00:00has a fellow
00:02lived here
00:06he's a
00:07озможно
00:08he was
00:09the
00:12Japanese
00:14racist
00:16approach
00:17his
00:18works
00:20against
00:26the
00:27There is a fantasy that comes from a mantra, karma, karma, a karmic loop, and a karmic loop.
00:46So the symbols of the body were thrown away from the ordinary people with the body.
00:55There are also the life of the karmar, the karmar they had and it was like the karmar and the karmar,
01:01they were the karmar, they were born in their prayers.
01:09It is also a theatrical dance production.
01:19I don't know how to do it.
01:23Because a American writer, Elena Olabdeva,
01:28They have a truth.
01:31The truth is that they hear a people's people,
01:35their friends, their legends, their legends, their stories, their stories, their tales, their stories.
01:42This truth is included and this truth is the truth.
01:47The truth is that it is a truth.
01:50The truth is that it is a truth.
01:55That is how we can discuss this and how we speak Indian language.
02:02We can be able to get into the Indian language,
02:05we can speak to the language,
02:08we can speak to the language
02:11and we can speak to the language.
02:15We have to do some language,
02:19we can speak to the subject and we can read the screenplay.
02:22So far, we are going to start the process.
02:29So, what is the process?
02:32As I said, the story is about the story of the story.
02:39The story is about the story.
02:41The story is about the story.
02:43There are two stories.
02:46They have a very good introduction to me,
02:51I have come to my own,
02:54and I have a very good introduction of Mahalekshmi.
02:59Mahalekshmi is an actress, a famous actress,
03:02a production director.
03:05I have a great casting of Mahalekshmi.
03:11In this case, I am a senior student who is a senior student.
03:16I am a very proud of the cast.
03:19I am a very proud of the cast.
03:23I am a very proud of the cast.
03:26I am a famous chow dancer,
03:32or a cinema choreographer.
03:35He is a choreographer in Bollywood.
03:38He is a Mahalakshmi.
03:41In Bangalore, Vinupi Varma, Viniupi Varma, famous Kuchipiti Dancer, Devesh, there are a bunch of wonderful artists, and there are 12 dancers.
04:00There are a bunch of wonderful artists, and there are a bunch of technical artists.
04:19There are a bunch of artists who are in Bangalore.
04:30They are such a great art designer.
04:40I'm gonna write a book a time or a cool time and I yeah and I wonder if you know you I
04:45do do work on other did you wait while you be a mom in the wall area of
04:49at Marth my you're you're you confidence over it is a mid-high guy in the
04:53Dela on the car now I know that's a car number I alem
04:56because it's kind of a day of a prime program I am a man's like a Sadiq in
05:01the area and a yeah and baller action tamil not gonna run a upon yann in a
05:07I was a very young girl who was in Kerala and I was a very young girl who was dancing in Kerala.
05:14They were dancing in Kerala.
05:17They were dancing in the program and they were dancing in a few characters.
05:24They were dancing in the same way.
05:28I was taught in the first place in the first place,
05:32I was taught in a dance, drama, productions,
05:38I was taught in a couple of years,
05:41and I was taught in a couple of years.
05:45I was taught in a few years.
05:48I was taught in a few years,
05:51It's all about the performing arts, purity, purity, and purity.
05:59It's simply entertainment.
06:01When I have my eyes, when I have my eyes, I have a great entertainment.
06:08There is a lot of art, art, art, art, art, art, art, art, art, art, art, art, art.
06:18I've all talked about my vision.
06:24If I have a hard time, I have a hard time for myself.
06:30I have an easy to lose my life without my life.
06:37I have a hard time for myself to live in my life.
06:43I've had a long time for a dance.
06:49At the time I've been taught dancing in the 10th grade.
06:53I don't think I'm playing dance as much as I was.
06:58I don't think I'm playing dance as much as I was.
07:01I'm playing dance as much as I was.
07:04I will play dance in the 10th grade.
07:08I will play dance as much as I was.
07:11you feel like this Hm.
07:15my friends don't know what to do
07:20I am one chant
07:24I am jumel
07:27the I am one chant
07:32im après my all accounts
07:35When she really loved the values and we looked up at the place.
07:42When she took it, she took it.
07:44When I was interested in the future, I was learning.
07:48I had a very good read, and I thought, why, why, why I was not interested.
07:52But I was focused on the challenges of those who came together, in a way.
07:58I have a lot of tension.
08:02We have a lot of tension.
08:07It is very difficult.
08:11It is not a tension.
08:15I have a lot of tension.
08:18I have to be a lot of tension.
08:23I am still here, and I am still here.
08:33I don't have any tension on my own, but I am still here, because I am not having tension on my own.
08:44they see briskar
08:47and I don't know the father in Italy network go be Christian national award
08:55other either IDA all India dances Association um Kendra Samskarika Mandra
09:01you some new time I know that now you press car amana press car a
09:05Maltzara mana I didn't enter the Padre Italy award Jada why do you know
09:09other awarding that an injury member of another and I have to do with the Nali
09:13It's as a kid.
09:18It's a kid.
09:20It's a kid.
09:22It's a kid.
09:24It's a kid.
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