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എന്ത് കൊണ്ടാണ് ധീരം സിനിമ മറ്റ് പോലീസ് സ്‌റ്റോറികളിൽ നിന്ന് വ്യത്യസ്‌തമാവുന്നത്? എങ്ങനെയാണ് ഇന്ദ്രജിത്ത് വീണ്ടുമൊരു പോലീസ് സ്‌റ്റോറിക്ക് സമ്മതം നൽകിയത് ? ധീരം എന്ന സിനിമയുടെ വിശേഷങ്ങൾ എഷ്യനെറ്റ് ന്യൂസ് ഓൺലൈനിന് നൽകിയ പ്രത്യേക അഭിമുഖത്തിൽ സംവിധായകൻ ജിതിൻ സുരേഷ്, സിനിമയിലെ പ്രധാന കഥാപത്രങ്ങളെ അവതരിപ്പിക്കുന്ന അവന്തിക, റെബ എന്നിവർ പങ്ക് വയ്ക്കുന്നു.

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Transcript
00:00We have a story and a story.
00:04We have a story and a story.
00:07We have a story and we have a story.
00:11We have a story and we have a story.
00:16The budget of a film is so large.
00:18We have a very high chance of a lost type.
00:24At least we don't have a chance.
00:27This is the character that you are playing.
00:29You are just part of the film.
00:30This is why going back to the previous question.
00:33Our involvement as an actor is very different when it's a large scale film and small scale film.
00:38We have to do all the involvement in our film.
00:42We have to do all the work.
00:44The point is that we are going to kill the movie as an actor.
00:49Old boy.
00:51Old boy is a movie as an actor.
00:54Because I am good.
00:57We have to do all the work in the cinema.
00:59We have to do all the movie as an actor.
01:03I was extremely disturbed in Hollywood movies.
01:06Because it is an emotional.
01:08High ghast.
01:10Yes, it is true.
01:11We have our own pranayama, our own revenge,
01:14and we saw the devil in an English.
01:17It's an extreme one, but it's more like a language.
01:21In the fall school, we call it natural light
01:24and we have to do everything in China.
01:26It's a long mark, it's a long mark.
01:28This is a long mark.
01:30You have to give it an energy?
01:31Intentionally, it's an energy.
01:33I have to give it an energy.
01:35This film is the first time of the film.
01:42This film is the first time of the film.
01:45The police officers and the police officers are here.
01:48So, what do you think of this film?
01:53How do you think of this film?
01:57Namaskar.
01:58What do you think of this film?
02:00Actually, we started the first time of the film.
02:08I didn't do this.
02:10We started the first time of the film.
02:14I was doing the police officers.
02:18I was doing the story and narration.
02:22I was doing the theater.
02:24I was doing the video.
02:26I was doing the video.
02:28I was doing the video.
02:30I was doing the video.
02:31It is a narrative style.
02:34It is actually a template,
02:36but it is a backstory.
02:38It is also a backstory.
02:40It is about what we are doing.
02:42Whatever we are doing in Malayalam.
02:45There is a lot of thrillers.
02:47There is a pattern.
02:49Two here.
02:50There is a full movie.
02:51I was doing the film.
02:52There is a lot of work here in Malayalam.
02:55There is a lot of film.
02:56I am doing this around it.
02:57I would not be doing that.
02:58Even though we are doing that now.
02:59Particularly for me.
03:01That is the reason for this film.
03:02I am doing that.
03:03I think it is the work.
03:05I do a lot of work here.
03:06I always like the film.
03:07The film was doing it.
03:08We have seen films in a lot of different films.
03:14We have seen films in ABCD,
03:17we have seen family in the film.
03:22But we have seen a lot of films.
03:24We have seen a lot of films in the film.
03:28We have seen a lot of films in the film.
03:34Of course, it's a bit different.
03:36Actually, if you look at the serial film and the story,
03:39there are almost all of you who are talking about.
03:43It's a back story.
03:45It's a back story.
03:47It's a back story.
03:49It's a back story.
03:51It's a back story.
03:53It's a back story.
03:55It's a back story.
03:59It's a back story.
04:01It's a back story.
04:03It's a back story.
04:06In terms of the film,
04:08we didn't touch the scenes.
04:11He was the one who was doing the cinema.
04:14The whole cinema was like,
04:17we didn't see anything like this.
04:19We had a traumatic life for a police officer.
04:22We had a lot of emotions.
04:24It was a back story.
04:26It was a back story.
04:29It's a backstory.
04:31It's not a climax.
04:34I don't think we should do anything about it.
04:38It's straightforward.
04:41We should do anything like that.
04:43We should have family emotions.
04:45You're going to be here.
04:47I'm going to be doing it.
04:49If you have other officers who are working with it.
04:51I'm going to be doing it.
04:53It's straightforward.
04:55It's not content.
04:57There is an extra layer like a buoy, but there is no one.
05:03Personally, I would like to see a lot of the views of the cinema.
05:11I would like to see the end of my mind.
05:16If you want to see the cinema, it is the most famous cinema.
05:22One of the unwanted characters, one of the unwanted scenes, is that the film is from the pre-trimmed film.
05:29Now, we are going to select a film.
05:33We are going to talk about the story, the story, the story, the story, the story, the story, the story, the story, the story.
05:44I actually wanted to go to the cinema. First, I went to the cinema and then I went to the Daily Soap and then back to the cinema.
05:54But I'll tell you about the cinema, I'll tell you. It's because of this man. He called me up.
06:01He said, there is this role for you. And I was very skeptical.
06:09I didn't have any confidence in it. Because cinema is a larger picture.
06:14Whereas if you compare to TV, it's smaller. So I'm very underconfident.
06:21But this man, he told me, you have to do it and no matter what, you will do it.
06:27So I said, are you sure? He said, yeah. I did. And you will not believe,
06:35but in the last moments, he told me that there is a combination scene with Indrajit sir.
06:43The only combination scene. I was like, oh my god, are you kidding me?
06:48And the first day, you know, it was, I was terrified, very nervous and all.
06:55But the man is a versatile actor. He's an icon. He's a very good person.
07:09Behaviour. As I always mention, he's down to earth. Very humble.
07:15I was like, you know what? Done. I'm going to do it.
07:28And he said, yes. He said, yes. He didn't say anything. To be honest.
07:33And I said, you know what? He said, you know what?
07:36He said, you know what? He said, you know what?
07:39He said, there is an important, vital character, right? And you will love it.
07:46I said, okay, fine. So that's how it is.
07:50So that's how it is.
08:02To be very honest, definitely, I am the kind of actor that likes to listen to a full narration.
08:12My first question is, what is the story?
08:16And how am I a part of the story? More than just knowing my character.
08:19The first is content. Then character. What is my character?
08:28How is my character making a significant turn in the film?
08:32And what is the impact of the character?
08:34If you see the filmography or whatever I have done,
08:39most of my films are very character driven mainly, whatever I have chosen.
08:45So I am an actor like that, who likes to choose characters that drive the plot in some way.
08:50Okay.
08:51But unfortunately, the way of the directors, the way of working is to reveal the story.
08:58If you think this is the character, this is the flow of your graph of your character throughout the movie.
09:05Unfortunately, we have done two readings, three readings.
09:20He is very transparent. As a director, I feel like you should be transparent with your actors.
09:25Because to do a project, we need to know the film. We need to know the story, what we are getting into.
09:34I feel personally as an actor, it's something that we want and which he was able to deliver.
09:41So I have confidence on that was through his narration and the story telling.
09:46Yes.
09:47As a director, we have been talking about the film.
09:48Yes.
09:49In our industry, they have a lot of interest in terms of budget, in terms of facilities.
09:54Yes.
09:55Then there is a lead actor or superstar, he has a lot of tech.
09:58Yes.
09:59Yes.
10:00That is what we do.
10:19Yes.
10:21Now, we have a lot of commercial and art.
10:26We have a lot of people who are interested in it.
10:28That's right.
10:29We have a lot of appreciation.
10:31What do you think about that?
10:35Oh, 100%.
10:37There are a lot of obvious differences.
10:40When the script, sorry, when the budget of a film is so large,
10:45we have a lot of people who have lost type of film.
10:51There are very high chances.
10:53Involvement, as an actor, you will not want to give.
10:59For example, in this cinema, we have a career.
11:02Like, you know, types, script, screenplay, all of that.
11:06Involvement also as an actor is much, much more, I feel.
11:10Like, I don't know.
11:12It's my opinion when compared to that.
11:16Oh, one of the movies is that I'm an author of cinema.
11:19I'm a fan of Rabbele.
11:21I'm a fan of Rabbele.
11:23Oh, seriously.
11:25That's all.
11:26It's the same.
11:27I'm a fan of Rabbele.
11:29Who?
11:30I'm a fan of Rabbele.
11:33Actually, we have a fan of Rabbele.
11:35I'm a fan of Rabbele.
11:37Seriously.
11:38That's all I would say.
11:40Actually, I had a character in 5 gestorations and I was very good at that 5th주고.
11:49But I got a good character like that.
11:52But, he was very good.
11:53And if they were talking to a couple of people who were in the films, I would rather know I would
11:56be a good character.
11:58No doubt they could have been a lot of intense characters in the film.
12:05So I started my career as a small character.
12:08It's very cooperative, I don't know, I don't know, but I don't know.
12:11But when I was in the cinema, I was in the cinema, I was in the cinema, I was in the cinema and I was in the cinema.
12:18So, I told him that the cinema is 100% supported as a director.
12:24So, I was able to shoot him in that intensity.
12:27So, I am very happy to direct her.
12:30No, I don't think it's a big deal.
12:32In the beginning of the beginning of the beginning of the movie, we saw a cinema in the U.S.A.
12:37That's a dead attack survivor.
12:39If the U.S.A. was successful, then we saw a dead attack survivor in the original cinema.
12:46So, what do you think of a big deal?
12:53As an actor, there is a responsibility.
12:56We have an emotion, especially when you are put into a character.
13:01That our emotion, our life will experience.
13:04God forbid, nobody should experience.
13:07We have to step in as an emotion as a character.
13:12That was a different journey altogether.
13:16It was very special about the character.
13:19At least we didn't know that this is the character that you are playing.
13:24You are just part of the film.
13:26This is why, going back to the previous question.
13:28We have an involvement as an actor.
13:30It's very different when it's a large-scale film and small-scale film.
13:33If we have an involvement as an actor, we don't have an involvement as an actor.
13:39Correct.
13:40Unfortunately.
13:41One difference that I made, I feel, is.
13:46I told at least, sir.
13:48I'm in Malayalam industry.
13:50I'm very grateful.
13:55If you are giving me an opportunity, I really want to make a difference.
14:00I want to make a difference.
14:01I want to do something that will make a mark.
14:03That one thing that he really liked.
14:05That's why he really liked me.
14:06That's why he really liked me.
14:08So, sometimes, things happen like that.
14:11You know.
14:12He didn't have a point in his mind.
14:14Yes, yes, yes.
14:15He genuinely thought she wants.
14:18She's actually very involved with my movie.
14:20You know.
14:21You know.
14:22You know.
14:23You know.
14:24You know.
14:25You know.
14:26You know.
14:27Seriously.
14:28Now, I get a lot of appreciation and love.
14:32You know.
14:33100%.
14:34Yes.
14:35Yes.
14:36Yes.
14:37Yes.
14:38Yes.
14:39Yes.
14:40Yes.
14:41Yes.
14:42Yes.
14:43Yes.
14:44Yes.
14:45Yes.
14:46Yes.
14:47Yes.
14:48Yes.
14:49Yes.
14:50Yes.
14:51Yes.
14:52Yes.
14:53Yes.
14:54Yes.
14:55Yes.
14:56Yes.
14:57Yes.
14:58Yes.
14:59Yes.
15:00Yes.
15:01Yes.
15:02Yes.
15:03Yes.
15:04Yes.
15:05Yes.
15:06Yes.
15:07Yes.
15:08Yes.
15:09Yes.
15:10Yes.
15:11Yes.
15:12Yes.
15:13We have to go to the other side.
15:15Did you see that?
15:19I can't do anything like that.
15:22But, you know, I think it's the end of the film.
15:26For example, it's an unbelievable video.
15:29It's a killer movie.
15:31It's an old boy.
15:33I don't think it's an old boy movie.
15:36Because it's a good movie.
15:39So, I was really disturbed by the cinema.
15:49I was inspired by the Korean cinema.
15:53I was inspired by Mr.Patter's Korean movies.
15:56I was taught in English.
15:57I was taught in different languages.
15:59I would like to learn a movie.
16:01I would like to learn a Korean movie.
16:05I would like to learn a Korean movie.
16:07I would like to learn a Korean movie.
16:09Because in the emotion it is the influence.
16:11High-sinned emotions.
16:13We have revenge.
16:15I saw the devil.
16:17Yes.
16:19It is an extreme.
16:21It is the only language that is portrayed.
16:23But as a director, I would like to learn a Korean movie.
16:27It is intense.
16:29It is intense.
16:31It is intense.
16:33It is intense.
16:35It is intense.
16:37It is intense.
16:39It is intense.
16:41Now you watch the movies.
16:43You have to be replaced by the evidence.
16:45So, just in the movie.
16:46Yes, I did not.
16:47It was different from the cinema.
16:48Yes, so you can see the cinema.
16:49It is different from the cinema.
16:51No, the movies are different from the cinema.
16:53Then, I thought the cinema is different.
16:55But it is different from that.
16:57What I would say is that we have a director, someone who is talking about it.
17:02It is generally my opinion.
17:04This is a fiction.
17:05We don't have to read a real story.
17:07We don't have to read the fiction.
17:09We can read that a lot in entertainment,
17:11and we can read anything.
17:12We don't want any political.
17:15We don't want any political,
17:17we don't want any political in the country.
17:19We can do the history of the industry,
17:20and then we can read the violence.
17:22Then we don't want any violence in the society.
17:25And it's not that long, I'm not sure.
17:27I don't know.
17:29The only way we have 100% emotions,
17:33we can get one of the emotions as raw as you can get.
17:37He's very creative.
17:41He will go to any extent.
17:43We can get one of the emotions,
17:45we can compromise
17:47because we can get one of the same style.
17:51So, I feel 100% or 200% everyone who watches this movie will be convinced that the back story is strong, it's not going to be strong.
18:00Willer film will not go.
18:02Willer film will not go.
18:04Very committed, very focused and I don't know how he is doing it.
18:09But it is deep fact.
18:12In the days of this video, there is a lot of stock.
18:22Unfortunately.
18:24It doesn't matter.
18:25There is no industry, there is no views.
18:28It is not realistic.
18:30It is not a small screen.
18:32In the small screen, it is natural.
18:36It is not a small screen.
18:38It is not a small screen.
18:40It is not a small screen.
18:42Intentionally, it is not a small screen.
18:44Yes, it is a small screen.
18:46She has done very well in this film.
18:48Very nice.
18:49She has done the character.
18:50Find her a subtle, very realistic eye.
18:52After a long time, she is doing it.
18:55After a long time.
18:56We cannot connect with her.
18:58We cannot connect with her.
18:59We cannot connect with her.
19:01Actually, in the days of this film, I will ignore her.
19:04Where is she?
19:06No, I will tell you why.
19:09Ignore her as in.
19:10And the cinema is not a small screen.
19:12It is not a small screen.
19:13She has some experiences.
19:14Yeah, I will tell you what.
19:16I have this, as I said earlier, I am very under-confident.
19:22I am very under-confident.
19:24I am very under-confident, I am very under-confident on screen.
19:28I'm very much confident on screen. But coming to a larger picture where a huge crowd, huge crew, big actors, definitely we have a pair in W.A.
19:42I think that the story of the film doesn't have to connect with people, they communicate with them. They don't have to go to Kerala.
19:54So Kerala was going to go to Kerala.
19:56The film didn't have to go to Kerala.
19:58The film didn't have to go to Kerala.
20:00They did have to go to Kerala.
20:03They are not the same, but they can't be the same.
20:07They also have the same collection for me.
20:11So they are the same people, and they are the same people.
20:17You are educated.
20:19You can read the same stories on Facebook.
20:23That's why it's a good story.
20:28For cinema, Vijayi and your filmography are a great quality cinema.
20:34Thank you so much.
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