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FunTranscript
00:00Oh
00:30Yeah, I'm going to keep going.
00:32I'll be going to keep going.
00:34Yeah, I'll be listening.
00:36What happened?
00:38After that, she was behind the man.
00:40She didn't know where she was going.
00:44She was going to the house.
00:46When she was in the house, she was lost.
00:50Ganga, Mousie.
00:52Good job.
00:53You have written a complaint in the police.
00:55That's it.
00:56That's it.
00:57If you know, I'll tell you, I'll tell you.
00:59I'm not a woman.
01:04I'm not a woman.
01:06What are you doing?
01:09You're talking about Mohini Vidya.
01:13I'm talking about Mohini Vidya.
01:18What are you doing?
01:20The man is a man.
01:22The man is a man.
01:24Hypnotist, two minutes of hypnosis and the human being training.
01:28That's the last day.
01:30Last day?
01:31Ha ha ha!
01:32Look at me.
01:33Keshav, today we have a training for hypnosis.
01:36Tomorrow we have to do it on it.
01:39Prima Ji?
01:40Yes, then Prima Ji, you go back.
01:43Prima Ji, back?
01:44I didn't think that I thought.
01:46Let me leave your thinking.
01:48Look, Prima Ji is going to be in the back.
01:51Let's ask this too.
01:53Let me ask you.
01:54Let me ask you.
01:55Let me ask you.
01:56Ha ha ha ha!
01:57Ha ha ha ha!
01:58Ha ha ha ha!
01:59Ha ha ha ha!
02:01Ha ha ha ha!
02:02Ha ha ha ha!
02:04Ha ha ha ha!
02:05What are you doing, Mr. Bara Bandi?
02:07Bara Bandi, not Nador Bandi!
02:10Sorry, sorry.
02:11Nador Bandi.
02:12You're doing hypnosis on hypnosis.
02:15Look at me.
02:16But we don't want to see here.
02:18We're going to learn.
02:19When you see, you'll learn.
02:22Oh, point!
02:23Point!
02:24Mr. Gokhle,
02:26Mr. Gokhle,
02:29I'm going to sleep.
02:31No, I'm not going to sleep.
02:33You're just going to sleep.
02:35You're going to sleep.
02:37Mr. Gokhle,
02:39you've been sleeping.
02:41You've been sleeping.
02:45Mr. Gokhle,
02:47now you're in the top of the sea.
02:53How are you feeling?
02:55Mr. Gokhle,
02:57Mr. Gokhle,
02:59Mr. Gokhle,
03:01Mr. Gokhle,
03:03Mr. Gokhle,
03:05Mr. Gokhle,
03:07Mr. Gokhle,
03:09Mr. Gokhle,
03:11Mr. Gokhle,
03:13Mr. Gokhle,
03:15Mr. Gokhle,
03:17Mr. Gokhle,
03:19Mr. Gokhle,
03:21Mr. Gokhle,
03:23Mr. Gokhle,
03:25Mr. Gokhalei, now you can put your hands on the chair.
03:30You can put your hands on the chair.
03:32You can put your hands on the chair.
03:37Now I will give you the advice
03:40that we will talk about trans.
03:43Let me show you a small sample.
03:46Mr. Gokhalei, listen to me.
03:51Hey Gokhalei, listen.
03:53After all, when you are angry,
03:57you will be singing.
04:00Now, when you say one, two, three,
04:04you will be happy.
04:07One, two, three.
04:13I have money.
04:14I have money.
04:16I have money.
04:18I have money.
04:19I have money.
04:22I have money.
04:24Wow!
04:25Mr. Nazarbandi, wow, wow, wow.
04:28Very good.
04:29How much is your TRI?
04:32Just 500 rupes.
04:34500 rupes.
04:35500 rupes?
04:361st 500 rupes?
04:371st 500 rupes?
04:381st 500 rupes?
04:39I will take this to the trial and see the rest of the rest of my life.
04:47It's a gun.
04:49It's okay.
04:50It's okay.
04:51It's okay.
04:53Shhh.
04:55Shhh.
04:56Shhh.
04:57Shhh.
04:58Shhh.
04:59Shhh.
05:00Shhh.
05:01Shhh.
05:02Shhh.
05:04Shhh.
05:05Shhh.
05:06Shhh.
05:07Shhh.
05:08Shhh.
05:09Shhh.
05:10Shhh.
05:11Shhh.
05:12Shhh.
05:13Shhh.
05:14Shhh.
05:15Shhh.
05:16Shhh.
05:17Shhh.
05:18Shhh.
05:19Shhh.
05:20Shhh.
05:21Shhh.
05:22Shhh.
05:23Shhh.
05:24Shhh.
05:25Shhh.
05:26Shhh.
05:27Shhh.
05:28Shhh.
05:29Shhh.
05:30Shhh.
05:31Shhh.
05:32Shhh.
05:33Shhh.
05:34Shhh.
05:35Shhh.
05:36Shhh.
05:37OK ARIYA ARIYA GANGA MOUSI JΓ ARIYA ARIYA
05:43JAU CHINTO BΔTE JAU UNDRE JAU
05:46JΓ AHA AHA JΓ ARIYA KOKI NAYI HAYA THU KYA HUA
05:49HUM JO HAYA AAPKI KHITMAT MEN BATHSYEO BATHSYEO BATHSYEO GANGA MOUSI JΓ
05:54BATAHYE KYA SEVA KAR SAKTA HUN AAPKI MUJHE ZARA BAM CHA HAYYE THA
05:58KYYON KUMAR MEN DARD HAY ARIYA FIKR KYYON KARTI YAY GANGA MOUSI
06:02I have such a chance that you will be fine with your face and your face will be fine.
06:10You are full of your eyes.
06:13You are sleeping.
06:16You are sleeping.
06:21Ganga, now listen to my story.
06:26What I will say, you will do it.
06:32Hey, Ganga, tell me, what do you think about me?
06:36You have a number of chute and chute and chute.
06:40What?
06:42You are sleeping behind you.
06:47Do you have to tell anybody?
06:49No.
06:50Just tell anybody.
06:54Look, Ganga, how do I want you?
06:57Listen to me, Ganga.
06:59Hmm.
07:00If you will call me Ganga Mausi, you will start dancing right now.
07:05Do you understand?
07:06Ganga Mausi.
07:08One, two, three.
07:12What did you do?
07:13What happened?
07:14What happened?
07:15What happened?
07:16You are sleeping, Ganga Mausi.
07:18I was sleeping, Ganga Mossi.
07:29What's happening?
07:30What's happening?
07:32Shush!
07:33You were dancing?
07:35I was crying in my face.
07:37That's why I was dancing.
07:39Now, I'm fine.
07:41Okay, I'm going.
07:42Okay, okay.
07:43What Ganga Mossi b.
07:46Okay, Shush.
07:47Do you?
07:48Do you?
07:49Do you?
07:50Shush.
07:51Do you?
07:52Bye.
07:53Do you?
07:56Keshun, you have anything?
07:59No.
08:00Say it.
08:01I didn't.
08:02I didn't.
08:02I didn't.
08:05Mother.
08:06Mom, we have to go home home.
08:08Are we going now?
08:09Mom, let's go.
08:10Mom, let's go.
08:11Don't go.
08:12Mom, please.
08:14Say it again.
08:14Mom, please.
08:16oh
08:46I'm sorry.
08:48What's wrong with you?
08:50You're a good person.
08:52I'm sorry.
08:54You're a bad person.
08:56No sir, I'm a good person.
08:58You both think about what work is good.
09:00I'm good.
09:02What do you know?
09:04You're a good person.
09:06You're a good person.
09:08I'm not thinking about it.
09:10Yes, you're a good person.
09:12You're a good person.
09:14Don't you touch me, sir.
09:16Don't you touch me.
09:18Don't you touch me.
09:19Sir, I'm going to go to the cabins.
09:21So you're going to go to the cabins, sir, please.
09:23He's so pissed,
09:25but he says,
09:26he's going to go to his kitchen.
09:27And he's drinking water.
09:29Why do you say that I'm going to go?
09:31What?
09:32Bangal's!
09:34Good eyes,
09:35good eyes,
09:37good eyes,
09:39good eyes,
09:40good eyes.
09:41You are the only one, two, three!
09:43One, two, three!
09:45Shhh!
09:46Oh, oh, oh, oh!
09:47Don't worry about this boss.
09:49One, two, three!
09:51Don't worry about this boss.
09:53One, two, three!
09:55Five, six, nine, and then...
09:57Hello, Dilrubaji!
09:59Are you going somewhere?
10:01Yes, I'm going to go to the shooting doll.
10:03Are you going?
10:05No, I'm just busy.
10:07You're so busy, you go to the shooting doll.
10:09I don't want to say that I'm busy.
10:11Dilrubaji, are you just a little time?
10:13No, it's only time for me.
10:15Okay, so tell me,
10:19what is the time in this car?
10:21I'm wearing a shanty.
10:23Where are these cars?
10:25This is a kitchen.
10:27At this time, it's not a car, Dilrubaji.
10:29But after a while, it's a car.
10:31Don't look.
10:33Don't look.
10:35Don't look.
10:37Don't look.
10:38Don't look.
10:40Don't look.
10:42Don't look.
10:44Don't look.
10:46They're crazy.
10:48Don't look.
10:50Don't look.
10:52Don't look.
10:54Don't look.
10:55Don't look.
10:56You're going to watch Prima Jr's shooting.
10:58What happened?
11:00In the shooting, the director will say the silence and the start song,
11:03you will be charged up.
11:06The camera will say the position.
11:09The action will say the boxer.
11:16The director will say the cut it, you will be normal.
11:22Dilrubhaji.
11:25One, two, three.
11:30I'm going to go to the shooting.
11:32I'm going to go to the shooting.
11:34Eight minutes.
11:35Action.
11:36Get it.
11:37Go.
11:38Get it.
11:39The job.
11:40Please, Nani Ma's house, don't you?
11:42Look, I've told you that you will not go to the hotline.
11:46Mommy, why are the hotline?
11:48Why are the hotline?
11:50Why are the hotline?
11:52Why are the hotline?
11:54I've told you that you will not go to the hotline.
11:57Mommy, why are the hotline?
11:59Why are the hotline?
12:01That's why if you are going to the hotline,
12:03you will not get the hotline.
12:05Mommy, please, Nani Ma's house, don't go to the hotline.
12:08Mommy, please, Nani Ma's house, don't go to the hotline.
12:09I'll be like, I'll go to the hotline.
12:12We'll go to the hotline.
12:14Mommy, why are you?
12:14I'm not going to go to the hotline.
12:16Because I'm in a hotline.
12:18We'll come here, Nani Ma's house.
12:20My dog, I'm not going to be like in the hotline,
12:22but after a half, I'm tired of getting in the hotline.
12:24But I'm not going to be like in the hotline.
12:26I'm still tired of getting in the hotline.
12:28If you are not going to be like in the hotline.
12:30I don't know.
12:32I'm not even sure.
12:34Try to try to do something.
12:36Hello, cookie. How are you?
12:38Gungawasi!
12:48What happened to cookie?
12:50I think it's been affected by his mind.
12:52Keshaw?
12:54Sosa!
12:56Camera!
12:5845, take one.
13:00Cut it, cut it.
13:02Hey, boy.
13:04Relax, relax.
13:06I'm taking the shot.
13:08Okay?
13:10Sosa!
13:12Camera!
13:14Action!
13:16One!
13:18One!
13:20One!
13:22Two!
13:24No!
13:26One!
13:28One!
13:29One!
13:30One!
13:31Ah!
13:32I'm sorry, dana.
13:34You can take a look at it.
13:36I'm sorry, dana.
13:38You can take a look at it.
13:40I'm sorry, you can take a look at it.
13:42Okay, okay.
13:43All right.
13:44All right.
13:45All right.
13:46Just, I'm not.
13:47Just, I'm not.
13:48Take your position, please.
13:49Okay?
13:50Take your position, please.
13:51Okay?
13:52Once again.
13:53Stay up!
13:55Stay up!
13:56Take your position!
13:57Take your position!
13:58Can't you go?
13:59You're going to go to the warm-up, but not too.
14:01Oh!
14:02Oh!
14:03Oh, what are you doing?
14:04You're doing five times in your life.
14:06You're going to get to your hands.
14:07Why are you doing this?
14:08Let's go to the nani ma'a.
14:10Let's go to the nani ma'a.
14:11Let's go to the nani ma'a.
14:12But you're saying, go to the nani ma'a.
14:13But she's saying, go to the nani ma'a.
14:15have to do that.
14:17She's the oldest woman who is leaving me, she's not the person.
14:20Why not go?
14:21No, she doesn't have to leave.
14:22Oh, so she doesn't have to leave the season.
14:25She doesn't have to leave the season.
14:25When she leaves, she leaves the money.
14:28OK, OK.
14:29OK, OK.
14:30Look, Cookie, you have to have some money.
14:32She doesn't work from money.
14:34I won't go to you.
14:35I'll never go to you.
14:37Cookie.
14:39What?
14:41What?
14:42What?
14:43What is it?
14:44What is it, Keshun?
14:45Why are you shaking like this?
14:47You are asleep, Koki.
14:49You are asleep. I don't have a disease when you are asleep.
14:52Look, Koki, look.
14:54Keshu.
14:55You are asleep, Koki. You are asleep, Koki.
15:03Daddy? Daddy?
15:05What is this, Chintu?
15:07Come on, we are going to my house.
15:09Really? I mean, really?
15:12Yes, you are saying this too, and you are saying it tomorrow.
15:15No, there is no problem.
15:16If you don't want to go, don't go.
15:18Okay?
15:19Okay, I don't go.
15:21Why don't you go?
15:22Now you have to decide, then go and go.
15:24But you will be spending money, Keshu.
15:26But if you have money, Chita, why are you doing it?
15:28I will give you the money. How much is it?
15:30Then, Keshu, I think that...
15:31Okay, don't go.
15:32I don't go.
15:33I'm going.
15:34Chintu, you told me that you have to go for 10-15 days.
15:37Okay?
15:38Okay.
15:39Yes, we get shooting. Bye.
15:41Bye.
15:43Ouch.
15:44Hello, Prima-ji.
15:45Oh, Keshu, come.
15:47What are you talking about, Prima-ji?
15:48Your mood is good.
15:50No, I'm not good.
15:51My heart is upset me on set.
15:52My heart is upset me.
15:53What?
15:54My heart didn't have to do this war.
15:55My heart is upset me, my heart was upset.
15:56My heart was upset me.
15:58I'm upset my heart.
15:59I have to do this one.
16:00No doubt I'm upset my heart.
16:02My heart is upset, Prima-ji.
16:03No doubt I'm upset my heart.
16:04My heart is upset me.
16:05My heart has no trouble today and I'm upset my heart.
16:06My heart is upset me.
16:07And today is my shooting at 12 o'clock in the evening.
16:10Oh, don't worry, Prima ji.
16:11I do something like that, that your mind will be fine.
16:14You can do it.
16:17What is this?
16:18Look at it.
16:20Who?
16:21Prima ji, just look at it.
16:24Look at it.
16:27Now, you're getting out of your eyes.
16:30You're getting asleep.
16:33You're feeling relaxed.
16:37Prima ji, now listen to me with my attention.
16:46You'll go to shooting at a good time.
16:50And at 11 o'clock, you'll remember me.
16:56Or you'll remember me.
17:00And leaving shooting, you'll go to my house.
17:06Now, you'll say to me, Kishu, my dear Kishu, I want you to be safe at home.
17:15ζε ΄ with me.
17:16I want you to be safe at home.
17:18I'll see you next time.
17:20I'm going to kill you.
17:22Oh, man.
17:24I'll open my eyes.
17:28One, two, three!
17:38I'm very relaxed.
17:40I'm awake and I'm going to shoot.
17:43I'm going to shoot.
17:45I'm late.
17:46Yes, yes, I better go.
17:48We'll meet again, okay?
17:49Bye-bye, Premaji.
17:51What are you talking about?
17:54But, Gokhle, I'm a little scared.
17:56Why?
17:57I'm a little scared.
17:58I'm a little scared.
17:59Gokhle, you'll stay with me.
18:00No, no, what are you talking about?
18:02Premaji, if you've seen me,
18:03you'll also be my love.
18:05But I'll find you somewhere.
18:07Okay, I'll find you at night at 11 o'clock.
18:11No, 11 o'clock, Gokhle, you'll stay with me.
18:14So, today's food you'll eat.
18:16I'll eat it.
18:17But it's only food.
18:18No, no, no, no.
18:20Hummet to you.
18:21Hummet to you.
18:22Hummet to you.
18:23Jai, Nazar Bandi.
18:32Gokhle,
18:33Aaj ratko 11 o'clock, Premaji.
18:36Gokhle,
18:37Aaj ratko 11 o'clock, Premaji.
18:38Gokhle,
18:39He'll see.
18:4011 o'clock, 5 minit' ΠΊΠΎΠΌ'
18:425 minit' ΠΊΠΎΠΌ'
18:44This is too too.
18:46I'm tired of you.
18:48How was it?
18:49What was the need of beer?
18:50Who was it?
18:52I got to eat food for the idiot.
18:54No beer for the idiot.
18:55Keshaw, you won't get angry.
18:57I'm going to start to eat.
18:59I'm not going to eat.
19:00Idiot, stop, stop.
19:02Sit down.
19:03Sit down and stay there.
19:06It's time to come.
19:08Who's the doll?
19:10Shalini.
19:11Hey, bell, bell.
19:13Bell, bell.
19:14I know.
19:16I know, I know, this is my house, idiot!
19:18Go, where are you?
19:20Have you gone?
19:22Yes, yes, yes!
19:26Keshav Ji!
19:28Prima Ji!
19:30Yes.
19:32You are at this time?
19:34I am leaving shooting and I went to shoot you.
19:36If you are wrong,
19:38can I be here for a little while?
19:40In my house?
19:42Why, Prima Ji?
19:44My heart is not in my house.
19:46My heart hurts.
19:48That's why my heart told me,
19:50take care of your house for a little while.
19:52If you feel bad, I will go.
19:54No, Prima Ji, no.
19:56The bedroom is in your house.
19:58Oh, there is the bedroom.
20:00Yes, Prima Ji.
20:02Thank you so much, Keshav Ji.
20:08What are you looking for?
20:10Go inside!
20:12Go inside!
20:14Go inside!
20:15Go inside!
20:16Go inside!
20:17Go inside!
20:18Go inside!
20:19Go inside!
20:20Go inside!
20:21Go inside!
20:22Go inside!
20:23Go inside!
20:24I'm not sure what I'm doing.
20:39My dear.
20:43My dear.
20:47Did you sleep?
20:50No.
20:51And then?
20:53Sharma is not here.
21:01Premaji.
21:03Sharma will be a little work from Sharma.
21:06And then?
21:08Never, never, never.
21:12Take it away.
21:15Please, take it away.
21:18Take it away.
21:20Go get down!
21:22Okay, go see.
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