:07Or Dick?
05:10Don't run.
05:14Yo, 2-John, you still awake over there?
05:16Yeah.
05:16I just found out that Sheriff Teddy grew up in Arkansas.
05:18He over here trying to tell me that Nolan Richardson ranks as a better college coach than
05:22John Thompson.
05:22I'm sorry.
05:23What?
05:25What?
05:25Yo, Ewing?
05:26Iverson, Borning, Mutombo.
05:28Coach Thompson all day.
05:30You gotta come stronger than that, fam.
05:32You ever heard the term 40 minutes of hell?
05:34Oh, there he goes.
05:34Case closed.
05:35Hey, man.
05:36They had a run.
05:37Georgetown had a dynasty.
05:38A'ight?
05:40Case closed.
05:42Yo, John.
05:43Check in with DHS.
05:44Larson's posted up behind the mini-mart.
05:46Hasn't seen anything.
05:48Teddy, I'm thinking this day is a bust.
05:50What say we call it?
05:51What's Larson's problem?
05:53DHS always looking to punch out early.
05:56FBI's dime.
05:57FBI's called.
06:05Madeline, you got hands like Mary from the Bible.
06:09Treatment like this definitely makes your brother wanna raise the dead.
06:19I'm here.
06:20Did you find Ibrahim?
06:22I know you're feeling some pressure, but you's gonna want to have to mind your tone.
06:28Good afternoon, Bobby Trey.
06:30I hope you're having a wonderful day.
06:32Now could you please answer the fucking question?
06:34Did you find Ibrahim?
06:36I'm close.
06:37How close are you?
06:38Well, fucking asshole.
06:41They're all assholes, honey.
06:48I'm not.
07:05But yeah, that is fun, little boy.
07:14How do you test your mom's yesterday?
07:16We never thought of...
07:16Please push up on the norte where the car stops...
07:16How do you read those roads and configuration...
07:17I did run all theovan orWherever partners in the marcia...
07:20Y'all saying this?
07:21The guy that just hopped into the produce truck isn't the original driver.
07:26Drivers switch out on long hauls all the time.
07:29Without talking to each other?
07:31Something's off.
07:32I see your something's off and raise you a possible suspect.
07:35Orange hoodie, camouflage pants.
07:37Southwest corner of the line.
07:38Does that look like Esteban?
07:39Yeah, that's him.
07:42What's he holding?
07:43I got him.
07:44Hey, stand down.
07:46Don't want to school.
07:48I'm headed his way.
08:13DJ, strike your weapon!
08:14Don't you want to hold the fire?
08:16Stand down, line set the camera.
08:17Shut the camera.
08:18Stand down.
08:21What does that look like?
08:22It's like a fucking guac.
08:23A fucking camera.
08:24Why does one get those shit together?
08:25I don't need to help them.
08:26Help who?
08:27Go, go, go.
08:36Get him away from the car.
08:39John, you see anything?
08:40No, not yet.
08:42We'll be there in a minute.
08:43Hang tight.
08:55We're gonna get a minute.
08:57Who's in the truck?
08:58There's kids in there.
09:02Let's go, get him away from the car.
09:05Let's go.
09:05Let's go.
09:05Come on.
09:07Move it, move it.
09:08Let's go.
09:11Hey, Phil, don't move.
09:12Head down.
09:13Don't move, don't move.
09:18Oh, get up.
09:19We have to go.
09:20Oh, shit.
09:21No.
09:22Alex, you're good.
09:23There's people on the truck.
09:24You have to help them.
09:25Tell them to protect the kids.
09:27To John, what's your situation?
09:29Pulling up quick.
09:30End of your way.
09:35We gotta get to the produce truck.
09:37There's kids in there.
09:40All units in the vicinity of Buck's
09:42feed is needed mile marker 52.
09:45Officer requires immediate backup.
09:47Westbound.
09:48Request an air and emergency medical support.
09:51If fired upon, do not return fire.
09:53I repeat, do not return fire.
09:55Truck is carrying human cargo.
09:57Let's go.
10:24Oh, shit.
10:27Oh, shit.
10:27Oh, shit.
11:03No problem, you have anything you want just give me the boy
11:10John good yes, sir. I'm good. Everybody's good. Everybody's gonna live today. I want a car
11:17and some money. Okay, we can make that happen. I'm gonna talk this through. I just need your name
11:22first. I'm Alex. What the hell? What did you do? You had this.
11:41How did you do?
11:46How did you do?
12:02How did you do?
12:04How did you do?
12:06I guess this isn't much of a tourist town.
12:09It's good.
12:10It's easier to find people.
12:12Señora, we're looking for a man named Francisco Herrera.
12:15Do you know him?
12:16I don't know any Francisco.
12:18We should be going after Paul Hartsfield right now.
12:22Not off on some side quest in Mexico.
12:24Hartsfield runs in Morgan Park every day between 5.12 and 6.02.
12:28When we're ready to take him out, he'll be easy to find.
12:32Señor, one, please.
12:37No, oh no.
12:38Ah, oh no.
12:40We're looking for a man named Francisco Herrera.
12:43Do you know him?
12:44I'm sorry, but I can't help you.
12:50We're paying for the information, look.
12:52No.
12:52We're paying.
12:53Ah, that way.
12:54We don't even know if this Frankie guy's alive,
12:57let alone remember the names of the kids who died.
12:59He lived with them.
13:00Hey, he's going to remember their names.
13:02Señora, one question, please.
13:04You've already asked her.
13:07Also asked the butcher, the baker, the kid that sells fireworks on the corner.
13:12Either Frankie ain't here or, and I sympathize with this entirely,
13:16he doesn't want to see us.
13:23That guy's been off the grid almost 20 years.
13:26You've done your best.
13:27It's not enough.
13:28Those kids' families are out there somewhere,
13:30probably not even knowing what happened to them.
13:32So if we're not going to find them, who the fuck will?
13:59I think we found Frankie.
14:01I think we're out there, but we're not going to be able to find them.
14:29I think we're out there.
14:33¿Quién los mandó?
14:34La doctora Gaby.
14:42Tiene sus ojos.
14:45Tu mamá me salvó la vida.
14:48Y mi mamá, Ana.
14:50Quiero terminar lo que ella empezó.
14:53No puedo rectificar lo que les hicieron, pero tal vez puedo ayudar a mejorar las cosas.
14:59Darle algo a las familias de los niños asesinados por los monstruos de Crestbrook.
15:05¿Sabes sus nombres?
15:07¿De dónde venido?
15:09De aquÃ.
15:11Todos somos de aquÃ.
15:17¿Qué pasa con él?
15:18La average stay at the office of refugee resettlement is 152 days.
15:25¿Qué estáis?
15:25¿Qué estáis?
15:26¿Qué estáis?
15:27As a material witness, he'll be held by the U.S. Marshals until he's able to testify.
15:33He went through the worst of them.
15:34He's the one going through the detention center.
15:40I want you next, Teddy.
15:42It's a real shit show out here.
15:44It's your shit show.
15:45Excuse me?
15:46You heard me.
15:47You hold your fire back at the truck stop.
15:49Ain't no chase.
15:50There's no shootout.
15:51Nobody dead.
15:51I did my job.
15:52Yeah, I guarantee DHS's use of force policies don't include shooting a man in the head
15:56as he's holding a minor hostage.
15:58I saved that kid's life.
15:59You endangered his life and killed a suspect who could have given us valuable information.
16:05Information I think you'd want.
16:07What the fuck is that supposed to be?
16:07You've done with a maze.
16:08You know, what I want to know is how a homeless guy from Chicago knows more about a truck full
16:14of smuggled children in your own backyard than you do.
16:17How?
16:18Explain that.
16:25All right, come.
16:28I'm good.
16:30Yeah.
16:32You're getting what you came full, Maggie.
16:34Yeah.
16:36Yeah, I need to hear the magic word.
16:38Maggie!
16:39Bobby trained my church, and I am his mother-fucking-deacon.
16:45Bobby trained my church, and I am his mother-fucking-deacon.
16:48No!
16:51I know you can't get back to your child, but I hope it helps you to get a little bit
16:54of
16:55pain.
16:55Thanks.
17:00Rebecca, this is Lupe and his daughter Adriana.
17:02Thanks for coming.
17:03When we were kids working on the plant, the son of Lupe Hernan, he left the line to
17:07take me to the clinic after the accident.
17:09Can I ask you what happened?
17:11I was sick that day, so I was late.
17:14Dalos enojó.
17:15Me empujó y caà en una máquina para cortar carne o eso.
17:21Tu mamá me coció de nuevo y me escondió.
17:23Pero mis amigos y Hernán...
17:26Los mataron para que no lo contaran.
17:33Trajimos una foto de Hernán.
17:38Lo que estas personas han hecho no solo roban a los padres de sus hijos, roban a los niños
17:44su herencia, a las comunidades, su futuro.
17:49Por eso significa tanto que hayas vuelto al hogar de tu madre.
17:55Mi madre, ella venÃa de aquÃ.
17:58No lo sabÃas.
18:00Eso significa que eres parte de la familia.
18:02Tienes que ir a mis quinces.
18:03¿Qué es?
18:03Ah, lo siento.
18:05No puedo.
18:06Tengo que regresar a mi trabajo.
18:22You have got to be kidding.
18:23Agent Larson, who approved this?
18:25Your boss.
18:26No hard feelings, though.
18:28Who wants to play good cop?
18:38I'm Detective Alex Cross.
18:40This is Agent Kayla Craig.
18:42How are you doing, Lincoln?
18:43I have a right to counsel in my own language.
18:45Would you believe I'm a certified translator?
18:48Paparate, bendejo.
18:50I speak Nahuatl.
18:52Your ignorance is expected, Federale.
18:54Okay, it's okay, it's coming.
18:55In the meantime, while we wait,
18:57want to tell us why you're here?
18:58I'm here for justice.
18:59What are you here for?
19:01What's the connection between Richard Helvig and Lance Durant?
19:07They both deserve to die.
19:09Sounds like a confession to me.
19:12How did you know there'd be children in the back of that truck?
19:15They trained you well, didn't they?
19:17A slave to the law.
19:19If you were interested in what's right,
19:20you'd be helping me not standing in my way.
19:22Helping you what?
19:23Take pictures of illegal kids?
19:25Those undocumented children
19:26are victims of your depravity.
19:28separated from their families,
19:31ferried from factory to factory,
19:32like animals working in dangerous conditions.
19:35They feed this country, but who feeds them?
19:37Not you.
19:38Not any of you.
19:40Helvig was missing three fingers.
19:42Is that what this is, Lincoln?
19:44Eye for an eye, finger for a finger?
19:46Machines eat the fingers of children
19:48and spit out the food you eat.
19:50Eladio Molino Zavalas!
19:52Irma Galinda Barrio!
19:53Still missing!
19:53You want to disappear me, silence me,
19:56but it doesn't matter
19:58because I'm more than ready to die.
20:01Why?
20:02Why are you ready to die, Lincoln?
20:04I don't matter.
20:05Not anymore.
20:08The light will avenge us all.
20:15Lie to lie, not lose.
20:21What is the light, Lincoln?
20:23What does it say about Asivan
20:24that he created his own personal female deity?
20:26Women are the first protectors,
20:28killers of life.
20:29His fingers are a sacrifice,
20:31loyalty to his goddess.
20:33The lose means the light,
20:34the goddess of light.
20:35Just stay on your own side of the wall.
20:38Hey, hey!
20:41You need to leave.
20:43Damn East Coast bullshit.
20:46Don't want to enforce the law.
20:49You don't deserve to wear the badge.
20:50You want to try and take it from me?
20:56That's what I thought.
21:05Lincoln?
21:08Who's the light?
21:14Fuck you, Federale.
21:16Bring me a lawyer who speaks my language.
21:28Not one of those families
21:29got their child's body back.
21:31You think Crestbrook has a burial ground somewhere?
21:34What?
21:35What, we're really not going to talk about it?
21:39Oh, yeah.
21:41Come have a drink
21:42and tell me about your mom.
21:47Okay, you win.
21:50My mother.
21:52She talked about growing up in Mexico.
21:54She told me the story of Sochi,
21:56and
21:57she said one day when I was older
21:59she would teach me how to make carros con pollo.
22:01By the time I was older,
22:03she was gone.
22:13We would walk in the fields together.
22:16The sound of her voice caressed me like leaves of corn.
22:21She would tell me stories about Sochi
22:23and her courage.
22:25I always wondered if I could be that brave.
22:28if I would sacrifice myself for my people
22:30the way she did.
22:34If I had grown up somewhere like here,
22:37surrounded by her people,
22:39her community,
22:39I could have kept some part of her alive.
22:41That's what we're doing.
22:42We're helping the people that she came from.
22:45We're punishing the guilty,
22:47the high and the low.
22:48This could have been my home,
22:49and instead I'm a stranger here.
22:50Because those monsters stole your culture,
22:53your history,
22:53just like they stole it from those little kids.
22:55But the difference is,
22:57you're still alive,
22:58and you have a chance to get some of it back.
23:01What are you saying?
23:02I'm saying,
23:03go to the quinceañera.
23:05I got Paul.
23:10Do you have any idea how rare it is
23:12to be offered a piece of your soul back?
23:15Take it.
23:20I have been into community development
23:22since Little League.
23:24When I saw the baseball diamond
23:26on the white side of town,
23:27I realized we could do more.
23:30I own my own home.
23:32I got a 401k.
23:34A kickball rec league.
23:36What I don't have is
23:37my Michelle Obama.
23:40That is a tall order, sir.
23:42Yeah, I thought so too.
23:44Until I met you.
23:47Look.
23:50I know we've only been going out for a minute.
23:54But I think this could be something.
24:00Sorry, just the school.
24:02I need a son of permission to sit for Jannie.
24:04Jannie?
24:05Your ex's daughter?
24:08Yeah, I got real close with the kids
24:10when Alex and I were together.
24:11Oh.
24:12And I won't drop out of their lives
24:14just because we broke up.
24:15I'm only staying there
24:16until Alex gets back from Texas.
24:19You're staying at his house?
24:21It's easier.
24:24For the kids.
24:43So, you let it out?
24:45Yeah.
24:46Vega calls.
24:46I got to get back to D.C.
24:48We're down as grand jury
24:49and convenes in less than a week.
24:51So, if there's something out there
24:52that's going to clear her,
24:54it's got to come out now.
24:56You okay?
25:01I've been better.
25:05Those kids.
25:09Yeah.
25:13Sugar, I'm going to need a favor.
25:18It's a big one.
25:24It's a big one.
25:42I want to go.
26:01I saw you with the police.
26:06Yes, I am a police detective, yes.
26:09But more importantly, I'm a father.
26:12I'm a police detective, but more importantly, I'm a father.
26:20Yes, this is my son, his name is Damon, he loves video games, I mean he loves them a little
26:26bit too much.
26:27This is my son, Damon, I like video games too much.
26:32And this is my daughter, Janie, she's about your age, she's the smartest person I have
26:37ever met, it's almost a little bit scary.
26:39It's my daughter, Janie, she's about your age, she's the most intelligent person I've
26:45met.
26:46They both look very nice.
26:57I love my children more than anything on this earth, and if God forbid they were ever
27:02stuck in a foreign country all alone, I wouldn't want them to be locked in a place like this.
27:07I'd want somebody to look out for them.
27:10I love my children more than anything in the world.
27:23So, Berto, if I can get approved, would you like to come and stay with me and my family for
27:30a while?
27:39Yeah?
27:42How do you say I'm so happy?
27:45I'm very happy.
27:46That's what she said.
27:48Alright.
27:52Principal Rock asked me to go last for the debate.
27:54For real?
27:55For real, for real.
27:56Elsa, that must mean they think I'm the best.
27:59I bet she's right.
28:01So what'd she do today?
28:03Great work, Agent Gray.
28:04We get a confession?
28:05Not yet, but we'll have another run at him tomorrow.
28:08I'm telling you, keep this up.
28:09The sky's the limit for you.
28:11We're talking SAC territory.
28:13You hear me?
28:14From your lips.
28:15But not if this other thing catches up to you.
28:18I know.
28:18I'm...
28:20I'm working on it.
28:32Who the fuck are you?
28:38A guest in your mama house, Ibrahim.
28:44Is that how you talk to her friends?
28:46Hmm.
28:47She doesn't have friends like you.
28:48You know, someone more sensitive than me could take that the wrong way, son.
28:52Mom!
28:53Hey!
28:54I'm gonna have to ask you to keep your voice down.
28:58Cause that kind of sleep, it don't come easy.
29:03Now listen.
29:05We used to having breakfast for dinner.
29:07You want eggs?
29:08I don't want eggs.
29:09I want you out of my house.
29:13Yeah.
29:17So this is your house now?
29:19You pay the mortgage?
29:26I ain't think so.
29:35You work in data management for Green Vault Storage.
29:39Pulling 100k a year and you still living in your mama house.
29:43We need to discuss your future, Ibrahim.
29:45Cause I just got some plans for you.
29:49But first, I need you to tell me where I can find these files.
30:00I can't.
30:01These belong to dangerous people, okay?
30:04Don't kill me.
30:05I'll get you.
30:06You don't want to piss people off.
30:08But man to man, it's better to be pissed off than pissed on.
30:11So I'll make it a trouble-free decision for you.
30:15Put me under them files.
30:17And I'm gone.
30:18You don't?
30:19You dead.
30:21You understand?
30:23Yeah.
30:23Yeah, yeah, yeah.
30:24Yeah, yeah, yeah.
30:25Yeah, yeah, yeah, yeah.
30:25Now take your ass on upstairs.
30:26Wash up, boy.
30:27Go.
30:28Let's go.
30:28Hurry up.
30:29Hurry up.
30:31Old light-skinned ass nigga.
30:40You hear?
30:41You hear?
30:41You hear?
30:43How you doing?
30:44How you doing?
30:44How you doing?
30:44How you doing?
30:51How you doing?
31:00You're wearing a dress?
31:02Why?
31:03Oh God.
31:04Why?
31:05No, no, no, no, no, no, no.
31:07Oh, you should have known.
31:08I stress shop, all right?
31:09Really?
31:10Sue me.
31:10Yes.
31:10That's what this is?
31:11You must be real stressed.
31:12Yeah, it was a fucking hell of a day, okay?
31:14It was.
31:14Well, it's good to see you.
31:16Good to be seen.
31:17Mm-hmm.
31:21Yeah.
31:23It's nice.
31:24I'm hiring you about four more of these, though.
31:25You game?
31:27I mean, if that's all you can handle, I don't.
31:28Don't have me, Alex Cross.
31:30Let's go.
31:30Yeah, two more.
31:32All right.
31:34Is there any news that you think?
31:38The Uncle Sam special?
31:39I'm trying to think about that right now.
31:41Got you.
31:41Okay?
31:41Mm-hmm.
31:43Have you heard from El?
31:45I'm not trying to think about that either.
31:48I'm learning to accept the new normal.
31:52Cheers.
31:56You know what?
31:57From this moment, we're going to be drinking,
32:00we're going to be partying,
32:01or we're not going to be thinking about all the fucking bullshit
32:04that's outside that door.
32:05With it.
32:06Sweet.
32:07Yep.
32:08All right.
32:09Time to dance, Detective.
32:12Ma'am, go out in the country, you.
32:14Beyonce can do it.
32:15You can do it.
32:16Beyonce?
32:16Come on, get out of the chair.
32:18How many of you do you see?
32:20Come on.
32:21Yeah.
32:21This is her favorite song.
32:23You know what it is, man.
32:24I didn't even come for this.
32:26I didn't even got my shoes.
32:30Oh, she's pretty good now.
32:32Here she comes.
32:33Here she comes.
32:34Left.
32:35Left.
32:36Left.
32:37Left.
32:37Left.
32:39Left.
32:42Left.
32:42Left.
32:44Left.
32:46Left.
32:46Left.
32:47Left.
32:48Left.
32:49Left.
32:49Left.
32:49Left.
32:50Left.
32:50Left.
32:50Left.
32:51Left.
32:52Left.
33:02Left.
33:03Perfect rhythm, make you roll and swing along
33:05Got it moving on, school like Donkey Kong
33:09And I can shut my mouth, slap your grandma
33:13They're on a beat alone, get the sheriff on the phone
33:17Lord have mercy, how she even gets the benches on
33:21Like a donkey tongue, a donkey dog
33:25Even perfect rhythm, make you roll and swing along
33:29Should've been a cowboy
33:32I should've learned a road to ride
33:36I'm up on New York and drive
33:40See you in the young girl's heart
33:44Just like Gene and Roy
33:47Okay
33:47What are we getting?
33:54What?
33:58Thanks for having my back today
34:02Yeah, of course
34:04I mean, you and I have known each other for
34:07We've known each other for a long time
34:09Yeah
34:09Yeah
34:16Should we work on those dance moves, please?
34:20Yum, girl
34:28Oh, girl
34:32Oh, girl
34:37Yeah
34:42Girl, you know I've known you forever
34:45How many nights we hung out together
34:48Same little crowd, little bar, little town
34:51Round this old dance floor
34:55My boys are laughing, tap me on the shoulder
34:58Making a motion like a jogging any closer
35:01They want to know what's up, why I'm still holding you
35:04Even when the song is over
35:07There's a rumor going round
35:10About me and you
35:14Stirring up our little town
35:17Last week or two
35:20So tell me why we even
35:22Trying to deny this feeling
35:24I feel it, don't you feel it too
35:27There's a rumor going round and round and round
35:30What you say would make it true
35:32Would make it true
35:40Like I shut them down, tell them all the crazy
35:43I can do whatever you want me to do, baby
35:46Or you could lay one on me right now
35:49You could lay one on me right now
35:55Thank you
36:10Thank you
36:12This is me
36:15Night right now
36:17Night
36:34Take my heart
36:38It used to be so supple and sweet
36:41And now it's withered
36:45On the vine
36:47On the vine
36:49There's before
36:52And then there's after
36:56You were mine
37:04Take my faith
37:06So strong and full of fire
37:10Now it's cruised
37:13Broken down
37:14Down and vine
37:19There's before
37:21There's before
37:22And then there's after
37:26You were mine
37:29You were mine
37:31You were mine
37:36You were mine
37:37Yeah
37:44Extra shot, extra sugar
37:46Which you can give me too
37:49After a shower
37:51You're smelling
37:52Manly
37:53Sure
37:56You found anything?
37:58No
37:59It's a waste of my damn time
38:02Witnesses said they saw LaDonna drive away
38:04After they heard shots
38:05Forensics found traces of the victim's blood
38:07In her car
38:08Her prints are all over the gun
38:10I don't know why she's still playing
38:11Maybe she's not playing
38:15I asked around about her
38:17Look, I know what you said
38:18But there's a lot of folks out there
38:20Talking about she's innocent
38:21A lot of folks think Tupac's alive and chilling in Cuba
38:23Something's not right about this, John
38:25Malika
38:25You know it's not right
38:26Or you wouldn't spend the night with this file
38:28You need to talk to her
38:31Oh, so you a cop now
38:33All right
38:33You must have got your badge while I was in Texas
38:35Oh, okay
38:37The evidence says she did it
38:39So that's why you're so angry?
38:40Because your mother killed somebody?
38:42I told you, she's not my mother
38:43I don't give a shit what that woman did
38:45You don't?
38:46Well, something pulled you out of that chair just now
38:48And I know it's not about me asking around
38:51I got work to do
38:52Thanks for the cost
38:55No
38:55I got shit to do
38:58You have every right to be angry
39:00But how are you going to feel
39:01If your mother winds up in prison on a bad rap
39:03Because you were too scared to talk to her
39:05Malika
39:05Please
39:07I need you out that door right now
39:09I'm not going anywhere
39:10I said leave
39:11I said no
39:24Just because she left you easy
39:26Does not mean I will
39:29No matter how mad you get
39:55Oh shit
40:04Hey.
40:07Hey.
40:13Are we okay?
40:15Yeah, of course.
40:17I mean, I know we were both pretty drunk last night.
40:23But you and me...
40:25You and me were bound to happen.
40:27We just, um, got her out of our systems.
40:35Um, did we?
40:45Why don't we go get a coffee?
40:47I'll see you outside.
40:51Yep.
41:11Thank you for coming to see me, John.
41:16Well, I know we gotta talk about this case.
41:19But I wanna tell you...
41:20Would you like an attorney present?
41:23With my son?
41:24I'm here in the capacity of a detective investigating a homicide.
41:27But that don't change what you are to me.
41:29Just tell me what happened.
41:33I walked out on my child.
41:34I walked out on my child.
41:37That's what happened.
41:40I wasn't ready for you.
41:42That's no excuse, but I wasn't.
41:44I...
41:45If I could've understood...
41:46If I could've understood...
41:47That somebody like me...
41:51Could've made somebody like you...
41:58I'd've made a different choice.
42:04I know it looked like I only asked for you cause I'm in a situation.
42:10But after these years of me not being able to just...
42:14Force myself to pick up a phone...
42:21John...
42:26John...
42:28I had to drag myself over broken glass...
42:33To give that detective your name.
42:46Where were you at the night of the murder?
42:50I tell you...
42:52All right.
42:54All right.
42:56All right.
42:59All right.
43:00All right.
43:01We're gonna have to...
43:05All right.
43:18So what's the latest on that missing truck in Texas?
43:20Sir, we have a situation.
43:22The workers are in federal custody.
43:24Plant managers have been advised and assets are being redistributed.
43:28We'll keep you up to date.
43:30You do that, eh, Paul?
43:43No, no, no, no, no, no, no, no.
44:04Conocà a tu madre.
44:06Todos aquà la conocÃan.
44:07¿Quieres venir a sentarte un ratito con nosotras?
44:20Menudo he estado dando un concierto en el DF.
44:23Y era el último, eh, que se iban de gira por todo un año, eh.
44:26Ninguno de nuestros padres nos llevarÃa, pero Gaby tenÃa un plan.
44:31Bueno, tu madre era la persona más inteligente del pueblo.
44:36Y también la más valiente.
44:38Y mÃrate, aquà estás dando la cara a la comunidad, igual que ella.
44:47Disculpa.
44:57Y asÃ.
44:59Y asÃ.
45:05Y asÃ.
45:09Y asÃ.
45:15Y asÃ.
45:22I have an update.
45:24Agent Larson signed Esteban out.
45:26Said he was taking him to the DHS field office for questioning.
45:29And the sheriff's letter?
45:31I guess worse.
45:34Motorists saw the vehicle through the trees.
45:36Thought they were stuck and stopped to render aid.
45:38We'll authorize transport.
45:39We haven't determined that yet.
45:41How far are we from your field office?
45:43Agent Larson took the long road.
45:44Is that what you're asking?
45:46You're goddamn right.
45:47That's what we're asking.
45:48Your agent took our prisoner and drove out in the middle of nowhere.
45:51Has Lawson been in communication at all?
45:53Not as such.
45:55Where the hell is he?
45:57I'm getting to that.
46:01Ah.
46:04Your dirty agent killed our suspect.
46:06Actually, your suspect killed our agent.
46:12We fucking had him.
46:31You're almost done.
46:32Calmate.
46:33Trying to keep you pretty.
46:36I should have gone with you.
46:38Damn straight you should have.
46:39I told her I could do it alone.
46:40Instead, you're gallivanting around Mexico.
46:42No, we weren't around Mexico.
46:44We were in Huizache.
46:46Yeah, I found out.
46:47It's the place you and my mother grew up.
46:50She was your sister and you never talk about her.
46:52All I have are scraps of memories.
46:54You have all the information and you're hoarding it.
46:59Do you remember what it was like when I talked about her?
47:02If I said her name, you would cry for days.
47:05If I showed you a picture or cooked a dish from home, it was like I ripped open a wound.
47:10I couldn't bear to see you like that.
47:11I am not a child anymore.
47:13And yet you keep going back to the botanica, looking for comfort or absolution.
47:17Shut up.
47:18That is some big talk for the one person who never has any blood on her hands.
47:24That is some big talk for the one person who never has any blood on her hands.
47:51I found you.
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