- 2 days ago
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🎥
Short filmTranscript
00:00:00How many people can come to make-up room in the make-up room?
00:00:09Who can come to make-up room in the make-up room?
00:00:13And who can come to make-up room?
00:00:15Just during the performance, Raziya used his makeup kit.
00:00:18If he had applied a cyanide sample, he would also find him.
00:00:22And Raziya's background also.
00:00:24Before Raziya's dance performance, he would also check.
00:00:27Maybe Algar has gone there.
00:00:29Maybe Algar has gone there.
00:00:31Let's check the CCTV footage.
00:00:33No CCTV footage.
00:00:34Raziya performed last week's Residence Association function.
00:00:37But after that, he didn't perform any further.
00:00:40This function was the last function of his last night.
00:00:43Guys, the logic of the victim's victim will crack us.
00:00:48Today, many people are alive today.
00:00:51But they forgot about it.
00:00:54I've seen Ashok's appearance in the world.
00:00:56I've seen Ashok's appearance in the world.
00:00:57Nobody has seen Ashok's appearance in the world.
00:00:58Even after the shooting, he didn't receive medical assistance.
00:01:02After the sight of the window, he saved his six young people in the world.
00:01:08He had to be depotated with his hands.
00:01:10He had to be depotated with his hands.
00:01:13But he was the braveest man I have ever met.
00:01:28So, this was the story of Ashok's story.
00:01:36Raziya was a good dance teacher.
00:01:38He used to sing a dance class for poor children.
00:01:41So, when he was acting like a church,
00:01:42he was watched like a đoà n-94-orskite.
00:01:43So, he used to sing the same church as he did in a corpo.
00:01:44He was a major town that couldn't be Hearst.
00:01:45So, this is what he was told
00:01:46when the Jews were anatal group
00:01:47got in front of the mosque.
00:01:48He used to sing a dance class for poor children.
00:01:49He used to sing a dance class for poor children.
00:01:50And the class of heaven was also a veteran.
00:01:51So, you managed to live the same week.
00:01:52Once the group of friends were here,
00:01:53the developers were raised.
00:01:54The people of the community were raised by a church.
00:01:55He used to sing a dance class for poor children.
00:01:56He used to sing a dance class.
00:02:00Oh, and this has stopped focus.
00:02:02So, he used to have been to have the same app.
00:02:04Why?
00:02:11Allagar's message doesn't come, we don't know who the victim is.
00:02:14The victim's name is public, and the victim's name is the only one hour.
00:02:18So, this is very important for us.
00:02:23We don't know how the video will come.
00:02:26But as the victim's name is announced,
00:02:28the next second time,
00:02:29we have to access our personal details and personal details.
00:02:33We have to ready a system like this.
00:02:35One second.
00:02:43Yeah.
00:02:44Hi, are you busy?
00:02:46I have to talk about the case.
00:02:47I'm in one minute.
00:02:49Rajya Mada, I'll give you a call later.
00:02:52Oh, okay.
00:02:53So, can you come to the house?
00:02:54I'll share the location.
00:02:55Sure.
00:02:57We need a database to show all the details and precise location.
00:03:05Work on it.
00:03:08I'm trying from my hand, too.
00:03:15Hello, Nambi.
00:03:16Hello, sir.
00:03:17What's the work done?
00:03:18Is it ready?
00:03:19I'm working.
00:03:20It's ready.
00:03:21We need this soon, sir.
00:03:27I'm working.
00:03:32Tell me, Akbar.
00:03:34Sir, the tank of the tank is coming from the river.
00:03:37We're on the right.
00:03:38Okay.
00:03:39Let's call him and locate him.
00:03:41Okay, sir.
00:03:57Hi. Hi. Sorry, I called you, you were busy. So, just off the record, what's the theory of the police?
00:04:12What do you think Algarh will do all this? I can't tell you anything. It's too early. Why?
00:04:18Why is he killing these people? Ashok was a good military officer. Razia was a good classical dancer.
00:04:25And both of them were in their fields. There will be a connection between them.
00:04:31But they weren't famous people. They were ordinary people. What would they get to kill them?
00:04:38Maybe Algarh was really evil.
00:04:42No.
00:04:44I don't think so.
00:04:47Where is Algarh? Sir, I've located Kanan.
00:04:55I don't think so.
00:04:58Kanan's big brother, Balram, is here every time.
00:05:01If he's in that area, we have a risk for him.
00:05:03Come on, my boy. We're taking him from here today.
00:05:06If he's going back to the sea, he'll be able to kill him.
00:05:12See you later.
00:05:13I don't think so.
00:05:14I think so.
00:05:15Wait a minute.
00:05:16We'll see you later.
00:05:18We'll see you later.
00:05:19We'll see you later.
00:05:20We'll see you later, guys.
00:05:21We'll see you later.
00:05:22Oversight out.
00:05:23Let's go.
00:05:53Hey!
00:06:15Hey, what are you looking for?
00:06:17Kill her!
00:06:23Don't need a battle for me!
00:06:29Oh, it's OK!
00:06:35I'm sorry!
00:06:39I'm sorry!
00:06:40Oh, no!
00:06:45Fuck!
00:06:50I'm sorry, now.
00:06:53Aaah!
00:07:13Take him!
00:07:14Take him!
00:07:16Don't die!
00:07:18Take him!
00:07:19I'm still alive!
00:07:21You won't leave me alive.
00:07:25Sir. Sir.
00:07:28What's up, sir?
00:07:32Akbar.
00:07:33Say, Varna.
00:07:34Sir, sir, sir, sir, sir, sir.
00:07:36Sir, sir, sir, sir, sir.
00:07:41I don't know Algarcoat, sir.
00:07:43Leave me, sir.
00:07:45He came to me.
00:07:47I wanted RDX, sir.
00:07:49I gave it a little bit, sir.
00:07:51That day I said, I need cyanide.
00:07:53I asked him more than I asked him.
00:07:56So I didn't ask anything, sir.
00:07:58I gave him.
00:07:59What did you ask?
00:08:01I don't know, sir.
00:08:03Akbar.
00:08:04Sir, sir, sir, sir, sir.
00:08:05I asked another chemical, sir.
00:08:07I said it won't be with us.
00:08:09In truth, sir.
00:08:11What chemicals?
00:08:13I don't know, sir.
00:08:15I asked him for the smuggling activities of Balram gang.
00:08:21Sir, Kanan had a gun and RDX supplied him.
00:08:24And as we thought,
00:08:26I also supplied him in large quantities of cyanide.
00:08:28Maybe the other victim would also kill him with poison.
00:08:45What?
00:08:46What?
00:08:47What?
00:08:48What?
00:08:52What?
00:08:53What?
00:08:55What?
00:08:59All of you, my name is NAMASKAR.
00:09:06Now, the police will be working with me.
00:09:09Is it right?
00:09:10They are thinking that there is another place in my place.
00:09:13But don't worry about it.
00:09:15You have a small gift from me.
00:09:18See.
00:09:30I told you, this is my story.
00:09:35My stage.
00:09:39I have read the story for my story.
00:09:43They are the people of my fingers.
00:09:50My fourth character is Yuvraj.
00:09:57Yuvraj.
00:09:58Hey!
00:09:59Hey!
00:10:00Yuvraj.
00:10:02Hey!
00:10:03Did you call me Yuvraj?
00:10:04In the city database,
00:10:05any of the people of Yuvraj's name have,
00:10:07check each other.
00:10:08And locate their areas,
00:10:10and access their phones.
00:10:11Activate every possible resource.
00:10:15Call me, Niraj.
00:10:28And I Peki.
00:10:29And I am permits,
00:10:31it is so creepy.
00:10:34There is a place that has beenoy hitch onekräk exciting to stars.
00:10:49Real think so?
00:10:50No, no, no, no.
00:10:51It is a nightmare.
00:10:52Akward. Sir. Sir.
00:10:55Hmm. So, this time Aligarh fails.
00:10:59It's possible, sir.
00:11:01Maybe he didn't do his plan.
00:11:03But now, we haven't got a good job, sir.
00:11:06Okay. Update me in the morning.
00:11:09Sir.
00:11:10Sir, you take a break, sir. We'll take shifts.
00:11:14It's okay. I'm fine.
00:11:16Sir, you need some rest. We'll keep you posted.
00:11:19Okay.
00:11:55My fourth character, Yubaraj.
00:11:57My fourth character, Yubaraj.
00:11:59My fourth character, Yubaraj.
00:12:01My fourth character, Yubaraj.
00:12:03My fourth character, Yubaraj.
00:12:07My fourth character, Yubaraj.
00:12:09My fourth character, Yubaraj.
00:12:11My fourth character, Yubaraj.
00:12:17My fourth character, Yubaraj.
00:12:25In our area, we killed our little brother.
00:12:28There's nothing wrong with this.
00:12:30It's not so much.
00:12:31Our drug business has already started.
00:12:33If Kannan said something wrong, we'll go inside.
00:12:36I came to my village and took my little brother.
00:12:39I think I'll leave him alone.
00:12:41If there's someone in my house, I'll give him a card.
00:12:45First, think about Kannan's bell.
00:12:47We don't need to worry about it.
00:12:49What's the name of the police?
00:12:50Nambi.
00:12:51Tell us to follow him.
00:12:53Silently.
00:12:54Okay, brother.
00:12:55I'll tell you about time.
00:12:56Let's go.
00:12:57Okay, Abel Ram.
00:13:15Here comes for me.
00:13:17Here comes a family.
00:13:18You have a family.
00:13:19You know what?
00:13:20In the middle of the house, there's no one.
00:13:23There's no one.
00:13:24How is that?
00:13:25If you are from the heart, you-
00:13:27If you'reocalypse, you're not the one.
00:13:28In the middle of the house, you're all the others.
00:13:30I'm going to go to the end of the day.
00:13:34I'm going to go to the end of the day.
00:13:39Why am I here?
00:13:42Why am I here?
00:13:47Why am I here?
00:13:52I'm going to go to the end of the day.
00:14:02Why am I here?
00:14:08Why am I here?
00:14:11I'm going to go to the end of the day.
00:14:22I'm going to go to the end of the day.
00:14:29You have no time to go to the end of the day.
00:14:31The next victim's name is Anita.
00:14:52Let's go.
00:15:22Sir, he's a friend. He's a cameraman. He was with us.
00:15:37He collapsed in the morning of the protest.
00:15:39He was admitted to the hospital, but in the morning, he died.
00:15:45Sir.
00:15:47This way, sir.
00:15:53Sir.
00:15:58Hi, Nambi.
00:15:59Hi, sir.
00:16:00It looks like a cylinder tempering case.
00:16:02This is a nitrox cylinder.
00:16:06I mean, it should be about 20 to 30% of nitrogen.
00:16:10But the cylinder tempered 100% oxygen.
00:16:17Mm-hmm.
00:16:18I'm sorry.
00:16:23Oh.
00:16:24Hmm.
00:16:25Oh, yeah, he's dead.
00:16:26Oh, yeah.
00:16:27Ah!
00:16:28Oh, yeah.
00:16:29I think I've seen a lot of pressure reading.
00:16:33That's why it's not a lot of pressure reading.
00:16:35That's why it's under the water.
00:16:59How can we die from oxygen? We take our breath from oxygen.
00:17:14We take our breath from nitrogen and oxygen.
00:17:18100% oxygen is not good for the body.
00:17:20If we go down the ocean and inhale, lungs will be shut down.
00:17:24You got blacked out, go into convulsion and just drowned.
00:17:29These are my fingers.
00:17:49Hi.
00:17:50Hey.
00:17:55Do you know anything? Any breakthrough?
00:17:59What do you think of all the victims?
00:18:00What?
00:18:01Routine.
00:18:02Sir, we have a routine.
00:18:03We have to go to the walk.
00:18:04We have to go to the walk.
00:18:05We have to read a newspaper.
00:18:06We have to buy a cigarette.
00:18:07We have to go to the walk.
00:18:08We have to go to the walk.
00:18:10We have to go to the walk.
00:18:12What?
00:18:13Routine.
00:18:14Sir.
00:18:15We have to go to the walk.
00:18:16I have to go to the walk.
00:18:20I have to read a newspaper.
00:18:23I have to drink a cigarette.
00:18:25I have to go to the drink.
00:18:27You need to drink a cigarette.
00:18:29We don't know what happens, but this routine becomes our habit.
00:18:33It's everything that we all do consciously.
00:18:35In the first murder, this thing is just confirmed.
00:18:38Ashok's pattern is to go to his wife's wife at 8am every two days.
00:18:44He's committed to his dance program.
00:18:47He's used only his personal makeup kit for the program.
00:18:50And now he's going to protest under water.
00:18:53And he's going to use his personal diving kit.
00:18:56We all have a routine and a fixed plan.
00:18:59Routine is the one common factor in all the murders.
00:19:05He has made a whole life by creating a sketch and perfectly executed.
00:19:11Before selecting these five people, he will also reject them.
00:19:16Research and preparation.
00:19:17Months, years, and years.
00:19:19Then he has made such a plan.
00:19:21Alagad has stopped his victim by thinking and thinking about it.
00:19:25His feelings, no feelings, secrets, weakness, daily routines and patterns.
00:19:30In fact, his life's little details without knowing his life.
00:19:34Alagad knew how to react in his routine.
00:19:38That's why he was trapped in his routine.
00:19:41He just sabotaged their routine.
00:19:44It's spooky, surreal and impossible.
00:19:57It's so real and impossible.
00:19:58It's like he is alive.
00:20:00But after death, he is murdering him.
00:20:07So we have never faced anything like this before.
00:20:09He is constantly one step ahead of us.
00:20:12This is not just a perfect crime.
00:20:14He is a perfect criminal.
00:20:20Algarh's thoughts may be mysterious.
00:20:23But who is he? This is not a mystery.
00:20:26What do you mean? Who is he?
00:20:28Is this our show's storyline?
00:20:31Why is he doing all this?
00:20:33There will be some reason.
00:20:39This is a guard.
00:20:42And he is an artist.
00:20:44This is his masterpiece. Aryan.
00:20:52What is the motive of all this to do?
00:21:00Okay.
00:21:05But how can we stop him?
00:21:07Sir, Algarh's videos are recorded before he died.
00:21:09So if the murder plan fails,
00:21:11if the murder plan fails,
00:21:11then his video will come in front of people.
00:21:20But he will slip.
00:21:21We will get a breakthrough.
00:21:23And we will stop him.
00:21:24There is no such thing as a perfect time.
00:21:26There is no such thing as a perfect time.
00:21:27If a man is so wrong.
00:21:28Good to be.
00:21:33See you.
00:21:35If you have a couple of things in the room,
00:21:37I've been waiting for you.
00:21:39I don't have a perfect time.
00:21:41I'm sorry.
00:22:11Anita?
00:22:41I'm sorry. I didn't come to counseling.
00:22:50It was very far from the city.
00:22:53That's okay. You were busy, right? We'll see.
00:23:01Anita, I'm sorry.
00:23:07Why?
00:23:09I wanted to tell you something first.
00:23:12You've done something for me.
00:23:15Whatever you want, it's okay for me.
00:23:18I'll never stop you.
00:23:21Nambi...
00:23:25A lifetime of memories.
00:23:32I am truly grateful.
00:23:35Nambi, you have many more years ahead of you.
00:23:41I don't know.
00:23:44I didn't have to worry about being here.
00:23:47But you were right.
00:23:51I always wanted to control everyone.
00:23:54My work, our relationship, everything.
00:23:58But...
00:24:00This case changed everything.
00:24:03I think it's not important.
00:24:09Except for this life.
00:24:10And the people who love us.
00:24:12Yes.
00:24:23So...
00:24:24When are you going?
00:24:25Shruti is going tomorrow.
00:24:27And I will go out two days.
00:24:29Hmm.
00:24:30Hey.
00:24:31Yes.
00:24:32You have to take a call.
00:24:33Hmm.
00:24:34Hmm.
00:24:43Go, go, go.
00:24:44Go, go, go.
00:24:48Yes, tell me.
00:24:49Brother, he's going from EC Road.
00:24:51Listen.
00:24:52Don't leave her behind.
00:24:53Don't leave her behind.
00:24:54Okay, brother.
00:24:55Okay, brother.
00:24:56Let's get ready to track the victims in the city.
00:24:59Tell me.
00:25:00Sir, we've found out the IP address of the computer.
00:25:03Hmm.
00:25:04Whatever the messages are coming from us,
00:25:05they're coming from a stagnant computer.
00:25:07Hmm.
00:25:08It's a remote isolated system.
00:25:09It's only Raspberry Pi and Python programming skills.
00:25:13Yes, sir.
00:25:14Hmm.
00:25:16Guys,
00:25:17these are Luca J.B.R.s,
00:25:18our chief IT officer.
00:25:19Sir.
00:25:20They're helping us to pinpoint the victims.
00:25:22Did you say something about strawberry?
00:25:24No, strawberry.
00:25:25It's not a Raspberry.
00:25:26It's a single boot computer with a credit card.
00:25:30Using it,
00:25:31using the weather forecast with robotics.
00:25:33Python is the language of this program.
00:25:35Using it,
00:25:36using it,
00:25:37using it,
00:25:38using it,
00:25:39using it,
00:25:40using it.
00:25:42and,
00:25:43using it.
00:25:44It's a single boot.
00:25:45It's a single boot.
00:25:46It's a single boot.
00:25:47It's a single boot.
00:25:48No,
00:25:49it's a single boot.
00:25:50So,
00:25:51you can track the victims of the victims.
00:25:52How do they have to track the victims?
00:25:53Look what we are setting up.
00:25:54This is a single boot.
00:25:55It's a single boot.
00:25:56This is an AI-based self-adapting algorithm.
00:25:59For this, we have a database.
00:26:01People's phones, their financial transactions,
00:26:04their online presence, Twitter, Facebook,
00:26:07debit card, credit card, Instagram.
00:26:09These are all used to track a system.
00:26:12If we track this system,
00:26:14people can be shot-less.
00:26:16But who is our victim?
00:26:17This is not a point out, sir.
00:26:19Some names are also unusual.
00:26:21For example, Shrestha.
00:26:23There are no such names.
00:26:25So it's easy to find out.
00:26:26But if there is a name,
00:26:28then it's difficult to find out.
00:26:32Then we'll find out, sir.
00:26:34Their names, their social standing,
00:26:37their lives,
00:26:38they've created a profile.
00:26:40We can be shot-less.
00:26:43But if we announce the next victim's name,
00:26:46if we know that,
00:26:48that's the best thing possible.
00:26:49Sir,
00:26:50we have got a lead.
00:26:53I know.
00:26:58Sir, I got this courier.
00:26:59What do you want?
00:27:04Guys,
00:27:06we know all about Allagar,
00:27:08as much as someone should help us tell us.
00:27:11We know all about them.
00:27:12That's why you know the victim's name
00:27:14and the person gave you the clue.
00:27:15Sir,
00:27:16there's another clue.
00:27:18This.
00:27:48The National Foundation for Teachers' Welfare, Greenpeace, Care India, Night Angle Welfare, Police Welfare Association.
00:27:54This is my desire.
00:27:57What do you want to buy this charity specifically?
00:28:00Gil?
00:28:01Or else, to prove a point.
00:28:04The Police Welfare Association has already donated 2,000,000,000.
00:28:09Sir, you want to donate to the Police Welfare Fund, sir?
00:28:13It's possible.
00:28:15When did you write this charity?
00:28:18Two weeks ago, sir.
00:28:20But I got it today.
00:28:22What's the royalty of the book and cinema?
00:28:27I don't know, sir.
00:28:29He was appointed an advocate for watching.
00:28:31Who is the advocate?
00:28:33I don't know, sir.
00:28:35When the time comes, the advocate will call us.
00:28:38He said it.
00:28:40Thank you, Mukundan. I'll take it.
00:28:42So we have to know who the other charity organizations are, and two more possible victims.
00:28:48Sir, Care India is a women's rights group.
00:28:51Hmm.
00:28:52There is a group of nurses, Night Angle Welfare.
00:28:56Exactly.
00:28:57Now we can say that who can be the next targets?
00:29:02A woman's activist and a nurse.
00:29:04Luca, sir.
00:29:04Let's get ahead of this man here.
00:29:06Sureshtha, speak to Care India.
00:29:07Jay, Night Angle Welfare Association will notify you.
00:29:09Let's stop this bastard.
00:29:10Yes, sir.
00:29:11Sir, my courier is here.
00:29:37Sir, I'm a courier.
00:29:54Tell the world to tell the world, Algar.
00:30:00We won't have any trouble with this.
00:30:03Let's leave the trouble and see where our TRP will go.
00:30:11My next character, Asha...
00:30:17...who remains in one's heart.
00:30:22As a deathless memory.
00:30:24Hours long, Vita Bruce.
00:30:34Swati.
00:30:39Drink it.
00:30:46Name and profile.
00:30:47Four women activists and three nurses.
00:30:49Sir, what are the teams in the entire area?
00:30:51As a deathless memory.
00:30:53Hours long, Vita Bruce.
00:30:57Hours long, Vita Bruce.
00:30:59Hours long, Vita Bruce.
00:31:09Heart is long, life is short.
00:31:10Hypocrites.
00:31:11Hypocrites.
00:31:12Hypocrites.
00:31:13Track this list of three nurses.
00:31:15Check their personal details.
00:31:16If there is a tragedy in their past,
00:31:18then tell them.
00:31:20Asha, Jasmin.
00:31:21Maliyali.
00:31:22She was born in Kottayam.
00:31:23She was born in Chennai.
00:31:24She was from Madras Medical College.
00:31:28She has been an experience for 20 years.
00:31:30She has been a nursing superintendent for five years.
00:31:32After that, she was a leading member of the medical council.
00:31:35Her husband's name is George Matthew.
00:31:37She was also a male nurse.
00:31:39She was also a leader
00:31:46in the struggle of cheque.
00:31:47In sombrée,
00:31:48she worked on day-to-package�� for 7 months.
00:31:49She was born in a michael,
00:31:50and her husband aka his family.
00:31:51She died before COVID.
00:31:53And he died back from the hospital.
00:31:55He died.
00:32:04The most bad thing is that
00:32:06the housing society didn't go away from fear.
00:32:09His husband didn't get the compensation of his husband.
00:32:11He didn't get the medicine for many days.
00:32:25Then, he started taking medicine for his mental depression.
00:32:34Guys, it's the same drill.
00:32:35Shrestha, paramedics, go to the location.
00:32:37Yes, sir.
00:32:38He can't reach the ambulance.
00:32:40Akvar, arrange for a smaller ambulance.
00:32:42Go.
00:32:43Jay, take the bike.
00:32:44Shrestha, send our force to the other options.
00:32:47We are coming.
00:32:49Over and out.
00:33:01I'm looking for you to see.
00:33:03We will also get candles outside.
00:33:05But for buying it,
00:33:06I have to buy a house.
00:33:08That's enough for you.
00:33:10I don't know.
00:33:40I don't know.
00:34:10I don't know.
00:34:12I don't know.
00:34:14I don't know.
00:34:16I don't know.
00:34:18I don't know.
00:34:20I don't know.
00:34:22I don't know.
00:34:26I don't know.
00:34:28I don't know.
00:34:30I don't know.
00:34:32I don't know.
00:34:34I don't know.
00:34:38I don't know.
00:34:40I don't know.
00:34:42I don't know.
00:34:44I don't know.
00:34:46I don't know.
00:34:48I don't know.
00:34:52I don't know.
00:34:54I don't know.
00:34:56I don't know.
00:34:58Oh, my God.
00:35:28Oh, my God.
00:35:58Oh, my God.
00:35:59Yes.
00:36:00Ma'am, don't worry.
00:36:08We're police.
00:36:09Your knowledge is missing.
00:36:11We've got such information.
00:36:12I'm missing.
00:36:14Information can be wrong.
00:36:16But for our safety, please.
00:36:19Okay.
00:36:21Thanks for understanding.
00:36:23Sir?
00:36:24Shrestha, what about the other possible victims?
00:36:38They're all safe, sir.
00:36:39Okay.
00:36:40Okay.
00:36:41Ma'am, Akbar will take your headquarters.
00:36:55I'll see you there.
00:36:57Oh, my God.
00:37:08Oh, my God.
00:37:09Oh, my God.
00:37:10Oh, my God.
00:37:14Let's go.
00:37:44Please.
00:37:55My house was burnt in Ashya's candle.
00:37:59Then the next victim, Ashya, and he didn't know that police was killed.
00:38:03join us all about these guys.
00:38:06The DCP's horrible is to pay attention to the death of Ashya's death.
00:38:14Why, Naina? Why?
00:38:28What will you get to kill so good people?
00:38:32Bullshit. Fucking psychopath.
00:38:35I'll kill you.
00:38:45I'll kill you.
00:38:48Nambi, no. Don't.
00:38:51There's another victim who will save you.
00:38:58Don't give up now.
00:39:02Tell me.
00:39:04You're a good officer, Nambi.
00:39:06You're very faithful to your work.
00:39:09What's happening to you is not only you.
00:39:13People watching TV,
00:39:14people watching the TV,
00:39:15people watching the TV,
00:39:16people watching the TV,
00:39:17people watching the TV,
00:39:18people watching the TV.
00:39:19They will forget all the time.
00:39:20But as you are,
00:39:21you will remember all of this.
00:39:23You will have to take the work from you.
00:39:25You can only solve this case, Nambi.
00:39:28You've been to see some people watching the TV,
00:39:30and in the news,
00:39:31the person in the name of the woman's activist is a woman's right.
00:39:33Guys, the next victim is a women's activist or a woman's right.
00:39:47It could be a man or a woman.
00:39:49All the police stations alert.
00:39:52There is no need to wait until the name is announced.
00:39:55Make a detailed list for women's rights.
00:39:58We will protect them.
00:40:00This is our last chance. We will save one.
00:40:07Sir.
00:40:08Guys, we have found something.
00:40:21The staff got to clean the park.
00:40:23They kept the seat under the seat.
00:40:25They sent an app for 7 hours to transmit a message.
00:40:29Now we have more time.
00:40:31Yes.
00:40:32Now we have more time.
00:40:33We have more time.
00:40:35Let's go.
00:40:36You and I are now coming to the story of the climax.
00:40:41It's an exciting journey, right?
00:40:43It's the climax of this story.
00:40:45It's the climax of this story.
00:40:47You agree?
00:40:48I am excited.
00:40:49I will never tell the name of myself.
00:40:54The Final One Hour
00:41:24The Final One Hour
00:41:54The Final One Hour
00:42:24The Final One Hour
00:42:26The Final One Hour
00:42:28The Final One Hour
00:42:30The Final Four
00:42:32The Final One Hour
00:42:34The Final One Hour
00:42:36The Final One Hour
00:42:38The Final One Hour
00:42:40The Final One Hour
00:42:42The Final One Hour
00:42:44The Final Hour
00:42:46The Final Hour
00:42:48The Final Hour
00:42:50The Final Hour
00:42:52The Final Hour
00:42:54The Final Hour
00:42:56The Final Hour
00:42:58The Final Hour
00:43:00The Final Hour
00:43:02The Final Hour
00:43:04The Final Hour
00:43:06The Final Hour
00:43:08The Final Hour
00:43:10The Final Hour
00:43:12The Final Hour
00:43:14The Final Hour
00:43:16The Final Hour
00:43:18The Final Hour
00:43:20The Final Hour
00:43:22The Final Hour
00:43:24The Final Hour
00:43:26The Final Hour
00:43:28The Final Hour
00:43:30The Final Hour
00:43:32The Final Hour
00:43:34The Final Hour
00:43:36The Final Hour
00:43:38The Final Hour
00:43:40The Final Hour
00:43:42The Final Hour
00:43:44The Final Hour
00:43:46The Final Hour
00:43:48The Final Hour
00:43:50The Final Hour
00:43:52The Final Hour
00:43:54The Final Hour
00:43:56The Final Hour
00:43:58The Final Hour
00:44:00The Final Hour
00:44:02The Final Hour
00:44:04The Final Hour
00:44:06The Final Hour
00:44:08The Final Hour
00:44:10Do it immediately.
00:44:12What's the matter, sir?
00:44:13The next victim can also be a new victim.
00:44:15Think about it.
00:44:16She is also a public activist.
00:44:19Opinionated, independent.
00:44:21We don't know about her life's tragedy and loss.
00:44:24That makes her a perfect victim for all of us.
00:44:26That's right, sir. You're right. I'll go myself, sir.
00:44:34What happened, Lucas, sir?
00:44:36I think this video's framing is a little big,
00:44:38compared to the previous ones.
00:44:39Something is odd, Namib.
00:44:41Pause, pause.
00:44:44Zoom the frame a little bit.
00:44:52What's that?
00:44:54Sir, there's no old diary.
00:44:56There's nothing written in it.
00:44:58Last place, sir.
00:45:09Last place, sir.
00:47:09Shit.
00:47:13Shit.
00:47:27Shit.
00:47:57Shit.
00:47:59Shit.
00:48:01Shit.
00:48:03Shit.
00:48:05Shit.
00:48:07Shit.
00:48:09Shit.
00:48:11Shit.
00:48:13Shit.
00:48:15Shit.
00:48:17Shit.
00:48:19Shit.
00:48:21Shit.
00:48:23Shit.
00:48:25Shit.
00:48:27Shit.
00:48:29Shit.
00:48:31Shit.
00:48:33Shit.
00:48:35Shit.
00:48:37Shit.
00:48:39Shit.
00:48:43Shit.
00:48:45Shit.
00:48:47Shit.
00:48:53Shit.
00:48:55Fight up, fight up!
00:49:25Ma'am?
00:49:56What was the name of this activist?
00:49:58Nalini, sir.
00:49:59Nalini?
00:50:00But when did he know?
00:50:01About one week.
00:50:03Tell me about this time.
00:50:05There's no correct answer.
00:50:06There will be 7-8 days.
00:50:08Where did he come from?
00:50:09Why didn't he complain at the police station?
00:50:11We've heard that the city is gone, sir.
00:50:25What?
00:50:26...
00:50:27...
00:50:28...
00:50:32...
00:50:37...
00:50:39...
00:50:45...
00:50:47...
00:50:48...
00:50:49...
00:50:54I don't know.
00:51:24I don't know.
00:51:54I don't know.
00:52:24I don't know.
00:52:26I don't know.
00:52:28I don't know.
00:52:30I don't know.
00:52:32I don't know.
00:52:34I don't know.
00:52:36I don't know.
00:52:38I don't know.
00:52:40I don't know.
00:52:42I don't know.
00:52:44I don't know.
00:52:46I don't know.
00:52:48I don't know.
00:52:50I don't know.
00:52:52I don't know.
00:52:54I don't know.
00:52:56I don't know.
00:52:58I don't know.
00:53:00I don't know.
00:53:02I don't know.
00:53:04I don't know.
00:53:06I don't know.
00:53:14Let's go.
00:53:44Let's go.
00:54:14Let's go.
00:54:44Let's go.
00:55:14Let's go.
00:55:15Let's go.
00:55:16Let's go.
00:55:17Let's go.
00:55:18Let's go.
00:55:19Let's go.
00:55:20Let's go.
00:55:21Let's go.
00:55:22Let's go.
00:55:23Let's go.
00:55:24Let's go.
00:55:25Let's go.
00:55:26Let's go.
00:55:27Let's go.
00:55:28Let's go.
00:55:29Let's go.
00:55:30Let's go.
00:55:31Let's go.
00:55:32Let's go.
00:55:33Let's go.
00:55:34Let's go.
00:55:35Let's go.
00:55:36Let's go.
00:55:37Let's go.
00:55:38Let's go.
00:55:39Let's go.
00:55:40Let's go.
00:55:41Let's go.
00:55:42Let's go.
00:55:43Let's go.
00:55:44Let's go.
00:55:45Let's go.
00:55:46Let's go.
00:55:47Let's go.
00:55:48Let's go.
00:55:49Let's go.
00:55:50Let's go.
00:55:51Let's go.
00:55:53Let's go.
00:55:54Let's go.
00:56:23Let's go.
00:56:24Let's go.
00:56:25Let's go.
00:56:26Let's go.
00:56:27Let's go.
00:56:28Let's go.
00:56:29Let's go.
00:56:30Let's go.
00:56:31Let's go.
00:56:32Let's go.
00:56:33Let's go.
00:56:34Let's go.
00:56:35Let's go.
00:56:36Let's go.
00:56:37Let's go.
00:56:38Let's go.
00:56:39Let's go.
00:56:40Let's go.
00:56:41Let's go.
00:56:42Let's go.
00:56:43Let's go.
00:56:44Let's go.
00:56:45Let's go.
00:56:46Let's go.
00:56:47Let's go.
00:56:48Let's go.
00:56:49Let's go.
00:56:50Let's go.
00:56:51Let's go.
00:56:52And in the end, we have saved one of them.
00:56:56I congratulate DCP Nambi and Dean.
00:57:05Sir, did you believe that the crime is over?
00:57:09Alagar's final statement is made.
00:57:12We will release it soon.
00:57:13But why did Alagar do that? What was the purpose of his purpose?
00:57:16What was the common thing about all the victims?
00:57:23What?
00:57:24Ashok, ex-military, watchman, Razia, dancer, teacher, yuvraj, environmental activist, Alagar, writer.
00:57:36So, they were doing all the work?
00:57:38Exactly.
00:57:39They were doing all the work for our society.
00:57:43They were doing important work for our society.
00:57:45But in truth, we have never appreciated them.
00:57:50No big salary, no respect, no respect.
00:57:54They were doing a thankless job.
00:58:00Oh, the police is a little bit difficult.
00:58:02I'm telling you, the police and the military is a waste.
00:58:06I'm telling you, the police, the police and the police, the police, the police, the police..
00:58:11and the police is a little bit too.
00:58:12I don't know.
00:58:13I don't know.
00:58:14I don't know.
00:58:15I don't know.
00:58:15Raziya, this is not going to happen in the world.
00:58:28Hip-hop, jab, zumba, there are so many styles.
00:58:32All of these things.
00:58:33But what do you like to do with this?
00:58:36We'll do some things, whether it's a good thing or not.
00:58:39If not, it'll be like you.
00:58:41Let's go.
00:58:45Let's go.
00:58:48Look, baby, this is a good thing.
00:58:51We won't get any money on the road.
00:59:00Hey, quickly.
00:59:01We have to take another load.
00:59:03Quickly, quickly.
00:59:04How much time are you?
00:59:06What are you doing here?
00:59:07Quickly.
00:59:08Hey, who are you?
00:59:09Give me a mobile.
00:59:11Hey, tell me.
00:59:12Who are you?
00:59:15Oh, God.
00:59:20So what are you doing here?
00:59:21What are you doing here?
00:59:22These roads, these clouds, these clouds.
00:59:25You should fight for them.
00:59:27Do you know how much food we have in the clouds in the clouds?
00:59:29That's why the kids are born here.
00:59:31All of them are born with microplastics.
00:59:34You're not.
00:59:35Oh, my God.
00:59:36You are wasting time.
00:59:37You're not wasting time.
00:59:38You're not going to change anything here.
00:59:39You don't want to do anything.
00:59:40That's fine.
00:59:41The rain will save you.
00:59:42The rain will save you.
00:59:43Yes, Papa.
00:59:44Where are you?
00:59:46When are you calling?
00:59:46Papa was busy.
00:59:47That's why I'm working.
00:59:48What's the job?
00:59:49You take the air to the sea,
00:59:50and you say it's a social service.
00:59:52But Papa…
00:59:53Papa.
01:00:14Nalini was a woman and transgender activist.
01:00:17She had her own language.
01:00:19That's why I had to take a lot of trouble with her.
01:00:21Varsha.
01:00:23Varsha.
01:00:26Varsha.
01:00:34Let's go.
01:00:35Papa, why are you knocking my door?
01:00:40Where would you go to this?
01:00:42Papa.
01:00:46So?
01:00:47So, these people can call us the pillars of our society.
01:00:53But there is no need for the society to these people.
01:00:58And they made the victims of Alagar's victims.
01:01:06Alagar was following his victims for years.
01:01:09He used to talk personally about the victims.
01:01:12He knew Alagar's family and friends.
01:01:15He loved them and cared for them.
01:01:23All these victims used to work for the society.
01:01:27And in the society, they tried to destroy them.
01:01:31How beautiful is it?
01:01:37If I get a chance, I'll stay here for the same time.
01:01:43If you want to see the real beauty of the society,
01:01:46I'll go down and dive.
01:01:49It's worth dying for.
01:01:53Huh?
01:01:54It's worth dying for.
01:01:56Ah.
01:02:01I don't mind doing anything after going to them.
01:02:04I don't like to live.
01:02:06I don't like to live.
01:02:23I don't like to live.
01:02:24I don't like to live.
01:02:26How is it that way?
01:02:31Uh, no.
01:02:32Complimentary.
01:02:35No. Complimentary.
01:02:53They were all heroes.
01:02:56But never respected.
01:02:58There was no one who was told about the world.
01:03:03That's why the world's attention to them.
01:03:06Algarh did all this.
01:03:08Remind us.
01:03:09They killed all of them.
01:03:11Algarh took care of the whole world and took care of them.
01:03:16And took care of them for us.
01:03:28As many victims of their death, they did their best.
01:03:39You mean martyrs?
01:03:49That's weird.
01:03:51Yes, absolutely.
01:03:52It's an eccentric and weird logic.
01:03:55Those who died of death,
01:03:57their lives,
01:03:59their lives,
01:04:00their lives,
01:04:01it's my role.
01:04:02And in this story, Algarh's story,
01:04:04it's my role.
01:04:08The one who believes that he is an artist
01:04:10wants to prove this thing in the world.
01:04:13And these crimes are his guards.
01:04:16If he didn't get attention to the world,
01:04:18he took his steps.
01:04:19All I can say is,
01:04:22Algarh made a perfect crime for six men.
01:04:25But after the last victim,
01:04:27we have proved that no crime is perfect.
01:04:30Sir, what did Algarh did,
01:04:32is he right?
01:04:33No.
01:04:34Sir,
01:04:35is this a police officer or a common man?
01:04:38Algarh told Algarh to murder him
01:04:40that this should be the case.
01:04:42What do you think?
01:04:43Why do you want to rule the case?
01:04:44If you say the case of the police officer,
01:04:46Algarh did the crime.
01:04:47And what do you think of Algarh?
01:04:48If you say Algarh did the crime,
01:04:49you're wrong.
01:04:51If somebody would want to lose someone
01:04:53to lose someone,
01:04:54or have to lose someone,
01:04:55then it's good.
01:04:56But with that,
01:04:57you're not going to get a right to know someone.
01:04:59I'm sorry for you.
01:05:00I'm sorry for you.
01:05:01But Algarh was the right to believe
01:05:02that Algarh was the most part of the crime.
01:05:03He was just a psychotic serial killer.
01:05:08We don't want anyone to go on the path of Algarh's path.
01:05:17Good. He didn't kill any big man.
01:05:20Those who killed him were all the best.
01:05:23This will be just two days. We'll all forget about it.
01:05:33Nambi, Algarh's last victim's name is N.
01:05:38Do you think it's a coincidence?
01:05:40Algarh's last victim's name is N.
01:05:41Algarh's last victim's name is N.
01:05:46Aryan.
01:05:47That's a coincidence.
01:05:49Before changing the gender, Nalini's name was Nambi.
01:05:53That's why Algarh's last message was Nambi.
01:05:58But Nambi, you're going to handle this case.
01:06:01How can Algarh predict this?
01:06:05No.
01:06:06That's not possible.
01:06:12There are many Fs and Butts.
01:06:14This case may not be quite easy.
01:06:16And Kabir also investigating this case.
01:06:19I may be a victim.
01:06:21There are many probabilities.
01:06:23In my opinion, the final end was Nalini.
01:06:31It's not possible.
01:06:32I cannot do that target.
01:06:34I cannot do that.
01:06:50Sir.
01:06:51Yesterday, I was told you to give us.
01:06:52This is from Algarh's room.
01:06:53It's from Algarh's room.
01:06:55I cannot do that.
01:06:56Indeed, we are supposed to be a victim.
01:06:58The first story of the story of Gудai Canal is not on any other story.
01:07:02The story of Gудai Canal is not on any other story,
01:07:04but this story of Gudai is quite long.
01:07:05But this story is not an obvious story that we feel like.
01:07:08This story of the story of Gudai Canal is not coming out today.
01:07:10The story of Gubai Lose in Gubai Lose in Hong Kong,
01:07:12This story is not the beginning of this story.
01:07:19Six years ago, when you lived in Kudai Canal,
01:07:22I would be back to you.
01:07:24Just like one person.
01:07:26Take a look at your work and take a look at you.
01:07:29I have become a hero.
01:07:31Everyone is a hero.
01:07:33There is no relationship here, Nambi.
01:07:35This is the name of the people of our lives.
01:07:38My last victim is you, Nalini.
01:08:08My last victim was this.
01:08:11I was from Maldonado.
01:08:13I had last for 7 years.
01:08:15I can't find a way.
01:08:17I will be back here in the book.
01:08:19My last victim is the death.
01:08:21The death of this man is a sacrifice.
01:08:23With the deader.
01:08:26The death of this man is the man of the death.
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