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Category
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Short filmTranscript
00:00Ander ki namaskaram, ee roju ne nu the most vibrant team euphoria to...
00:05Ander ki namaskaram, ee roju ee roju ee roju ee roju ee roju.
00:10Ander ki namaskaram, ee roju ee roju ee roju ee roju ee roju ee roju.
00:15Chesee, chesee, chesee, hao doktor chethe, ma nam vandasar lu chesee aamu, bhoomi khaga.
00:20And the producer Nilima, Yukta kuda unnna aru, kaani Nilima ee kada unnna aru.
00:25So, Nilima, a hearty welcome and me muggur ki kuda very very hearty welcome mandi.
00:29And idu waipu.
00:30Durandar lante cinema to asalu nationwide ga sensation ga marne 20.
00:35Sara Arjun, hi Sara.
00:37A very hearty welcome to you and hearty congratulations to you.
00:40Thank you so much.
00:41Such a wonderful great job you have done in the film.
00:44And ee papa.
00:45And that is a great job you have done in the film.
00:47You will have done it and you will have done it.
00:49I will talk about it.
00:50And...
00:50Yes, the senior most artist leader here.
00:53Here is the most senior.
00:55The senior ever wanted Vignesh and Pradhi.
00:57Yeah, yes sir.
00:59Introducing Vignesh Gavirani.
01:00Pradhi.
01:01Introducing Vignesh Gavirani.
01:04Pradhi.
01:05Yes, Pradhi Rdala.
01:06Yes, Pradhi Rdala,
01:24Give him a big round of applause.
01:26Euphoria is him at Sims, Mumika, you understood?
01:29Why is that euphoria itself is him?
01:31I'm going to give him a big round of applause.
01:33Okay.
01:34You finished Neeku?
01:35Euphoria?
01:36Euphoria is an extreme emotion.
01:39I have extreme happiness.
01:41So, I have a state of mind.
01:43Okay.
01:44And Sara?
01:45Meeku?
01:46Euphoria?
01:47Yeah, I agree with him.
01:48It makes you a state of joy.
01:49An extreme state of joy.
01:51Okay.
01:52Like when Durandar was such a big hit.
01:53Yeah.
01:54Euphoria.
01:55Yeah.
01:56Yeah.
01:57Say, we all have euphoria.
01:59Actually, you were yellow only.
02:00Yes, Sara.
02:01Okay.
02:02And if you do, he title.
02:04If Pettina 20, Gunushakar Gargantar is the director or the captain of the ship.
02:08Sir, he...
02:09Euphoria is the core.
02:10What do you mean by this?
02:11It's a core.
02:12It is the title.
02:13The title of the ship.
02:14No, no, no...
02:14I don't know, I don't know.
02:19But I think it's an euphoric moment.
02:23Correct.
02:24So then, euphory entered.
02:25Sir, I'm going to sit with you.
02:27Almost on stage with you.
02:29Sir, I'm going to sit with you in the state.
02:31So, after the release date, I was released.
02:33Yes.
02:34Sir, I'm going to sit with you for a moment.
02:38Correct.
02:39yes so like a euphoria state loan up
02:44but I don't know
02:46I don't know
02:48I don't know
02:49I don't know
02:51I don't know
02:53I don't know
02:54but I don't know
02:56I don't know
02:58I don't know
02:59I don't know
03:01I don't know
03:03I don't know
03:04I don't know
03:06I don't know
03:08I don't know
03:09I don't know
03:11I don't know
03:13I don't know
03:14yeah
03:15so
03:16in this euphoria state
03:17in this cinema
03:18I don't know
03:19I don't know
03:20I don't know
03:21I don't know
03:22I think obviously
03:23it's the young generation
03:24that's into euphoria
03:25the feeling of euphoria
03:27and the
03:29I'm the one who's
03:31trying to hold on to things
03:33I'm the one who's trying to hold on to things
03:34okay
03:35slow it down
03:36and I don't know
03:38how much I can reveal
03:39no
03:40no
03:41no
03:42no
03:43no
03:44no
03:45no
03:46no
03:47no
03:48no
03:44So that is you who has put the case.
03:49I am waiting for it to watch it on February 6th.
03:54No, no, no, no, no, no, no.
03:59No, no, no, no, no, no, no.
04:04So that is the important character.
04:06Yes, correct.
04:07And Bhumika Garu, Me Vision,
04:09you are in a cinema.
04:10Generally, we have our hope
04:12in a state of euphoria.
04:13Thank you, Vignesh.
04:14Why don't you tell me your girlfriend?
04:16No, no, no, no, no, no, no, no, no.
04:19Vignesh.
04:20Vignesh.
04:21Vignesh.
04:22Sarai, you are understanding what he is telling.
04:24That is love.
04:25That is euphoria only in love.
04:26Yeah, exactly.
04:27Euphoria in love.
04:28Yes.
04:29With my parents.
04:30With your parents.
04:31Yeah.
04:32Because your parents are watching now.
04:33I know.
04:34I know.
04:35You have already said she already did it.
04:36I know.
04:37I know.
04:38I know.
04:39I know.
04:40I know.
04:41I know.
04:42I know.
04:43I know.
04:44I know.
04:45I know.
04:46I know.
04:47I know.
04:48I know.
04:49I know.
04:50I know.
04:51You have heard though living inным cultural painting,
04:52you know.
04:54festival
04:54I love you, I love you, I love you
04:57I love you, I love you
04:59Yeah, that's true.
05:00If you do something like that,
05:01you don't have to do anything like that.
05:03That's true.
05:04So our song is an iconic song for euphoria.
05:07And when you fall in love,
05:09you have that extreme feeling of intense happiness and joy,
05:13which we experience.
05:14You have to experience with your song multiple times.
05:15Have you seen it?
05:16Have you seen it?
05:17Have you seen it?
05:18Have you seen it?
05:19Have you seen any of the spoofs which we have done?
05:22No?
05:23I'm just kidding.
05:24Have you seen it?
05:25Have you seen it?
05:26Have you seen it?
05:27No, no, no.
05:29I will show you, okay?
05:32Especially.
05:33I'll show you.
05:34You have to see it.
05:35You have to see it.
05:36So if you're a drinker,
05:38you can't see it.
05:39You can't see it.
05:39It doesn't seem to be a euphoria.
05:41Exactly.
05:42What do you think about it?
05:44What do you eat?
05:46Sorry, I'm very much laughing.
05:48No, it's okay.
05:49I think you know,
05:51I think you know,
05:53beauty.
05:54Beauty.
05:55Eating beauty.
05:56Eating beauty.
05:57Sleeping beauty.
05:58Eating beauty.
05:59Yeah.
06:00That's very sweet of you.
06:01In the cinema,
06:02we have a euphoria.
06:03One.
06:04Yes.
06:05Yes.
06:06Yes.
06:07And Nilima,
06:08he
06:09the story
06:10that you produced
06:11one reason.
06:13Of course.
06:14Inalaga,
06:15Directors.
06:16These ones don't take place.
06:17There must be some point
06:18that you felt that
06:19you need to produce.
06:20So,
06:21there are many scripts
06:22that you can't do.
06:23So,
06:24there are many scripts
06:25that you can't do.
06:24that you can't do.
06:25I'm going to show you
06:26my dad's script.
06:27So,
06:28I wanted to show you
06:29my sister.
06:29in a purdhani.
06:30We felt as girls,
06:31we'll be really proud
06:32to present a film like this.
06:34Wow.
06:35So,
06:36that's really amazing.
06:37So,
06:38the director everyone
06:39has given me a Like
06:40and you can't see
06:41the script.
06:42Okay.
06:43So,
06:44How did you see
06:44I don't know, I don't know if you have a set of directors.
06:46Yeah, yeah.
06:47I don't know if you have a set of directors.
06:49He would have a set of directors.
06:50Because her father is also an actor.
06:52Arjun Garu.
06:53Oh no.
06:54I don't know if you have a set.
06:55I don't know if you have a set of directors, but I'm not a real estate coach.
06:58I am not a real estate coach.
06:59I did not go to sets.
07:02So, I would choose to choose a nana.
07:04I would choose to choose a nana.
07:06But as a producer, where you are giving some suggestions.
07:09You can choose a nana.
07:10I would choose to choose a nana.
07:11And now, he is like a friend.
07:13Okay.
07:14So, he is a very friendly person.
07:16So, as a producer also, it is easy to work with him.
07:18Wow.
07:19Wow.
07:20Sir.
07:21I am a producer.
07:22I am a producer.
07:23I am a producer.
07:24So, I am a producer.
07:25I am a producer.
07:27So, I am a producer.
07:28I am a producer.
07:29So, my wife Raghani.
07:34Okay.
07:39So, my wife Raghani.
07:44So, my wife Raghani.
07:49So, my wife Raghani.
07:51So, my wife Raghani.
07:53So, my wife Raghani.
07:54So, my wife Raghani.
07:56So, my wife Raghani.
07:58So, my wife Raghani.
07:59So, my wife Raghani.
08:01So, my wife Raghani.
08:03So, my wife Raghani.
08:04So, my wife Raghani.
08:05So, my wife Raghani,
08:06so, I don't care.
08:07But I look at it.
08:08I'm not really sure how to say it.
08:09But, they have an instinctive feeling that they have an instinctive feeling that they have an instinctive feeling.
08:14So, I have a lot of objections to him.
08:16I have a lot of objections to him.
08:18So, I have a lot of objections to him.
08:19I have a lot of objections to him.
08:21I have a lot of objections to him.
08:23I have a lot of objections to him.
08:24I have a lot of objections to him.
08:28I have a lot of objections to him.
08:29I have a lot of objections to him.
08:31So, I have a lot of objections to him.
08:33I have a lot of objections to him.
08:34I have a lot of objections to him.
08:36I have a lot of objections to him.
08:38I have a lot of objections to him.
08:39I have a lot of objections to him.
08:41I have a lot of objections to him.
08:43I have a lot of objections to him.
08:44I have a lot of objections to him.
08:46I have a lot of objections to him.
08:48I have a lot of objections to him.
08:49I have a lot of objections to him.
08:50I have a lot of objections to him.
08:51I have a lot of objections to him.
08:52If you are waiting to see on February 6th.
08:54Sarah.
08:56Sarah is looking for her.
08:58Sarah is looking for her.
08:59Many of them have been doing this for me.
09:02And, sir, I...
09:04then you acted in many other Malayalam films and Tamil films
09:09also, right? Right. And then it was Pony and Selvan. Yeah. Okay. And then what happened
09:14and Durandar? No, after Pony and Selvan actually I went to boarding school. Oh okay. Yeah.
09:19Right after finishing PS2 I went to boarding school and then my initial
09:24plan was to go abroad to study film and study acting. But then
09:29while I was giving my boards I signed magic and then
09:34right after I came out again I was sticking to my plan. Hmm. But then
09:38euphoria
09:39when euphoria came to me it was so tempting to do as
09:44a human like I just felt this urge to you know present this story be a part of a
09:49story like this especially because I'm also a part of the youth right? Yeah. I feel like it's really relevant.
09:54and it's a very reflective story to the society. Hmm. So, I felt
09:59like no I need to do this. So, yeah after PS2 it was magic then euphoria
10:04and then Durandar. In fact I signed Durandar while shooting for euphoria.
10:09Wow. I think you had to line up properly. Like first magic happened. Hmm. And then
10:14the title see magic happened. Hmm. Hmm. Hmm. Hmm. Hmm. Hmm. Hmm.
10:19Follow me.
10:24That's it.
10:25And then, when you look at it,
10:26you look at it, you look at it.
10:29character and them partner, Chaitra is the character's name.
10:34Chaitra character is very important.
10:39Chaitra character is very easy.
10:41It's very easy to convince people.
10:44Chaitra character is very easy.
10:49Chaitra character is very easy.
10:54Chaitra character is very easy.
10:55Chaitra character is very easy.
10:57Chaitra character is very easy.
10:59Chaitra character is very easy.
11:00Chaitra character is very easy.
11:01Chaitra character is very easy.
11:02Chaitra character is very easy.
11:03Chaitra character is very easy.
11:04Chaitra character is very easy.
11:05Chaitra character is very easy.
11:06Chaitra character is very easy.
11:07Chaitra character is very easy.
11:08Chaitra character is very easy.
11:09Chaitra character is very easy.
11:10Chaitra character is very easy.
11:11Chaitra character is very easy.
11:12Chaitra character is very easy.
11:13Chaitra character is very easy.
11:14Chaitra character is very easy.
11:15Chaitra character is very easy.
11:16Chaitra character is very easy.
11:17Chaitra character is very easy.
11:18Chaitra character is very easy.
11:19Chaitra character is very easy.
11:20Chaitra character is very easy.
11:21role and we have grown up watching actually I should be saying that Sara
11:26as a child actor and then we thought she'll be perfect
11:31so that's when I reached out to Sara and
11:36narrated the line to her and everything and while father Koda
11:41she's still very young but the way she reacted to that story
11:46really inspired me because she thought of it with so much maturity the role
11:51that I felt this is meant to be and she's performed it amazing
11:56so sixth and I think everyone will get to see exactly
11:59generally everyone I put engineer
12:01I think four years to talk about that
12:03Papa Padhiya and SoundCloud industry is a big part of that
12:05right
12:06No, I can't do it!
12:08I can't do it!
12:10I can't do it!
12:11must be having a lot of grip on analyzing stories, knowing characters, being in
12:16the same atmosphere of having family members in the same profession, right?
12:20Yeah, I think my dad also.
12:21This really helps me with stories, picking the right ones.
12:24I'm very tough again, Raj.
12:26He's also a great actor.
12:27I'm convinced straight on Tizi Girl.
12:29Okay.
12:30So I am a story to try and hide.
12:31No, I'm convinced.
12:32No, no.
12:33No, no.
12:34No, no.
12:35No, no.
12:36No, no.
12:37Yeah, and I'm sure your mother also must have put in a lot of effort.
12:40Definitely.
12:41She's the reason I'm your, both my parents, but yeah, my mother's always been there.
12:46Every second, every moment and not just there, like physically present.
12:50She's such.
12:51She's such an emotional pillar for me.
12:52Yeah.
12:53Yeah.
12:54She's right here.
12:55Yeah.
12:56Always, Always.
12:57Always.
12:58Always!
12:59Someday, the YouTube reason is parenting too,
13:01I'm going to touch on you.
13:02I'm going to tell you about parenting.
13:03I'm going to tell you about parenting.
13:06You know, pregnant and pregnant.
13:08You know, parenting is a lot of things.
13:11Correct.
13:12So, the parents are going to go to the house.
13:16If you go to this subject, then you will get to the bottom of it
13:19I will tell you about it
13:21to do this movie, there are some tough incidents that happen.
13:26In the story.
13:27Where are you going to collide?
13:28Why are you going to collide?
13:30Because you...
13:31You yourself are a parent.
13:33How did you feel?
13:34What was the experience?
13:36When I first heard the story, I was also...
13:41Mr. Sara said that I felt very strongly connected to the story that I...
13:46wanted to be a part of it.
13:48Because it's what we see happening outside.
13:51You know, the current generation, there is so much of influence of...
13:56everything.
13:57And they are easily influenced.
14:00So as a parent...
14:01It gets a little difficult today, when everything...
14:06is accessible.
14:07To kind of take your child on the right path.
14:10Yeah.
14:11And...
14:12So when I heard the script, and there are situations in the film...
14:16that are very emotional, are very hard hitting.
14:21where you have to take a decision during the span of time.
14:26that the story unfolds.
14:29I really could relate to it.
14:31Yeah.
14:32Yeah.
14:33Very strongly.
14:34I could connect to the character and...
14:36In fact, Vignesh has performed very well.
14:38The scenes that he and I have had.
14:40He is a brilliant...
14:41performer.
14:42And...
14:43every time I see him...
14:45I see...
14:46the little older version of my son.
14:48My son is here.
14:49Oh, okay.
14:50And your son is...
14:51How old is he?
14:51He is just turning 12 on the third of him.
14:53Okay.
14:54He is just coming into the teens.
14:56Bumika Garu, be ready.
14:58Be ready for the...
14:59Bumika Garu, be ready for the...
15:00Bumika Garu, be ready for the...
15:01Bumika Garu, be ready for the...
15:02Bumika Garu, be ready for the...
15:03100 stars.
15:04Bumika Garu, be ready for the tsunami.
15:05Vignesh, you have...
15:06Do you think you're a good guy?
15:07Yeah.
15:08You're a good guy.
15:09You're a good guy.
15:10You're a good guy.
15:11You're a good guy.
15:11You're a good guy.
15:12You're a good guy.
15:13You're a good guy.
15:14Thanks.
15:15Advice.
15:16Advice.
15:17You're a good guy.
15:18You're a good guy.
15:19That's a good guy.
15:20That's it.
15:21You're a good guy.
15:21I'm not involved in this video, I will talk about it.
15:23Sorry, I will talk about it.
15:25Prithvi and Nu.
15:26Now let's talk about freedom in this situation.
15:31It's a career and passion.
15:33Because in 13, 14, 15 in our time, it's a dream.
15:36I'm not sure if you're interested in this situation.
15:38I'm not sure if you're interested in this situation.
15:40Why are you interested in this situation?
15:41I'm interested in this situation.
15:46I thought it was a good thing.
15:48I imagine it was a good looking.
15:51I thought you were actually going to be a comedian and I thought you were going to be my relatives.
15:56Luckily, we had a lot of money in our country, and we had a lot of money in our country.
16:01That phrase is called Dunga Baddhu.
16:06She said she's coming.
16:07She's coming.
16:08She's coming.
16:09No, no, no.
16:10There's no freedom.
16:11So if we are here, we have a whole hearted freedom
16:15That's great
16:16important on this.
16:17Okay, so.
16:18So, Gunshikhar Garu, Fresh Paces,
16:19Thieves Koda,
16:20Kala Karanam?
16:21That's right.
16:22That's right.
16:23This is the actual guy.
16:24Adals.
16:25Adals.
16:26Adals.
16:27Adals.
16:28Adals.
16:29Adals.
16:30Adals.
16:31Adals.
16:32Adals.
16:33Especially 17 years.
16:34Kirtanag character with us.
16:36Adals.
16:37Adals.
16:38Adals.
16:39Adals.
16:40Adals.
16:41Adals.
16:42Adals.
16:43Adals.
16:44Adals.
16:45Adals.
16:46Adals.
16:47Adals.
16:48Adals.
16:49Adals.
16:50Adals.
16:51Adal.
16:51Adals.
16:52Adals.
16:53Adals.
16:54Adals.
16:55Adals.
16:56Adals.
16:57Adals.
16:58Adals.
16:59Adals.
17:00Adals.
17:01Adals.
17:02Adals.
17:03Adals.
17:04Adals.
17:05Adals.
17:06Adals.
17:07Adals.
17:08Adals.
17:09Adals.
17:10Adals.
17:11Adals.
17:12Adals.
17:13Adals.
17:14Adals.
17:15Adals.
17:16Adals.
17:17Adals.
17:18Adals.
17:19Adals.
17:20So that's why we have a lot of people in the middle of the middle of the middle of the middle of the middle.
17:25Okay. And I'm sure everybody has done a great job.
17:30How was Pridvi's performance?
17:32Did you choose Pridvi's performance?
17:35Onset.
17:36Onset, yeah.
17:37A little bit here in there.
17:38Yeah.
17:39Everyone.
17:40I think he's also done a fantastic job.
17:42Like I said, Vignesh also.
17:44Oh.
17:45It's so nice to work with people who are so good that I feel I need to...
17:50Okay.
17:51Up my game.
17:52Okay.
17:53But if I'm going to show you the game, I'm going to show you the game.
17:55I'm going to show you the game.
17:56Okay.
17:57I'm going to show you the game.
17:58You're going to show you the game.
18:00That's how you shift yourself, youth. Why do you do it?
18:03It's all rich and rich
18:05It's a kitchen content.
18:07Super!
18:08It's not a kitchen content.
18:10It's a need of the hour.
18:12Okay.
18:13You never cut this content.
18:15I'm going to tell you what it is.
18:16It's a good time.
18:17It's a good time.
18:18It's a good time.
18:19It's a good time.
18:20Okay.
18:21I'm going to tell you what it is.
18:22I'm going to tell you what it is.
18:23I'm going to tell you what it is.
18:25I'm going to tell you what it is.
18:26I'm going to tell you what it is.
18:27Correct.
18:28So, I'm going to tell you what it is.
18:30Chinooks are connected.
18:31Correct.
18:32I'm going to tell you how it is.
18:33Connected immediately.
18:34Connected immediately.
18:35Connected immediately.
18:36I was looking at society.
18:35No, no. That's one of the content.
18:38Correct.
18:38So, how do you think about it?
18:40Uncompromised, almost uncompromised.
18:45Uncompromised, almost uncompromised.
18:50I am a new-comers in Petri T.A.S.T.A.N.G.P.
18:53Scaled-down J.A.D.U.S.
18:55I am a new-comers in Petri T.A.S.T.A.N.G.P.
19:00I am a new-comers in Petri T.A.S.T.A.N.G.P
19:05I am a new-comers in Petri T.A.S.T.A.N.G.P
19:10I am a new-comers in Petri T.A.S.T.A.N.G.P
19:13I am a new-comers in Petri T.A.S.T.A.N.G.P
19:15If you have a true incident, there will be a real risk, right?
19:20Then, first cover answer actually, you know.
19:23Okay.
19:25Okay.
19:30So, you know, the first one, you know, the first one is in a six to ten months period.
19:35That incident happened.
19:38Rastum, same incident happened.
19:40It will be repeated.
19:43Every week, every ACT.
19:45Every, every, every, every, every, every, every, every.
19:48So, that's why I have a particular one.
19:50I have to say that every incident is a thousand lakh.
19:53So, every incident is a real incident.
19:55So you're going to ask yourself,
19:57You're going to ask yourself,
19:59You're going to ask yourself,
20:00They are more correct.
20:02Because of the day, we are the heroes.
20:04We are the heroes.
20:05We have been talking about Adalcins, but we have been talking about Adalcins.
20:10We have been talking about Adalcins.
20:15Just two days back, a family member came to the bike.
20:20We have been talking about Adalcins.
20:21Congratulations.
20:22He took a car and took a car and took a car and went to the house and went to the family.
20:27So, this is the state, but the problem isn't it.
20:32So, this is the state, the state, the state, the state.
20:37It's so difficult to handle.
20:42Every parent says that I am the right parent.
20:47And every parent wants their children to be responsible.
20:50It's not that irresponsible.
20:52But I'm going to ask you a question about the cinema.
20:57It's difficult actually.
21:00You know, like you said,
21:02every parent wants to be right.
21:04But we ourselves don't know, like you said, you know.
21:07Where to leave, where to hold, how much liberty to give, which.
21:12Inside you say, okay, let it go. Freedom.
21:15If the freedom is misused.
21:17You don't know.
21:18So, that faith, you work on faith.
21:20But with faith are circumstances.
21:22Which are external.
21:23You know, what friends you have.
21:25Where you are going.
21:26You can't control everything.
21:27Yeah.
21:28But it's not easy.
21:29You want the child to be right.
21:32You want to be right.
21:33In that tug of war of trying to be right.
21:37wrong, right, wrong.
21:38You just stated an incident that happened.
21:40Yeah.
21:41You don't know what happened.
21:42Exactly.
21:42You don't know what happened.
21:43So that's what I felt about.
21:45Yes.
21:46You're a nurse in this place.
21:47No one has to be right.
21:48No one doesn't get out.
21:49No one has to be right.
21:50No one has to be left.
21:51No one has to be right.
21:52No one thinks your parents should go away.
21:53Oh, no one has to be left.
21:55Then, the next step is the time to go away.
21:57The next step is up.
21:58So, you go to the school.
22:00The next step is up.
22:01The next step is up.
22:02No one has to be left.
22:03Okay, I see.
22:04that's the end of story you know it's not so much access to everything
22:09You don't need to be able to do it in a little bit
22:11You don't need to be able to do it in a little bit
22:14You don't need to be able to do it in a little bit
22:19You don't need to be able to do it in a little bit
22:24You don't need to be able to do it in July
22:29You don't need to be able to do it in a little bit
22:31You don't need to be able to do it in a little bit
22:34You don't need to be able to do it in a little bit
22:38You don't need to be able to do it in a little bit
22:39You don't need to be able to do it in a little bit
22:43You don't need to be able to do it in a little bit
22:44We don't have to worry about it.
22:45Our friends are very good, very good, and very good.
22:49I respect Vals and I will see you in the same way.
22:53But that's how it is.
22:54I think we can do that.
22:55We can do that.
22:56We can do that.
22:57Yes.
22:59They don't have exposure to me.
23:02They don't have exposure to me.
23:04That freedom is controlled by people.
23:09Anything is available.
23:14There is no time, but there is no time.
23:19this is called something.
23:20Correct.
23:21Otherwise, it's not a problem.
23:24So, thank you.
23:25I think we have a lot of beautiful concepts.
23:29Because it was meant to reflect the society.
23:34So, we have to find larger-than-life images of cinemas,
23:37that Elan TV is most...
23:39That's why I think everybody is part of this film.
23:42Bean and bean.
23:43It's a big deal.
23:44It's a strong content.
23:47It's a huge deal.
23:49It's just a huge deal.
23:50It's a huge deal.
23:51It's a huge deal.
23:52It's like everything.
23:53It's a huge deal.
23:54treatment.
23:55Yes.
23:56Managi.
23:57Trailer.
23:58One.
23:59Teaser.
23:59We have to do our own dialogue.
24:02Finally, we will continue our work.
24:04I would like to thank you for being here.
24:07But I would like to thank you for being here.
24:09I will give you a message with them.
24:11Super.
24:12Now we have a question for each other.
24:14In this cinema, I'm your mother. All three of y'all.
24:17I love the cop ever made.
24:19empathy and love
24:22and you can tell me
24:23characters
24:25choosing
24:26cinema
24:27characters
24:28characters
24:29you have to do
24:30empathy
24:31you have to do
24:31freedom
24:32you have to do
24:33do
24:33you have to do
24:34do
24:34No, no, no, no, no, no, no, no, no.
24:39No, no, no, no, no, no, no, no, no, no, no.
24:41I don't get it because I kept running like this character.
24:44Indra or interesting, you know, the subject level.
24:49All characters, grey characters, including mother.
24:54Mother, you know, the subject level.
24:55We're going to ask you about the subject level.
24:59That's why it's all over the world.
25:03So the whole thing is...
25:04The characters are grey in the grey shade.
25:07The cinema is the end of the movie.
25:09Who is the hero?
25:11Okay.
25:12The cinema is the end of the movie.
25:14Who is the hero?
25:16Who is the hero?
25:19The film is the end of the movie.
25:23our film is the end of the movie.
25:24You are all characters.
25:26You are all characters.
25:28You are all characters.
25:29I don't want to take a look at that.
25:31I don't want to take a look at that.
25:33I don't want to take a look at that.
25:34I don't want to take a look at that.
25:39I don't want to take a look at that.
25:41I don't want to take a look at that.
25:44I don't want to take a look at that.
25:46I don't want to take a look at that.
25:48So...
25:49I don't want to take a look.
25:50No, I don't want to take a look at that.
25:51Exactly.
25:52Really predictable characters
25:53So, really predictable characters.
25:54We are usually in the cinema. We are not in the cinema. We are in the cinema.
25:59I don't know how to do this in society, but I don't know how to do it.
26:04So, the situation is going to happen.
26:07So, that situation is going to happen.
26:09and the people who are fighting their faces
26:12and the people who are fighting their faces
26:14The hero, the villain, the N.T. will be able to find the hero and villain.
26:18So you can open it up to the top of your head.
26:19Okay, if you have questions, you can answer them. Ready?
26:24Okay, this is like a game, that's why you talk about cinema based.
26:29Don't try any questions.
26:30Sir, me life low, one person, me biggest inspiration.
26:34Ante, who is the okkadu?
26:35The biggest inspirations.
26:37No.
26:38No.
26:39No.
26:40No.
26:41No.
26:42No.
26:43No.
26:44No.
26:45No.
26:46No.
26:47No.
26:48No.
26:49No.
26:50No.
26:51No.
26:52No.
26:53No.
26:54No.
26:55No.
26:56No.
26:54No.
26:55No.
26:56No.
26:57No.
26:58No.
26:59No.
26:59No.
27:00No.
27:01No.
27:02No.
27:03No.
27:04Yeah, I think.
27:04Sir, you're a producer and custom.
27:06You're a producer.
27:07You'll direct the cinema and direct the cinema.
27:09It's easy to do.
27:10Kuthuru producer is better, wife producer is better.
27:13That's a good indication.
27:14Kuthuru producer is better.
27:19Oh no!
27:20Build creative.
27:23Build creative.
27:24The product is better.
27:25The product is better.
27:26Okay.
27:27The product is better.
27:28Okay.
27:29The product is better.
27:30Okay.
27:31The product is better.
27:32Okay.
27:33The product is better.
27:34Okay.
27:35So who is that one person for you?
27:37Okkudu.
27:38Who is the inspiration?
27:39Your father.
27:40Your father.
27:41Yes.
27:42And you also speak Tamil?
27:43You also speak Tamil.
27:44Why are you doing this?
27:45I am doing this.
27:46You are learning Tamil.
27:47Yeah, I can understand.
27:48You are learning Tamil?
27:49Yeah, I can understand.
27:49I understand it.
27:50Okay.
27:51When I speak it, it's...
27:52But, it's a little bit different.
27:53A little bit different.
27:54Okay.
27:55That one person.
27:57My father.
27:59Very calm.
28:00Very patient.
28:01Okay.
28:02Very easy.
28:03So, you've got those characters.
28:04In you?
28:05Do you think?
28:06I don't know.
28:07Maybe I have.
28:09But, I think, not so much as much as I would like to have as he has.
28:14He's extremely calm.
28:15Extremely.
28:16Does your son have those characters?
28:20Situational.
28:21Okay.
28:22Situationally calm.
28:24He is.
28:25He is.
28:26He is.
28:27Yeah.
28:28I know.
28:2912.
28:30Right?
28:3113.
28:32Okay.
28:33I'm staring.
28:34He is.
28:35She's got that pendulum right in front of my face.
28:37Okay.
28:38So, you...
28:39You are in a problem.
28:40Who is that sign equal to you will first call to be on your side?
28:44Yeah.
28:45You are in a problem.
28:46You are in a problem.
28:47You are in a problem.
28:48You are in a problem.
28:49First call to be on your side.
28:49First call to be on your side.
28:50If you are in trouble.
28:51My dad.
28:52Yeah.
28:53Me sign equal to me not now.
28:54Okay.
28:54Momika Garu.
28:55Me sign equal to you.
28:56If you have...
28:57Like who would you call for a...
28:59suggestion.
29:00Very critical situation.
29:01Everyone can call just that.
29:03No.
29:04You will only take the decision.
29:05Good job.
29:06Sir.
29:07Me sign.
29:08No.
29:09No.
29:10No.
29:11No.
29:12No.
29:13No.
29:14No.
29:15No.
29:16No.
29:17No.
29:18No.
29:19No.
29:19No.
29:20No.
29:21No.
29:22No.
29:23No.
29:24No.
29:25No.
29:26No.
29:27No.
29:28No.
29:29No.
29:30No.
29:31No.
29:32No.
29:33No.
29:34No.
29:35No.
29:36No.
29:37No.
29:38No.
29:39No.
29:40No.
29:41No.
29:42No.
29:43No.
29:44No.
29:45No.
29:46No.
29:47No.
29:48No.
29:49No.
29:50No.
29:51No.
29:52No.
29:53No.
29:54No.
29:55No.
29:56No.
29:57No.
29:58Who is the Rudrama Devi on the set sir?
30:03Who do you think Sara on the sets?
30:05I mean who?
30:06Warrior Queen
30:07Warrior Queen
30:08Queen or King or who was more ferocious?
30:11Sorry
30:12Okay
30:13No
30:14No
30:15No
30:16No
30:17No
30:18No
30:18She concernshis
30:201,2,3,4,5,10
30:21She hasn't laid as much in mind
30:24How are you?
30:25I'm going to talk to you.
30:26Okay.
30:27How are you going to talk to you?
30:28Are you going to go to the house?
30:30No.
30:31No.
30:32Nothing.
30:33Okay, so the answer is unanimous, sir.
30:38Did you find the difference from Okotu days to this euphoria?
30:43Working with Gunshakar Garu in his temperament?
30:46I think we all change, don't we?
30:48We all grow in age, we all have situations and we all change.
30:53It depends on what situation, what mood you are in or what happens.
30:58But he is generally the same, but I think in experience we all grow.
31:03So he has grown, I have grown in experience.
31:05But I still remain a student forever.
31:07Do you think...
31:08Can we calm down more from Okotu days to euphoria?
31:13And she is trying to...
31:18Watch for one calm moment.
31:23Okay, what do you think?
31:24Exactly.
31:25Exactly.
31:28She saw it, she saw it, she saw it, she saw it.
31:31Suddenly I am like, open the trunk.
31:33Where, where, where did I find that little girl?
31:36No, no.
31:38I think it's all situational.
31:39Yeah, I think...
31:40You know how movies are made.
31:41Movies are all situation based.
31:43Sets are all situation.
31:44So...
31:45Okay, so Rudramadevi, let's go ahead.
31:47Let's go ahead.
31:48Euphoria ke Occhadamu.
31:49What is that one euphoric moment in your life till date?
31:53Lilliman.
31:54Lilliman.
31:55Lilliman.
31:56Merit, merit.
31:57Merit.
31:58She's a teleprompter.
31:59She's a teleprompter.
32:00She's a teleprompter.
32:02Prompter.
32:03My husband is here somewhere.
32:04So he'll be happy.
32:05Oh!
32:06Oh, okay.
32:07He'll be very happy.
32:08Yeah, good.
32:08Mareja.
32:09Mareja.
32:10That day was big for you.
32:13Yes.
32:14Aros nunchi, pull you for you.
32:16Okay.
32:17In which way she means...
32:18If we don't know.
32:19Because marriage...
32:20Any marriage is always an older question.
32:22It's an older question.
32:23All of us are living in perpetual euphoria.
32:25Perpetual euphoria we are in.
32:26Right.
32:27Yeah.
32:28So me like an anti-euphoria moment.
32:29Perpetual euphoria.
32:30Marriages.
32:31Marriages.
32:32Children, everything euphoria.
32:33Exactly.
32:34Marriages.
32:35You can see me, you know.
32:36I'm already happy.
32:37Tears of joy.
32:38Inflation you are.
32:39Yeah, I can see you.
32:40You can see me.
32:41Yeah.
32:42So...
32:43It's a marriage concept.
32:44Marriages.
32:45Marriages.
32:46Marriages.
32:47Marriages.
32:48Only three people can ask.
32:49Marriages.
32:50Marriages.
32:51Marriages.
32:52Marriages.
32:53Marriages.
32:54Marriages.
32:55Marriages.
32:56Marriages.
32:57Marriages.
32:58Marriages.
32:59Marriages.
33:00Marriages.
33:01Marriages.
33:02Marriages.
33:03Marriages.
33:04Marriages.
33:05Marriages.
33:06Marriages.
33:07Marriages.
33:08Marriages.
33:09Marriages.
33:10Marriages.
33:11Marriages.
33:12Marriages.
33:13Marriages.
33:14Marriages.
33:15Marriages.
33:16Marriages.
33:17Marriages.
33:18Marriages.
33:19Marriages.
33:20Marriages.
33:21Marriages.
33:22Marriages.
32:58Yeah, the entire satisfaction is something different for a creator, I think that's
33:03the ultimate thing, right. Sara, for you.
33:06There was a day when
33:08both my parents were crying tears of joy because of
33:13something I did. So that's my most euphoric day ever.
33:16Tears of joy you said, so I'm happy.
33:18Tears of joy, like it meant a lot to me.
33:20Okay. That day.
33:22Yeah, she's not.
33:23I'm not telling what that she did, but I'm assuming it must have been.
33:28She's taking her studies to Randal.
33:33See, I got that.
33:35I get one point of the quiz.
33:38Actually, Vignesh was going to watch me.
33:41You earned it.
33:44This is your prize.
33:46What is your euphoric?
33:48Marriage.
33:49Marriage?
33:50Marriage.
33:51My mother is in America.
33:53Marriage.
33:54What happened?
33:55You know.
33:56College, Manas and Andir.
33:58I don't know.
33:59I don't know.
34:00I don't know.
34:01I don't know.
34:02No.
34:03I don't know.
34:04That's why I decided to do serious acting.
34:08I don't know.
34:09You know, I didn't know.
34:10I was talking to you.
34:11I was talking to you.
34:12I was talking to you for a career of an academic student.
34:13My husband, I was going to go to acting college and mentally...
34:18But I don't have to say anything about it in Telugu families.
34:23I don't know how many of them are, like 8-8, like 8-8, like college drop.
34:28and then the letter sign will give you the letter sign
34:33That's amazing. I have a passion for you to follow.
34:38Yes. Now you know what you have to do now.
34:40Do you understand the industry?
34:42Yes, I understand.
34:43I don't know if you're a child.
34:45You have to be able to get back to the 3D years of the scene.
34:47You can come back to the next video.
34:48I think it's the first day of the shoot.
34:53I think it's the first day of the shoot.
34:58I think it's the first day of the shoot.
35:00I think it's the first day of the shoot.
35:02It's the first day of the shoot.
35:03The first day of the shoot.
35:04I think it's the first day of the shoot.
35:06It's the first day of the shoot.
35:08I don't think it's a good feeling, but I don't think it's a good feeling.
35:13Let's take a separate reel, sir.
35:15If you say that, you can say that.
35:18I want you to know how you feel.
35:21Okay. So, now...
35:23In the same way, the other people are almost cross-eyed.
35:28There is almost cross out here.
35:32So this will be done.
35:33I don't think it's a good thing,
35:35I don't think it's a good thing.
35:37If you want to share,
35:38this is an open space to share,
35:40because editor is my friend,
35:42we can edit it.
35:43Like for me,
35:45when I was in college,
35:47Okasari Edostrom,
35:48it's a good thing,
35:50so I went to the OCHESAR college,
35:52and I didn't want to share.
35:53This is long back,
35:55almost when it was in 1990.
35:58It's a good thing.
36:00So, they gave a story,
36:02they gave us a story.
36:03It's a good thing,
36:04it is a good thing to throw.
36:05It's a good feeling,
36:07but it's a good thing,
36:08Wow!
36:08We also know that we are doing it.
36:10But now, we don't have anything to do with that.
36:13Why did we do that?
36:14So I think there's a lot of peer pressure also.
36:18It's a confession time by the boys.
36:23It's a confession time.
36:25There's a lot of work in the hostel.
36:26There's a lot of work in there.
36:28There's a lot of work in the boarding school.
36:33I don't know.
36:34There's a lot of work in there.
36:35There's a lot of work in there.
36:36There's a lot of work in there.
36:38I went to the airport to the airport to the school, Sarmadi.
36:41My night, I went to the airport to the airport to the airport.
36:43I went to the airport to the airport to the airport to the airport.
36:48I went to the airport to the airport to the airport to the airport.
36:53I went to the airport to the airport to the airport.
36:55I went to the airport to the airport to the airport.
36:57That was the memory moment.
36:58I went to the airport to the airport to the airport to the airport.
37:04But my тут is...
37:05If you did the airport from the airport...
37:07No.
37:08That's okay.
37:09Yeah, that's okay.
37:10And now the principal guy will get this.
37:12That's okay.
37:13Yes, yes.
37:15Disclaimer is Kundamani. Okay. Pridhvi.
37:18No, Jepu.
37:19Do you have any questions?
37:20No, no.
37:21No, no.
37:22No, no.
37:23No, no.
37:24No, no.
37:25No, no.
37:26No, no.
37:27No, no.
37:28No, no.
37:29No, no.
37:30No, no.
37:31No.
37:32No.
37:33No, no.
37:34No, no.
37:35No, no.
37:36No, no.
37:37No.
37:38No, no.
37:39No, no.
37:40No, no.
37:41No, no.
37:42No.
37:43No, no.
37:44No, no.
37:45No, no.
37:46No, no.
37:47No, no.
37:48No, no.
37:49No, no.
37:50No, no.
37:51No, no.
37:52No.
37:53No, no.
37:54No, no.
37:55No, no.
37:56No, no.
37:57No, no.
37:58No, no.
37:59No, no.
38:00No, no.
38:01No, no.
38:02No, no.
38:03No, no.
38:04No, no.
38:05No.
38:06No.
38:07No.
38:08No.
38:09No.
38:10No.
38:11No.
38:12No.
38:13No.
38:14No.
38:15No.
38:16No.
38:17No.
38:18No.
38:19No.
38:20No.
38:21No.
38:22No.
38:23No.
38:24No.
38:25No.
38:26No.
38:27gentle and calm with his guidance. Again, same thing.
38:32He also placed a lot of faith in me and
38:37yeah, I mean, he is, he is just his persona is only so.
38:42Calm and gently for me and he has this vision. So I was just so.
38:47Proud and happy to be a part of the vision.
38:50Great, great. Amazing.
38:52So any memorable things or incidents that you wanted to share?
38:57How do we shoot it? Euphoria shoot it?
39:00I think
39:02Generally, the whole film for me has been very special and something that I've always
39:07been close to my heart. All the scenes that
39:12that we had and the effort that was put in.
39:17To it, his clarity, like Sara said, as a mother
39:22me connecting the dots, you know, and thinking.
39:27And future.
39:29I think the whole film for me is
39:32just like something that I'll, I'll take back for a long time.
39:35Yeah, yeah.
39:37So e-cinema ki andharura wali. It's youth and it's for family and it's for everybody.
39:42So what do you want to say to the audience such that they come for the first day to watch the film?
39:47I just want to say like, this is a reflection of what's happening.
39:52In society right now, it's also a very hard to digest.
39:57pill.
39:58Really?
39:59Hard to digest.
40:00Yeah.
40:01Yeah.
40:02Yeah.
40:02And there'll be a lot you can learn from.
40:05Like Indhaka Sarachipna.
40:07It's not very shame that it was the other.
40:09But hari you know Momo.
40:10Definitely.
40:11I had a lot, he had it, I have two great characters.
40:12a lot to take from each character.
40:12So, I think, let's leave an impactful cinema for us.
40:17Okay.
40:19And Bhoomika Garu,
40:21Meere and Chapalan continue.
40:22What is the audience?
40:24I think to...
40:27Generations, which are the younger one and the older generation.
40:32Everyone's going to take back home something from this film.
40:36They'll be...
40:37They'll be able to relate to it parents, children, teenagers.
40:42Whoever's...
40:43I mean, more so teenagers.
40:45Whoever's going to watch it...
40:47They'll be able to relate to this film.
40:49So, like she said, a heart to die.
40:52Just pill, but something that you can't do without.
40:56Yeah.
40:57Amazing.
40:58I think a lot of people have problems...
41:02Maybe...
41:04Maybe...
41:05Entertainment...
41:06And...
41:07What if you...
41:10What if you are a real life?
41:12you also get a solution to it.
41:14I don't know, I don't know February 6th.
41:17I'll also watch the film.
41:18Maybe for the audience to come,
41:20this might be a takeaway.
41:21Anand.
41:22Meerae wanted Sir.
41:232026 Sir.
41:242026 Sir.
41:252026 Sir.
41:262026 Sir.
41:272026 Sir.
41:282026 Sir.
41:292026 Sir.
41:302026 Sir.
41:312026 Sir.
41:322126 Sir.
41:342026 Sir.
41:352027 Sir.
41:37Family, family, and all of them enjoy and trust them.
41:42There are a lot of people in February.
41:45There are a lot of people in February.
41:47There are a lot of people in February.
41:49There are a lot of people in February.
41:52There are a lot of people in France.
41:56There are a lot of people in the library.
41:57So, in the future, we will be able to live in the future.
42:02But the need of the hour is the need of the hour.
42:07The need of the hour is the need of the hour.
42:12The need of the hour is the need of the hour.
42:17The need of the hour is the need of the hour.
42:22The need of the hour is the need of the hour.
42:27The need of the hour is the need of the hour.
42:27The story-telling is one of the most difficult things.
42:32I think the answer is a good point.
42:35Yes.
42:36Ok sorry, we try.
42:37We turn into the middle of Elanti cinema.
42:41Yes, definitely.
42:42Okay, Sara.
42:44Euphoria film Endu Kuchudali.
42:46Why do we have to watch this?
42:47I think as I said before, um,
42:52it's very meaningful and it's a very socially strong narrative that-
42:57that he's presenting and so I think it's good, you know, to have-
43:02have conversations through films and have reflections and so I think because-
43:07because of all of these reasons, we should watch Euphoria.
43:09Sure, okay.
43:10Big Mesh.
43:12We also have a social aspect of the team, right?
43:15Hmm.
43:16That's true, but-
43:17and now personal reason ended as a film-
43:20very engaging film.
43:21Hmm.
43:22I mean, there is a social aspect of the team,
43:24even though the audience is still in class speaking,
43:27it's true.
43:27I mean, there's a lot of people in the audience.
43:28Hmm.
43:29I mean, there's a lot of people in Sardesian cinema.
43:31There's a lot of people in Sardesian cinema.
43:32There's a lot more film in Sardesian cinema.
43:33Not even in Sardesian cinema.
43:34They're a lot of people in Sardesian cinema.
43:35You've got a lot of people in Sardesian cinema.
43:36They're going to be a video clip.
43:37But I think it's a great end YouTube movie.
43:39Here's an video clip.
43:41There's a lot of people in Sardesian cinema.
43:42Where are you?
43:43Where are you?
43:44Where are you?
43:45Where are you?
43:46No voice.
43:47You're going to find a really difficult film.
43:48You're going to find something, right?
43:49Here we go.
43:50I'm going to be seeing something.
43:51Yep, apparently,
43:52it's just a good-
43:55What is the Jep?
43:56What is the Jep?
43:57If we go to the customer, we will have the double-weighted D-Sangha.
44:00That's the first time.
44:02That's the first time.
44:04Literally.
44:05Do we have to do it?
44:06I have to do it.
44:07I have to do it.
44:08I can't do it.
44:09I can't do it.
44:10Sir, you will say it or not?
44:11No, no, no, no, no, no, no.
44:12And the reason is, I am...
44:15You will say that, the two end of hours will show you.
44:20He was sweating. He said,
44:22He said,
44:24He's a young guy.
44:25It's very fresh.
44:27In the climax,
44:29it's...
44:30In the climax,
44:32we thought,
44:34later,
44:36he said that.
44:35but it's very engaging from starting a hundred percent psycho side.
44:40Okay.
44:41Sorry.
44:42I'm psycho side.
44:43Okay.
44:44Sorry.
44:45I'm psycho side.
44:45What character film?
44:46Vikas.
44:47Vikas.
44:48Chaitra.
44:49Chaitra.
44:50Chaitra.
44:51Chaitra.
44:52Chaitra.
44:53Chaitra.
44:54Chaitra.
44:55Chaitra.
44:56Chaitra.
44:57Chaitra.
44:58Chaitra.
44:59Chaitra.
45:00Chaitra.
45:01Chaitra.
45:02Chaitra.
45:03Chaitra.
45:05Chaitra.
45:06Chaitra.
45:07Chaitra.
45:08Chaitra.
45:09Chaitra.
45:10Chaitra.
45:11Chaitra.
45:12Chaitra.
45:13Chaitra.
45:14Chaitra.
45:15Chaitra.
45:16Chaitra.
45:17Chaitra.
45:18Chaitra.
45:19Chaitra.
45:20Chaitra.
45:21Chaitra.
45:22Chaitra.
45:23Chaitra.
45:25Chaitra.
45:26Chaitra.
45:27Chaitra.
45:30Chaitra.
45:31Chaitra.
45:32Chaitra.
45:33Chaitra.
45:34Chaitra.
45:35Chaitra.
45:36Chaitra.
45:37Chaitra.
45:38Chaitra.
45:39Chaitra.
45:40Chaitra.
45:41Chaitra.
45:42Chaitra.
45:43Chaitra.
45:44Chaitra.
45:45Chaitra.
45:46Chaitra.
45:47Chaitra.
45:48Chaitra.
45:50Chaitra.
45:51Chaitra.
45:52Chaitra.
45:53Chaitra.
45:54Chaitra.
45:55Chaitra.
45:56Chaitra.
45:57Chaitra.
45:58Chaitra.
45:59Chaitra.
46:00Chaitra.
46:01Chaitra.
46:02Chaitra.
46:03Chaitra.
46:05Chaitra.
46:06Chaitra.
46:07Chaitra.
46:08Chaitra.
46:09Chaitra.
46:10Chaitra.
46:11Chaitra.
46:12Chaitra.
46:13Chaitra.
46:14Chaitra.
46:15Chaitra.
46:16Chaitra.
46:18Chaitra.
46:19Chaitra.
46:20Chaitra.
46:20Chaitra.
46:21Chaitra.
46:22Chaitra.
46:23Chaitra.
46:24Chaitra.
46:25Chaitra.
46:26Chaitra.
46:28Chaitra.
46:29Chaitra.
46:30Chaitra.
46:31Chaitra.
46:32Chaitra.
46:33Chaitra.
46:34Chaitra.
46:35Chaitra.
46:36Chaitra.
46:37Chaitra.
46:38Chaitra.
46:39Chaitra.
46:40Chaitra.
46:41Chaitra.
46:42Chaitra.
46:43Chaitra.
46:44Chaitra.
46:45Chaitra.
46:46Chaitra.
46:47Chaitra.
46:48Chaitra.
46:49Chaitra.
46:50Chaitra.
46:51Chaitra.
46:52Chaitra.
46:53Chaitra.
46:54Chaitra.
46:55Chaitra.
46:56Chaitra.
46:57Chaitra.
46:58Chaitra.
46:59Chaitra.
47:00Chaitra.
47:01Chaitra.
47:02Chaitra.
47:03Chaitra.
47:05Chaitra.
47:06Chaitra.
47:07Chaitra.
47:08Chaitra.
47:09Chaitra.
47:10Chaitra.
47:11Chaitra.
47:12Chaitra.
47:13Chaitra.
47:14Chaitra.
47:15Chaitra.
47:16Chaitra.
47:17Chaitra.
47:18Chaitra.
47:19Chaitra.
47:20Chaitra.
47:21Chaitra.
47:22Chaitra.
47:23Chaitra.
47:24Chaitra.
47:25Chaitra.
47:26Chaitra.
47:27Chaitra.
47:28Chaitra.
47:29Yeah. Okay. Thank you. Thank you so much. Yeah. Thank you.
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