- 9 hours ago
Detective Amelia Van Helsing is on the desperate hunt for the killer responsible for a string of grisly murders targeting young women. Matters only worsen when all evidence leads to the seemingly untouchable Count Dracula. And when Van Helsing’s girlfriend vanishes, she is forced to question the very existence of monsters in a final showdown with the enigmatic count.
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Short filmTranscript
00:03:00Read all about it, killer strikes again.
00:03:06Read all about it, killer strikes again.
00:03:12We've got another one.
00:03:17Amelia, good.
00:03:19You're here.
00:03:20The body was found earlier this morning.
00:03:23If I had to guess, she was probably killed only a few hours before that.
00:03:30As of the moment, no witnesses.
00:03:32Of course.
00:03:33Of course.
00:03:43Red hair.
00:03:44Sky definitely has a type.
00:03:45The wound matches exactly what we've seen before.
00:03:52See, we've got some blood splatter here.
00:03:53See, we've got some blood splatter here, the angle of which suggests he was on top of her when it happened.
00:03:59She saw it coming.
00:04:06I'm not sure if that makes it better or worse.
00:04:08It's a fairly small amount of blood for how much she's lost.
00:04:14We won't know that for sure until Seawood gets a look at her back at his lap.
00:04:21And that we face the facts that we might be dealing with A.
00:04:25Spit it out, Van Helsing.
00:04:27Trepidation doesn't suit you.
00:04:29Mass murderer.
00:04:30This is one of those occasions where I hate to say I agree.
00:04:35And we're not alone.
00:04:38Are they still on about this?
00:04:40Fortunately, yes.
00:04:42They're comparing this to a hundred-year-old case.
00:04:45It's lazy sensationalism.
00:04:48Like you said, it sells papers.
00:04:51You've got to admit, a century-old mass murder case that ended at a creepy castle.
00:04:56The kind of stuff that wheds the appetite.
00:04:58Yeah, if you believe in myth and ghost stories and not in facts.
00:05:03Besides, see, they didn't mention that we did our due diligence, did a sweep of the castle and found nothing.
00:05:09Why let facts get in the way?
00:05:11I can't have the press interfering with my case.
00:05:15What are we gonna do?
00:05:17We aren't. I will.
00:05:20What you need to do is get to work and solve this before it gets even more out of hand.
00:05:32What could even do this?
00:05:41Well?
00:05:42Well, every time I find something that I think is conclusive, I find something that contradicts it and makes me dirt myself.
00:05:52Renfield seems to think that the relatively recent nature of this one's passing might help us answer questions.
00:05:58You know, Renfield, the good captain, doesn't seem to understand that to be able to accomplish that, you have to have somewhere to start.
00:06:04And this, this, this just doesn't make any sense.
00:06:08What do you mean?
00:06:11Well, all the bodies died from a massive amount of blood loss, right?
00:06:18Brought about from, like, neck trauma.
00:06:20And though these slashes are, are serious, they're just not congruent with your regular jugular slash or throat cut.
00:06:28You know what I mean.
00:06:31There's gotta be something we're missing. Impossible problems.
00:06:35I have probable solutions, yes, I know, I know.
00:06:39Maybe we just have to look at the facts we have.
00:06:42We know that the lacerations and trauma caused by the wounds severed the jugular, leading to death.
00:06:49And it was done with relative efficiency.
00:06:51Yes, yes, yes, but the tearing of the epidermis around the punctures is not done by any blade weapon that I know of.
00:06:57It's almost like it's, like a, like a bite.
00:07:02Could it be a bite?
00:07:04They just don't match the spacing.
00:07:06And, and our canines are just not up to that level of efficiency.
00:07:11I mean, and then, and then there's the blood, right?
00:07:13This body is a dried husk.
00:07:17If all the blood is gone, where does it go?
00:07:20That's the question, isn't it? That's the kicker.
00:07:22Of the blood that's left, do we have a sample?
00:07:25Uh, yes.
00:07:26Yes.
00:07:27Yes.
00:07:28I, I ran some tests to see if the killer used any kind of a sedative or an outside chemical
00:07:33to sort of subdue the victims, but I ran them a couple of times.
00:07:38I, I couldn't find anything.
00:07:40Could I have that?
00:07:42I, I don't usually let evidence out of the lab.
00:07:48Where, where is it going?
00:07:49I wanna see if Harker can turn anything up.
00:07:51Oh, I know it.
00:07:53What?
00:07:54He's a brilliant chemist, Jack.
00:07:56And we look at details as they pertain to the case.
00:07:59He looks at them in a scientific puzzle.
00:08:01Yes, yes.
00:08:02And he's able to turn things up we often miss.
00:08:03Yes, yes.
00:08:04I, he's been very helpful in the past.
00:08:06I agree.
00:08:07You bring my blood back.
00:08:10I'll see what I can do.
00:08:12Let you know if we turn anything up.
00:08:13And you owe me a dinner for all this.
00:08:15Well, tell Meena you're coming over.
00:08:16Maybe she'll make you that roast again.
00:08:18Who rolls?
00:08:39I didn't expect you so soon.
00:08:42Do you have what I require?
00:08:46Yes.
00:08:48Master.
00:08:53Master.
00:09:18Master.
00:09:24Master.
00:09:29Master.
00:09:33So you're telling me there was no blood anywhere else in the room?
00:09:35Seems impossible, right?
00:09:37That vial is what Seward managed to extract from the body.
00:09:42And this was it?
00:09:44More or less.
00:09:47How curious.
00:09:49Sort of why I'm here.
00:09:51You know I always appreciate when you bring me a puzzle to solve.
00:09:54Unfortunately, it's not like when we were kids.
00:09:57I suppose. Bigger challenges, bigger stakes.
00:10:00That's one way to put it.
00:10:03You think you can analyze it?
00:10:06I believe I can.
00:10:08In fact, I have several texts around here somewhere
00:10:10which might actually provide some clues to...
00:10:12He came to you as a chemist, Jonathan.
00:10:14Not because of your hobbies.
00:10:16The study of occultism is no mere hobby.
00:10:19It provides insight into the things we have yet to even begin to comprehend.
00:10:22I appreciate the interest,
00:10:24but the study of magic and ghosts is no comparison to facts.
00:10:28And quite frankly,
00:10:30that's what I need right now.
00:10:33Well, there are those that believe that magic is merely science we don't understand yet.
00:10:37There is a very real mass murderer stalking the streets right now.
00:10:42I came to you because you're able to put scientific bits of the puzzle together.
00:10:47I admit that there are some cases we couldn't have cracked without you.
00:10:52That's the Jonathan I need right now.
00:10:56If there's something in that blood that shouldn't be there, I'll find it.
00:11:00I just need some time.
00:11:04Don't take too long, though.
00:11:06Seaward was already on edge that I had to borrow his evidence.
00:11:09Jack, what'd you have to bribe him with this time? Dinner?
00:11:12How'd you know?
00:11:14His pride won't allow him to admit this,
00:11:17but he lets me bring you things because he knows you get results.
00:11:21Prove us both right.
00:11:23Yeah?
00:11:24Tell you what.
00:11:26If I don't bring you back something,
00:11:28I'll make dinner for all of you.
00:11:30Things are bad enough out there as it is.
00:11:33Let's not make it worse.
00:11:35Hey.
00:11:50Felia, I didn't expect you to have so soon.
00:11:53Didn't mean to scare you.
00:11:54It's just been a long day.
00:11:55I figured I'd grab a bite to eat.
00:11:57How are you, babe?
00:11:59What's the occasion?
00:12:00I didn't miss something important, did I?
00:12:01No, you're off the hook.
00:12:03These actually aren't for us.
00:12:04We have company.
00:12:06We do?
00:12:07You know how I've been hoping that the firm will eventually
00:12:09let me handle an account on my own,
00:12:10but it just kind of felt like they were making me wait forever.
00:12:13Mina, tell me what I think you were going to say.
00:12:16Well, a new account just came in,
00:12:18and this foreign dignitary is looking for some real estate here in the city,
00:12:21and they assigned me to help.
00:12:23Amazing.
00:12:25It's a big deal.
00:12:26If I can pull this off, then I might just be able to prove
00:12:29that I can make it as a successful solicitor yet.
00:12:31They're not going to know what's hit them.
00:12:33Oh.
00:12:34And the wine?
00:12:35Oh.
00:12:36That's the thing.
00:12:37The dignitary.
00:12:38The man that I'm helping find a place.
00:12:40He's here.
00:12:41He is?
00:12:42It's late.
00:12:47Yeah.
00:12:48And I just thought that maybe as I get to know you, Jester,
00:12:51that I should...
00:12:52Absolutely.
00:12:53You're celebrating today.
00:12:54Go, go, go.
00:12:55Let's do it.
00:13:02Yester.
00:13:03Hey, any bad questions?
00:13:07Found down here and sitting in the house,
00:13:08and he's been told.
00:13:09whackas floor,
00:13:10and theуска the ass care,
00:13:11just have...
00:13:12who is healthy?
00:13:13.
00:13:14even if I came to the house,
00:13:16who's completely terrible at the time?
00:13:18It's Mina. I didn't realize we had company.
00:13:41Yes, um, this is my girlfriend, Amelia Van Helsen.
00:13:45She arrived home as I was getting our drinks.
00:13:47Amelia, this is Count Dracula.
00:14:17You know, I don't drink wine often.
00:14:34This has been lovely.
00:14:35I'm so glad you were able to join us, Miss Van Helsen.
00:14:39Mina didn't tell me she had such a charming partner.
00:14:41Amelia, please.
00:14:44And of the two of us, Mina is the charming one.
00:14:47Far too many people grumble at my presence to think otherwise.
00:14:50It's just nice to have her home for a bit.
00:14:52What with everything?
00:14:54Ah, yes.
00:14:55I've read some of the garish details in the papers.
00:14:59Don't take everything you read in the local rag at face value.
00:15:02I rarely do.
00:15:05Though I must confess, when I read the name of the investigator in charge of the matter,
00:15:10I never expected to be dining with her later that evening.
00:15:15Strange coincidences, now.
00:15:17The world is full of them.
00:15:20It's comforting to know the police are working so diligently on the matter.
00:15:24So, are you looking to relocate permanently or just acquiring properties?
00:15:34It all depends on what the lovely Miss Mina shows me.
00:15:39But a bit of both, I suspect.
00:15:42A number of years ago, I spent a little time here.
00:15:45There was just something about it that felt like home.
00:15:49I think that's lovely.
00:15:51Just a feeling of certainty one gets.
00:15:55I've been travelling abroad for a great while,
00:15:57and somehow I always knew what I wanted was here.
00:16:04Well, then you must find him a good place.
00:16:07Dinner party etiquette demands it.
00:16:09I have utmost faith in Miss Mina's acumen.
00:16:12When I visited his solicitor's office, I saw her
00:16:15and knew she'd be the one to help me.
00:16:17I, I didn't realise that my assignment was by request.
00:16:22I made the suggestion.
00:16:25And the partners at your firm obliged.
00:16:29What?
00:16:31I wanted someone who sees the city a little differently.
00:16:34I had an instinct, and I followed you.
00:16:46And my instincts are rarely wrong.
00:16:49I don't know what to say.
00:16:52I'm truly honoured.
00:16:54I won't let you down.
00:16:55I don't know about you,
00:16:56but this seems like the perfect excuse for another toast.
00:16:58Who put that be at this hour?
00:17:11Jonathan!
00:17:12That's too terrible to consider, Amelia.
00:17:13When the evidence suggests the improbable is probable,
00:17:16we must.
00:17:17We must.
00:17:17Could you keep it down, please?
00:17:18Amelia's having a work dinner.
00:17:20We don't need to cause unnecessary alarm.
00:17:21I'm sorry.
00:17:22I just, I think I found something.
00:17:25With the blood?
00:17:26Potentially.
00:17:27And if I'm right, it's something awful.
00:17:30Let's talk outside.
00:17:37What's going on?
00:17:38There are trace amounts of saliva in the blood.
00:17:40But the more significant thing
00:17:42is what that could potentially represent.
00:17:43I don't understand.
00:17:45The punctures.
00:17:46The absence of blood.
00:17:47The calculated kill crossed with the primal violence.
00:17:50It all felt too familiar to be coincidence.
00:17:53So I started cross-referencing some of my texts.
00:17:56And all signs point to Nosferatu.
00:18:01I think we may be dealing with a vampire.
00:18:03A what?
00:18:04A vampire is a perceived mythological creature of undead origin.
00:18:06I know what a vampire is, Jonathan.
00:18:09But if you recall,
00:18:11I explicitly asked you to stick to science on this one.
00:18:14No fairy stories.
00:18:15I know.
00:18:16But it could explain so many of the unknown variables of the case.
00:18:19The irregular wound.
00:18:20The loss and absence of blood.
00:18:23You and your colleagues missed certain details
00:18:24because they were things you didn't even know to look for.
00:18:26Are you hearing yourself?
00:18:28There was a very real serial killer stalking the streets
00:18:30and murdering women.
00:18:31I need something that is going to help me find him now.
00:18:34I appreciate your reticence.
00:18:36But I've said it before,
00:18:38and I'll say it again.
00:18:39Sometimes the things we consider fantastical
00:18:42are merely truths
00:18:43we're not yet allowing ourselves to understand.
00:18:46I'm sorry, Jonathan,
00:18:47but I just...
00:18:49We just got a call.
00:18:53They need you.
00:18:54There's been another...
00:18:55There's been another murder.
00:18:57Mina, please seek Count Dracula out
00:19:01and lock the door.
00:19:04I'm coming with you.
00:19:06Like hell you are.
00:19:19Ah, Amelia, it's good you're here.
00:19:22I'm surprised.
00:19:23Look who you brought.
00:19:25Jack.
00:19:26Jonathan,
00:19:27I thought you'd be out chasing ghosts or something.
00:19:30Nope.
00:19:31I've been too busy doing your job for you.
00:19:33Boys.
00:19:35Play nice.
00:19:37Surprised to see you out of the lab.
00:19:40Renfield had more important things to do,
00:19:44and he suggested if I showed up at the scene,
00:19:46I might be able to gleam
00:19:47something out of the body's natural habitat,
00:19:52so to speak, you know.
00:19:54And?
00:19:56Well,
00:19:56fits our pattern.
00:19:59Red hair,
00:20:00trauma to the neck,
00:20:03cause of death,
00:20:04massive blood loss,
00:20:05but the difference here is that
00:20:06this body's been here for two,
00:20:07maybe three days.
00:20:08When the guys got here,
00:20:17they had to open the windows
00:20:18because the neighbors were complaining about the smell.
00:20:24Was anyone seen coming or going?
00:20:26They're out canvassing the neighborhood,
00:20:28but I don't think so.
00:20:30How does someone come in,
00:20:32do something like this,
00:20:33and no one notices?
00:20:34Well, that's the kicker, isn't it?
00:20:36It's not just getting in.
00:20:38How did they get out?
00:20:40What do you mean?
00:20:41When we got here,
00:20:42they had to use a pry bar
00:20:44to open the door.
00:20:47Right?
00:20:47Because everything,
00:20:49windows, doors,
00:20:50everything was locked from the inside.
00:20:52What about a key?
00:20:54She lived alone.
00:20:56Has all the keys in her possession,
00:20:59and they're accounted for,
00:21:00and the landlord says
00:21:01that nobody else has any others.
00:21:03So,
00:21:06you're telling me
00:21:07the perpetrator
00:21:08entered a locked room
00:21:10without forced entry,
00:21:12viciously murdered a woman,
00:21:14and disappeared
00:21:14without a trace?
00:21:16Yeah.
00:21:17That's exactly what I'm saying.
00:21:19I just...
00:21:20For someone to be able to do that,
00:21:22they'd have to be...
00:21:23Capable of the impossible.
00:21:27Impossible is an illusion
00:21:28that's created
00:21:29when you have the advantage.
00:21:30And right now,
00:21:32our killer has it.
00:21:34But he's only one person,
00:21:36and what he's not banking on
00:21:37is us.
00:22:00Good.
00:22:21You're awake.
00:22:27Do you understand
00:22:37the implication here?
00:22:38It essentially proves
00:22:39there's merit to my theory.
00:22:41What's he talking about?
00:22:42Don't start on this again.
00:22:45You said you wanted facts.
00:22:47Maybe it's time to start
00:22:48looking at the ones
00:22:48you already have.
00:22:49The assailant is biting throats
00:22:50and somehow getting into
00:22:51impossible rooms with ease.
00:22:53What does that sound like to you?
00:22:55I have no idea.
00:22:57There's a strong chance
00:22:59the perpetrator
00:22:59is in fact
00:23:00a vampire.
00:23:01Oh, how clever.
00:23:03Forget the mythological connotations.
00:23:05Exsanguination is found
00:23:06in several instances
00:23:07in the animal kingdom.
00:23:08It's therefore entirely probable
00:23:09that there's a human equivalent.
00:23:11I get you're trying
00:23:11to be helpful, Jonathan.
00:23:13But what you're suggesting
00:23:14is not supported by reality.
00:23:17I would buy
00:23:17that the killer
00:23:18thinks they're a vampire.
00:23:20But as for the real deal,
00:23:21there's no such thing.
00:23:22Stories of vampires
00:23:23exist in almost every culture.
00:23:24The Zhongshur of China.
00:23:27The Sasa Bonsam of Ghana.
00:23:28The Striga of Albania.
00:23:30All variants
00:23:31on the same concept.
00:23:33If it was only folklore,
00:23:34then how did all of those
00:23:35very different
00:23:36and very distant places
00:23:37all arrive
00:23:38at the same conclusion?
00:23:40Sociologically,
00:23:40that's a wonderful argument.
00:23:42But real science
00:23:43does not support it.
00:23:45Besides,
00:23:46vampires are supposed
00:23:47to be dead,
00:23:48aren't they?
00:23:48Undead.
00:23:49Oh, well, there I have you.
00:23:50See?
00:23:50File matter starts to decompose
00:23:52almost immediately at death.
00:23:54So reanimation,
00:23:54that's almost impossible.
00:23:56It's like a roll
00:23:56of the dice, isn't it?
00:23:57Maybe that's why
00:23:58they need to drink blood.
00:23:59Drink blood.
00:24:00Fain them blood.
00:24:01Those kind of unsciences,
00:24:03they died
00:24:04in the Neolithic period.
00:24:05The point is,
00:24:07there's a very logical
00:24:07explanation, Jonathan.
00:24:10The collection of blood
00:24:11was cited
00:24:12in a number of very human,
00:24:13very real
00:24:14serial killer cases.
00:24:15and in each circumstance,
00:24:18it was just a matter
00:24:18of figuring out
00:24:19which method
00:24:20and tool
00:24:21was used to do so.
00:24:22I just think that...
00:24:23People are dying.
00:24:25The public
00:24:26are demanding answers.
00:24:29I can't tell them
00:24:30a vampire did it.
00:24:32And it would be great
00:24:33if I could have you
00:24:36and your resources
00:24:38available
00:24:39to help me find out
00:24:41who did.
00:24:43Of course.
00:24:44I'll do whatever I can.
00:24:49So what now?
00:24:51Well,
00:24:52you said you found
00:24:52some saliva
00:24:53in the blood sample.
00:24:54You found something?
00:24:57We're talking
00:24:57minuscule traces.
00:24:59I missed it
00:24:59on my first two passes
00:25:00so I can understand
00:25:01why you guys
00:25:02didn't catch it.
00:25:02It still could be something
00:25:03and if it's our killer saliva,
00:25:05it means that he could be
00:25:06interacting with our victims
00:25:08in an up-close,
00:25:09possibly fetishistic way.
00:25:11Anything we can glean
00:25:12from that?
00:25:13I don't know.
00:25:13What do you think?
00:25:16Could you two compare notes
00:25:17and tell me
00:25:18if you find anything?
00:25:19Yeah, we could do that.
00:25:20Of course.
00:25:21I'll do a little more research
00:25:22tonight and drop off
00:25:23whatever I have
00:25:24in the morning.
00:25:25Yes, which reminds me.
00:25:26I've got a couple
00:25:27more bodies to look at.
00:25:30I'll probably be there
00:25:31well into the morning.
00:25:32All right.
00:25:33I'll be on my way.
00:25:35Good luck.
00:25:36No, let's find
00:25:37a more nurturing way
00:25:38of saying goodnight,
00:25:38like I'll see you later.
00:25:40Bye.
00:25:45What about you?
00:25:47It's late.
00:25:48I should go check in on Mina
00:25:49as I made an unceremonious exit
00:25:50from dinner with her guest.
00:25:51And the chaos of everything,
00:25:52I didn't even get a chance
00:25:53to ask about that.
00:25:55Sounds like things are going
00:25:56well for her with work.
00:25:57Yeah.
00:25:57She landed a big client
00:25:59of porn aristocrat type.
00:26:00He's looking for property
00:26:01in the city.
00:26:03It's a real boost for her.
00:26:04You know how reserved
00:26:05she can be.
00:26:05That's great.
00:26:06Yeah.
00:26:07So long as I didn't scare
00:26:08him away when I ran
00:26:09out of the house
00:26:10in pursuit of a murderer.
00:26:11I like to think that's fuel
00:26:12for lively dinner conversation.
00:26:14I know.
00:26:15It's a little posh.
00:26:16Not the type to want
00:26:17gritty details.
00:26:18I guess there can't
00:26:19only be ghouls like us.
00:26:20Guess not.
00:26:23Jonathan.
00:26:24We've got to find this guy.
00:26:26Every day that passes
00:26:27while we're grasping at straws
00:26:28is another opportunity
00:26:29for him to kill again.
00:26:30I've always known you
00:26:33to be a dedicated
00:26:34investigator.
00:26:36But, and don't take
00:26:37this the wrong way,
00:26:39I can't help but feel
00:26:40you're a little bit more
00:26:41on edge about this
00:26:41one than usual.
00:26:43Our killer is singling
00:26:44out women with specific
00:26:45attributes and greeting
00:26:46them with violence.
00:26:48I can understand why
00:26:49that would strike a nerve,
00:26:50but as one of your
00:26:51oldest friends, I want to
00:26:52make sure you don't
00:26:52internalize us too much.
00:26:54It wouldn't be good for you.
00:26:56Or the case.
00:26:57It's a little too late
00:26:57not to internalize it,
00:26:58Jonathan.
00:27:00Someone is out there
00:27:01othering women
00:27:02and killing them
00:27:02for their otherness.
00:27:04For reasons of my existence,
00:27:05I find that a little hard
00:27:07not to take personally.
00:27:08Of course.
00:27:11Look at that saliva.
00:27:13Get back to Jack
00:27:14with anything you find.
00:27:16I'm going to go home,
00:27:16check in on Mina,
00:27:18and go over all my documents.
00:27:20All right.
00:27:21But you get some sleep,
00:27:22okay?
00:27:25No more dead women
00:27:26on my watch.
00:27:27Got it?
00:27:28Got it.
00:27:30Mina?
00:27:53Mina?
00:27:54I don't know.
00:28:24I don't know.
00:28:54Amelia?
00:29:06Hey, are you okay?
00:29:09Yeah, I'm okay.
00:29:11What happened?
00:29:12There was someone in the house.
00:29:14What?
00:29:15Are they?
00:29:16I'm fine.
00:29:17They got away though.
00:29:19God, Amelia.
00:29:20Shh.
00:29:21It's okay.
00:29:22I'm here.
00:29:23I'm here.
00:29:24I don't understand.
00:29:26Who would do this?
00:29:29It's him.
00:29:31Him?
00:29:33The Count said the papers mention me by name.
00:29:37What are you talking about?
00:29:39The killer from my case.
00:29:41He knows who I am.
00:29:43And tonight, he wanted to send me a message.
00:29:48He knows where we live.
00:29:58And you're sure you found no significant evidence of forced entry?
00:30:02No.
00:30:03And you know I know what to look for.
00:30:05And you know I have to ask.
00:30:07I'm sorry.
00:30:08It's just, he came into my home.
00:30:12What if I hadn't been here?
00:30:14And Mina?
00:30:15She's fine.
00:30:16Not fine, but she'll be okay.
00:30:19Just a bit startled.
00:30:21It's gonna be a rough night's sleep for both of us.
00:30:23Understandable.
00:30:24Did you at least get a good look at him?
00:30:26No.
00:30:27Credit where credit's due.
00:30:28He knew to move fast and stick to the shadows.
00:30:30And if I didn't know any better, I would've thought he was familiar with the house.
00:30:32Is that possible?
00:30:33Not likely.
00:30:34Besides Jonathan Harker and a few women from the social club, we don't really have guests.
00:30:38Though there was Dracula.
00:30:39Dracula?
00:30:40A foreign count that Mina's helping acquire property in the city.
00:30:41He was here earlier for dinner.
00:30:43You don't think?
00:30:44No.
00:30:45Most aristocrats are not known for their subtlety.
00:30:46So I doubt her stealthy.
00:30:47Breaking and entering is in his repertoire.
00:30:48I suppose you're right.
00:30:49You're right.
00:30:50I don't know.
00:30:51You're right.
00:30:52I don't know.
00:30:53I don't know.
00:30:54I don't know.
00:30:55I don't know.
00:30:56I don't know.
00:30:57I don't know.
00:30:58I don't know.
00:30:59I don't know.
00:31:00I don't know.
00:31:01I don't know.
00:31:02I don't know.
00:31:03I don't know.
00:31:04You know.
00:31:05I don't know.
00:31:06I suppose you're right.
00:31:09Andy was vetted by the partners in Mina's firm and kind of glad he's here.
00:31:13It provides her a distraction from all this.
00:31:17You don't have to say it, Amelia.
00:31:20I'm behind you.
00:31:23You do whatever it takes.
00:31:26Thank you, Captain.
00:31:27Of course.
00:31:28I'm gonna get these guys out of here so you can get some sleep.
00:31:36very
00:31:40sounds
00:31:41...
00:31:43...
00:31:45...
00:31:58...
00:32:00...
00:32:04are they gone yeah the last officer just left and and I wish I had answers for you but I don't
00:32:31not yet this isn't supposed to happen this shouldn't be coming to our door I'm supposed
00:32:42to take care of you honey you do take care of me but tonight tonight when danger came up you chased
00:32:53it away you went straight into battle without a second thought and that's the moment I know
00:32:58you take care of me Amelia you do so much you take care of so many people
00:33:09sometimes you need to let me take care of you
00:33:16baby shut up let me take care of you
00:33:28so
00:33:39so
00:33:50so
00:34:01so
00:34:12so
00:34:23so
00:34:35Jonathan are you here to see Amelia?
00:34:46I haven't seen Amelia for a day but I heard about what happened last night and I just wanted to stop by and check
00:35:02oh sorry I didn't realize you had company
00:35:06oh sorry yes um Jonathan Harker this is Count Dracula
00:35:12we are currently working together to hopefully find him a permanent residence here in the city
00:35:18it's an honor and a pleasure Count
00:35:21and uh might I say with Mina here I'm sure you'll get everything you want
00:35:27and then some the pleasure's mine Mr Harker and on the subject of Miss Murray we agree
00:35:33she has been truly impressive
00:35:35the Count and I are going to look at a couple properties soon
00:35:39and uh there's an old abbey on the Carfax which I think with a little renovation could be
00:35:44quite the private residence
00:35:46I know the place it's spectacular
00:35:47though isn't it getting a bit late for property showings
00:35:51that's my fault I'm afraid
00:35:53much of my days are eaten up
00:35:55business matters
00:35:57and so I had to see it at night
00:35:59I'm a bit of a night owl
00:36:01Miss Murray was incredibly kind to offer her time out of regular hours
00:36:05it really was nothing
00:36:07Jonathan why don't you go and have a seat and I'll let Amelia know you're here
00:36:10so you'll have to tell me twice
00:36:12so are you a colleague of Miss Van Helsing
00:36:28yes I suppose so
00:36:30Amelia and I have actually been friends since childhood
00:36:33she used to keep me out of trouble and I used to distract her from her studies
00:36:37which is funny because now she's the one always running towards trouble
00:36:41and I'm the one who always has his nose in a book
00:36:43do you have an area of research?
00:36:46I'm a chemist actually
00:36:47I consult frequently with Amelia and her colleagues on cases of specific scientific curiosity
00:36:53I do not envy scientific research
00:36:57a lot of dry reading there
00:36:59I much prefer an evening sitting
00:37:02with one of the classics
00:37:04I can appreciate that
00:37:06and definitely get the need for more vibrant material
00:37:09a bulk of my personal reading is actually into occultism
00:37:15how curious
00:37:17does that study not contradict the steadfast rules of your profession?
00:37:22not really
00:37:22in a lot of ways it informs it
00:37:24sometimes
00:37:26folklore and myth can fill in the blanks where science can't
00:37:30I find that exciting
00:37:31I assume not all of your colleagues share that sentiment
00:37:35well sadly no
00:37:37but
00:37:38scientists who aren't open to the unknown
00:37:40aren't really all that good of scientists are they?
00:37:43hmm
00:37:43for someone I just met
00:37:47I must say
00:37:48you're quite admirable Jonathan Harker
00:37:51thanks
00:37:52Amelia's just finishing something should be right out
00:37:57oh great
00:37:57thanks Mina
00:37:59shall we depart?
00:38:00yes let's
00:38:01that'd be great
00:38:02oh
00:38:04gotta get some sleep
00:38:18you know what
00:38:23Jonathan is quite good at what he does
00:38:28do you know that?
00:38:29don't give him enough credit
00:38:30there's some interesting things
00:38:34I mean it doesn't explain you
00:38:37or the killer
00:38:39or
00:38:40or why I'm talking to dead bodies again
00:38:44oh shit
00:38:45I should get myself a small dog to run around here
00:38:50or maybe a canary
00:38:51wait a minute
00:38:58I thought we agreed you were going to cool it with this paranormal stuff for a bit
00:39:17you didn't have a reflection Amelia
00:39:19and?
00:39:20and that doesn't concern you
00:39:21especially based on lore and what we've talked about
00:39:23no because I think you're seeing things you want to see
00:39:26I don't want to see it I did see it
00:39:28you're on the couch right?
00:39:32sit down
00:39:33if the mirror is at an angle from where you are
00:39:38you can see me now
00:39:40right?
00:39:41yes
00:39:43and now?
00:39:50Jonathan
00:39:51no
00:39:53exactly
00:39:55you're seeing ghosts and ghouls
00:39:59where there are none
00:40:00you're right I'm sorry
00:40:02I just really want this to go well for her
00:40:05it's the first time I've seen Mina this excited about anything
00:40:08it's true she did seem to have a little more pep to her step tonight
00:40:12it's more than just the work assignment
00:40:15ever since Mina was younger she was bullied so relentlessly for being different
00:40:20whether it was her hair or the way she dressed
00:40:22she spent so many years trying to change everything about who she was
00:40:26to be who she thought people wanted her to be
00:40:28and here's a circumstance where she's being valued for who she is and what she does
00:40:32exactly
00:40:32I always knew she had a tough time of it
00:40:35but I guess I never really thought through how those things tend to hang on
00:40:39be glad you never had to
00:40:41so you said you dropped off some new data to Jack on the way home
00:40:46yes
00:40:47the saliva present in the blood sample you provided
00:40:50upon further investigation showed the slightest trace of a chemical anticoagulant
00:40:55like a blood thinner
00:40:56yes more or less
00:40:58that would explain the extraction of that amount of blood
00:41:01without the body attempting to clot to stop loss
00:41:04but that leaves the question
00:41:06how is the killer administering it to its victims
00:41:09and where has all the blood gone
00:41:12I don't know
00:41:14that's more your and Jack's department
00:41:16I can identify the chemical but the how and why of it
00:41:19might be above my pay grade
00:41:21hello
00:41:25Amelia it's Jack
00:41:27speak the devil
00:41:28no speak of bat
00:41:30I have some very interesting things to tell you
00:41:33when can you get here
00:41:34we're already on our way
00:41:35excellent
00:41:36see what oh cap I got your message to come down what's going on what we had an amazing development this morning from some of the blood of one of the victims we were able to find the presence of some saliva and then the saliva there was an anticoagulant
00:41:43okay well it reminds me of something what Amelia said Amelia said something about animals and stuff and I thought well there are only certain animals that have the anticoagulant and then the saliva there was an anticoagulant
00:41:50and then the saliva there was an anticoagulant okay well it reminds me of something what Amelia said Amelia said something about animals and stuff and I thought well there are only certain animals that have the anticoagulant and if you look here that would be bats
00:41:57oh
00:42:27ah
00:42:29why
00:42:33ah
00:42:37ah
00:42:41ah
00:42:43ah
00:42:46ah
00:42:50ah
00:42:52ah
00:42:54Jack, Jack, we're here, oh my God, Jack, Jack, what happened, Jack, get help, Jack, I don't
00:43:18understand, help's on the way, stay with me, Jack, please, please, it was Renfield, Renfield,
00:43:48it looks like he's fled the scene, doesn't convince me of his innocence, what are you doing, isn't
00:44:00this a crime scene, yes, and if you recall, I'm the lead investigator on the scene, and
00:44:05considering the fact that we have a friend in critical condition downstairs, I'm not inclined
00:44:09to follow protocol, so if you don't mind, locked, what is this, oh my God, what, these files,
00:44:33their records, passports, licenses, personal information, all of women matching the killer's
00:44:41target type, red hair, all women with red hair, this doesn't prove anything, right, the captain
00:44:52of the police would have files of murder victims, yeah, which is why I recognize the first few,
00:44:57but the problem is, a lot of these women aren't victims, yet, this isn't paperwork after the
00:45:08fact, it's a hit list, where are you going, I'm going after him, Amelia, look, I understand,
00:45:15but we should call someone like Interpol or something, maybe, but we don't have time for
00:45:20red tape, right, but, look, Jack found something that incriminated the murderer, and Renfield tried
00:45:27to kill him for it, that tells me that Renfield is either the man responsible, or knows who
00:45:33is, and every second we waste puts someone else in danger, I'll come with you, no, I'll
00:45:38check his house, I may be able to reason with him, but only if I go alone, take those files
00:45:42to your office, and see if there's anything you missed, Amelia, be careful,
00:45:48if you're going to pull that trigger, you better be damn certain you do it faster than I do,
00:46:17why'd you do it captain, your cover's blown, at least help me understand, you could never
00:46:26understand, it is knowledge that is not meant for the likes of you, you attack Jack,
00:46:32and those women are dead because of you, you perverted everything we're supposed to stand for,
00:46:42and what if everything we stand for is irrelevant, because the truth of what's really out there
00:46:48is too terrible for us to comprehend, you're sick, no, Vern Helsing, for the first time in
00:46:58my life, I'm finally aware, what happened to you, the inevitable, and it will happen to you too,
00:47:12you told me to catch the killer, at any cost, and I did,
00:47:30try to catch the killer.
00:47:32Please move on,
00:48:00Sorry, Amelia.
00:48:30Of course, Renfield's not the killer, he's harvesting victims for the killer.
00:48:58I'm sorry.
00:49:02I'm sorry.
00:49:06I'm sorry.
00:49:10I'm sorry.
00:49:14I'm sorry.
00:49:26I'm sorry.
00:49:40I'm sorry.
00:50:24Finally the dispatch told me this is where I should look.
00:50:26They're not supposed to do that.
00:50:28But I need to tell you something.
00:50:30I killed him, Jonathan.
00:50:32My own superior officer.
00:50:34A man that I looked up to.
00:50:38A man that I thought I knew.
00:50:40But would bring someone to do something like this.
00:50:44He killed all those people and came to work every day pretending to look for himself.
00:50:50It's deranged.
00:50:54I think there's more than that.
00:50:56What are you talking about?
00:50:57I don't know that Renfield was acting entirely of his own accord.
00:51:00You see, there's this thing called the familiar, where a vampire in trance...
00:51:04Jonathan, I asked you.
00:51:06I begged you not to go there.
00:51:10Do you understand that I had to kill a man tonight?
00:51:14A man that I looked up to.
00:51:17And always trusted to do the right thing.
00:51:19It doesn't add up, Amelia.
00:51:20And you're a good enough detective to know that.
00:51:23Renfield may have attacked Seaward.
00:51:25But that in no way matches any of the other murders.
00:51:27It doesn't explain the neck wound or the anticoagulant.
00:51:30Or what exactly Jack found that set him off.
00:51:32But the file.
00:51:34Oh, I think he was gathering a list.
00:51:36For someone else.
00:51:38Someone who could tear throats and make them bleed without clotting.
00:51:41Someone who would gladly take a tailored list,
00:51:43provided by the one person who could give him one.
00:51:45I just...
00:51:46A tailored list that includes the woman you love.
00:52:13I just...
00:52:14I just...
00:52:15I just...
00:52:16I just...
00:52:17I just...
00:52:18I just...
00:52:19I just...
00:52:20Seeward stumbled onto something that caused Renfield to attack in a state of panic.
00:52:23And that just doesn't fit the pattern up to this point.
00:52:25And you know it.
00:52:26Your killer has shown nothing but cool calculation.
00:52:29Not to mention the fact that you knew the victim and profile matched.
00:52:32Mina.
00:52:33She's gone.
00:52:47Okay.
00:52:49Panicking won't help us find Mina.
00:52:52We have to think about this logically.
00:52:54I just don't understand.
00:52:55I just don't understand.
00:52:56If Renfield's dead, that means that you might be right in the fact that he could be providing
00:53:01information to the killer.
00:53:03Oh, my God.
00:53:06That means that the intruder that I thought was here for me was actually here for Mina.
00:53:11Because they know about her.
00:53:13Why didn't you say anything about the fact that she matched the profile?
00:53:17I didn't say anything because I didn't think anyone knew.
00:53:19She didn't want anyone to know.
00:53:21When she was bullied when she was younger, they teased her about her red hair.
00:53:24That's awful.
00:53:25And she didn't want to change her core, but she could change her hair, and she did,
00:53:29because it gave her that small measure of control.
00:53:33Jonathan, I have to find this guy, and I have to find him now.
00:53:37Okay.
00:53:38But how?
00:53:39Where do we start?
00:53:40The crimes followed a distinct trajectory until Renfield was presented with something
00:53:44that spooked him enough to deviate from the pattern.
00:53:47Right.
00:53:48And when he attacked Jack, that cast enough suspicion of guilt in his direction,
00:53:52and I went after him on intuition.
00:53:54But that triggering evidence is still out there and could be the key.
00:53:57Which means we need to talk to you.
00:53:59Jack.
00:54:00Jack, are you sure you're up for this?
00:54:03Oh, I've said the worst thing that's happened to me this evening.
00:54:06Okay, so can you...
00:54:08The anticoagulant of the saliva, it's not an external agent.
00:54:15What I mean is, whoever or whatever that saliva belongs to,
00:54:22they're biologically secreting the anticoagulant themselves.
00:54:27Yeah, it's not a drug or a stimulant that they've purchased and they've ingested.
00:54:32It's literally being manufactured inside them, naturally.
00:54:37Is that something people can even do?
00:54:39Science would say no.
00:54:41But there are specific animals that can secrete this anticoagulant.
00:54:49And, yes, most of them are bats, like you said on the phone.
00:54:53Exactly.
00:54:54They secrete the anticoagulant so that they can feast on much larger animals at will, uninterrupted.
00:55:01They slash the flesh and then they have their fill.
00:55:05And, uh, sometimes when the prey is much smaller than them, uh, the end result is not unlike our poor young ladies.
00:55:18Okay, but...
00:55:20Once I made the saliva connection, I did some research based on the bite pattern on our victims,
00:55:28and I was able to find a match.
00:55:31And what breed of bat was that?
00:55:33Oh, don't be so smug. You know exactly what I'm talking about.
00:55:37Vampire.
00:55:41Okay.
00:55:43But there's no such thing as a human-sized vampire bat.
00:55:47There are centuries of vampire myth and lore which our killer could be relying on to perpetuate his crimes.
00:55:55And since you've been able to look at this case in a way I haven't, I need to know what's next.
00:55:59Why?
00:56:00I want to be clear.
00:56:01I'm not saying that I think it's a vampire.
00:56:04But based on what we're seeing, it is possible that he's convinced himself that he is.
00:56:08And he's using that illusion...
00:56:10No, that would not explain the presence of the...
00:56:14The anticoagulant in the saliva.
00:56:15Exactly.
00:56:16Yeah.
00:56:17But if I have to think that way to get Mina back, then I need to know what now?
00:56:21Oh...
00:56:26Well, we'd have to consult my texts.
00:56:29Then that's what we'll do.
00:56:31Jack, thank you.
00:56:34I'll be here.
00:56:36Get this son of a bitch.
00:56:40Bring her back.
00:57:00Anything worthwhile?
00:57:01I don't know.
00:57:02Maybe.
00:57:03At the very least, I think I may have fleshed out my theory about Renfield.
00:57:07You remember how I said I thought you might be a familiar?
00:57:10Law suggests that it's a common practice for the undead to entrance a living servant to provide them with what they need.
00:57:17Often unbeknownst to the entrance themselves.
00:57:20Doesn't make me feel better.
00:57:22Well, what it suggests is that whoever's behind this knows exactly what they're doing.
00:57:27Not only were they able to get a direct bead on potential victims via Renfield's access,
00:57:31but also who better than the head of police department to help control the tide of information about the case?
00:57:36Credit where credit's due.
00:57:37And if that's true, that means they were able to bring the papers on a wild goose chase about this being a copycat killer.
00:57:43Well, I mean, it makes sense.
00:57:45What better way to misdirect than point everyone in an absolutely preposterous direction?
00:57:49Right.
00:57:52Unless...
00:57:54Unless...
00:57:56Unless that's exactly what they want us to think.
00:58:00What if the best place to hide is in plain sight?
00:58:03Present something as impossible, make it seem sensationalized,
00:58:08and those who value the truth won't even consider it.
00:58:12And why would you think that?
00:58:13Because I didn't.
00:58:15And if this person thinks they're a vampire, they may also believe that they're carrying out the killings of the original killer.
00:58:21Or, they think that they are the original killer themselves.
00:58:25You might be onto something.
00:58:27Present something so plainly, people dismiss it outright for being too obvious.
00:58:31Like how you and Jack dismissed my vampire theory.
00:58:33Okay, to be honest, vampires as an answer is the exact opposite of obvious.
00:58:38What are you getting?
00:58:40Now, I'm assuming because you're a good detective, that even though you dismissed it as a possibility,
00:58:45you still looked into the murders from a century ago?
00:58:47The police reports didn't have much, to be honest.
00:58:49Something about a trail of bodies and a land dispute and a castle outside the city.
00:58:55It didn't make sense to connect it to this case.
00:58:57That's because you were relying on fact, and not on legend.
00:59:01Now, I'm not overly familiar with this particular story, but I do remember some of the broad strokes.
00:59:07Something about a pri-
00:59:09Kind of standard basis of haunting stuff.
00:59:15Oh, here we go.
00:59:19I was right.
00:59:21According to this, an aristocrat was set to be married to the love of his life.
00:59:26But due to an unfortunate illness, she died the same day they were due to be wed.
00:59:32How terrible.
00:59:34Apparently, the tragedy led to him slipping into a deranged madness,
00:59:37and he started lashing out and killing anyone who reminded him of his lost love.
00:59:42I don't think there are any photos, but the family name is Dracula.
00:59:51Oh, wow.
00:59:52I knew I didn't see his reflection.
00:59:54Emilia, you don't think?
00:59:55Look, all right.
00:59:57There's no pictures of him.
00:59:59But there is a painting of his dead fiancé.
01:00:04We have to find Mina now.
01:00:08We have to wait until the morning.
01:00:10Dracula will be much weaker then.
01:00:11I can't wait until then.
01:00:12Who knows what will happen to her if we wait that long.
01:00:14Let's move.
01:00:16Hotel at Carmilla.
01:00:17This is the place Renfield had a key to.
01:00:21I think this is it.
01:00:22Maybe we should call him back up.
01:00:23Can't call him back up.
01:00:24Can't call him back up.
01:00:25Besides, we're here based on circumstantial evidence of a giant vampire past.
01:00:26I think this is it.
01:00:27Maybe we should call him back up.
01:00:28Can't call him back up.
01:00:29Can't call him back up.
01:00:30Besides, we're here based on circumstantial evidence of a giant vampire past.
01:00:31For some reason I don't think they're going to spare the resources.
01:00:33And what if we find him?
01:00:34If Dracula is the descendant of the mad aristocrat.
01:00:35This is the place Renfield had a key to.
01:00:36This is the place Renfield had a key to.
01:00:37I think this is it.
01:00:41Maybe we should call him back up.
01:00:42Can't call him back up.
01:00:43Besides, we're here based on circumstantial evidence of a giant vampire past.
01:00:54For some reason I don't think they're going to spare the resources.
01:01:00And what if we find him?
01:01:01If Dracula is the descendant of the mad aristocrat.
01:01:04Well, the aristocrat himself.
01:01:06Then, he's either finishing the work of his family.
01:01:09Or, he knows who is.
01:01:12Either way, that can lead us to Mina.
01:01:15So we're going to go in there.
01:01:17And ask nicely.
01:01:19And if he doesn't cooperate.
01:01:21Not so nicely.
01:01:23That's what I was afraid you were going to say.
01:01:36I think it's this one.
01:01:42I thought there'd be more security or something.
01:01:45The guards would draw attention.
01:01:47This is exactly like the copycat case.
01:01:50Hiding in plain sight.
01:01:52People won't suspect something that looks totally normal.
01:01:55Be ready when we get in Dracula's room.
01:01:59Be ready when we get in Dracula's room.
01:02:29What do we do?
01:02:45I don't know.
01:02:46I need me now.
01:02:51You're a hero.
01:02:56You're here.
01:03:08Renfields.
01:03:09It's impossible.
01:03:21Hey, put that down!
01:03:23What is this place?
01:03:31What did you do to these people?
01:03:33You should never have come here, Amelia.
01:03:36I told you once.
01:03:37We won't die again.
01:03:44You're a good detective, Amelia.
01:03:46But chase, death, enough.
01:03:49Eventually, you'll find it.
01:03:53And now, it's time to become an officer of a different realm.
01:04:01Hey, Captain!
01:04:10What was that?
01:04:11Holy water.
01:04:12Believe me now?
01:04:13I'm glad.
01:04:14Oh, they smell it.
01:04:15No.
01:04:16No, that won't work.
01:04:17Here.
01:04:18Hit their hearts.
01:04:19Don't get bit.
01:04:20Oh, is that all?
01:04:21Don't!
01:04:22Oh!
01:04:23Oh!
01:04:24Thank you, Doctor.
01:04:25Thank you, Doctor.
01:04:26Thank you, Doctor.
01:04:32Thank you, Doctor.
01:04:56Hello, is somebody there?
01:04:57Dr. Seward, I presume.
01:05:05Yes, that's me.
01:05:07It's a shame we should meet under these circumstances.
01:05:10As I've been told, you're actually quite a brilliant man.
01:05:13Unfortunately.
01:05:15Brilliance is often an impediment to what I am.
01:05:19And I don't like loose ends.
01:05:27Give me your blood to your IP of pleasure beyond your wildest dreams.
01:05:46Jonathan, clear!
01:05:54Are you okay?
01:05:57Yeah.
01:06:00You?
01:06:02Yeah.
01:06:04I...
01:06:08You.
01:06:10I could say the same.
01:06:21Jonathan!
01:06:22Where's Mina?
01:06:27What did you do with her?
01:06:30Miss Murray is no longer your concern, detective.
01:06:34I appreciate you looked after her all these years.
01:06:38And for that, I have considered letting you live.
01:06:41But you've made a pest of yourself.
01:06:46Killed my servant.
01:06:48And that's not very amenable to me.
01:06:51Sorry to put a crimp in your evening.
01:06:52And I'm sorry to put one in yours.
01:06:55But your interference ends in my affairs tonight.
01:06:58You surely must have known.
01:07:02Once you've discovered the truth, there'll be no going back.
01:07:07A fact your dear Dr. Seawood unfortunately learned the heart with.
01:07:12Jack.
01:07:13What did you do to him?
01:07:14You already know the answer.
01:07:17Now it's your turn.
01:07:20So reliant on your toys.
01:07:25I'm not like the others.
01:07:27They were young.
01:07:30Weak.
01:07:31Dependent on the pitiful modernity that coursed through their veins.
01:07:36I am old.
01:07:38Powerful.
01:07:40Enriched by the blood of centuries.
01:07:43It's foolish to think that after all these years,
01:07:47I'd give her up to the likes of you.
01:07:51You're him.
01:07:54You're not a descendant.
01:07:57You're the nobleman whose fiancée died.
01:08:01I'm sorry for your loss.
01:08:04But killing all those women doesn't make you sympathetic.
01:08:10It makes you a monster.
01:08:12And it won't bring her back.
01:08:15They're not her.
01:08:17Mina's not her.
01:08:20You can't cheat death.
01:08:24Then explain me.
01:08:25No!
01:08:27What are you going to do?
01:08:31I don't want two,三.
01:08:32I don't want one more.
01:08:33I don't want one more.
01:08:34No!
01:08:36No!
01:08:39No!
01:08:47No!
01:08:48That's not going to happen!
01:08:48What are you going to do to me?
01:08:58Do to you?
01:09:02My dear.
01:09:05I've searched for you across the years.
01:09:09Now that I have found you,
01:09:12why would I put that in jeopardy?
01:09:14You're not going to kill me.
01:09:21Not yet.
01:09:23And not permanently.
01:09:27But the others...
01:09:29Pale imitations that tarnished your legacy.
01:09:34Cruel reminders of what was no longer.
01:09:38They had to go.
01:09:41But you...
01:09:44You stand apart.
01:09:47A mirror's reflection of the woman I know.
01:09:51The woman you are.
01:09:53Of all of them,
01:09:56only you are, except like this.
01:10:00When I saw you,
01:10:02I somehow knew
01:10:03that I had to be sure.
01:10:07Needed to see for myself.
01:10:09Luckily,
01:10:12the partners at your firm obliged.
01:10:17It was all a lie.
01:10:19It was a necessary means to find the truth.
01:10:23You may not remember who or what you are,
01:10:27but you will.
01:10:30No.
01:10:31No.
01:10:32I've been so very patient,
01:10:35but it is time our court she bends.
01:10:38There's only a few more hours left of night.
01:10:40You will rest.
01:10:42Before the sun rises,
01:10:44I will restore you
01:10:46and be by my side once again forever.
01:10:52But for now,
01:10:54my dear Miss Maria,
01:10:58sleep.
01:11:00Jonathan,
01:11:10Jonathan,
01:11:13you'll see you all your timeöl.
01:11:20Jonathan?
01:11:21Jonathan.
01:11:22Jonathan?
01:11:23What?
01:11:23Jonathan?
01:11:23Jonathan?
01:11:27Jonathan?
01:11:27Jonathan.
01:11:28Jonathan.
01:11:42I'm okay.
01:11:43All right, maybe not.
01:11:50I need to figure out our next steps.
01:11:56I just don't know where to begin.
01:11:58That's because you're relying on fact.
01:12:00I'm not a legend.
01:12:02They're comparing this to a hundred-year-old case.
01:12:05You've got to admit, a century-old mass murder case
01:12:07that ended at a creepy castle.
01:12:09The kind of stuff that wedged the Avatar.
01:12:12The castle.
01:12:16We should get help.
01:12:17No, we can't wait that long.
01:12:19We have to find her before he does whatever he intends to do with her.
01:12:25My study.
01:12:26We can get everything we need there.
01:12:28We can get everything.
01:12:29We can get everything we need them.
01:12:31Oh.
01:12:31Sorry.
01:12:33Oh.
01:12:34Oh.
01:12:36Oh.
01:12:36Oh.
01:12:37Oh.
01:12:39Oh.
01:12:46Oh.
01:12:51Oh.
01:12:52Oh.
01:12:52Oh.
01:12:53Oh.
01:12:53Oh.
01:12:53Let's go.
01:13:23Let's go.
01:13:53Let's go.
01:13:54Wait, wait.
01:13:55There should be a staircase off the main chamber.
01:14:00You shouldn't have come.
01:14:04While I admire your conviction, and am impressed that you survived our meeting earlier this
01:14:10evening, know that it will not happen again.
01:14:15Do you see them?
01:14:16It's pointless to resist.
01:14:21You're profoundly injured, Mr. Hardy.
01:14:24And Amelia, my dear, your blood betrays you.
01:14:29If you're so sure, come and fight me yourself, you coward!
01:14:34Such taunts are beneath you, Miss Van Helsing.
01:14:37And I grow tired of your distractions.
01:14:40Where's Mina?
01:14:42She was yours.
01:14:44Now she's mine.
01:14:46Then again, she always was.
01:14:50Time to let go.
01:14:52Of course.
01:14:54I'm happy to help with that person's.
01:14:57Finish them.
01:14:59Don't let them get away.
01:15:00I'll hold them off.
01:15:01I'm not leaving.
01:15:02Go!
01:15:03I'm not leaving.
01:15:04Go!
01:15:20Come and face me, you monster!
01:15:33No!
01:15:34No!
01:16:03Nadia!
01:16:04We're gonna stand for him.
01:16:05That's our video.
01:16:08No!
01:16:09No!
01:16:10No!
01:16:11No!
01:16:12No!
01:16:13No!
01:16:14No!
01:16:15No!
01:16:16No!
01:16:17No!
01:16:18No!
01:16:20No!
01:16:21No!
01:16:23No!
01:16:24No!
01:16:25No!
01:16:26No!
01:16:27No!
01:16:28No!
01:16:29No!
01:16:30No!
01:16:31No!
01:16:32No!
01:16:33Wake up. Oh, thank God.
01:16:37I'd ask that you refrain from using that name in my house.
01:16:51Don't you think we've had enough of this charade, Miss Van Helsing?
01:16:55It was a noble effort, but now it's time to accept your defeat.
01:17:01Like you did?
01:17:04You stalked across a century, maybe even more, looking for your love lost,
01:17:10killing every woman that resembled her, only to kidnap the woman that I love
01:17:16in some deluded desire that what?
01:17:19She's the reincarnated version of your fiancée?
01:17:23And you have the audacity to tell me I don't know when to give up?
01:17:28You dare speak to me with such insolence?
01:17:33Jonathan!
01:17:34Your insistence on interrupting when I'm speaking to Miss Van Helsing is going tiresome during the dark.
01:17:41I would urge that you learn from your mistakes, if it weren't your last.
01:17:46What did you do to him?
01:18:01We've done that already, remember?
01:18:03No!
01:18:04No!
01:18:09Stop!
01:18:11No!
01:18:13Nina!
01:18:14Let her go.
01:18:17Please.
01:18:19If you let her go, I'll stay with you.
01:18:23You'll stay with me regardless.
01:18:26Maybe, but I'm telling you, if you let her go, it'll be because I chose to.
01:18:35Me.
01:18:37And I know that there's a part of you that wants that.
01:18:41To know that I chose you too.
01:18:42I'm not interested in bargains.
01:19:01You know very well that I can make you choose me.
01:19:05I do.
01:19:08I do.
01:19:11I'm telling you.
01:19:13I'll do it willingly.
01:19:16Before you turn me into what you are.
01:19:23And while I still have a will of my own.
01:19:28I'll stay with you.
01:19:35I'll be her.
01:19:49You are her.
01:19:53You are my wife.
01:20:02Actually...
01:20:06I'm her wife.
01:20:12Baby!
01:20:13Are you...
01:20:14Mia?
01:20:15Baby?
01:20:16Baby? Are you okay?
01:20:17Okay.
01:20:18So sweet, what's your name?
01:20:26Fools.
01:20:29I will kill you both.
01:20:35Jonathan.
01:21:00Jonathan.
01:21:01Are you okay?
01:21:05Oh, I'm alive.
01:21:17Let's go home.
01:21:31Oh, can I just stop a second?
01:21:43Are you okay?
01:21:44Yeah.
01:21:45Well, no, actually. No, not at all.
01:21:48I just want to see it.
01:21:54Do you really think you thought I was her?
01:21:56I can hope so.
01:21:58Love makes us hope for impossible things.
01:22:01Well, he was an impossible thing.
01:22:02Makes sense he'd believe in another.
01:22:06So is it over?
01:22:07You saw him burn into dust just like I did.
01:22:10Well, there are certain blood rituals one could use to resurrect her.
01:22:14Not today, Jonathan.
01:22:16Not today.
01:22:28Who am I?
01:22:44Do you think Jonathan will be okay?
01:22:46be okay. The doctor said they need to keep him for a few days and I think it'll
01:22:51be slow going. But if I know Jonathan Harker, he'll bounce back. I hope so. He
01:23:00will. Just needs time and rest. We all do. Speaking of, when are you coming to bed?
01:23:12I'll be there soon. Good.
01:23:42Good.
01:23:51Good.
01:23:55Oh, my God.
01:24:25Oh, my God.
01:24:55Oh, my God.
01:25:25Oh, my God.
01:25:55Oh, my God.
01:26:25Oh, my God.
01:26:55Oh, my God.
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