CID S02 E11

YOKWEB

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Transcript

00:00Unty-dumty sat on a wall

00:16Unty-dumty had a great fall

00:30First light on, second, okay, then third

00:39Hey, where are you?

00:40I'm going to make-up room

00:46You say that she's your best friend

00:48I don't know why

00:49If you want to go to my first, I'll go to my first

01:00I'm going to make-up room

01:05Palak?

01:06Yes

01:07The stage is ready

01:08Let's start the rehearsal

01:09Yes

01:30Who has anut montre

01:37Who knows who understands

01:39Who knows who is

01:41Who knows who knows

01:47Who knows the grab

01:49Who knows who knows

01:53Who knows what

01:58Who knows gent on

01:59Can you see me there?

02:04Yes.

02:05It remains?

02:09No.

02:11Can you see me there?

02:16What's going on there?

02:19Google!

02:29What do you know about this girl?

02:31What do you know about this girl?

02:33I don't know about this girl's death.

02:35But the people who were here,

02:37they told her that she was hiding this ring.

02:41She was dancing and suddenly there was a spark.

02:43And she fell down.

02:45A spark?

02:47Yes.

02:49A spark?

02:51Yes.

02:53A spark?

02:55A spark?

02:57Yes.

02:59They should die from the electric shock.

03:03But...

03:04But what is it?

03:05But this ring,

03:07there is no sign of the electric current.

03:09There is no electricity.

03:11And if it has been a spark,

03:13then how did the electric shock happen?

03:15How did the electric shock happen?

03:17Meera,

03:19did you see a change from someone?

03:21Or did you see a change in his behavior?

03:25Yes, ma'am.

03:27Palak was a problem for some days.

03:29And many times,

03:30I also heard someone talking to someone on the phone.

03:33And today,

03:34today,

03:35he was listening to someone's voice message on his phone.

03:39After that,

03:40he was very angry, ma'am.

03:41Who was the voice message?

03:43Do you know?

03:44No, ma'am.

03:45Where is Palak's phone?

03:47Yes.

03:48It's me.

03:50This.

03:53Sir.

03:54This is Palak's phone.

03:56Meera told me that Palak has a voice message.

04:00After listening,

04:01she was angry.

04:02But, sir,

04:03you need to unlock the phone for Palak's thumbprint.

04:06Sir?

04:07Yes.

04:08Angota,

04:09clear?

04:10Yes.

04:11So, take it.

04:16Sir,

04:17a minute ago,

04:19there was a voice message.

04:20So,

04:21hear it.

04:22You told me that he is your best friend.

04:25I don't know this.

04:26If I go to my bus,

04:28I will murder her.

04:29Mayour.

04:31Mayour,

04:32what was he saying?

04:34If I go to my bus,

04:35I will murder her.

04:37Okay.

04:39Mayour.

04:40Mayour.

04:41Mayour.

04:43Yeah.

04:45You have to know how to put it.

04:46Mayour is there.

04:47Where is Mayour?

04:54Excuse me.

04:55Which office is Mayour's office?

04:56Left, sir.

04:57Left.

05:03Where is Mayour's office?

05:05Mayour's office.

05:06Come on, Pappa.

05:19Yes, sir.

05:20In the morning,

05:21I was in the morning.

05:22I sent a voice note to me.

05:24You were talking about

05:26who was going to kill someone.

05:28Who would take you to kill someone?

05:30No, sir.

05:31I told him only in the morning.

05:33I was not going to kill someone.

05:35Tell me your name.

05:38Sagar.

05:40Who is Sagar?

05:42Sagar is a friend of Bhalak.

05:44He met him in a shoot.

05:47But sir, he was a friend of his name.

05:51And...

05:52And in his mind, he was talking about TCD.

05:56Because of that, our relationship was a lot of stress.

06:00There were a lot of mistakes in our family.

06:02Sagar.

06:04Sir.

06:05You guys, please tell me.

06:08The Bhalak has not done that.

06:13Just tell me, sir.

06:15What's the situation of my brother?

06:17If you have to ask a question,

06:20then take a look at it.

06:22Dipa, Bhalak is a good friend of your brother.

06:27It's Bhalak.

06:29So, how can you ask a question to your brother?

06:35No?

06:36We will not come here next time.

06:40You will call your brother.

06:42We are going to go.

06:44We will go.

06:45We will go.

06:53You have to get to Sagar from Sagar.

06:54Yes, sir.

07:03Excuse me, sir.

07:04Suraj,

07:05you have to go to the client to the painting.

07:08And try to sell your painting there.

07:10And action!

07:12Hi.

07:13Now I will show you the most special piece of my collection.

07:17We will not believe

07:18what was the inspiration for making this painting.

07:22Let me guess.

07:28What are you doing?

07:29What are you doing?

07:30What are you doing?

07:31What are you doing?

07:32What are you doing?

07:33What are you doing?

07:34Sir.

07:35Hey, wait a minute.

07:36What are you doing?

07:37No, no, no.

07:38Don't tell me.

07:48Is it sir?

07:51How?

07:56How?

07:58He died from the electric shock.

08:00There is no wire.

08:01There is no open-ended fuse box.

08:05There is no open wires.

08:07How is this dead?

08:10Pankaj,

08:11let's see if someone has one.

08:13I'm going to go.

08:16Sir.

08:20I'm going to go.

08:23There is no current on the wall, sir.

08:24What?

08:25No current on the wall?

08:28I don't understand.

08:29There is no electric connection here.

08:33There is no electric setup here.

08:35There is no open wire.

08:39Then,

08:40And then, how did he put this guy into an electric shock?

09:06Avni, listen to him.

09:10Tell him.

09:12My name is Dr. Saluk.

09:15I knew he put this guy into an electric shock.

09:20How did he put this guy into an electric shock?

09:22How did he put this guy into an electric shock?

09:24Boss, he put a silver paint in here.

09:27And in that paint,

09:29there will be no person who has a metal thing,

09:33or if he is standing on it,

09:37then he will be electrocuted.

09:40It means that he will immediately get an electric shock

09:43and he will die.

09:44What did you say?

09:46Paint?

09:47Yes, electric paint.

09:49One minute.

09:50I will show you, Boss, that silver paint.

09:55Look at this.

09:56Boss, are you seeing it?

09:58Are you seeing it?

10:02My God.

10:03Hold it, Saluk.

10:04Look at that.

10:05Look at that, there is no paint on your device

10:07that has a electric shock.

10:10Look at that, Saluk.

10:12There is a silver paint behind it.

10:15There is a silver paint behind it.

10:18And the current is also flowing.

10:23My God.

10:25Did you hear that?

10:26The silver paint and the current are flowing in it.

10:28There is also used the electric paint here.

10:32Who is that?

10:33Who is that?

10:34Who is that?

10:35The friend of Palak.

10:36Sagar.

10:37Oh my God.

10:38Boss, this dance symbol was sent back in an electric room.

10:45I took it.

10:46Maybe you will get a lead in an investigation.

10:50An origami?

10:55An origami?

10:56Sir.

10:57Yes.

10:58Sir, there is some loose wires behind there, sir.

11:02Loose wires?

11:08And there, sir.

11:09As you can find, you've got a mirror in the camera and the same.

11:11You're left behind the same.

11:12Sir, there is a paper model.

11:15Horigamic.

11:17Locking chair.

11:18And down there, sir,

11:19Nursery rhyme is written.

11:21Humpty Dumpty sat on a wall.

11:22Humpty Dumpty had a great fall.

11:24Yes, man.

11:25Daya.

11:26It's also called Humpty Dumpty.

11:28Sir, why is this...

11:29Nursery rhymes here?

11:31I mean, kids would also be laughing?

11:34What do you think?

11:35He has been in one way.

11:37He has been in one way.

11:39And he has been in two places.

11:43And he also has been in the nursery rhyme.

11:46He has been in one way.

11:50You say that he is your best friend.

11:52I don't know about this.

11:53If I don't mind, I will do that.

11:56Sir, I was in anger.

11:58I have told him.

11:59But it doesn't mean that I will do that in the truth.

12:02And sir, if you get something else,

12:04then you will not have a direct connection with me.

12:07This is not just an affair, Mr. Mayor.

12:10That Pallak and Sagar were both of you.

12:13And both of you have a model of origami,

12:17which is in your office.

12:20But sir, I will not be worried too much.

12:23I will do a murder plan and I will leave all the evidence.

12:26So I will come to me.

12:28And sir, those papers you are talking about,

12:30are my daughter because it's her hobby.

12:33And sir, I don't care about it.

12:36I love her very much.

12:38What is it, Mayor?

12:41We have seen such a lot of people like this.

12:45Because you love your love,

12:47you can do anything with anyone.

12:51Just tell me, you guys.

12:53I have a friend,

12:54you're not the need to worry about my brother.

12:56You need everything, right?

12:58Look,

13:00I have a judge.

13:03The judge can prove that

13:06when the judge and the judge died,

13:09Mayur was not there.

13:14If you have done or done, you will get to know.

13:21In the meantime, you can take Mayur.

13:26Let's go, Mayur. Let's go home.

13:28Sir, it's not that we are making a connection with a wrong person.

13:40The paper model is in Mayur's office.

13:44The shock is their van, Deepa Ji.

13:47But sir, how loud it was.

13:50He tries to see a lot of confidence.

13:54Yes, so I can see anyone.

13:59But one thing is, Abhijit.

14:02Why will Deepa be able to do this?

14:06Why?

14:08Let's do a job.

14:11Make a list of the people that are in the areas of the land.

14:16And see how many people are in the area of the land.

14:22Sir.

14:25Abhijit.

14:28You won't have to know about Deepa.

14:44What are you doing with the paint?

14:45Boss.

14:47This paint is just like this.

14:50We met both in the scene of the crime scene.

14:52And it's a special thing.

14:53After this, it doesn't give a light to see it.

14:56And I'm trying to know about this paint.

15:00What happened in the scene of the crime scene?

15:02And this paint reacts like this.

15:05See?

15:07In this paint, there's a current in the real world.

15:09There's no one who can die.

15:11So, sir, because of this electric paint,

15:12he died of Palak and Sagar.

15:14That's right, Abhijit.

15:16But yes, boss.

15:18This paint is easy to find out of any shop.

15:21So, I think boss,

15:22someone has made it on his own house.

15:26On his own house?

15:27Yes, sir.

15:29And in this paint,

15:30there's a special type of metal.

15:33And the metal has made it in it.

15:36He has made it in it.

15:37He has made it in it.

15:39He has made it in it.

15:40He has made it in it.

15:41So, in that amount of metal,

15:42he can increase the electricity.

15:44Yes.

15:46It's not possible to be a normal person.

15:48It's not possible to be an electrician or an engineer.

15:53It's not possible to be an electrician or an electrician.

15:57That's why I have a car.

15:58I don't know.

16:00What's going on, sir?

16:01Well, where is it?

16:03I'm sorry.

16:09I'm sorry.

16:11I'm sorry.

16:13I'm sorry.

16:14I'm sorry.

16:15I'm sorry.

16:16I'm sorry.

16:17I'm sorry.

16:18I'm sorry.

16:19I'm sorry.

16:20I'm sorry.

16:21Hey, see!

16:23This is..

16:25His arm has fallen.

16:27It has been hit the switch from his arm.

16:29And it has been hit to the electric shock.

16:31And yes,

16:33this is...

16:35This is a box.

16:37This is a metal line,

16:41in this case,

16:43with metal,

16:45the electric shock will immediately

16:48and it will die.

16:50Can you tell me who is this?

16:52Yes sir, his name was Aryan.

16:54He was saying that his family was living in London.

16:56But this two days ago, he was in India.

16:59And sir, he is his friend, Nakul.

17:01Nakul, tell me, what were you doing here?

17:04Sir, there was a question here.

17:07First of all, there was a question here.

17:10So, in that place, Aryan wanted to make a resort.

17:13So, he didn't give his e-development contract to Mayur Builders?

17:17No sir, not Mayur Builders.

17:20There is an archeric builder.

17:22He gave it to him.

17:42Do it, Aryan.

17:43Yes.

17:45And this time, he is a cricket bat.

17:47He has a dance.

17:50He has a rocking chair with Sagar.

17:53And now, he is a cricket bat.

17:56I think he has a spoon.

17:59And he will put it with him.

18:03And he is a cricket bat.

18:04And he is a cricket bat.

18:06He is a cricket bat.

18:09But what is Aryan related to Aryan?

18:14I don't understand.

18:15Aryan was not even aware of them.

18:18Sir, others knew that Aryan only in India.

18:24He's coming.

18:26He's murdered a lot with planning.

18:29Sir, who has left the nursery rhyme on the crime scene?

18:34I feel like a psycho killer.

18:36Humpty dumpty sat on the wall. Humpty dumpty had a great fall.

18:40Humpty dumpty sat on a wall. Humpty dumpty had a great fall.

18:50Pankaj, wall and fall.

18:56Sir, sir, these Palaq and Aryan, both were falling down. Wall.

19:04Sir, wall?

19:06Sagar's death is like a wall.

19:10Sir, the only meaning of this poem,

19:14that every day or every day,

19:16if it breaks, then it becomes difficult.

19:19Right.

19:20All the king's horses and all the king's men

19:23couldn't put Humpty together again.

19:25I mean, if you put a whole force,

19:27but there are some mistakes that can't go anywhere.

19:32Humpty dumpty sat on a wall.

19:35Had a great fall.

19:38This is the purpose of life.

19:42If you lose someone's confidence,

19:45then it won't be done.

19:47You must have done something.

19:49You must have done something like this.

19:54I have done something like this.

19:55I have done something like this.

19:56I have done something like that,

19:57I mean, because he's not done something like this.

20:00Now, what will happen?

20:02The Tiara's wrong,

20:03what's happened?

20:07What's happened?

20:09A company?

20:11Do you know anything about gaming papers?

20:15Yes, sir. It's a very common paper.

20:17Anyone can find it on the station.

20:21Then, this Aryan, sir,

20:23they take away from her.

20:25They track the moment after coming to India,

20:28who got to meet,

20:30and what did she do.

20:33Aryan, two days ago,

20:35she landed in Mumbai two days.

20:37At about 12 o'clock, she took a cab

20:39and went back to Old Age Home.

20:42At about 3 or 40 minutes,

20:44she reached Old Age Home.

20:46At about 5 o'clock,

20:47she left Mumbai to Mumbai.

20:50At about 8 o'clock,

20:52she went back to her hotel room.

20:54In the morning,

20:55she went back to her Pushtani property

20:58where she worked for redevelopment.

21:00She died there at 10 o'clock.

21:03What's the name of her Old Age Home?

21:05Sir, it's a free living Old Age Home.

21:07Auntie Dumtie sat on a wall.

21:13Auntie Dumtie had a great fall.

21:20All the king's horses and all the king's men

21:26couldn't put Auntie together again.

21:32Auntie Dumtie had a great fall.

21:33Auntie Dumtie had a great fall.

21:34Auntie Dumtie had a great fall.

21:35Auntie Dumtie had a great fall.

21:36Auntie Dumtie had a great fall.

21:37Auntie Dumtie had a great fall.

21:38Auntie Dumtie had a great fall.

21:39Auntie Dumtie had a great fall.

21:40Auntie Dumtie had a great fall.

21:41Auntie Dumtie had a great fall.

21:42Auntie Dumtie had a great fall.

21:43Auntie Dumtie had a great fall.

21:44Auntie Dumtie had a great fall.

21:45Auntie Dumtie had a great fall.

21:46Auntie Dumtie had a great fall.

21:47Auntie Dumtie had a great fall.

21:48Auntie Dumtie had a great fall.

21:49Auntie Dumtie had a great fall.

21:50Auntie Dumtie had a great fall.

21:51Auntie Dumtie had a great fall.

21:52This can't be any coincidence. Let's go.

22:09This is such a big disaster. Can you see someone?

22:19Sir, someone is there.

22:22Excuse me. Who is there?

22:28One minute.

22:32Yes, please.

22:34You...

22:35Sir.

22:36I am a caretaker of Svidashyam. My name is Lucky.

22:39Lucky, we are from CID.

22:42CID?

22:44What is that, sir?

22:46I mean, you guys are here?

22:48Yes, sir.

22:50We have to know that Aryan's name was here two days before.

22:55Yes, he was here. His mother is here.

22:58He's been here for years. He hasn't talked to anyone.

23:01I see.

23:03I don't think so.

23:05You see...

23:07What will you only ask her.

23:09Even when her mouth will open.

23:10Is there anything in your mind?

23:12No, sir.

23:13No problem.

23:14Sir, sir.

23:15Why are you in so much tension?

23:16No, sir.

23:17No, sir.

23:18No, sir.

23:19No, sir.

23:20Okay.

23:21I will meet you.

23:38Sir, everyone is making a game here.

23:46Sir, this is the mother of Aryan.

23:51Maaji, Namaste.

23:57Maaji, we have to talk about something with you.

24:03Let me show you the camera.

24:04Yes, sir.

24:06This is the camera.

24:21Cricket bat?

24:25Cricket bat?

24:26Yes, sir.

24:34Aryan, did you tell a story with her mother?

24:38Do you know anything about her?

24:40A story?

24:41Sir, she didn't even leave the camera outside.

24:44She didn't get her.

24:46Darsal said that she was responsible for the death of her husband's death.

24:52That's why she didn't forgive her.

24:58Let me tell you something.

24:59What are you doing?

25:10What are you doing?

25:18Hello, Maaji.

25:22Hello.

25:23What are you doing?

25:24What are you doing?

25:27Why are you not doing anything?

25:30Sir, I feel like they are trying to hide them.

25:32They are trying to hide them.

25:33They are trying to hide them.

25:34Why are you struggling here?

25:35Why are you struggling here?

25:36Sir, I do not.

25:37Why are you struggling with your life apart?

25:38Why are you struggling with your life first?

25:39Why are you struggling with your life?

25:40Why are you struggling with others?

25:41Why are you struggling with your life?

25:42Why are you struggling with other people?

25:43Let's go.

25:44Let's go.

25:45I do.

25:47We are just working on our own.

25:49And if you're going to need them,

25:50you will come back again.

26:00Sir, there is no connection of old age home with this house.

26:03Either she is a mother of Aryan,

26:06Or anything else?

26:08Purvi,

26:10to learn and build,

26:14is one thing.

26:16But to go to the crime scene,

26:18to set up electricity

26:20and to set up someone's

26:22This is a different thing.

26:24The force of living in the old home

26:26can't do this work.

26:30This is a kind of man

26:32who can do this

26:34but who?

26:36Sir,

26:38the caretaker of the old home

26:40is a little bit of a man.

26:42He didn't answer the question.

26:44He was hiding something.

26:46Sir!

26:48Sir,

26:50the old home

26:52have left the list of old homes

26:54and staff.

26:56Look at the name and number.

27:04My God!

27:06This is Palak's number.

27:08Palak's mother also

27:10lived in the old home.

27:12Sir, I saw Palak's interview

27:14where she had clearly mentioned

27:16that her mother-in-law

27:18had gone through childhood.

27:20One second, sir.

27:24Look at this.

27:26My mother,

27:28when I was 12 years old,

27:29she died.

27:30After that,

27:31having a girl

27:32to survive alone in this world

27:34you know the struggle.

27:35But,

27:36I did not give up.

27:37I have done everything.

27:39I have done everything.

27:40And today,

27:41I am in front of you.

27:42This is Palak's mother-in-law

27:44telling the world

27:45that his mother-in-law

27:46had gone through childhood.

27:47And his mother-in-law

27:49was the oldest of her mother.

27:51Two months ago,

27:53he was the oldest of her mother-in-law.

27:55Then,

27:56then,

27:57then,

27:58then,

27:59then,

28:00then,

28:01the mother-in-law

28:02had broken her mother-in-law.

28:03And,

28:04that child's attitude,

28:05humpty dumpty,

28:06that,

28:07that,

28:08never,

28:09no need to be broken.

28:10Once,

28:11then,

28:13the mother-in-law

28:14is not broken.

28:15And,

28:16that,

28:17the mother-in-law

28:18also,

28:19the mother-in-law

28:20made the wrong.

28:21If,

28:22Palak and Aryan

28:23are the same,

28:24then,

28:25I would like to know

28:26that,

28:27that,

28:28the mother-in-law

28:29has not done anything

28:30with her mother-in-law.

28:31Sir,

28:32the mother-in-law

28:33is living in the old house.

28:34I am in the Kandivali.

28:37Now,

28:38why don't you come here?

28:39My son

28:40left me

28:41in this world

28:42and left me.

28:43Yes,

28:44my son

28:45didn't

28:46know

28:47that

28:48you

28:49left me

28:50in the old age home.

28:51Yes,

28:52my son

28:54didn't

28:55have

28:56me.

28:57Yes,

28:58my son

28:59didn't

29:00have

29:01me.

29:02have

29:03left me

29:04in the old age home?

29:05Yes,

29:06my son

29:08didn't have

29:09me.

29:11He

29:12took me

29:13and put me

29:14in the mirror.

29:15And then

29:16when his mother

29:17was pregnant,

29:18he had

29:19a

29:20need

29:21of

29:22a

29:23free

29:24to

29:25take me

29:26back.

29:27I

29:28thought

29:29I

29:30would

29:31not

29:32hope

29:33to

29:34see

29:36that

29:37you

29:38don't

29:39get out of

29:40the

29:41chair

29:42notice

29:43in which

29:44Sagar's mother

29:45was sitting there.

29:46That rocking chair

29:47with a paper model

29:48we got to Sagar's dead body.

29:50So,

29:51rocking chair,

29:52cricket bat

29:53or dancer?

29:54There is a common connection between these three crime scenes.

29:59They are all the paper models.

30:01They are all the paper models.

30:02Khooni is not looking at such a target, boss.

30:05These three victims have never been treated with their mother's father.

30:10That's our point, sir.

30:12There is a connection between these three cases.

30:15There is a connection between the old age home.

30:17Hmm.

30:18So,

30:19Khooni

30:20Khooni

30:21We will have to complain in our house at home.

30:46Do you have to admit them?

30:48Yes.

30:49No, son.

30:51I don't have to stay here in this village.

30:56You say that I will stay at home, son.

31:01But don't leave me here.

31:03Do you work in the office?

31:04Come to the house and tell you.

31:06Are you still here?

31:07Don't worry about me.

31:09Madam, don't take any attention.

31:11We are here.

31:12We will have to take care of them.

31:14Take care of them.

31:15Take care of them.

31:16I don't need a phone.

31:17I don't need a phone.

31:18I will not come.

31:19I will not come.

31:20I will not come.

31:21My son.

31:22My son.

31:23My son.

31:24Look, my son.

31:26Now, my son has been a burden for children.

31:30My son has been a burden for children.

31:31I have been a burden for children.

31:32You've had to do so much.

31:33Why are you so much so hard?

31:34We are here for your work?

31:36Take care of yourself here.

31:37Come here, hang on here.

31:38I will show you my house.

31:39Let's go.

31:40I'll show you your room.

31:48Let's cut the wires here and see who's electricity.

32:10Hey, Lucky! How did the light come out of it?

32:23Hey, Lucky!

32:29Yes, sir. I'll see you now.

32:40How did the wire come out of the main face?

32:44Who did it?

32:46Let's do it fine.

32:48How did the wire come out of the main face?

32:53Why did the wire come out of the main face?

32:57Okay, sir.

33:01Now, just think ...

33:03I'll also go and sleep.

33:08It's okay, sir.

33:10Let's go and think about it.

33:12I'm going to go and think about it.

33:38It's nice.

33:40It's late.

33:42It's late.

33:44When are you going to run away?

33:46Take care of yourself.

33:48I'm going to turn the camera to Lucky.

34:08Does this change the car open?

34:11What are you doing?

34:12You can do it.

34:13That's what I can do.

34:14Let's go and leave.

34:15You can do it.

34:16Well, I can leave the train.

34:17I can leave.

34:18You can also leave.

34:37Meaning?

34:38What are all these things?

34:41What did you think?

34:43Your way will not come in front of you.

34:46What's going on here?

34:48Who are you?

34:49Who are you?

34:50Who am I?

34:56C.A.D.

35:01Hey, shut up!

35:05Hey!

35:06This is my way.

35:08This is my way.

35:09I'm going to stop you.

35:11Let's go!

35:36Hey!

35:38Hey!

35:39Hey!

35:40Hey!

35:41Hey!

35:43Hey!

35:49Hey!

35:50If you hit the ball, I'll throw you all!

35:54Sir, you'll throw him?

35:57You'll throw him?

35:59I was enjoying you, sir. I was enjoying you, sir.

36:02You're so enjoying me.

36:11I haven't done anything, sir.

36:13I haven't killed anyone.

36:15I'll take care of those people who die.

36:20After they die, they don't come here to die.

36:22After they die, they don't come here.

36:24They didn't come here.

36:25They didn't come here for their mother.

36:27I took care of her mother.

36:29She was a well-wisher.

36:31She was a well-wisher.

36:32She was a well-wisher.

36:34Who is this well-wisher?

36:38Sir, I don't know that.

36:40But a few days ago,

36:42we had some money transferred to our bank account.

36:46There was also a note.

36:48There was also a note.

36:50It was written that

36:51this money is for the mother's mother's son.

36:54If this man is so angry with the people here,

36:57then why is he not coming back?

37:01If he's a well-wisher,

37:03he's taking the same money.

37:05He's taking the same money.

37:07He's taking the same money.

37:09Tell us the money they have.

37:10Where are they coming from?

37:11Who are they coming from?

37:12All of you came here?

37:13I told you I'm not taking the same money from you.

37:15I've told you that I'm not giving them to no murder.

37:19We know.

37:20We know you haven't done the money.

37:23So...

37:24So...

37:25Is there any public comment coming out here?

37:28Sound down!

37:30We said that we didn't know that you didn't do that.

37:33But those three of us who have left us,

37:35there's someone here in this office.

37:38What?

37:39Yeah.

37:41What's that, Mayur?

37:44The money of your mother's own mother

37:47is right in your office.

37:49Now, we want to know who is the one who believes in the young people.

37:56It seems to me that he will work in the office.

38:00Right?

38:01Do you call the accountant?

38:11Yes, sir.

38:12I said that in the last month,

38:14do not put in the salary account,

38:16and transfer it to this account number.

38:18So, I have done it.

38:20Special request?

38:21Yes, sir.

38:22Who did that?

38:23Special request?

38:24Let me know who this is.

38:27Yes.

38:29They have, sir.

38:32My God!

38:44All the King's horses,

38:47all the King's men,

38:51Humpty Dumpty,

38:54say to me,

39:01All the King's horses,

39:05and all the King's men,

39:08get the Lord,

39:12and Humpty,

39:13together again.

39:21Children in the house

39:22and in the city of Tindora.

39:30Who?

39:33What is the office of Mayur?

39:38Mayur's office, sir.

39:52I killed them all.

39:54All of them!

39:56They wanted to go back to them.

39:59They wanted to go back to them.

40:02I was a little electrician, sir.

40:07I worked hard for my son to study in a good college,

40:11in a good school.

40:13I couldn't do all my dreams.

40:17I thought,

40:19I thought,

40:21that your son will dance for me a day.

40:24But what happened?

40:27That's how he became a pilot.

40:29He's a good man.

40:31You're a good man.

40:32You're a good man.

40:33You're a good man.

40:35You're a good man.

40:36And that day,

40:37he left us.

40:38In the village.

40:40Hey, son.

40:41We're very happy for you.

40:43Don't do our love.

40:45We'll stay here.

40:49We'll stay here.

40:50And you'll be happy for us.

40:51You'll be happy for us.

40:52You'll be happy for us.

40:53Yes.

40:54I'll come here.

40:56You'll keep your dreams.

40:58Okay.

40:59I'll leave.

41:00Come on.

41:01Come on.

41:02Come on.

41:03I'll leave.

41:04Come on.

41:05Come on.

41:06It's so easy for you.

41:08Let's leave us all here.

41:10Why didn't we leave you here?

41:11Why didn't we leave you here?

41:12Sorry.

41:24I have no more for me.

41:26Don't be alive as my son.

41:28I left Pradashram and did a job.

41:32But in Chappi, Pradashram was a great choice.

41:36He reached his friends,

41:39I hear stories about how they left their children there to die.

41:45It was my heart.

41:49Did you see the mother of Palak's mother too?

41:51Yes.

41:53She saw the mother of Palak's mother first in her house.

41:57She saw the mother of Palak's mother.

42:00She saw the mother of Palak's mother.

42:02She saw the mother of Palak's mother.

42:04She saw the mother of Palak's mother.

42:09She died.

42:11She died.

42:13No one is my mother.

42:15My mother, when I was 12 years old, was gone.

42:18After that, to survive a girl in this world, you know the struggle.

42:24But I didn't say anything.

42:26I have done everything in my mind.

42:28And today, I am in front of you.

42:32Kavita Ji.

42:33Kavita Ji.

42:34Kavita Ji.

42:35She took care of yourself.

42:36She is my child.

42:38How did she say that?

42:42She killed me.

42:46But that Palak didn't come to the mother of Palak's mother.

42:50I am the only one of the mother of Palak's mother.

42:57I am the only one who had left my father.

43:02And I am the only one who made me the mother of Palak's mother.

43:03And I came to the mother of Palak's mother and her sister.

43:05And the mother of Palak knew…

43:07They had to take care of her mother.

43:10And I gave her a man.

43:12You will not tell your name of your partner.

43:16He taught all the people to make a game of old age.

43:20It sounds like a pre-traibi man.

43:33But Maradina, I listen…

43:37My great place was also notaze me.

43:40He, also, lost with me, Citizen I.

43:44Why are you complaining?

43:46Your life is less than before the job of being in,

43:50I can understand the pain of your people.

43:55There are many people in this society

43:59who forgets after standing on their shoulders

44:03who had taught them to go on their shoulders.

44:08Their mother-in-law.

44:10Arunji, what you did with your son was wrong.

44:14With any mother-in-law,

44:16you shouldn't do that with their children.

44:18But knowing their children to teach their children,

44:22this is also a very wrong thing.

44:23It's a law and law.

44:26It will be you.

44:43What did you think so much?

44:45No.

44:46I don't think so much.

44:49But after a few people,

44:53they know their dignity.

44:57But it's been a long time.

45:00Now, let's see.

45:02I was thinking about Arunji.

45:05That's why I got a reward.

45:07I had no time for them.

45:08I thought that anything,

45:10whatever it was, I thought I was wrong.

45:12I thought that the children should have been good at their parents.

45:18In the parents, it was also more than that.

45:21But it's not that.

45:25It was wrong.

45:26It was wrong.

45:27Whatever he did, it was completely wrong.

45:31But where is the right thing?

45:34It's the same thing, boss.

45:36But it's the same life, man.

45:39The parents keep their children full.

45:42They keep up with their children.

45:45But when the parents get older,

45:47the children don't keep their children.

45:49They keep their heads off.

45:51This is the same.

45:52Why are you so serious?

45:54I'm not seeing you.

45:55That's why I'm serious.

45:56Because you don't need to be serious.

45:58We're going to remember the other one.

46:02Who said it?

46:03What?

46:04You're not my friend.

46:05I mean, I'm not your friend.

46:07Okay.

46:08Okay.

46:09Do you?

46:10Do you know the friend?

46:11Who?

46:12The one who eats tea and eats tea.

46:17Who said it?

46:18I'll also eat tea, and eat tea,

46:21and I'll also eat tea on top.

46:23I'm confused.

46:24What?

46:25What news?

46:25No.

46:26I'm not my friend.

46:27Come on.

46:28Come on.

46:29Come on.

46:30Come on.

46:31Come on.

46:32Come on.

46:33Come on.

46:34Come on.

46:35Come on.

46:36Come on.

46:37Come on.

46:38Come on.

46:39Come on.

46:40Come on.

46:41Come on.

46:42Come on.

46:43You're buying human fingers in a package in a sausage.

46:46Come on.

46:47Come on.

46:48Come on.

46:49Come on.

46:51Come on.

46:52Is there a serial killer who has written your murder count on him?

46:59Who is the mastermind?

47:00Why are you writing this like this?

47:09Two hands and nine.

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