- 7 hours ago
For more exciting updates on Telugu cinema, subscribe to our YouTube channel ► https://youtube.com/@MaaStars-b5b
Follow us on X for the latest news ► https://x.com/maa_stars34080
Don't forget to hit the Bell icon to stay updated with every new video!
Telugu movie news, Tollywood updates, Telugu film events, pre-release event, success meet, thanks meet, hero introduction, song launch, teaser launch, announcement event, Telugu cinema 2025, Tollywood trailers, celebrity interviews, movie promotions, Hyderabad events, Telugu Shorts, viral Telugu videos, Tollywood stars, film launch highlights, trending Telugu news, Pawan Kalyan, Hari Hara Veera Mallu, HHVM pre-release, Nidhhi Agerwal, Jyothi Krishna, Bobby Deol, MM Keeravani, AM Rathnam, Telugu movie trailer, Tollywood 2025 releases, Vijay Deverakonda, Game Changer, Ram Charan, Daaku Maharaaj, Balakrishna, Vishwambhara, Chiranjeevi, The Raja Saab, Prabhas, Thandel, Naga Chaitanya, Laila, Dulquer Salmaan, Thammudu, Nithiin, Tollywood blockbusters, Telugu film industry, movie press meet, fan events, Telugu celebrity news, audio launch, Telugu movie reviews, OTT updates, Telugu cinema gossip, Tollywood trending, Hyderabad cinema, Telugu movie buzz, star interviews, movie premiere, Telugu film promotions, Sankranthiki Vasthunnam, VD12, JACK Konchem Krack, Telugu action movies, Telugu romantic movies, Telugu comedy films, Tollywood drama, Telugu thriller movies, movie event highlights, Telugu cinema updates, Tollywood behind the scenes, movie launch 2025, Telugu star events, film teaser 2025, song release 2025, Tollywood fan frenzy, Telugu movie hype, celebrity moments, Telugu film festivals, movie success party, Tollywood news today, Telugu cinema trends, movie announcement 2025, Telugu hero launch, Telugu actress news, Tollywood event coverage, Telugu movie clips, short film news, Telugu entertainment, Tollywood interviews, movie event recap, Telugu cinema stars, film promotion videos, Telugu movie snippets, Tollywood viral clips, Telugu movie premieres, cinema news Telugu, Tollywood gossip 2025, Telugu film updates, movie event Telugu, Tollywood star power, Telugu cinema highlights, film trailer launch, Telugu movie songs, Tollywood song release, movie teaser Telugu, Telugu film stars, cinema event coverage, Tollywood movie launch, Telugu celebrity events, film news 2025, Telugu movie excitement, Tollywood pre-release buzz, Telugu film trailers, movie success meet, Telugu thanks meet, hero entry video, Telugu movie teasers, Tollywood announcement, Telugu cinema events, movie press conference, Tollywood star interviews, Telugu film launch, movie event 2025, Telugu cinema promotions, Tollywood movie news, Telugu star updates, film event videos, Telugu movie hype, Tollywood trending stars, Telugu film gossip, movie trailer 2025, Telugu cinema buzz, Tollywood event highlights, Telugu movie stars, film pre-release event, Telugu success meet
Follow us on X for the latest news ► https://x.com/maa_stars34080
Don't forget to hit the Bell icon to stay updated with every new video!
Telugu movie news, Tollywood updates, Telugu film events, pre-release event, success meet, thanks meet, hero introduction, song launch, teaser launch, announcement event, Telugu cinema 2025, Tollywood trailers, celebrity interviews, movie promotions, Hyderabad events, Telugu Shorts, viral Telugu videos, Tollywood stars, film launch highlights, trending Telugu news, Pawan Kalyan, Hari Hara Veera Mallu, HHVM pre-release, Nidhhi Agerwal, Jyothi Krishna, Bobby Deol, MM Keeravani, AM Rathnam, Telugu movie trailer, Tollywood 2025 releases, Vijay Deverakonda, Game Changer, Ram Charan, Daaku Maharaaj, Balakrishna, Vishwambhara, Chiranjeevi, The Raja Saab, Prabhas, Thandel, Naga Chaitanya, Laila, Dulquer Salmaan, Thammudu, Nithiin, Tollywood blockbusters, Telugu film industry, movie press meet, fan events, Telugu celebrity news, audio launch, Telugu movie reviews, OTT updates, Telugu cinema gossip, Tollywood trending, Hyderabad cinema, Telugu movie buzz, star interviews, movie premiere, Telugu film promotions, Sankranthiki Vasthunnam, VD12, JACK Konchem Krack, Telugu action movies, Telugu romantic movies, Telugu comedy films, Tollywood drama, Telugu thriller movies, movie event highlights, Telugu cinema updates, Tollywood behind the scenes, movie launch 2025, Telugu star events, film teaser 2025, song release 2025, Tollywood fan frenzy, Telugu movie hype, celebrity moments, Telugu film festivals, movie success party, Tollywood news today, Telugu cinema trends, movie announcement 2025, Telugu hero launch, Telugu actress news, Tollywood event coverage, Telugu movie clips, short film news, Telugu entertainment, Tollywood interviews, movie event recap, Telugu cinema stars, film promotion videos, Telugu movie snippets, Tollywood viral clips, Telugu movie premieres, cinema news Telugu, Tollywood gossip 2025, Telugu film updates, movie event Telugu, Tollywood star power, Telugu cinema highlights, film trailer launch, Telugu movie songs, Tollywood song release, movie teaser Telugu, Telugu film stars, cinema event coverage, Tollywood movie launch, Telugu celebrity events, film news 2025, Telugu movie excitement, Tollywood pre-release buzz, Telugu film trailers, movie success meet, Telugu thanks meet, hero entry video, Telugu movie teasers, Tollywood announcement, Telugu cinema events, movie press conference, Tollywood star interviews, Telugu film launch, movie event 2025, Telugu cinema promotions, Tollywood movie news, Telugu star updates, film event videos, Telugu movie hype, Tollywood trending stars, Telugu film gossip, movie trailer 2025, Telugu cinema buzz, Tollywood event highlights, Telugu movie stars, film pre-release event, Telugu success meet
Category
🎥
Short filmTranscript
00:00fast fast make yourself convenient yes
00:14mother wait at them good good morning mr. Nikkei sir sir hi sir how are you I'm
00:19very fine and we are so much highly impressed with your dadgling spectacular
00:24teaser really every frame has volumes to really speak we are thoroughly impressed
00:32thoroughly impressed thank you sir we know you're out on the challah it's a big
00:35word sir in the container kills me in the critical college is thorough so mirila
00:39model and a mander key child happy one seven this is a big thrilling thing for
00:43us thank you for really giving us after two years of relentless travel with the
00:48project you are able to finally deliver the masterpiece I am very hopefully sir
00:54me in the moon and not to just introduction matter may we are going to
00:58show so much more in the next one two months sir yes okay but as a hero you
01:02take all the responsibility and bonus of all the whole production you are into
01:06every aspect and a responsible guy wouldn't divert chase a hero no cover
01:10tin in a little tiny martin so I am who was in fact scheduled to be released in
01:16this month yes sir right yes but it shifted to April it seems on sir right
01:21summer 2026 yes yes you put a donkey can pinch in a vini pinch in a this
01:26strongest apparent reason is VFX later in the prefer the perfection of VFX and
01:32the thing that is being also widely heard so where is this imbalance is coming and a
01:37director point of philo story in conceptional at the making low problem lack
01:42what they look at the scenes a add out to add out to round and Wallana and kind of
01:48because many films are being really I can use it denigrated on the part of delay
01:56sir delay me an answer sir you know only no cottage a friend sir and a
01:59either mark on the problem mothra may kadoo
02:02that's what I am asking out in the problem not just for film say kadoo it's
02:07happening all across international films what organizer what is your reason so
02:10not easy to check the answer in the content nowadays perfection and a divin
02:13producer if you want to go date with koonie koonie koonie sarlow reach out to
02:16on konto kani okka tappu are the snow ball I pay a proko vfx at the new tappu
02:20and coach billy chest a sound to the sound of the sound nunchi delay out there
02:23unko place called you know snowball authors on sir and definitely post
02:26production an adi e madhya madhukar chapter in ka detail guy a producer
02:30gani a production house controller lead sir in the day we want hit film and day
02:35It doesn't have to be checked, it doesn't have to be checked.
02:39Even if you are in the cinema, but if you are in the cinema,
02:42if you want to do CG shots in the cinema,
02:46you can't do it.
02:48You can't do it, sir.
02:50So, if you are late,
02:52it will be perfect.
02:54So, if you want to check and recheck,
02:56it will definitely be good, sir.
02:58In our cinema, we will be able to answer more.
03:01So, if you want to do CG shots,
03:03you can't do it every day,
03:05you can't do it every day,
03:07you can't do it every day,
03:09he's come back here.
03:11Actually, to answer your question,
03:13there are delays happening in so many ways.
03:16Like, you can shoot the story,
03:19you can change the story.
03:21See, for an audience, it doesn't matter.
03:23For an audience, cinema,
03:25it doesn't matter.
03:27Finally, the result is very important.
03:31So, we are trying to give you a best possible product.
03:35So, we are trying to give you a best possible product.
03:38So, the answer is,
03:39like, edit changes,
03:41VFX changes,
03:43sound effects changes.
03:45So, which we are trying to be careful.
03:47So, the answer is,
03:49we are trying to…
03:51No, no.
03:52You are mistaken about my question.
03:54Yes, yes, yes.
03:55Your question was that way.
03:56No, no.
03:57Not that way.
03:58Not that way.
03:59Sorry.
04:00There is some off-late episodic series.
04:05Yeah.
04:06Yeah.
04:07Yeah.
04:08If the producer got terribly indemnified.
04:11Yeah.
04:12With many people who are able to ask them,
04:13some local industry are choosing.
04:15Yeah.
04:16Yeah.
04:17So, that is why it's in that angle.
04:18No, no.
04:19No.
04:20If the producer is,
04:21of course, it's a strong producer.
04:22Yeah.
04:23That's a separate thing.
04:24Yeah.
04:25But, what have I done?
04:26No, no.
04:27It's a strong…
04:28reason intended, only a good product is about it. So, I know that our producer is supporting
04:34us in the best possible way. So, if you have a teaser chosen, you only can judge it like
04:38what kind of a project we are coming out. Of course. So, I know that if you do something
04:42about it, there will be a delay. So, like that you should respect. We are respecting,
04:47we are respecting. No, no, not that way, not that way. And director, sir, which language
04:52are you comfortable with? Sir, English? Tell us about it. Tell us about it.
05:00Problem is, I don't want to grammatical errors. It is only attributed to the God, ultimate
05:11incarnation of what you call universal soul called God. This is cinema. Now, you
05:19look at the tracer. In the dialogue, Swayambhu title is attributed to the protagonist of the
05:27story. Absolutely. Is it correct? It is the protagonist of the story. Protagonist. Sir,
05:33Swayambhu is the person who is the person who is the person who is the person who is the person.
05:39Okay. Actually, the character is somebody who is left alone. He is not touched by anybody.
05:47He has to raise up me up. Of course. So, Alain Tiwadi ki, Andhke.
05:53I'm going to question, sir. Definitely, starting now, we are choosing Senegal. Yes.
05:59That plays a very major part of the film. There is a very nice mystical touch to the film also.
06:07That's what it is. But, it's a periodic historical drama with an action backdrop. But,
06:13there is a mystical element. God bless. Thank you, sir.
06:17Thank you, sir. Thank you, sir.
06:19Thank you, sir. Thank you, sir.
06:21Fine, sir. Thank you, sir.
06:23Sir, your fan following is amazing, sir. God bless. God bless.
06:27God bless. So,
06:29Andhke, you know, all media people, andther tweets, and chaduttono, but,
06:33me, we go to, andther following you.
06:35Thank you, sir. Thank you, sir.
06:37Sir, today is very external. You can see hard work.
06:39Sir. So, but,
06:43Hindi,
06:47I'm going to cover the video.
06:54Have you received the video?
06:56No.
06:57Sir, do you have received the video?
06:59Sure.
07:01No.
07:03I'm going to cover the video.
07:05I'm going to cover the video.
07:07You already started the movie?
07:09From year in, Karthikeetri also started the movie?
07:11Karthikeetri started the movie, Chandu already did it.
07:15That's okay.
07:17You missed the boy next door?
07:19Sir, I'm doing 100% what I'm saying.
07:23But I don't know how much it is.
07:27Two types of movies are really doing well.
07:29One is trending and people taste.
07:31It's costing Rs. 295 minimum for a ticket.
07:35Which is pretty large money.
07:39People want to have a larger than life experience.
07:43You don't want to see good movies or bad movies.
07:45There are many OTTs who are looking at it.
07:47That's true.
07:49We have to talk about it.
07:51I'm sorry.
07:53But it's a fact, sir.
07:55When I'm doing a guy next door,
07:57there will be limited theatrical release.
07:59Because the distributors
08:01I don't want to sell a product.
08:05So, I feel that, you know,
08:07it is limited audience.
08:09A guy next door, a guy next door,
08:11a small cinema,
08:13I will definitely do it.
08:15I will definitely do it.
08:17I will tell you.
08:18Sir, Namaste sir.
08:19One ayatam,
08:21one yodudu,
08:22one samashya.
08:23It's not like this story.
08:25It's not like this story.
08:27No, sir.
08:28Actually, it's too simplistic.
08:30You're saying it.
08:31Sir.
08:32I'm not sure.
08:33I'm not sure.
08:34It's not, sir.
08:35That's right, sir.
08:36As I heard a movie.
08:37Yea?
08:38The sorority of each one.
08:39There is not a movie.
08:40No, sir.
08:41Now, when I think this story,
08:42a boy meets a girl,
08:45fall in love,
08:46what happens?
08:47Alante,
08:48see,
08:49if you simplistically say,
08:50it is that, sir.
08:52If that love story happens in
08:54Jubilee Hills,
08:55that's one thing, sir.
08:56That's the love story Titanic
08:57that way,
08:59and that's where I play it, sir.
09:02So,
09:03So that's how it is, sir.
09:05It's a small village boy who wanted to become a warrior.
09:10So at that time, he was doing this.
09:13He wanted to get an IPS for this.
09:19So that's a story, sir.
09:33So that's how it is.
09:49Which platform did we find?
09:51At that time, there was a political situation.
09:54Yes, sir.
09:55Yes, sir.
09:56That's why I'm pan-India.
09:59We're targeting the Tamil market.
10:02Sir, humbly, I would like to say only one thing, sir.
10:06The demarcations of the states were just from 1950.
10:10Yes, yes.
10:11Okay.
10:12So, we are one of the people.
10:16Yes.
10:17Okay.
10:18So, South India or India, we don't see Gandhi as a Gujarati.
10:23Yes.
10:24Sir, Bose is not a Bengali.
10:27Bose is Indian.
10:28Yes.
10:29Okay, sir.
10:30Alanti, these lines of demarcation between states, it is a recent phenomenon.
10:35And we are talking about a film that happened thousand years ago, sir.
10:39So, at that time, we are all the same.
10:42Hello, sir.
10:43Hello, sir.
10:44Hello, sir.
10:45Hello, sir.
10:46Hello, sir.
10:47Hello, sir.
10:48Hello, sir.
11:02Yes.
11:24Namekwassanay nossa sire?
11:25Yeah.
11:26Until see, like they are two ways of shooting 3d, and the end, a demo a demo like 3d low shoot
11:40shade, okay, 3d contrast shade Abend.
11:42There are two ways of doing it.
11:44So, we got a great team from RACE 3D. So, it is like we did not try, but only when we
11:57are doing the 3D conversion, at that time we tried to do 3D depth. We were constantly
12:08discussing about them. So, we took the other way around, we shot it in regular format and
12:24converted it into 3D. So, we did for RR also convert, which was good. So, Nikhil and the
12:33producer and director were very, very excited to do this film in 3D. So, we took a step
12:38and did it. Nikhil Gar.
12:40Nikhil Gar.
12:41Nikhil Gar.
12:42Hi, sir.
12:43Hi, Andy.
12:44Hello, sir. Hi, good morning.
12:45Hi, Andy. Good morning, sir. Sir, around South Australia, I am happy about that.
12:54I am happy about that. I am happy about that. I am happy about that. I have passion for
13:03the 4 or 5 languages. I have had a passion for the 4 or 5 languages. But, I have had success
13:10in the post, I have had a little release time simultaneously. Then, I have a delayed release
13:17, delayed release unnoticed, delayed release unnoticed, and then, I have a release
13:24. So, I will expand this spectrum. Exactly what I have planned.
13:30Sir, I have a plan. Producer Bhuvan and Madhukar said, actually, we have a very nice deal from
13:38China, sir. So, my Chinese language, we got a fantastic offer. So, you know, why not? Because,
13:45you know, I also have a lot of Hindi in Karthika two times. But, my point is connected.
13:53Every point is connected, sir. But, at some point, they can go to different languages. I am
13:59a lot of Hindi, sir. I have a lot of Hindi, sir. I have a lot of Hindi, sir. I have a lot of
14:06series, sir. Which are Chinese and Japanese, which are working here. We also have a lot of
14:09things. My culture is already Bahubali and Olive. So, that was almost ten years out, sir.
14:15So, I thought, we thought, people would choose our cinema, sir. Already, we are showcasing our
14:21film to all the distributors very open, because we are very confident about the film. So,
14:27people choose to offer. So, Arabic law release, Chinese law release.
14:32Sir.
14:33Srinivas Mohan Garh.
14:36English law.
14:37English law.
14:39Thanks. Good point. But English subtitles.
14:43So, yeah. Thank you.
14:44And, Meiru, cinema announcement.
14:47Srinivas Mohan Garh VFX Sharesner.
14:50Answer.
14:51But, I could not find his name.
14:53You want to answer?
14:55Yeah.
14:56Sir.
14:57Sir got busy with bigger projects, sir.
14:59Srinivas Mohan Garh.
15:00Okay, okay.
15:01And the producer-
15:02Srinivas Mohan Garh.
15:03Basically, sir.
15:04One thing, sir.
15:05I was just kidding.
15:06The point is, sir.
15:07Srinivas Mohan, sir.
15:08Actually, I have a pretty decent relationship with him, because I worked with him previously.
15:11Virtual production in Kossam.
15:12We used to, I used to learn from him more than that.
15:16I requested him that, you know, he helps us.
15:20So, starting low, he came and he started helping us.
15:23And then, unfortunately, date issues.
15:27See, and multiple projects, VFX producer, supervisor, handling is not very easy, sir.
15:33So, and the scale of projects is very important, sir.
15:36Because the responsibility is extremely huge.
15:39You know, there are lots of technicians like that who actually shoulder the project.
15:44They are not, you know, generally they don't come to the stages.
15:47But the VFX people, even sound department, people have.
15:51Alanti, he is in a very extremely important position, sir.
15:56So, we just couldn't get him in and get his time.
15:59That was the only reason.
16:01All the best.
16:02Thank you, sir.
16:03Srinivas Mohan.
16:04Hi, Bharat Garh.
16:05Namaste, sir.
16:06Namaste.
16:07All the very best, sir.
16:08My debut film is the first film.
16:09The first film is the first film.
16:10All the very best.
16:12All the very best.
16:13In the teaser film, it was extraordinary.
16:16Like, Ravi Basroor has contributed to the contribution.
16:18He has already got the toxic and busy.
16:21So.
16:22Sir, Ravi Basroor, Garh is like, he, you know, he is like a, what do you call, a waterfall.
16:31Ok.
16:32You ask him something and it flows.
16:34Bucket goes, we'll have to take it.
16:37And then whatever we bring, Alanti goes.
16:39He is a fantastic guy.
16:41And I would actually suggest people like you to visit his studio in Basroor.
16:46And sometimes actually we would love to invite you guys during the background score and all.
16:52And he has created his own studio there.
16:53And then with respect to Toxic and Swayambu working at the same time, most of the times
16:58what happens is like during the day times you would be working in Toxic, night we would
17:03be working for Swayambu.
17:04Or if it is daytime Swayambu, it is night Toxic.
17:08Or two days Toxic, two days Swayambu, Alanti.
17:11So it is like he is handling multiple projects.
17:13See he is top and with respect to background score and all, you can say he is one of the
17:18top guys in India.
17:19So it is obvious.
17:21All the best.
17:22Teaser looks good.
17:23Nikhil Garh.
17:24Hi Nikhil Garh.
17:25Nikhil Garh.
17:26Hi.
17:27Hello.
17:28Hi.
17:29How are you?
17:30I am good.
17:31And congratulations.
17:35So, what exactly is Swayambu is to you.
17:43I have told you about the show.
17:44I have told you about the show.
17:45I have told you that I have told you about the show.
17:46Every year I have to film two films.
17:47But one year I will do one film and it will be a show.
17:49I have told you about the show.
17:51Oh sir.
17:52But I don't know how many fans are, but I'm not sure how many fans are, but I'm not sure how many fans are.
18:01So...
18:02I'm afraid I'm going to say that...
18:04In general, I'm a fan of Swamir and I'm a fan of Swamir.
18:09I've been working on the same time.
18:11So, I've been talking about many of them.
18:13I've been working on the other films like previous films and backlogs.
18:20So, what I realized is that we can do quality films in any cinema, and when you see somebody like Prabhaz Bhai, Rana Ghani, how they have contributed years and years,
18:32Ramacharangaru, Tarakanna, and others, how they have contributed years and years, they are a little bit inspired.
18:37Like, you know, I put it on Maishwabhagar, Varanasi, he's given 3-4 years, so, I also thought, why can't a young guy like me also try the best?
18:50So, if you look at a movie, you can see a movie, you can see a movie, I'm not a movie, I'm not a movie, I'm not a movie, I'm not a movie, but I wanted to be in the look, a warrior feel,
19:00I had a training, 45 days spent, and it was my fault, I felt that this day, his demand worldwide, it was my fault,
19:09Ravi Bhastro is busy, Samyukta and Nabha, it was my fault, so, Bhuvanthi, he wanted to be a producer for a long time, it was my fault,
19:19so, if we don't have time spent yet on this day, that result is my fault, hopefully, it's a positive.
19:25Samyukta, Nikhil, Nikhil, Nikhil, Nikhil, Nikhil, Nikhil, Samyukta,
19:29Atabanda.
19:30Samyukta, Nikhil, Nikhil, Nikhil,ater, Matarabi.
19:32This film is a huge house of 4-5 film, I'm busy.
19:32If you look at a hit product, gdy you are working on a hit.
19:37Sankranti, Zankranti is the producer, so, I found thewrights, because I'm busy.
19:43I want to try something new, different characters, that's my wish, and I love that journey in cinema.
20:08When the film has good technicians, I'm talking about the director, camera man, all the technicians,
20:16then they make sure that you are shown in the right way and you do the right thing and absolutely full safety measures.
20:25I'm not denying that, how many feet, I don't remember, 60 feet or something.
20:32Kind of you are afraid, but the moment you hear action, you don't have a choice.
20:37So, we have to see what else we can do.
20:42Three things.
20:44One thing is either I'll say Shambhu Mahadeva or Jay Hanuman or Jay Shriram, something else.
20:52In the cinema, I'm doing a lot of racing.
20:54And I won.
20:55And I won.
20:56Yeah, I know.
20:57And…
20:58Nikhil Gar.
20:59Hi.
21:00Hi.
21:01How are you?
21:02The cinema's teaser looks good.
21:05Basically, the cinema's teaser looks good.
21:07You lock, you lock.
21:08Why delay?
21:09The release date is a whole.
21:13That's right.
21:14That is a thing because, you know, 100% release will be released.
21:17release and CG we wanted to give a good output, but we ran it 100%
21:24this cinema is not the same time, it's not Sankranti, it's not the same as December cinema.
21:28So we thought, we should release the cinema in 2-3 months.
21:31We had an introduction, this day we had a promotion, next 2-3 months we are going to rock it,
21:36that means we are going to support you.
21:37Do you have any promotion plans?
21:41One second, I'll just answer your question.
21:44Next film is India House, already 30% shooting.
21:47Guys, we have to, it's coming out really well.
21:50And that's why we're going to do it.
21:52Like, when I was very young, every hero has a dream.
21:56Sendhilgarh's frame, so I'm going to show you.
21:59That's why I'm going to show you.
22:03Exactly.
22:05I felt very very happy and you choose.
22:11One last question.
22:13Yes.
22:14Actually, this kind of film so Japanese like viewership
22:18So, Japanese before, after release, they want to play.
22:23Those decisions are in progress, actually.
22:27As I say, it depends on the production.
22:29Are they based on the office as how Hiro said?
22:34I'll give it to Napa.
22:37Napa Gar?
22:38Hi.
22:39Yes, yes.
22:40Good to see you.
22:41Hi.
22:42Good to see you too.
22:43These are people who have inspired this character.
22:44I know the character,
22:46I'm not sure, but I'm not sure if the character is an example.
22:52If you make a character,
22:53you have to maintain a regular heroines,
22:55you have to maintain a X-factor.
22:56So, they are all in the peaks.
22:58Characterizations, you have to get up in the sixth experience.
23:00You have to say,
23:02I have seen a lot of different characters in this video,
23:06and not just the looks,
23:10but also the emotional resonance.
23:13I have seen a lot of the looks,
23:16a lot of scenes,
23:18and I have seen an idea in cinema.
23:21But I have seen a lot of the characters
23:26that I have seen in this video,
23:28and the kind of emotional hold this character has, Sundaravalli,
23:34has in the story.
23:37Even the look is going to be different.
23:44Every guy next door has one woman behind,
23:48for a success.
23:50Yeah.
23:51Every guy is behind one woman.
23:56Fights are there?
23:57Fights are there.
23:58Fights are there.
23:59Just...
24:00Part two.
24:01Part two.
24:02Got to see.
24:03Yes.
24:05Nikhil Garu.
24:06Sir.
24:07Sir.
24:08Sir.
24:09Sir.
24:10Sir.
24:11Sir.
24:12Don't expect that, sir.
24:13It's a compliment for us,
24:14because it's a crazy film,
24:15and Sandil Garu, he made sure.
24:16But it's a realistic film, sir.
24:17And it will be nice, sir.
24:18Comparison.
24:19Sir.
24:20Sir.
24:21By the way, nothing more.
24:22Sir.
24:23Sir.
24:24Sir.
24:25Sir.
24:26Sir.
24:27Sir.
24:28Sir.
24:29Sir.
24:30Sir.
24:31Sir.
24:32Sir.
24:33Sir.
24:34Sir.
24:35Sir.
24:40Arkady is our role.
24:41Sir.
24:42You have started in marketing.
24:43Sir.
24:44Sir, we are going to Bombay, sir.
24:45You can share it, but most of the time,
24:47when you're coming to a TV Gelugie media,
24:49one of the ones that will show inert to us today.
24:51We're going to have a press meet today,
24:52and to come look for the 3D colour.
24:54However, in this media,
24:56we will continue to extensive work of the TV are all working very well summedia
24:58and one of our ownividad experiences matter.
25:00From时候,
25:01Do you want to be an expert as a multi-star?
25:04I would love, sir. I would love to.
25:06That is, you know many things.
25:08This is also a multi-star, sir. We are all there.
25:11This is a lady multi-star.
25:13Okay.
25:14Do you want to be a multi-star?
25:17Sir, I will.
25:19I will do it all, sir.
25:20But if you want to do it, sir.
25:22If you want to do it, it will be a lot of fun.
25:24If you want to do it in a frame,
25:26hopefully it will be someday.
25:28What do you want to do with the body transmission?
25:33Sir, it was a 45-day training session and all that, sir.
25:36Two years of maintenance.
25:38So, two years I was in that thing.
25:39Not just me, even Samiktha.
25:40And everybody, all of us even.
25:42All of us were like, you know, in that periodic zone.
25:44We have some control in that process.
25:47Samiktha,
25:48Yes, sir.
25:49We have all fights.
25:50We have all fights.
25:51We have all fights.
25:53Next, next cinema also.
25:56Fights?
25:57Okay.
25:58Producers,
25:59This is the first movie of Pan-India.
26:01What is the budget?
26:02What is the budget?
26:03What is the budget?
26:04What is your expectation?
26:05What is the budget?
26:06What is the budget?
26:07What is the budget?
26:08What is the budget?
26:09Sir,
26:10in 2023,
26:11there is no problem.
26:12Next, Sankranti will be released.
26:14This is 2026.
26:18So,
26:19there is no budget.
26:21But,
26:22we are not regretting it.
26:23It is a very well spent budget.
26:25collections.
26:26There is no budget.
26:27First day, sir.
26:28First day, sir.
26:29First day, sir.
26:30First day, sir.
26:31First day,
26:32First day,
26:33First day,
26:34First day,
26:35you guys shown to us in the teaser.
26:36Yeah,
26:37thanks, sir.
26:38So,
26:39can you let us know about visual effects?
26:42Sir,
26:43Phantom.
26:44Phantom,
26:45yeah.
26:46As I,
26:47when I was thanking everybody,
26:48as I told that, you know.
26:49Phantom FX has been a very good company who has supported us right from the start.
26:53So,
26:54visual effects,
26:55it is not an overnight processor.
26:56It is like,
26:57they are working with us for close to a year.
26:59And,
27:00full film law,
27:01around 2000 shots.
27:02Another 400,
27:04500 shots,
27:05pending.
27:06Like,
27:07they are still working on it.
27:08And then,
27:09you know,
27:10we are trying to improve it.
27:11As Sandil,
27:12sir,
27:13said,
27:14it's not,
27:15it's just a one day game,
27:17sir.
27:18One Friday game.
27:19And,
27:20one Friday low,
27:21one show ka game.
27:22And,
27:23even in that,
27:24first half,
27:25game kill chases tharo.
27:26So,
27:27in that case,
27:28we have to be as much careful as possible.
27:29So,
27:30for that,
27:31Phantom has been extremely helpful for us.
27:32And,
27:33they are working really hard for us.
27:34Sam Yukta.
27:35Hi.
27:36Hi.
27:37Hello.
27:38Nei janga,
27:39ante,
27:40treezer chooshtu nanta sepu,
27:41bahubali lo,
27:42tamana ani,
27:43choosnetta ni pinchindi.
27:45So,
27:46leir leiru,
27:47ante,
27:48the,
27:49the way you are aggressive,
27:50so much aggressiveness ka ni pinchindi.
27:52So,
27:53cinema,
27:54through,
27:55motam alagya hunde bohthundha,
27:56leka pohthai,
27:57elaa hundhundhundhi.
27:58Ah,
27:59full.
28:00Yeah,
28:01full aggressive.
28:02There is no softness at all.
28:03Eppidu,
28:04edu,
28:05hukk short vettan kudna.
28:06Kada hundhi,
28:07ante,
28:08ante,
28:09ante,
28:10ante,
28:11ante,
28:12complete ka atlaga ka ni pinchindi.
28:13So,
28:14inka elaa hundhundhundhundhi.
28:15It's very situational.
28:17Ante,
28:18edo,
28:19edo,
28:20two shots lundhi,
28:21song,
28:22situational songs lundhi,
28:23two shots,
28:24small,
28:25adhi gudha,
28:26when I was happy to smile,
28:27director sir,
28:28antho uddu.
28:29Takin jendi.
28:30Kuncho romance,
28:31vay pel tute hai,
28:32vay pel tute hai,
28:33antho uddu,
28:34adhi di.
28:35Sindhil sir.
28:37Sindhil sir.
28:38Okka last question,
28:39Dheerajgaru,
28:40yes.
28:41Post Bahubale and RRR,
28:42you said you wanted to take a break.
28:44Yeah.
28:45Ittla bari ta nang,
28:46kundok simple projects,
28:47juneer land cinema chesun arhu.
28:48Yes.
28:49Wasn't this exhausting as well for you?
28:51No.
28:53No.
28:54Like exhausting,
28:55any film is exhausting.
28:56It doesn't matter whether it's a small film,
28:58big film,
28:59adhi vadya tunda,
29:00ledha,
29:01chinne irana,
29:02pedde irana.
29:03Every film has its own challenges.
29:04So,
29:05but,
29:06he challenges time low,
29:07how you do your work,
29:08how you enjoy yourself.
29:10So, working with a very, very excited team
29:13is always gives you lots of energy and all.
29:15And Bharat had a great vision.
29:18So, I am really happy to support him.
29:20So, and,
29:21as you have seen like the kind of contribution all the actors have given.
29:25So,
29:26obviously like,
29:27it is a very happy challenge to be a part of this.
29:33And I am really, really like,
29:34very happy to have done this film, adhi.
29:39Okay.
29:40Also, you push your boundaries as well,
29:41technically.
29:42Yeah.
29:43A camera scan,
29:44technicality scan.
29:45So, what are the boundaries you pushed for Swayambu?
29:47So,
29:48this,
29:49to the maximum like,
29:50see like,
29:51we had a certain constraints in which we have to pull off this one.
29:54So,
29:55what best I can do at every point of time,
29:57and I have been pushing in that.
29:58And,
29:59technically,
30:00like,
30:01storytelling wise,
30:02whatever best,
30:03whatever experience I have gained.
30:04And,
30:05in the cinema experience,
30:06in the,
30:07contribute,
30:08in the,
30:09in the,
30:10in the,
30:11in the,
30:12in the,
30:13in the,
30:14in the,
30:15in the,
30:16storytelling,
30:17is very important.
30:18Eppud,
30:19kud,
30:20like,
30:21technically,
30:22try,
30:23as a story,
30:24as a story.
30:25So,
30:26whatever presently,
30:27we have capabilities.
30:28So,
30:29this film needed a certain kind of approach,
30:30which,
30:31you will see in the film,
30:32how the approach was.
30:33I don't want to talk at this point of time.
30:35Understood.
30:36Also,
30:37and,
30:38Krishnamachari might also answer this.
30:39Sir,
30:40A,
30:41A,
30:42uses echo.
30:43So,
30:44are you,
30:45focusing on CGA,
30:47is there any uses of A,
30:49A?
30:50No,
30:51no A,
30:52it's,
30:53it's not living up to it.
30:54It's not living up to it.
30:55So,
30:56promotion material,
30:57posters,
30:58ads,
30:59not.
31:00So,
31:01first of all,
31:03thank you so much.
31:07Like,
31:08how did you talk about this,
31:09I was a king,
31:10a little kid.
31:11A little kid.
31:12Yes,
31:13he was a kid.
31:14I mean,
31:15you were a kid.
31:16It's a true story.
31:20It's a true story.
31:21I don't know who's a kid.
31:23So,
31:24we stayed true to physics and true to logic.
31:28Done.
31:30You're a kid.
31:31You're a kid.
31:32You're a kid.
31:33It's a kid.
31:34It's a kid.
31:35It's a kid.
31:36It's a kid.
31:37It's a kid.
31:38It's a kid.
31:39It's a kid.
31:40So,
31:41that is what is a movie.
31:42Thank you so much.
31:44I think we will distribute it.
31:45I'm going for a fan tour.
31:46We are releasing a song.
31:47My introduction song.
31:48Me and Nabha's song.
31:49So,
31:50we are going to distribute it.
31:51In that time,
31:52we are going to distribute it in a lot of places.
31:53And that's the plan.
31:54It's free.
31:55I'm going for a fan tour.
31:57We are releasing a song.
31:58My introduction song.
31:59Me and Nabha's song.
32:00So,
32:01we are going to distribute it in a lot of places.
32:04And that's the plan.
32:05It's free for us.
32:06If you want.
32:07Maybe there's a company.
32:08We'll put a tag of that.
32:09And promotion.
32:10Next to too much.
32:11We are going to make sure.
32:12In the theater,
32:13we are going to make sure.
32:15Nabha.
32:16Nabha.
32:17Nabha.
32:18You've got makeup on.
32:19You're running a dance tour.
32:20So,
32:21we are going to be free for us.
32:22If you want,
32:23maybe there's a company.
32:24We will put a tag of that.
32:25And promotion.
32:26Next to too much.
32:28We are going to make sure.
32:29We are going to make sure.
32:30You have to be ready to the theater.
32:39So,
32:40you are going to be doing a lot of movie films?
32:45Next to Naga Bandhanamani, next to Swayambhu, roles got a lot of unique pictures.
32:51So, this cinema audience can connect with all the roles and pictures.
32:55If you have any question, I want to make your pictures.
32:59I can say both, maybe I am in my periodic area.
33:03Maybe bored of present, going back in time, no, not?
33:07Always late, also good.
33:09Yeah, yeah, no, but generally…
33:12Yeah, actually, two cinema has a lot of different spaces.
33:17Swayambhu is a different space, Naga Bandhanam is a different space.
33:21Two characters have a lot of variation.
33:24Just outlook, periodic and historic,
33:28the emotional arc, even the progression of characters are completely different.
33:35And also, these movies are reaching the, you know, larger audience.
33:45Yeah, I think that's probably the reason.
33:48But I am very happy about it.
33:54Yes.
33:55Done, thank you.
33:56Thank you so much to all our media friends.
Comments