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"Director Ajithvasan Uggina Exclusive Interview | A Beautiful Breakup | Ilaiyaraaja’s 1422nd Film"

"అంతర్జాతీయ ప్రమాణాలతో రూపొందుతున్న ‘ఏ బ్యూటిఫుల్ బ్రేకప్’ చిత్ర దర్శకుడు అజిత్వాసన్ ఉగ్గినాతో ప్రత్యేక ముఖాముఖి. ఈ సినిమాలో హీరో పాత్రను మలిచిన తీరు, మాస్ట్రో ఇళయరాజా గారితో పనిచేసిన అనుభవం మరియు ఈ కథలో ఉన్న 'అందమైన' కోణం గురించి ఆయన పంచుకున్న విశేషాలు ఈ వీడియోలో చూడండి."

"Go behind the scenes with director Ajithvasan Uggina in this exclusive interview about his upcoming international film, 'A Beautiful Breakup'. The director discusses working with Maestro Ilaiyaraaja, the selection of the hero, and how this film redefines romance and separation for a global audience. Watch now for the full story!"

#AjithvasanUggina #ABeautifulBreakup #Ilaiyaraaja #DirectorInterview #InternationalCinema #MaestroMusic #HeroReveal #Cinematography #TeluguCinema2026 #ExclusiveInterview

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Transcript
00:00Yeah. So, if you are busy with the cinema in recent release, choose what is your favourite film?
00:06In recent times, there are many films released in Sankranti. Five to six films released.
00:11So, if you are busy with this film, rather than that, choose what is your favourite film?
00:17I don't have time. Honestly, I have a chance to watch the cinema. I haven't seen you.
00:23I haven't seen you. I haven't seen you.
00:23I haven't seen you. I haven't seen you.
00:29I haven't seen you, okay.
00:30I haven't seen you. I haven't seen you.
00:33But, I haven't seen you.
00:35I haven't seen you.
00:35Oh, you see the same thing.
00:37I haven't seen you. I haven't seen you in the cinema.
00:40It's Ajith Vaasan.
00:42It's Ajith Vaasan.
00:43Ajith Vaasan is a work. Ajith Vaasan is a close associate.
00:46They have a friend and he is a friend.
00:48But, he also has a name.
00:50What is that?
00:52First time, when you have to make it a film, I was a friend of Ajith Vaasan.
00:57Okay.
00:57Then he told me to tell me.
01:00My husband, I'm a director and I asked him to visit.
01:04So, he told me to visit my friend to visit.
01:07I was the one who saw my friend and asked him to visit.
01:10He told me to visit my friend in the village.
01:11He didn't know the other guy.
01:13He was a director of the dance floor.
01:15I told him to say, I was the director of the dance floor.
01:17I was right to ask you to see you in the village.
01:20I told you to say you are not a guru.
01:22If you aren't a teacher, you can't be in a restaurant.
01:25If you have a child, you will have a reaction, love and sentiment.
01:29If you have a new director, you will be able to add a little bit.
01:32That's why Ajith Garth.
01:35I am a personal associate director.
01:38So, Ajith Garth and S.J. Suja Garth work.
01:43That means you are a guru.
01:46In Tamil cinema, if I am not wrong, Canada is also a film.
01:51First of all, that's right.
01:52First cinema is a director.
01:53In Tamil and Kaneda is a director of Hollywood.
01:59So, what do you know about the reason?
02:01I am curious.
02:02If you have a story, it is a long story.
02:04In a cinema, there is a story.
02:10There is a different culture.
02:13There is a different culture.
02:16Love is a different culture.
02:18There is a different language.
02:20There is a different culture.
02:21If you have a language, you can write it in English.
02:25It is a different story.
02:26There is a different story.
02:28Then, I am a darling.
02:29I am a darling.
02:31I am a darling.
02:32I am a darling.
02:32I am a darling, I am a darling.
02:33So, if you look at me, if you look at me, I'm going to be a superhero,
02:36I'm going to talk to you.
02:38If you look at me in English, I'll plan this.
02:41This point is also in the UK, but it works out.
02:44Yes, it works out.
02:44That point, plus the heroine, white, Asian, correct match.
02:51It's not about the content.
02:59It's not about the audience.
03:02It's all about the stories.
03:04Now, there are many things in the mouth spread.
03:09If you look at the original budget, the original budget, the original budget,
03:13the original budget, the original budget.
03:19So, if you look at me, if you look at the audience,
03:23if you look at the theater and see the cinema,
03:25the original budget, the original budget, the original budget.
03:27So, if you look at the one core point, the original budget.
03:30Because it's not.
03:31It's not.
03:32It's not.
03:32It's not.
03:33You betten it.
03:33I have dinner.
03:33Sure.
03:33Just to go down.
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