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00:00:00I
00:00:30I don't know.
00:01:00I don't know.
00:01:30I don't know.
00:01:32I don't know.
00:01:34I don't know.
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00:01:52I don't know.
00:02:00What?
00:02:02I don't know.
00:02:04I don't know.
00:02:06I don't know.
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00:02:12I don't know.
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00:02:16I don't know.
00:02:18I don't know.
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00:02:22I don't know.
00:02:24I don't know.
00:02:26I don't know.
00:02:28I don't know.
00:02:30I don't know.
00:02:32I don't know.
00:02:34I don't know.
00:02:36I don't know.
00:02:38I don't know.
00:02:46I don't know.
00:02:48I can hear it.
00:02:50I don't know.
00:02:52I don't know.
00:02:54But he loves controversy.
00:02:56The public also wants this.
00:02:59What are we doing, Hari?
00:03:03We were good journalists, right?
00:03:05Correct. We were.
00:03:07But now we're not.
00:03:09Now we're into show business.
00:03:10We're not reporting.
00:03:12Now go out there and show him why you are the best in the business.
00:03:24You're going to go?
00:03:26Yes, I'm coming out of the night.
00:03:28Yes, I'm coming out of the night.
00:03:54There's something that tells me.
00:03:57I'm coming out of the night.
00:04:02Yes, I'm coming out of the night.
00:04:04No, no, no...
00:04:05No, no go out of the night.
00:04:07No, no, no, no...
00:04:10I'm coming out of the dayai...
00:04:12I might video.
00:04:14I'm coming out of the night.
00:04:16Yes, I'll be giving up for a night.
00:04:21T
00:04:48Let's go.
00:05:18Let's go, let's go, let's go.
00:05:19Maa.
00:05:22Going live in three, two, one.
00:05:34Hello everyone.
00:05:36Welcome to today's work of Perul Adhikaram.
00:05:41Today we have come to talk with you, and we all know them.
00:05:45They are a model, young actor, fitness freak, and sports enthusiast.
00:05:51In all fields, he is a great person.
00:05:54Please welcome none other than the young superstar of Tamil cinema, Kailash.
00:05:59We are trying to bring Kailash to our channel.
00:06:05You guys are useless.
00:06:06You guys are useless.
00:06:07Sir, don't worry.
00:06:08I'll see.
00:06:09What do you see?
00:06:10You guys are useless.
00:06:11Sir, don't worry.
00:06:12I'll see.
00:06:13What do you see?
00:06:14What do you see?
00:06:15We are trying to bring Kailash to our channel.
00:06:17You guys are useless.
00:06:18Sir, don't worry.
00:06:19I'll see.
00:06:20What do you see?
00:06:21What do you see?
00:06:22What do you see?
00:06:23One girl is taking our entire T.R.P.
00:06:25Do you understand?
00:06:26Hey, Karunesh.
00:06:29You should be able to take the girl's name.
00:06:32Sir, Karunesh is not.
00:06:35Jaghdish.
00:06:36What's the matter?
00:06:37If you took a wrong name, you felt bad.
00:06:40You don't have to go wrong with a show,
00:06:43and you feel bad with a wrong name.
00:06:45Welcome to the show, Kailash.
00:06:47We all know that you are a very big actor.
00:06:51But you won't be able to do acting here.
00:06:56Thousands of people are watching this show live.
00:06:59So if you are talking here,
00:07:01you will be talking about the whole world.
00:07:04What do you see?
00:07:06Kailash is a fraud case on you.
00:07:08Can you tell the truth about it?
00:07:10Truth?
00:07:11Who wants to go to the truth?
00:07:13Definitely not the media.
00:07:15Without any inquiry,
00:07:17everyone has made me a criminal.
00:07:18Those who don't like me,
00:07:20they have targeted me for publicity.
00:07:23You have only been in the industry.
00:07:25So what will they get to target you?
00:07:28Doesn't make sense.
00:07:30A middle class family,
00:07:32without anyone's support,
00:07:34a young girl will reach here.
00:07:36Today, I'm sitting in front of you,
00:07:38it's just one reason.
00:07:39The people's support
00:07:40and their love for me.
00:07:42How many people do acting?
00:07:45Sir.
00:07:46He's a man, sir.
00:07:47Oh.
00:07:48A fan, sir.
00:07:49Hmm.
00:07:50I feel good at watching.
00:07:52I feel good at acting,
00:07:53but that's why they don't give me.
00:07:55I feel good at acting.
00:07:56Look, ma'am,
00:07:57there's a lot of cases.
00:07:58But their love for me
00:07:59will never happen.
00:08:00Do you know why?
00:08:01Because they don't know
00:08:02that people don't know.
00:08:04Oh, my God.
00:08:09Oh, my God.
00:08:10It's live.
00:08:11What?
00:08:12What?
00:08:13What?
00:08:14What?
00:08:15Oh, my God.
00:08:16I feel good.
00:08:17I feel good at acting.
00:08:18Oh, my God.
00:08:19I feel good at acting.
00:08:20What?
00:08:20No, no, no.
00:08:21Because I'm the one with them, right?
00:08:22You're the ones who say heroes.
00:08:23You're all dumb.
00:08:30Nana?
00:08:31What is this?
00:08:32You were always the fan-fan?
00:08:35Right?
00:08:36Now you get your answer
00:08:37that we encourage our audience participation.
00:08:40Can you tell me?
00:08:45No, brother. How can everyone be mad?
00:08:50If it happens, I get the best actor award for the state government.
00:08:55Do you know?
00:08:56If you get the money, you get the award award.
00:08:59Amita Bachchan, Nana Patekar, Kamal Hassan, Naseeruddin Shah, Nawazuddin, Om Puri.
00:09:18These are all actors.
00:09:20You?
00:09:21Naina, we need to talk about that.
00:09:24Sir, sit on your seat. Talk about that.
00:09:27Hmm.
00:09:28Hmm.
00:09:29I feel bad for you.
00:09:31Don't take such a great interview for you.
00:09:34Naina, who is this?
00:09:35Let's close all of these.
00:09:37Ah, Kailash.
00:09:39Can you tell me a guest?
00:09:40Naina, tell me a bad time.
00:09:42Hey, switch off the camera. Cut.
00:09:45Cut.
00:09:46Cut.
00:09:47Don't give an interview.
00:09:48Hmm.
00:09:49Hmm.
00:09:50There's no cut.
00:09:52You're not going anywhere from here.
00:09:54When I tell you, I'll cut.
00:09:56Hmm.
00:09:57Sir, please be quiet.
00:09:58Okay.
00:09:59Kailash, let me handle this, please.
00:10:00Sir, I request you, please go to your seat and sit.
00:10:03Kailash!
00:10:04What?
00:10:05What?
00:10:06Why did he shut the gun and die?
00:10:07Come on.
00:10:08Oh, whoa.
00:10:09Who did I use, what?
00:10:10Where is he?
00:10:11I've been killed.
00:10:12He killed me.
00:10:13I'm just kidding.
00:10:14What!
00:10:15Where?
00:10:16Where is he?
00:10:17Where?
00:10:18Where is he?
00:10:19Who has killed me?
00:10:20Did he die?
00:10:50Silence.
00:11:00Please help me.
00:11:02I don't want to be like a villain in cinema.
00:11:06I can't do it.
00:11:08I can't think of anything.
00:11:10I can't go outside.
00:11:12I've closed the door.
00:11:14I can't go outside.
00:11:16Go to your seat.
00:11:18Go.
00:11:20Good.
00:11:23Hey.
00:11:25Sit.
00:11:27Sit.
00:11:29Sit, sit.
00:11:34Hey, camera will continue.
00:11:36If you have closed the live telecast,
00:11:39I will kill you first.
00:11:42Do you all need this?
00:11:44Nana is your best friend, right?
00:11:48Okay.
00:11:49Okay.
00:11:50Good.
00:11:57Sir.
00:11:58Hmm?
00:11:59Do you need to call the doctor?
00:12:02Look, she's bleeding.
00:12:04Oh, no.
00:12:06There's nothing.
00:12:07Tell her to kill her.
00:12:08He's a hero, right?
00:12:09That's why he's overacting.
00:12:12He's in a little bit.
00:12:13He's doing the whole room.
00:12:14Oh.
00:12:15Oh.
00:12:19Oh.
00:12:20Oh.
00:12:21Oh.
00:12:22Oh, my God.
00:12:24Oh.
00:12:25Oh.
00:12:26Oh.
00:12:27Oh.
00:12:28Oh.
00:12:29Oh.
00:12:31Oh.
00:12:32Oh.
00:12:33Oh, oh.
00:12:34One man will die. Just one man.
00:12:41Police, military, government.
00:12:43All these people want to try something.
00:12:46But now, nobody can stop.
00:12:49The time starts now.
00:12:59Wait till you, please.
00:13:01Good evening, sir. Kabir.
00:13:04Kabir, what's the situation there?
00:13:06We'll listen to him and then we'll negotiate.
00:13:09If it's not a workout, I need your permission to go in by force, sir.
00:13:13Whatever you have to do, Kabir.
00:13:15Just ensure there are no casualties on live TV.
00:13:18Okay, sir.
00:13:19What are you doing, sir?
00:13:20How can you do so carelessly in the election?
00:13:21How can you do so carelessly?
00:13:22With a celebrity, you don't have to worry about security arrangements.
00:13:23How did the gun go inside?
00:13:24Security check, sir.
00:13:25Without the full body check-up, you can't go inside.
00:13:26Before going to the floor, you can go to the floor.
00:13:28Sir, he was only in the chair.
00:13:29How did the gun go inside?
00:13:30If he checked everything, how did the gun go inside?
00:13:31If a celebrity is showing up with a celebrity,
00:13:33then you don't have to worry about security arrangements.
00:13:34How did the gun go inside?
00:13:36Security check, sir.
00:13:37Without the full body check-up, you can't go inside.
00:13:40Before going to the floor, you can go to the floor.
00:13:42Sir, he was only in the chair.
00:13:44If he checked everything, how did the gun go inside?
00:13:47Who is the gun going inside?
00:13:49Who is this person dying here?
00:13:52No, he's not dying.
00:13:54A pig.
00:13:55Yes, I'm going to go to the house.
00:14:00Mom, where are you from?
00:14:04Where are you from?
00:14:05He's gone.
00:14:06What happened to you?
00:14:07I didn't give you anything.
00:14:08Where are you from now?
00:14:10Where are you from now?
00:14:12I'm from now.
00:14:14What's the matter?
00:14:15I remember you.
00:14:16We had to kill him.
00:14:18That psycho.
00:14:19I remember.
00:14:20He's on the gun on the TV.
00:14:22Don't forget to go to the store.
00:14:24Hey!
00:14:25Don't go back to the store.
00:14:26I don't want to go to the store.
00:14:28Who are they going to kill?
00:14:30Everyone's going to kill them.
00:14:32Everyone's going to kill them.
00:14:34Who is that?
00:14:38And why are they going to kill them?
00:14:42Everyone's going to kill them.
00:14:44I'll tell you when they're going to kill them.
00:14:46Hmm?
00:14:54So...
00:14:55Where are you from?
00:14:57I'm not sure.
00:14:59You're talking about it.
00:15:01This show is still live.
00:15:03The police can come here.
00:15:05So...
00:15:07How did you do this?
00:15:09I can only do this.
00:15:11I can only do this.
00:15:13This show is still live.
00:15:15The police can come here.
00:15:17Sir, we're not going to die.
00:15:19Sir...
00:15:21Sir?
00:15:23How did he take a gun inside?
00:15:25I don't know, sir.
00:15:26People are saying that he only took a gun.
00:15:33Okay, sir.
00:15:34As I said, everyone is sitting inside.
00:15:37Please sit down, please.
00:15:39Please, sir.
00:15:43Layout of the building or blue print?
00:15:44I also want to.
00:15:45Sir.
00:15:48There's no rain.
00:15:50What is the shade?
00:15:54Boys.
00:15:55Sir.
00:15:56Sir.
00:15:57Maybe he can say a joke,
00:15:58but the gun is actually a gun.
00:16:00He's supporting someone inside.
00:16:02We don't know what the demand is.
00:16:04The telecast is running.
00:16:06He's watching the entire world.
00:16:08He doesn't even need to know anything.
00:16:18He only took a box.
00:16:23Sir, tell me who you are,
00:16:25and what you want.
00:16:27What are your demands?
00:16:29My name is Algar.
00:16:32I have to talk about something.
00:16:34It's just so.
00:16:36Good evening.
00:16:37Good evening.
00:16:38We have breaking news from Chennai's Big Vision TV studio,
00:16:41where a man named Algar has hijacked the broadcast of the show.
00:16:45In the studio,
00:16:47Superstar Kailash is coming out of 200 people.
00:16:52Look, there's one here.
00:16:54Excuse me, sir.
00:16:55I'll call you.
00:16:56Please.
00:16:57Hello.
00:16:58Mr. Hari.
00:16:59Yes, sir.
00:17:00I'll call you.
00:17:01No problem.
00:17:02We're outside.
00:17:03Okay.
00:17:04You guys are fine, right?
00:17:05Sir, we're fine.
00:17:06But Kailash has a little bleeding.
00:17:07But I think he'll be fine.
00:17:08Thank you, Mr. Hari.
00:17:09Let's talk to you.
00:17:10No problem.
00:17:15Naina,
00:17:16have you read your Crimson Sky book?
00:17:22Eye of a Hunter, Aryan,
00:17:24Bleeding Heart.
00:17:28Are you writing these books?
00:17:30Are you a writer?
00:17:33A failed writer.
00:17:36I don't have creativity.
00:17:38I'm a writer.
00:17:41You're a writer.
00:17:42I've got a hard work to write.
00:17:43I had to do the research and travel.
00:17:45But he just judged me 10 minutes.
00:17:47So, are you angry with a publisher?
00:17:48Is Narayan a publisher?
00:17:49Your target?
00:17:50The floor and ceiling are made of concrete.
00:17:52There is no place.
00:17:53There is no place in the studio.
00:17:55There is no place in the studio.
00:17:57Where is Narayan?
00:17:58Your target?
00:17:59The floor and ceiling are made of concrete.
00:18:02The floor and ceiling are made of concrete.
00:18:05There's no door. There's only one door.
00:18:10And there's an audience sitting behind the door.
00:18:13So we can't use any explosives.
00:18:15Where's your mobile phone?
00:18:17Sir, there's a live recording.
00:18:19I'll switch off and go back.
00:18:21Tell her to bring it here.
00:18:22People will try to reach you.
00:18:26Police.
00:18:27Police.
00:18:28If Algar knows that we're going to go inside,
00:18:32he'll kill the audience.
00:18:35What do we do now?
00:18:51Hello, Algar.
00:18:53I'm talking about DCP Kabir.
00:18:55Can you hear me?
00:18:58Hello, Algar.
00:18:59What are your demands?
00:19:00Tell me.
00:19:12Why didn't you talk about your demands?
00:19:14You could tell them about your demands, right?
00:19:17No, there's no demands.
00:19:21If there's no demands,
00:19:23then what's all this?
00:19:24It's a publicity stunt.
00:19:26Hmm.
00:19:28Like that.
00:19:29Okay, okay, okay, okay.
00:19:31So then?
00:19:32What's all this,
00:19:33after doing this,
00:19:35is the last reason?
00:19:37What's the theme of this?
00:19:38What is the story of a nice thing?
00:19:39What I want to do?
00:19:40The most important thing is,
00:19:41is that
00:19:45the most important things
00:19:46is to make it that way.
00:19:47That's what I thought about it, but it's not going to happen.
00:19:52That's why I created my whole world.
00:19:56You're all the characters.
00:20:00I'm making a masterpiece with you.
00:20:05A perfect crime story.
00:20:08Listen to the plot.
00:20:12What's happening here, what's happening here?
00:20:17It's just a start.
00:20:19Start? What's the beginning of what?
00:20:22A serial killing.
00:20:24The plot of the flesh.
00:20:26Every night, every five days, I'm going to kill one character.
00:20:31Five days, five flesh.
00:20:35I'm going to tell you about the name of the character.
00:20:43Try to save yourself.
00:20:48But they will die.
00:20:53Hmm?
00:20:58Lena, the police are standing.
00:21:00You keep talking about it.
00:21:02Hmm.
00:21:06Is this your perfect crime story?
00:21:10I'm sorry, but it's such a cliche.
00:21:14I'm sorry.
00:21:21I can show you 100 serial killing novels.
00:21:27Your story is not original.
00:21:29It's quite old.
00:21:30In fact, your thoughts are not original.
00:21:33It's not original.
00:21:41Your publisher was right.
00:21:44I don't think you have any creativity.
00:21:55Hmm.
00:21:56Hmm.
00:21:57Hmm.
00:21:58Hmm.
00:21:59Hmm.
00:22:01Hmm.
00:22:06Get ready, boys.
00:22:07After breaking the door,
00:22:09team one, go for the suspect.
00:22:14Team two,
00:22:15whoever is a civilian,
00:22:17take them out.
00:22:20And team three,
00:22:21whoever comes out,
00:22:22take the background check.
00:22:27They have to take a seat from here.
00:22:29They don't need to run.
00:22:30They have to take a seat from here.
00:22:31Yes, sir.
00:22:36Sir, I asked for your audience list.
00:22:38Hmm.
00:22:39Can I tell you an idea, sir?
00:22:49You throw this gun and surrender yourself.
00:22:52You'll be in jail at 4-5 years.
00:22:54You'll be in jail at the same time.
00:22:56You'll be famous as well.
00:22:58You'll be in jail as well.
00:23:00You'll be in jail as well.
00:23:02I'll be in jail as well.
00:23:03Like the famous English writer Jeffrey Archer,
00:23:05he'll be in jail as well.
00:23:07I'll be in jail as well.
00:23:08I have checked the whole list of audience.
00:23:15There's no man in Narayan's name.
00:23:24Just leave one.
00:23:27Alagar?
00:23:33Alagar is his pen name.
00:23:35His name is Alagar Narayan.
00:23:45What? Yes, sir.
00:23:48He can't catch me.
00:23:50Your name is Narayan?
00:23:52Hitler's mean work was written in jail.
00:23:55Alagar, tell me your name is Narayan.
00:24:01I always wanted to be Alagar.
00:24:04But you all have hurt me.
00:24:06I just made Narayan.
00:24:08But this time, your victory will be mine.
00:24:11Just mine.
00:24:13No, just wait, wait.
00:24:15I don't understand anything.
00:24:17I've told you that you're going to kill five people,
00:24:21but if you'll die first, then how will it happen?
00:24:24If I die first, how can I kill five people?
00:24:27Is that a cliche?
00:24:29Hmm?
00:24:30Hmm?
00:24:31Hmm?
00:24:32Hmm?
00:24:39Listen to what you're talking about.
00:24:41You're the prime witness of this land.
00:24:43You'll be asking a lot of questions.
00:24:45You'll be aware of everything.
00:24:46You'll be aware of everything.
00:24:48You're the heroine.
00:24:49Don't be scared.
00:24:51I'll be scared.
00:24:52Chowman.
00:24:53I'll stay around the tale of the villain.
00:24:54The hero's entry is not yet there.
00:25:00He'll come.
00:25:01He'll try.
00:25:02After shooting me, I'll try to stop.
00:25:04Hmm?
00:25:05Hmm.
00:25:06It won't happen.
00:25:23Ladies and gentlemen,
00:25:25what's going to start now is my perfect crime story.
00:25:30Murder No. 1, Narayan.
00:25:36They're going to watch a long time.
00:25:40No. 1, Narayan.
00:25:42When you are suspecting that you see there's no pain.
00:25:46That's a shock to you.
00:25:48Why are you facing this?
00:25:50What's happening?
00:25:53We are the most successful in watching the game.
00:25:57Who can't be?
00:25:58We are the best sharing this.
00:26:01That is trying to get to me.
00:26:03I
00:26:14Bobby sir
00:26:15Is it a threat or is it over?
00:26:18The suspect died sir. So technically the case is over.
00:26:21But
00:26:22But
00:26:23Something is missing in this case.
00:26:26Could Kabir handle this case?
00:26:28For election protection duty, Kabir wants a direct request to the C.M. office.
00:26:33So
00:26:37But, it can't be anybody regular.
00:26:39Этот trial can't be experienced who is experienced this case.
00:26:51Bobby, where about that boy of yours
00:26:54who solved the serial killer who Typical serial serial killer case?
00:26:57Oh.
00:27:02Very good choice, sir.
00:27:04He's smart, efficient, and work-a-lick, sir.
00:27:14Okay.
00:27:16Where is he?
00:27:27Ah!
00:27:40Ma'am.
00:27:40Hmm?
00:27:41I think it will be our judgment in our favor.
00:27:46Okay, ma'am. I'm waiting for you to come.
00:27:57Oh.
00:28:01Sorry.
00:28:19I've explained how many times you've explained!
00:28:22Just stop!
00:28:27My job!
00:28:29Listen, my work is necessary, not you!
00:28:49Nambi!
00:28:52Nambi!
00:28:57Do you also want a divorce?
00:28:59Madam, I am a police officer.
00:29:01Work-life balance is not easy.
00:29:03Who am I?
00:29:05What do I know after this?
00:29:06Anita has married me.
00:29:08I am transparent.
00:29:09I don't have anything to hide.
00:29:11I am fine with this marriage.
00:29:13What marriage, Nambi?
00:29:14The girl who lives in a bed
00:29:16is not calling her marriage.
00:29:18She calls her friendship.
00:29:20Guys, listen.
00:29:21I am not a therapist.
00:29:22And I am not a marriage counselling.
00:29:24You have applied for six months.
00:29:26You both have applied for divorce.
00:29:28I need a final concern from both of you.
00:29:30Do you really want a divorce?
00:29:33Yes.
00:29:34No.
00:29:35Your Honor, my client Anita Shankar
00:29:38was trying to be a mother for one year.
00:29:40But Mr. Nambi has no interest in this situation.
00:29:43Ma'am, this is totally unfair.
00:29:45We need some time to respond to him.
00:29:47Okay.
00:29:48Yes, ma'am.
00:29:49Where did you get this judge?
00:29:50Idiot.
00:29:51Sorry, Nambi.
00:29:52Your usual complaint is
00:29:53irresponsible, insensitive,
00:29:54chauvinistic, uncaring.
00:29:55Everything is okay.
00:29:56But this was below the belt.
00:29:57Oh, I didn't say that.
00:29:58He said that he was in his mind.
00:29:59Okay?
00:30:00Hmm.
00:30:01I didn't say that.
00:30:02Sorry, Nambi.
00:30:03Your usual complaint is
00:30:04irresponsible, insensitive, chauvinistic, uncaring.
00:30:07Everything is okay.
00:30:08But this was below the belt.
00:30:09Hey, I didn't say that.
00:30:10He said that he was in his mind.
00:30:12Hmm.
00:30:13Can I say something?
00:30:14You don't think so.
00:30:15Tell me.
00:30:16All things are not necessary in your control.
00:30:21Especially love.
00:30:22I care a lot about you.
00:30:23I have to go.
00:30:24But I am not in love with you.
00:30:25And this is what you know.
00:30:26So whatever you know,
00:30:27you have to accept it.
00:30:28Sorry.
00:30:29I have to go.
00:30:30Sir, Nambi, sir.
00:30:31I've seen the case file.
00:30:32I'm on my way, sir.
00:30:33I'm on my way, sir.
00:30:34I'm on my way, sir.
00:31:04Oh, I've seen it.
00:31:11Look at that.
00:31:16Oh, what is that?
00:31:17With you.
00:31:18With the 금s you grew around the building.
00:31:23That was your mouth.
00:31:28You grew behind yourself.
00:31:32a chair a key and she did a little to the same
00:31:38Oh
00:31:39Oh
00:31:41Oh
00:31:42Oh
00:31:43Oh
00:31:45Oh
00:31:47Oh
00:31:49Oh
00:31:51Oh
00:31:53Oh
00:31:55Oh
00:31:57Oh
00:31:59Oh
00:32:02Give your city a little bit
00:32:09This is not going to be fast anymore
00:32:11Huh?
00:32:12You haven't even asked me out on a coffee yet
00:32:15Will you go out with me for a coffee?
00:32:18Yeah
00:32:32You are joyful
00:32:35You are joyful
00:32:37You are asleep in my roots
00:32:41With God, with God
00:32:45With God
00:32:46Your little happiness
00:32:48My heart moves
00:32:50From Sagar
00:32:55You are the birds
00:32:58You come in front of me
00:33:03You come in front of me
00:33:08I'm going to go to you
00:33:15I'm going to go to you
00:33:44I'm going to go to you
00:33:51I'm going to go to you
00:33:56You come in front of me
00:34:01I'm going to go to you
00:34:04I'm going to go to you
00:34:14I'm going to go to you
00:34:19I'm going to go to you
00:34:21I'm going to go to you
00:34:28I'm going to go to you
00:34:33I'm going to go to you
00:34:35I'm going to go to you
00:34:42I'm going to go to you
00:34:44I'm going to go to you
00:34:51I'm going to go to you
00:34:53I'm going to go to you
00:34:54I'm going to go to you
00:34:56I'm going to go to you
00:35:00Guys, guys
00:35:01Later, later
00:35:02Later
00:35:04The front door is locked.
00:35:32Yes, sir.
00:35:34Yes, sir.
00:35:35Nice to meet you.
00:35:36Sir, I have given my statement.
00:35:41Yes, I have seen it.
00:35:42I want to know more details about Alagar.
00:35:44Hello, sir.
00:35:45Hi.
00:35:46Nice to meet you.
00:35:47Sir, I have given my statement.
00:35:48Yes, I have seen it.
00:35:49I want to know more details about Alagar.
00:35:51I want to know more details about Alagar.
00:35:53How many years have you lived here?
00:35:55Sir, this is quite old.
00:35:56Sir, this is quite old.
00:35:57It was 20 years ago.
00:35:58It was 20 years ago.
00:35:59It was 20 years ago.
00:36:00How many years have you lived here?
00:36:01Sir, this house is quite old.
00:36:02It was 20 years ago.
00:36:04She bought this house.
00:36:06Family relatives?
00:36:08She was married, sir.
00:36:09She was married.
00:36:10She was named Alice.
00:36:11She was married a few years ago.
00:36:13What did she convert?
00:36:14No, sir.
00:36:15She was a Christian wife.
00:36:16She was a Christian wife.
00:36:17She was married, sir.
00:36:18And whose name is Selam?
00:36:23She has a son of 18 years old.
00:36:26And his name is Soriya.
00:36:27She lives in her house.
00:36:29She was a man's house.
00:36:30She was a man.
00:36:31He was very hungry, sir.
00:36:32She was a man.
00:36:33She is hungry, sir.
00:36:34Sir, this guy is an introvert.
00:36:36She doesn't even talk to anyone.
00:36:38Okay.
00:36:39We'll tell him to a local inquiry.
00:36:41We'll tell him about his wife.
00:36:43So.
00:36:44So you are the hero that Algarth said.
00:36:48What?
00:36:49Ant has just said that he has a role in his story.
00:36:55He's a villain, and you are the hero.
00:36:59He also said that you will try to stop him in Fizzul.
00:37:14What do you think of him?
00:37:30He's a lunatic.
00:37:33He's a loser.
00:37:34He's a reaction for all his frustration in one day.
00:37:37He can say one hour of fame.
00:37:40But what else?
00:37:44There are a lot of shows.
00:37:45But why will that suicide happen in your show?
00:37:53Hi, TRP.
00:37:55Maximum viewership, prime time.
00:37:57That's right.
00:37:58You are a beautiful anchor.
00:38:00Celebrity and film stars are popular.
00:38:02But it's more important than that.
00:38:07Algarth, you can see this show.
00:38:11You can't go outside.
00:38:13All the doors are locked.
00:38:15No one can come inside.
00:38:17Go and sit in your seat.
00:38:19Go, go.
00:38:20Go and sit.
00:38:29That's right.
00:38:30He has hacked the audio security system.
00:38:32The whole floor is in control.
00:38:34Minimum 200 hostages.
00:38:36That's more important than your show's run time.
00:38:38Just a minute.
00:38:40And that's also live.
00:38:42But sir, I don't think that he has to pay attention.
00:38:46He can stage his death on any other way.
00:38:48But that place, that TV show,
00:38:50has been planned in a lot of detail.
00:38:52And the gun has been used.
00:39:00It's not easy to arrange that, sir.
00:39:04Listen, sir.
00:39:05I don't know what it was in the truth.
00:39:07He gave me a bottle and said,
00:39:09put it under the seat.
00:39:10There's no cell phone in the studio allowed, sir.
00:39:12I have to take a selfie with my madam.
00:39:14That's why I put the phone in the car.
00:39:16That's why I put it in the car.
00:39:19So, he gave you a box.
00:39:21Then he gave me the phone and said,
00:39:22what did you say?
00:39:23How much money did you get?
00:39:25Sir.
00:39:26What are you asking?
00:39:27Come on.
00:39:29200 rupees, sir.
00:39:31200 rupees?
00:39:32I don't know.
00:39:33Tell me.
00:39:34Tell me.
00:39:35Tell me, sir.
00:39:39It's right.
00:39:40If he gives more amount of money,
00:39:43then he'll be confused.
00:39:48He had to die.
00:39:50Something is still not adding up.
00:39:52After dying,
00:39:53he's going to die five people.
00:39:55How can he announce it, sir?
00:39:57If you think,
00:39:58it's illogical.
00:40:00A dead man,
00:40:02what will he do now?
00:40:05How is it even possible?
00:40:07It makes no sense.
00:40:08Dambi,
00:40:09take a proper look.
00:40:11And if there's something true in the threat,
00:40:13then investigate it.
00:40:14Keep it low profile.
00:40:16Media attention will be a lot.
00:40:18Because it's election time.
00:40:19So handle it sensitively.
00:40:21And report to Bobby.
00:40:22Sir.
00:40:23What's that?
00:40:24What's that?
00:40:25Sir?
00:40:26What's that?
00:40:27What's that?
00:40:29I think it's an old woman.
00:40:30I don't know if it's a doubt.
00:40:31Who's that one?
00:40:32She feels like my old woman.
00:40:33I don't know if she's a dream.
00:40:34No.
00:40:35I don't know she feels like she's a dream.
00:40:36They don't know it though.
00:40:37It's a nightmare.
00:40:38I don't know if she's a dream.
00:40:39What's that?
00:40:40I do not know her dream.
00:40:41I don't like her dream.
00:40:42I haven't written anything in it.
00:40:50It seems like someone's living here for 20 years.
00:40:53We're seeing those who want to see our eyes.
00:40:58Mr. Nambi, he meant every word he said.
00:41:03Do you think Alagar will kill again?
00:41:07I'm not sure.
00:41:10Do you?
00:41:12Good evening.
00:41:40You didn't have to tell me.
00:41:46A crazy man is dying on TV.
00:41:51I'm a crazy man.
00:41:53But what he said, he's a crazy man.
00:41:57He was happy in the live TV show.
00:42:00He released a video.
00:42:02You can see that video.
00:42:04Police and government have told you
00:42:06that you shouldn't be afraid of.
00:42:08Correct.
00:42:09You won't be afraid of anything.
00:42:11But in the next five days,
00:42:13I will be able to find out their death.
00:42:17Every day, when I announce his name,
00:42:19he will be dead.
00:42:22Ladies and gentlemen,
00:42:24my second character's story,
00:42:26murder number two,
00:42:28Ashok.
00:42:31What? Ashok, you?
00:42:33Ashok.
00:42:34Ashok.
00:42:36Ashok.
00:42:37You're a man.
00:42:38You're a man.
00:42:39You're a man.
00:42:40You're a man.
00:42:41You're a man.
00:42:42You're a man.
00:42:43You're a man.
00:42:45You're a man.
00:42:47Alligarh's video resurfaces,
00:42:49causing panic amongst people.
00:42:51State Minister Ashok,
00:42:52security has been heightened.
00:42:54The Blacker,
00:42:55a man.
00:42:56Am I a man?
00:42:57No.
00:42:58The Blacker,
00:42:59the Blacker.
00:43:00Not a man.
00:43:01No.
00:43:02No.
00:43:03The Blacker.
00:43:04You're a man.
00:43:05How can this happen in one hour?
00:43:11Hey, DJP.
00:43:12I've told so many times that I have many enemies.
00:43:15I was talking to you.
00:43:17Have you heard that?
00:43:18I said that Algar is a Nuxerlite.
00:43:21I was going to be a guest on the TV show.
00:43:23If I was there, Algar would be a guest.
00:43:27I just missed. I got lost.
00:43:29I'm still alive.
00:43:31I'm still alive.
00:43:33I'm still alive, sir.
00:43:35Don't worry about it.
00:43:36Sir, you're going to leave.
00:43:38The son of Abhimanyo, Parikshit.
00:43:42How do you know him?
00:43:44There were a lot of people in his house.
00:43:47He died from one bite.
00:43:49He died from one bite.
00:43:51He died from one bite.
00:43:53You drink it.
00:43:55It was the juice.
00:43:57Yes.
00:44:01Hello.
00:44:02You're a pillow.
00:44:04Nambi, what could it happen if someone died after a video?
00:44:07Pre-recorded?
00:44:08Yes, sir. Pre-recorded message.
00:44:11But, sir, Algarh's threats are true.
00:44:14Who can this be Ashok?
00:44:16Sir, the target of Algarh's Minister is Ashok Shilwarraj.
00:44:20I can say that I can say that.
00:44:21If a target is Minister,
00:44:23they are not going to come in the program.
00:44:25They will know that he will know his plan.
00:44:27Who's the target of Ashok?
00:44:29I don't know.
00:44:30It's only one hour to filter the entire city of Ashok's
00:44:33to identify the issue of Ashok.
00:44:35How did he hack the LAD screen?
00:44:38Maybe he's helping him from outside.
00:44:41So, we just need to know that he's going to hack out.
00:44:44We'll hack on you.
00:45:14What?
00:45:15He's stuck on you.
00:45:16That bad?
00:45:17It's supposed to be shot.
00:45:18Never去.
00:45:19To the floor.
00:45:20No.
00:45:21No.
00:45:22There.
00:45:23No.
00:45:24No.
00:45:25No.
00:45:28No.
00:45:29Huh?
00:45:33No.
00:45:34What?
00:45:35No.
00:45:36No.
00:45:37No.
00:45:38No.
00:45:39No.
00:45:40No.
00:45:41No.
00:45:42No.
00:45:43No.
00:45:44Hello, Dadaji.
00:46:02Busy?
00:46:10Dadaji?
00:46:14Dadaji?
00:46:19I'm sorry guys, not now.
00:46:37Sir, I'm ACP trainee Shrestha and this is explosive expert SI Ali Akbar sir.
00:46:47If you want the team, it's us.
00:46:49Okay, we'll examine the spot and work as a team.
00:46:53Let's keep our low profile.
00:47:17Let's keep our low profile.
00:47:19Let's keep our low profile.
00:47:21Let's keep our low profile.
00:47:23Let's keep our low profile.
00:47:25It's a controlled explosive.
00:47:29Perfect.
00:47:30What can be an explosive?
00:47:31R-X or SEMTEX.
00:47:32Triggering mechanism?
00:47:34This is a self-activated mechanism.
00:47:36I'm sorry sir.
00:47:37Can anyone buy anything from the dark wave?
00:47:40Yes sir.
00:47:41The origin source of this explosive, contacts, local suppliers,
00:47:45anyone should be in our custody.
00:47:47Sir.
00:47:48Jay, take all the details of this victim.
00:47:49Okay sir.
00:47:50Ashoek isn't using mobile phones.
00:47:52Who uses the coin booth?
00:47:54Ashoek's last call on this booth was done with a time ago.
00:47:57This will be very clear.
00:47:58Alagar and Ashok have some connection.
00:48:00By this culpa, he is also psycho Alagar.
00:48:02So I'm sorry sir.
00:48:03Can you coincide this?
00:48:05It's not.
00:48:06Alagar has said anything about us.
00:48:07Every day we have many power of Ashok.
00:48:10The man may be unable to take a good time.
00:48:13There's a policy that is responsible for him.
00:48:15How can we talk about this?
00:48:17Keep calm until the charge is coming.
00:48:19I will fight for people.
00:48:22And if it's necessary,
00:48:24I will give up for people.
00:48:41Brother, I need one.
00:48:45And I will go past their side and use them.
00:48:48He is who is in the hospital.
00:48:51Sir, I will show you how to pass them.
00:48:53Come on.
00:48:55Let's do the stuff for people.
00:48:58You are on the other side right now.
00:49:00Let's do the stuff for you.
00:49:02I will show you how to pass them.
00:49:04I am on the other side.
00:49:07I am on the other side.
00:49:10I am on the other side.
00:49:12I do not like this,
00:49:13I am on the other side.
00:49:14Sir, I need Ashok's room.
00:49:21Shrestha.
00:49:23Sir.
00:49:24Let me ask Ashok's room.
00:49:26Handle it sensitively.
00:49:27Yes, sir.
00:49:44No.
00:49:48No.
00:49:53No.
00:49:58No.
00:50:02No.
00:50:06I don't know.
00:50:36I don't know.
00:51:06I don't know.
00:51:07I don't know.
00:51:08I don't know.
00:51:09I don't know.
00:51:10I don't know.
00:51:11I don't know.
00:51:12I don't know.
00:51:13I don't know.
00:51:14I don't know.
00:51:15I don't know.
00:51:16I don't know.
00:51:17I don't know.
00:51:18I don't know.
00:51:19I don't know.
00:51:20I don't know.
00:51:21I don't know.
00:51:22I don't know.
00:51:23I don't know.
00:51:24I don't know.
00:51:25I don't know.
00:51:26I don't know.
00:51:27I don't know.
00:51:28I don't know.
00:51:29I don't know.
00:51:30I don't know.
00:51:31I don't know.
00:51:32I don't know.
00:51:33I don't know.
00:51:34I don't know.
00:51:35I don't know.
00:51:36I don't know.
00:51:37I don't know.
00:51:38There are many of them about me.
00:51:40Do you know Algar?
00:51:41No, sir.
00:51:42We don't know who Algar is.
00:51:45I don't know who Algar is or what will I take?
00:51:47We don't know what Algar is.
00:51:48No one knows no one of.
00:51:50What's Algar's motive?
00:51:52Sir, he was a pretty strange man.
00:51:56He did always say something big.
00:51:59Always.
00:52:01He was gone wrong for 2-3 weeks.
00:52:03He was gone home the other morning.
00:52:05And when I came back, they told me that I was going to research on some of the story.
00:52:10I had a chance to write these books for 10 years.
00:52:14How much of research, how much of the travel.
00:52:17But it was just in 10 minutes.
00:52:20Sir, over night this book has increased the demand in the public.
00:52:24In one day, there have been orders for 1,000.
00:52:27Two cinema directors have been calling for the rights of this book.
00:52:33Hi, this is D. Simin Ambi.
00:52:34In the case of Alagar, I met you.
00:52:36Yes, I'm coming.
00:52:37Tell me.
00:52:38I saw your show recording again.
00:52:41Alagar and you talked about some of the books about it, right?
00:52:44Yeah.
00:52:45Eye of a Hunter, Crimson Sky, Bleeding Heart.
00:52:51And Arjen.
00:52:55All of her books have been sent, except Arjen.
00:52:58Yeah. How do you know?
00:53:00I've also researched her a little bit.
00:53:02I didn't get that book.
00:53:03That's right.
00:53:04This book is not published yet.
00:53:06Okay.
00:53:07Sir, sir.
00:53:09Sir, two years ago, they wrote a novel.
00:53:13They told me that this is her masterpiece.
00:53:15And they gave me to read it.
00:53:17Did you read it?
00:53:20No, sir.
00:53:21I said, I won't read it.
00:53:23He told me that the book's name was Arjen.
00:53:28I don't know.
00:53:29I don't know, sir.
00:53:30I don't know, sir.
00:53:31I don't know, sir.
00:53:32You're welcome, sir.
00:53:33You're welcome, sir.
00:53:34I don't know, sir.
00:53:35I don't know, sir.
00:53:36I don't know, sir.
00:53:37I don't know, sir.
00:53:38You're welcome, sir.
00:53:39You're welcome, sir.
00:53:40You're welcome, sir.
00:53:41You're welcome, sir.
00:53:42I don't know, sir.
00:53:43You're welcome, sir.
00:53:44You're welcome, sir.
00:53:45You're welcome, sir.
00:53:46You're welcome, sir.
00:53:47You're welcome, sir.
00:53:48You're welcome, sir.
00:53:49I don't know, sir.
00:53:50I don't know, sir.
00:53:51I don't know, sir.
00:53:52I don't know, sir.
00:53:53I don't know, sir.
00:53:54You're welcome, sir.
00:53:56You're welcome, sir.
00:53:57Jay, I'll tell you about that.
00:53:58Who, sir?
00:54:03Generally, serial killers
00:54:05use their psychological gratification.
00:54:08But this is a unique case.
00:54:10The killer here has died before.
00:54:13It's all the psychological concepts.
00:54:16Sometimes, in the night,
00:54:18there were some strange sounds.
00:54:20When I was walking,
00:54:21they were walking around here.
00:54:23And their body was filled up with a lot.
00:54:30But now, sir,
00:54:31there's only one thing.
00:54:33When there's another thing,
00:54:34we can call them serial killers.
00:54:37Ladies and gentlemen,
00:54:38murder number one,
00:54:40Alagar.
00:54:42We will have a link to Alagar.
00:54:43We will have to leave him in the chat.
00:54:45We will have to leave him in the chat.
00:54:46So, what do you think?
00:54:50After passing the mother,
00:54:52she seems to be very beautiful.
00:55:01Sir, Alagar and Rashouk,
00:55:03we have taken a psychological profile.
00:55:05I'm looking at them as a victim.
00:55:07There are some similarities, sir.
00:55:09They both are in their 50s.
00:55:11Both of them are still alive.
00:55:13Both of them are still alive.
00:55:16It's a lonely life.
00:55:18Sir, we call to talk to my daughter
00:55:21every two days,
00:55:22at night at 8 o'clock.
00:55:24Have you ever talked to your daughter's hand
00:55:27and talked to your father?
00:55:40This pattern is the target.
00:55:42So,
00:55:43maybe there will be someone else
00:55:45who will be the next target.
00:55:47A lonely old man.
00:55:51We will end this soon, sir.
00:55:52Don't worry.
00:55:58Okay.
00:55:59You can go.
00:56:00Sir.
00:56:01Sir,
00:56:02Ashok's daughter and husband
00:56:04have been waiting for a long time.
00:56:05Can I tell you?
00:56:06No, no.
00:56:07Ignore it.
00:56:08Just a little bit.
00:56:09Just a little bit.
00:56:10Just a little bit.
00:56:11Just a little bit.
00:56:12Ignore it.
00:56:13Just a little bit.
00:56:14Just a little bit.
00:56:15Just a little bit.
00:56:16After 10 o'clock,
00:56:17you're not gone.
00:56:18Just acting a little bit.
00:56:19Sir.
00:56:20This is the girl and husband
00:56:21who took a big girl
00:56:22out of the house.
00:56:23We can't do that for Ashok.
00:56:25Sir.
00:56:26I have made a decision for Ajay's wedding.
00:56:33Okay.
00:56:34Who is that girl?
00:56:35In Vijay's reception,
00:56:36he was making a video.
00:56:37He's the girl.
00:56:38She's the girl.
00:56:39She's the girl.
00:56:40She's the girl.
00:56:41She's the girl.
00:56:42Hello.
00:56:43What is this?
00:56:45What is this?
00:56:50Sir.
00:56:51There's a new video on the TV channel.
00:56:52What?
00:56:53Channel?
00:56:54Yes, sir.
00:56:55And this time,
00:56:56he hacked the serial telecast.
00:57:03Stray Purush Samanta.
00:57:05Gender equality.
00:57:09Murder number three.
00:57:12Razia.
00:57:15Part 2.
00:57:17Super
00:57:41No one knows how he'll do it.
00:57:42Get out and stop this mad man.
00:57:43That's all.
00:57:44Guys listen carefully
00:58:03The next victim's prediction is wrong
00:58:06and it has to prove that we have to track Raziya
00:58:14Raziya is a Muslim
00:58:15In a public broadcast in Muslim areas
00:58:18Track down as many Raziya's as possible
00:58:20And in the city, any police unit is active
00:58:22Tell everyone to focus on this
00:58:23Go, go, go
00:58:24Yes sir
00:58:33Go, go, go
00:59:03Go, go, go
00:59:33Go, go, go
01:00:03Thank you ma'am
01:00:09Sir
01:00:12We'll have the report in an hour
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