145+ Crores and counting in theatres !
Written and Directed by Akhil Sathyan
Produced by Dr. Ajayya Kumar and Rajeev Menon
Banner: Firefly Films
Cinematography: Sharan Velayudhan
Music: Justin Prabhakaran
Editors: Akhil Sathyan, Rathin Radhakrishnan
Sync Sound & Sound Design: Anil Radhakrishnan
Production Designer: Rajeevan
Executive Producer: Biju Thomas
Costumes: Sameera Saneesh
Lyrics : Manu Manjith
Art Director: Aji Kuttiyani
Make up: Sajeev Saji
Stunts: Kalai Kingson
Choreography: Brinda
First AD: Aaron Mathew
Associate Director: Vandana Surya
Line Producer: Vinod Sekhar, Sreekuttan Dhaneshan
VFX: Jishnu R Pisharady, FlyingPluto Studios
Stills: Rohith K S
Publicity Designs: Aesthetic Kunjamma
Visual Promotions: Snakeplant LLP
PRO: Hains
#sarvammaya
#sarvammayamovie
#sarvammayafullmovie
#sarvammaya2025
#sarvammayafilm
#sarvammayafilm2025
Written and Directed by Akhil Sathyan
Produced by Dr. Ajayya Kumar and Rajeev Menon
Banner: Firefly Films
Cinematography: Sharan Velayudhan
Music: Justin Prabhakaran
Editors: Akhil Sathyan, Rathin Radhakrishnan
Sync Sound & Sound Design: Anil Radhakrishnan
Production Designer: Rajeevan
Executive Producer: Biju Thomas
Costumes: Sameera Saneesh
Lyrics : Manu Manjith
Art Director: Aji Kuttiyani
Make up: Sajeev Saji
Stunts: Kalai Kingson
Choreography: Brinda
First AD: Aaron Mathew
Associate Director: Vandana Surya
Line Producer: Vinod Sekhar, Sreekuttan Dhaneshan
VFX: Jishnu R Pisharady, FlyingPluto Studios
Stills: Rohith K S
Publicity Designs: Aesthetic Kunjamma
Visual Promotions: Snakeplant LLP
PRO: Hains
#sarvammaya
#sarvammayamovie
#sarvammayafullmovie
#sarvammaya2025
#sarvammayafilm
#sarvammayafilm2025
Category
🎥
Short filmTranscript
00:00Scene 47A. Buy 2. Take 1. Clap in.
00:06Hi guys. Welcome to GhostCast.
00:11Ready?
00:16We have Akhil Chattin, also known as Akhil Plakyan.
00:19Akhil Plakyan?
00:21What?
00:22You all are all the same.
00:24You all are all the same.
00:30I am 30.
00:32Time to see you.
00:33You did not see that.
00:34You are all the same.
00:36You are all the same.
00:39You are all the same.
00:41This is all the same.
00:43He is all the same.
00:45How was that?
00:46She was the same.
00:47He is the same.
00:48I mean, she died a lot.
00:49I don't know.
00:51Thank you. Thank you so much.
00:54What is that?
00:55What is that?
00:58Hi guys. Welcome to GhostCast. This is our podcast. She is with our friends and our friends
01:10will introduce you. So first of all, Sadhya. She is an amazing dancer. She is an amazing
01:18dancer. She is an amazing dancer. She is an amazing dancer. She is an amazing dancer.
01:26For me, she is my Bannan Charum buddy. And next, we have Prabindu. In Kerala, he is Nivinpadi
01:34Sir, a very star. Hey, hey, hey. Nivinpadi Sir.
01:40Nivinpadi Sir, that's it. Kerala, he has a comeback in Kerala. But for me, he is Spooky Prabha.
01:50And then we have Akir Chattun, also known as Akir Thathian.
01:56He is a Tathian. What?
01:59Akir Thathian.
02:02I am not sure.
02:06He's like a Tathian. He's like a cast member.
02:09He is like a Tathian.
02:13I have done an introduction.
02:16That's right.
02:18Akhil Chattun, who is known as Akhil Chattun.
02:20Sathyanandhikaad sir, but also an amazing director.
02:23He's doing a great job.
02:25But for me, he's Akhil Chattun.
02:27Because we didn't meet in the chat.
02:29And also, Delulu exists because of him.
02:32So, Nour made it.
02:39So, let's start.
02:41How did we get Nour?
02:45Why Nour?
02:46This is what I expected.
02:49We have to start with pressure.
02:52It's not a surprise.
02:54We don't have a pressure, but it's not a surprise.
02:58And we don't want to say it's a surprise.
03:02But it's a surprise.
03:04It is a surprise.
03:06We're happy to get the product.
03:09That's why we have happiness.
03:11So, I thought, it's 100x.
03:14We can literally figure it out to be 100x.
03:16I told myself that I am happy.
03:19I was like overheid and shoot him.
03:22That is being a joy, like I'm saying overachung.
03:25But I was like a god for happiness.
03:30I am not going to practice religion.
03:35I am not going to pray.
03:36I am not going to pray for 10 years.
03:38I am not going to pray for them.
03:43I trust you in the supreme power.
03:46I just say thank you if something good happens.
03:48Praise you are not.
03:50I feel like this is a supreme power.
03:53I see first Delilah.
03:55Adhim Delilah was a little prayer.
04:04Oh, God.
04:05Okay, okay.
04:07It's a tension.
04:09I'm going to go.
04:11I'm going to go to a rom-com.
04:13It's a predictable pattern.
04:15I'm going to go to a junior.
04:18That's right.
04:19What I see is that I'm sitting here with Vijay.
04:23I'm very emotional but I'm very thankful.
04:32I'm so happy.
04:33Now, Delilah is working.
04:35How was that?
04:37Delilah?
04:38I'm so happy.
04:39I'm so happy.
04:40I'm so happy.
04:41I'm so happy.
04:42I'm so happy.
04:43I'm so happy.
04:44I'm so happy.
04:45Seriously.
04:46Rihanna came.
04:48How do you feel about Noorwadi?
04:50In Malayalat, the first work and it's hitting 100 crores.
04:54How do you feel?
04:55First work?
04:56First work.
04:57First 100 crores work?
04:58First 100 crores.
05:00I'm getting to go.
05:01Awesome.
05:02Great.
05:03That's nice.
05:04I won't dance.
05:06How does it feel to get Noorwadi?
05:08I'm so happy.
05:12I just... when I met Akhil, Akhil sir.
05:15Sir. Sir.
05:17You're the man, sir.
05:20Akhil sir.
05:21Let's go to Akhil Cheta.
05:22Akhil.
05:23Akhil Anna.
05:23Yeah.
05:24Am I?
05:26I just felt like, no matter what I felt like, any role you were going to give me,
05:32any story you were going to tell me, I was like, I'm going to do it.
05:35And I just feel like it was such a sweet, wholesome team.
05:40Yeah.
05:40I'm so happy. I don't think I've been more happy for another team.
05:44And for Nivin, sir. I don't know how to...
05:47Nivin, sir?
05:48I don't have words.
05:49Nivin, sir?
05:50But especially, last 10 days, I'm seeing my Instagram is full of like reels about you.
05:57And I'm also watching all of it and getting emotional.
05:59Like, I'm so happy.
06:00It's confusing.
06:01This video, let's read, you're a star.
06:04Of course, Nivin doesn't change the vibe.
06:06We're going to chill, we're going to chill.
06:08Niena.
06:10Niena vibe.
06:12And we're going to be able to swipe the vibe of the fans.
06:14Reels, I'm just going to swipe the vibe.
06:17We're going to automatically swipe the vibe of the reels.
06:20Saromaya is endless.
06:22Saromaya?
06:23There are so many reels.
06:25That's why Nivin, they were just waiting for the right film.
06:29Once it happened, they were pumping.
06:31That's why.
06:32Apparently, I'm like, I'm not a star.
06:35Actually, I don't know if you're a real star.
06:38It's like a genuine happiness.
06:40Like, I feel...
06:41I mean, you get some sense of sense.
06:42It's no sense of meaning.
06:43And it can feel a bit like a mileage.
06:44The moment of the moment of Lance's eyes was after that,
06:48that stardom helped.
06:50That's why we thought it was the same stardom.
06:53You're like 100% out of 100%.
06:54So, the pace of that distance and the stardom also mixed and its connection.
06:58To get the fusion.
07:00Actually, you know, fan following is more than like, it's not like, it's not like, it's personal. Yeah, it's very personal.
07:05Vyengar is personal.
07:06That's the way to pay him.
07:08That's the way to pay him.
07:18When I was here, I was here in the producer.
07:21I was going to go to the next stage.
07:23I thought that I was going to go to the next stage.
07:25I thought that I was going to go to the next stage.
07:27I thought that I was going to go to the next stage.
07:30I was going to go to the next stage.
07:32We started thinking, working together.
07:36That's what I was going to do.
07:38I was going to go to the next stage.
07:40I was going to go to the next stage.
07:42This is all the reason.
07:44It's not just a moment.
07:45It's a collective vital, a trust.
07:48I'm going to go to the next stage.
07:52Unless it finishes, we can't finish.
07:55We can't finish.
07:56We can't finish.
07:57We can't finish.
07:58We can't finish.
07:59I'm going to go to the next stage.
08:00That's what I was doing.
08:01I think that's a real good thing.
08:02I'm going to go to the next stage.
08:03I'll say it's true.
08:04When you're trying to finish,
08:06I can't really relate.
08:08Because you're not going to hit a set.
08:10They're not going to go to set.
08:11You're not going to go to the same place.
08:13I'm doing the same thing.
08:14It's not going to be able to do a thousand films.
08:17we are doing our own work.
08:19Because our connection is like...
08:22That's not just the one thing.
08:24I'm going to show you now.
08:27I'm going to show you now.
08:29I'm going to show you now.
08:31We will go to the DOP department.
08:33We will not do that.
08:35Everyone is right from producers.
08:37Everyone is right from the team.
08:39Everyone is right from the cinema.
08:41Everyone is right from the cinema.
08:43Everyone is right from the cinema.
08:45Everything is aligned well.
08:47At the right time, the right people.
08:49And the shows in the movies.
08:51The energy is going to be at the cinema.
08:53That's right.
08:55I think it's literally affected the film.
08:57That's what it is.
08:59It's literally reflected.
09:01I'm going to show you now.
09:05Sutra.
09:07Sutra.
09:09Sutra is not Sutra.
09:11Sutra is not Sutra.
09:13Sutra is not Sutra.
09:15Sutra is not Sutra...
09:17Sutra is not Sutra.
09:19Sutra is not Sutra.
09:21Then, let's look at the last series on the next series.
09:23This is a Ashtra, I'm not getting a happen in the last series.
09:25At the third episode in the flight,
09:27the humor and the cameo was made on the film.
09:31I'm going to hook as well.
09:32Personally, I want to be honest.
09:33You're the only one.
09:35I'll let you know later.
09:37If I was a wife, I would like to smile until the end.
09:44I don't know if it's not a success.
09:47As a filmmaker, it's a validation.
09:50That's the ultimate success.
09:53And I think, Sarvamail,
09:55that part of the cart is connected to everyone.
10:00I don't know.
10:01Now, the cart is connected to the same effect.
10:06I thought, I'm going to tell you something.
10:16One of them is that one of them.
10:20Who read it?
10:21It's not an expression.
10:23It's not an expression.
10:25What's that?
10:27If you're relaxed and you're in a performance,
10:30it's not a question.
10:32Like, they're going to pop up.
10:34Seriously.
10:35Actually, it's not that comfort.
10:37It's our self-power moment.
10:39At the same time, you have emotional scenes.
10:41I don't know what I'm saying.
10:43That's why they're not in humor.
10:45You don't want to be emotional.
10:47You don't want to cut a short.
10:50You don't want to cut a short.
10:52You react like,
10:53we don't cut the short.
10:55We just keep just in music.
10:58You don't want to cut a long.
11:00You don't want to cut the short short.
11:01We're going to be emotional.
11:02Like, you don't want to cut it.
11:04Like, what would you think,
11:05I feel like I was wearing this one.
11:06You want to get emotional and emotional.
11:07You don't want to make emotional scenes with me.
11:08You don't want to make emotional scenes.
11:10But, you don't want to make any emotional scenes.
11:12I feel comfortable with a lot of emotional scenes.
11:15I'm upset.
11:16I'm upset.
11:17I'm still upset with that.
11:18But, I think the film you do is having to incorporate.
11:20There are so many filmmakers.
11:22They can use it.
11:24We don't have to say anything about it.
11:26It's not a dark period.
11:28As a performer, we can update you.
11:31Actually, it's new.
11:33It's not a lot of humor.
11:36It's not a romance, emotion, mystery.
11:40All the films he did in the last 6 years helped our film.
11:44That's it.
11:45That's it.
11:46That's why we're highlighting it.
11:48I'm a fan of the film.
11:52I'm a fan of the film.
11:54You're a fan of the film.
11:56I'm a fan of the film.
11:58I was very excited.
12:00He called me a round table.
12:04I'm very scared of all this.
12:06But I was the one that I saw.
12:09I was the one that I saw.
12:11Saro Mai was the first piece to Harris Harris.
12:13Full narration went to Harris Harris.
12:16I was the one that I saw.
12:17I was the one that I saw.
12:19I was the one that I saw.
12:20He was almost 3 months to meet him.
12:21He was waiting for a few minutes.
12:22I was waiting for a few minutes.
12:25Once I saw the story, the way he reacted.
12:28That's why I saw this story.
12:31I was the one that I saw.
12:33I was traveling.
12:35I didn't think so.
12:36I would have gotten more.
12:39I felt really happy when we were back.
12:42If you're being a fan of the cinema,
12:43then I was in í…Œurus.
12:44I feel very careful and good.
12:45It was a blessing.
12:47He saw a good story.
12:48To prepare a good story.
12:49To prepare a screenplay.
12:50To prepare a dialogue.
12:52That's the truth about Agha Jada and Shriki Marjana.
13:16I'm not sure how to do this, I'm not sure how to do it.
13:19He means it to me because there are compliments in my life.
13:25I didn't think I was happy in India. I used to be very doubtful and irritate me.
13:35But now, I really trust it.
13:39I really trust it because when I was in India, I had a lot of tension.
13:45It is 70% of people who are happy in India.
13:53It is 30% of people who are happy in India.
13:55Clean.
13:57Clean, clear.
13:59I don't believe anymore.
14:03I don't believe anymore.
14:05I don't believe anymore.
14:13It's like Preethi.
14:15Actually, how was it like?
14:17I used to see you do like really long dialogues in one take.
14:22That was Malayalam.
14:23And how was that like for you?
14:25Malayalam is catching up with another language.
14:27That's why I took a short shot in the emotional scenes.
14:31And you managed to pull it up.
14:33I came and sat and you were like...
14:35Whoa.
14:37I was actually very nervous.
14:43I was actually very nervous.
14:45Akhil and Nibinsar.
14:47I was nervous about the dialogue correctly.
14:51Me too.
14:52Yeah.
14:53You too.
14:54That's it?
14:55What's that?
14:56No, seriously.
14:57That's it.
14:58That's it.
14:59You have to put a leg to the right side.
15:00Then you go and say,
15:01Come.
15:02Come.
15:03Come.
15:04Come.
15:05Come.
15:06Come.
15:07Come.
15:08Come.
15:09Come.
15:10Come.
15:11Come.
15:12Come.
15:13Come on.
15:14Come.
15:15Come.
15:16Come.
15:17Come.
15:18Come.
15:19When I told me about the first time, I was not an actor.
15:26I was talking about every dialogue in my voice.
15:30Luckily, it was COVID.
15:32I was like, I'm going to go to the conference.
15:37I was like, I'm going to go to the conference.
15:40I was like, I'm going to go.
15:43I'm going to go.
15:45I'm going to go to the night.
15:47And then I got a voice note,
15:49I didn't hear that.
15:51I didn't hear it.
15:53I didn't do it.
15:54I didn't know anything, I didn't do it.
15:57I didn't do it in action.
16:00I was shooting in Bombay,
16:01I was shooting in Sharu Khan.
16:03And he was shooting in Bandstand.
16:05He was not good at the time.
16:07Then I was shooting Preeti on a long length.
16:10I was shooting at the same time.
16:12Then I knocked him on a long time.
16:14I was knocking on the window.
16:16If you have a child, you will be able to do it.
16:18You will not be able to do it.
16:20Now, we are going to check the ball.
16:22How did you learn?
16:24I am a rank holder.
16:26N.A.T.
16:28He is a rank holder.
16:30Then he is a rank holder.
16:32I am a rank holder.
16:34I am a rank holder.
16:36I am a rank holder.
16:38I am a rank holder.
16:40I am a college.
16:42I have good grades.
16:44I am a rank holder.
16:46I am a rank holder.
16:48I am a rank holder.
16:50I am a rank holder.
16:52We are going to meet Riyah Shibu for a full road trip.
16:56Producers.
16:58We will get him back.
17:00Please.
17:02The presentation is not a song.
17:04It is not a song.
17:06It is a song?
17:08It is not a song.
17:10It is not a song.
17:12It's a production. My dad is the first one.
17:16The first one.
17:17The first one.
17:18The first one.
17:19The first one is the first one.
17:22So, it's in the learning stage.
17:24And it's just presence and I'll go and speak in interviews and stages.
17:27No, but for such a young girl.
17:29Go to the stage, go to the producer and talk.
17:31Super.
17:32Just speaking.
17:33The producer is talking about the mother.
17:35Yes, that's correct. I'm a mother.
17:38Who are the cutest producers in town?
17:42I've done it.
17:43I've done it twice.
17:44I've done it twice.
17:45I've done it twice.
17:47I've done it twice.
17:48I've done it twice.
17:50Sorry, yes.
17:51I've done it twice.
17:54So, she did it for RRR, right?
17:57RRR.
17:58We did distribution.
18:00I did the welcome note.
18:02Because I'm a huge Raj Moody sir fan.
18:05I was like, oh, Raj Moody sir.
18:07And from there I got excited.
18:09You are the one who has come to play.
18:10You are the one who has come to play.
18:11You are the one who has come to play.
18:12So, RRR?
18:13That's right.
18:14No, no, no.
18:15No, you're the one who has come to play.
18:16No, you're the one who has come to play.
18:17You were the one who came to play.
18:18What are you guys who came to play?
18:20That's right.
18:21What did you feel like?
18:22I mean, I'm not a little bit worried about the cinema.
18:23All of them were happy and that they were staying in Delhi.
18:25What do you feel like?
18:27I'm definitely just extremely grateful.
18:32Actually, I doubted myself a lot, because I doubted myself a lot.
18:36And I thought, Shrikyuman, I didn't know anything about Shrikyuman.
18:39But, really, like, the comfort is a lot.
18:44We really forgot the comfort.
18:47That's Sathya, Shrikyuman, we didn't know the scenes.
18:49Oh, no, we didn't know anything about Shrikyuman.
18:51We didn't have a lot of time.
18:54We didn't have a lot of talk.
18:57We didn't have a lot of time at this stage.
19:04To accept this reality, it's crazy.
19:07You know, the movement is very rare.
19:09We don't have anything to do.
19:11We don't have anything to do.
19:13We don't have anything to do.
19:14We don't have anything to do.
19:16We don't have anything to do.
19:18We don't have anything to do.
19:20But, yeah, even the buying are unexpected.
19:24Some people are saying, Riyadh had an expectation.
19:27I'm like, whoa, expectation.
19:29That is such a wonderful debut.
19:32That is such a wonderful debut.
19:33That is sweet.
19:35Debut.
19:36I've done a debut.
19:38I've done a second debut.
19:39Second debut.
19:40Second debut.
19:41Second debut.
19:43Very debut.
19:44Yeah, but...
19:45But I wanted to keep the title, like, presenting Riyadh, Shrikyuman, Kreeti.
19:48Yeah, yeah, it's there.
19:49I knew that you've never seen it.
19:51Thus, still, this film is special for me.
19:54A baby.
19:55That's right.
19:56Very evidently.
20:00Cut, cut, cut.
20:17It's extremely calm. Usually in New Year's time, I'm like,
20:20I'm like, I'm calm.
20:21I'm like, I'm like, I'm going to tell you what I'm doing.
20:25I'm like, I'm going to be happy.
20:27I'm like, I'm going to be happy.
20:29I'm like, hi, Molu.
20:31So I'm like, I'm going to be happy when I'm going to be there.
20:42Sadiya,
20:44I'm going to be happy with you.
20:57Once my take-away is done,
20:59once the proper homework is done,
21:02I'm happy just now.
21:03At the set, there is a Jolie feeling.
21:06Instead, a child in the set is the same.
21:10This would interest us as friends.
21:12It's not a hero, director or DOP.
21:15Actually, I am very proud of the production quality.
21:18I am very proud of the production quality.
21:19I am shooting the DOP and Anil Radhaqshan.
21:23I am not sure about the sing sound.
21:24In the latest review, I was talking about a real dubbing.
21:27It's a good idea.
21:29It's a good idea.
21:30It's a good idea.
21:34It's a good idea.
21:36Plus, this is the design for the theatre.
21:41In the first film, there was an average seat in the theatre.
21:45Now, it's a good idea that there was an experience in the theatre.
21:47That's why we spent and did all the effort to make it peak.
21:51It's not a short time now.
21:55It's not a shocking short time.
21:57It's not the same in the OTT experience.
22:00That's the theatre experience.
22:02It's a collective experience.
22:03Emotion.
22:04If you don't have silence, you can feel that feeling.
22:09I'm going to go to that moment.
22:11The other one, I'd like to go to the theatre.
22:13I'm going to go to the theatre.
22:18It's a repeat audience.
22:20It's just a great idea.
22:21We were able to enjoy the theatre.
22:23It's the easiest and favorite way of the cinema.
22:27There was a film to go to the theatre.
22:31I have no smoking card.
22:38We have no smoking card.
22:43He will be able to edit the movie.
22:46I think he will be able to enjoy it.
22:50He will be able to edit it.
22:52He will be able to edit it.
22:54You don't know what's going on.
22:56You don't know what's going on.
22:58You don't know what's going on.
23:00There's a lot of attention to Gen C.
23:02Rhea and Preeti.
23:04There's a lot of Nivin fans.
23:06There's a lot of emotion.
23:08I call it commercial masala.
23:10To be frank.
23:12I see it as a complete package film.
23:14Yeah.
23:16There's a lot of elements.
23:18Comedy, this action.
23:20I don't know what's going on.
23:22It's homemade masala.
23:24Homemade masala.
23:26That's nice.
23:28That's nice.
23:30There's a lot of layers.
23:32It's able to reach
23:34so many people.
23:36Yeah.
23:38It's so simple and sweet.
23:42It's so simple and sweet.
23:44You can see
23:46in mass numbers
23:48everyone feels
23:50and feel it.
23:52It's such a...
23:54That's what I pray.
23:56It's not a result.
23:58The making process
24:00and the face
24:02is blessed.
24:04What's the making process?
24:06What's the shoot process?
24:08We have no idea.
24:10We have no idea.
24:12That's what we're saying.
24:14We have no idea.
24:16Then there's a voice
24:18set.
24:19Don't worry, relax.
24:20But we have to be quiet.
24:22Then we have to censor.
24:24I'm the officer.
24:26We don't see a serious person.
24:28I'm the one who knows that.
24:30We have to go and get the staff.
24:32I was surprised to see the staff, he kept telling everything, he kept telling everything,
24:46he kept telling everything, he kept telling everything, he kept telling everything.
24:53I haven't seen such a film in a long time.
24:57That's why we have a desire for that.
24:59I still don't know.
25:01But in the first film, we didn't have to go to the first film.
25:03We didn't have to go to the first film.
25:05We didn't have to go to the first film.
25:07But this is a blessing.
25:09A serious blessing.
25:11A good energy.
25:13How does it feel like we are doing it?
25:15We are doing it in a set.
25:17What?
25:19We are doing it in a set.
25:23The writing is so beautiful.
25:25Because in our character, there is something to take away.
25:27Our self represents depression.
25:31And we connect him to that.
25:33I am serious.
25:35I am serious.
25:37He is depressed.
25:39He lost his mother.
25:41In his career.
25:43In music.
25:45That's right.
25:47That's correct.
25:49You are lifting it in my performance.
25:51You are lifting it in my performance.
25:53You are lifting it in my performance.
25:55You are lifting it in my performance.
25:57You enjoy the scenes, you get more fun.
25:59The first scene, this is how you break.
26:01Juju is lifting it in the feel.
26:03There is an act.
26:05This is how you get out of the performance.
26:07That is the first shot.
26:09That's the first shot.
26:11You will finish it again.
26:13Why are you going to be a Mexican?
26:15What the hell?
26:16I'm so sorry.
26:18I'm sorry.
26:19I'm sorry.
26:20I'm sorry.
26:22No, I'm sorry.
26:23We are trusting an actor.
26:24We are trusting that you can.
26:27That's what you're saying.
26:28That's how you're doing.
26:29You can feel the soul factor.
26:32You can feel the soul factor.
26:34Still, you can feel the sound.
26:36Exactly.
26:37Why are you realistic.
26:38Because there is an idea.
26:39A cliche idea.
26:40Like depression is like this.
26:42But I think depression is very high when we are at the time.
26:49As in, I am depressed when I am at the time, you act.
26:53So, when I am at the time, I am depressed.
26:58Prabhendu is depressed.
27:00Prabhendu is depressed.
27:02Prabhendu is not hopeful in life.
27:06The character I am saying.
27:08Now, you learn to take away closure.
27:12Now, we have to keep our ego.
27:14We have to break up.
27:16There are a lot of people who think like that.
27:18The character of Sathya, you learn to take away closure.
27:24We get healed just by being nice to them.
27:26Exactly. That one dialogue really hit.
27:29The person who is thinking about it will be hit.
27:31That's why I am thinking about fan theory.
27:33That's why it is interesting.
27:35Prabhendu and Belulud.
27:37Illusion.
27:38Illusion.
27:39That's one thing.
27:40We have to look at this.
27:41It's not a good idea.
27:42It's a good idea.
27:44Sometimes we have to stop thinking about it.
27:46Then, we need to stop thinking about it.
27:47Now, it is not possible to stop thinking about it.
27:52That is why we are not interested in the film.
27:55Now, being on YouTube, we are going to stop thinking about it.
27:58We will stop thinking about it.
28:00It is open to interpretation.
28:03It's not a climax.
28:05It's not a climax.
28:06It's not a living room.
28:08It's a crux.
28:10It's not a silence.
28:13It's not a dialogue.
28:15But it's not a power.
28:17It's a beauty and interpretation.
28:21It's not a bad thing.
28:25I didn't say anything.
28:27That's right.
28:29It's not a bad thing.
28:31It's not a bad thing.
28:33It's not a bad thing.
28:35It's not a bad thing.
28:37It's not a bad thing.
28:39It's not a bad thing.
28:41It's not a bad thing.
28:43It's open to interpretation.
28:45And then you went in the bike.
28:47But your actual interpretation is very nice.
28:49Ties up nice.
28:51Personally, why are your interpretation done?
28:53We have a soul in the universe.
28:55We have a soul in the universe.
28:57Our soul attracts that person.
28:59And the other person.
29:01It's not a real spirit.
29:03In real life.
29:05It's not a bad thing.
29:07It's not a bad thing.
29:09It's not a bad thing.
29:11It's not a bad thing.
29:13Cut, cut, cut.
29:15Cut, cut, cut.
29:17Cut, cut.
29:19I'm proud of you.
29:21I'm proud of you.
29:23I'm proud of you.
29:25I've been a book for a couple of years.
29:27I've written a book for a couple of years.
29:29I've written a character for less screen time.
29:31Use a catchy face.
29:33A catchy star.
29:35I've written a book for a couple of years.
29:37I've written a few things.
29:39I also wrote a dance song.
29:41It's not an original version in the YouTube.
29:43It's not an original version.
29:45It's a storytelling.
29:47It's a funny scene that we've written a few things in Delaylou.
29:49Right after that song, Delaylou made it.
29:51And that's a good scene.
29:53It's much like a scene in the power round.
29:54This film is like watching the world through Akhil's eyes.
30:01You've noticed that there are imperfections, flaws, simple but not perfect.
30:08There's no performance, look, aesthetic.
30:12He'll always say that it's good, it's super, it's good.
30:17That's what it makes it real.
30:18Yeah, when it comes to all the characters, all the characters have a conflict.
30:22All the characters have a love.
30:26So, when they judge the character, when they judge the conflict, they have a right or wrong.
30:32They have a love.
30:36That's why I have a lot of characters.
30:38Do you want me to be classless?
30:39What?
30:40Classless.
30:41I'm like, did I get a good job?
30:44Did I get a good job?
30:47You can't talk about it.
30:49You can't talk about it.
30:51Observation.
30:53Now, you talk about your fans about your Aju combo.
31:00How do you see your dynamic with Aju?
31:06Aju is a big film for the first film.
31:10So, it's on-screen.
31:14Now, you'll sing.
31:17You'll sing.
31:19You'll say it's a gift and take.
31:21You'll never see any actors.
31:24Aju is a great film.
31:26Aju is a great film.
31:28Aju is a great film.
31:30Aju is a great film.
31:34Aju is a great film.
31:36Aju is a great film.
31:39It's a very good thing to do.
31:41We have a dialogue scene, we have a dialogue.
31:45It's not fun, it's not a vibe.
31:48It's a very good thing.
31:50Nivinan Ajuna is a sadist.
31:52He's a very good actor.
31:53I try a lot of love action-drama,
31:55and I try a lot of pattern breaking.
31:58I try a lot of Fahad and Altafai.
32:01He's a good combo.
32:02I try a lot of random combo.
32:04He's a good actor.
32:07Let's do what we have done.
32:10I think you're a first look tester.
32:13You don't need to the top, you don't need to the top.
32:16That's why you were a problem.
32:21But you're trying to look for a new look, a new look.
32:24You have to be ashamed of yourself.
32:26So, Nivin is an assistant.
32:29You were a real actor.
32:32So, you were a real actor.
32:34He lets them perform.
32:37Yeah, yeah. It's a great space.
32:39It's a great quality.
32:40It's a great experience.
32:42Because it's a great scene.
32:43It's a great feeling.
32:45In the case of Aju,
32:47it's a very short, perfect,
32:49and it's a great thing.
32:51I'll take a cake.
32:53There are a few variations.
32:55There's a lot of variations.
32:57There's a lot of variations.
32:59There's a lot of cake.
33:01I'm just watching.
33:03There's a lot of experience.
33:05There's 150 films.
33:07At any point, we've done a number of films
33:09and a lot of experience.
33:11A lot of different directors,
33:13and different actors.
33:15We've done a lot of experience.
33:17There's a lot of techniques.
33:19Now, if you look at Aju,
33:21there's a lot of techniques.
33:23There's a lot of dialogue.
33:25There's a lot of dialogue.
33:27There's a lot of...
33:29There's a lot of tackles.
33:31I can't stand the case.
33:33For a short, we've done a few shots.
33:35You can look manuals.
33:37And if you look at Aju's senses,
33:39you see it before we have to mix.
33:41How do they go?
33:43We're not doing a number of videos.
33:45Yes, that's right.
33:47All you'll see is on the other side.
33:49Now, the video will film.
33:51Add our cut down.
33:53Now, we'll be proud of the casting.
33:55I am proud of the casting now.
33:57I am proud of the casting now.
33:59Nivin Ajoon has a flavor set.
34:01He has a voice.
34:03He has a voice.
34:05He has a voice.
34:07He has a voice.
34:09He has a voice.
34:11We grew up watching him.
34:13The presence he has.
34:15The screen presence.
34:17The humor.
34:19Nivin is a very limited scene.
34:21In that scene, he has a voice.
34:23More than humor.
34:25In the climax, there is a closure.
34:27Every character has a closure in this film.
34:29Every character has something to take away.
34:31Every character has something to take away.
34:33I am not close.
34:35I am not close.
34:37I am close.
34:39I am close.
34:41I am close.
34:43I am close.
34:45I am close.
34:47I am close.
34:49He was a child actor.
34:51He is a master actor.
34:53I am close.
34:55I am close.
34:57I am close.
34:59I am close.
35:01I am close.
35:03There is a climax scene.
35:05There is a last scene.
35:07There is a desire to see.
35:09There is an action.
35:11I am a director.
35:13I am a national director.
35:15In this moment, we won't win a minimum of a chance.
35:19That's right.
35:20You can't get Alphons.
35:22That's so funny.
35:23We are very happy.
35:26But, we have to clap in the theater.
35:28There are many clubs in the theater.
35:30We have to go to a psychiatrist, a sofa, a room.
35:34I'm not sure.
35:35I'm not sure.
35:36I'm not sure what to do.
35:38My mom makes me do all these things.
35:40I'm not sure.
35:41So, we opened with a copra.
35:44You're not sure what to do.
35:46Jesse.
35:47Jesse is the only one.
35:49One scene is cut to Alphons.
35:51First scene, there is a party sitting near.
35:54There is a moment.
35:56The first shot, Alphons,
36:00was a big deal in the series.
36:02In 19 days.
36:03The professor said,
36:05Jesse is coming to the mic.
36:06Jesse is coming to the mic.
36:08That's all.
36:09That's all.
36:10That's all.
36:11That scene is coming.
36:12That scene is coming.
36:13What's your name?
36:14That's all.
36:15That scene is coming.
36:16It's coming.
36:17That scene is coming.
36:18This scene is coming.
36:19You can't show me.
36:20Nothing.
36:21So, Jesse is coming back to the mic.
36:22How do you see Jesse?
36:23What's your name?
36:24That's all.
36:25You're a trumpet.
36:26How do you tell Jesse?
36:27How do you type?
36:28How did you tell your memory?
36:29Go.
36:30Very first dialogue.
36:31Anxiety, right?
36:32Anxiety.
36:33What is it?
36:35He breaks the cliche and the song and the slang.
36:40Alphonse is very powerful.
36:43He's very powerful.
36:44He can't do anything seriously with the humor.
36:48Alphonse will give you a note of reaction.
36:51That's it.
36:51Justine has a shift.
36:56It's a compliment for the performance of the music.
36:58It's a wholesome scene.
37:00Alphonse said that Priya came out of the cameo.
37:03I'm very grateful that she agreed to this.
37:07In this film, I think it's very important.
37:11We try to try that cameo.
37:14In that film, she doesn't have an important factor in Delhi.
37:18Not just like a random cameo.
37:20She's got a matter in the film.
37:22It's a bonus for the humor.
37:24Priya did that.
37:27I'm actually working with them.
37:29We're a fan of the full crew.
37:31You're a fan of the restaurant.
37:34Highly professional.
37:35Very easy to work with.
37:37Unlike me.
37:39You're a good guy.
37:40Free.
37:41Free.
37:42Free.
37:43Free.
37:44Free.
37:45Free.
37:46Free.
37:47Free.
37:48Free.
37:49Free.
37:50Free.
37:51Free.
37:51Free.
37:52Free.
37:52Free.
37:54Free.
37:55Riam helps.
37:56Riam helps.
37:57Ria helps.
37:58Riam helps.
38:00You're saying the dialogues in certain scenes...
38:04Him and you are mixed.
38:06Yeah, it's a mix.
38:08It's a mix.
38:10When we're in rehearsal,
38:13we mostly enjoy the reactions of the rehearsal.
38:18If we add it,
38:21you say, do you even know how hard this is for me?
38:24Wow!
38:26Let's share it.
38:36Actually,
38:46everyone thinks that Justin and he last time,
38:5015 minutes,
38:52the main thing that Justin and he last time,
38:56the main thing that Justin and he last time,
39:00the main thing that Justin and he last time,
39:02In 15 minutes, the main thing is Justin and he.
39:06Like, Justin and he.
39:08That's what he said.
39:10Justin will come here.
39:12He won't come here.
39:14Full cut of it.
39:26I'm actually doing climax shooting.
39:28Sorry.
39:29Climax composing.
39:30The last scene.
39:32Justin is a very modest guy.
39:34He's sitting there.
39:36He's sitting there.
39:38He's sitting there.
39:40He just randomly came and.
39:42Just stop.
39:44That's the same thing.
39:46You're okay.
39:48You're okay.
39:50You're okay.
39:52That's the same thing.
39:54It's so loving.
39:56I'll repeat the technician.
39:58The first name is Justin.
40:00Justin is much like.
40:02A co-collaborator.
40:04A actor.
40:06A song composed.
40:08That's in 2024.
40:10The first name is Justin.
40:12I thought.
40:14I thought.
40:16I thought.
40:18I thought.
40:20I thought.
40:22I thought.
40:24that's the right character.
40:26I was like.
40:27I thought.
40:28I thought.
40:30I thought.
40:32I thought.
40:34The moment he sits, music comes.
40:44I'll WhatsApp the tune.
40:46I'll send the song later.
40:48One-sinker.
40:50We'll just...
40:51We'll just...
40:52Sathya song.
40:53We'll dance a beat.
40:57But then we'll say that
40:59Sathya is hugging.
41:01That's what we're doing.
41:03That's what we're doing.
41:05That's what we're doing.
41:07Justine, he listens and...
41:09Then he sits and...
41:10He's like a melody.
41:12It's like a melody.
41:24Sarvamaya...
41:26He's like this.
41:27He's like this.
41:30He's like this.
41:32One, two, one.
41:34One, one.
41:35One, one.
41:36Why did you say this?
41:38I'm so sorry.
41:39Sarvamaya, you're not the one.
41:41Sarvamaya, we're happy to be able to get the record.
41:44This is not the first time we're going to get the record.
41:46We're going to be able to get the record.
41:48We're going to get the record for Christmas time.
41:50We're going to get the record for the cinema.
41:55All our support.
41:56We're going to get the record for Christmas time.
41:58We're going to get the record.
42:00I've got a hundred crores.
42:01I've got a hundred crores.
42:02I've got a hundred crores for Christmas time.
42:03Thank you, thank you so much.
42:04Thank you so much.
42:05Rhea...
42:06I don't know.
42:08I don't know.
42:09I don't know.
42:10I don't know.
42:12I don't know.
42:14I don't know.
42:16I don't know.
42:20Pass.
42:22Thank you guys.
42:24Thank you so much.
42:26We are really happy for getting
42:28100 crores on this.
42:30We never really get it.
42:32Cut, cut, cut.
42:34I don't know.
42:36I don't know.
42:38I don't know.
42:40I don't know.
Comments