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00:00:00¡Gracias!
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00:01:30¡Hola y bienvenidos a Cabaret de Sire!
00:01:39Es mi enorme placer ofrecer a cada y cada uno de ustedes
00:01:45una muy especial noche
00:01:49con pasión, música, música, danza
00:01:55y leer eroticas.
00:02:00¡Gracias!
00:02:30Our poets will seduce and delight you with tales of intimate erotica, evocative imagery
00:02:41y mucho más.
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00:07:36con mis dos alexes.
00:07:40Es tan fácil repetir escenarios y momentos.
00:08:06En ticinia prescite,
00:08:08tu такая nesna,
00:08:10corolleva снежная.
00:08:13Raspustila волosy
00:08:16po bielym plexam.
00:08:20Raspustila волosy
00:08:22y ne слышna голосa,
00:08:26ptomu, to zanety
00:08:29gubby u tiba.
00:08:31Tú idías cigarrito, como una cugla de tuya
00:08:38¿Te recuerdas que las escuelas?
00:08:42¿Dale por ti?
00:08:45Pues ahora tu otra vez
00:08:48Por las manos de tu mano, no puedo creer
00:08:54Que te amaba, que te amaba
00:08:58Y ahora tu nera
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00:19:43They both started to ask me uncomfortable questions
00:19:49and began to stop by unannounced at the bar
00:19:53or at my other regular spots.
00:20:00Spontaneity, they said.
00:20:05Controlling, I thought.
00:20:11In the end, what had to happen
00:20:13happened.
00:20:17One afternoon, there we were,
00:20:20the three of us,
00:20:22nothing to say to one another.
00:20:28If instead of real life, this was a French indie film,
00:20:32the three of us would have ended up fucking
00:20:34and living happily ever after as a trio.
00:20:38And though that proposal did cross my mind,
00:20:40I finally decided that it was far better to keep my mouth shut.
00:20:47The fight, if you can call it that,
00:20:50was very civilized.
00:20:53Both Alex's were in agreement about one thing.
00:20:56Neither wanted things to continue as is.
00:20:59So I had to choose between them.
00:21:04Are you gay?
00:21:06Or straight?
00:21:07They asked me.
00:21:09Make up your damn mind, Sophia.
00:21:12They gave me a few days to think it over.
00:21:15How generous.
00:21:15Meanwhile, they both decided, without consulting me,
00:21:21that I couldn't meet up with either of them.
00:21:23Time to reflect, they called it.
00:21:27So I did just that.
00:21:28What they failed to understand is that if you put too much pressure on Sophia,
00:21:36she's out.
00:21:38You lose.
00:21:41Now my new love is this beauty.
00:21:48Which, by the way,
00:21:51I've named Alex.
00:21:54Will you tell us a story?
00:22:19I'd love to.
00:22:20How much would that cost?
00:22:22Two chips.
00:22:24Thank you.
00:22:25What's your name?
00:22:26My name's Tania.
00:22:28Tennessee.
00:22:29Pleasure.
00:22:30Mine.
00:22:30And you?
00:22:31I'm Juan.
00:22:32Nice to meet you, Juan.
00:22:35Are you ready?
00:22:38No one, man or woman,
00:22:42ever fucked with my mother.
00:22:44She was the most progressive,
00:22:46refined,
00:22:47libertine,
00:22:48and sensual woman
00:22:49anyone had ever seen.
00:22:51Her family left her a small inheritance
00:22:54and she used it to become the youngest
00:22:56and most brilliant art historian in the country.
00:23:01She was a real revolutionary.
00:23:04Everything about her,
00:23:05from the way she dressed,
00:23:07to her paintings,
00:23:08and her decision to become a single mother
00:23:10went against the grain and she knew it.
00:23:12Her decision to have me alone
00:23:17showed her conviction to the counterculture.
00:23:22Everything I know came from her.
00:23:25My extensive knowledge of modern art,
00:23:28my love of chamber music,
00:23:31my ability to tell a true Fabergé egg
00:23:33from a forgery in about five seconds,
00:23:36the writing of Anias Nin and D.H. Lawrence,
00:23:40to name a few,
00:23:42and the simple fact that I was regularly eating,
00:23:45savoring really,
00:23:46fine beluga caviar before my 10th birthday.
00:23:49I owe it all to her.
00:23:56Having her as a mother was fascinating.
00:24:04Almost delirious at times.
00:24:08My life was nothing like my friends.
00:24:10For one thing,
00:24:16I never knew my father.
00:24:19There were never any men around.
00:24:21She was so discreet,
00:24:23almost secretive.
00:24:25She was the kind of person
00:24:26who rarely spoke.
00:24:28She always used to say,
00:24:30you have two ears,
00:24:31but just one mouth for a reason.
00:24:34You should speak half as much as you listen.
00:24:35Her penchant for silence
00:24:41was far from accidental.
00:24:47It wasn't just that she was a private person.
00:24:50My mother had a lot to keep quiet about.
00:24:54In fact,
00:24:56her livelihood depended
00:24:57on our ability to keep our mouths shut.
00:25:03Few people ever knew about it,
00:25:05but my mother was a thief.
00:25:08Not a common burglar, though.
00:25:10She didn't knock off banks
00:25:11or pick pockets
00:25:12or break into rich people's houses.
00:25:15She was an art thief.
00:25:17She stole one-of-a-kind pieces,
00:25:20from deco jewelry
00:25:21to paintings from the Renaissance
00:25:23and the modernists.
00:25:25And she especially loved
00:25:26incredibly old first editions
00:25:28from her favorite authors.
00:25:31There was nothing she couldn't find
00:25:33and acquire.
00:25:35Her intelligence
00:25:37and her training in art history
00:25:40made her the best there ever was.
00:25:44If she wanted something,
00:25:46it was hers.
00:25:48There was one thing
00:25:56that made her a legend.
00:25:58She never spoke of it,
00:26:00but it's said that Interpol
00:26:01nearly had her once,
00:26:03but the detective handling the case
00:26:05fell in love,
00:26:07and they had an affair
00:26:08before she vanished.
00:26:11There are always rumors
00:26:12about important men,
00:26:14the director of the Louvre,
00:26:17a famous art restorer
00:26:18at the Prado,
00:26:20private collectors.
00:26:22Curiously enough,
00:26:24they all ended with something
00:26:26incredibly valuable missing.
00:26:29And more often than not,
00:26:31it wasn't even reported
00:26:33to the police.
00:26:56But of all her adventures,
00:26:58there was one
00:27:00that she considered
00:27:01her masterpiece.
00:27:06One story
00:27:07that she told
00:27:07with more vigor,
00:27:09pride,
00:27:09and excitement
00:27:10than all the others.
00:27:13She called it
00:27:15her best work.
00:27:17And it was funny
00:27:18because it was never clear
00:27:20just what she had stolen
00:27:21or what made it so special.
00:27:26All I really know
00:27:27about that particular
00:27:29and, in her words,
00:27:30ambitious caper
00:27:31is the mark.
00:27:34Carl Rasman,
00:27:36the famous novelist
00:27:38and playwright
00:27:39who revolutionized
00:27:40the entire world
00:27:41with his experimental works
00:27:42on sexuality,
00:27:44seduction,
00:27:45and the equality
00:27:46of the sexes.
00:27:48She had all of his work,
00:27:50It comprised
00:27:53almost one-fourth
00:27:54of her extensive library.
00:27:58She often spoke
00:27:59of him, in fact,
00:28:01and always
00:28:02with the most sincere
00:28:04and profound
00:28:04intellectual admiration.
00:28:09I would listen intently,
00:28:11trying so hard
00:28:12not to ask questions,
00:28:15but always asking
00:28:16too many
00:28:17and causing her
00:28:18to snap out of it
00:28:19and change
00:28:21the subject.
00:28:22And change the subject.
00:28:49That's it.
00:28:55Who's to be
00:28:59with the montes 나와
00:29:05in
00:29:06the
00:29:09teen
00:29:10after
00:29:11the
00:29:13whole
00:29:13work
00:29:13or
00:29:14after
00:29:16Gracias por ver el video.
00:29:46Gracias por ver el video.
00:30:16Gracias por ver el video.
00:30:46Gracias por ver el video.
00:31:16Gracias.
00:35:16Gracias.
00:51:18Gracias.
00:51:20Gracias.
00:51:22Gracias.
00:51:24Gracias.
00:51:26Gracias.
00:51:28Gracias.
00:51:30Gracias.
00:52:02Gracias.
00:52:04Gracias.
00:53:06Gracias.
00:54:08Gracias.
00:54:10Gracias.
00:54:12Gracias.
00:54:14Gracias.
00:54:16Gracias.
00:54:48Gracias.
00:54:50Gracias.
00:54:52Gracias.
00:54:54Gracias.
00:54:56Gracias.
00:54:58Gracias.
00:55:00Gracias.
00:55:32Gracias.
00:56:02Gracias.
00:56:04Gracias.
00:56:06Gracias.
00:56:08Gracias.
00:56:10Gracias.
00:56:12Gracias.
00:56:14Gracias.
00:56:16Gracias.
00:56:18Gracias.
00:56:20Gracias.
00:56:22Gracias.
00:56:24Gracias.
00:56:26Gracias.
00:56:56Gracias.
00:56:58Gracias.
00:57:00Gracias.
00:57:30Gracias.
00:58:00Gracias.
00:58:02Gracias.
00:58:03Gracias.
00:58:05Gracias.
00:58:06Gracias.
00:58:08Gracias.
00:58:09Gracias.
00:58:11Gracias.
00:58:12Gracias.
00:58:14Gracias.
00:58:16Gracias.
00:58:17Gracias.
00:58:18Gracias.
00:58:19Gracias.
00:58:29After 15 minutes of walking, in high heels that were too high, and too new, her feet were killing her.
00:58:39I'm so uncomfortable.
00:58:41I'm so uncomfortable.
00:58:43And this dress is too short.
00:58:46These shoes are ridiculous.
00:58:49I don't feel right.
00:58:52Do I really have to try so hard to impress?
00:58:57Couldn't I just have worn something more me?
00:59:01A teenager.
00:59:02A teenager.
00:59:03That's what I look like.
00:59:05Someone who is dumb enough to go on a date, riding a bicycle in this heat, wearing a suit no less.
00:59:12Shit.
00:59:13I'm nervous.
00:59:31I'm nervous.
00:59:32I'm nervous.
00:59:33Dude.
00:59:34Okay.
00:59:36What we had was good.
00:59:39Damn good.
00:59:42But...
00:59:44It's not gonna go anywhere.
00:59:47It was just amazing sex for a few days over a year ago.
00:59:53And that's it.
00:59:56And he is so not my type.
00:59:59¿Qué? ¿Older que yo? ¿Divorce con un niño? Oh, es una idea de mal. ¿Por qué me dijo que sí?
01:00:12¿Qué hago? ¿Qué vamos a hablar de esto?
01:00:17Es un año que hemos visto un otro. No sé dónde empezar.
01:00:25¿Por qué siempre complica mi vida así?
01:00:29I can't even remember how old she is.
01:00:39Maybe I should just buy one of those cupcakes and eat it alone and skip the date. Problem solved.
01:00:49We just locked ourselves in that apartment for three days straight and went for it.
01:00:55And for the life of me, I just can't remember the first thing about her.
01:01:07It's pathetic.
01:01:08Oh, damn. What should I do? What am I doing? What if he doesn't want anything serious?
01:01:20What if I don't want a relationship right now? Or what if I do? I don't know. I just...
01:01:30What if I don't want a relationship right now?
01:01:31This restaurant is rank.
01:01:38No..
01:01:49No..
01:01:50No.
01:01:51This restaurant is rank.
01:01:59Why didn't I just decide to hit that amazing sushi joint right by my place?
01:02:05Así que estoy tratando de hacer una buena impresión con este ríguloso vestido y una tienda.
01:02:11Bien de ir.
01:02:15Tienes que chill, hombre.
01:02:18Por favor, intenta tener un buen día y ser tuyo, ¿verdad?
01:02:35Gracias.
01:03:05Gracias.
01:03:35Gracias.
01:04:05Oh, man.
01:04:35How is it right first?
01:04:38Just what I was hoping wouldn't happen.
01:04:42Oh, this guy's going to show up, right?
01:04:46Now that would be the icing on the cake, let me tell you.
01:05:05Oh, this guy's going to show up.
01:05:10Oh, this guy's going to show up.
01:05:14Oh, this guy's going to show up.
01:05:18Oh, this guy's going to show up.
01:05:31Oh, this guy's gonna show up.
01:06:14¡Oh, come on!
01:06:16¡Great!
01:06:18¡Just what I needed!
01:06:20¡A flat fucking tire!
01:06:22¡Another glass?
01:06:24¡Hm, sure!
01:06:26¡Why not!
01:06:28¡At least I'll be in a good mood when he arrives!
01:06:32Or,
01:06:34depending on how long he takes,
01:06:38stumbling drunk.
01:06:40And now, of course, I'm going to be late.
01:06:42Such an idiot.
01:06:44Gosh, not even a message, nothing.
01:06:48He's not coming.
01:06:50You'll see.
01:06:52Typical me.
01:06:54Always messing it up.
01:06:56Well, I'm polishing off a bottle of champagne all alone.
01:06:58Great.
01:07:01Typical me.
01:07:02Always messing it up.
01:07:04Well, I'm polishing off a bottle of champagne all alone.
01:07:08Great.
01:07:10Great.
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