അപരന്റെയും ഇന്നലെയുടെയും ഓർമ്മകൾ പങ്കുവെച്ച് ജയറാം! തന്റെ കരിയറിലെ എവർഗ്രീൻ സിനിമകളെക്കുറിച്ചും പ്രിയപ്പെട്ട നിമിഷങ്ങളെക്കുറിച്ചും ഷറഫുദ്ദീനൊപ്പം ജയറാം സംസാരിക്കുന്നു. പുതിയ ചിത്രം 'ആശകൾ ആയിരം' പ്രൊമോഷന്റെ ഭാഗമായി നടന്ന നർമ്മം നിറഞ്ഞ അഭിമുഖം കാണാം.
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NewsTranscript
00:00I hope you get a little bit of history.
00:07I'm not sure.
00:08I was born in the 90s, 2000s.
00:12I was surprised.
00:14I was born in the first year.
00:18I was born in the first year.
00:21I was born in the last year.
00:24I was born in the last year.
00:26I was born in the first year.
00:28That's what I've been doing for a long time.
00:33Did you have any choice?
00:34No, I didn't have any choice.
00:36In the release of Suresh Ghovi, there was a lot of tension in Suresh Ghovi.
00:42There was a lot of tension in Suresh Ghovi.
00:48There were a lot of tension in Suresh Ghovi's, but there were a lot of tension in Suresh Ghovi's.
01:02But I think there was a lot of tension in Suresh Ghovi's.
01:06There was a lot of tension in the cinema in the Humor Sight.
01:11They were very good at the best actor.
01:14I don't know.
01:16I'm not sure.
01:18I'm not sure.
01:20I'm not sure.
01:22I'm not sure.
01:28I have a background in the Vijayas.
01:32I have a great pleasure and joy.
01:34I have a person who has all the milestones and dates.
01:38But not only the numbers are due to the date, the date of the date is due to the date, the date of the date, the date is due to the date.
01:52The date will reign over.
01:54The date is the date that the date received from the date with the date.
02:00That's Jayaram. Shree Jayaram is here in Malayalam.
02:03He has been promoted to Shrekla Ayuram and he has been promoted to Shrekla Ayuram.
02:07Hello.
02:08Hello.
02:09There is a video on Evergreenite.
02:11There is a date and a date.
02:13There is a date and a date.
02:15There is a date and a date.
02:18There is a date and a date.
02:22There is a complete happiness.
02:24That is the moment.
02:26No.
02:27There is a place where we are living and living.
02:31I am born on that date and am born on that date.
02:34As always, we are totalled.
02:36We are born on that date and in a way.
02:37We are all born on that date.
02:41We are born on that date and lived in that date.
02:42I have before children.
02:44This is not so much I was born on that date too.
02:49That is an date and I was born on that date.
02:51Does that mean you refuse to be considered?
02:53No.
02:54It is not our career.
02:56When I came to the North, I was sitting at the Std booth in the North.
03:10I was first and I was sitting in the studio for 3 months.
03:15I was sitting in the 64515, and I was sitting there in 36 years.
03:21264515, which is called 264515.
03:26So, if you can see the other video, you can't tell me about the name of the book.
03:30So, there are a lot of different messages, numbers, and numbers.
03:36And when you are in the meeting, I can encourage you to see the promotion of the book.
03:44I don't know how to do it, but I have to tell you how to do it.
03:48I am very happy to give up by this film.
03:53I was really happy to give up by the camera.
04:01I am happy to give up by this film.
04:11And so I started to play the game, and I first started to play it in the film where I was going.
04:18So I was about to play the game and the whole thing that I'm going to do is try to play.
04:25But I'm going to play the game and try it out.
04:28So I was going to play the game and play the game and play the game.
04:33So I was going to play it.
04:34So I was going to play a short notice at the beginning of my character.
04:40So, if you're a big fan, you're a big fan of Sharaf.
04:46If you're a big fan of Sharaf, you're a big fan of Sharaf.
04:50First of all, thank you, Sharaf.
04:52If you're a fan of Sharaf, you're a big fan of Sharaf.
04:59Sharaf's performance has three characters.
05:04One is the villain. Two is the villain. One is the villain.
05:11Who's the villain?
05:15I mean, the villain?
05:17I am the villain.
05:19You've got a villain together.
05:23Oh, so it's a villain.
05:26I try to watch it.
05:30Did you tell Jai Rameetran about the film?
05:38I was a tena-list. I had a lot of humor. I had a lot of humor.
05:50I had a lot of humor in Jai Rameetran shooting in Alva Palace.
05:58After that, I had to talk about textiles in the same time.
06:03I felt like I took the eye from the eye.
06:07I was a drunk driver and he took the car.
06:11So, I went to that school and I was going.
06:14So, I turned to Jai Rameetran shooting, and I was like,
06:16when he went to that old school and he was like,
06:19he was like, what did you want to do?
06:21I started to go there and I'm going there.
06:24So, I thought of that, Jai Rameetran,
06:27It's not a comedy timing, a評価 has even done anything
06:30I think as Vangar mentioned, he was the one who had him in his life
06:34The other one I thought was the one who had his life
06:36Vangar is the one who had a life
06:38He was the one who didn't see the story
06:39But he was the one who had the ability to share
06:41For anyone who had him to buy things
06:42I thought he had a character who had a character
06:45Kandhara
06:46Kandhara
06:47The other one, I thought that
06:49I was the one who had time to play
06:50I was the one who had him to play
06:52I think he was the one who had every emotion
06:54I thought he was the one who had his voice
06:55If I'm a kid and a kid and I'm a kid, I'm not good.
06:58My son, I'm a kid.
07:00My son, I'm a kid.
07:03He's like a kid.
07:05I'm older than that.
07:06I am older than that.
07:08He's a kid.
07:10I'm a kid.
07:11He's a kid.
07:12I need to go to Kamal Sanda.
07:15You're a kid.
07:17I'm a kid, you'll be on a kid.
07:18I don't want to play anymore anymore.
07:20But he's an old guy.
07:23Now I've got a very short.
07:25We'll jump to 350-400 feet.
07:27This is where we jump.
07:29I'm trying to see the darky pace
07:34I'll get a person who sees the light under my feet.
07:38I've got a person from that and every time.
07:41I'll fill my coat at my feet.
07:43The rest of the time is the rest of me.
07:50He was like, I'm going to do this first stage.
07:54I'm going to look at him and he's like, I'm going to do it.
07:57It was a TV series.
07:58I was going to look at the timing of the film and look at the timing of the film.
08:05It's not the timing of the film.
08:09That's a humor type of humor.
08:11I was going to do a film at a film in a humor site.
08:15He did not do a film at a state award.
08:19I mean, that's the reason I have been doing this.
08:24I don't know, but I don't know if it's a big guy.
08:28I think that's the type of humor.
08:32I think that's the humor of that.
08:35I think it's a bit of humor.
08:38I've been a bit of a movie.
08:40I've been watching a few movies in the post.
08:44I've been watching S.T. Sandoshula.
08:47I've been watching the movies now,
08:48It was a good team and I was not a great team, but I couldn't handle this.
08:55It was a big deal that I was not.
08:58What kind of film was that we were talking about in the world?
09:00We were talking about the first film, the third film, and the first film was talking about the film.
09:05That's right.
09:07I didn't like the film at the theatre and I think I was very proud of it.
09:13We would like to talk about the same thing.
09:16I would like to talk about the same thing.
09:19This is a good thing.
09:20I don't think it's a bad thing.
09:23This is a very small thread.
09:26I think it's a small thing.
09:31It's a small thing.
09:33There are many issues.
09:35There are some good things.
09:38Some good things, some good things.
09:41And I was just going to pick up another one and I, and I was like, I have to select one of the things I wanted to choose.
09:48And I thought, like, I was going to say, I think it is a great time to pick up my favourite film.
09:53And I didn't give up. I thought, like, I did not give up my favourite film.
09:57But I could not give up to a few months.
10:02I was going to say, I was going to say, this is my 80s, 90s, 2000s, 100s.
10:06I thought, whatever.
10:08That's what I want to do. That's what I want to do.
10:13Now, there are a few people who come to Jairam.
10:19No, I don't know.
10:22I don't know if Jairam is going to take a long time.
10:25In Kandahar, there are a lot of people who come to a major performance.
10:32I don't know how many people come to this year.
10:37The character of Mirai is like a hero in Mirai.
10:42The character of Mirai is like a character that is a great character.
10:48So, the character of Vimarshan is like this.
10:53Vimarshan is not the same as the film.
10:57It is the same as the film.
11:00It is the same as the character of Vimarshan.
11:04If you have a different character, you can't do anything at all.
11:07When shooting, you've got 2-3 years.
11:11In that 3-3 years, you've got 5-6 years.
11:156-6 years and you've got 2-3 years to get to it.
11:19We're going to each other.
11:21That's how much we are doing.
11:22Why do you do it?
11:24This is the final outcome.
11:26I was glad to have a variety of different things, but I feel very happy to have a variety of different things.
11:36I am so happy to have a variety of different things.
11:39We also had a lot of different things in Tamil.
11:43I was writing a film film called Nahaika, Nahaika and Nahaika.
11:51I was writing a book called Nahaika Pandiraj.
11:56I was writing a book called Nahaika Pandiraj.
12:01I was writing a book called The Bail.
12:05It was a very different film.
12:07I wrote a book called The Bail.
12:10It was a ghosting session.
12:14It was called GD Naidu.
12:19GD Naidu is doing biopic.
12:21In that case, it was an equalizer.
12:25It was the same thing in Tamil.
12:26It was the same thing.
12:31It was a film in the shoot.
12:34D-25.
12:35Yes, it was a film.
12:37So, when we join, we will be able to join our team.
12:43We will be able to join our team and join our team.
12:47We will be able to join our team and we will be able to join our team.
12:54What do you think about Godfather in this trailer?
12:58Do you think there is a great Godfather?
13:02I think that's a big thing.
13:06That's how I get a good father.
13:09I think I got a good father.
13:11I'm sorry. I'm sorry.
13:12I'm sorry.
13:14He's a good father.
13:16He's a good father.
13:18He's a good father.
13:22He's a good father.
13:26How do you think he's an actor?
13:28He's a good actor.
13:30He's a good actor.
13:32He's a good actor.
13:34I'm sorry.
13:36He's a bad actor.
13:38did you have the oldzinas Song?
13:40He's a good actor.
13:42He's a good actor.
13:44He's a good actor.
13:46The only actor who gets a song.
13:48How are you doing?
13:50Where is he working?
13:54Well, I mean I think I'm not a combination scene in my face.
13:58I was doing a lot of the combination scenes.
14:05I was doing a lot of the improvisation.
14:10I was doing a lot of the space in the same situation.
14:16I was doing a lot of the scenes.
14:19I don't have to do anything like that.
14:26He doesn't have to play a song, but he doesn't have to play it.
14:30He does have to play a musical role in that kind of musical act.
14:36You have to do any type of musical act, I don't think it's going to play a musical role in that.
14:45I was doing a lot of comedy films, but I was doing a lot of comedy films.
14:57I was doing a little bit of a character.
15:02He had a few videos, but he said,
15:09I think a little bit of the stuff he said.
15:14He said, what do you think?
15:16Saroj Kumar, are you going to get your benchmark?
15:17This is a matter of fact.
15:20I do a lot of work in Parijol.
15:26I did not do the research.
15:29And I think that it's all about the time to get to the level of the cinema.
15:35And I think that the whole audience is not going to be in the cinema.
15:40We are not going to be able to do that.
15:42That is the thing that we are not going to be able to do that.
15:46It's not a thing that we are going to be able to do that.
15:52But we are going to be able to go into the cinema.
15:55Now we're going to go to Tharajada.
15:59I was told to ask for two people in this interview.
16:05I thought we were going to go to three people.
16:08But I thought that I was going to go to the first time.
16:13I thought that I was going to go to the first time.
16:15We were going to go to the first time.
16:17I have worked with us in the Nestle, but I think we have approached the first time.
16:27Do you think I can go to the beginning?
16:30I don't think I can go to the beginning.
16:31I can't do anything.
16:33I can't do anything.
16:35You're a good one.
16:37We're not going to play it in a very small role.
16:39We're not going to play it in a small role.
16:42We're not going to play it in a small role.
16:45We have been in the caravan.
16:49Honestly, it's been a while my time, but the moment I left, I was to visit myself.
16:53And the place is when we got been on the train.
16:58We went to a hotel for a long time.
17:01And that was the time that we got the conference.
17:11I was able to take a certain point of time, I just asked about this.
17:18I would like to take a certain point from 4 to 5 years to the next level.
17:20I was able to take a certain type of camera,
17:24I was able to take a certain type of technology,
17:27many fighters,
17:30Australia, England,
17:32Thailand,
17:34I was able to take a certain type of acrobat.
17:37I was able to take a certain type of acrobat.
17:40I'm going to teach the whole generation.
17:47I'm going to teach Jai Ramet.
17:51All time favourite non-verbal reaction of Jai Ramet.
17:54Jai Ramet is not a dialogue, but I think there is a history of iconic stage.
18:00What's that?
18:04Happy as Ben's Eyeball expression.
18:07I'm going to teach Jai Ramet.
18:12Major Shree Kumar self-pride expression.
18:16I'm going to teach Jai Ramet.
18:21I'm going to teach Jai Ramet.
18:26I'm going to teach Jai Ramet.
18:31I'm going to teach Jai Ramet.
18:35I'm going to teach Jai Ramet.
18:38I'm going to teach Jai Ramet.
18:40I'm going to teach Jai Ramet.
18:42But this is not a happy as Ben's eyeball.
18:44I'm going to teach Jai Ramet.
18:45I'm going to teach Jai Ramet.
18:48I'm just going to teach Jai Ramet.
18:50I'm just going to teach Jai Ramet.
18:52I'm not sure if Jai Ramet will teach Jai Ramet.
18:53Then it comes to Jai Ramet.
18:54I'll teach Jai Ramet.
18:55For Jai Ramet.
18:56Go ahead and try and choose Jai Ramet.
18:57I'm the teacher and ask Jai Ramet.
18:58I'll teach Jai Ramet.
18:59It's a diret or training.
19:00I'm going to teach Jai Ramet.
19:01That's very cool.
19:03I was thinking of the other side.
19:05I was thinking about this.
19:07I was thinking about it.
19:09That's not what I was thinking about.
19:11That's not what I was thinking about.
19:13I got a little bit of a problem.
19:15I was thinking about things that like Malayalam,
19:19I was thinking about like this.
19:21I was thinking about something in the world,
19:25something that was happening to me in my mind.
19:27I was like, oh, I'm going to go to a hotel.
19:34So I was like, oh, I'm going to go to the hotel.
19:41I'm going to go to the hotel.
19:44So that's what I was going to say.
19:49I said that Lalswar was trying to make a hard time,
19:54the hard time people came to her.
19:56But we are not in our matches,
19:57and we are not in our matches.
20:00There's nothing in our matches,
20:01so that's why we are all in our matches.
20:03Lalswar is correct.
20:05They're going to be very much like that.
20:07It's like the talent title,
20:09where they play in the match?
20:12We are all in the match.
20:14What's the matter?
20:16What is the most emotional dialogue of Jai Ramita?
20:30What is the most emotional dialogue of Jai Ramita?
20:44I think it's connected to Vangra's film.
20:49The film is called Vindu Jalavita.
20:54It's a very super favourite film.
20:56It's always related.
20:58I don't like it.
21:00I don't like it.
21:02I don't like it.
21:04I don't like it.
21:06I don't like it.
21:10I don't like it.
21:16You're a little more emotional.
21:18It's the show of the people.
21:22It's my favorite film.
21:26He was the only person who had his own career.
21:34I was like, I'm a fan of the theater.
21:39How do you speak the same way?
21:41I don't know.
21:43I'm a speaker.
21:45I'm a speaker.
21:46I'm a speaker.
21:48I'm a speaker.
21:50I'm a speaker.
21:54I would like to ask you a couple of questions.
21:56I would like to ask you a couple of questions about the first days.
22:01You can ask me a couple of questions about the trailer.
22:05I would like to ask you a couple of questions.
22:09I don't want to spoil that.
22:12I don't know what the movie is.
22:16I'm just curious about the film.
22:18There is also an adaptation of the film.
22:20That is how we all take the movies on and on a Mmm.
22:26I think it's something that's important to me when we play it for a playthrough of the film.
22:34I feel a more cunningplane.
22:35I think that's what I was going to do.
22:37It's how I've started doing that.
22:39I can't believe it anyway.
22:41It's how I think I felt it was interesting.
22:44It's not the only kind of a good thing to do.
22:47He was doing the same thing.
22:49So I think we're doing the same thing,
22:52and we're doing it.
22:54So we're doing the same thing.
22:56If I am going to stop and I'll be doing the same thing,
23:00that's the Jayra Met.
23:02Okay, that's good.
23:04Now, when you think about Easter eggs,
23:07you can't enjoy it.
23:09You can't even get a smile on the other side.
23:11Now, when you think about Jayra Met,
23:13How do you feel about the French artists?
23:17No, it's not a problem. It's all about writing.
23:21I've been here for 35 years and I've been here for 30 years.
23:25I've been here for a long time.
23:27I've been here for a long time.
23:31I've been here for a long time.
23:33I've been here for a long time.
23:37That's it. I've been here for a long time.
23:39I've been here for a long time.
23:43I'm not sure about that.
23:45This is what you have to pay for in the AC room.
23:49You could go to the store in an area of the store.
23:52It's for 30 days.
23:54I'm not sure about it.
23:55It's just a white paper.
24:00Nice.
24:01It's just financiers.
24:04I'll go to the store for a long time.
24:08but they came in a scene from the generator.
24:11There was a scene in the 15th century.
24:14I was told about this in the past 10 years ago.
24:18I was told to go to the cinema.
24:20I was told that I was going to the Gap.
24:23I was told that I was there.
24:25I was told that I was there in Malayatari.
24:28I was told that I was going to go to the museum and I was going to the museum.
24:31I was told that they were going to have a paper.
24:34In the medical field of medicine, it was a medical field.
24:37There was a medical field of medicine in the middle of the cell.
24:43There was a lot of cut-downs on the body.
24:48I was trying to write a script about the reading book of 15 minutes.
24:51I was trying to write a book about that room.
24:53I was trying to write a book about the Aishiri apartment.
24:56I was trying to write a book of breakfast before.
24:59I would have asked a book about the book.
25:02There are 4 pages in a page.
25:06There are only 15,000 pages in 3,000 pages.
25:10This is the same page.
25:14I have to tell you.
25:16I have to tell you.
25:20I have to tell you.
25:22I have to tell you.
25:24I have to tell you.
25:26I mean, it's not that much.
25:28You know, how much did you miss Srinivasan from the family?
25:33How much of the cinema is going to be done?
25:35I've got a picture here.
25:37I've seen a picture here,
25:39and I've seen a picture like that.
25:41I've seen one of them.
25:43The other thing to me is,
25:45I've seen one of them.
25:47That is what I'm saying.
25:50That is why I'm saying and expressing myself.
25:54He has a real story.
25:57What's the story?
25:59I know this story,
26:01He is going to do the same thing.
26:04He is going to do the same thing.
26:06He is going to do the same thing.
26:09That's already there.
26:12Don't know how to do it.
26:14He is going to do the same thing.
26:18Do you know what it is?
26:21It's a task.
26:23It's a task.
26:24I think that people are like,
26:30I don't think they're going to be a young person.
26:33They're going to be a young person.
26:35That's what I'm thinking.
26:37I think that Jairamanda is a career.
26:40I think that they're going to be a co-actors.
26:42I think that they're going to be a genius.
26:47I think we're going to go to the cinema.
26:50But now the cinema is called cult.
26:52A couple of the films did it.
26:53Yes, they are.
26:54A couple of films.
26:55That's why we don't understand it.
26:56Yes, that's why it's not like that.
26:57I mean, if I've been a little,
26:58I've been a little bit and I've been a little bit.
27:01That's not a great deal.
27:02That's why it's been a little bit of a Korean movie.
27:04Yep, it's a great deal.
27:05I mean, we've also seen some films about that.
27:08I mean, like Saurudha, Langan's films.
27:10There are many films about Srinivasan and Sathim Sand,
27:14there are a few films about that.
27:18I was also at the time came to try the video.
27:21I was the first one filming the Vishwanath.
27:24And that was always very cool.
27:26Are you sure you were looking at that?
27:27No, I did. I don't know enough.
27:30The day I went on and I was able to study somewhere in the middle of my day.
27:36I did do one thing to look at that.
27:38You can't imagine people are not young in our films.
27:40It was 35M.
27:42Are they really good?
27:45No, I didn't.
27:47When I saw you in the cinema, I saw that you captured a CD from Surya TV.
27:54I saw that there was a lot of quality.
27:56Now, I don't know where to go.
27:58That's not all quality.
28:00You can see that in the YouTube channel, you can see that there is a lot of quality.
28:03That's the demand for the cinema.
28:05You can see that there is a lot of quality.
28:07You can see that there is a lot of quality.
28:11You can see that there is a lot of quality.
28:19You can see that there is a lot of quality.
28:23I don't know where to go.
28:28I don't know where to go.
28:32I think there is a lot of quality in the cinema.
28:38I don't know where to go.
28:41I don't know where to go.
28:45You can see the climax of the film too.
28:47You can see the flowers and the orphanage here.
28:49You can see the characters on the stage.
28:52This is the perfect climax.
28:56I don't know where to go.
28:57I don't know where to go.
28:59But I don't know where to go.
29:02I'm starting to say the tension.
29:05He has been very calm. I have never thought of that.
29:10So, to speak, if the Suresh has been to the living room in the theatre,
29:17anyone who is in the theatre and has been in the living room.
29:21But the people who are in the living room are in a living room.
29:25I'm not going to talk about that.
29:28Because I am not going to talk about that.
29:31Start with it and start with the music.
29:33But that's not the same.
29:35We all have a good show.
29:37I've never seen the movie and I've seen a lot of movies with all the films.
29:44And then, in a moment, I was on the same way.
29:50And then, I was on the same page.
29:51I was on the same page, I would like to check out Malayana's cinema.
29:56I was on the same page.
29:59Yes.
30:00That's why I was shooting the cinema.
30:01No one was there.
30:03I didn't get it.
30:04It's like Chandrabindan.
30:06Yes.
30:07Yes.
30:08But if you shoot a cinema, that's why there was a writing in the cinema.
30:12But there was a film that was playing a movie like this.
30:17I played this video.
30:21But there was a film that was the movie that was the film.
30:23It was the movie that was the film that was the film.
30:27Zip. He gave me your CD.
30:29Zip.
30:30Zip.
30:31Zip.
30:33Zip.
30:35Zip.
30:37Zip.
30:39Zip.
30:41Zip.
30:43Zip.
30:45I was interested in this interview and I was still worried about myself.
30:49They were like, now I'm coming into the mind.
30:52But I was wondering what this is happening in my mind.
30:55What are you thinking about in the world?
30:58What's the idea of the world?
31:00What's the right, what's the creation of the world?
31:03What do you believe in your mind?
31:06What are you thinking of it?
31:08That's right.
31:09I have a liberty and liberty for you.
31:14I think that is the case for Surya Saranath.
31:16Now we're still here with our own posters.
31:19It's been a case for Kandrara.
31:20There is a case for Kandrara.
31:22We're still here with their very much.
31:24That's not a case for you.
31:26So, we're still here with Mammuuka.
31:28Like that, we're still here and we're still here with Mammuuka.
31:33I thought, I'll just say,
31:35I thought, I'll just say, what the hell is going on?
31:38This is a liberty.
31:39That's right.
31:40It's a good thing.
31:42There's no reason for that.
31:44I was told to do something in the audience,
31:48and I was told to do something in the audience.
31:51I was told to do something in the audience.
31:53I asked, what is it?
31:55He said, he is in the audience.
31:57Shibai is a family, you are.
31:59So we have to take the permission.
32:00I asked, what is it?
32:02I asked, what is it?
32:04He asked, what is it?
32:06I said, let's not let go of it.
32:08I said, no, sir, it's great.
32:10I'm sorry, sir.
32:12I'm asking you.
32:13I'm asking you.
32:14I'm asking you.
32:16I'm asking you.
32:17I'm asking you to give us a grant.
32:22That's the limitation.
32:23It's only seconds.
32:25We're going to come to Suresh.
32:27I'm going to come to Jairam cinema.
32:31I've been talking to Suresh.
32:32I'm going to come to a room.
32:34I'm going to share that room.
32:35I'm going to share that car.
32:37I think so, it's the same thing.
32:39Once in a while, I can't do anything.
32:42I can't do anything.
32:43I can't do anything like that.
32:46I can't do anything like that.
32:48I can't go anywhere else.
32:50I can't go anywhere else.
32:52I'll even go anywhere.
32:53I'll just go anywhere else.
32:54Are you a hero?
32:56No, not.
32:57When we went to the ambassador, we'll go anywhere else.
32:59We'll go to the room.
33:016 or 3 rooms.
33:03That's the same.
33:04I will share my room with my room.
33:06There are other films, business, Galaalpada, Varnam, Vajana, and other films.
33:14Now, if you look at the film, Jairam, you can see the film.
33:21You can see the film, you can see the film.
33:23You can see the film in Tamil Nadu.
33:28What is the take-away?
33:32It's been a long time for us to take away from us, but it's been a long time for us to take away from us.
33:39It's been a long time for us to take away from us.
33:44What do you think about us today?
33:47As a matter of time, we have a small family.
33:52We have a small family.
34:06I've been working on the first time for us to take away from us.
34:11I've been working on the male-noter film.
34:14I've been working on the Sun and the music.
34:17I've been working on Shafi Kedichi.
34:20I've been working on this whole series of classes.
34:25And I've been working on the old team.
34:28I've been organizing Kishramurthi overall.
34:30Everything is working on the team.
34:32How much is the best team.
34:33Because I have worked on the проблемы.
34:35For years of the age of 30, I've been working on this.
34:40I've been working on a hard time.
34:42I've been working on this year.
34:44My wife and the teacher and mother have been working on this year.
34:46And I've been working on this year for a few years.
34:47So, I'm working on this century.
34:49Now, we're coming.
34:53We're coming.
34:56We're going to see each other.
35:00The next thing we got,
35:03we're going to see each other.
35:04To see each other,
35:07we're going to see each other's foot.
35:10So, we're going to see each other's foot.
35:15Amazing.
35:16Sharmayal, you have to do this. You have to do this. You have to do this full craft.
35:22This is a good idea. Actually, I have a room chair and a car.
35:33We have to separate the car and we have to go to the car and we have to go to the car and we have to go to the car and we have to go.
35:41But that's why I came here.
35:43It's funny.
35:44Yes, it's funny.
35:45Now, there's a place where I came here.
35:48My wife and I came here.
35:52I came here.
35:53I came here.
35:54Okay, fine, fine.
35:55Then, there's a photo.
35:56There's a photo.
35:58There's a photo.
36:00No, no, no.
36:01There's a room in the stars.
36:03That's right.
36:04That's right.
36:05That's why I came here.
36:07That's why I came here.
36:09That's right.
36:10I have never said about the photo.
36:12Many of them did not seek the photo.
36:14However, I could ask the photo to show.
36:16One result in the film is that it's necessary,
36:16in the past, as it is necessary.
36:19And she goes beyond the past.
36:21She lives in the past.
36:22She's going to show a photo.
36:24In the past, there's a few children starting to it.
36:27She says,
36:30Why don't you start with this forest?
36:32About the forest?
36:33I don't know.
36:34Why don't you start with this forest?
36:35I don't know.
36:36But you start with the forest.
36:37You start with a part and a part.
36:39it's not my memory.
36:41I asked if the horse came an hour ago and went to the hop.
36:46I didn't know what the horse came in, I was like,
36:48I don't know how to do this.
36:51I didn't think I was like this one,
36:53never asked me how to do this one.
36:57I mean, a lot of people are over there.
36:58I think we can't reach a woman in this country.
37:02Maybe we can learn more from where I am or outside our phones.
37:06What an amazing story though, Liwa.
37:07Thank you very much.
37:09Jai Ramadhan's branding, it's very helpful to the cinema and to communicate.
37:15It's a great combination.
37:18It's a great work.
37:20It's a great deal.
37:22It's a great deal.
37:24Thank you, bro.
37:26Thank you, bro.
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