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Frightmare 1974

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Transcript
00:00:28Transcription by CastingWords
00:00:41CastingWords
00:01:15CastingWords
00:01:19CastingWords
00:01:24CastingWords
00:01:28CastingWords
00:01:32Oh, I called you, do you remember?
00:01:35I'm Barry Nichols.
00:01:38Well, I hope it's all right,
00:01:39but you said that if I ever needed you again to come back.
00:01:43Well, I'm in a bit of a mess, you see,
00:01:49and there's nowhere else I can go to.
00:01:55Oh, thanks. That's really good of you.
00:02:01Oh, my God.
00:02:02Oh, my God.
00:02:10Oh, my God.
00:02:15I'm sorry.
00:02:16I'm sorry, I'm sorry.
00:02:17Oh, my God.
00:02:20Oh, my God.
00:02:26I don't know.
00:02:59Under the circumstances, I have nothing further to add, my lord, except to draw your attention to the specialist's report
00:03:04on the defendants.
00:03:07Thank you, Mr. Brunskill.
00:03:12Edmund and Dorothy Yates, it is not my intention to distress this court further by summarising your crimes, as I
00:03:19think my views will be in accord with those of every civilised man and woman in this country.
00:03:24During twenty-two years on the bench, I have not found a more sickening nor disturbing case.
00:03:30I will concede that you Yates were not wholly aware of the depths of degradation to which your wife had
00:03:35sunk.
00:03:36Ultimately, though, your complicity and guilt were beyond question.
00:03:42Normally, I would have no hesitation to impose the death penalty on you both.
00:03:47However, in view of the doctor's reports in front of me, I have no alternative but to make out a
00:03:52Section 65 order that you both be committed within twenty-eight days to a mental institution.
00:04:00And let the members of the public be assured that you shall remain in this mental institution until there can
00:04:07be no doubt whatsoever that you are fit and able to take your place in society again.
00:06:49What's up?
00:06:50What's up?
00:06:52What's up?
00:06:53What's up?
00:06:56How are you?
00:06:59What's up?
00:06:59Come on.
00:07:00Come on.
00:07:01Nice people.
00:07:02Who cares?
00:07:05Claremont.
00:07:07No trouble. Right.
00:07:12I'm scared to death.
00:07:31Boys, stop that. I'm watching you.
00:07:33You're getting jealous, are you?
00:07:34You're getting done. She's underage. Just out of a convent.
00:07:37It wasn't a convent.
00:07:38Did you get one of them for me?
00:07:40I'll get your own.
00:07:43Now, you're going down, will you?
00:07:44I'll be OK.
00:07:53Can I have a vodka lemon in a pint?
00:07:55How old are you?
00:07:57Eighteen.
00:07:57Oh, Paige.
00:07:58Eighteen, I tell you.
00:08:13Well, that's them.
00:08:20He wouldn't serve me.
00:08:22Why?
00:08:22He was a real bastard, Alec.
00:08:24What's that?
00:08:25Oh, he said this was a nice place.
00:08:27He didn't serve tart.
00:08:28Oh, he did, did he?
00:08:30We'll see about that, Alec.
00:08:32Alec!
00:08:40What's that?
00:08:42What's that?
00:08:43I'm over there?
00:08:43Yeah.
00:08:46I want to work with you, mate.
00:08:48It's your turn, will you?
00:08:49How would you like a fist in your face, you smart bastard?
00:08:53Is this what you're going to get?
00:08:53What's the matter with you?
00:08:54Piss off!
00:08:55What did you call this girl?
00:08:56What did you call her?
00:08:57Nothing, I called her nothing.
00:08:58You know what I'm saying.
00:08:59But she's underage.
00:09:00Who says she is?
00:09:01What did you call her?
00:09:01He called me a tart, Alec, didn't he?
00:09:03Call her a tart, eh?
00:09:04I didn't call her anything!
00:09:10Right.
00:09:11That's it, John.
00:09:12Out.
00:09:13Pronto.
00:09:14You?
00:09:15I said, out.
00:09:23I wouldn't believe it.
00:09:25It's true.
00:09:25It's true.
00:09:26I eventually pushed his wife out of bed because he wanted a match finished.
00:09:33Oh, well.
00:09:34You've got to laugh, haven't you?
00:09:35Haven't you?
00:09:36Haven't you, Graham?
00:09:38Oh, yes.
00:09:38Very funny.
00:09:40He's probably analysing the psychology of humour.
00:09:45No, no.
00:09:45I stopped work at six.
00:09:47I had heard it before.
00:09:48What do you do?
00:09:50I'm afraid I'm a psychiatrist.
00:09:51Don't apologise, Graham!
00:09:53It's force of habit.
00:09:54People tend to go quiet every time I mention it.
00:09:56Well, Jackie works.
00:09:57She knows quite a lot about psychiatry.
00:09:59Merle, I don't.
00:10:00You go to one?
00:10:01Me?
00:10:02No.
00:10:03It's just that her sister needs one.
00:10:05No.
00:10:06Sorry.
00:10:08Oh, my sister's a bit of an extrovert.
00:10:11Her!
00:10:12Well, she's a bit wild, but she's perfectly all right.
00:10:14Well, if she's your sister, she must be.
00:10:21Bye-bye.
00:10:26Well, yes.
00:10:27That's about to kill off the conversation as usual, Graham.
00:10:29Well done.
00:10:30I think I'll get some more wine.
00:10:34That's him.
00:10:35Good night, Mike.
00:10:36See you tomorrow.
00:10:47Hello, barman.
00:10:48Give us a drink, barman.
00:10:57Give us a drink, barman.
00:11:00Where are you going, eh?
00:11:02We didn't finish our chat.
00:11:05Come on.
00:11:06Don't you want to have a chat?
00:11:08There's a friend of yours here.
00:11:10Do you remember her?
00:11:11Do you remember her?
00:11:13Do you remember her?
00:11:16Now, you were a bit rude to her.
00:11:19Do you remember that?
00:11:21She's lying to you.
00:11:22I wouldn't serve her a drink, that's all.
00:11:24She's...
00:11:24I thought she was underage.
00:11:26Calling her a lie now, are you?
00:11:28Are you?
00:11:28Mike!
00:11:36Mike!
00:11:38Let me!
00:11:40Let me!
00:11:58I got that.
00:12:00What's going on here?
00:12:02I'm gonna get the door off!
00:12:03Okay, that's it.
00:12:05Knock it off!
00:12:06Debbie, I said knock it off!
00:12:08I said knock it off!
00:12:10I said knock it off!
00:12:10Now let's get out of here!
00:12:20Come on, Deb!
00:12:25Come on, hurry up!
00:12:29What are you doing?
00:12:34Tina!
00:12:35Where are we going?
00:12:36Rock his gun to play pitbull, okay?
00:12:38Oh, God!
00:12:39We went there last night.
00:12:40I hate that place.
00:12:42What's that?
00:12:43I'm not going to that gaff.
00:12:44I think I'll go home.
00:12:46I'll let you lift.
00:12:47Do what you want, but don't hang around.
00:12:49The law's coming.
00:13:05Well, it was marvellous.
00:13:06You're really so good at this sort of thing, it makes me mad.
00:13:09Yes, well, I'm thinking of taking it up for a living.
00:13:13Bye.
00:13:13Thanks a lot, Mo.
00:13:14Thanks for coming, Guy.
00:13:15Bye.
00:13:16Bye, love.
00:13:18I'll see you tomorrow.
00:13:19Right, love.
00:13:21Don't forget McDonald's latecomer's porridge.
00:13:24Look who's talking.
00:13:25Now, now.
00:13:26Hey, can I help you with that?
00:13:27Oh, yes.
00:13:27I'd like a bit of that sort of thing.
00:13:29Oh, well, can I give you a ring tomorrow?
00:13:33Yes.
00:13:34Please.
00:13:35Now, that's enough of that sort of thing.
00:13:37He's got his career to think of.
00:13:39Yeah, well, so does he.
00:13:40God.
00:13:40Finals in six days.
00:13:42Yeah.
00:13:42Good night, Orr.
00:13:43Good night.
00:13:43Good night.
00:13:44See you.
00:13:45Bye.
00:13:45Bye.
00:13:47Did you like her, Graham?
00:13:50Yeah, well, actually, she was rather super.
00:13:54I told you she was a looker.
00:13:56You didn't believe me.
00:13:57Well, are you coming or...?
00:13:58No, no, no, no.
00:13:59I'll be keeping here tonight.
00:14:01Yeah.
00:14:01I'll see you tomorrow.
00:14:02Right, fine.
00:14:02See you.
00:14:03Bye.
00:14:03Bye.
00:14:04See you tomorrow.
00:14:04Okay.
00:14:43I suppose you know what time it is.
00:14:46Well, what are you doing?
00:14:47Nothing.
00:14:48I'm going to bed.
00:14:50It's five past two in the morning.
00:14:51Yeah, that's why I'm going to bed.
00:14:54Debbie, I've told you before, you must...
00:14:55I'm not interested in what you've told me before.
00:14:58I'm not interested in you.
00:14:59So why are you so interested in me?
00:15:03I'm responsible for you.
00:15:04Well, don't be.
00:15:05Our parents are dead and you're not my mother,
00:15:07however much you'd like to think you are.
00:15:09I was made responsible for you when you got slung out of that orphanage,
00:15:12you silly little...
00:15:12Don't keep calling it an orphanage.
00:15:14Orphanage?
00:15:15Convent?
00:15:15What difference does it make?
00:15:17Oh, don't be so childish.
00:15:21I'm old enough to do what I like.
00:15:23You're only 15 and I'm buggered if I'm going to...
00:15:27Debbie, look, I don't want to have to wait up for you again.
00:15:31Don't give me that.
00:15:33I beg your pardon?
00:15:34Well, you're not setting up for me.
00:15:36You're waiting to go out.
00:15:37What are you dressed for?
00:15:39You're waiting to go out like you always do.
00:15:41And don't say you don't because I've heard you.
00:15:43You creep out and you creep back two hours later.
00:15:45And if you can go out at two o'clock,
00:15:48I can come in at two o'clock.
00:15:53Do you know who they were?
00:15:55Now I couldn't see.
00:15:56I know them.
00:15:58One of them's called Alec.
00:15:59They've been here before.
00:16:01Your barman turned up yet?
00:16:02Now he must have gone home, I suppose.
00:16:05Funny the way they were laying into him.
00:16:08I thought he would have come inside to get patched up.
00:16:11Clam anything, Sergeant?
00:16:12There's quite a bit of blood round here.
00:16:15We'd better find out what's going on, hadn't we?
00:16:43Clam anything, guys, boy.
00:16:45But you're driving my car,
00:16:46not on the boat Moises.
00:16:48A farm is simply in place.riminate
00:16:52ship. Come on,
00:16:52точки. Me, Charlie
00:16:52bringing it up? Come on,
00:16:56confronted him,ciaления Chief
00:16:58Brooklyn. After every night
00:16:59he was in the playground street, where a delight
00:17:00and in the depend
00:17:03Let's go.
00:17:37Let's go.
00:18:03Let's go.
00:18:36Don't get too near the fire.
00:18:38It's spitting.
00:18:39Must be a piece of slate on it.
00:18:41You made me jump.
00:18:43Didn't mean to.
00:18:45I can't stay long, I'm afraid.
00:18:47Yes, you're later than usual, aren't you?
00:18:49Yes, I had some trouble.
00:18:51Debbie's found out.
00:18:52What?
00:18:54That I creep out of the house at all hours of the night.
00:18:58Oh, dear.
00:19:00Oh, dear.
00:19:01That was inevitable, wasn't it?
00:19:04I'll make something up, I suppose.
00:19:10Have you brought it?
00:19:11Of course I've brought it.
00:19:14Good.
00:19:16How is she?
00:19:18She's better, I think.
00:19:19Well, better than she has been anyway.
00:19:21Although.
00:19:22What?
00:19:25I don't want her to hear me.
00:19:27Well, where is she?
00:19:28I don't know.
00:19:29But she's taken to just standing, listening.
00:19:32I don't know why.
00:19:33What were you going to say?
00:19:35Well, it could be my imagination, but...
00:19:39I have a feeling that she's trying to make me believe that she is better.
00:19:43You mean she's guessed what we're doing?
00:19:45Jackie!
00:19:47Hello, darling.
00:19:49Hello, Mother.
00:20:01How are you, dear?
00:20:03Very well.
00:20:04You?
00:20:07You're standing there letting that fire go out, aren't you, Eddie?
00:20:10We're going to bed soon.
00:20:11Yes.
00:20:12Well, I still have one or two things to do, haven't I?
00:20:16Yes.
00:20:17Just one or two little things.
00:20:23It's such fun being a night person, isn't it, Jackie?
00:20:27Some people are day people, but we like being night people, don't we?
00:20:31Night people.
00:20:32How's your migraine?
00:20:35I...
00:20:35I haven't had migraine for many, many months now.
00:20:38I thought you knew that.
00:20:41Things have been so very much better since we came here.
00:20:44I think I left all my headaches and problems behind at the other place.
00:20:50I closed the door very carefully when I left and I locked them all in.
00:20:54Perhaps you won't be needing the parcels for very much longer.
00:21:00Thank you so much for bringing it, Jackie.
00:21:09Oh, dear.
00:21:12It's left a mark on the table.
00:21:15I'll see to it, Dorothy.
00:21:17Why don't you just go and take it away?
00:21:27Thank you so much.
00:21:32I'll see you next week.
00:21:34Next week.
00:21:42She doesn't know.
00:21:48I'll just sit here and get these ideas.
00:21:51I must go.
00:21:53Are you all right for money?
00:21:55Yes, thank you, dear.
00:21:56We've got everything we need.
00:21:58We haven't even touched the Joseph's Christmas bonus yet.
00:22:01He's a very generous man.
00:22:03All right, then.
00:22:04Good night, Dad.
00:22:05Good night, dear.
00:22:07Take care.
00:22:07Good night.
00:22:08Good night.
00:22:11Good night.
00:25:31Thank you, lady.
00:25:32I should be careful of the company you keep.
00:27:17Coming.
00:28:01Yes?
00:28:02Mrs. Crosby?
00:28:04Yes?
00:28:05I read this advert in Time Out.
00:28:09I think it's very interesting that...
00:28:11Yes, I'm sure you do, dear.
00:28:13It's a fascinating, fascinating subject.
00:28:15Come in.
00:28:17Your timing's immaculate.
00:28:18I've just put the kettle on.
00:28:41Yeah?
00:28:46You bet I do.
00:28:48Be down in a while.
00:28:59Aren't I rude, keeping you waiting like that?
00:29:01You don't mind, do you?
00:29:03Oh, of course not.
00:29:06We must get down to work.
00:29:08It's so...
00:29:11I don't know what to say.
00:29:12It's all so accurate.
00:29:15Exciting, isn't it?
00:29:17It's a bit unnerving.
00:29:21You should have finished that earlier.
00:29:26It's... it distracts me.
00:29:28I'm sorry.
00:29:37Swords, swords, swords, swords.
00:29:43It's all strife, isn't it?
00:29:47Strife and heartache and loneliness.
00:29:51Not a lot of friends.
00:29:55None at all to speak of.
00:29:58No.
00:30:00No close family ties.
00:30:08No romantic involvement, not even round the corner.
00:30:14Never.
00:30:15Never any.
00:30:19This is the card that shows what lies ahead, Lillian.
00:30:27Oh, it's symbolic, of course.
00:30:29It predicts an end to the strife and the loneliness.
00:30:34Very soon.
00:30:46It was last night, after you left.
00:30:48That still doesn't prove she knows we're tricking her.
00:30:51It does.
00:30:53And I've found something else as well.
00:30:55What?
00:30:56I didn't want you to know, Jackie.
00:30:58Oh, for Christ's sake.
00:30:59I've been involved in this since I was eight years old.
00:31:01What could they possibly be that you can't tell me about?
00:31:05Look, I just want you to trust me.
00:31:07Come down tonight and talk to her.
00:31:09No.
00:31:11Look, I can't seem to make her talk to me.
00:31:13But you can.
00:31:14She'll tell you the truth.
00:31:15I can't come tonight.
00:31:17I'm going out.
00:31:18I've got a dent.
00:31:20Oh, that woman has had enough of my time already.
00:31:22I'm not going to let her wreck my love life as well.
00:31:25Look, I'm sorry, Dad, but I've got to draw the line somewhere.
00:31:31Jackie.
00:31:35I didn't want to show you.
00:31:37Show me.
00:31:54Don't touch me.
00:31:55What have they done to you?
00:31:57I can never forgive you, Mark.
00:31:59You must call to the police now.
00:32:01You have no feelings, no idea of how I suffer.
00:32:05And what can I do, I'm sure.
00:32:07Yes, I wanted to know that, too.
00:32:09That's all right.
00:32:09Robin's seen it.
00:32:10I'll ask him what happened.
00:32:12I feel so guilty about this.
00:32:13Oh, don't worry.
00:32:14Can't be helped.
00:32:15Look, I'll take you home.
00:32:16You do no such thing.
00:32:18I've ruined the evening already.
00:32:19I'm not going to let you put yourself out any further.
00:32:21Don't be silly.
00:32:22It doesn't matter.
00:32:23It means a lot to me.
00:32:25My bus goes from over the road.
00:32:27It drops me right past my door.
00:32:28Promise you'll ring me tomorrow.
00:32:31Yeah, all right.
00:32:32I'm terribly sorry.
00:33:16God, I can't stand much more of this.
00:33:38Can I not cry?
00:33:40Hello, Mell.
00:33:42Quiet.
00:33:43Hello, Graham.
00:33:46I thought you were studying all evening.
00:33:47I thought you were going out all evening.
00:33:50Okay, okay. I'll go to the pub.
00:33:52No, you don't. Don't be a martyr.
00:33:54We're all friends here.
00:33:56Friendship does have its limits.
00:33:57I am not suggesting a menage a trois, dear.
00:34:00Thank God for that.
00:34:01Oh, go and make the coffee.
00:34:05It's freezing out, isn't it?
00:34:06Well, I can go if you like.
00:34:07Sit down, Graeme, and don't pretend you've got any intention of leaving.
00:34:11What's in this 9.30 routine?
00:34:13She slapped your face or something.
00:34:14I had to go home. Some relative coming down from Glasgow.
00:34:17Anyhow.
00:34:18Oh, she didn't mention it to me.
00:34:19I think it was an excuse, actually.
00:34:21But don't tell her I said so.
00:34:22No, of course not.
00:34:24Mind you, you're probably right.
00:34:26Is there someone else?
00:34:27Someone else?
00:34:28No.
00:34:29It's that sister of hers.
00:34:31She's driving Jackie up the wall, the little cow.
00:34:33Ah, yes.
00:34:34You mentioned her at dinner.
00:34:35Hmm.
00:34:36What's wrong with her?
00:34:37What's wrong with her?
00:34:38What's right with her?
00:34:39She's a bloody delinquent.
00:34:41She's absolutely uncontrollable.
00:34:43Do you know they had the police there this morning?
00:34:45What didn't Jackie tell you?
00:34:46No, she didn't tell me.
00:34:48Ah, she wouldn't.
00:34:49She spends half her life trying to sort that kid's life out,
00:34:52and then pretends everything's peaches and cream.
00:34:54The sooner they get that kid to a psychiatrist, the better.
00:34:57Well, here I am.
00:34:58You wait till you're asked.
00:34:59He'll wait a long time.
00:35:01Well, I'd better offer, then.
00:35:02What, now?
00:35:03Why not?
00:35:06Why not?
00:35:19What?
00:35:31Why not?
00:35:31Oh, come in.
00:35:32Come in, Jackie.
00:35:33I'm not gonna make a big thing of this, Dad.
00:35:35I'm staying half an hour, and that's all.
00:35:37Now, don't go in yet.
00:35:38I won't have a word with you.
00:35:39This is a waste of time, you know.
00:35:41I've been thinking about what you've shown me.
00:35:44There's a simple explanation. There must be.
00:35:47Keep your voice down, please.
00:35:49Dad, she's been in an asylum for 15 years.
00:35:52She must be cured.
00:35:53We've both been in an asylum, Jackie.
00:35:56Well, then you ought to know it better than anyone else.
00:35:58I found something else this evening, Jackie.
00:36:00Oh, God, no.
00:36:01Look.
00:36:04What are they?
00:36:05Tarot cards.
00:36:07Found them in a drawer.
00:36:08So?
00:36:09Well, it takes two to play that game, Jackie.
00:36:12And if I'm not the other one,
00:36:15who is?
00:36:15Who are you talking to, Eddie?
00:36:28Oh, Jackie, it's you. How nice.
00:36:30How are you feeling, Mother?
00:36:34See, see how much I've done since I saw you last week.
00:36:37I've almost finished...
00:36:37How are you feeling, Mother?
00:36:40Pardon, dear?
00:36:42You heard what I said.
00:36:46Mother, I know we agreed not to talk about the past,
00:36:49but Dad and I have been discussing...
00:36:51Jackie!
00:36:52I've got such a migraine tonight,
00:36:54I can hardly see the stitches.
00:36:55The migraine you haven't had for months.
00:36:58I don't understand you, dear.
00:37:00You understand every word I say, Mother.
00:37:02You just choose to ignore most of it, that's all.
00:37:05Jackie, don't!
00:37:05I don't know what's come over you, Jackie.
00:37:09Just tell me one thing, Mother.
00:37:11Are you well?
00:37:12Am I well, dear?
00:37:14I don't understand.
00:37:15You know what I mean.
00:37:17I...
00:37:18Have you started again?
00:37:21Oh, how can't you?
00:37:24How can you ask me that?
00:37:26How can you be so cruel?
00:37:28That was months ago.
00:37:31Years ago.
00:37:33That was in the old place.
00:37:37So long ago, so many years ago,
00:37:40all over so long ago.
00:37:41Then what are these?
00:37:55Hello.
00:37:56You Debbie?
00:37:57Yeah.
00:37:58Is your sister in?
00:37:59No.
00:38:01She's not?
00:38:02Oh, um, any idea when she'll be back?
00:38:07Well, my name's Graham Haller.
00:38:09Actually, it was you I wanted to speak to.
00:38:12Do you mind if I come in for a minute?
00:38:20They come and go.
00:38:23Lonely people.
00:38:25All lonely people, not a friend of the world.
00:38:28And I help them.
00:38:31I haven't got a friend in the world.
00:38:33You know that.
00:38:35Only you.
00:38:36We're trying to help you, Mother.
00:38:38You're trying to help me back into that asylum.
00:38:41That's what you're trying to do?
00:38:44Trying to trick me into thinking I'm not better than I am.
00:38:47All right, then, Mother.
00:38:48All I've done is ask you one question.
00:38:50And I've given you an answer.
00:38:51Mother, I never go out of this house.
00:38:56It's so lonely here all day.
00:38:59Can't I have any interests?
00:39:03And those cards are my property.
00:39:04Give them back to me, you thief.
00:39:08You don't like me having anything of my own, do you?
00:39:12I'm not allowed to keep anything.
00:39:16Oh, Eddie.
00:39:18They even took my baby away from me.
00:39:22My only child.
00:39:26She doesn't even know I exist.
00:39:29Oh, now, Dorothy.
00:39:30Won't have you upsetting yourself like this.
00:39:33There's no need.
00:39:34We're going to forget that any of this happened.
00:39:50We're going to go on just like we were.
00:40:01Just the two of us together.
00:40:05Oh, I've lost my needle.
00:40:09I'll get you another one, dear.
00:40:20You know how I look forward to your visits, Jackie.
00:40:24With your little parcels.
00:40:27I do appreciate the trouble you take.
00:40:29You know that, don't you?
00:40:31You will keep on bringing them, won't you, dear?
00:40:35Just to please me.
00:40:37You will, won't you?
00:41:02Did anyone ever tell you you've got a great bedside manner?
00:41:06I don't think that's quite the right expression, is it?
00:41:08Well, it is for what I've got in mind.
00:41:18Thank you, Doctor.
00:41:19Graham.
00:41:20Thank you, Graham.
00:41:23You were telling me about the orphanage.
00:41:25No, I wasn't.
00:41:27You said you didn't like it.
00:41:28I didn't like it.
00:41:29Look, I don't want to talk about it.
00:41:31It's boring.
00:41:31Did you resent being there?
00:41:36Are you screwing Jackie?
00:41:40I ask first.
00:41:41Well, if I tell you, will you tell me?
00:41:45No.
00:41:46That's not fair.
00:41:49Did you ever see a photo of your parents?
00:41:52I don't know.
00:41:54I can't remember.
00:41:56I don't even care about them.
00:41:58Why should I?
00:41:58I haven't even met them.
00:41:59I think you do care, Debbie.
00:42:01I think you care very much.
00:42:23Well, he's a great showman, but I can't stand his music.
00:42:25Oh, he's a great musician.
00:42:27He was at the Rainbow last week.
00:42:28Really?
00:42:29I know he had hysterics.
00:42:30We waited for him to come out afterwards, but he didn't come.
00:42:33Jackie went there because I didn't get home until three.
00:42:35Did you?
00:42:37Oh, hello, Jackie.
00:42:40How long have you been here?
00:42:41Not long.
00:42:42We've just been having a little chat.
00:42:43You don't mind, do you?
00:42:46It's time you were in bed.
00:42:47Oh, for Christ's sake!
00:42:49Don't shout at me.
00:42:50I'll shout at you.
00:42:51I'll shout at you whenever I like!
00:42:53Chewing off!
00:42:54Well, where do you think you're going?
00:42:56Out.
00:42:56You're not, you know.
00:42:57Try and stop me!
00:43:09Don't treat her like a child.
00:43:11Thank you very much.
00:43:12How much do I owe you for that piece of analysis?
00:43:14Why don't you try sitting down and talking to her for a change?
00:43:16Well, I'll certainly think about that, Graham.
00:43:18After all, you seem to have achieved so much.
00:43:20Yes, we were getting on quite well, actually.
00:43:22Talking about me, I suppose.
00:43:23No, mostly about your parents.
00:43:58I suppose.
00:44:33I just wish you'd asked me first, that's all.
00:44:36But you would have said no.
00:44:39Look, Jackie, Mo says you like to pretend that nothing's the matter.
00:44:44But something is the matter, and Debbie can be helped.
00:44:47By you?
00:44:49Yes, I'd like to try.
00:44:51Look, it's too early to draw any conclusions.
00:44:53I'd have to spend much more time with her,
00:44:54but it's pretty obvious that she's suffering from some identity problem.
00:44:58I can't stand that jargon.
00:44:59Yes, well, it's very simple if you just listen.
00:45:05Look, on the surface, she seems cold and insensitive,
00:45:10but that's because she's got no background, no roots.
00:45:13She doesn't seem to have been given much understanding in the orphanage.
00:45:18So this is the result.
00:45:20But Debbie's got an additional problem in the shape of a close relative,
00:45:23you, who refuses to tell her anything about her parents.
00:45:26Now, why won't you discuss it with her?
00:45:29You must remember them.
00:45:30Listen, the one thing you're conveniently leaving out, Graham,
00:45:32is the fact that I know a damn sight more about her than you do,
00:45:35and I know how to handle it.
00:45:36Oh, Jackie, I'm sorry, but I don't think you do.
00:45:40Jackie, I'm trying to help.
00:45:43I want to help you.
00:45:44I don't need help.
00:45:46Graham, I'm very tired.
00:45:48We're going to have to leave it there.
00:45:51Yes, you've had a very busy evening, haven't you?
00:45:55Good night, Graham.
00:46:02How are you going to do it?
00:46:04Somerset House.
00:46:06Did Jackie ask you to?
00:46:08No.
00:46:09Why are you doing it, then?
00:46:13I don't know, really.
00:46:16I think you need your head examined.
00:46:48What's all this about, babe?
00:46:50Come here.
00:46:51You come here.
00:47:02It's yours.
00:47:03I use it to keep things in.
00:47:06I've got something in here for you.
00:47:09Nice.
00:47:18Jesus Christ.
00:47:20Nasty, isn't it?
00:47:22How did he get in there?
00:47:23I put him in there.
00:47:25Why?
00:47:26Well, if he was left where he was, you'd be in a cell by now.
00:47:29I didn't do that to him.
00:47:31Look at his head.
00:47:32I didn't do that.
00:47:34Who did, then?
00:47:35But I hardly.
00:47:36Oh, Christ.
00:47:37What are we going to do?
00:47:38Dump him off.
00:47:39Where?
00:47:40Well, you bring your brother's van around tonight, and we'll go and stick him in the quarry.
00:47:44No.
00:47:47Leave him there, then.
00:47:59Go ahead, there was a call after you at reception.
00:48:01Ah, yes, uh, Dave.
00:48:02Oh, excuse me.
00:48:03Excuse me, David.
00:48:04Dr. Lytell, could you spare me a moment now, please, sir?
00:48:07Oh, Graham, of course.
00:48:09By all means, come on in.
00:48:11I should have seen you long ago, but I just had one of those morning.
00:48:13Right.
00:48:13Thank you, sir.
00:48:16Now, what's your problem?
00:48:19Forgive me if I potter a vet or a talkie.
00:48:22Well, it's a favor, actually, sir.
00:48:24I was wondering if you could give me an introduction to one of the supervisors at the Lansdowne Hospital.
00:48:28The Lansdowne?
00:48:30Well, that's a bit off your bait.
00:48:31What are you working in?
00:48:33Well, it's a patient of mine, sir.
00:48:35She's under the impression that her parents...
00:48:37She?
00:48:39Yes, it's a young lady.
00:48:41Yes, I see.
00:48:43Well, she's under the impression that her parents are dead, but they're not.
00:48:47I found out that they were committed to the Lansdowne in 1957, and I'm trying to find out why.
00:48:53You have been busy.
00:48:58Well, I think it's important, sir.
00:49:01Is it vital?
00:49:04Yes, I think so.
00:49:06Fair enough.
00:49:08If it's vital, I'll get you in touch with Matt Lawrence.
00:49:10He's the medical superintendent, Mr. Lansdowne.
00:49:12Oh, well, I didn't expect you to go to all that trouble, sir.
00:49:15No, no, it's nothing.
00:49:16He and I are old friends.
00:49:18We were at King's together.
00:49:20Give me a line, will you?
00:49:26Did you cut them, dear?
00:49:28Yes.
00:49:34Then, we shall see what we shall see.
00:49:40You warm enough?
00:49:42I'm fine, thanks.
00:49:44It does get so chilly here sometimes.
00:49:46You didn't come by car, did you?
00:49:50Why?
00:49:52No, I don't think you did.
00:49:55Now, this signifies you, dear, the Queen of Pentacles.
00:50:00Cunning, passionate, self-reliant.
00:50:05This covers you.
00:50:07This crosses you.
00:50:09This beneath you.
00:50:10This behind you.
00:50:12This crowns you.
00:50:14And this is before you.
00:50:34I think you've had a sudden loss, haven't you?
00:50:37Not a death.
00:50:41A sudden departure.
00:50:43Someone you love.
00:50:47I think it's your husband.
00:50:51Yes?
00:50:55Yes.
00:50:59You did say your name was Delia, didn't you?
00:51:05You don't like being left on your own, do you, Delia?
00:51:10You're frightened you're going to be left by yourself.
00:51:18Well, don't worry about that, will you, Delia?
00:51:22You said you were alone.
00:51:25Sometimes the little animals come in.
00:51:27And go all over the place.
00:51:29They're awfully naughty.
00:51:32Do you like little animals, little squirrels and things?
00:51:36I'm not all that fussy.
00:51:39There's one peeping at you down there.
00:51:44No, not really.
00:51:53My husband.
00:51:56Will he come back?
00:51:59What else do you know about him?
00:52:02Nothing.
00:52:03But I know everything about you.
00:52:06One look and I know it all.
00:52:10Then perhaps you'd like to tell me.
00:52:13Perhaps you'd like to tell me.
00:52:15Perhaps I wouldn't.
00:52:18Delia.
00:52:22Look, I've paid you a considerable amount of money.
00:52:29There is your considerable amount of money.
00:52:35There is your future.
00:52:50You're quite mad.
00:52:53I suppose you know that.
00:52:57Come on.
00:53:03Come on.
00:53:12Come on.
00:53:15Come on.
00:53:19Come on.
00:53:20Come on.
00:53:21What?
00:53:29You've locked this door.
00:54:20You've locked this door.
00:54:21Help me, she's not dead yet.
00:54:29Dorothy.
00:54:36Dorothy.
00:54:40Dorothy.
00:54:43Dorothy.
00:54:45Oh my God.
00:54:46Oh my God.
00:55:14Oh my God.
00:55:19Dorothy.
00:55:23I had to do it.
00:55:24I had to do it.
00:55:25I had to.
00:55:26I had to.
00:55:36What have you been doing to them?
00:55:40What have you been doing to them?
00:55:46She was a cannibal.
00:55:48I'm sorry?
00:55:49I can't put it more daintily than that, I'm afraid.
00:55:52The fact is, she ate people.
00:55:57Horrified, but thankfully quite unique.
00:55:59Caused a bit of a scandal in 1957.
00:56:02Probably you remember.
00:56:03I'm afraid I was a bit too young.
00:56:05Oh, yes.
00:56:06Yes, of course I tend to forget.
00:56:08What was the case history?
00:56:10Oh, it goes way back.
00:56:13What is it down, please?
00:56:18Here we are.
00:56:20Yes.
00:56:21Yes.
00:56:22She had a pet she was very fond of when she was a girl.
00:56:25Rabbit or something similar.
00:56:27And it died.
00:56:28I'm afraid the parents were foolish enough to use it as food.
00:56:32It was right in the middle of the Depression, late 20s, early 30s.
00:56:34Meat was hard to get hold of.
00:56:36But she found out.
00:56:38She went into such shock that she twisted the horror of the situation into something pleasurable.
00:56:44She began killing animals and dissecting them.
00:56:47Eating them.
00:56:48Secretly, of course.
00:56:49Nobody found out about it for years.
00:56:50Oh, God.
00:56:52She was especially interested in their brains, I remember.
00:56:55They held some sort of weird fascination for her.
00:56:59How long before she started on...
00:57:01On people.
00:57:03Well, by the time she met her husband, what was his name?
00:57:05Edmund.
00:57:06That's only 55.
00:57:07She was a hopeless case.
00:57:10The craving had become almost uncontrollable.
00:57:12And he, it seems, helped her to find human victims.
00:57:16They killed six people before they were caught.
00:57:18They were sent here in 1957.
00:57:21It was the only case of cannabanthropy on record in this country.
00:57:25Carry what?
00:57:26Cannabanthropy.
00:57:28Pathological cannibalism.
00:57:30There's a couple of cases in the United States, almost unheard of anywhere else.
00:57:33They had children, this couple, didn't they?
00:57:36Oh, you were one up on me, then.
00:57:40Oh, yes.
00:57:40There was a daughter, born in 1948.
00:57:43Jackie.
00:57:44Jacqueline, that's right.
00:57:46Yes, she was the daughter of the father's previous marriage.
00:57:48She was sent to live with an aunt, who later died, apparently.
00:57:51And there was now a daughter, Deborah, born shortly after the couple were committed.
00:57:55Yeah, they put her in an orphanage.
00:57:56That's right.
00:57:58Suddenly, it all makes sense.
00:58:00You know, I also felt that the father was the more interesting of the parents.
00:58:04You see, it's always been my opinion that he should never have been committed.
00:58:07It was never really established that he had anything to do with the actual murders.
00:58:10We knew about them, certainly.
00:58:12But I think it was more of a case of his being totally devoted to his wife.
00:58:16Turning a blind eye to absolutely anything that she might do.
00:58:20You know, even towards the end, I was almost certain that he was deliberately faking derangement
00:58:26in order that he might remain here with his wife.
00:58:28Towards the end?
00:58:28You mean they died?
00:58:30No, no, no.
00:58:30They were released.
00:58:31That was some months ago.
00:58:32He's got a job, I believe.
00:58:34Some aristocrat's dog's body or something.
00:58:37Released?
00:58:38Well, don't look so flabbergasted about it.
00:58:40We didn't kick them out just for the fun of it.
00:58:42They're completely cured.
00:58:43As sane as you or I.
00:58:48You won't tell anyone, will you, Eddie?
00:58:51It'll be our secret, won't it?
00:58:54You won't tell, will you?
00:58:57You haven't got much choice, have I?
00:59:00No one would be interested.
00:59:03These people, they've no friends, no relations.
00:59:06No one will miss them.
00:59:08Are they all in here?
00:59:11Most of them.
00:59:36Let's go back, Eddie.
00:59:38When did you find out about the parcels?
00:59:40Find out, do you?
00:59:42You've known all along, haven't you?
00:59:44Well, I wanted to please you, Eddie.
00:59:47You started as soon as you left the Lansdowne, didn't you?
00:59:52Let's go back, Eddie.
00:59:53It's not right that you should be here.
00:59:56In future, I'll come here by myself.
00:59:59In future.
01:00:10You're gonna tell me everything.
01:00:12That's just my jacket.
01:00:13Everything.
01:00:22I couldn't bear it, Eddie.
01:00:24What?
01:00:24To be sent back.
01:00:28You won't be sent back.
01:00:31You... you do understand, then?
01:00:34I understand.
01:00:36And... you're not angry with me?
01:00:44Not angry?
01:00:58I always wonder why people got glasses of water thrust at them when they've been crying.
01:01:02It relaxes you.
01:01:03Really?
01:01:05Do you want to talk about it?
01:01:08Yes, I do, quite honestly.
01:01:11Oh, I'm sorry.
01:01:12I interrupted you.
01:01:14Breaking down like the fragile creature I'm not.
01:01:17You were saying you've been researching something.
01:01:19No, it can wait.
01:01:21Come on, tell me what's wrong.
01:01:23I feel like...
01:01:25falling on my knees and asking for forgiveness.
01:01:27Why?
01:01:28I was wrong about Debbie.
01:01:30I should have taken everybody's advice.
01:01:33Now it's too late.
01:01:34Why?
01:01:36She got involved in a fight a couple of nights ago.
01:01:39A man was killed.
01:01:42She told you?
01:01:43No.
01:01:44I found her jacket covered in blood.
01:01:46I had to force her to tell me.
01:01:49Did...
01:01:51Did Debbie kill the man?
01:01:52No.
01:01:53No, her...
01:01:54her boyfriend, so-called.
01:01:56He...
01:01:56He hit him with a...
01:01:57Oh, a thing.
01:01:58A bicycle chain.
01:02:01Debbie...
01:02:01Panicked and hit...
01:02:03Hit the body.
01:02:04Christ.
01:02:05Oh, come on.
01:02:07That's the worst over now.
01:02:08Finding out and then having to tell me.
01:02:10I don't know.
01:02:11I'm...
01:02:11I'm so worried about the police and...
01:02:13There's no need to be.
01:02:14Debbie's committed a crime.
01:02:16I want to do all I can to help you both.
01:02:18My offer still holds, you know.
01:02:21I don't deserve you, do I?
01:02:23We'll have to do something about that inferiority complex of yours, won't we?
01:02:27Is she here?
01:02:29In her room.
01:02:45We're leaving now, Debbie.
01:02:46Okay.
01:02:47Oh, don't worry.
01:02:48It'll be all right.
01:02:49Graham knows what to do.
01:02:50Oh, you better give me the key.
01:02:55We'll be back as soon as we can.
01:02:57See you soon, Debbie.
01:02:58Now stay here till we get back, won't you?
01:02:59Yeah, sure.
01:03:26Come on.
01:03:34That was done with a bicycle change.
01:03:41Look, I'm sorry, but I don't understand.
01:03:44What are you talking about?
01:03:45I might have a word for your sister, please, miss.
01:03:47What did you mean when you said it was more than murder?
01:03:50Exactly what I said.
01:03:52Now, if we can go back to your flat, please.
01:04:01She's gone, Graham.
01:04:02She's gone.
01:04:03The wardrobe's empty and her suitcase is missing.
01:04:06This is a missing persons called all units.
01:04:09Deborah Yates, aged 15 and wanted for questioning in connection with the murder of Douglas Metchick on February 27th.
01:04:14She's missing from her home in Beaufort Street, SW 10.
01:04:18She's five foot two, light brown hair, light colouring.
01:04:22She's probably wearing jeans and a mask.
01:04:34It's a bit early for me.
01:04:35You're over 18, aren't you?
01:04:37Early in the evening, idiot.
01:04:38Oh.
01:04:39Well, just think of it as Dr. Heller's Nerve Tonic.
01:04:41My nerves need more than a tonic, I can tell you.
01:04:45Neat.
01:04:46Of course.
01:04:46Cheers.
01:04:51Better?
01:04:51Give it time.
01:04:55I've made rather a mess of it, haven't I?
01:04:57Oh, I wouldn't say that.
01:04:59You would if you knew everything.
01:05:01I think I do.
01:05:02You don't, Graham.
01:05:03That's the trouble.
01:05:06I was at Lansdowne today.
01:05:08Oh, God.
01:05:10And I still wouldn't say you'd made a mess of anything.
01:05:12What I can't understand is why you feel you've still got something to be guilty about.
01:05:16Look, your parents were certified sane, Jackie, and that's the way you've got to learn to treat them.
01:05:22I know it must have been difficult for you, but don't you see it's all over now?
01:05:26It's not all over, Graham.
01:05:28I'm afraid it's just beginning again.
01:05:41I can't see nothing.
01:05:43We're in the middle of nowhere.
01:05:45What is all this?
01:05:46Look, I told you, it's a place where they won't find us.
01:05:48Stay here.
01:05:49I want to see if everything's all right.
01:05:51Flurry up!
01:05:53Freezing me bollocks off out here.
01:05:56I don't like your gloomy face, Eddie.
01:06:00Reminds me of a gargoyle.
01:06:03I've gloomy enough here already.
01:06:06Only the little animals are happy.
01:06:10They come and see me sometimes when you're not here, Eddie.
01:06:13I wish you could be here during the day to see them.
01:06:17What's the matter?
01:06:19The noise.
01:06:20Someone else in the house.
01:06:30Who are you?
01:06:32Hello, Dad.
01:06:57I can't believe it.
01:06:59It's our little girl, Eddie.
01:07:01It's true.
01:07:02Hasn't she grown?
01:07:04My God, I wanted to protect her from this.
01:07:06We were going to tell you, Eddie.
01:07:09In time.
01:07:12How long has she known?
01:07:13I've always known.
01:07:16Jackie told me.
01:07:18She promised.
01:07:20She promised me.
01:07:24Who else have you told?
01:07:26My boyfriend outside.
01:07:28She's so grown up, isn't she?
01:07:54She's so grown up, isn't she?
01:07:56.
01:08:01.
01:08:30There's a, there's a, I have a phone.
01:08:32Oh no, please.
01:08:36Back!
01:08:38Ah, ah, ah!
01:08:43Ah, ah!
01:08:47Ah!
01:08:49Ah!
01:08:51Ah!
01:08:54Ah!
01:08:54Ah!
01:08:55Ah!
01:08:56Ah!
01:08:58Ah!
01:08:59Ah!
01:09:08What the hell were you thinking of, Jackie? It's absolutely ludicrous.
01:09:11It was Dad's idea.
01:09:13A week after they left Lansdowne, he realized something was wrong.
01:09:16Dorothy used to just sit and gaze into the fire.
01:09:19It seemed she was pining away.
01:09:20So you decided to play amateur psychiatrist.
01:09:23You seriously thought you could diminish her so-called killing instincts
01:09:26by pretending you were doing it for her.
01:09:28And taking down these ridiculous things that you bought from the butchers.
01:09:31It seemed to work.
01:09:33And anyway, Dad wouldn't consider the alternative.
01:09:36And what was the alternative?
01:09:37She'd be sent back to Lansdowne.
01:09:39I'm sorry, Jackie. You don't know what the hell you're thinking about.
01:09:43Dorothy was in the best care for 17 years.
01:09:45She was certified same.
01:09:47But I swear, there's still something wrong.
01:09:49All right. She's probably going through a period of readjustment.
01:09:52But if there is something wrong, it can easily be remedied by a course of outpatient treatment.
01:09:56In her own home, if necessary.
01:09:58I never considered anything like that.
01:10:00I had nobody to talk to.
01:10:03Well, you have now.
01:10:12Eight o'clock.
01:10:15Well, what about it?
01:10:17Well, you could be down there in an hour and a half.
01:10:20There's hardly likely a psychiatrist to make a house call in the middle of the night, is it?
01:10:23Oh, that's right.
01:10:27You could go for a reading.
01:10:29With her set of marked tarot cards.
01:10:41You're going?
01:10:42Hmm.
01:10:44Something else I want to check on.
01:10:45About Dorothy.
01:10:46No, about Debbie.
01:10:48Debbie?
01:10:49Hmm.
01:10:51After all, she is Dorothy's daughter.
01:11:08No alternative.
01:11:09No alternative, Eddie.
01:11:11The boy knew everything.
01:11:13I mean, we've got to wipe the slate clean, haven't we?
01:11:15How many more?
01:11:17How many more are before the slate is wiped clean?
01:11:22One more.
01:11:24Jackie.
01:11:27No.
01:11:28No!
01:11:32Stop kidding yourself, Dad.
01:11:33Forget about Jackie.
01:11:34She's an enemy.
01:11:35I won't listen to this.
01:11:36She's an enemy, I tell you.
01:11:37She's going to break this family if you want your sins.
01:11:39You don't know what you're talking about.
01:11:40I know, Father.
01:11:41That's all she wanted to do, break us up.
01:11:43She tried to keep me away from you for as long as she could, didn't she?
01:11:46No, no.
01:11:47No arguing.
01:11:48Not when we're all together again.
01:11:51This has gone too far, Deborah.
01:11:53I can't handle this anymore.
01:11:59Is it for you?
01:12:01We never had visitors.
01:12:06Police?
01:12:08Take her to the attic, Dorothy.
01:12:10All right, Eddie.
01:12:10This way, dear.
01:12:36Oh, good evening.
01:12:37I'm sorry to trouble you so late.
01:12:38I wonder if Mrs. Yates could give me a reading.
01:12:40Oh, this time and I, I'm afraid.
01:12:42Well, um, look, it's rather difficult for me, you see.
01:12:44I'm staying overnight in the area,
01:12:46and I'm leaving early in the morning,
01:12:48so I won't get another chance.
01:12:49I hope you can call in next time you're passing.
01:12:51Well, perhaps I can persuade you, you see.
01:12:52I'm rather worried about my health.
01:12:53Um, I think I may be very ill,
01:12:57and I'd like to know one way or the other.
01:12:59You understand?
01:13:00Come in.
01:13:01Oh, I'm very grateful.
01:13:02I won't stay in here longer than necessary.
01:13:05Wait here.
01:13:07I'll sell my wife.
01:13:23We'll go through.
01:13:26Oh.
01:13:38Mrs. Yates?
01:13:42Hail to the Knight of Pentacles.
01:13:48I'm sorry?
01:13:49You are the Knight of Pentacles.
01:13:52This is your card.
01:13:55I see.
01:13:57Sit down.
01:13:59The other side.
01:14:10Would you like me to pay you beforehand?
01:14:14Yes.
01:14:15One, please.
01:14:28Yes, see?
01:14:30One, please, see.
01:14:33See?
01:14:38See?
01:14:40See?
01:14:42See?
01:14:43This covered you, this covered you, this beneath you, this behind you, this crowned you, this before you.
01:14:56Your name was...
01:14:58Robin. I'm a commercial traveller, just staying in the village for one night.
01:15:02How did you know about me?
01:15:03A friend recommended you.
01:15:05His name?
01:15:07Well, he's not exactly a friend. It was a party and I heard him talking about you.
01:15:13Do you travel in medical supplies?
01:15:16No.
01:15:18I see healing hands.
01:15:22You're either something to do with the hospital or you're a doctor.
01:15:27Well, that'll be all the doctors I've been to. There have been so many.
01:15:32It's not the doctors you've been to. I'm telling you, it's you.
01:15:37Hmm.
01:15:39Well, I was a medical student once. It was a long time ago.
01:15:44Were you now?
01:15:46You're worried about something?
01:15:48Yes, very.
01:15:49A girl?
01:15:50No, two girls.
01:15:52Two girls.
01:15:55There's a romantic involvement with one and some other involvement with the other. Now, what is it?
01:16:04Ha! Isn't that strange?
01:16:08I come back to the healing hands.
01:16:15Why are you lying to me?
01:16:18I'm not lying to you.
01:16:20You called me Mrs. Yates.
01:16:26You've come here for a purpose.
01:16:28To have my fortune told.
01:16:30No, no. There's something else. Now, what is it?
01:16:32I've told you, I'm worried about...
01:16:33I'm worried about...
01:16:34Be quiet!
01:16:38You've come here to search.
01:16:40You're searching for...
01:16:41No.
01:16:43No, not searching.
01:16:47Investigating.
01:16:50Investigating me.
01:16:51You're dead right, he is.
01:16:55Debbie!
01:16:56What did he tell you his name was?
01:16:58This is Robin, my dear.
01:17:01This is Graham, my dear.
01:17:03Dr. Graham Haller, to be exact.
01:17:06One of Jackie's little friends.
01:17:08She sent him down here to put you back in the nut house.
01:17:11No, that's not true. You know it isn't.
01:17:12You lie, you lie, you lie, you lie!
01:17:17I have the proof here in the cards!
01:17:26Come on, love. We're waiting for you.
01:17:28I'm sorry, Merler. I just can't concentrate.
01:17:32Oh, don't worry, kid. We'll wind it up.
01:17:33No, we'll go on.
01:17:35No, no. It was just one of my stupid ploys to try and get your mind off things.
01:17:39You're obviously not up to it.
01:17:40Oh, I'm sorry.
01:17:42Don't worry, kid. We'll have a chat instead.
01:17:44After all, that's what you came round for, isn't it?
01:17:46Yes, very much so.
01:17:49I just couldn't bear sitting alone in the flat, just waiting.
01:17:53Well, what are friends for?
01:17:57Oh, bugger. Hang on a minute.
01:18:02You know what really drove me out tonight?
01:18:05What?
01:18:06I knew that any second the phone would ring and it would be the police to say they'd found Debbie.
01:18:11That would be the end, wouldn't it?
01:18:14Jackie, you're building this up into something it isn't.
01:18:17Why would it be the end?
01:18:18They don't send 15-year-old girls to prison anymore, you know.
01:18:20They send them to a reformatory.
01:18:22They're not going to send Debbie anywhere.
01:18:25Jackie, it's for you.
01:18:27Who knows I'm here?
01:18:28Well, I wouldn't swear to it, but it sounds like Debbie.
01:18:39Hello?
01:18:40Jackie, it's Debbie.
01:18:42Debbie, where are you?
01:18:43I'm at the farm.
01:18:45What?
01:18:45I'm at the farm with Mum and Dad.
01:18:49But... how?
01:18:50Look, I can't explain now. Will you come down?
01:18:53Yes, of course.
01:18:55Graham's here.
01:18:56Yes, I know.
01:18:57You will come down, won't you?
01:19:00Straight away.
01:19:01Okay, see you then.
01:19:03Debbie!
01:19:08I'm flying high with an ace.
01:19:10Hewitt.
01:19:12Was it her?
01:19:13Yes.
01:19:14Where is she?
01:19:16She's found a place to hide.
01:19:18Are you going?
01:19:20I must.
01:19:20Well, what about the police?
01:19:23I don't know.
01:19:24I don't know.
01:19:27Jackie!
01:19:52I want to go.
01:20:04Goodbye, Becca.
01:20:05Goodbye, Dad.
01:20:11He won't 북...
01:20:11Loose us.
01:20:11Now,...
01:20:12...to be quiet...
01:20:12Or maybe no, don't suck right?
01:20:12You don't care if you...
01:20:12Let me go...
01:20:12Trumpiesz.
01:20:15But...
01:20:43Debbie, is that you?
01:20:59I almost hoped you wouldn't come, Jackie.
01:21:02What are you prowling around with the bloody lights off for?
01:21:05I won't be spoken to like that in my own home, especially by you.
01:21:10Especially by me? What am I supposed to have done?
01:21:12You hurt me, Jackie. You've hurt all of us.
01:21:16What are you talking about?
01:21:19What's Debbie been saying to you?
01:21:22She's told us the truth.
01:21:24And you believed it?
01:21:26She is my daughter.
01:21:27And I'm not, I suppose.
01:21:29We both feel closer to Deborah.
01:21:33You stupid old man!
01:21:34How dare you!
01:21:35You've been taken in by a 15-year-old delinquent!
01:21:38All right, then.
01:21:39If that's the way we want it, you can get along without me.
01:21:41You can all get along without me.
01:21:43I'll wash my hands of the lot of you!
01:21:46Oh, Jackie, if only you hadn't come.
01:21:49What is it?
01:21:50What's going on?
01:21:52Where's Graham?
01:21:53Who?
01:21:54The man?
01:21:56For God's sake, I'm not going to stand here talking to you in the bloody twilight!
01:21:59No, Jackie!
01:22:01Who put the lights on?
01:22:03What's the matter with you?
01:22:05Nothing.
01:22:05Nothing.
01:22:09You've been hit.
01:22:11You've been hit with something.
01:22:13Who was it?
01:22:16It was Dorothy, wasn't it?
01:22:18She did it with this.
01:22:22The stepmother's a very sick woman, Jackie.
01:22:24How sick!
01:22:25How sick!
01:22:28She's had a very serious relapse, I'm afraid.
01:22:33Jackie.
01:22:35I love her.
01:22:36Can you understand that?
01:22:38But I can't do any more for her now.
01:22:42Deborah's looking after her.
01:22:44Looking after her?
01:22:46What do you mean, looking after her?
01:22:48She's with her now.
01:22:49A 15-year-old girl?
01:22:50I don't believe it.
01:22:53They have a lot in common, you know.
01:22:56More in common than you would think.
01:23:03Where's Graham?
01:23:04Where is he?
01:23:06They said she was well again.
01:23:10They said she was well.
01:23:14They said she was well again.
01:23:16Graham!
01:23:19Leave us alone, Jackie.
01:24:09No!
01:24:10No!
01:24:11No!
01:24:14Stop! Stop! Stop!
01:24:16Shut up, that stupid screaming!
01:24:26You knew! You knew!
01:24:28Why did you let them?
01:24:47No!
01:24:48No!
01:24:49Oh no!
01:24:52Please!
01:24:53Please!
01:24:58No!
01:25:04Stop!
01:25:10Dad! Dad, please help me!
01:25:13Dad! Dad, please help me!
01:25:23And let the members of the public be assured
01:25:26that you shall remain in this mental institution
01:25:31until there can be no doubt whatsoever
01:25:34that you are fit and able to take your place in society again.
01:26:31And let the members of the public be assured
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