അപരന്റെയും ഇന്നലെയുടെയും ഓർമ്മകൾ പങ്കുവെച്ച് ജയറാം! തന്റെ കരിയറിലെ എവർഗ്രീൻ സിനിമകളെക്കുറിച്ചും പ്രിയപ്പെട്ട നിമിഷങ്ങളെക്കുറിച്ചും ഷറഫുദ്ദീനൊപ്പം ജയറാം സംസാരിക്കുന്നു. പുതിയ ചിത്രം 'ആശകൾ ആയിരം' പ്രൊമോഷന്റെ ഭാഗമായി നടന്ന നർമ്മം നിറഞ്ഞ അഭിമുഖം കാണാം.
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NewsTranscript
00:00I don't know how much history is going to happen in the 90s and 2000s, but I don't know how much it is.
00:14I'm going to go to Manipur and I'm going to go to Manipur and I'm going to go to Manipur.
00:21I'm going to go to Manipur and I'm going to go to Manipur's final outcome.
00:25He is a part of this mission and I am willing to pay for both the project and the project.
00:31That is an important decision.
00:33Have you ever seen it?
00:34Yes, I have. I haven't seen it.
00:36I see my future story in Suresh Ghovi at the hotel for some time.
00:39There are no time in the Masters of Suresh Ghovi.
00:42It's the time I can't read it.
00:44It's the time I am going to take a look to the meeting.
00:47See all the stories and stories from Suresh Ghovi.
00:52And if you think about it like it, there are such things that you can't be teaching.
00:58Even if you think about it like the same thing but...
01:01You can do this with any type of analogy.
01:06These are the the best actors that you think about.
01:14This is interesting.
01:16I don't think of them.
01:18Yes, you are such a young person.
01:20Yes, yes, that's the point.
01:28Two questions.
01:30A part of the VJSist,
01:32which is very happy and happy.
01:34A person,
01:36who is the most important milestone,
01:38and all dates,
01:40are standing in front of the date.
01:42They're standing in front of the date of the date.
01:44They're standing in front of the date.
01:46They're standing in front of the date.
01:48He is a very happy day in the day.
01:53He is a very happy day.
01:54He is a very happy day.
01:59Shree Jai Ram is a very happy day.
02:05He is a very happy day.
02:07Hello.
02:08We are doing a video on Evergreenite.
02:11He is a very happy day.
02:15My life is so happy that I am happy with my life.
02:21Does that happen?
02:25No, I feel like we are all happy with my life.
02:30I am happy with my life, with my life.
02:36I am happy with my life.
02:40I am happy with my life.
02:44So, I would like to go to the interview with them.
02:48I would like to go to the interview with them.
02:50Okay, okay.
02:51Do you have any effort to do that?
02:53Yes, sir.
02:54It's not my career.
02:55In my life, in my life,
02:58there are many moments in my life.
03:02When I came to the Mimics Parade,
03:05I came to the North,
03:08in a STD booth.
03:10When I was in a movie,
03:12I was in a movie in the studio that I was in the 60s.
03:15I sat in the show for the 60s.
03:16I was in the 60s.
03:18Then I was in the 60s.
03:20So, I was in the 80s.
03:21It had been the 60s and the 60s.
03:23It was the 60s.
03:25I was at the 60s.
03:27I was in the 90s.
03:29I was in the 90s.
03:31So, the 70s,
03:35their numbers,
03:37In that year, I came to the first cinema and I came to the promotion and my friends came to the first film.
03:44I asked you, do not like sharing a lot of information on the channel.
03:48I'm sure I'll give you a lot of information.
03:57I'll give you some time and a lot of information.
04:01I love the fact that I have seen a lot of things.
04:03Of course, I had a lot of experience since I came to the cinema.
04:11And so I joined the first time in the film.
04:15And I met this film as well.
04:18So, what do I do with the first time that I am doing?
04:22I have a lot of experience with the first time in the Kishramurthy.
04:25I have a lot of experience with a lot of experience.
04:29We are doing a lot of production.
04:33So, we are doing a short notice.
04:36We are doing a short notice.
04:41We are doing a lot of work and we are doing a lot of work.
04:47We are doing a lot of work.
04:49We are doing a lot of work.
04:51First of all, thank you.
04:52I am not sure how it is, but I am not sure how to do it.
04:56So, I like Sharafing.
04:59Sharafing is the performance.
05:01For instance, you know three characters.
05:04One is a villain.
05:07Two is a prime.
05:08Three are the prime.
05:12This is a very young actor, regardless of what's going on.
05:15Please, do you know your prime?
05:17Yes, prime?
05:17That means I've got proof from this.
05:19We don't know why it is.
05:21I've got proof from this.
05:23Girajungji!
05:24I can't see it.
05:26We can't see it.
05:28We can see it.
05:30Is it a film?
05:34Is it a film?
05:38I think it's a film.
05:40I think it's a film.
05:44I think it's a film.
05:50When I was in Jaramanga, I didn't shoot in Alva Palace in Aniambhava and Cheetambhava in Alva Palace.
05:58I was in school with all of the textiles and all of the textiles.
06:03I was in a place where I was in a place where Cheetambhava went and the driver went to the cap.
06:11I went to school and I went to school and I went to the school and I went to the school and I went to Jaramanga.
06:18I was like, I said, there are many friends.
06:21But, I was like, I know that I was connected.
06:25I was told that Jaramet was like, comedy timing, punch and punch.
06:30I was told that Jaramet was like Kamal Sander had the best friend.
06:34I played the best friend of Jaramet and he played the best friend of Jaramet.
06:40He played the best friend of Jaramet.
06:42I never played the best friend of Jaramet.
06:46Can't tell us, no I'm not sure how old you were because of it.
06:50Good Vangra, all your emotions are full of everything.
06:54You know, when you start in the movie or the comic, the bad boy has to be on the show,
06:58You don't have to be mad at this point.
07:00What is that?
07:03He's like, I am so confused.
07:06I think that's so.
07:08He's going to be like Vangra.
07:10Denna Lee is going to be a long-term director.
07:12So he's like, I'll run for Kamala Sant.
07:15You are a good guy.
07:16Yes, I am.
07:17I am very proud of you.
07:18Because I am not sure what I am doing.
07:20Because I am doing this in reverse.
07:23Now, I am very short.
07:25I am at 350-400 feet.
07:27I am not afraid.
07:29I am afraid of that.
07:33I am afraid of that.
07:36I am afraid of that.
07:38I am afraid of that.
07:40I am afraid of that.
07:41I am afraid of that.
07:43I am afraid of it.
07:48I am afraid of it.
07:49I am afraid of it,
07:50but I was afraid of it.
07:53I am afraid of it.
07:56I am afraid of it.
07:58There are a few questions.
07:59Yes, that is an unfortunate scene.
08:01I am afraid of it.
08:03I blame it for two hours.
08:05This is because of it.
08:06Just the time.
08:08Yes.
08:09It is useful for the humor.
08:12I think that there was a film on the humor side of a state, and that there was a film in the film.
08:19Yes.
08:20He was always a best actor.
08:21Yes, yes.
08:22In fact, I was afraid of the people who were in the film.
08:26I was afraid of the people who were in the film.
08:29He was in the film.
08:31That's why we talk about humor.
08:34That's why we talk about humor.
08:37How can we find things in the film?
08:40I was a little bit of a film in Mareyadath but I feel like I was able to play in Osula.
08:47I really think I'm a great film.
08:49I'm a friend of mine and I have a great team.
08:52I don't want to play in my way, I don't want to play in Mareyadath.
08:58That's why I'm not a fan of Mareyadath.
09:00I've come with my own friends, maybe they have one of the friends and I have a great experience.
09:05So I'm not a fan of anyone.
09:07It's not that we can't do anything in any theater.
09:11We can't do anything.
09:13Overwrite the story of the story of the story.
09:16I'm just trying to figure out what I'm doing.
09:19This is a great story.
09:20I don't know.
09:22This is a very small thread.
09:25I'm trying to figure out how to do it.
09:30I'm trying to figure out how to do it.
09:32I'm trying to figure out how to do it.
09:35There was a lot of joy and joy and joy and joy.
09:41That's why I didn't know that one day.
09:45I was selected for that.
09:48I thought, I thought, that's what I thought.
09:54I thought, I didn't come to the cinema anymore.
09:57I thought, I didn't come to the cinema anymore.
10:02This is how we started in the 90s and 2000s.
10:06We were able to do anything at all.
10:10That's why we started it.
10:13Now, there are a few people who come to the Jai Ramayattu.
10:18There are a few people who come to the Jai Ramayattu.
10:20No, I didn't.
10:22I didn't understand Jai Ramayattu.
10:25In the Kandari, you have a great performance in the Jai Ramayattu.
10:32That's why I never used to play a game.
10:37I never used to play a game like Mirai.
10:42I never used to play a game like that.
10:48I never used to play a game like that.
10:53Vimarshan was very important to play a game.
10:57At the same time, he was also a real character.
11:04He was a different character. He came to the shoot three years ago.
11:10He had five or six years ago.
11:16He went and got a couple of people out there.
11:20It was a huge difference.
11:24The final outcome will be the final outcome.
11:27The final outcome will be the final outcome.
11:31But I will be very happy to do a variety of things.
11:36The first time I went to the beginning of the year.
11:40Now, in Tamil, I will show you a few years.
11:47I will show you a movie.
11:51It's called Pandiraj and now it's called Pandiraj.
11:55Pasang Pandiraj?
11:56Yes, Pasang Pandiraj.
11:57It's called Pandiraj.
11:58It's called the Asusad.
11:59It's called the Comedy.
12:01It's called the Out and Out.
12:04It's very different.
12:06It's called Shiviraj Kumar.
12:08It's called The Bail, Kannada Movie.
12:11It's called Ghosting Session.
12:14It's called the GD Naid.
12:21It's called the Biopic.
12:22It's called the Equalite and the Aqualite.
12:26It's called the GD Naid.
12:31It's called the Dhanushan.
12:37The story of the movie is now in the end.
12:44But if there's nothing different,
12:46it's called the GD Naid.
12:48It's called the GD Naga-Aarjun,
12:49and then the GD Naga-Aarjun.
12:50If there is a character in the end of my life,
12:51it's called the GD Naga-Aarjun.
12:54What is the GD Naga-Aarjun?
12:59I think the GD Naga-Aarjun is a great godfather.
13:02It's a big deal.
13:06It's a big deal.
13:09I think it's a great godfather.
13:12It's a great godfather.
13:14He's a star.
13:16No, he's a godfather.
13:18He's a great godfather.
13:22He's a great godfather.
13:24He's an actor.
13:28He's a great guy.
13:30He's a great guy for him.
13:32He's a great guy.
13:34I have a great guy.
13:36He's a good guy.
13:38He's not very good.
13:40He's a good guy and a good guy.
13:42I'm happy.
13:44He's a very hard guy.
13:46He's a great guy.
13:48I don't like him.
13:50He was a good guy.
13:52Who knew that?
13:54Because he's a great guy.
13:56I don't know how to do a combination scene, but I'm doing a lot of improvising.
14:06I don't know how to do a space in my own situation, but I don't know how to do a scene.
14:18I have never seen it before. I can't do something. I can't do something.
14:30I have seen it in mutuality.
14:35I have seen it in all types of films. I have seen it in a long time.
14:40I have seen it in a long time.
14:44I was doing a lot of comedy films in the same time.
14:53I was a actor.
14:58You've been doing a little caricature in the start of the world.
15:02You've been doing a little bit of a exam.
15:05You've been doing a little caricature in the start of the world.
15:11Can you tell us how to test this?
15:15Do you think Saraj Kumar is there?
15:17It's not a matter of fact.
15:20It's not a matter of fact.
15:25It's not a matter of fact, Saraj Kumar.
15:29It's not a matter of fact, Saraj Kumar is a matter of fact.
15:34It's not a matter of fact.
15:36It's not a matter of fact, it's not a matter of fact.
15:39If we have seen this, we have seen this.
15:42It's not a matter of fact.
15:46It's not a matter of fact.
15:48We don't care about it.
15:52We don't care about it.
15:54Now, we're going to be at the same interview.
15:58I've been a part of this interview.
16:02I've come to see that.
16:04I've come to see that still.
16:07It's not a matter of fact.
16:09Saraj is talking about that.
16:12We're going to see some of the acting available for us.
16:15We can't even remember that.
16:17We are working here.
16:19You have to work with Nestle.
16:21You have to reach the point.
16:24How do I get it?
16:26Do you think Saraj Kumar is going for the start?
16:29I'm not even sure, but I don't feel like everyone has to do it.
16:35We don't have to do it.
16:36We don't have to do it in a long time.
16:38We don't have to do it.
16:41We don't have to do it.
16:43We don't have to do it.
16:45We have a little bit of a caravan.
16:49I had to go on to my caravan,
16:51and I had to go anywhere on my own.
16:53I don't have to go to the local shops.
16:56I think that's the first thing I've ever seen in Kandhari.
17:06I think that's the climax performance.
17:10I think that's what I'm going to do.
17:174-5-5 years ago, I think it's important.
17:20There are so many new technology,
17:22so many things,
17:23so many types of cameras,
17:24so many fighters,
17:27Australian masters,
17:29England masters,
17:32and those fighters,
17:33Thailand and acrobats,
17:35all these things.
17:37That's why I'm doing it.
17:38Because I don't have to worry about it.
17:40That's why I'm doing it.
17:41I'm doing it.
17:43I'm doing it.
17:44I'm doing it.
17:46How many guys are going to play?
17:48Jai Rametta is playing a round of Jai Rametta.
17:51All time favourite non-verbal reaction of Jai Rametta.
17:55Jai Rametta is not a dialogue, but there is an iconic stage in history.
18:02What is that?
18:04Happy as men is an eyeball expression.
18:07You have two sides.
18:09He is only a person.
18:12Major Shree Kumar is self pride expression.
18:15What have you done in the front of Jai Rametta?
18:17This is too far for me.
18:19There is an idea in that.
18:21He has become a man in the front of him.
18:23No, he is.
18:25What do you think of Jai Rametta?
18:28That's not for yourself?
18:30That's right.
18:31That's why people have decided to be fixed on the front.
18:33Because of Jai Rametta is pretty much me.
18:36I don't think he is now a person.
18:39You can't be happy as men.
18:41It's not a good thing.
18:43It's not a happy aspense.
18:45It's not a good thing about the cinema.
18:49It's not a good thing.
18:51There are 10 options there.
18:57That's why I don't like it.
19:01I don't like it.
19:03I don't like it.
19:05I don't like it.
19:09That's why I am not a good thing.
19:13I have a lot of people with my own.
19:17I'm a musician.
19:19I'm a musician.
19:21I'm a musician.
19:23I come and I'm a musician.
19:25I'm a musician.
19:27I'm a musician.
19:29I'm a musician.
19:31He's got his head.
19:34He's got his head.
19:36He's got his head.
19:37He's got his head now.
19:38He's got his head.
19:39He's got his head.
19:40I think he's got his head.
19:44He's got his head.
19:49So, I was trying to say that he has to be a bad guy.
19:53People were going to get busy.
19:55They were in many countries,
19:57other countries were in many countries.
20:00They looked like they were in those countries.
20:02That's why people put a lot of money on them.
20:04Take care of that.
20:06Where are we going?
20:06We will be concerned.
20:09We will play a talent title.
20:12We will be able to play a lot.
20:14How about that?
20:16We will be able to play a lot.
20:19For people to come to know that.
20:21Innocentate, I am the most emotional dialogue of Jai Ramadhan.
20:30Okay?
20:32Pakshamigaccha, Nadan.
20:35Dheiva, I am the most emotional dialogue of Jai Ramadhan.
20:42What?
20:45I think it's a very connected film.
20:48Now, we have a movie called Vindu Jalavita.
20:54It's a very super favourite film.
20:56It's a very interesting film.
20:58I don't know.
21:00We have a character.
21:04A actor is a very good actor.
21:07It's a very good actor.
21:11I think he's a student.
21:13He's a student in two parts.
21:15One is my second one, and I think a student in his family is Roy.
21:19He's a human being, as a student as well as a student.
21:22He's a student in his life.
21:24He's a student in his career.
21:26I've seen him and he's a student in his career.
21:30He's a student in his career and he's a student.
21:35I've heard you play a lot in theatre.
21:38You can't handle any discomfort for you.
21:42Just like that one.
21:45You can't give it to me personally.
21:49Even if the guy is a good guy that works for you,
21:53you can't be happy to meet him.
21:54Now what I would like to call him the muggles relationship..
21:57When we talk about an actual relationship,
21:58this time we're going to be going to be in the first season.
22:01You probably wouldn't want to call Asha.
22:05Do you have any questions or any other questions?
22:09No, I don't have a spoiler for the film.
22:12I've always been saying that the film is very interesting.
22:16Now, the film is 3 films.
22:18The film is 3 films.
22:19The film is 3 films.
22:21The film is 3 films.
22:23The film is 3 films.
22:25The film is 3 films.
22:28I've always thought that in 2018.
22:31I've always thought that it's a good idea.
22:33I have had a good job.
22:35That's what we are doing.
22:37And that's why I took it from my time.
22:38I took the job and I took it.
22:43There are many great movies that I had before.
22:45I think that there were many movies that I had before.
22:49But I think there were many movies that I had before.
22:54I think it was something I had before.
22:57Shagalaya is a great movie that I was able to do the movie.
23:00That is a movie that was a movie that I had before.
23:02Okay, that's the truth.
23:04Now, you can see an Easter egg place.
23:07You can see it, you can see it.
23:09You can see it, you can see it.
23:11You can see it, you can see it, friends.
23:15How do you feel?
23:17No, it's not a problem.
23:18It's not a problem.
23:20I've been here for 35 years.
23:23It's not up to date.
23:25It's not up to date.
23:31It's not up to date.
23:33I've been here for the cinema dialogue.
23:36That's it.
23:38That's it.
23:38I've been writing a lot of Shaili's work.
23:43Especially Shaili's work.
23:45It's not a problem.
23:48I've been here for the long time.
23:52I've been here for the long time.
23:54I've been here for the long time.
23:55I've been here for the long time.
24:00One thing I'd like to say is that he didn't get to the generator.
24:05I'd like to say that he was ready to adjust the scene.
24:09He's got to the generator.
24:11He was just like 15 or so.
24:15When I was like 15 years old I was going to play a movie.
24:20I wrote one GAP with a mimicry.
24:23I was a big fan of the GAP.
24:25I was in the VLCH.
24:28We are going to visit our website and go to Nauwilang.
24:31We have one paper, so we are going to talk to our friends with the medical官.
24:37But we are going to talk to our school and we are going to talk to our staff.
24:42We are going to talk to our children with the body.
24:46We are going to talk to our deaf people.
24:48I think that they are going to talk to our students.
24:51That is why I was living there in the room for the while.
24:53They were going to tell us, we were going to talk to our parents.
24:56I had a breakfast during the morning and I was like, I would have to go to an hour and see what I was going to do.
25:03There were 4 pages of people who had to go to the page.
25:06I had to go to the full school.
25:11Is this the last thing I was going to do?
25:13No, I was going to do it.
25:15I was going to do it for a long time.
25:20I was going to do it for a long time.
25:24I told you, and I told you about it, but do you miss a lot of the films?
25:33Yeah, there are many films. That's all the movie.
25:36I've seen it in the movie.
25:38I'm like, I'm going to play a movie in a while, so I'm going to play a movie as a movie.
25:42I'm not going to play a movie.
25:44No, I'm not going to play a movie.
25:47I don't know what I think about anything else.
25:51This is the expression of the human being.
25:57The answer is,
25:59I will tell you,
26:023.5 million dollars,
26:04Kamalasana's genius,
26:06Patmarajana's godfather.
26:09That's already there.
26:12That's not true.
26:14Kamalasana's genius,
26:163.5 million dollars,
26:18Do you know what it is?
26:22It's a task.
26:23It's a task.
26:24I mean, I think that when I was young,
26:30I would say that I was a young man,
26:33and I would say that I was a young man.
26:35That's the same thing.
26:37I think that in a career,
26:40I think that's the co-actors,
26:42I think that's the genius of Kamal Sir.
26:47It was a film called Patmeransanth, and now it became a cult.
26:52That was a cult.
26:55That was a cult.
26:56That was a cult, but it was a cult.
27:00That was a cult.
27:02It was a cult.
27:04Superhead.
27:05I think it was a cult.
27:08I was so scared, I was so scared and I was so scared.
27:14I was so scared of that kind of suicide.
27:18Vishunathana and Uttamana.
27:21I was a man who was writing Vishunathana.
27:25That's why.
27:26You were so excited about that?
27:27I didn't have a chance to be.
27:30He was so excited about that.
27:36But then there was a great print.
27:38I don't know if it was a film.
27:40Then there was a great print.
27:43It was a great print.
27:45It wasn't even on YouTube.
27:46I was able to see the film that you saw on the TV.
27:50You saw a CD on the Surya TV.
27:54It was a very good film.
27:56Now, I don't know.
27:58It was a good film.
28:00Yes, it was a good film.
28:00You saw it on YouTube, but it was a great film.
28:03Actually, it was a great film.
28:04It was a great film.
28:06You can't see it.
28:07You can see a lot of the films when you have one.
28:11But you have to say, I don't think I have to do it.
28:16But I don't have to worry about it.
28:19You don't have to worry about it.
28:21How do you think of cinema?
28:23I think it is a lot of the film.
28:28And you can tell me about it.
28:32There are so many films that have been the best climax in many years.
28:36There is no place in my top five films.
28:41A film that didn't have any climax for me.
28:45I mean, I don't know how to play it for a movie.
28:49I don't know how to play it for a movie.
28:52I'm not sure how to play it for a movie.
28:54It's perfect climax.
28:56I don't know how to play it for a movie.
28:59But the release of Suresh Govcias itself had its depth in Suresh as the city.
29:03There was a tension in your 1800s.
29:05No, there's a tension in your heart.
29:07But there's no one where you are,
29:10so that the pressure is from you.
29:12Whenever Suresh Govcias were Getting ready to die,
29:17you could go first to come and reach into the theater.
29:21That's why I got people to do that too.
29:25They were too few for things to talk about in India.
29:28He's a little bit of a surprise. He's like, what's wrong?
29:31He's like, you're like, what's wrong?
29:33He's like, what's wrong?
29:33He's like, what's wrong?
29:35It's wrong.
29:37I'm not crazy.
29:39I'm not crazy.
29:41I'm not crazy.
29:43I didn't have any TV shows in the cinema.
29:45I was like, why did I get away from my book?
29:50I was like, why did I get away from my book?
29:53He was shooting in Malayana cinema in Malayana.
29:56He was a great actor.
29:58I thought he was shooting in Malayana cinema.
30:01I didn't say that.
30:03I didn't say that.
30:05This is Chandra Bindan.
30:07Yes, yes.
30:08But when he was shooting in Malayana cinema,
30:10there was a lot of writing in Malayana cinema.
30:12There was a lot of cinema in Malayana cinema.
30:17I played in Malayana cinema in Malayana.
30:21There was a lot of cinema there.
30:23But he didn't see the movie from the movie.
30:27He used to be in the movie.
30:29He used to be in the movie.
30:31Now he would be in the movie.
30:33I was not a fan of Malayana cinema in Malayana cinema.
30:37I am a fan of Malayana cinema.
30:40I am a fan of Malayana cinema.
30:42I was not a fan of Malayana cinema.
30:44But I would know that.
30:47I was just a bit scared.
30:49I was thinking about how many things are going to happen.
30:55I'm not sure how many things are going to happen in the world.
31:00I'm not sure how many things are going to happen.
31:03How can I balance my life?
31:08I have a liberty and freedom.
31:14I was concerned about that and I thought I had a lot of people in the past.
31:19He was the only guy who was in the Central Ministry.
31:22That's not where I was.
31:25I was just wondering if I was just going to be a full face.
31:28I was always wondering if I could be a full face in Dubai.
31:33I didn't know anything I was thinking about.
31:38It's like the whole thing.
31:40There is no reward.
31:45Now, I've seen the audio on the show and I've seen them in Manisar's house and I've seen them in Manisar's house.
31:53What's that?
31:55He's like the Shivayasar family. We have to take the permission.
32:00I've seen him in Manisar's house.
32:04Did you say that you can give something to me?
32:08No sir, that's a good thing.
32:10I'm sorry.
32:12He's going to give a huge amount of money, but I'm going to give him a huge amount of money.
32:17So, I'll give him a big grant.
32:21I'll do the first thing.
32:23A huge amount of seconds.
32:25That's a huge amount of seconds.
32:27He's coming to Jai Ram Cinema.
32:30He's coming to the Shoresh.
32:32He's coming to the room.
32:34individual relations.
32:37This thing came up in the beginning is that
32:41there is an individual collaboration with a member in after 2 weeks
32:48where they are managed to fill at every machining company,
32:52if there is an individual relationship,
32:55That's not true. I was going to visit my friend and I, I had to go to my family and I had to go to my family and I was sent to my family.
33:06There was a lot of cinema, business, Galaalpada, Varunam, Vajan and all the other films were met.
33:14I'm sure I had to see some of that.
33:20the film and the film.
33:24When I watched Garametta, I was able to see the music.
33:29I thought there was a breakthrough,
33:36and I was able to check us out.
33:39I'd like to see the film which is a perfect role by the Garametta.
33:45What am I supposed to think about today?
33:49I was a family who had a good family.
33:53I didn't know how much I was able to get into my life.
33:57I felt like I was able to get into my own emotions.
34:07I was working on a young person.
34:12I was working on a male note to play cinema.
34:15I was able to play music in the sun.
34:18He was born in the country and there is no way he was born.
34:25He was born in the country with all of the world.
34:32I told you that he was born in the country.
34:34I have been born in a very high school.
34:39I got to take a very high school.
34:42That's why I got the son of the teacher and father and mother.
34:46When we asked him to come, we had to go and get to him.
34:51But now, we have come back to our sister's house.
34:55And I've got our sister's house,
34:57I've got a lot of things,
34:59we've got to talk about the situation.
35:00There are a lot of people.
35:02It's not just a name.
35:04We have to talk about the situation on our own.
35:08I'm going to talk about the camera and get to him.
35:10So, we have to talk about the situation,
35:13we will be able to get home.
35:15That's amazing.
35:17Sharmil, you can't do this.
35:20You can't do it.
35:21You can't do it.
35:23You can't do it.
35:25Actually, I'm here with a room chair and a car.
35:33We can't do it.
35:35We can't do it.
35:37We can't do it.
35:39We can't do it.
35:41But that's how it goes.
35:43It's a little bit.
35:44But we have a friend who is a friend who is a friend.
35:52It's a friend.
35:53It's a friend.
35:55Then, we can't do it.
35:56We can't do it.
36:01There's a room in the stars.
36:03That's right.
36:04It's a friend.
36:07We can't do it.
36:09That's right.
36:10We can't do it.
36:12We can't do it.
36:14We can't do it.
36:16We can't do it.
36:18We can't do it.
36:20Then I'm sure that's how it's got.
36:21You look crazy!
36:23There are a lot of mistakes in you, too.
36:25One thing to say wills just say,
36:27is that can't wait for you.
36:29The company's gonna go the night.
36:31I knew that.
36:33I know it's gonna go the night.
36:35Then it's gonna go the night.
36:37Then the night's gonna go the night.
36:39Nothing different.
36:41Then I'm gonna go off the ball.
36:43Then there's a two-foot ball and
36:45we'll go up the ball.
36:47I didn't look up the ball anymore.
36:49I can't do anything wrong.
36:51I can't do anything wrong.
36:53I can't do anything wrong.
36:56That's why it's not so good.
36:59We can't do anything wrong with it.
37:02I love the story about Shri Lamad.
37:06What an amazing story.
37:08Jainam's branding is very helpful to the cinema and to communicate.
37:15It's a great combination of the individual.
37:18It's a great work.
37:20It's a great work.
37:23It's a great work.
37:25Thank you bro.
37:27Thank you bro.
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