- 2 days ago
When two swimsuit models are set adrift as part of a publicity stunt, they are seized by the undead followers of the Knights Templar - a sect of medieval monks who were executed in the 14th century for their occult practises.
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Short filmTranscript
00:00:00Thank you very much.
00:00:30Come on, Greta, lean back and stick them out.
00:00:43That's it. Betty, turn to your left.
00:00:45To your left, dummy, I said. To your left.
00:00:47Normie, can you get rid of that stupid look on your face, please?
00:00:50All right. Shoot.
00:00:52Normie, little to the right.
00:00:54Betty, to the center.
00:00:56A little bit more there.
00:00:59That's it. To the center. That's right.
00:01:01Keep it now. Quiet. Hold the position.
00:01:03Take it. Hold up.
00:01:05Back to first position now. You to the right.
00:01:07Not you, Einstein. Her.
00:01:10Finally. All right. Now let's see.
00:01:13Turn a little that way now.
00:01:16That's it. Take it. Please.
00:01:19Not bad.
00:01:22Okay. Okay. Next slot.
00:01:25On the boards.
00:01:27Thank you, Groucho, Harpo, and Chico.
00:01:30Now let's see what we are going to do.
00:01:32Oh, Jane, you're a little heavy. You should go on a liver diet.
00:01:35And you put your... What's your name?
00:01:37Put your arms over your head. That's it.
00:01:39Gracefully, please.
00:01:41A little over here. Hands on the knee.
00:01:43Fabulous.
00:01:48We'll let you know.
00:01:50That's it.
00:01:51Thanks. See you tomorrow.
00:01:52Okay, Lil.
00:01:53Bye.
00:01:55What's the matter? You're usually pressed to go home.
00:01:56I must talk to you.
00:01:57I'm sure it can wait another day. After all this work, I'm kind of beat.
00:02:10Yes, but we're alone now, Lil.
00:02:11Oh, it's urgent.
00:02:12Yes, it is.
00:02:13Well, make it brief, Noemi. Sit down.
00:02:14Thanks, but no thanks.
00:02:15Well, let's hear it, Noemi.
00:02:16It concerns Kathy.
00:02:17Kathy?
00:02:18Yes, ma'am.
00:02:19We share the same apartment, but that you know.
00:02:20Yes, I know.
00:02:21And, uh, she's missing for some days.
00:02:22Well, she might have found work, though.
00:02:23I don't know if it can wait another day.
00:02:24I don't know if it can wait another day.
00:02:25After all this work, I'm kind of beat.
00:02:26Yes, but we're alone now, Lil.
00:02:27Oh, it's urgent.
00:02:28Yes, it is.
00:02:29Well, make it brief, Noemi.
00:02:30Sit down.
00:02:31Thanks, but no thanks.
00:02:32Well, let's hear it, Noemi.
00:02:33It concerns Kathy.
00:02:34Kathy?
00:02:35Yes, ma'am.
00:02:36We share the same apartment, but that you know.
00:02:37Yes, I know.
00:02:38And, uh, she's missing for some days.
00:02:39Well, she might have found work, but I don't know.
00:02:42You know.
00:02:43Yes, I know.
00:02:44And, uh, she's missing for some days.
00:02:47Well, she might have found work somewhere else.
00:02:50But I would have known.
00:02:52She's my most intimate friend.
00:02:54Well, now.
00:02:57It's not unusual, Kathy.
00:02:59I just, uh, found a really nice young man and left you all alone.
00:03:03No, Lillian.
00:03:04No, that's not true at all.
00:03:06You know she loves me.
00:03:07I...
00:03:08I can't take an interest in your private life, honey.
00:03:11I'm only your employer.
00:03:13Well, I know you telephoned Kathy only a few days ago.
00:03:17And you know something I don't know.
00:03:19A coincidence.
00:03:20I'm completely in the dark.
00:03:22I'm going to have to inform the police, Lill.
00:03:24That you shouldn't do.
00:03:27Then give me one good reason why not.
00:03:30You know perfectly well where Kathy is and what's happened to her.
00:03:34All right.
00:03:36She's out of town, special assignment.
00:03:41When it's over, you'll hear of it.
00:03:43But why is it so mysterious?
00:03:45It's for a new product we're managing and we're treating with maximum security.
00:03:49Till the proper time.
00:03:53Simple as that.
00:03:55I hope it is simple.
00:03:57Yet I think that she's in jeopardy.
00:04:03I tried to leave you out of all this.
00:04:06But if you really want to know, meet me exactly at 7 at Pier 3.
00:04:12I'll see you then Pier 3.
00:04:37Are you surprised that I'm early?
00:04:39Well, yes.
00:04:43I wasn't sure you'd show up.
00:04:46But I was just checking on you.
00:04:48At 6, you're really a pain in the neck.
00:04:50Tell me what's going on then.
00:04:51This job isn't just mine.
00:04:53It depends on another person.
00:04:55The one who's paying, that's the one in charge of it.
00:04:58Get that through a blonde head.
00:04:59Well then, at least tell me what has been happening to my roommate.
00:05:04Follow me.
00:05:09Go ahead.
00:05:12Oh, you go first.
00:05:13Ah.
00:05:16Well, are you coming in or not?
00:05:24It's hard time you got here, baby.
00:05:29Who's she?
00:05:30Noemi.
00:05:31A pal of Cathy.
00:05:32Does Mr. Tucker know she's here?
00:05:34No.
00:05:36He may not like it much.
00:05:37Doesn't matter.
00:05:38She wanted to call the police.
00:05:41But why?
00:05:42Because of Cathy's disappearance.
00:05:44They live together.
00:05:46And she's worried.
00:05:47You're hired to prevent these things.
00:05:49It was just a question of a few days.
00:05:52Won't someone please tell me what's happened?
00:05:54Where is Cathy?
00:05:55She's in a boat.
00:05:56In a boat?
00:05:58It's broadcast time.
00:06:00She's been hired for a publicity stunt.
00:06:02In a boat.
00:06:04Whose idea is this?
00:06:05Yours or hers?
00:06:06You have to know.
00:06:07Mind you, I always thought it was a pretty terrible idea,
00:06:09but its real saving grace is its extravagance.
00:06:14I still don't get a thing.
00:06:16Then I'll explain.
00:06:17I'm Howard Tucker, as you no doubt know,
00:06:19the sporting goods magnate.
00:06:22On various occasions,
00:06:23I've utilized the services of the Berry Agency.
00:06:27Lillian's been a fantastic help in bringing about
00:06:30a birth of a colossal and a very beautiful idea.
00:06:34Oh, but it's true, then,
00:06:35that she's out in the middle of the damned ocean.
00:06:37Here.
00:06:38Is she all right?
00:06:40For company, she has the starlet Lorena Kaye,
00:06:42who knows how to maneuver a yacht.
00:06:44But what do you plan to prove with all this?
00:06:47We have placed them at a point
00:06:48where they're bound to be seen by all sorts of boats
00:06:50on a major shipping route,
00:06:51so they'll be discovered.
00:06:54Accidentally, and of course, on purpose.
00:06:57Two bucks and beauties on the Atlantic
00:06:59in a motor cruiser, just as smug as a bug in a rug.
00:07:03Hmm.
00:07:04But why didn't you follow them with the yacht,
00:07:05at least for safety?
00:07:06Now, that would have ruined the whole idea.
00:07:09Um, think of it from the publicity angle.
00:07:12It has to be casual.
00:07:14Well, if they're out there alone and helpless,
00:07:18the news will delight our friends of the press.
00:07:21And there'll be television and lots of publicity.
00:07:24Right.
00:07:25It still sounds risky to me.
00:07:28Does it now?
00:07:30Well, not as much as it appears.
00:07:33The Tucker Sporting Launch has undergone
00:07:35the most strenuous tests in the world.
00:07:37But if there's an emergency, I have a helicopter.
00:07:39The girls are well paid and they know what they're doing.
00:07:41Maybe, but I wouldn't do it for all the money in the world.
00:07:47I would.
00:07:49That just goes to show you that our friend Lillian
00:07:51knows how to pick the right people.
00:07:54Hey, I think I've got something here.
00:07:55This is H.G. speaking.
00:07:59This is H.G. speaking.
00:08:00Come in. Answer us.
00:08:02Come in, Operation Atlantic.
00:08:03Come in, Atlantic. Over.
00:08:05This is Operation Atlantic.
00:08:07Operation Atlantic.
00:08:08We can hear you perfectly, H.G. Come in.
00:08:11Give position.
00:08:13Kathy, this is Noemi.
00:08:14Cut it.
00:08:15Just exactly where are they?
00:08:16Give position.
00:08:18Hi, Noemi.
00:08:19How the hell did you find us?
00:08:20Don't throw the secret or we may have to kiss our Hollywood contract goodbye.
00:08:24Lay off the commentary and mark your position. Over.
00:08:27All right. Don't blow your cool.
00:08:28We're in about the same position as yesterday, as far as I can tell,
00:08:31surrounded by fog.
00:08:33We can't even mark our way by the stars.
00:08:35We'll stay drifting.
00:08:38What the hell is all this drifting about?
00:08:40They stopped the motor to maintain position.
00:08:42Where is the boat?
00:08:43I don't know. Not too far, of course.
00:08:46Now listen to me carefully.
00:08:47Maintain your present position.
00:08:48Do you hear?
00:08:49For the moment, the compasses were still on course.
00:08:53Please don't bug me with any more complications.
00:08:56The fog is more and more dense.
00:08:58And it's amazing how hot it's getting around here.
00:09:01It's almost like, instead of going north, we're headed toward the tropics.
00:09:04It's like being on another planet or something.
00:09:06A sensation I've never felt before.
00:09:08Oh, what's that?
00:09:14What's happening?
00:09:15Even if you're having difficulty, you've got to stick to your course.
00:09:18There's a big dark galleon bearing down on us.
00:09:21Why don't you use your flares?
00:09:22Look under the cushion for the flare gun.
00:09:24Lorena, the flares are under the cushion.
00:09:26Get the microphone.
00:09:27Hey!
00:09:28You in the boat!
00:09:29You in the boat!
00:09:30Watch out!
00:09:31Give it to me!
00:09:32Hey!
00:09:33You in the boat!
00:09:34Can't you wait?
00:09:35Hey!
00:09:36Stop!
00:09:37Take it!
00:09:38They couldn't have seen our signal.
00:09:39What kind of a boat is it?
00:09:40There's no one on deck.
00:09:41Another flare, quick!
00:09:42Come in a clip.
00:09:43Come in a clip.
00:09:44What's going on?
00:09:45The flares aren't doing any good.
00:09:46There must be some way to help them, though.
00:09:47Where are your courses in the rings?
00:09:48It's on top of us!
00:09:49Some way!
00:09:50Watch out!
00:09:51Watch out!
00:09:52Oh!
00:09:53Oh!
00:09:54Lord!
00:09:55Come in a clip!
00:09:56What's going on?
00:09:57The flares aren't doing any good.
00:09:58There must be some way to help them, though.
00:09:59Where are your courses in the rings?
00:10:00It's on top of us!
00:10:01Somebody!
00:10:02You've changed!
00:10:03Ugh!
00:10:04Oh!
00:10:05Oh!
00:10:07Oh!
00:10:08Oh!
00:10:09Oh!
00:10:10Oh!
00:10:11Oh!
00:10:12Oh!
00:10:13Oh!
00:10:14Oh!
00:10:15Oh!
00:10:16Oh!
00:10:17Oh!
00:10:18Oh!
00:10:19Oh!
00:10:20Oh!
00:10:21We're okay, the impact was light. There's not much damage, but it sure was scary.
00:10:25What's your condition?
00:10:26We seem to be taking on a little water, but it's not serious. We're safe, at least for now.
00:10:31And very lucky.
00:10:37The boat will withstand a lot, almost everything, but get away from that ship because it might be dangerous.
00:10:41But Howard, the ship is motionless and there's no one on board.
00:10:43Have you gone blind? What kind of a ship is that with no one on board?
00:10:46Looks to me like a ghost ship that appeared out of nowhere, but it's big and sinister.
00:10:49Give it to me.
00:10:50I'm sending a helicopter.
00:10:52How long will it take you to reach us, Howard?
00:10:54I went out of this thing right now. I'm really fed up.
00:10:57I pay you to do as I say.
00:10:58Take it.
00:11:00Now listen, we're all right. Don't worry, Mr. Tucker.
00:11:02Just get here quickly. You can do whatever you like.
00:11:04But I'm getting out of this garbage scowl now.
00:11:07Well, at least you can do as help me.
00:11:20All right. Be careful. If you don't mind, I'll stay here.
00:11:24I've got it. Go.
00:11:31Careful.
00:11:33Now those imbeciles are going to ruin the whole idea.
00:11:36They've got a right to protect themselves.
00:11:38Don't butt into this.
00:11:40Look at this.
00:11:41Look at this.
00:11:42Look at this.
00:11:47Look at this.
00:11:49Let's go.
00:11:50Let's go.
00:11:51Let's go.
00:11:52Let's go.
00:11:53Let's go.
00:12:23Let's go.
00:12:53Let's go.
00:13:23Let's go.
00:13:53This is Operation Atlantic.
00:14:01Are you still there?
00:14:02Are you there?
00:14:03What now?
00:14:04The rain had just run aboard that creaky monster.
00:14:07Please hurry.
00:14:08It's scary.
00:14:09Over and out.
00:14:09Well, the plan is a failure.
00:14:29A total write-off.
00:14:31Our only hope is to get those girls out of there, and with maximum discretion.
00:14:36Pray, Tucker, that you get Kathy out of this, or you'll find yourself involved in a real public scandal.
00:14:41We're not leaving here now because we can't let you go.
00:14:44Let me go.
00:14:45You mustn't do that to her.
00:14:47You keep out of this, Lil.
00:14:49You're mixed up in this enough already.
00:14:52I'm going to try to find a way out.
00:14:54Dammit, take your hands off of me.
00:14:58You're hurting me.
00:15:00Stop.
00:15:00Let me go.
00:15:05Stop it.
00:15:12Let me go.
00:15:13Stop it.
00:15:23How much time do you expect to keep me here?
00:15:35Don't worry about it, baby.
00:15:37As soon as it's safe, we'll be glad to let you go home.
00:15:41I need water.
00:15:48Drink some milk.
00:15:50I don't like milk. I want some water.
00:15:53You're a pain.
00:16:23I want some milk.
00:16:26I want some water.
00:16:29I want some water.
00:16:34I want some water.
00:17:39No, no, stop.
00:17:41Let me go.
00:17:43Hey, hey, come on, will you?
00:17:45No, no, let me go.
00:17:47Let me go.
00:17:49No.
00:17:50All right.
00:17:58Come on, will you?
00:18:02Let me go.
00:18:03Let me go.
00:18:04Let me go.
00:18:05Let me go.
00:18:06Easy.
00:18:08Easy.
00:18:09Easy.
00:18:21Easy.
00:18:22Oh, my God.
00:18:52Oh, my God.
00:19:22This is Sergio.
00:19:32This is Sergio calling H.T.
00:19:34Come in, H.T.
00:19:35Over.
00:19:38This is H.T., this is H.T.
00:19:40Sergio, did you find them?
00:19:41Over.
00:19:41We've covered an area of 50 square miles.
00:19:43Not a trace of the launch of the Galea.
00:19:44I don't know what else to do.
00:19:45Over.
00:19:45I can assure you both, there's never any fog in that region you've indicated to me.
00:19:50That just doesn't make sense.
00:19:51Look, Mr. Tucker, we have a weather observation ship in that area.
00:19:55They'd have reported anything so peculiar as the phenomenon you've described to me.
00:19:59No, my friend, our ships are quite efficient.
00:20:01Besides, this is a low-pressure zone with absolutely no fog.
00:20:04And how can you explain to me how two girls got lost in a boat in a fog in that zone?
00:20:10They told you that?
00:20:11Yes.
00:20:12And they said the heat was equatorial.
00:20:14At that point in the ocean?
00:20:17Mm-hmm.
00:20:17Well, were they, these young ladies, sending you up, my friend?
00:20:22No.
00:20:23May I ask you something?
00:20:24Do you know them very well?
00:20:25You're barking up the wrong tree, Professor Gruber.
00:20:27Those girls work for me.
00:20:29That's why I pay them.
00:20:30But my good man, don't get so flustered.
00:20:32I only ask that because you know what's said about young ladies.
00:20:34You never know about them.
00:20:35I don't believe that.
00:20:36It's because they're professionals and they wouldn't take advantage.
00:20:40All right, then.
00:20:41The problem is yours.
00:20:42I'm not running a missing persons bureau.
00:20:44This is a research center.
00:20:45It's a scientific research center.
00:20:47Now leave me alone.
00:20:48Let's get out of here.
00:20:51Wait.
00:20:56Professor Gruber?
00:20:59Professor Gruber?
00:21:01What on earth is it now?
00:21:03Well, nothing.
00:21:05I did come up with a strange idea, but I guess it's really not very important.
00:21:09Just about the galleon.
00:21:10What?
00:21:11Wait a moment.
00:21:12Excuse me.
00:21:12Did you say galleon?
00:21:13Did they mention something about one?
00:21:15It could be just a fantasy of the girls.
00:21:17Hold a moment.
00:21:18But what did they say about a galleon?
00:21:20Did they really see one?
00:21:22Yes.
00:21:22And one went on board.
00:21:24At least that's what they told us.
00:21:26May we talk to the girls?
00:21:27Can you contact them and get a bearing on the galleon?
00:21:29Yes and no.
00:21:29We have to locate them and not just by radio.
00:21:31Well, they won't return.
00:21:35You can bet on that.
00:21:36They won't return?
00:21:37Nonsense.
00:21:39Nonsense.
00:21:40They'll never return.
00:21:41What do you mean?
00:21:42You know something we don't?
00:21:43That the galleon exists.
00:21:45Passing ships have seen it drifting on that meridian.
00:21:48But what has that to do with the girls not returning?
00:21:51I don't know.
00:21:54And I can't tell you either.
00:21:55Well, I only know that those who have seen it up close have never survived.
00:21:59All the information we have on the abandoned galleon are, well, messages from several commercial ships.
00:22:04Always small crafty.
00:22:05Here you may see.
00:22:06Just a few descriptions.
00:22:08Sent to us by fishermen and yacht captains.
00:22:11They never returned.
00:22:13Apparently just swallowed up by the ocean.
00:22:15But the ship must be out there somewhere.
00:22:17Oh, no.
00:22:17Forget that.
00:22:18We've sent out our aircraft, our patrol boats.
00:22:21All of our efforts have been completely in vain.
00:22:23But I don't believe in that.
00:22:25That's how the legend started.
00:22:27What legend?
00:22:28That it's a phantom ship.
00:22:30Could it really be possible that you haven't heard about it at all?
00:22:33I don't believe in Santa Claus, phantom ships or fortune tellers.
00:22:36I can see you have a very practical mind, Mr. Tucker.
00:22:40That's right.
00:22:41And I find Twilight Zone tales ridiculous.
00:22:44Before, my scientific background obligated me to accept only the most immutable kind of evidence.
00:22:50Not superstition.
00:22:54But now I've changed.
00:22:55But why?
00:22:56Well, you see, because some things can't possibly be explained by science.
00:23:00You mean all this about a disappearing ship?
00:23:02Well, as I said, I don't believe in your tales.
00:23:04And I've readied my yacht to go looking for the girls.
00:23:07You're determined, aren't you?
00:23:08I warn you, it could be dangerous.
00:23:10Whatever you say the risks are, I'm going to bring them back with me.
00:23:15Very well.
00:23:15You're absolutely convinced, eh?
00:23:19Hold on.
00:23:20If you spot the phantom ship, would you make contact with me as soon as you can?
00:23:24I have no more time to entertain your fantasies.
00:23:30I think you've seen too many horror films.
00:23:31Very funny.
00:23:33Wait, wait a minute.
00:23:35Take me along with you.
00:23:36If you're lucky enough to find the ship, I've got to be there, if you don't mind.
00:23:39There you go.
00:23:40There you go.
00:23:42Joe, Joe.
00:23:46Give me a damn.
00:23:50Take me along with you.
00:24:00Hello, HT. Hello, HT. This is Operation Atlantic.
00:24:20Do you read me?
00:24:26Come in.
00:24:30I can't hear anything. These earphones are broken.
00:24:35I don't know if you can hear me, but in any case, I'm going to try to give you the report for today.
00:24:40I don't have any news for you about Lorena. For some stupid reason, I've been asleep.
00:24:45I don't know why. I don't understand it. It's still very foggy, and the heat is really intense.
00:24:51I think that's why I'm so sleepy. The boat keeps filling with water, and I don't have the energy to bail it out.
00:24:57And I can't stand the idea of having to spend another night alone.
00:24:59I'm sorry. I just can't stand it any longer. I'm going to board the galleon and look for Lorena.
00:25:06Do you read me? I just hope you've heard me. Over and out.
00:25:11Do you read me? Let's wait.
00:25:17Do you read me? I don't know.
00:25:19Do you read me? I want to get one right.
00:25:23Do you read me? I don't realistic.
00:25:25I don't know. I lost you, except for you.
00:25:27Do you read me? The列 is �
00:25:38Let's go.
00:26:08Lorena, Lorena.
00:26:38Let's go.
00:27:08Lorena.
00:27:22Lorena.
00:27:24Lorena.
00:27:36Lorena.
00:27:38Lorena.
00:27:52Lorena.
00:27:54Lorena.
00:28:08Lorena.
00:28:10Lorena.
00:28:22Lorena.
00:28:24Lorena.
00:28:26Lorena.
00:28:38Lorena.
00:28:40Lorena.
00:28:42Lorena.
00:28:44Lorena.
00:28:46Lorena.
00:28:48Lorena.
00:28:50Lorena.
00:28:52Lorena.
00:29:00Lorena.
00:29:06Lorena.
00:29:08If we maintain the speed, we should be there soon.
00:29:38You really think we'll see something around here?
00:29:39Oh, I think so, yes.
00:29:44Why'd you get pulled into this, anyway?
00:29:47I often ask myself if I wasn't wasting my time among my maps,
00:29:52while others were leading more adventurous lives.
00:29:55I was tired of being a vegetable.
00:29:58Yet I'm not so sure about that phantom ship.
00:30:00What do you think, man?
00:30:03Nothing right now. I guess we'll find out, Professor.
00:30:05You know what I mean?
00:30:07Are you angry I forced you to come along?
00:30:11It would be impossible for me if you'd gone to the police.
00:30:15And just what do you think I'll do when we return, eh?
00:30:18When we bring back your friend.
00:30:20Your claim that she disappeared will look pretty silly.
00:30:23Why are you so sure?
00:30:26Because I pay her well.
00:30:27Same old thing.
00:30:29Money, it's disgusting.
00:30:39What happens if we can't find the girls out there?
00:30:43Oh, I think we'll find them.
00:30:44I don't.
00:30:45I'd be so cursed by the press and even my friends
00:30:49as the one responsible
00:30:51that I'd have to give up all my projects.
00:30:53Is that what preoccupies you?
00:30:56Yes.
00:30:57It's been many years
00:30:58making my proposed boat a big success.
00:31:03And I'd have to abandon it.
00:31:06How about inventing some kind of a small story?
00:31:11What?
00:31:16Like, uh, what story?
00:31:19Oh, it's really very logical.
00:31:23The girls fooling around on a cruise that they don't know,
00:31:27a fight, imbibing too much,
00:31:29then they go up on deck and splash go overboard.
00:31:32These things could easily happen.
00:31:35They'd have to believe both Sergio and me.
00:31:39No Amy and the professor?
00:31:41Who knows about their embarking with us?
00:31:44The two disappearances.
00:31:46With no relation whatever.
00:31:48Mother
00:31:56Oh, it's okay.
00:31:59Good job.
00:32:01Oh, it's okay.
00:32:02只好
00:32:02Oh, it's okay.
00:32:06The End
00:32:36The End
00:33:06The End
00:33:36The End
00:34:06The End
00:34:36The End
00:35:06The End
00:35:36The End
00:36:06The End
00:36:36The End
00:37:06The End
00:37:36The End
00:38:06The End
00:38:36The End
00:39:06The End
00:39:36The End
00:40:06The End
00:40:36Look at that, Miss Professor
00:40:41Look at that, Miss Professor, hmm?
00:40:43Well...
00:40:44Yes, they were right. Strange.
00:40:56There it is. How can you explain the failure of your weather control ship now?
00:41:06That strange mist isn't normal. Don't you sense the intense heat? It's very logical. Yes, what's the cause of it?
00:41:16I'm certain that we are?
00:41:46to maneuver the big boat through the...
00:41:47I said, ready the small one.
00:41:50You're the boss.
00:41:58Look! Look, there's the ladder.
00:42:00Maybe they got away.
00:42:01I hope you're right.
00:42:16Mm-hmm.
00:42:46Come on.
00:43:15Are you alive in this position?
00:43:18Yes, I can explain it to you.
00:43:22Well, we're in the middle of a nightmare.
00:43:26This mist isn't real.
00:43:28Nor is this authentic 16th century galleon real.
00:43:33Hmm.
00:43:36Nothing is real.
00:43:39Science would deny it.
00:43:41But it doesn't exist.
00:43:45And you?
00:43:47Are you real?
00:43:48Because I'm not so sure science wouldn't deny your existence as well, Gruber.
00:43:52Believe it or not, I'm beginning to doubt it.
00:43:53My whole world has been science and truth.
00:43:58The only truth missing here is a little bit of light.
00:44:01And this.
00:44:03Ah, you're quite a practical man, aren't you, Mr. Tucker?
00:44:07That's the big difference between fact and theory.
00:44:10That's the big difference between fact and theory.
00:44:10Don't mind.
00:44:14As-
00:44:14Yes, sir.
00:44:19As-
00:44:23As-
00:44:29As-
00:44:34Hey, here.
00:44:56It's in there, in the cabin.
00:44:58What is it?
00:45:00The back Kathy had.
00:45:01That's nothing new, not if they're both still on this barge.
00:45:04You can do as you like. I don't care.
00:45:05But I want to find Kathy immediately.
00:45:07I give the orders here, and don't you forget it.
00:45:12Hey, come here.
00:45:28Now they've gone off with our boat.
00:45:30No, it didn't. It just returned to a normal dimension.
00:45:34When it reappears there, no one's going to know we're here.
00:45:36Our disappearance will be just another mystery of the sea.
00:45:39Yeah, well, this is no mystery, and there is no other dimension.
00:45:43Yeah, and we'll be rescued.
00:45:46I know that we damn well better be.
00:45:49Right now, we need some rest.
00:45:50We'll work it out tomorrow.
00:45:51Leave me alone.
00:46:04Listen, take it easy, Tucker.
00:46:07I don't think I've ever seen you so insecure.
00:46:10Just get out.
00:46:13Well, if only money were any help.
00:46:15There are your industries, your colossal accounts, and your big yachts.
00:46:18I told you to get out.
00:46:21What a situation we have.
00:46:23You're no longer the big shot, Tucker.
00:46:24Curious, but funny.
00:46:29Where are you going?
00:46:30I'm leaving.
00:46:31Don't you want to sell consolatives?
00:46:32I'll stay here.
00:46:33And since when do you think I have to bow and scrape at your orders?
00:46:39You say right here.
00:46:41Giving me a command?
00:46:44You're living on my cash.
00:46:47Oh, it's so different now.
00:46:49And when's it going to hit you?
00:46:51You're not talking to a slave now.
00:46:53I don't know how this will come out in the end.
00:47:01But it isn't a bad thing, the satisfaction of being my own man again.
00:47:07Don't leave me now, Sergio.
00:47:09I'm frightened.
00:47:19Say it a bit louder.
00:47:20All right, I'm frightened.
00:47:21I'm frightened.
00:47:23All right, let's go.
00:47:53Hey, that's no way to study.
00:48:06I'm not asleep.
00:48:07Yeah, I've got eyes.
00:48:09I was dreaming I was a model publicizing a perfume.
00:48:13Modeling dresses made by Dior.
00:48:15Do you think I could be a good model?
00:48:17I'm sure of it.
00:48:20It's your parents who always liked you to be a secretary.
00:48:23So get out those books.
00:48:25You know, I've been thinking.
00:48:27Yes.
00:48:28I bet if I begged them, they'd say.
00:48:29No, I'm sure they'd say no.
00:48:31No, but if you told them, I bet they'd say.
00:48:34Oh, go on.
00:48:36Would you?
00:48:37You said you would.
00:48:38Won't you forget?
00:48:39Oh, come on, cut it out.
00:48:41You could teach me all the important things like fixing my hair, and I could learn to do it just like you.
00:48:45Oh.
00:48:52But what are you doing?
00:48:53It's really extraordinary.
00:48:55Mia offered a contract at filming one of those big publicity stunts.
00:48:59You took it?
00:49:00Of course.
00:49:01A visit to the Côte d'Azur.
00:49:02Why, I can't imagine a greater opportunity.
00:49:09What's the matter?
00:49:10You don't like the idea?
00:49:12Yes, but I'm afraid of being apart.
00:49:15You're a big girl now.
00:49:16You could be a bit more independent, you know.
00:49:17Your friends won't favor you all your life.
00:49:23Oh, come on, come on.
00:49:37Don't take me so seriously.
00:49:39I was just spoofing.
00:49:41Come over here, Kathy.
00:49:43You're not going...
00:49:44But of course.
00:49:46And we'll both go together.
00:49:48And no more pouting.
00:49:49Oh, thank you.
00:49:54Mm-hmm.
00:50:24Mm-hmm.
00:50:54Mm-hmm.
00:51:24Mm-hmm.
00:51:54Mm-hmm.
00:52:24Mm-hmm.
00:52:54Mm-hmm.
00:53:24Mm-hmm.
00:53:54Mm-hmm.
00:54:02Kathy, are you there?
00:54:06Answer, please.
00:54:08Kathy.
00:54:08Kathy.
00:54:18Kathy.
00:54:50Kathy, if you're in there, answer me.
00:55:20Please.
00:55:21Please.
00:55:23Please.
00:55:25Please.
00:55:27Please.
00:55:29Please.
00:55:31Please.
00:55:33Please.
00:55:35Please.
00:55:37Please.
00:55:39Please.
00:55:41Please.
00:55:43Please.
00:55:45Please.
00:55:47Please.
00:55:51Please.
00:55:55Please.
00:55:57Please.
00:56:01No! No! No! No! No! No! No!
00:56:31Ah
00:57:01Oh
00:57:27Oh
00:57:31Oh, no!
00:57:32Help!
00:57:34Oh!
00:57:35Oh!
00:57:37Oh!
00:57:38Oh!
00:57:39Ah!
00:57:41Oh!
00:57:42Oh.
00:57:43Oh!
00:57:52Oh!
00:57:54Oh!
00:57:55Oh!
00:57:56Oh!
00:57:57Oh!
00:57:58Oh!
00:57:59No!
00:58:02No!
00:58:05No!
00:58:08No!
00:58:11No!
00:58:16No!
00:58:19I don't want it!
00:58:21No!
00:58:25Ah! Ah! Ah!
00:58:29Ah!
00:58:50Ah!
00:58:55Oh
00:59:25Oh
00:59:55What is it now
01:00:25Come here, look what I found
01:00:27Forget it, we've got to keep looking for the girls
01:00:29But we've been looking for them all over
01:00:31We may have the key to the whole mystery here
01:00:34Ah, here it is
01:00:39The key to the whole mystery, look
01:00:41Now what are you up to?
01:00:43The Daling have a peaceful guide
01:00:44Forget the history, Professor
01:00:46Those damn girls are on this boat
01:00:48And I'm going to find out where
01:00:49No, now listen, it's quite clear
01:00:52You see, we haven't seen the girls
01:00:53Because they're no longer on the boat
01:00:55Oh, you're suggesting they threw themselves overboard
01:00:57Now listen to me, I have got the key
01:00:59Now do you want to hear me out?
01:01:02Make it as brief as you can
01:01:03Don't be so impatient
01:01:05All right then
01:01:06This book was the daily navigational book
01:01:09Which the captain had on board with him
01:01:12And it so happened that he was named the Hollander
01:01:14And he was coming back from the Orient
01:01:16With militants
01:01:17Men of Calvary or perhaps friends of the Templars
01:01:20Who were excommunicated by the Pope
01:01:23And banished for the celebrations of Satan
01:01:25That would place it in the 18th century
01:01:27But this Galen is from the 16th century
01:01:30Yes, yes
01:01:31Brilliant observation, my dear
01:01:33But the book goes on to say
01:01:34These sectarians, with their sacrifices
01:01:38To appease the forces of evil
01:01:39Succeeded in dominating mortality
01:01:41So they embarked two centuries afterward
01:01:43I've heard enough
01:01:45Bad ghouls and boogeymen
01:01:46Now wait
01:01:48There's more
01:01:49On this boat
01:01:50Besides a great treasure
01:01:52Exists these cases
01:01:54All of them forming sarcophaguses
01:01:56Each containing the mummified corpse
01:01:58Of a cursed sectarian
01:01:59All of them come to life nightly
01:02:01By a renewal of their orgy to Satan
01:02:03Yes, but be a little realistic
01:02:06And scientific
01:02:07Do you really believe in all of this?
01:02:10It's very true
01:02:11I admit I'm an oddity in this area
01:02:12What other explanation is there
01:02:15But that it's just fate?
01:02:18I don't know
01:02:19This boat navigates
01:02:21In a kind of mist
01:02:22That doesn't exist
01:02:23In any other place
01:02:24Meteorologically
01:02:25It's not detected by any radar
01:02:28Nor by any rule of navigation
01:02:30It's only viewed
01:02:32When it's hunting its prey
01:02:33A small boat
01:02:34Undefended
01:02:35And what happens
01:02:37We're sure about that now
01:02:38How long have we been sleeping?
01:02:43Consult your watch, Mr. Tucker
01:02:44Fourteen hours
01:02:47That smells similar to that
01:02:50Produced by certain plant carnivores
01:02:52I know what's in store tonight
01:02:54They'll want
01:02:56Another victim
01:02:58In their hideous bloodletting
01:02:59Oh, all these legends about ghosts
01:03:01Whatever it is
01:03:02You may think it's perfect madness
01:03:03Now I'm going to search the boat
01:03:05You go along with Lillian
01:03:07Sergio, follow me
01:03:08Move then, Howard
01:03:09Move, but don't waste any time
01:03:11Where?
01:03:12Up that ladder
01:03:12Come on, Sergio
01:03:13Over there
01:03:14Move me
01:03:14Do you
01:03:36Do you want to go first?
01:03:39Or
01:03:39Do you prefer to
01:03:41Have me go ahead of you?
01:03:43The same to me
01:03:44All right, I'll go first
01:03:50But be careful
01:03:51We don't know what's down there
01:03:55Well, you sure know
01:03:57How to give a person
01:03:58A lot of confidence
01:03:59Come on, my dear
01:04:03I'm getting a little curious
01:04:06No, Noemi
01:04:31Are you there?
01:04:52Noemi
01:04:52Oh, I'm sorry
01:05:14So am I, my dear
01:05:18I didn't mean to
01:05:19I don't know what's the matter with me
01:05:22I know you didn't mean it, Miss Berry
01:05:24It's just fear
01:05:25And I feel exactly the same way
01:05:28I don't know you
01:05:45Take that
01:05:47I don't know you
01:05:49Me
01:06:19I'm going to look into what's in these cases.
01:06:37Why don't you give Howard to give your hand?
01:06:39No, no, no, no, no.
01:06:41It's better to look into these things now than to wait until they get down here.
01:06:44Who knows what we might find.
01:06:49Well, all right.
01:07:06What is it now?
01:07:22A mouse.
01:07:23That's it.
01:07:26A mouse or a wild beast?
01:07:27Professor.
01:07:49What do you make of this?
01:07:51What do you make of this?
01:07:57That?
01:07:58I'm sure you're going to break it.
01:08:00Especially if you continue banging it.
01:08:02Not the lantern.
01:08:03I'm talking about the wall.
01:08:05Let's see.
01:08:08It's hollow.
01:08:09There must be a room in there.
01:08:11And that could be where no man and the other girls are.
01:08:13Is that what you're thinking?
01:08:14No, no, no, no.
01:08:15That's simply an illusion.
01:08:16But I'll go up and get the others.
01:08:20You wait right here, all right?
01:08:23Why don't you just sit right down there and that case, relax, and keep an eye on things.
01:08:27I'll be right back.
01:08:28I'll be right back.
01:08:44Let's go.
01:08:45Let's go.
01:08:47Where follow me
01:09:17it's here there's got to be a room on the other side of this net pull it down
01:09:37let's open it
01:09:47oh
01:10:17oh
01:10:43professor what's that there
01:10:47In the practice of black magic,
01:10:49the Satanists worship the skull with horns representing the devil.
01:10:55Listen, do you hear something?
01:10:58Do you hear it?
01:11:13No.
01:11:14No.
01:11:16It's horrible.
01:11:20I don't know what you're going to do, but I'm getting out of here.
01:11:44Look at her.
01:11:45Look at her.
01:11:46Look at her.
01:11:47Come on.
01:11:48Let her go.
01:11:50Come on.
01:11:58Oh!
01:12:00Come on, get up.
01:12:02Come on.
01:12:04Come on, Sergio, give me a hand.
01:12:34Help, somebody help, they've got me.
01:12:45Come on.
01:12:46Help.
01:12:47Hold on for that.
01:13:06Come on.
01:13:11It's unbelievable.
01:13:12Let's move toward the cabin.
01:13:13That's one way certain to put us where they want us in a trap.
01:13:16Let's do something before it's too late.
01:13:26Yes, that's it.
01:13:27I have some knowledge of exorcism.
01:13:38There's one if you have a fluid lighter.
01:13:53Yeah, I have one.
01:13:56Here.
01:13:57Me too.
01:13:59Do it.
01:14:12I hope this works.
01:14:13I will.
01:14:14Go on.
01:14:15I will be coming.
01:14:16I always spoke about exorcism, but I never had the occasion to put it to use.
01:14:31In the name of the Holy Trinity, the Father, the Son, and the Holy Spirit, I command you
01:14:36back.
01:14:37Back!
01:14:38And now, spirits of evil, united to the devil, rejoin your master.
01:14:44Leave us.
01:14:46Gaze.
01:14:47Gaze on the fiery cross and return to the darkness of your cold tombs.
01:14:52Away.
01:14:53Away.
01:14:54Away with you.
01:14:55Back.
01:14:56Back to the darkness.
01:14:59Back to the dimension of the damned.
01:15:02I command you back.
01:15:05In the name of the Trinity, to hell from whence you came.
01:15:09My name for the Son.
01:15:10To the DB of two dollars.
01:15:11I die for me.
01:15:12Do not leave me, for valley...
01:15:13Oh,え!
01:15:24To earth.
01:15:29Thefa from my altar to me.
01:15:31No, no.
01:15:34Don't leave.
01:15:35It's to the t tagline.
01:15:36Yes, I think you think I can to be my peers.
01:15:38I think they've gone back to where they came from.
01:15:41At least until tomorrow.
01:15:51Hey, get us out of fear!
01:15:53Lend us out of fear!
01:15:54Come on, get us out of fear!
01:15:56Hey, come on, help!
01:15:57Help!
01:15:58Get up!
01:15:59Help!
01:16:00Get us out of fear!
01:16:01It's no use.
01:16:02Yeah, there's no way.
01:16:04They're deaf and blind.
01:16:08I told you before, we're in another dimension.
01:16:12That's what you think.
01:16:13I say we're right here and we're visible.
01:16:35No, we're completely immersed.
01:16:36I'm sure they don't see us.
01:16:38Then we have no hope with us.
01:16:40Mommy's waiting for us.
01:16:41We have about a half an hour to make a decision before they crawl out again.
01:16:45What do you propose we do?
01:16:47We could put some obstacles in their way.
01:16:49No.
01:16:55Another cross.
01:16:56No, won't work.
01:16:58There's no gasoline in the woods too wet to burn, I'm sure.
01:17:01But...
01:17:02But what can we do?
01:17:03We're at the mercy of those infernal beasts.
01:17:06You're right, you know.
01:17:08Infernal.
01:17:09That's what I was talking about.
01:17:11Okay, okay.
01:17:12It's true, Professor.
01:17:13I know that now.
01:17:14Well, at least I have no strength right now.
01:17:16That gives us some time.
01:17:17But to do what?
01:17:18To get to them now that they're inoffensive.
01:17:23Come on.
01:17:24Just what is it we're going to do?
01:17:26We're going to destroy them.
01:17:27To avoid danger, we'll throw them overboard.
01:17:53Help me.
01:17:54There's not much time.
01:17:55Let's go.
01:17:56Let's get it.
01:17:57Hold.
01:17:58Got it?
01:17:59Steady.
01:18:00Steady.
01:18:01Come on.
01:18:02Come on.
01:18:03Over.
01:18:04Come on.
01:18:05Over.
01:18:06Come on.
01:18:10Right.
01:18:11From here.
01:18:12Over.
01:18:13Come on.
01:18:14Come on.
01:18:15Over.
01:18:16Up.
01:18:17Up..
01:18:19Up.
01:18:21Down.
01:18:22Up.
01:18:23Up.
01:18:24Up.
01:18:25Up.
01:18:27Up.
01:18:28Up.
01:18:29Up.
01:18:30Up.
01:18:31Up.
01:18:32Up.
01:18:33Up.
01:18:34Let's go.
01:19:04Let's go.
01:19:34Let's go.
01:19:36Come on, Sergio.
01:19:49Lift it up.
01:19:50Come on.
01:19:52Come on.
01:20:08Do you think we're out of danger now?
01:20:10I don't think they're able to do anything now.
01:20:11I thought we must really get out of here.
01:20:13Didn't you say we were in the magic twilight zone?
01:20:15Well, you see, I'm hoping to find that.
01:20:17Since we got rid of the ghouls, things might change.
01:20:20Look, look.
01:20:21Stars.
01:20:22Hey.
01:20:23I was right.
01:20:24Now maybe we can go home again.
01:20:25Hey, maybe we can take the galleon.
01:20:26Oh, no, no, no, no.
01:20:27The wood is rotten.
01:20:28It's really very old.
01:20:29Besides, it's lost its magic power.
01:20:31If he only had our boat.
01:20:32We could swim it.
01:20:33It doesn't look far.
01:20:34Hey.
01:20:35Come help me out with the spike.
01:20:36Well, four of us can't get on that.
01:20:37It's too small.
01:20:38No, no, no.
01:20:39The three of you.
01:20:40I can't swim.
01:20:41Leave the jewels.
01:20:42Why the hell should I?
01:20:43I found them, didn't I?
01:20:44Listen, Sergio.
01:20:45We can't afford it.
01:20:46It's really very old.
01:20:47Besides, it's lost its magic power.
01:20:48If he only had our boat.
01:20:49We could swim it.
01:20:50It doesn't look far.
01:20:51Hey.
01:20:52Come help me out with the spike.
01:20:53Well, four of us can't get on that.
01:20:54It's too small.
01:20:55No, no, no.
01:20:56The three of you.
01:20:57I can't swim.
01:21:03Leave the jewels.
01:21:05Why the hell should I?
01:21:07I found them, didn't I?
01:21:09Listen, Sergio.
01:21:10We can't afford the extra weight.
01:21:11And another ship might not be here when we get back.
01:21:13Well, it won't be if you keep wasting time.
01:21:16Good luck.
01:21:21I'll be back for you, Professor.
01:21:22Look, please.
01:21:23Hurry, Howard.
01:21:24I don't feel at all secure here.
01:21:33Mike won't take the weight of another person.
01:21:34Let's go.
01:21:35We've got to wait for Howard.
01:21:36No.
01:21:37It's too much.
01:21:38Throw out that damn back.
01:21:39You're lying.
01:21:40We're all going to drown.
01:21:41Damn it.
01:21:42Do it.
01:21:43I don't know about you, but I'm saving my life and the Jews.
01:21:45Oh, let him go.
01:21:46You're drowning him.
01:21:47Let him go for once, then you'll kill him.
01:21:48You're killing him.
01:21:49You're killing him.
01:21:50You.
01:21:51Oh, you killer.
01:21:52You.
01:21:53You.
01:21:54Oh.
01:21:55Oh.
01:21:56Oh.
01:21:57Oh.
01:21:58Oh, no.
01:21:59Oh.
01:22:00Oh, no.
01:22:01You.
01:22:02You'll kill him.
01:22:03Oh.
01:22:04Oh.
01:22:05Oh.
01:22:06Oh.
01:22:07Oh, you.
01:22:08Oh, you killer, you...
01:22:38Oh, you killer, you killer, you killer.
01:23:08Satan, it's you.
01:23:22In me, the Holy Trinity, the Father, the Son, and all.
01:23:30I know it's you. I can feel your secrets.
01:23:36Let me be.
01:23:38The best of all I command, I command you burn.
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