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Watch an exclusive conversation with Mukesh Khanna as he pays tribute to the late Dharmendra, a legendary icon of Indian cinema. Mukesh Khanna shares rare insights, memorable experiences, and touching stories that reveal Dharmendra not only as a stellar actor but also as an exceptionally humble and compassionate human being. Watch this special tribute to honor the life, legacy, and timeless impact of an actor who truly embodied greatness both on and off the screen.

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Transcript
00:00Mukesh Khanna Ji, thank you so much first of all for speaking with Asianet News.
00:15This is a very sombre day.
00:16We are talking on the day when Dharmeendru Ji is no more with us and I know that you
00:21have worked with him in a lot of movies.
00:23Tell me some of your memorable experiences that you have had with Dharmeendru Ji when
00:27you worked with him in those movies.
00:29You see, I can say in one line that he was bigger in near life than what he was on the
00:35screen.
00:36He was real, like a person should be.
00:41I mean, usually when you have lots of stars, there are a number of stars, but you will hardly
00:47find somebody star who is also a human being also.
00:51And he is the example of that kind of actor or human being.
00:58He was humble.
00:59He was very, very compassionate.
01:01He used to talk to people.
01:03He does not insult anybody.
01:06very positive character.
01:09What was he on the screen?
01:10He was also on the real life.
01:12I had an opportunity to work with him for about five to six films.
01:15The Hilka was one of the very big films where I lead him to a mission.
01:22And I was just coming out of the Mahabharata.
01:25And I remember the incident with him that first he thought that he is a new boy.
01:32And I was given the command.
01:34And I was a person who doesn't have one leg.
01:37One leg was cut.
01:38Nobody knew how he used to.
01:40And then there was a sequence where I lead, I said, let me lead the mission.
01:45And then when I get the mission, he is called from back.
01:48He was a senior officer.
01:50And he, I'd lead the whole guy.
01:52Nasir Dhun Shah, Jafri, Aditya Pancholi, they were all together.
01:57And, and, and we had a memorable experience in, in Manali, Anir Sharma was director.
02:03I, why I'm saying about this film, because this film gave me, he also came to know about me.
02:09I also came to know about him.
02:10After that, I did about five films with him.
02:13And I remember one incident with him that when, when my leg is being, is not there,
02:21I, I take out my, my leg from the thing, and I throw it on a, a, bees.
02:28And then he sees that this major doesn't have the one leg.
02:30And I'm climbing the mountain.
02:32And then he gives me a hand.
02:33And I said, I don't want anybody's hand.
02:35And I, myself, climb up.
02:37There he starts getting experience about this man.
02:40That he has come for a mission.
02:41His daughter is there.
02:43In the end of the sequence, the climax, they, they, I am, I am totally,
02:49they try to take care of me because my leg is totally infected.
02:54There's a totally gangrene over there.
02:56But when I get up from this thing, that he's there fighting with Amrishpur, his gang,
03:00in hospital.
03:01And I say, what are you doing?
03:03I'm not important.
03:03The mission is important.
03:05He says, Major, hum aapko akera nahi chhod sakdi.
03:08I say, I chhod sakdi.
03:08And I convinced them and that, that I'm not important.
03:11Mission is important.
03:13Go, let me live.
03:14And then ultimately, I convinced them to go down like this,
03:18from the behind, window behind.
03:21And then, Amrishpuri from their outers that blow off the whole hospital.
03:26And I'm fighting alone with them.
03:27And then they blow off.
03:28And all these five people standing downstairs, they salute the, the Ranjit Singh.
03:33Like, why I'm saying this, this shows his nature that naturally, he, he told Anil Sharma,
03:40the director, may be karan, may be salute karan, big actor and a fresher.
03:46Anil Sharma said, aapki marzi, aap karan nah karan hai.
03:50Somehow he didn't.
03:52Very funny thing.
03:54And then after six months of shooting with me in Manali and in Bombay,
03:58Anil Sharma told me that he came and he said, Anil,
04:02Anil, you are mahi karan hai.
04:03And one shot he gave in Film City, saluting me, has this thing.
04:08That shows his character.
04:09Yeah, that shows how even after a lot of fame that he had, he continued to be,
04:15to carry such humility and to be so grounded.
04:19Yeah.
04:19Any life lesson Mukeshji that you learned from Dharmendra Ji?
04:23I'll, I'll give you an example of how he used to treat the fans,
04:27how he used to treat his people who used to come to meet him. Such a big actor.
04:31I remember I was shooting in Filmistan studio.
04:34That time there was no, no vans, like vanity vans.
04:38We used to sit and I have a trunk and chai and kept there.
04:43I was there, he was there, four, three, four people were there.
04:46His bodyguard was there. And then suddenly a man came from somewhere,
04:49it was dark slightly. And he said,
04:51I'm a very big fan. I've come from Bengal. Can I hug you?
04:58No, this is very, very, very unusual request from a fan.
05:01He used to understand his hand. He used to understand his autographs.
05:04But I wanted to get your head.
05:06And, and we were just looking and he got up Dharm ji.
05:11And he got his head. His bodyguard was attentive.
05:15He said, you can never know. He can take a chakul.
05:17And then when he sat, I said, Dharm ji, I love this, this, this attitude,
05:24or this nature of yours. You know what he said?
05:26Mokesh, piaar vandoo ge nahi to piaar milega ka kaas.
05:31Yeah.
05:32You can see who does it.
05:34Today, one actor is in a bulletproof car.
05:38He has four monsters with him.
05:40I am also going to go.
05:42I am going to give him a monster.
05:43I tell him what he needs to do.
05:44But then they have, you know, they push everybody.
05:48And this man coming from nowhere
05:50and then getting a reward of even galay milna.
05:53And nobody does.
05:54Why do I talk either?
05:56Other other, they can't even shake hands with the actor.
05:58They can't even.
05:59So this is one nature of this, which I always say,
06:02Kitana bhi bada star ban jau ap.
06:05Aap human raho pahle.
06:07You will get very little. Here was the actor who was bigger as a human being than he was an actor.
06:16He played in the beginning all roles, then he played even action roles, then even comedy. His face used to show the honesty.
06:27That is what I always say. If a person is honest, he can be a good actor.
06:32Even when he was in hospital, we saw a lot of videos of fans crying and so disturbed because of the health.
06:42This fraternity, I mean, a lot of young actors also coming and they also draw a lot of inspiration from Dharmeendriji.
06:48What do you have to say about that? Because he had this legacy that he left behind.
06:53I will tell them learn from Dharamji to be very consistent. Learn from Dharamji to be very, very honest with the work.
07:01Learn from Dharamji to be a human being also.
07:06We become a big actor, then suddenly we forget our people.
07:10This is not a human being.
07:11This is not a human being.
07:13This is a human being from Punjab.
07:15And I remember that they said in a video,
07:18they had to have a ticket on bus,
07:23I was standing in on thing on bus,
07:25I was sleeping at the bus on the bus,
07:26and sat down to 20 km from going back on the film.
07:28This actor was doing,
07:30was somewhat of a struggle to a little bit.
07:32But he was handsome. He was rugged looking.
07:34And then I learned from him how to be good with people in real life also.
07:40So I have learnt from him to be a good human being. I would always say that you will not get such an actor in our industry.
07:54I don't see them in their eyes. This is an actor who is in their eyes.
07:59That's why I will tell you a little incident that you will know about what people think about Punjab.
08:05One time he told me, Mukesh Ji, I got out of his house in his house.
08:11Then there was a person running on the second floor.
08:13Second floor of the house. He said, who are you?
08:18He said, yes, we came from Punjab, only to meet him.
08:22That man went up and opened his house.
08:26He said, my father's house, Mukesh Ji, was opened.
08:28People came to Punjab and said, you will be dead.
08:32And he was so respected.
08:34And this was Hidaram Ji.
08:36Our security guard is not allowed to keep you in the middle.
08:40So one must learn from him to be a human being also.
08:44How much you become an actor.
08:46But you will find a place on the ground.
08:49If you are on the ground, you will find a place on the ground.
08:51If you are on the ground, you will find a peace on the ground.
08:55This man was right at the ground.
08:57If you talk about his acting, he had a very large range.
09:01I mean, he did romance.
09:03He did action.
09:04He did comedy.
09:05And he just thrived in every role that he did.
09:09Honesty.
09:10Again, I would say it's honesty.
09:12I have seen him working.
09:13I have seen him getting involved and arguing with the director.
09:17And then slowly, I did TADA with him.
09:20I have seen him sitting and talking to the director.
09:24And cooperating with him.
09:26Now, he did all kinds of roles.
09:28After Shole, you must see that sequence where he is on the tank top.
09:33And he says,
09:34He says,
09:35I'm going to jump.
09:36I'm going to jump.
09:37I'm going to jump.
09:38I'm going to jump.
09:39Comedy.
09:40And he got the sur of the comedy.
09:42From a he-man.
09:43From an action man.
09:44He became a comedy man.
09:46You see other films after that.
09:47He used to do so lovely in the comedy also.
09:50Song picturization.
09:51He was not a dancer.
09:53But his dance style was his own style.
09:56People used to still copy.
09:58Nobody can dance the way he used to dance.
10:00Yes.
10:01He was not a dancer actor.
10:03But when he does it,
10:04he used to do it all romantic dances.
10:06All his songs are hit.
10:08And one more thing is,
10:10I'll say,
10:11even Sunny Deval,
10:13he's a big one,
10:151.5kg.
10:17Dharam ji.
10:18Dharam ji.
10:19He was fighting.
10:20He was thinking that the people are killing the people.
10:22Today,
10:23people are a lot of people.
10:24They're a lot of people.
10:25They're a lot of people.
10:26They're a lot of people.
10:27They're a lot of people.
10:28They're a lot of people.
10:30They're a lot of people.
10:31We're not going to stop.
10:32We're not going to stop,
10:33can't stop.
10:34He can't stop.
10:35We're not going to stop.
10:36He can't stop.
10:37That was his image.
10:38Which he got it,
10:39maybe I'll again repeat.
10:41I think because he was honest with his work.
10:43He was honest with his work.
10:44He was honest with his work.
10:46You're an incredible actor.
10:49If you're honest,
10:50you're an incredible actor.
10:51You're great actor.
10:52He was honest.
10:53That's why he,
10:54I mean,
10:55In the beginning he was not a great actor,
10:56learning from any school.
10:57not from any big family, a raw man from this thing, but on his face there was a truth,
11:03look at his own work, look at his love, look at his films,
11:09on his face, you should have to say your eyes, your eyes would have to say,
11:14I was saying my eyes would collaborate, there are some actors who are saying something,
11:18but they are saying something else, because they are crying, they are crying,
11:22that's why I could do maybe Bishwav Pitama because my eyes,
11:25he said Devavaratni, I can take everything for you, because of the belief inside.
11:32Did you get a chance to meet him when he was in the hospital and trying to recover?
11:37Yeah, yeah, yeah, good thing to tell you, because I went to his house six days before,
11:42after he was shifted to his home, I knew I wouldn't be able to meet him,
11:46but I met Sunny, I met Bobby, and I told Sunny very well,
11:51I played father of Bobby in Barsat, I told Bobby,
11:55I said you made a body, he said yes,
11:58it came to me late, my father told me that your mind is late,
12:01and I told Sunny that his father was being a father,
12:04I mean, I had done the role of Dhanam Ji, it was his own film,
12:07and then I said, he is very strong,
12:10I said, he is strong man, he will come out of it,
12:14but God is God,
12:16God is the one who calls him when he calls him.
12:19Final words, Mukesh Ji, a lot of hearts are broken today,
12:23not just friends and family, but fans also,
12:26what are your words to console them?
12:29I would say that you have been very loved,
12:34Dhanam Ji, Dhanam Ji,
12:35and I see that they have a lot of love,
12:37and they have a lot of love,
12:38and they have a lot of love,
12:39and they have a lot of love.
12:40You are the same as they want,
12:42because there is such an actor,
12:43who has nothing in the cupboard,
12:44who doesn't have anything in the cupboard,
12:45who doesn't have a skeleton,
12:48who doesn't show them,
12:49Dhanam Ji was open man,
12:51and open man,
12:52if they were in real life,
12:54Dhanam Ji,
12:55follow me.
12:56In reality,
12:57I am honest.
12:59Honesty will give you a lot of success,
13:01but when it will give success,
13:03it will be a lot of success.
13:04And I do not say that,
13:06that you are acting like that,
13:08but I will say that,
13:09if you have a zeal,
13:11honesty,
13:12learn from Dhanam Ji.
13:13Manoj Kumar also said,
13:16that Dhanam Ji,
13:19Manoj Ji,
13:20who would go to the audition,
13:25who would say that Manoj was very handsome,
13:28and he would get to the work,
13:29and we would not get to the work.
13:31But they did struggle,
13:33but when he came out,
13:34he came out.
13:35Sathya Kaam,
13:36who was in his films,
13:38he felt rugged,
13:40I always felt like a football player,
13:43I felt like that actor,
13:45who was handsome,
13:46who are very, very actors,
13:47who are Dilip Skubha,
13:48Raj Kapoor,
13:49and beautiful faces.
13:50His face was rugged,
13:51but he saw that he is a sportsman,
13:54and that worked for him.
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