പണ്ടത്തെ കാലമല്ല, ഇന്ന് തമാശയും നർമ്മവും ഉൾപ്പെടുന്ന കഥ പറയുമ്പോൾ ഉത്തരവാദിത്വം ഉണ്ടായിരിക്കണമെന്ന് നടൻ നോബി മാർക്കോസ്. സംവിധായകൻ സതീഷിനൊപ്പം എഷ്യാനെറ്റ് ന്യൂസ് ഓൺലൈനിന് നൽകിയ അഭിമുഖത്തിൽ തൻ്റെ പുതിയ സിനിമയായ ഇന്നസെൻ്റിൻ്റെ വിശേഷങ്ങൾ പങ്കുവച്ച് നോബി.
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NewsTranscript
00:00My friends are a boy who isn't a boy who's a baby
00:02Other than I am a boy who isn't a boy who's a baby
00:03like me or a boy who is a baby
00:05That's why I'm a boy with the brother
00:06I gave up two other days
00:08She looked back to me and asked her
00:09He said, tell me, tell me, tell me
00:11And I look, tell me, he's gone
00:13I'm not a boy
00:14I'm not a boy
00:16Nobody can say that
00:18I'm not a boy
00:22I'm not a boy
00:23I don't have a boy
00:25I don't have a boy
00:28Normally I am going with this situation,
00:30it's like,
00:31And I am going to get away from that.
00:34Something from heaven and I am going to get away from the earth.
00:37I am going to be holding on to the house with 200th mother of my son.
00:40I am going to have him by the side of my brother.
00:43I have to say,
00:44Yes, that's it!
00:46I am so tired.
00:48I am not aware of the animals.
00:50I am not aware of the animals.
00:51I am not aware of the animals.
00:53I am aware of the animals themselves.
00:54I am aware of the animals they are doing.
00:56It's always a day to go.
01:00It's always a good time.
01:02There are some ways to do that.
01:08There are a few things that I can do.
01:12That's not the case.
01:14I'm not a normal mimicry.
01:16I'm not a normal mimicry.
01:18I'm not a normal mimicry.
01:20I'm not a normal mimicry.
01:22I'm not a normal mimicry.
01:24You ask it for me because he is a king.
01:29You are not Kimse.
01:31Kimse is a Kingse.
01:34In the UK, he will live in 15.
01:37They are the last 14th of his life.
01:38He is the last 14th.
01:41They always have to jump in.
01:44He is the one who starts to find 90's.
01:48There is a comedy show.
01:51Everyone comes to your country and says,
01:53I'm so sorry.
01:56That's what we can do.
01:57It's a very powerful thing.
02:00I'm not going to say anything else.
02:02I don't want to go anywhere else.
02:04I don't want to say anything.
02:05So, I'm not going to say anything.
02:08I've seen anything else in my life.
02:09I'm not going to say anything else.
02:15My name is Sartre Si.
02:19I'm an Anavandi.
02:21Malayaliki is a very good idea.
02:23He is a social satire film.
02:28He is a film. He is a film.
02:31He is a film.
02:33Namaskara.
02:35There is a story.
02:37I am a real person.
02:39He is a real idea.
02:41He is a very good idea.
02:43He is a very good idea.
02:45He is a very good idea.
02:47Do you think that you're going to die in a certain way?
02:51No, it's not.
02:53No, it's not.
02:55No, it's not.
02:57It's a writer.
03:01Okay.
03:02It's a writer.
03:04It's a story.
03:06It's a story.
03:07It's a story.
03:09It's a story.
03:11It's a story.
03:13It's a story.
03:15It's a story.
03:17It's a story.
03:18It's a story.
03:19That's why we have a family.
03:21It's a story.
03:23Yes, it's a story.
03:25Chiri-chiri.
03:27Nobichat is an action.
03:31It's a full-time humor.
03:33There's no such thing.
03:35It's not an assis.
03:37It's a story.
03:39It's a story.
03:41When we were talking about the character, we played a good character.
03:46We played a great character.
03:48We played the same character.
03:50It was a good character, it was a good character, it was a great character.
03:54In that performance, there is a lot of performance.
03:56In that performance, we get to pay the maximum pay.
03:59That's what we need to do, because I'm a bad guy.
04:04We get to talk about Asian.
04:07We get to talk about Asian products.
04:10That's what I wanted to be a comedy star...
04:15I thought that was a smile please, how did you find yourself?
04:18That was one of my best friends.
04:22That was what I did.
04:24That was a standup comedy show.
04:25That was a weeker.
04:27Just after the show.
04:29That was a standup comedy show.
04:32That was my best friend.
04:35I am a comedy show.
04:39We are all excited about comedy shows that Pinnah is a Titan.
04:43It's not that we can do the script.
04:47If Pinnah is a fan of the media, you can do the program.
04:52That's what we are doing, we are happy.
04:56That is why we are still watching the cinema.
05:00We are still enjoying the comedy show.
05:04We have to go to the KSRC bus.
05:11We have to go to the KSRC bus.
05:14We are going to the road and we are going to the KSRC bus.
05:17But now, there are a few different places where we are going to the KSRC bus.
05:23I was going to the KSRC bus and I was going to the KSRC bus.
05:29After the police, they were blocked by a very long distance of the bus.
05:36KSRDC is so difficult.
05:40They must have broken boards up they do not forget.
05:45They don't have to worry about this place like Mananthavari, Kanonu, Kohukuru, Gheruda, Bangalore.
05:53Maybe they'll go to KSRDC and go to KSRDC.
05:58Now I'm going to say, I'm going to be family, but I'm not going to be able to do this.
06:03I'm going to ask you, you know, they'll come.
06:06There's a lot of people in the world.
06:08There's a lot of people in the world.
06:10I can tell you, they'll come to a few more years.
06:13They'll come to the people and they'll come to the people.
06:17They'll come to the tourists and dance.
06:19They'll dance to the conductor.
06:22They'll come to the conductor.
06:26He's is a conductor, he's a conductor.
06:28He's a conductor, he's a conductor.
06:30He's a conductor and I'm not a conductor.
06:37I've seen two other features,
06:41in which I have seen,
06:42then I'll put a beard in my eyes.
06:45I've seen a beard in my eyes.
06:47I've seen a beard.
06:48It's a beautiful thing.
06:51When I was a climatic person, I didn't ask to express my own expression and my own words.
06:57That's a hard word.
06:59I was just surprised to see Big Ben Jet out.
07:02It's not my fault.
07:05I'm going to say it's a non-mega.
07:09I've never thought that I'm going to say it.
07:11I'm going to say it's my own words.
07:14I've never thought I'd say it's my own words.
07:16When someone is in the middle of a meeting, they can't see anything.
07:23They can't see anything.
07:25They can't see anything.
07:27They can't see anything.
07:31They can't see anything.
07:35I can't see anything.
07:37Why did you decide to work out?
07:39No, not at all.
07:41We are talking about the roots of this.
07:44Oh, okay, okay!
07:45We were done.
07:46By then they had the client's business.
07:50My friend freely left on the table.
07:52He repeatedly skippedаться.
07:53He did not give him a second.
07:56When helaubted us, we talked to him with Adhish.
08:00If we have any sense of amount,
08:02it is monetary, solution is not the same.
08:04When we took a few years of money now, we didn't do it yet.
08:06The Mchesese of king під Lunch is around 3 weeks.
08:08So that's when I asked Shrikan
08:09Like Shrikan, could I talk to you?
08:10So this too.
08:11This sister mind mostly
08:14There are some artists here.
08:17Now all of us have an artist.
08:22Now everyone could never play with.
08:25Now everyone is not being scared,
08:27they just say I want to play with.
08:29We can't compare with them now.
08:31No matter the difference instead of us,
08:34why can't we stop?
08:36Because what we do,
08:37in this world is like this.
08:39What are you doing now?
08:42I think there are some questions in the world.
08:44We have a lot of questions in the world.
08:45We are also going to get to a place where you can get to a place.
08:47Since we have a lot of questions, we have a lot of questions in the world.
08:49That is why we have a lot of questions that we are going to get to the show.
08:54We have to talk about that.
08:55If you have one of the questions that we have, you can take a few questions for our channel.
08:58You can ask me to ask for anything.
09:01Now, don't you know what I am going to ask?
09:03I don't know what I am going to ask you.
09:06I don't get to ask you.
09:10Do you think you can tell us?
09:13No, absolutely.
09:14If we put in a situation, then I take home.
09:17I feel like I am a friend.
09:19I am raised.
09:21I am raised and I am raised.
09:22That is what I do in my situation.
09:24In a situation where I have raised and raised,
09:27I have raised and raised for a second.
09:29I know I am raised and raised.
09:32The first thing I see for 4 years is 3 years before.
09:35I would have raised this place and I have raised me too.
09:37it's hard to make it.
09:39It's hard to make it.
09:41Do you like it?
09:42Yes, it's hard to make it.
09:44We have a lot of different things.
09:47We've done a long time and a few weeks from the last year.
09:50We were doing a show at that time.
09:53We have a lot of guests.
09:58We've taken a lot of guests.
10:00They have a lot of guests.
10:02They have a lot of guests on the show.
10:0550.000.
10:0660.000.
10:07Aasif, a very good figure, AND he came out and discovered that the last person was watching it.
10:15And he said we have to find out when we are in a country with the last person.
10:20He came out and passed away all day.
10:24He started to break all day period.
10:26Everybody knows about dancing and dancing.
10:28He gave me a story.
10:33It's going to be filled when the rafi is missing.
10:37Rafi used to climb like the rafi.
10:39Then we came to the top of the rafi.
10:40If we were to climb a temple or the mogelijkh transport,
10:44we would not be able to climb the rafi.
10:48We would also have to climb the rafi.
10:50Now we had to climb the rafi.
10:55The ground now is ready.
10:57If we got to climb the rafi,
10:59then the rafi will climb and climb.
11:01He was like, no, no, I didn't know the gist of the TTwo College.
11:08He was like, you know.
11:11I am in different stations, and I didn't understand the rafi film.
11:16He was like, you know, Salim or the first time.
11:25And I said, I'm so glad that the Raph he was in a place.
11:29I asked him, I'm so glad that he was around and I'm so glad that Raph is here.
11:32The magic was on his hand.
11:34They knew so much how we went to the back.
11:38And he asked him, I'm so glad that Raph he was around and was around and came and said,
11:44I don't think he was.
11:47I'm so glad that he was around.
11:49That's just what he thought.
11:52He said, I'm so glad that he was around.
11:54I'm not sure what you said.
11:56I will go to my house.
11:58You're a good guy.
12:03You're not sure what to do.
12:07We are going to see you in a bit of a joke.
12:11You never have to lose a magician.
12:14Who is your sister?
12:16Okay.
12:18That's true.
12:19Who is your sister?
12:21So, we are going to do it with magic.
12:25Okay, okay.
12:27What is it?
12:28Then, let's get into it.
12:29Like a snake.
12:30This is a snake.
12:32He will take a snake.
12:34He will take a snake, where he will take a snake.
12:38After that, he will take a snake.
12:40He will take a snake.
12:42Then, when he will take a snake.
12:44He will take a snake.
12:46He will take a snake.
12:48This time he will take away.
12:50That's how it came, we picked it up in theOOO position.
12:54We used to look at the camera.
12:57I told him to go check the camera and see how.
13:00But I told him not.
13:02I told him I could go to the back so long.
13:07If I could go to the back now, I would say,
13:09hey go, I won't start doing it now.
13:13If I did this, I said he won't start doing it.
13:16I'm looking around how many people have gone in.
13:19He's sitting there in a chair, in a chair.
13:26He's a little bit off.
13:27If we could jump in, we could jump in.
13:32He's a man.
13:34He's a man. He's a guy.
13:36He's a guy.
13:39I'm a guy.
13:42He's a guy.
13:44I think that you will have a chance to see.
13:50Our dancers are dancing and that's why I would like to say that
13:54I would like to say to you, if you want to go to the event,
13:59I would like to say that they would like to go to the event like a cinematic dancer.
14:03Oh, that's it.
14:05Yes, that's it.
14:07Don't call the name.
14:09That's why we are still there.
14:10I see aalangu is being aalangu is dancing.
14:15SILKOUDUPA?
14:17NO.
14:17I think I will speak.
14:20I have to say that.
14:22I will call you as a fire dance.
14:25I see it again.
14:27You say it.
14:29There will be no одного of you and the other people.
14:33No one wants to do anything.
14:35We asked the list.
14:38I just wanted to buy a Shimaduk.
14:41He said, I'm a man!
14:43He said, I'm a man!
14:46I said, I'm not a man!
14:49I don't know why you're on it.
14:50I'm a man.
14:53I'm not a man.
14:55I don't know why you're on it.
15:00I'm not a woman.
15:03We did not call him again. But already he did not call him again.
15:07So he died, and said mate he had to leave my life ...
15:10What elite校 worked for?
15:11He set up to film all his music, and we chart him.
15:17And to say we start Dass.
15:20That's, you know, he gets a very power movie.
15:22As you problems a lot.
15:26Youxus people is a pretty matter of a person.
15:28He had to go in, he had to go inside for the world.
15:34Patrick, after entering the world.
15:36He won't be leaving, and he disappeared.
15:38As if everything is going to happen, he's going to go and see himself.
15:43And I tell him that he's going to go inside and make his own eyes.
15:48I'm going to go inside.
15:51I don't know, but I'm not going to work that way.
15:53I don't want you to go outside.
15:56Even there was no trouble.
15:59Even if we go through this stuff,
16:01I didn't like this.
16:03I didn't like this.
16:05But there was nothing else.
16:07But there was nothing else.
16:09I didn't think so.
16:10And then I was like,
16:11I think when I was a kid,
16:14I mean, I'm going to let you come in,
16:17I thought,
16:18I thought Joe was having a joke.
16:21Then I was going to let you go.
16:24I was not going to.
16:26But I wasn't going to.
16:27It's all that.
16:28And we are going to.
16:29I was going to.
16:30Once I got a woman, I was standing there.
16:33This is not a woman.
16:35I'll do something.
16:36But I will.
16:37She's doing something.
16:39The woman who died, he died, and the woman died.
16:40That's amazing.
16:42But I have a woman who died of this her.
16:44There were other things in stage.
16:47There were other work.
16:49That was not a woman.
16:50And now we have a woman who died,
16:52a woman who died of the man died.
16:54How do you think you were talking about as performers?
16:58Because we can't do it and we can't do it.
17:01But we can't do it in a society.
17:06We can't do it in the stage.
17:09So we can't do it in the same scene.
17:11We can't do it in the same way.
17:13We can't do it in the cinema.
17:16We can't do it in the same way.
17:18We can't do it in the same way.
17:20We can't do it in the same way.
17:23We can't do it in a counter.
17:26Do you have any counter space in the cinema?
17:29No, it's not a counter.
17:31It's not a situation.
17:33Okay.
17:34It's good.
17:35You're just going to be selective or you think you're going to be in the same way.
17:39You're going to be in the same way.
17:42You're going to be in the same way.
17:47There is a lot of talk about it.
17:49All the fun that I've learned,
17:52I've learned a lot about it.
17:54There is a lot of talk about it.
17:56Life of Josuuti is obligated.
17:58Life of Josuuti is a life-time performance.
18:00If you have a life-time performance,
18:02you will have to talk about it.
18:04There is a lot of talk about it.
18:06But that's good.
18:07That's a lot of talk about it.
18:09No, I don't want to talk about it.
18:11I don't want to talk about it.
18:15Selecting anis scope?
18:17No, we have to talk about it.
18:20We have to talk about it.
18:22That's fine.
18:24It's a lot of talk.
18:26It is a good news.
18:28That's good news.
18:29If we are верх andek and the sassi are on,
18:31there is a lot of talk about it.
18:33There is a lot of talk about it.
18:36We can go to the back and go to the back.
18:38We can get a watch or spend it out.
18:41Yes.
18:42The problem is that there are no steps in it.
18:45There are no steps in it.
18:47There are no steps in it.
18:49We can't move and move.
18:51If you look at it, people are going to move.
18:54They don't move.
18:56They are going to move.
18:57There are no steps in it.
19:00We're going to move.
19:02I don't know how to move.
19:05No, I don't know.
19:07There are no steps in it.
19:09So, it's not a good thing.
19:10Now, what content?
19:14I don't think it's a good thing.
19:16There's no subject, no subject as a hero.
19:21That's right.
19:23So, what type of thing is subject.
19:28It's different.
19:30The subject is important.
19:32It's not okay for the subject.
19:34When I'm in my head, I'm in the head.
19:37I'm going to do the cinema.
19:40I'm going to go to the subject.
19:42Okay, okay.
19:43I'm going to go to the subject.
19:47Pulli, pulli, pulli.
19:48We're going to cast.
19:50It's like an extended game.
19:54It's like an actor.
19:58I'm going to go to the three artists.
20:02I'm going to go to the cinema.
20:06That's correct.
20:08In fact, I'm going to go to the other side of this.
20:10In other words, we're going to the other side of this interview.
20:14There's an actor in the right direction.
20:15He's going to be a patient.
20:19In the right direction?
20:22There's Mutta.
20:23He's going to go to the library.
20:28Before we get the police officers.
20:31He's going to go to the net.
20:33It's OK.
20:35It's OK.
20:36We were presented with the books of God and we were going to collect the purse.
20:42If you come to this point, it could be a crystal ball.
20:47If you'd like to tell us, it's the only thing for me to go to Ayesha.
20:53I'd never Halligan.
20:54It's a matter of anger.
20:56It's a matter of anger and anger.
20:58It's a matter of anger as anyone like in Asia.
21:01This is Aisha.
21:03This is Aisha.
21:05They are in this cinema.
21:07They have to do a lot of things.
21:11I am a producer of Aisha.
21:15I am a designer.
21:17I am a designer.
21:19I am a designer.
21:21I am a designer.
21:23I am a designer.
21:25I am a designer.
21:27I am a designer.
21:29I am a designer.
21:33I am a designer.
21:35I am a designer.
21:37I am a designer.
21:39I am exactly right.
21:41That's my…
21:43…I am a designer.
21:45I am a designer at work in the hospital.
21:47So…
21:49...I am a designer at work.
21:51I am a designer at work.
21:53I can't afford to go.
21:55I am a designer at work.
21:57I have no idea. I have no idea. I don't know why.
22:03We can't understand that.
22:05We can't understand that.
22:07We can't understand that.
22:10We have to get a chance to get a chance to get a chance.
22:13We are talking to people daily.
22:16We are talking to people.
22:18They were fun for these films.
22:21They were fun for this film.
22:26They were fun for me.
22:30When I was a kid, I would say,
22:34I would say, do you have fun?
22:37Now, I'm going to ask the doctor to show you things.
22:41I'm going to teach the trailer.
22:45Like Sadimaster, Pinosaur, Patti, Traidara and He is all they have.
22:51The main thing is that Nobiyan is very important.
22:56If Nobiyan is working then they can easily pass.
23:01When I was 16 years old, I would do something to her.
23:07He would say that I would do something.
23:10What happened? I would try to do something.
23:14I was going to go to the house and I got a sound.
23:18Small family?
23:20Yes.
23:21I was in the house, but I was in the house.
23:26I got a sound.
23:27I got a sound and I got a sound.
23:32I got a song.
23:34I got a connection with you.
23:36That's the point.
23:38You know, you're a lot of recording works in the studio.
23:43There's no recording.
23:44Yeah, there's no recording.
23:45It's not good.
23:46There's always a recording.
23:48It's not good.
23:49In a few days, a little bit of recording.
23:52No one at all.
23:53But he's recording and he's not doing something.
23:59That's not exactly what he's doing.
24:01There's a lot of sound recording.
24:03That's not it.
24:04Did you even drive?
24:08Yes, I didn't.
24:09That's why we were emotionally connected.
24:11Because when someone comes to the camera,
24:14I asked him to watch the camera.
24:18I asked him to watch the camera.
24:20He asked me to watch the camera.
24:22So, he asked me to watch the camera.
24:24That's why he was a mimicry.
24:27He was a little bit of a mimicry.
24:29He was a little bit of a mimicry.
24:31And he's a producer, and was called a Faisa.
24:38He was at a time, so I was very passionate about him.
24:44I was not at Faisa anymore.
24:48We hired him to take one more time.
24:52So he was a .
24:54He was a Faisa.
24:57That's the truth.
25:00If you watch this video, you can watch it again.
25:04You can watch it again, you can watch it.
25:07I'm sure I'm going to watch it again.
25:10Don't you like it?
25:12No.
25:13Do you have any money?
25:15I don't know how many people would watch it.
25:17Do you see that?
25:18If you take a show, you can watch it.
25:21That's right.
25:23For example, the director has gotten to work.
25:26As long as I had to do that, we would have gotten to get the date of a guilt.
25:32If I was in a mask, I'd have been in a mask.
25:36If I was in a mask, I'd have been in a mask.
25:40I'd have been in a mask and that's why I'd have been in a mask.
25:42I wouldn't have done that.
25:44I wouldn't have done that.
25:46I've had a question, Mr. Mupcheta.
25:49I'd have been in a sitting room and I'd had an Avanti with 200 gmailers.
25:55I think you have a link to it.
25:57If you're interested in this story, this is like a skunk.
26:01You're doing that in the way.
26:05I don't know if I'm very sure what is your own business.
26:08I've just lost my emotional experience from that.
26:14I've lost my trust.
26:16I feel like I'm going to write about that question.
26:18But you have to go and talk about the other half.
26:23I told him that he was looking for him.
26:25I told him that he was here.
26:27I told him that he was the door.
26:29How did he get to his door?
26:31He took his door.
26:33Didn't you have to get to his door?
26:35Didn't you have to get to his door?
26:37He was taking the door.
26:39He was standing in the door.
26:41He was asking you to do something.
26:43That's what you're doing.
26:45This is the point of point of view.
26:47He was asking you to get to the outpatient.
26:49That's why he was asking us.
26:51We did a good job.
26:53We did a good job.
26:55We had to do it to us.
26:57We were so excited that we came here.
26:59They said,
27:01We had to do it and come.
27:03We came here and let's see.
27:05The next thing I found was
27:07I was a great place to go.
27:09I was a great place to go.
27:11There was a lot of fun.
27:13We had a lot of fun.
27:15We would like to see
27:17the next one.
27:19I hear you right now when you live in a city.
27:22But I don't want to have this conversation, right?
27:25I'm not going to have this conversation, right?
27:27There's no way.
27:28Then, I don't want to have this conversation.
27:32It's not going to have a conversation.
27:34We have been totaled in October.
27:40So, we've got to take a conversation from the US.
27:43Our call is making choices.
27:45The last thing happened in the days of lockdown.
27:49He's a very good person. I think he's a good person.
27:55We've seen a lot of him. He's a very flashy one.
28:00He's a very good person. He's got some English lines, a kind of English.
28:06I think he's got a huge star, a huge star.
28:10There are a huge goosebumps. He's got some goosebumps.
28:13He's got some goosebumps.
28:14What about you? What about you?
28:18I like this.
28:21If we sell our deliverables,
28:25It's a big screen.
28:27We use it.
28:29Now we have 6, 3.
28:33That's what we call.
28:36I've heard how we call this the HR and HR.
28:38It's not a HR it is.
28:39It's not a HR.
28:40It's a HR.
28:43Promotion is more to call you.
28:45That's it. Post vertice is made.
28:46No, it's R3.
28:49It's Viri that is in Ammana.
28:50Example 3 we lived in R3.
28:52I was already living in R3,
28:55but I was the only thing that's in R3.
28:58He is still in R2.
29:01Not actors, they are in good mood for good art.
29:07They are being cute, they are superheroes now.
29:11If you are in good mood for good art,
29:13that is definitely not in a good mood.
29:15Cinema is very important to communicate with you today.
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