Mumbai: In an exclusive interview, former actress Kalpana Iyer, the original “Ramba Ho” girl, spoke about the surreal feeling of going viral and expressed her gratitude to filmmaker Aditya Dhar and the film 'Dhurandhar' for bringing her back into the spotlight. She then opened up about the original song and shared her experiences of working with legendary actors such as Amitabh Bachchan in 'Satte Pe Satta', Vinod Khanna in 'Kudrat', and Salman Khan in 'Hum Saath Saath Hain'. Kalpana also reflected on Bollywood in the 1980s, her decision to leave the film industry, and her move to Dubai. In the end, she revealed her desire to return to films once again.
#KalpanaIyer #RambaHogirl #Dhurandhar #AdityaDhar #experience #AmitabhBachchan #VinodKhanna #Dubai #Bollywood #80'sBollywood #viralgirl #Trending #BollywoodNews #BollywoodGossips #BollywoodUpdates #BollywoodNews #Bollywood #Bollywoodcelebrity #IANS
#KalpanaIyer #RambaHogirl #Dhurandhar #AdityaDhar #experience #AmitabhBachchan #VinodKhanna #Dubai #Bollywood #80'sBollywood #viralgirl #Trending #BollywoodNews #BollywoodGossips #BollywoodUpdates #BollywoodNews #Bollywood #Bollywoodcelebrity #IANS
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FunTranscript
00:00Welcome to Ines ma'am. First thing first, how does it feel to be like going viral in 21st century
00:07and suddenly so unexpectedly on social media? I'm absolutely completely overwhelmed. I feel
00:18grateful, I feel thankful, I feel emotional and it's just that when I posted the video on my
00:27Insta, it was just to remember the wedding I was attending. I went to attend a wedding of a child
00:33who's, they're my family friends and I just put to this clip and when I did it and I went off to
00:42sleep, I didn't realize it but when I woke up the next day in the morning, I'm like, what has
00:50happened? And everybody started calling me, sending messages. My sister and her son were
00:57like, what happened? It was like a gift from God. I mean, you have no idea how grateful I am
01:05because they told me that I didn't have anything planned. I only went to attend a wedding
01:12so they requested the girl's dad and my sister's sister, Renu, her name is. And I said, yeah,
01:20okay, I'll dance. But the best, the most important encouragement and support I needed, I had it
01:26with me, my younger sister and her son. They were with me. I was traveling with them and they said,
01:31do your best. Now that you're going to be going up on that stage, do your best, no compromises.
01:36I said, okay. And that's it. And then I'm grateful to God. What can I say? And I'm, I'm grateful
01:47also with this fact that I said, and I just shared that small clip. And then the people who
01:56have done this officially, the company that's officially turned on and done the video and
02:01all that, they started sharing, people in the wedding started sharing. And it's, it's wonderful,
02:09wonderful, wonderful. And I'm so grateful to everybody.
02:12Thank you. Thank you. It, it is a very gratifying feeling because I'm 69 and a half in six months.
02:34In six months, I will be 70. What more can a 70 year old want? Tell me, staying so far away,
02:41away from everything, always thinking, Oh, I wish I could do this. Oh, I wish I could do that.
02:46And then to see this happen. So in a roundabout way, I have to say thank you to Mr. Aditya Dhar,
02:52because today's generation. So though I don't know him, I've heard about him. I've heard about his work.
03:00I'm very, very fond of his wife and her work. I have to say thank you to him because he revived it now.
03:09So thank you. Thank you so much for seeing Durandar and for adding Namgaho in it.
03:15Because everybody who sees it used to already, always send me, you know, a clip or something.
03:20And I was wondering, look, why am I watching this? And then I started seeing it.
03:23Because where I live, I haven't watched the film. But that's fine.
03:30But this, it's because of his film that the younger generation knew the song.
03:38If you see the reaction to the video, you will see the reaction. Those are children.
03:43And if that is what it is, then I'm grateful to God. What else can I say?
03:48Yeah. You know, in the movie, in the movie Durandar, I mean, since you mentioned that you've not seen it,
03:52this song that was originally picturized on you, right? It was such a very peppy and all dance number.
03:57Yes.
03:58But nobody must have imagined that this song was in the movie Durandar.
04:02They have used it for action sequences as a background music.
04:06How nice.
04:08Used all Ranveer Kapoon swaying his hair and all of that and, you know, suiting people.
04:13So that swaying his hair was, I did it in the song that many years ago, swaying my hair.
04:21So it's like basically subtle, not just the song inspiration, but also swaying hair was subtly, you know, inspired by you for the movie.
04:29But, you know, I mean, apart from this, I mean, when I, when I personally saw the dance, when you were dancing,
04:35you know, as being a part of today's generation, I felt like that now our mood is so bad in terms of energy.
04:42But the energy that you touch, that you had on stage and the grace and the beats, it made us, you know, you get a smile on face.
04:51It was like that. So when you dance, you know, even in, be it on shoot or off camera,
04:58your personal event, what is that feeling that you get?
05:01What is that thought that goes in your mind while you're there on stage, especially on this song?
05:07Yeah.
05:08See, this happened on the 27th, right?
05:10Abhi. Abhi.
05:11Abhi.
05:12I mean, 26 January from Calcutta to Saliguri, 27th was the wedding.
05:16This happened on 27th evening.
05:18Okay.
05:19I can say this to you with absolute confidence that when I did that song on stage, first and foremost, I was completely in another zone.
05:30Because these kids had arranged it very beautifully.
05:33The stage was with all kinds of, you know, bubble, lights, and you know, and it was like,
05:42I don't have a party in children's party.
05:44And at the party in children's party, Kalpana and Arbega and Diwani, they were dancing.
05:48They were dancing.
05:49I was saying that I was going to have fun at that stage.
05:55And if God is going to place me at this age, if God is going to place me like this, I have to turn around and accept and simply say,
06:06Thank you today.
06:07Today's world, today's children, thank you for your love and support.
06:12If they didn't have such a hangama in my entry, they didn't have such reactions.
06:18And if people didn't have such a love for me, the wives wouldn't have reached me.
06:23I always believe that you give what you get.
06:27I believe that if you give love, you will get love.
06:30I believe that if your energy is positive, you'll get positive energy.
06:34So that particular day, that particular time, it's not a long one.
06:40It's a short one.
06:41Because everybody told me that you should do something else.
06:44I said, I have done this for me.
06:46And then I realized that they were asking for it very genuinely.
06:52And honestly, this is credit to all the young kids who were there.
06:57Even the child who got married.
06:59He is also a little boy.
07:01This boy also is a young boy.
07:03My friends are my first eldest son.
07:07And he's a young kid.
07:09He has been teaching me.
07:11So for me, it's like, oh.
07:13Anyway, I completely, at that time, I was.
07:16I was thoroughly enjoying myself.
07:18Between the time that went, I posted it, to this time.
07:25I mean, tomorrow.
07:27Tomorrow, tomorrow.
07:28Tomorrow, tomorrow.
07:29Tomorrow, tomorrow.
07:30Tomorrow, tomorrow.
07:31I didn't realize that this is such a big deal.
07:34But how beautifully my God has blessed me.
07:37What can I say?
07:38What can I say?
07:39What can I say?
07:40Gratitude.
07:41Gratitude.
07:43You know, ma'am.
07:44In the 70s, 80s era of Bollywood, we had a lot many dancers.
07:48Right?
07:49We had so many other people.
07:51We also had.
07:52It is much, much, much senior to me.
07:54Yeah, much senior.
07:55Correct, correct.
07:56She's very senior.
07:57That era was, you know, apart from the solid movies, the dance numbers were extremely popular,
08:02which they are even today, which is why makers are going back in that era and remixing them.
08:06Right?
08:07Yes.
08:08So I wanted to know that how was it, you know, being at the top of your career, especially
08:11as a dancer, and you've done so many movies as well.
08:13So how was that feeling back then?
08:16And also when you look at it now, the dance numbers that we have now, what stark difference
08:20do you find in them?
08:22You know, without taking away anything from anybody, and I'm not a very diplomatic person,
08:28we should not compare both times.
08:31I'll tell you why.
08:33In our time, we also had a lot of sets.
08:37We also had costume designers.
08:38We also had makeup artists.
08:40We also had everything we had.
08:43But we also had to do this.
08:44We also had to do this.
08:45It felt different.
08:46If we were to see today, these beautiful girls who are so talented they are doing,
08:53we can't compare with each other.
08:55I can't do it.
08:56I can't do it.
08:57I can't do it.
08:58I can't do it.
08:59I can't do it.
09:00I can't do it.
09:01I dance.
09:02I used to dance happily.
09:04I used to dance with the only gift my God gave me, and that was long legs.
09:09And as a matter of fact, I used to think that my legs never ended.
09:12But this is not.
09:14It's the positioning of the camera.
09:16I'll never forget it.
09:18Just because times have changed, I can't run away from what is my reality.
09:24I was not a very heavy-made girl.
09:25I was a thin girl.
09:26But what was my plus?
09:27My plus was that I had long legs.
09:29I had long hair.
09:31And I was very slim, which was a blessing.
09:34And I was different from my time.
09:36Whether it was, I started off with Jab Chai Mera Chaadu.
09:39Then Hari Om Hari.
09:41Then Bhame Kama Raja.
09:42Then I did Kudrat with Vinod Kanna Sahab.
09:45So all these things have been excellent in my life.
09:51And the things have been different.
09:53And just one second, I'm sorry.
09:57I need some water.
09:58So the point is, I think that aaj kalna ladikiyong ko very mehamat karna padta.
10:11Hum bhi karthi thai.
10:12Mai mana nahi karthi ho.
10:14But mujhe aaj kal jab.
10:16I can see the background dancers.
10:18I can see the sets.
10:19I can see the costumes.
10:21But also, one thing is sure.
10:23Jitne mahalat hai, utna hi producer invest bhi toh karthai hai.
10:28I can see the detailing.
10:30I can understand that.
10:31I can see how beautiful they look.
10:32How gorgeous their clothes are.
10:34For me, it is like times have changed.
10:38And some of them dance so exquisitely.
10:41So exquisitely.
10:43And I bless them all.
10:45Mujhe unko dekke khushi hi hoti hai.
10:47And there are some people who are so effortless and so beautiful.
10:51Like I thought that.
10:53Deepika did fantastically.
10:55The ghumat dance.
10:56I thought that Alia did fantastically.
10:58It's very easy for me to sit on the fence and say.
11:04Kye unko toh sab kuch milta hai.
11:06Aray bhai sab kuch milne ka ye toh maklab nahi nahi kisi oran dance ki hai.
11:10Dance toh us bache nahi ki hai na.
11:12So I have to learn to respect that.
11:14And I have oodles and oodles and oodles of love for all these beautiful girls.
11:19I wish them well.
11:20I want them to do well.
11:21I want them to continue dancing.
11:23Because dance has brought me joy.
11:25Dance gave me a thing.
11:26Look at it.
11:27Dance at 70.
11:28Right, right, right.
11:32You know ma'am when you like you just mentioned that you have you have worked with so many stalwarts of the industry back then.
11:39And also in 1999 you worked, in 98 I think you worked with Salman, Saif Ali Khan and all of them in Hamsat Saathe.
11:47So how was it working with the entire cast like Salman, Sonali, Karishma in Hamsat Saathe.
11:53Also when you are working with Raj Babur Sahib in Arman if I am not wrong.
11:58Right, Raj Babur Sahib.
12:00I did quite a few films with him.
12:03Yeah.
12:04You know something?
12:05Yeah.
12:06Salman's heart is very big.
12:09He is a very gracious human being.
12:11But my interaction with us was very low.
12:16My interaction almost all of it was with Rehman ji.
12:19God bless her soul.
12:20Wonderful.
12:21I have very fond memories of the movie for two reasons.
12:26My very first film was a break from the Raj production house.
12:30It was Manok Kamna and I was a heroine in that film opposite Raj Kiran.
12:36And that was, the song was Tumhara Pyaar Chahiye Mujhe Jeene Ke Liye.
12:40It's a beautiful song, beautiful song.
12:43And when I did Hamsat Saathe, at that point I did not know it was my last film for the time being.
12:49Because I don't know what is going to happen.
12:51I have no idea.
12:52But at that point, Hamsat Saathe was the last film I did before I came to Dubai.
12:57That's 26 years ago.
13:00So, for me, Rajshri has been a wonderful, wonderful experience.
13:05A beginning and an end.
13:07But I don't think I should ever say end.
13:09Because I have to leave my work.
13:11I have to change the place.
13:13And I don't know what is going to happen.
13:16The picture is still there.
13:18It's still there.
13:19But if you go by what has happened overnight.
13:22Yes.
13:23My God is immensely, immensely kind.
13:25And I always believe that he knows.
13:28He knows that I have meant well.
13:30He knows that I'm looking for work.
13:32And he knows that probably he thinks this is the right time.
13:36Because when growing up, nobody knows the truth.
13:39My truth is what is my truth.
13:41What is my truth?
13:42Only he knows.
13:43Right.
13:44Yeah.
13:45Let's see.
13:46Right.
13:47Ma'am, you know, you mentioned about working with Vinod Khanna, sir, in Kudrat.
13:51Right.
13:52How was it?
13:53Because as today's generation, we know Akshay Khanna.
13:55We know Vinod Khanna as Akshay Khanna's father.
13:57Yes.
13:58Especially the generation that's next to me, after me.
14:00Yes.
14:01Knows him like that.
14:02Remembers him like that.
14:03But he himself was such a stalwart.
14:06And what acting, be it any movie.
14:08So how was that experience?
14:09If you have to share any anecdote about him, what would that be?
14:12How do you remember him?
14:13In one word, an absolute gem.
14:18Wonderful human being.
14:21Classy.
14:22Elegant.
14:23One of the most beautiful walks in the industry.
14:27When he entered a room, you have to see, because the way he walked in.
14:31I've already said this.
14:34I said, because I've seen him up close.
14:36I know.
14:37And always polite.
14:39Always gentle.
14:40Always with a pleasant smile.
14:42I've never seen him be angry or upset with anybody.
14:47I mean, apart from Kudrat, I knew him on a personal level, not for a very long time.
14:53And I said, I don't know that we've met the day, but I've never seen him.
14:56But I've never seen him.
14:58I mean, with respect, there are many people who are very good, the values of life.
15:06Vino Saab is one of them.
15:07Vino Saab is one of them.
15:08For me, he will always be a very, very endearing and wonderful and lovely memory.
15:13And I'm happy to see that Akshay has inherited his father's smile.
15:19That's absolutely Mr. Kanna, Vino Kanna.
15:23God blessed him.
15:24He was so kind to me.
15:25Yeah.
15:26Yeah.
15:27Yeah.
15:28Yeah.
15:29It's so sweet to, you know, know about him.
15:30So in detail from somebody who's worked with his top and close.
15:33So, also, you know, ma'am, back when you were ruling the era as dancer.
15:38And so, tab na, Amitab Bachchan's era, where he was dominating.
15:42Vinoat Kanna was also there, but cut-throat competition bol sakte hai, tab ki zamane mein.
15:47So, any memory of working with Amitab as such, or how was it overall back then?
15:51I have learned a very important lesson from my mother.
15:56It was that the person who reaches every place in time,
16:01has no upbringing in his upbringing.
16:04Because when you learn to value people's time,
16:07that is the most important trait to have and to inherit and to pass on.
16:12And after my mother, she said this to me years ago when I was a little child,
16:18that it wouldn't be late, always be punctual.
16:21I did a movie called Satte Pe Satta.
16:24And Vinoat Kanna, sorry, Amit Ji used to stay in Jivu.
16:27And I used to stay in Andhiri.
16:30And we had to go all the way from where we were to Balatpia, Lionsgate,
16:35early in the morning at 6 o'clock.
16:39And I used to have a white ambassador.
16:42And Amit Ji also had a white ambassador.
16:44And clockwork.
16:46Mai apne ghar se nikalti thi, ar woh apne ghar se nikalti thi, joo se.
16:50He didn't know me or my existence then.
16:52But he used to reach on time.
16:54And right after him in about five minutes, I would be there.
16:59At that time, when nobody would reach, he would be there.
17:03And I have seen him do this in other places too.
17:06So for me, meri zindagi ka sab se bada joe ek important lesson,
17:10joo sab ko hona chai.
17:13Everybody should have this trait.
17:15Reach on time, value time.
17:17Other people reach on time, respect them.
17:19It's important.
17:20So for me, Amit Ji is always my time machine.
17:25Absolutely.
17:26Ma'am, you know, Alec, recently I saw a few interviews where Madhuri Dixit
17:31and other actresses of that, of the 90s era,
17:34were talking about how difficult it was to shoot back then
17:37because vanities were restricted.
17:39But there were limited amount of vanities.
17:41Shoot ke time, even Hema Malini ma'am had said during sholay,
17:43how did she shoot kea tha,
17:45ki patther ke picheh da ke change kar lo, yeh kar lo,
17:47asa pakad ke rakte te.
17:49An aaj kal ke zamane mein everybody has,
17:51one actor has at least three vanities.
17:53So how difficult or easy was it shooting for you back then,
17:56especially knowing the fact that you were so popular with your dance moves?
18:00You know, I don't know how to complain.
18:07I didn't know.
18:09And they say, no, when you get work, and that work means so much to you,
18:13the money that comes with that work is so important to you.
18:18And when you know that there are a lot of people who are willing to take work that has come to you,
18:23irrespective of how they do it, then you don't complain.
18:28You don't, shikahit wazi nahi uti hai.
18:31I have been through enough of sharing green rooms.
18:34I've been through enough of having nothing to wear on my feet.
18:37Of course, zameen pe dance ho raha hai, pathron pe dance ho raha hai.
18:40So I know what is the meaning of having your completely undersole,
18:45completely scraped and bloodied.
18:47I've done Raja Hindustani, barefoot, so I should know.
18:51And, but I can't complain about any vanity,
18:56because most of my dances always happen in a restaurant or in a hotel or a closed set.
19:01And mere paas days bhi kam hote hai.
19:04I used to literally like run from pillar to post at my time.
19:08So it was, I don't really have too much of a memory of any situation
19:13where it was not, I couldn't manage.
19:16But then I also suppose I was so keen on like working in so many different places
19:20and making money that I managed.
19:23I really don't have much.
19:25Shikahit karni ke lihi kuch bhi nahi tha.
19:28Kyunki maile paas bhi utta waart nahi tha.
19:30To jo mila sahi hai, pata pata kam kuro or bhaago.
19:33So not that.
19:35I was fine with my time.
19:36Haan, aaj agar milega, will I say no, of course not.
19:39Pagala.
19:44Absolutely.
19:45You know ma'am, jase aapne bola that, jase humne bola ki picture abhi baakhi hai.
19:49Right.
19:50So abhi agar, if at all, if any producer or filmmaker approaches you,
19:53what is a particular character, what kind of character niche do you want to explore yourself in?
19:58What would that role be if you wanted to?
20:00I'm open for everything.
20:03The only request I will always have now is understand and respect my age.
20:09That's all.
20:10Don't ask me to do something that I won't be comfortable doing.
20:15Abhi agar mein humane ke kapade pahnongi.
20:18To mein khud ko bhi bhot buri lagungi.
20:20Mirror will cry and people will see ye kya or gya.
20:23So, let's understand that.
20:24And once that is understood, I think we are fine.
20:27I'm okay.
20:28I'm quite open to anything and everything darling.
20:32For me, it will be a blessing.
20:34It will be an absolute wonderful gift.
20:37Second innings and why not?
20:39Naani, dadi, kuch bhi.
20:42And in English, abhi ke generation ke actors me se,
20:46there is somebody whom you would really like to work with.
20:49Who you really are adoring their work.
20:54I'll tell you one thing.
20:56I want to take a name to anyone.
21:00Because at this point of time, I don't even want to be diplomatic and silly.
21:04All I know is I'm open to work.
21:06I want to work with all of them.
21:08They're all brilliant.
21:09And every director has decided that every actor should be represented correctly on screen.
21:16I mean, whatever talent is, you have to project it.
21:21Even the girls.
21:22So, I'm open to any and every role that comes my way.
21:27I have no problems with who I work with or why.
21:31It's so important that if it has to be a comeback, then it has to be a good one.
21:36Like if this clip is going to do anything for me, it should be the right one.
21:41Because I believe that after waiting all these years, it should be something really very nice.
21:46So, whoever thinks about it, whatever works.
21:50Ma'am, I know this much that ultimately my fate is to be decided by the man upstairs.
21:56So, if he thinks it's time for me to work, I'll get it.
21:59And you guys are doing this interview.
22:01It's the first one in a long time.
22:03I hope it does.
22:05Absolutely.
22:06We also wish the same.
22:07And you know, ma'am, I mean, you mentioned that after Hamsat Satay, you left the industry.
22:11So, I just wanted to know, was it like a conscious decision?
22:13Or was it just, it just happened in a flow?
22:16And why did you leave?
22:17Because, I mean, Hamsat Satay is a cult classic even today.
22:20So, is your character.
22:21It is.
22:22It is.
22:23I actually, there's no specific reason.
22:26I had started doing television and I was doing very well.
22:29No doubt about that.
22:31But there comes a point, you know, where you feel undervalued.
22:34You feel that I can do this.
22:36Why is it always the same kind of thing?
22:39And also, it became a little bit of a tedious thing to be told that,
22:43And then when you go and meet that person, that person says, I pay this person XYZ.
22:50Why should I be paying you more?
22:52So, when these kind of conversations started happening, it was a little upsetting.
22:56I didn't need that.
22:57I mean, it was not like I was desperate.
23:00I needed work.
23:01I needed money.
23:02I had a family even then.
23:04But it had to be a little more dignified.
23:06So, I said, Abbas.
23:08And then I came here and I have no regrets.
23:11I've been here for 26 years now.
23:13This country has been amazing to me.
23:16Amazing.
23:17Amazing.
23:18The people have been good.
23:19The Indians here have been very welcoming.
23:21The locals have been welcoming.
23:23I had a very good job.
23:25And the restaurant I was working in, the gentleman who owned it has moved on to do other things.
23:30So, it was time for me also to take a small break.
23:33So, COVID did it for me.
23:34And now I have my younger sister and her son.
23:38They look after me beautifully.
23:39And by the grace of God now, let's see what happens.
23:43If it happens, it will be very happy.
23:45And I would like to work.
23:47I would like to work.
23:48I want to feel that I would make up a tongue.
23:52I would like to work.
23:53I do like to work.
23:54I would like to work.
23:55I would like to work on, do you know?
23:56I'm sure.
23:57Yeah.
23:58I mean, it's just that like in fashion, boy, if I teach this way, it's just that when Dubai was growing, like now it's established, but it was growing, there were a lot of uncertainties, also comparing, I mean, knowing the fact that there was a common man shift, so maybe lifestyle in the head is okay, because he comes from a certain aspect, but when an actress leaves her prime era, and she shifts to a complete, I mean, she has to start from the scratch.
24:28In this question, there are two questions, number one, how difficult or easy was it to take that decision and to live it as well, sometimes you think, yeah, it's too tough, let's get back to acting, anyways, it's not a lot of time, and number two, how was life at Dubai back then, 26 years ago?
24:44It was beautiful then, it's beautiful now, and they say, the assumptions and presumptions are always wrong, I came at a time when Dubai was growing, so it's like watching your child grow.
24:59I love it, because I saw a lot of things happening in front of my eyes, my mother came here with me, my younger sister came here with me, her son studied here, and it's not like I didn't miss Bombay, but the city gave me everything, it gave me hope, gave me reason to live, gave me reason to smile, I feel secure, I feel welcome, and a lot of Indians live here, and they're all doing very well.
25:24It's also temperament, and when this country has welcomed me so openly, and I haven't been dealt with badly in any which way, I've been given everything, I get the respect deserving of a senior,
25:54I get, I got, I had a job that looked after me, this friend of mine made sure that I got paid well, this restaurant job got me a decent pay packet, my mother lived here, my sister lived here, everybody was working, everybody was happy, what do I need?
26:10Ultimately, it all came down to the fact that everything was okay, I have no complaints, the city has grown up in front of my eyes, like me, now I was 15 years old, right?
26:20Right, right, right, right, and you know, I might quite talk about this, like, circling back to the song, Rambaho, which is why I'm interviewing today,
26:29there's so much of energy on screen, off screen, you know, any anecdote or any memory that you have, you know, especially related to that song?
26:40A lot of people have presumed that this song was shot in Goa, no, it was shot at the Natraj studio, in the galley, it was, there was no set constructed or anything like that, it was shot there,
27:00in the compound of the Natraj studio, outside Mr. Raman and Sago's office, and other than that, it was fun, because they had clips of the actual Mela and all that,
27:12and we, Aya and Prema, we danced in Natraj studio, nothing else.
27:18Right, right, right, right, Anubhama, ma'am, do you have any more questions?
27:23Actually, even I'm, yeah, ma'am, because, I think she's stuck somewhere, no problem, but again, not a problem,
27:35Actually, I told her that, yeah, I told her that, and she said, no, I will do it, then I will go.
27:44One last quick question, that, just one last question, that, how do you see Bollywood, you know, the transformation of Bollywood from the 70s era, to the 2025, 26, the 20s era, 21st era?
28:00Very honestly, a lot of growth comes with a lot of negativity also, a lot of positivity also, a lot of question marks over a lot of things that are unnecessary,
28:12Very, but you know what, that's life, na, movies, how can movies be any different?
28:18We have to be accepting, na, like, I'm not perfect at all, like, at the age of 70, I'm honestly admitting that there might have been a lot of mistakes I made,
28:29So, if it's taken me this many years to say, sorry, and it's taken so many people this many years to say, hey, yeh toh bih bih zemda hai,
28:36So, why can't you turn on and give the industry some time?
28:38We all make mistakes, it's not a perfect industry, nothing is perfect, but we all have to be a little more generous, a little more kind.
28:46That's my favorite line, be kind, it costs nothing.
28:50Agar kisi ne galati ki hai to usko maro nahi ya, usko ek or chota mohka de to.
28:55Ar meinhe toh balati bhi nahi ki, mujhe mohka chali hai.
28:58Mele ga, zarur mele ga, ap toh we are waiting to see you some doing some kick ass project and on the big screen,
29:06just ki tickets, I'll see you at the premiere soon of your movie.
29:09God bless you, God bless you, thank you so much.
29:12Thank you for all the possibility, thank you for everything and please tell Anupama ji also, thank you.
29:17Thank you for all the time.
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