00:00বད বད বྴབྱ বགསে
00:30you will listen to it.
00:33So first, we have a student here with us.
00:39Arshi.
00:41When you saw Arshi, did you ever see it?
00:45No, no, absolutely not.
00:47It's a beautiful work.
00:49It's a beautiful work for the first time.
00:52It's a lot of new things.
00:54It's a very detailed work.
00:57I've never seen this before.
00:59It's a very detailed work.
01:02There are many different materials used.
01:04We also want to explore more about this.
01:07We also want to know more about this kind of art.
01:10As a NIFT student, as a design student,
01:13this is very inspiring for us.
01:15What do you know from them?
01:18A little bit.
01:20It's a guitar, tabla, dholak, sitar.
01:26It's a little idea.
01:28In fact, in the past,
01:31I also want to know that the art of art,
01:34because it's really a art of art.
01:37It's the purpose of making them.
01:39It's the purpose of making them.
01:41It's the purpose of making them.
01:43It's the purpose of making them.
01:44But that's all I said.
01:45I don't know about these different arts.
01:46I didn't know that
01:48I know who my art and art.
01:50That's all.
01:52Yes, exactly.
01:53How did you start?
01:55I am a music student.
01:58My interest was to acquire more musical instruments.
02:04I can understand how they are.
02:06And I will keep many instruments in my home.
02:09But it is not possible because there is a lot of maintenance.
02:13There is a lot of work for them.
02:16So I made them small and small.
02:20I made a tablet.
02:23Then I showed my friend.
02:25So he told me to make it good.
02:27Then he told me to make it good.
02:29Then he told me to make it good.
02:31So as I am doing this, I am making a business.
02:35What are the instruments?
02:37The rhythm side, there are a lot of variations.
02:42The state changes.
02:44The instruments changes.
02:46The sound changes.
02:49And these terms are changing.
02:50This is Timothy.
02:52In our Ladakh, there are Timkis.
02:55And there are Mandhale.
02:58This is South India.
03:00This is Mrdangam.
03:01This is Maharaj's land.
03:03This is Tanpura.
03:05This is Rudravena.
03:06This is Rudravena.
03:08One thing is that many buildings we are seeing.
03:11Most buildings are reduced in a normal manner.
03:14The buildings are not.
03:15But it is is Rudravena or Sarangi.
03:17How is this?
03:19Like this is Rudra Veena, Vichitra Veena, Saraswati Veena.
03:25This has been closed for a long time,
03:27because there is a lot of maintenance.
03:30It is very difficult to take it from here.
03:33If you want to take it from the other side,
03:35we are seeing that there are different parts of the whole world.
03:40So, as you talk about Punjab or Jammu Kashmir,
03:44you will be able to take it from the other side.
03:46This is a Rabaab.
03:48This is a Kashmir side.
03:50If you look at the Punjab side,
03:56it is a soul, it is in the Gurudwara.
03:58This is an Israj,
04:00and this is a Saranda.
04:02This is also in the Gurudwara.
04:04There is also a Sikh Rabaab.
04:08In Punjab, there are many places in Punjab.
04:12On the�,
04:14this is a folk music instrument.
04:16It is called Gopichand.
04:18This is used in the vowel music.
04:20The vowel music is very good.
04:22Like, the Kabir Wani is heard.
04:24They are so human.
04:26How many days do you find it to make it?
04:28In particular,
04:30how many elements do they make it?
04:32I use the main furniture, like the furniture, where the scrapes of scrapes, I use them.
04:40This is a good thing.
04:42The Teak Wood is very famous.
04:44It makes me easy to carve it.
04:47Then, I use it to carve it.
04:49First, I have a knife.
04:51Then, I use sand paper.
04:54First, I use the motor, then, then, then, then, then, then.
04:57Then, I use it for 10 days.
05:01Then, I use it for 2-3 days.
05:04It will be a color, then, then, it will be a color, then, it will be a sending.
05:07Then, it will be a color, then, it will be a sending.
05:09Then, when I am satisfied, I want to give it a color, it will not come.
05:14The color will be one time, but I will also have 10 times.
05:19If it will not come, then, I will not come.
05:22The original shape of the artist tells me that we are in.
05:27But Rahul has made this miniature.
05:30His voice?
05:31This is a feeling.
05:33This is not a matter of telling you.
05:36There are some people who know them.
05:38They feel like they are burning inside.
05:42Their face, you can see them.
05:44It is a light-up.
05:46They don't know what they got.
05:48They don't know what they got.
05:50They don't get words.
05:52They don't know what they are doing.
05:54You feel like they are working on their own?
05:56Yes.
05:57They also make me connect.
05:59They say it's very big.
06:01They say it's very big.
06:05I also say it's my work.
06:07What do you think about Rahul?
06:09What are you thinking about making a new dream?
06:13What do you think about making a new dream?
06:18What are you thinking about making a new dream?
06:22We will see that our folk instruments, they don't have instruments, they are part of their life style, they don't have anything to repair, they don't want to repair.
06:40We will see that our folk instruments, they don't have to see, they don't have to see, they don't have to see.
07:02We will see that our folk instruments are in the village, the villages that are interested in, they don't have to see.
07:13Thank you for talking to us.
07:15Thank you for talking to us.
07:17We have all the songs of the Bharatiy Shastri Sangeet that you are showing.
07:21Rahul's intention is that the songs of the people who are singing in the world,
07:27are ready to give the songs of the miniature.
07:31This is the one of our people's content,
07:34the band of Bharatiy Shastri Sangeet.
07:36We will see you in the next video.
07:38Thank you for listening.
07:40We will see you in the next video.
07:44We will see you in the next video.
07:46Thank you for listening.
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