- 1 day ago
Jupiter Moon is a science fiction soap opera television series first broadcast by British Satellite Broadcasting's Galaxy channel in 1990. 150 episodes were commissioned and made, but only the first 108 were broadcast before the closure of BSB. Episodes 109–150 were first shown in the UK on the Sci Fi Channel in 1996.
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Instagram only allows me to upload videos less than 20 minutes, YouTube just isn't having me..
where else do random people post/share random videos for random people?
For full-length version of this and access to the >150tb archive from which this was pulled.. feel free to contact me directly.
-*_*We appreciate your donations to our Server Fund*_*-
Venmo: https://venmo.com/shareyourworld
Paypal: https://paypal.me/allcreatures313
Buy me a Coffee(or Beer!): https://buymeacoffee.com/reidsquard
Cashapp: $allcreatures313
We also accept Amazon and other gift codes
If you are interested in a Jellyfin subscription, keys to unlock direct downloads from open directories or other options outside of soulseek please send email to woollarding@gmail.com
-mahalo
Category
📺
TVTranscript
00:27Satsang with Mooji
00:32Oh, my God.
00:59Look, it was over by the wall.
01:01What exactly?
01:02A face. It was just a face. I've told you it was a face.
01:06Well, now maybe you'll believe us.
01:07Try and say what it looked like.
01:09I know, just floating. A hologram.
01:12But there's no hologram, Miss Lever, on the flipping wall, is there?
01:14Did you see anything?
01:16Me? Oh, no, I just heard her scream and I woke up.
01:19Look, it was really there.
01:21Of course it was.
01:23How long had you been asleep for?
01:25Oh, I don't know.
01:27About an hour. We've been talking.
01:30Sarah, I have to ask you this, so please bear with me.
01:34Are you sure you didn't dream this?
01:44How long have you been up?
01:46Half an hour. Couldn't sleep.
01:48I thought you could sleep when it comes on tonight.
01:52Yeah, well, you know what it's like when you're halfway through something.
01:54It just goes round and round in your mind.
01:56This business, you have to be able to switch off and walk away.
02:00It's early for one of your lectures, isn't it, Charles?
02:02All right. I'll leave you to it.
02:05I'm surprised you still get hangovers.
02:07Who's hoping for me, yeah?
02:09What time is it?
02:10Half seven. I've been up since half three.
02:13Our spooker's struck again.
02:15There is no ghost.
02:16If there was, I'd know about it.
02:18Probably have known him when he was alive.
02:20Yeah, well, tell that to Sarah Robbins.
02:22She woke up to find him hovering over her.
02:24We ought to break those girls up, give them separate cabins.
02:27I don't think they're inventing it. Not now.
02:29What's that?
02:30It's called breakfast.
02:32I don't eat breakfast.
02:33I'll have a coffee at nine.
02:35I'm sick at eleven.
02:37It's my routine.
02:38Look, you'll eat it.
02:39You've got a long day ahead of you.
02:41What is the point?
02:43I'll pass that test today.
02:45I'll only have to take it again next year and again...
02:48Fimbo says you can do it.
02:50Fimbo?
02:50He says you're halfway there.
02:52Halfway out the door.
02:54I'm finished, Rebecca.
02:56I know it.
02:57You know it.
02:58And if Fimbo doesn't know it, he's twice the fool I've taken him for.
03:04Sarah wasn't faking.
03:06She really saw something.
03:07Yeah, a little disembodied head floating across the room.
03:10Well, if it is a ghost, it's got absolutely no imagination.
03:13If you heard her scream, you wouldn't think it was so funny.
03:15Look, I'm as concerned about her as you are.
03:17It's the state of her mind that worries me.
03:19They're having three sightings of this thing now.
03:21Two, actually.
03:22The dome only counts as one.
03:23And the same little group involved in both.
03:26Very strange.
03:27Melody never actually saw her face, did she?
03:29No.
03:30No, but she will.
03:32Look, no one's fonder of Melody and Sarah than I am,
03:35but, well, if one swore black was white,
03:37the other one would come round to it eventually.
03:39So what are we supposed to do?
03:40Pretend it never happened?
03:41Well, the first thing we do is to get them along to the party tonight.
03:44Are you kidding?
03:45Have you seen them?
03:46I think the best favor we can do the three of them
03:49is to jolly them along until they come to their senses.
03:52Oh, I just wish it happened to somebody else.
03:54You or me, ideally.
03:56Thanks, Christophe.
03:57And if it happened in here, I'd be happier still.
03:59Why?
04:00Well, ghosts, specters, whatever you want to call them,
04:02they tend to be associated with a particular location.
04:05Really?
04:06Mm.
04:06Well, if I was a ghost, I wouldn't hang about here.
04:08Yeah, ours seems to agree with you.
04:09Likes to get around a bit.
04:11You're talking as if it really exists.
04:13Well, when rational, honest and physically healthy people
04:15tell me they've seen something, Rebecca,
04:16I have to take it seriously.
04:18The problem is that our spook keeps leading us back
04:21to the same three people.
04:22Which means we're back to hysteria.
04:24Well, there does seem to be a link
04:25between the poltergeist phenomena
04:27and the presence of someone with a severe emotional problem.
04:30You mean you think one of them's creating this thing subconsciously?
04:33You see, the problem with this sort of thing
04:34is that the rational explanations are completely crazy.
04:37What are we going to do?
04:39Oh.
04:40You know, Elliot says we should split them up.
04:41Yeah, actually, I'm moving Sarah into medical.
04:43Until last night, I would have said she was the calmest of the lot.
04:46That's what worried me.
04:47It's as if she's withdrawn inside of herself.
04:50You think maybe she's our problem?
04:53I really haven't got a clue.
04:59Hello.
04:59Hi.
05:00I just wanted to thank you for your help yesterday.
05:02My help?
05:03Oh, my project.
05:04Oh, yes, yes, yes, of course.
05:05Oh, and there's a party tonight, as usual.
05:08Daniel said to spread the word.
05:10Oh, I'm sorry.
05:10I won't be able to come.
05:11I've got a lot of work to do
05:12on the navigational programme for the Achilles.
05:14Oh.
05:15I still can't believe we're going there.
05:17We're not yet,
05:18and we never will be
05:19if Mercedes doesn't get finished.
05:21Oh, right.
05:23I'll see you later, Gary.
05:25Yes.
05:26Well, thanks again.
05:30Heady stuff been the object of hero worship.
05:33I know, and I suppose you'd know.
05:34Tell me,
05:35why does that girl always look at me
05:36as though I were bluebeard?
05:37Oh, I think she regards you
05:38as a threat to my independence.
05:40Have I given her that idea?
05:41Well, I can't imagine.
05:43All set?
05:44There's no need to sound so chirpy, Fimbo.
05:46If it wasn't for you,
05:47we wouldn't be here now.
05:49Actually, Professor,
05:50there's no problem.
05:51Just when he was about to bin the whole thing.
05:52I thought you were doing all right.
05:53I was till they threw radiometrics at me.
05:56You know I can't do radiometrics.
05:58They'd only have made you take another test, Elliot.
06:01Anyway, I didn't know you were struggling.
06:02The last thing you said to me
06:03was a gibbon could do it.
06:04Don't suppose we've got a gibbon.
06:06Oh, it's just a routine test, Elliot.
06:09It is not a test.
06:10It is a ritual slaughter,
06:11and I'm the sacrificial ox.
06:13Now, you've got six questions left
06:15and the practical exercise.
06:16You can make up a lot of points
06:17on the practical exercise.
06:20Let it roll, then.
06:21Let's get it over with.
06:22No.
06:23Not until you adopt
06:24a more positive attitude.
06:25I said let it roll.
06:31Hey.
06:32Hope you're coming to the party tonight.
06:34Oh, for God's sake, Daniel.
06:35I don't think so.
06:36Seven o'clock.
06:37Do you really think any of us
06:38are in the mood for a party?
06:40I think you'd be better off
06:41amongst your friends
06:42rather than brooding things over on your own.
06:44Daniel, just leave it.
06:51Look, Daniel,
06:52I know you mean well,
06:53but I don't think I'd be very good company tonight.
06:55I think it would do you good.
06:57Have a drink, have a dance,
06:59forget about it for just a couple of hours.
07:00What's the point?
07:02I mean, this thing's not going to go away.
07:03It's still going to be there
07:04when the music stops.
07:05I just want to know what she sees in that man.
07:07I do.
07:08Yeah, what?
07:09Power.
07:09She's turned on by powerful men.
07:11What about Alex Hartman?
07:12I'm told he was a nobody.
07:13Well, he was dangerous.
07:14That's nearly as good.
07:14Oh, but the power of wanting me...
07:16It usually does.
07:17That's what it's for.
07:18It's too depressing for words.
07:21She's really got to you, hasn't she?
07:22Look, I just don't like having to stand by
07:23and watch someone completely ruin their life.
07:25So do something about it.
07:27It's a waste of time.
07:28Don't be pathetic.
07:29I reckon you're in with a chance.
07:31Really?
07:31Hmm.
07:32From my experience,
07:33they've been living together
07:34just long enough
07:35for him to start getting on her nerves
07:36in a really big way.
07:38Oh.
07:40Practical exercise.
07:41Opening scenario.
07:43Come on, come on.
07:44You are in geosynchronous orbit
07:46of Tethys in Saturn's system.
07:48Oh, good old Tethys.
07:50You are required to plot a course
07:51for Titan in the same system.
07:54Straight round the D ring.
07:55Turn left, can't miss.
07:56You will be required to negotiate
07:57a series of hazards en route.
08:00Chart three, two, delta.
08:02I've done this for real.
08:03Done it three times.
08:04On this exercise,
08:05you will be continuously assessed.
08:07Exercise commencing now.
08:09Right, Petra.
08:11Exercise course,
08:13Romeo Bravo 6839?
08:17Correct.
08:18Damn right it is.
08:19Exercise alert.
08:21Meteor storm approaching
08:22from sector 289.
08:24T-940.
08:26Petra, exercise course,
08:28golf kilo 2783.
08:31Correct.
08:32Exercise alert.
08:34Storm deflected by interaction
08:36with Dione.
08:37Debris now approaching
08:38from sector 387.
08:41Petra, exercise instruction,
08:42hold course and speed
08:44for five minutes 30,
08:45then go to full burn.
08:46Please wait.
08:47Give me a drink.
08:48Coffee.
08:48No, a drink, damn it.
08:50Correct.
08:51You are clear of the storm
08:53and free to resume
08:54and free to resume
08:54a course to tighten.
08:55Petra, exercise course,
08:59Lima kilo 4785.
09:02This is more like it,
09:03old fiend.
09:04This is more like it.
09:06Half past three?
09:07Oh, I was up and about it
09:08at half past three.
09:09I don't suppose you saw anything.
09:10No, I've been doing
09:11my navigational program.
09:12You're becoming obsessed.
09:13You've really got to get out more.
09:14Is that what you've come
09:15to tell me?
09:17Mercedes,
09:17I don't know any other way
09:19to say this,
09:20but I think you're making
09:21a big mistake.
09:23What?
09:24This thing with Breland,
09:25and I think it's a mistake.
09:26What the hell's it got to do
09:27with you?
09:28As a friend.
09:29A friend?
09:29You hardly know me.
09:30He's not right for you.
09:31Why not?
09:33You deserve better.
09:35I do?
09:36Yes.
09:37Charles Breland just happens
09:38to be one of the leading
09:39scientists of our age.
09:41Undoubtedly.
09:41He's an idealist,
09:43an achiever.
09:43Yes, I couldn't agree with my...
09:44He's got his back against the wall
09:45and half the world
09:46are against him,
09:47but he's still fighting.
09:48I admire that.
09:49Yes, I admire that too, yes,
09:50but he's limited to his science,
09:51to his obsession.
09:52He's the most extraordinary
09:53individual I've ever met.
09:55He's a renaissance man.
09:56I'm not talking about
09:56whether he likes Mozart,
09:57I'm talking about
09:58ordinary common humanity.
09:59Yes, but he isn't ordinary,
10:00is he?
10:01That's the point.
10:02I don't see what right
10:03you've got to interfere
10:04in my life.
10:05Do you understand?
10:06I get it.
10:22It was seat-of-the-pants stuff,
10:23I can tell you.
10:24Right up your street, though.
10:25The solar wind in my face,
10:28micro-meteoroids
10:29splatting against the heat shield,
10:30course it was.
10:32Fancy them choosing
10:32a Saturn system.
10:34Like of the draw.
10:34I always was dead jamming.
10:36So you know you've passed
10:36the practical.
10:37And that's 30% of the whole.
10:39So if you only break even
10:40on the theory,
10:41you're home and dry.
10:42It's still a big if, love.
10:44How long till we know?
10:45Any time now.
10:47Come on, Thimbo,
10:48this is agony.
10:49By the way,
10:50it'll be close.
10:51But what's your gut feeling?
10:53I hardly dare say it,
10:55but I think I may have swung it.
10:56Told you, didn't I?
10:58I can tell you.
11:00Over the past few days,
11:01I thought,
11:02what the hell?
11:03Maybe it is time
11:03I gave it up.
11:04But when I was at that screen,
11:06and it was coming at me
11:08from all sides,
11:09even though it was
11:10just a poxy test,
11:11I knew I could never
11:12give it up.
11:13Hell, I'm a flyer.
11:20Failed, he Carter failed.
11:22He seems to have managed.
11:23This is a disaster.
11:24It is for him, yes.
11:25Of all the captains
11:26in the system,
11:26I have to get lumbered
11:27when the incompetent has been.
11:29Well, he only failed
11:30by three points.
11:30Oh, well, that's all right, then.
11:32What am I worried about?
11:33He'll do a reset.
11:34No, he can't.
11:35This was a reset.
11:36A refresher test, then.
11:37He passed it the first time.
11:38When we get to pacify,
11:39he's off.
11:39Oh, for God's sake, Charles,
11:40you can't chuck him
11:41off his own ship.
11:41Oh, just you watch me.
11:44Who's going to command, then?
11:45I'll speak to the commissioner,
11:46get him to send a replacement
11:47for one of the outstations.
11:48There's a man on pacify now.
11:49No, you're not talking
11:50about some spare part here, Charles.
11:52This has been his home
11:53for 15 years.
11:54Yes, well,
11:55that's about 10 years too long.
11:58Well, I can sit down with him
12:00and take him through the basics.
12:01You've got your hands full,
12:02Mercedes.
12:02I can do it in my spare time.
12:03I am not prepared
12:04to have you waste your time
12:06and energy
12:06pulling his irons out of the fire.
12:08Supposing I am,
12:09he deserves a re-sit,
12:11at least given that.
12:12Give me one good reason
12:13why I should.
12:15How about common humanity, Charles?
12:18Does that strike a chord anywhere?
12:21Hmm?
12:23Just think,
12:24once we get beyond pacify,
12:25all our lives will be in our hands.
12:26I'm sure he knows
12:27what she's doing.
12:28Do you want the best navigators
12:29out here?
12:29How do you know?
12:30Everyone says so.
12:31Oh, well, that's that, then.
12:33It must be a fantastic feeling
12:35with the ship,
12:35the crew,
12:36the whole mission,
12:36depending on your skill
12:37and judgment.
12:39What are you smiling at?
12:40You, going on about her
12:41all the time.
12:42What's wrong with it?
12:43It's just funny.
12:44There's nothing wrong
12:44with having a role model.
12:45Everyone's got a role model.
12:47I haven't.
12:47You must have.
12:48No, I haven't.
12:49Someone you admire,
12:50someone you want to be like.
12:51Oh, you mean you, Gavin.
12:53Like you.
12:54No, I do not mean me.
12:56You know what?
12:57She said to me yesterday,
12:58she said it never occurred to her
12:59she couldn't be anything
13:00she wanted.
13:01That's because she's rich.
13:02Is she, then?
13:03A family and bits of Germany
13:05and most of Scotland.
13:06Well, what's the personality
13:07that counts?
13:08Money helps,
13:08I think you'll find.
13:10She's got it all.
13:11She's got it all
13:12in the palm of her hand.
13:14Then she doesn't
13:14throw it all away.
13:16All right.
13:17He gets his reset.
13:18Good.
13:19But if he fails...
13:19He won't fail.
13:20I knew you'd come round
13:22in the end.
13:23You know, I...
13:24I suppose getting a replacement
13:25might not be so easy.
13:26Oh, don't spoil it now, Charles.
13:28You're halfway human
13:29for a moment.
13:30Yeah.
13:31As you say,
13:32he's a decent enough bloke.
13:33Not without my sympathetic side,
13:35you know.
13:35I know.
13:36This isn't always
13:37that obvious, that's all.
13:38Why do you think
13:39I do all this?
13:40Not for money,
13:41not for honours.
13:42I know, I know.
13:42If they offered me
13:43one of their baubles,
13:44I'd tell them where to stick it.
13:45I hope you wouldn't.
13:45Everything I do,
13:46everything,
13:47is for the advancement
13:48of learning
13:49and the good of humanity.
13:51I wouldn't say
13:52if there are anybody else
13:52who happens to be true.
13:54No, well, just remember
13:55that humanity includes
13:56tired, middle-aged
13:57old men
13:58who aren't quite as good
13:59at their jobs
13:59as they used to be.
14:01Oh, well.
14:02If I'm inclined
14:03to forget that,
14:04I shall rely on you
14:05to remind me.
14:07Let's go to the party.
14:09What?
14:10You heard?
14:11But you don't like parties.
14:12Yeah, but you do.
14:13I have to learn to.
14:15Come on, Elliot.
14:16Scramble.
14:17What?
14:18Get this on.
14:18It's party time.
14:19You must be flaming joking.
14:21It's Wednesday night.
14:23I can't go down there.
14:24This is just
14:25a temporary setback.
14:26You don't understand,
14:28do you?
14:29Today,
14:30I came as close
14:30as I ever come
14:31to passing that test.
14:32In three days' time,
14:33you'll sail through.
14:35Oh.
14:36I've seen the future.
14:38It is Eastbourne for me
14:39and the spacefarer's
14:41residential home.
14:42And you call yourself
14:43a Cranfield man.
14:45You can't take that off me.
14:47Then prove it.
14:48Chin up, shoulders back.
14:50I'll give you
14:50the first sleigh dance.
14:52You're all right,
14:53you are.
14:53You know that.
14:55Come on.
14:56In three weeks' time,
14:57we'll be laughing
14:58about all this.
15:00Arthur and Peter Stone.
15:03I'm really glad you came.
15:05Well, Daniel,
15:06it was either this
15:06or sit moping in my room.
15:08Oh, I wish I'd never
15:09had that spook evening now.
15:11I keep telling you
15:12it's got nothing
15:12to do with that.
15:14No, I'd never do anything
15:15to hurt you, Melody.
15:16Hey, Daniel,
15:17don't go all maudlin on me
15:18or we'll all crack up.
15:20Another drink?
15:21Yeah, maybe a large one.
15:25All right.
15:26Good tag, OK?
15:28Yeah, I knew
15:28I could rely on you.
15:30Ah!
15:32God's arrived!
15:33And she's brought
15:34her boyfriend with her.
15:36Very funny.
15:38Oh, note the air
15:39of joviality
15:40he lends to the proceedings.
15:41What have you got
15:41against him?
15:42Nothing.
15:43I just wish he'd
15:43stay in his coffin
15:44when he's not lecturing.
15:46I think we're very lucky
15:47to have him on board.
15:48Very, not here, yeah.
15:50Oh, my God.
15:51I think he's coming over.
15:55Now then, you two.
15:57Professor!
15:59So, what do you think
16:00of the solar sail?
16:01Is it really
16:02the answer to reaction mass?
16:04Daniel?
16:05Oh!
16:16Hey, Mercedes!
16:21If Mexico kills you
16:22for 20 years,
16:23what have you done?
16:24I took your advice.
16:26What did you say to her?
16:26I just told her
16:27I thought she was
16:28making a big mistake.
16:29I thought the French
16:30was supposed to be subtle.
16:31No, only compared
16:32to the English.
16:34Hey!
16:35Come and dance!
16:36No, no, you probably
16:37didn't want to.
16:38Yeah, maybe.
16:41Oh!
16:43Oh, oh, oh!
16:45Oh, oh, oh!
16:47Oh, oh, oh!
16:54You still think
16:54I'm in with a chance?
16:56Frankie's got more chance
16:57of being bitten by a daffodil.
16:58Right!
17:01Melody's gone down,
17:02so I couldn't face it.
17:05Takes a lot
17:05to keep Melody
17:06from a party.
17:08Do you want anything?
17:09Don't bother!
17:10I've got the very thing
17:10right here.
17:11Oh, Daniel.
17:13If you won't come
17:13to the party,
17:14the party's just
17:14going to have to come
17:15to you.
17:16That's really good
17:16of you, Daniel,
17:17but I really don't want any.
17:18Oh, come on.
17:19It's so boring, Sarah.
17:20Look, we're not in the mood,
17:21OK?
17:22Well, you better get
17:22in the mood, then.
17:23Christophe's coming down
17:24and I'm going to
17:24take you for a drink.
17:25I've never felt
17:26less like dancing in my life.
17:27Oh, come on.
17:28Christophe, tell her.
17:30Go and dance with Daniel.
17:32Doctor's orders.
17:33Go on.
17:34Go on.
17:34I'm staying here.
17:35Go on, Victoria.
17:36I can't go like this.
17:37Oh, don't worry.
17:38It's so dark in there.
17:39Nobody will notice
17:40how awful you look.
17:41Oh, you're fine.
17:46You need to sleep.
17:48It's not sleeping
17:49I'm afraid of.
17:50No?
17:52It's waking up.
17:53If I ever see
17:54that face again,
17:55I'm going to go
17:55out of my mind.
17:56Well, I'm going to
17:57sit over there
17:58and work right
17:58through the night.
17:59Look, there's no need.
18:00No, no, no, no.
18:01I want to.
18:01I've got things
18:02on my mind.
18:03So you go to sleep
18:05and when you wake up
18:06I promise the only
18:06face you'll see
18:07will be mine.
18:09Oh, let's go.
18:10Come to my end.
18:14Whoa.
18:15The whole program
18:16just keeps spinning around.
18:17It's never the same twice.
18:18I just wondered
18:19if you had any ideas.
18:21Me?
18:21What do I know
18:22about navigation?
18:23Oh, come on, Elliot.
18:24I know you had
18:24a bit of a hiccup
18:25with Mav 5
18:26but as far as I'm concerned
18:27you're still the man
18:28with all the answers.
18:29Probably a terminal.
18:31Try the main terminal
18:32in Compset.
18:33Oh, all right.
18:33Then is it all right
18:34if I try later on?
18:35Don't ask me, love.
18:36Nothing to do with me anymore.
18:37OK.
18:42Come on, come on.
18:43Come on.
18:43Come on.
18:46All right.
18:48Hey, aren't you glad
18:49you came?
18:50Yes, Daniel.
18:51Hey, Gabby.
18:52This one's ours.
18:53No, I'm sorry.
18:54That's dancing me.
18:55Melody.
18:57Oh, my God.
19:00I like this one.
19:01Man.
19:02Is this in on the back?
19:02Hey, you've got to hand it
19:04to her, haven't you?
19:04Mercedes, she's a lovely mover.
19:06Yeah, it's wasted on him.
19:07Yeah, well, I think it's
19:08disgusting and all.
19:09Yeah, look at that.
19:10Ooh, Gabby.
19:11Ooh.
19:11It won't last long.
19:12Nah.
19:13I'll tell you what, though.
19:14If he doesn't marry her,
19:15he can always adopt her
19:16as his daughter.
19:24You managed to cheer him up
19:25a bit, then?
19:26Yeah, a bit.
19:27I don't know how long
19:28it'll last, then.
19:29He thinks I'm after his job.
19:31He just gets a bit paranoid
19:32sometimes because everyone's
19:33against him.
19:34I mean, to be perfectly honest,
19:36I actually wouldn't mind him.
19:37I do want to see him go.
19:39Not like this, anyway.
19:48I don't know.
19:49I don't know.
19:59Peace and love.
20:01Yeah, and what I'm saying is,
20:02does it all stand to reason?
20:04If we define reason,
20:05is there faculty by which
20:06conclusions?
20:07No, no, no, no, no, no, no, no.
20:08What I'm saying is,
20:09do you honestly believe
20:10that the dead have nothing
20:11better to do with their time
20:12than going around
20:13scaring the pants off the living?
20:14Yeah, but we're talking
20:15about three sane, rational
20:16human beings.
20:17Yeah, if you lie.
20:18What's that supposed to mean?
20:19I thought they're your friends.
20:20Yeah, yeah, all right.
20:21But apart from being
20:22sane, rational human beings
20:23and all the rest of it,
20:24right, what have they
20:25all got in common?
20:26They're all women.
20:27The girls actually
20:29want to believe
20:29all that supernatural guff.
20:31Why?
20:32Well, I don't know.
20:33Biology, I suppose.
20:35What it means is,
20:36the first time something
20:37slightly unusual happens,
20:39they start festooning
20:40themselves with garlic.
20:42Yeah, and I prefer
20:42to keep an open mind.
20:43Yeah, of course you do.
20:44That's exactly my point.
20:47Here.
20:48One for the lift?
20:51No, thanks.
20:51I've had it.
20:52Oh, well, sit yourself.
20:53I think I will.
20:54Good night, Daniel.
20:56Good night.
20:57Oh, mind the bogeyman
20:59doesn't get you.
21:02Oh, there you are.
21:03I turn my back
21:04for five minutes
21:05and you've disappeared.
21:06I find I can only take
21:08so much of that kind of music.
21:09Oh, and I'd say
21:10the last dance for you as well.
21:12It would be wasted on me.
21:14I'm not much of a dancer.
21:15I guess I belong out there.
21:21Not much of a conversationalist, either.
21:26I can't make small talk.
21:27Look, I'm just not socially
21:29at ease with that kind of person.
21:32And so I think
21:33the best favor I can do
21:35them and myself
21:36from now on
21:37is to stay away
21:38from these affairs.
21:39No, I think it's good
21:40that you put in their parents.
21:41I think it was appreciated.
21:43I can see the way
21:44their eyes glaze over
21:46when I approach.
21:47I can guess what they say
21:48when I've gone.
21:49Since when have you
21:50given a damn
21:50what people thought?
21:53These are your friends
21:54I'm talking about.
21:55That does matter.
21:56It doesn't matter to me.
22:00The fact remains
22:01that what's a pleasure to you
22:03will always be
22:03an ordeal to me.
22:06It makes me wonder,
22:07that's all.
22:08It makes me think.
22:09Yeah, well,
22:10I've been thinking too.
22:12I think we should
22:13get married, Charles.
22:15Don't look so surprised.
22:17You've asked me twice already.
22:19You've refused me twice.
22:21Yes,
22:21because I needed time to think.
22:24And now I've thought.
22:25I want to marry you, Charles.
22:50Hey, Petra.
22:53Achilles shield.
22:54NN74 to NN89.
22:56I want to marry you, Charles.
23:09I want to marry you, Charles.
23:09I want to marry you, Charles.
23:12I want to marry you, Charles.
23:14I want to marry you, Charles.
23:15I want to marry you, Charles.
23:15I want to marry you, Charles.
23:15I want to marry you, Charles.
23:16I want to marry you, Charles.
23:17I want to marry you, Charles.
23:18I want to marry you, Charles.
23:19I want to marry you, Charles.
23:20I want to marry you, Charles.
23:21I want to marry you, Charles.
23:26Oh, oh, oh, oh.
24:17Oh, oh.
24:22Oh, oh, oh.
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