Attitude Star Chandra Hass & Barabar Premistha Movie Team Interview with Ariyana

Mana entertainment

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Transcript

00:00Hi, everyone. Hello. My name is Aryana.

00:03Who is the talent ever?

00:05We will entertain each other.

00:07We will entertain each other and show the hit.

00:11This is my attitude star Chandra Hars.

00:17This movie is the same movie.

00:20We will entertain each other in the team.

00:23My name is Riharaj.

00:25Attitude star Chandra Hars.

00:27and music director R.A.R. Dhruvan Raguram Garu

00:31and my director Sampath Garu

00:34and my mother, Megan Mukherjee

00:37Hello, Andy!

00:38Hello!

00:39My mother, I have to say hello

00:41and I have to say hello

00:43First of all, congratulations to you

00:46that the movie was released in Feb. 6

00:48and Attitude star

00:50You must have loved it

00:52Attitude and title

00:54Is it a title or story?

00:57It is a premise

00:58It is a premise

00:59It is a story based off

01:02because there is a hero

01:05and there are problems

01:07and there are problems

01:09and there is a premise

01:11It is a premise

01:12It might be because of religion

01:14or parents

01:15or any other opposition

01:17they say only one thing

01:19it is a premise

01:20So that is the title

01:22It works

01:23The title

01:24is in the way

01:26you are part of the title

01:28or the story

01:29you are part of the title

01:30and you are part of the story

01:31so you can join your parents

01:32where you are

01:33you are part of the set up

01:34What is that?

01:35What is that?

01:36What is that?

01:37What is that?

01:38What is that?

01:39He did work for the studio

01:40to do any of this

01:41It is a studio

01:42so you are part of it

01:43What is that?

01:44Prabhas?

01:45Sorry

01:46Sorry

01:47Prabhas

01:48as a friend

01:49You're a little shiit.

01:51So you get a new attitude star?

01:54No, she's not.

01:55If you like that, if you like that, you'll be at college and you'll be like,

02:00she's like, I'm not a kid.

02:02But I'll be like, oh, she's like, I'll be like, oh.

02:07And, how do you like Megan Mukherjee?

02:09Are you really related to Rani Mukherjee?

02:12Maybe.

02:13Maybe.

02:15So welcome to Tollywood.

02:18I don't know what to do.

02:19Why don't you put it on me?

02:22Why don't you put it on me?

02:24I don't want to put it on the chili.

02:26Just kidding.

02:29Why don't you put it on me?

02:31Okati.

02:32Welcome to Tollywood.

02:33Thank you, thank you.

02:35Telugu is pure.

02:37You're going to be pure.

02:38No, no.

02:39So welcome to Tollywood.

02:41So how is your role in the movie?

02:44So my character's name is Bujji.

02:46And Bujjamma.

02:49And I think most people in Telangana call their loved ones Bujji.

02:54If I'm not wrong.

02:56I see nods.

02:57So it's right.

02:59And I think this is our film Barabar Premista basically says that

03:07love conquers all largely.

03:10So I think that's what you will take back when you watch our film.

03:13Ok.

03:14Ok.

03:14Nice.

03:15So if you want to talk about the film,

03:16then we will talk about the film.

03:18It's the honor.

03:19Yeah.

03:20So nice.

03:20So if you're dubbing for the film,

03:22it's not a lot of drama in the trailer.

03:24Actually, it's not a lot of drama in the trailer.

03:25So there's a hero and a lot of drama in the movie.

03:28But what do you think about the story?

03:30What is the main point of the story?

03:32The story is all energy.

03:33I think it's a lot of drama in the movie.

03:35Ok.

03:35So Asal, what is the main point of the story about this story?

03:40What is the main point of the story?

03:41It's not a youth content.

03:43It's not a youth content.

04:03If there is a hero or a villain, the hero is equal to the villain and the hero is equal. So, the character is balanced.

04:11The character is balanced.

04:14That's the point.

04:16So, the decisions are random.

04:19So, the character is also a problem.

04:22In this case.

04:24Then, the character is a basic case.

04:27Interesting.

04:28I mean, pure telangana, raw telangana.

04:33Manatelangana?

04:34Yes.

04:35Manatelangana is also a Hyderabad telangana.

04:38So, there is a place where it is located.

04:41That's why there is a song called telangana.

04:46Yes.

04:47The song is a story.

04:51Okay.

04:52The story of the song.

04:54I mean, I first wanted to say,

04:56I mean, I mean, I mean, even in general.

04:59I mean, I mean, I'm ready, I'm ready, I'm ready, I'm ready, I'm ready, I'm ready.

05:03That's what I mean.

05:04The song is really good to be there.

05:07This song is really good.

05:08And especially, Raghu Ram, Arar Dhruvangaru.

05:12That was a wonderful thing. You are the one who told me about this.

05:18My favorite power star is the song.

05:24You are a music director, a lyricist.

05:27What is your success?

05:30We have already had a lot of money, but we are not going to do anything like it.

05:35What do you say? How do you use lyrics and songs?

05:38I think it's a lot of responsibility because I think it's a lot of responsibility.

05:42If you say it's a lot of responsibility, I think it's a lot of responsibility.

05:45That's it.

05:46Okay.

05:47So, I think it's a lot of the lyrics to balance.

05:52Obviously, it's a challenge always.

05:54But I hope I'm doing my job well.

05:57And I'm very happy with my songs.

06:01It's not a challenge.

06:03It's not a challenge.

06:05It's not a challenge.

06:07It's a challenge.

06:08I think a lot of people play in the films as well.

06:13Since 6-8 months ago, I've been receiving so many of that.

06:16Okay.

06:17I don't know if I have any questions.

06:20They've enjoyed the film songs, songs, and songs.

06:24It's a classic music.

06:26Yeah, and there's a lot of music.

06:28In the trailer, Chandraseh Kossam is writing a introduction.

06:34That's why I really enjoyed it.

06:36I'll tell you about it.

06:37And I really enjoyed the song.

06:41Thank you for giving me a thank you.

06:43You have all the music.

06:45I hope you enjoy your story.

06:47I hope you enjoy your story.

06:49I have a journey.

06:51I dubbed the first film as a hero.

06:54It was long back, I think 7-8 years back.

06:58When I went to my first interview with a music director,

07:01there's a whole story here.

07:03Yes, yes.

07:04So, that's why I did this journey.

07:08I told this script as a hero.

07:12So, I learned my energy and acting skills.

07:16I had a few ideas.

07:17I wanted to show you a dance video.

07:20Then, I wanted to show you an energetic song in the next level.

07:25I wanted to show you a dance in the screen.

07:28Then, I wanted to show you how to fix it.

07:31I wanted to show you a dance video.

07:34Yeah.

07:36Nice.

07:37So, if you're all my favorite songs,

07:38do you want to show me two lines?

07:40Sure.

07:40is the bond.

07:41Sure.

08:10Yeah.

08:12Yay!

08:16I was like, I'm going to play a blockbuster.

08:20I was going to play a play in the game.

08:22Chandra has the main role of the story of your day by day.

08:24I've got a lot of connection with the audience.

08:26Honestly, I've seen that in the game,

08:29I've seen that attitude star.

08:31But if you're a behavior,

08:34you can connect with the audience.

08:36Actually, I don't have a tagline.

08:38If you don't have a tagline, you don't have to deal with your behavior.

08:42Do you want to choose this story in particular?

08:45This story is the way you choose this story.

08:50It's because of Ramanaar Bhani.

08:51So, you know what I mean?

08:54You're a kid, to be honest.

08:56Like 19, 20.

08:58That's when I was in 19, 20.

09:00And I was thinking about the thought process.

09:03As a general audience, as a normal audience.

09:05That's when I was in 19, 20. Sorry to interrupt.

09:08But now?

09:1025.

09:12But I'm proud of you, 25.

09:13Yes, you're a hero.

09:15Why do you think you're a hero?

09:18So, tell me.

09:19So, as an audience, I'm excited.

09:24I don't have any thought process.

09:25Just as an audience, you have multiple twists and turns.

09:29Not just a love story, not just a something.

09:31But it will feel good.

09:33There are a lot of twists, not just a couple of twists.

09:36And the climax is a lot of emotional.

09:39So, the elements are mixed.

09:41So, I got very excited.

09:42The story went a lot.

09:43First, I said to my dad, then I said to my dad.

09:46Okay.

09:46And then, if I said to my dad, then I said to my dad, then I said to my dad.

09:48So, your dad's involvement in this story, right?

09:50Yes, first, I said to my dad.

09:51Do you want to choose a decision?

09:53No, I don't have a decision.

09:56After I came to my dad, I said to my dad, I said to my dad, I said to my dad.

09:58I said to my dad.

10:00So, now I said to my dad, then I said to my dad.

10:03Yes, I said to my dad, I said to my dad, then I said to my dad, then I said to my dad.

10:10So, now I have a question.

10:12A few of you guys, then I said to my dad, then I said to my dad, then I said to my dad, so I was like, okay.

10:19Then I said to my dad, I said to my dad, the story is different.

10:21It's not a good thing, but one kid, I told him,

10:25that his father is not an easy one.

10:28He told me that he didn't talk about it, so he was a problem.

10:32He told me that he didn't talk about it.

10:35He told me that he didn't talk about it.

10:36Why would he say that he was in the city and he was in the village.

10:40So, there was a tension.

10:42But they got to be three times.

10:44One person got to be a person, one person got to be a full narration.

10:48Then he said he did it.

10:50Oh, okay. So, nice. You've been on a three-year journey, isn't it?

10:55Yeah, but it's actually the start-up.

10:59This is the debut film of Akshal.

11:01That's right, okay.

11:02It's been a long time for Ramnagarban.

11:04So, after the set of Ramnagarban, the shooting started.

11:10That's right, Ramnagarban is the location of Ramnagarban.

11:13Yeah, there are two locations in the shooting.

11:15So, the director is here.

11:17The director is here, the movie is the most important captain of the ship.

11:21Working with the music director, the hero, and the hero.

11:25It's easy to choose from, and it's comfortable to choose from.

11:30That's right.

11:32So, you're the one that's better.

11:34That's right, you're the one that's better.

11:37That's right.

11:38The question is the easiest.

11:39Easy.

11:40The music is easy.

11:41But I'm the easiest.

11:42Okay, so, the reason why we have the easiest.

11:45I'm the easiest.

11:47I'm acting.

11:48I'm the easy job.

11:49I'm the hard job.

11:50I've said multiple times,

11:51I'm the creative job.

11:53I'm the easiest way to do it.

11:55I'm the easiest way to do it.

11:57I'm the easiest way to do it.

11:58There's a language barrier.

12:00So, that's right.

12:02That's right.

12:03I'm the easiest way to do it.

12:04That's right.

12:05But, it's logical.

12:06Nice.

12:07Director, the hero.

12:08So, working with the director, the Mek and Chandra Has.

12:16I've done a lot of things.

12:17I'm very organic and comfortable.

12:21I've done almost three versions of the background scores.

12:26I've done themes and types.

12:29You can edit multiple times, you can do it.

12:33You can do it.

12:34I'm lucky to create the time for this project.

12:36It was a particular project because it was the first film, but the second film was the gap.

12:42It all helped in our favour and now the film juice was compulsory and a musical hangover.

12:49Oh, wow.

12:51So it's very friendly even the producers, Chinni and the director.

12:56We all did a team work.

12:59We did a combined decision.

13:02Sir, if you don't have any suggestions, if you don't have any suggestions.

13:08So it blended well and I'm happy.

13:11If you don't have any problems, I'll tell you.

13:13I'll tell you.

13:14I'll tell you.

13:15So it's a common thing that everyone has a passion for cinema rather than personal egos.

13:22So I'll tell you about cinema and I'm happy that Prasad Labs did a lot.

13:27Okay.

13:28But I was a banger in the theatre.

13:30Yeah.

13:31It's a big blockbuster.

13:32Yes.

13:33Yeah.

13:34And we talked about producers like Chinni, Chandu and ABR.

13:39So how comfortable they were?

13:41And what do they do?

13:42Is it possible to do the producers approach and do the director?

13:45Yes.

13:46I mean, they're all extraordinary people, they're all great people.

13:47They're all great people.

13:48They're all very good people.

13:49And even though it's their first film to produce and it's also no technical, the audience

14:06I think that they've already done 10 movies or 10 movies.

14:08it is necessary and beyond. So very passionate producers. I really hope that they are the next

14:14level of cinema and their own style of cinema.

14:19I think they have 15 years of experience with AD and all that.

14:23But we have seen a gap in the past. We have seen a lot of coals in the past.

14:31In the past, we have seen a lot of cinema in the past.

14:35We have seen a lot of music pitfalls.

14:37In the production, we have seen a lot of them.

14:40We have seen a lot of quality and a lot of them.

14:45Oh, that's right.

14:47They are not the best.

14:49I am a shoot coach. I am a set of set.

14:52I am a Polaki master.

14:54I am a Ganesh master.

14:56I am a great master.

14:58How do you feel about this producer?

15:00I am a world of cinema.

15:02I am a great master.

15:04I am a great master.

15:06I am a great master.

15:08You have a great master?

15:09I am great.

15:10I want to say,

15:12how good you are?

15:14Thank you very much.

15:16Thank you Chandra.

15:17You are welcome.

15:18You are not working with me.

15:20I am a research professor.

15:22You are not working with me.

15:24You are always working with me.

15:25Thank you very much. You have seen a lot of cinema.

15:28That's right.

15:29Of course, you have seen a lot of cinema, you have to work.

15:33You don't have to talk about that.

15:37So, working with Chandra Haas, you have been on the first day.

15:40Do you still remember how did you meet him?

15:43First day, I met him for a look test.

15:46And we did a scene together and we took some pictures together.

15:50And the main thing was, are you tall enough for Chandra Haas?

15:54Yes.

15:56So, I think it worked out.

16:00It worked out.

16:02Film is coming out on 6th Feb.

16:05There is a song there. Your song is there in the movie.

16:09That's it.

16:11Can you sing that for us?

16:13You will run away.

16:14No, I don't want to sing.

16:16Don't stop singing.

16:18If she runs away, you also run away.

16:20I really can't sing. I am very bad.

16:23Hum at least.

16:24You hum.

16:25It's a girl song.

16:26You still hum.

16:27I will give chorus.

16:28No, I can't sing.

16:29You sing it.

16:31I am very good.

16:33I will give chorus.

16:34Did I say it?

16:35I like the song.

16:36It's a song.

16:37It's a character.

16:38Yes, it's a character.

16:39You can sing it.

16:40You're a winner.

16:42Who pays you to sing?

16:43Oh God, he's been in the song.

16:44Can you speak?

16:45You are the director.

16:47One can attract me to him.

16:48Exactly.

16:51Daddy was in a room for Saundar girl to find him

16:52Everywhere is in my telangana.

16:55She used manhood,

16:56like manhood,

16:58it used in the Japanese Buildings,

17:01Me too.

17:03I used to look to say that word.

17:05When I thought, I couldn't cry.

17:07In actuality,

17:09there are folk songs which are폭acy sounds.

17:13Is it?

17:15In Telanganas,

17:17There's a lot of words in Atlantis. There's a lot of good feeling.

17:21But there's a lot of melody songs.

17:24Where are you from now?

17:26Yeah, there's a lot of folk songs.

17:28There's a lot of folk songs.

17:29You have a rhythm-based song, but you have a pure melody.

17:33There's a lot of professional singers.

17:36They don't have a melody song.

17:37Correct. And it's a film-based song.

17:38Yes, it's a film-based song.

17:39There's a lot of reach.

17:43So in a cinema, there's a lot of words.

17:46So in a film, there's a lot of melody songs.

17:53Yeah.

17:54Yeah.

17:55I think there's a lot of songs.

17:58Yeah, like Mohanagaru.

18:00Yeah, a lot of female singers.

18:01He's a part of Suresh Gangula.

18:04So I want to especially mention that,

18:06I want to mention that,

18:08I want to mention that,

18:10They will feel the same way to show you what you want, and I will show you what you want.

18:15So, if we have a space in a melody, I had an experiment on that first time.

18:23So, I'm ready to start this.

18:27I have called many of the industry critics of Utteshgaru,

18:31There were a lot of senior actors who called me. They called me and appreciated the song.

18:41So, that was like, when they were awarded, they had the moments.

18:46So, when I worked, there was a satisfaction in those moments.

18:50And in the cinema, there were fights. There were a lot of fights in the trailer.

18:55So, how did you get a visual treat?

19:01In the village, there were two hours in the village.

19:08So, there was a street and everything.

19:14I enjoyed the visual.

19:18So, Chandran, if you are soft and cute and lover-boy,

19:21Do you have any background in Telangha's story?

19:26Do you have any challenges faced?

19:28Yes, we did. We did it completely.

19:31We were able to release it on February 6th.

19:34We were able to shoot multiple places in Kerala, Karim Nagar,

19:41So, we did it in Hyderabad, Sangha Reddy,

19:46And in Hyderabad, there were 200-300 km in Durum.

19:51So, there were a lot of places.

19:53And, what did you do here?

19:56What did you do here?

19:57We did it in the summer.

19:59We did it in the summer.

20:01We did it in Karim Nagar.

20:03We did it in the peak.

20:05So, we did it in the end.

20:07We did it in the fight and the end.

20:09We did it in Karim Nagar.

20:11So, what did you do here?

20:13What did you do here?

20:15What did you do here?

20:17What did you do here?

20:18What did you do here?

20:19What did you do here?

20:20What did you do here?

20:22I'll tell you my favorite word.

20:24Which I think is the cutest.

20:26I love it when people say,

20:28Abba and Abbo.

20:30And, it's very cute.

20:33Abba.

20:34Abba.

20:35Oh.

20:36I'm not sure.

20:37I'm not sure.

20:38I'm not sure.

20:39Abba.

20:40Abba.

20:41That's right.

20:42What's Abba?

20:43You're a valid doubt.

20:45Abba and Abbo.

20:47No, Abba.

20:48Like, cute way.

20:49Not like that way.

20:50Oh.

20:51No, Abba.

20:52That's Abba.

20:53That's Abba.

20:54That's Abba.

20:55That's Abba.

20:56Okay, Abba.

20:57I don't know.

20:58I don't know.

20:59Okay, Abba.

21:00That's Abba.

21:01I don't know.

21:02And, Chandran has actually recently said,

21:04Shuvajigaru had a comment on the dressing and said,

21:08that's why it was viral.

21:09So, according to you,

21:10what is your opinion about your mom and your mom?

21:14How do you expect that?

21:15I don't know if I'm smart,

21:16I know you're going to be able to say,

21:17but it's controversial.

21:19How did you expect this?

21:20How did I get this?

21:21Who are you?

21:24I'm not sure.

21:25I'm not sure.

21:26You're going to say that.

21:27I'm not sure if it's tough,

21:28I'm not sure if it's tough.

21:29So, let's talk about it.

21:31Okay, so, what is your opinion?

21:34Okay, first of all?

21:36You're gonna say it, right?

21:39You said it, right?

21:40No.

21:41I'm not a person.

21:42I'm not a person.

21:43I'm not a person.

21:44I'm not a person.

21:45You're not a person.

21:46I'm not a person.

21:47I'm not a person.

21:48I'm not a person.

21:49I'm not a person.

21:50I'm not a person.

21:51But this is the problem.

21:53Men shouldn't have to comment on women's dressing.

21:56Oh.

21:57Ten weeks could take.

21:58Okay.

21:59So it shouldn't even be your question.

22:01Sorry.

22:02But yeah, comment.

22:04What did you say?

22:06So it's my job to ask.

22:08So I'm asking.

22:09No, but I'm saying that if how a woman is dressing should only be asked to a woman or her.

22:16I don't think a man should.

22:18No, she didn't ask me what type of clothes women should wear.

22:21She asked me about controversy which is going on.

22:24Yeah.

22:25So she asked me a person said something.

22:27Senior actor, Shivaji Garo.

22:29He spoke.

22:30I've heard about it.

22:31So what is your opinion on how he spoke is the question.

22:33How he spoke.

22:34Yes.

22:35Okay.

22:36He said anything?

22:37So I think.

22:39If he was saying.

22:40He was telling him about it.

22:42He can tell.

22:43He's telling me about it too.

22:45Then he said about it too.

22:46But from the end of the day I'm telling my parents of my parents.

22:47And at the end of the day I'm telling him about it too.

22:49So I'm also letting him meet.

22:50I'll tell her.

22:51He would get the intention of saying things like this.

22:53Then he tried.

22:54So, if you get a munch, you get a munch, then you get a munch, then you get a munch.

22:59It's not like you have to talk about it.

23:03You don't have to talk about it.

23:06But at the end of the day, you get a munch.

23:09That's a good choice.

23:12We will talk about it.

23:14Clothing is one basic reason, basic need.

23:19You can take a munch and take a munch.

23:23If you don't have to talk about it, you have to talk about it.

23:27I will leave it to them.

23:31If you don't have to talk about it, I will be offended.

23:36If you don't have to talk about it, you don't have to talk about it.

23:41Your style, your fashion statement, end of the day, your choice, your wish, your life.

23:46And you have to talk about it, you have to talk about it.

23:50But you have to talk about it and talk about it.

23:54So, what do you think?

23:56That's right.

23:58You have to talk about it and talk about it.

23:59You have to talk about it and talk about it.

24:04It's just an opinion.

24:06It's just an opinion.

24:08You have to talk about it, you have to follow up.

24:10You don't have to get offended.

24:12So, maybe she is taking a stand for someone.

24:16Maybe it feels right for her.

24:18So, good for her.

24:20Sivachikari is taking a stand for something he believes in.

24:24Good for him.

24:25We have to talk about it, but we have to talk about it.

24:27It's not like that.

24:28Yeah.

24:29It's not that something.

24:31We are talking about it as the only thing they are talking about.

24:34The director is saying that,

24:37you have said that if a comic is a Barbaric movie,

24:39he didn't hit the scene at the scene,

24:41he didn't have to talk about it.

24:43It's not like that.

24:44So, it's your third movie.

24:47So, your opinion is you are going to work with your reaction to your question?

24:49It's not a director's journey.

24:51What is your mental status in this cinema?

24:56The director's job is definitely a tough job.

24:59For example, I have a hole in 24 crafts.

25:02I think it's a thick hole.

25:05So, when I have a hole in London,

25:07I think it's a very tough job actually.

25:12So, I don't think of it.

25:15I mean, if I spent three years,

25:18I spent a lot of time in the last year,

25:21I spent a lot of time in the last year.

25:24But, I don't think of it as a support,

25:29but I don't think of it as well.

25:32Yeah.

25:34I mean, if I was in the public,

25:37I would like to talk about it as well.

25:40We don't have any choice for that.

25:42I would like to say that,

25:44I would like to understand that.

25:46But, maybe it was not the right way to do it.

25:49Yeah.

25:50Maybe.

25:51I mean, if I was in the upcoming director's office,

25:53I would like to talk about the family members,

25:55I would like to talk about the impact of the film.

25:58I would like to talk about the impact of the film.

26:00Yeah.

26:01I would like to talk about the direction of the film.

26:03Yeah.

26:04I would like to talk about the film.

26:05Yeah.

26:06Definitely.

26:07Be sure.

26:08I would like to talk about the film.

26:09How did we do that?

26:22So, the first time you have the first time you have the first time you have the first time.

26:27So, I'll see you.

26:30What do you think?

26:31Director or Shivajikar?

26:33Or you?

26:34Oh, no.

26:35Why didn't you say balls?

26:37No, no.

26:38Why didn't you say balls?

26:39I'm a normal person.

26:40I'm a general person with friends.

26:42Yeah, yeah.

26:43So, I'm a casual person with a normal person.

26:46I'm a normal person with a camera.

26:47You're not a lot of people.

26:49Oh, yeah.

26:50Sir, let's say it.

26:52So, first thing, I don't know how much it is in the video.

26:58So, we don't talk about it.

27:00If it's a real one, it's fake, I don't think so.

27:05If you're a legendary music director,

27:10I would never support my wildest dream also.

27:18Because, even if it's a little bit of a stage,

27:23I don't know if it's a little bit of a journey.

27:29I encourage everyone to be a music director.

27:35I can't leave a comment on that.

27:37I feel very sad about the negativity that goes in social media on music production also.

27:44Because, actually in music production, there are a lot of VSTs, plugins,

27:50These plugins are available for the pack.

27:54So, if you are the first one, you will be able to get to the first one.

27:57If you are the first one, you will be able to get to the first one, and you will be able to get to the first one.

28:02That is the most important thing to the music.

28:06But we will not have an idea about what we are doing in the world, in the world, in the world.

28:11So, even I am not going to sing a song in this country.

28:15When I was using a sample, I saw a lot of comments saying,

28:19Fireflies music, Fireflies music at 0.33.

28:24Fireflies will be released a few days later.

28:28So, I am not going to be able to get a copy of Fireflies.

28:32So, it is basic music production.

28:35But it is not a common man.

28:38For his livelihood, he just...

28:42Deeming all the hard work that has gone, n number of nights that we spend away from families,

28:49doing all the hard work just to entertain people.

28:52So, I think...

28:54I don't support anybody in social media with the negativity.

28:58And the body of work, just like Tamangar, Devigar, they are all legends.

29:04So, we can't just...

29:06Randomly, we can't just...

29:07Randomly, we can't just talk to people.

29:09I can't even...

29:11I feel very sad.

29:13And then, even if I look up, there's a profession that will be amazing.

29:16But we can't just talk to people who are heroes.

29:20I feel good.

29:21I feel like Tamangar, you know.

29:22I just feel good.

29:23I feel good.

29:24I feel good, but I feel good.

29:25I feel good.

29:26Of course.

29:27Of course.

29:28He has been good.

29:29He has a brand of shoes.

29:30It is a collection.

29:31Yeah, it is a collection.

29:32It is a collection.

29:33It is a very good thing.

29:34The ground has a lot of shoes.

29:35I feel good.

29:36I feel good.

29:37Anyway, Tamangar is good.

29:39You're a good.

29:40I'm a good.

29:41So, actually,

29:42the movie is a great film,

29:43what are your face changes in music,

29:45and what are your face changes?

29:47What is the same?

29:49The challenge is to convince my director and my producer.

29:53So, I believed in a moment.

29:55There is a bond here and there is a bond here.

29:57So, I didn't have a bond here.

29:59So, I didn't have a bond here.

30:01So, I didn't want to choose the edits and the references of music.

30:05So, I didn't want to do anything.

30:07I didn't want to do anything.

30:09That's what I thought.

30:11So, I didn't want to settle the first challenge.

30:15The second challenge is to make a village drama.

30:17In the book, there is a lot of film in the book.

30:19There is a lot of critical success.

30:21Music is also a good review.

30:23So, you bought a lot?

30:25Correct. So, what is the difference?

30:27This is a commercial blend.

30:29It is pure village drama.

30:31Pure village love stories.

30:33Here, there is a sense of...

30:35Because of Chandra has caused it.

30:37So, there is that attitude or that quirkiness.

30:41Or a commercial...

30:43It is a commercial title.

30:44It is a commercial title.

30:45It is a commercial title.

30:46It is a commercial title.

30:48So, there is that sense of commerciality.

30:50So, this commerciality...

30:52This feel-good love story...

30:54And village emotions...

30:55This is the second challenge.

30:58So, that's the second time.

31:00I have to get to the beginning of a lot.

31:01From the perspective of an anime theme.

31:03I feel very excited about it.

31:04They will feel nice.

31:05Only one time to share it.

31:06You can learn from it.

31:07So, it's very nice.

31:08If you like to forgive the film and its good influence...

31:10I suppose that in the background about the cinema, there are a little bit of birth, but there is a lot of births around that.

31:23There are a bit of a commerciality.

31:27So, it's a very rich place to tell, yeah.

31:29Yes, it's a very rich place to tell them.

31:31Yes, the village drama.

31:32Yes, but in the first place, so the most famous film is the movie being the first language.

31:39After rotating and rural, commerciality is never touched, basically.

31:45There is a lot of sentiment.

31:47There is a lot of sentiment.

31:48But it is again very rooted. There is no commercial event.

31:53Maybe we can play a little bit of a song in a little bit.

31:57But this is very different from that.

31:59Now, the song is very different from ready-mama.

32:01Commerciality, yeah. It's a blend of commerciality.

32:05And then, the song is very different from the gang.

32:09So, if we fight in the gang, we can't fight in the same movie,

32:12we can't fight in the same movie.

32:14It's a fresh feeling now.

32:18And in that moment, we have a lot of stories from the village love stories.

32:22From the village love stories, it's a lot of music.

32:29I think it's a lot of content.

32:32In the RR side, there was a theme and there was a theme and there was a theme and there was a lot of emotion in the climax.

32:39There was a lot of emotion in the song and there was a lot of emotion in the song and there was a lot of emotion.

32:45It was not easy, but after choosing it, it was definitely worth the journey and worth the time.

32:52I honestly believe that this symbol is the first place in the topmost name of everyone.

32:57In the topmost name.

32:58The next name is the director or you.

33:01I am very confident in the music.

33:05So before we end the interview, we will end the interview.

33:12We have two minutes left for two or three minutes.

33:15Take your time, no problem.

33:17So Chandrakas, if you want to date a hero, if you want to play a hero, if you want to reject a hero, that means?

33:27Do you want to choose?

33:28Yes, you can choose.

33:30There are options.

33:31Yes, yes.

33:32So the reason is Sri Lila, Anupama Parmeshwaran.

33:36And after that, what do you want to say?

33:40Mrunnal Takkur.

33:42Mrunnal Takkur.

33:43Mrunnal Takkur.

33:44Mrunnal.

33:45Yes, Mrunnal.

33:46So we will look at that.

33:47Date, marry.

33:48Mrunnal Takkur.

33:49Yes.

33:50Do you want to reject?

33:51You should reject.

33:52Reject.

33:53The options are Sri Lila, Anupama Parmeshwaran and Mrunnal.

33:57Okay, reject, Anupama Parmeshwaran.

33:59I don't know.

34:01I don't know.

34:02Okay.

34:03That is the attitude star.

34:07Date and marry.

34:09Date is Mrunnal.

34:12Marry is Sri Lila.

34:13Oh, okay.

34:14Yeah.

34:15What are the reasons for the date?

34:17What are the reasons for Marry?

34:18Okay.

34:19We have a bond with Mrunnal.

34:22Homily.

34:23Yes.

34:24So, I will go on a date with her.

34:27But on the date with Danushgaard, he has a family.

34:30Does he have a family?

34:31Do you want to have a family with him?

34:32Is he a family with him?

34:33Mrunnal?

34:34Yes.

34:35He's a family with him.

34:36You're a partner.

34:37You're a partner.

34:38What else do you know?

34:39I also know.

34:40As you know, I know.

34:41You know, the reason.

34:42That is the reason for date.

34:43The date is even better.

34:44In Sri Lila, maybe there will be a little bit of age.

34:46I will have a little bit of a relationship between her.

34:48There will be a little bit of a relationship between her.

34:51Who will be a relationship between her and her husband?

34:53If she will be a relationship between her and her husband?

34:55Oh, shit, sorry.

34:58And I, yeah.

35:00So, I'm going to marry.

35:03Anupama Parameshwar is the only option to kill him.

35:09Okay.

35:10Papa Manupama, you rejected her.

35:13Oh, yes.

35:14Okay.

35:15My bad.

35:20My bad.

35:21Good.

35:22Papa Manupama, I feel bad.

35:24I'm not sure.

35:26I'm a great hero.

35:27My director,

35:29I'm one of my favorite childhood cinema dialogue.

35:32I've never seen the film.

35:33I've never seen the film.

35:35I've never seen the dialogue.

35:37I've never seen the actress.

35:41Where are you?

35:42I don't know.

35:44I've never seen the dialogue in the future.

35:46I've never seen the dialogue in Geetha Anjali.

35:49Do you see the dialogue?

35:51I'm not telling the dialogue.

35:53I've never seen the dialogue.

35:54I've seen the dialogue.

35:55Is it Geetha Anjali?

35:56Hey.

35:57Hey.

35:58That's the dialogue.

35:59I'm not telling you.

36:00You're telling the dialogue, I'm not telling.

36:01I'm not telling you.

36:02I'm talking about one relationship in an opposite way.

36:04Okay.

36:05You're telling me, I'm telling you?

36:06I'm telling you.

36:07Yeah.

36:08I'm telling you.

36:09I'm telling you, I'm telling you.

36:10I'm not going to talk about the dialogue. I'm going to talk about it.

36:17What is that?

36:23Just talk about the dialogue.

36:25Okay. I'm going to talk about the cinema.

36:27You're going to talk about the A.

36:30Actually, if you talk about the Bound,

36:33you're going to talk about the cinema,

36:35or something like that.

36:36I'm not going to talk about it.

36:38Sorry, I'm not going to talk about it.

36:39So, you're going to talk about the music director,

36:42and you're going to play the music,

36:44and you're going to play the music,

36:46and you're going to play the lyrics,

36:49so, what would you learn to do a hero?

36:54What did you learn to do?

36:57I've been in my first time,

36:59a crush on Tamanna.

37:02So, why is it Tamanna?

37:03Why is it Tamanna?

37:05Tamanna is…

37:07She is like my kind of girl.

37:11Milky beauty?

37:12Milky beauty.

37:15But yeah.

37:17If you look at the date, you are a crush.

37:21That's it.

37:23Date, crush.

37:25If you look at the date.

37:27If you look at the image.

37:28If you look at the image.

37:30Oh, okay.

37:31If you look at the heroines, you are a crush.

37:34You have an option.

37:36You have an option.

37:38You have an option.

37:40You have an option.

37:42I also like a Tamanna fan.

37:44I like a happy day.

37:46I like a Ajgirath.

37:48Oh.

37:50She is one and half decade.

37:52She is a big generation.

37:54She is ruling the hearts and the charts.

37:58That is Tamanna.

38:00She is a great selection.

38:02She is a good person.

38:04But you are always a good person.

38:06If you are a Tollywood hero, you will have to act.

38:08You will have to be a little bit slow.

38:10Junior and Sara.

38:12I would love to.

38:14I would love to.

38:16You have to aim for the stars.

38:18And then you land on the moon.

38:20So, I would love to some day work with Junior.

38:22And Garu.

38:24She will land on the moon.

38:26Chandra has.

38:28Chandra has.

38:29So, it's me.

38:31Oh, okay.

38:32So, it's me.

38:34Nice.

38:35So, I think that's why it's hard for me.

38:38So, if you don't want to talk about the entire film,

38:42you can talk about the whole premise.

38:46You can talk about it.

38:48You can talk about the audience.

38:52You cannot expect the twists.

38:54There are many twists in the film.

38:57I think the twists are the core reason, I believe.

39:02You feel good.

39:03You feel very emotional.

39:07So, you won't expect the twists.

39:09You'll find it really good.

39:11Edge of the seat experience and all of that.

39:14And especially R.R. Dhruvan's music.

39:17It'll be your favourite.

39:19Yeah.

39:20So, this film is going to hit?

39:23It'll hit February 6th.

39:24February 14th.

39:25It'll be in the theatre.

39:27It'll be Valentine's Day.

39:28Yeah.

39:29So, it'll be Valentine's Day.

39:30So, we'll celebrate the whole of the blockbusters.

39:35We'll celebrate the whole month.

39:36You'll be on the Feb. 6th.

39:37We'll see you in the near-by-faitas.

39:39And, hearty congratulations in advance.

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