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Short filmTranscript
00:00I've always described the world in words people moments places all through metaphors and margins
00:11okay like my mom self-made stubborn and never wrong was there you excited for your first day
00:21she calls this a fresh start I call it terrifying
00:30you've got this just be yourself that's kind of the problem
01:00okay morning class and you're not seated because I don't have a seat
01:14ah a new transfer Alice Keaton right let's see
01:19there's a spot next to Charles seriously a charity case sitting next to Charles
01:29quiet Charles
01:34I've always had words for everything but in that moment
01:41I forgot them all
01:48Charles move your things I'd rather not she'll be a distraction from what sleeping from everything
02:02if anything Charles Miss Keaton will be a positive influence on you she was top of
02:07her class at a previous school with all due respect sir her previous school was
02:13American I highly doubt that that's enough she can sit here it's fine back to
02:25Goldie thank you you got it I'm Sherry Vaughn Alice Keaton it's very important
02:31that we look at New York's intentions what he's talking about their experience of the time
02:36the house
02:37wait you sat next to Charles she didn't you totally shut her down
02:44oh knew it don't take it personally he's impossible can everyone stop acting like the goal is getting into his pants
02:50what he's hot everyone kind of is
02:55I I've seen Connor he's not my type you're joking I don't find bullies attractive
03:02hey be careful we're talking about the king of Ashford the what his family
03:08basically own the school and the town maybe even the country yeah everyone's
03:14tried to get close no one can get past his ego you're not the first to get nice
03:18okay first of all I wasn't iced it's more like a mutual decision and second I
03:24think he's arrogant cold thinks he's untouchable but if you really look at
03:30Charles he just seems isolated like he's making out honestly I just think he's
03:35lonely and kind of
03:40what no go on
03:48you were saying I'm lonely and pathetic
03:55next time read the room before opening your mouth American we're not Kansas
04:05anymore Alice
04:12hey how was your first day I good
04:26excited Kevin not really super uneventful really how's your new job yeah
04:33alright get this they said we can stay in the servants wing seriously mm-hmm
04:38apparently the young master won't mind the company young master this is your
04:45boss's house yeah it's not incredible I mean I wouldn't call it a house it's a
04:53museum with better landscaping
05:00wait here I'll talk to the butler
05:06wow rich people you've topped yourselves again
05:14Stephen King first edition
05:27breaking and entering now how American of you
05:31you can get up now I I'm trying wait are you serious well you said you were
05:53trying what is wrong with you funny I was about to ask you the same thing what
06:08are you doing in my house you wait your house my house my library and now apparently my unwanted guest
06:20ah master Charles must be Miss Alice and daughter she said you'd be moving in today she what
06:27there there's been some kind of misunderstanding you see I'm not actually moving in
06:33that so yeah I'm not staying here like at all
06:37that's a shame you must seem quite pleased with the arrangement
06:40well I just don't think it's appropriate well if you're sure then absolutely not
06:47come on Alice you must stay it'll be fun my dear classmate
06:59I'm dead like mentally socially and actually dead
07:12just trying to figure out how exactly my life went off the rails
07:16get it together Alice Keaton
07:18you've been through hell
07:20I was sure I'd never find someone to make my head spin around
07:23actually no
07:24no one's ever gonna be the thing I need
07:25they all just let me go
07:27this is hell
07:28but baby
07:29you saved me
07:30uh
07:31good morning
07:39wow
07:40sir is that miss Keaton
07:47what thing doesn't know that stops been closed for months
07:52she's going to be late
07:59okay
08:00how long is this thing gonna take
08:02maybe I'll just walk
08:04five miles to school
08:06okay
08:08if I sprint maybe I'll make it before first period
08:12or die of exhaustion on the way
08:17or die of exhaustion on the way
08:20what
08:21what are you doing here didn't you already leave
08:26wait
08:27did you come back for me
08:30relax
08:32I forgot my textbook
08:34don't flatter yourself
08:36wait
08:39since you're already here
08:41maybe you could be a decent person and give me a ride
08:47no
08:49seriously
08:50your car is huge
08:52yeah
08:54and I'm not a fan of sharing
08:56says the guy who forced me to live in his house
09:03unbelievable
09:06I'm walking
09:07I'm walking
09:08I'm walking
09:14Ashford Institute please
09:15thank you
09:16thank you
09:20who needs that entitled brat anyway
09:23sir
09:24you called the cab
09:25why not just give miss Keaton a lift
09:26why not just give miss Keaton a lift
09:32why not just give miss Keaton a lift
09:34and have the whole school go crazy
09:36she's new
09:37everybody's already talking
09:39so you're worried about her
09:41you're overthinking
09:43I just don't like drama
09:50asshole
09:51hey
09:52morning class
09:55back to Golding
09:57remind me what he's saying through Lord of the Flies
10:04Mr Kenwood
10:06care to share what you found so amusing
10:08not particularly
10:10oh I insist
10:12you seem very entertained by Golding
10:13I'm not entertained by Golding
10:15I'm not entertained by Golding sir
10:17on the contrary
10:19I think his ending is
10:21weak
10:23wait wait
10:25you've actually read it?
10:26quiet
10:28that's an interesting take
10:30explain
10:32he had the setup for something brutal
10:35something honest
10:37but in the end
10:38he backed out
10:39he could have left the boys on the island
10:40forced them to confront
10:42the collapse of vulnerability
10:44let them choose survival
10:46or death
10:48but instead
10:49he gave them a rescue boat
10:51slapped a happily ever after
10:52on a book about savagery
10:56it's a waste
10:58don't you think?
10:59I'm delightfully surprised Charles
11:01didn't think you had such strong literary opinions
11:04I'm always a model student sir
11:06let's not get ahead of ourselves
11:07so
11:10a critique of Golding's mercy
11:13anyone disagree?
11:29I think Golding knew exactly what he was doing by ending the book that way
11:33it's not mercy
11:34it's irony
11:35how so?
11:39the rescue isn't a happy ending
11:41you don't just walk back into society and forget you're a monster
11:44Golding didn't save them
11:46he left us with the discomfort of pretending they could be saved
11:49that's an interesting take Miss Keeter
11:51you still think it's a harsh critique?
11:53in some ways
11:55but not harsh enough
11:57yes it's a critique of toxic masculinity
12:00but still Golding sympathized with them
12:02and the civilized world?
12:04toxic
12:05violent
12:06he didn't call that out nearly as much
12:07so yeah
12:08I don't think Golding pushed far enough
12:10but I think it's unfair to call it a happy ending
12:13thank you Miss Keetan
12:16thank you Miss Keetan
12:18well said
12:20anyone else?
12:22both opinions are valid
12:25okay that's kind of epic
12:26and let's not forget
12:28Golding faced major backlash when he first published the book
12:30good literature will always divide opinion
12:36what's happening to me?
12:43okay what is going on?
12:45why is everyone staring at me?
12:47well you're new
12:49and apparently had a thing with Charles
12:51a what now?
12:52you two are in the middle of the most epic feud
12:55in years
12:56we're not even fighting
12:57well according to everyone
12:58you confessed your love on day one
13:00got rejected
13:02begged to sit next to him
13:03got rejected again
13:05and today in class
13:06you broke down crying about not believing in happy endings
13:09and stormed out in tears
13:13you were there Sherry
13:14that is not what happened
13:16doesn't matter
13:18people believe what they want to believe
13:20and they want Charles to be flawless
13:22untouchable
13:24wow
13:25is massage any like a rich kid thing
13:27or just a British specialty?
13:28honestly
13:30both
13:31but seriously Alice
13:32some people already see you as a threat
13:42okay
13:43loaded
13:45looks like the new girl's in for a rough first semester
13:55okay
14:02hello?
14:05hello?
14:07is somebody out there?
14:09oh come on!
14:10come on!
14:24fine
14:25please
14:39seriously?
14:41shit
14:46what the hell?
14:47what the hell? Anne, I thought you were having dinner with Alice. She hasn't come
14:53home. Her phone is off. Maybe you've seen her this evening? Yikes. Looks like the
15:01new girl's in for a rough first semester.
15:08Shit.
15:11Alice? Alice? Mr. Pelton, Charles Kenwood here. I was wondering if I could get the timetable
15:20for Alice Keaton. She hasn't come home. I'll have it sent over. Check the common room in
15:26the library. I'll take the rest.
15:29Alice!
15:34Come on, Alice. Close your eyes and jump. It's fine. You're fine.
15:56Hey, Mr. Nonchalant. Are you happy with how we ended? Is it warm enough?
16:26What are you doing here? Can you get off me first?
16:41You're welcome. I didn't say thank you. I figured saving your life might
16:46earn me basic manners. Someone just dumped swamp water on me. Excuse me if I'm not
16:51feeling very polite. You smell like a biology experiment. Wow. You should try falling out
16:57of a window into someone's arms and getting insulted for it. I wouldn't recommend it. You're
17:01heavier than you look. I hope you pull your shoulder.
17:06You're heavier than you look at me. I will be. I will be.
17:13No. But I will be. Someone did this on purpose. What do you think, golden boy?
17:19Don't worry, I can handle it.
17:22You shouldn't have to.
17:25I'm sorry.
17:34Sorry.
17:39Did you just apologize to me?
17:42Don't get used to it.
17:43I wouldn't dream of it.
17:47Alice?
17:48Over here.
17:49I can't.
17:52You okay?
17:55Why are you drenched?
17:57Yeah, I just took a weird shower.
18:00Tap exploded.
18:03Come on, let's get you home.
18:14Alice Keaton, right?
18:16I heard you stage the whole thing for attention.
18:28I know how this place works.
18:31I know how this place works. If you don't do anything about it, it's only going to get worse.
18:49I'll look into it.
18:52Charles, good on you. How many here would speak up?
19:01I can't believe someone actually locked you in. That's insane.
19:05Where the hell was the school when this was happening?
19:07Busy protecting their golden boys and trust friends.
19:10Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.
19:16Please, he just didn't want a lawsuit.
19:31Being a scholarship student has its perks, like saving a fortune on tuition and getting into schools that normally wouldn't even let you pass the gates.
19:45Hey, we miss you in Paris.
19:49Though there are enough Americans to remind us of you.
19:51But sometimes, being here means staying behind.
19:55And watching Ashford Elites go on a two-week enrichment program you can never afford.
20:01Have fun. Bring me something overpriced and unnecessary.
20:11The trip cost 20 grand in pounds, which translates to mom's salary for half a year.
20:16So yeah, I didn't go.
20:39Uh, what are you doing here? Do you not believe in shirts?
20:42Do you not believe in dignity?
20:44It's comfortable.
20:46You look like a rejected Ewok.
20:48This, this is not even your kitchen.
20:50And this is not even your house.
20:52And yet, you're here, dressed like this.
20:55Just don't look. Go away.
20:57Hard not to, when you're walking around dressed like that.
21:00What do you guys call it? Um, buzzkill? Cockblock.
21:05You're insufferable.
21:07You're the one cosplaying at breakfast.
21:09You know what? I don't get it. Why didn't you go on that tour?
21:12I thought rich people live for that kind of thing.
21:14Why do you think?
21:20Where would I go?
21:22I could practically recite the itinerary in my sleep.
21:26Florence. Walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian.
21:32Or Tiziano, if you want to sound extra pretentious.
21:36Then Venice, because everybody loves a good canal and getting lost in the most confusing city on earth.
21:42Next stop, Napoli. Marvel at Pompeii. Pretend you're shocked. Ancient people had plumbing.
21:48The final stop, Hari. The ultimate city of romance.
21:53And, naturally, Woody Allen's favourite city outside of New York.
21:59That's word for word.
22:03I told you. I've done this tour so many times, I could run it.
22:07Okay, but still, it's Europe. Most people would kill for that chance.
22:11Most people haven't had their phones stolen in Paris. Twice.
22:15Also, I hate the accommodations.
22:17Aren't they all five-star hotels?
22:19Standard rooms in five-star hotels? No thank you.
22:23Wow. Some were born in Rome, huh?
22:27That's unfortunate. It's a very chaotic city.
22:29One word of advice? Shut up.
22:31That's two words.
22:35You're weird. You're loud. You're annoying.
22:37You're in my kitchen. You have three other kitchens.
22:39And I prefer this one. Just for today.
22:42Come back when you've got a shirt on.
22:44Come back with normal clothes on. You didn't have to come.
22:46Don't tell me what I have to do.
22:48Master Charles. Roads are flooded. Staff won't make it tonight.
22:50Will you be alright sorting dinner?
22:52I've got it sorted.
22:54I've got it sorted.
22:56I've got it sorted.
22:58I've got it sorted.
23:00I've got it sorted.
23:04I've got it sorted.
23:18Jesus, what are you doing?
23:20Relax. I'm here to make a deal.
23:24What deal? You nearly gave me a heart attack.
23:30You'll survive.
23:32I'm not selling my body.
23:38I'm not selling my body.
23:44Wow. I am deeply offended.
23:46But that thought disgusts me.
23:48Then what are you doing?
23:50The staff's off tonight.
23:52I'm buying dinner.
23:56Did you seriously think I'd spend a hundred pounds on-
23:58No, I'm- I-
24:00Jesus.
24:02Wait.
24:04You think I'm not worth one hundred pounds?
24:06I'm not spending one hundred pounds to snort Chewbacca.
24:10You know what? Dinner's cancelled.
24:14Are you sure about that?
24:18I present to you.
24:20Meatball spaghetti, stir fried veggies, and french fries.
24:22You're welcome.
24:24Interesting combo.
24:26Well, I know we're not in Italy or France, but this'll do.
24:28It's...
24:30Good.
24:32Good.
24:38Was that a compliment?
24:40Although, I am obliged to inform you.
24:42Meatball spaghetti isn't Italian.
24:44It's American.
24:46And french fries, likely born in South America.
24:48You should read more.
24:52Put it down.
24:54I paid for it.
24:56You really just have to win every argument, don't you?
24:58To be fair, you make it very easy.
25:00It's only easy because it costs two hundred pounds.
25:04You know, if you'd ask for more, I probably would've given it to you.
25:06I'll make sure of that.
25:22Hey Alice, it's fine.
25:24You're fine.
25:26911, what's with your emergency?
25:30911, what's with your emergency?
25:32911, what's with your emergency?
25:34911, what's with your emergency?
25:36911, what's with your emergency?
25:38911, what's with your emergency?
25:40It's my dad, he needs help.
25:42He just had a stroke.
25:44Okay miss, hurricane constant traffic shut down.
25:46We'll get to you as soon as we can.
25:48Please, he's not well.
25:50I understand.
25:52Can you confirm your address?
25:54Dad, yes I'm right here.
25:56Hi.
25:58My daughter.
26:00Please stay with me dad, please.
26:06No.
26:08Please wake up.
26:14Dad please, please don't leave me.
26:16It's okay.
26:18You're right here.
26:20No.
26:22You're right here.
26:24You're right here.
26:26I'm the other person.
26:28No.
26:30You... what are you doing here?
26:53You were crying.
26:56Loudly.
26:58Kind of hard to ignore.
27:00Right.
27:02Sorry for the noise.
27:04Wait, no snarky come back?
27:07Not tonight, I'm too tired.
27:09If you're here to argue, knock yourself out.
27:13You were calling for your dad, right?
27:16A hurricane hit New York.
27:19Power went down, traffic froze.
27:22Dad had a stroke.
27:24But he couldn't get help in time.
27:26I sat there, with a candle, while he laid there.
27:35Peaceful.
27:37Like he was asleep.
27:39But he wasn't.
27:40So that's why you and your mum moved here.
27:47This used to be our hometown.
27:50After dad left, we had nowhere else to go.
27:59What are you doing?
28:00Come on.
28:05Come on.
28:20Wait.
28:21I thought the peril was out.
28:24It is.
28:25We have our own generator.
28:26Wow.
28:27Rich people houses her.
28:29Just for tonight, I'll allow it.
28:33Allow what?
28:35You can call this place your house.
28:37So enjoy it.
28:38Stephen King's first edition.
28:40Alan Gisberg's handwritten letters.
28:42Jane Austen's notes.
28:44All yours.
28:48This is your home.
28:52Alice Keaton.
28:52Careful.
28:58It almost sounded sweet.
29:01Don't push it.
29:02Okay then.
29:05I have...
29:07one request.
29:09What is it?
29:19Are you ever going to make a move?
29:21Wait.
29:22Give me a second.
29:23I'm thinking.
29:24You had one wish.
29:26Anything in the world.
29:27and in the middle of a thunderstorm,
29:30inside a literal mansion,
29:32you chose chess.
29:34Yeah.
29:35Got a problem?
29:36It's just so cool, like spies or genius villains in movies.
29:40It's literally a board game.
29:42Says the guy who owns a custom set.
29:45Wait.
29:46Does the knight go diagonally?
29:48For the tenth time,
29:50it moves in an L shape.
29:52One.
29:53Two.
29:54Then turn.
29:56There.
29:58Happy?
29:59Ecstatic.
30:01God, no.
30:02That's suicide.
30:03Or a brilliant long-term sacrifice.
30:06You are playing checkers at a chessboard.
30:07Still beating you in sarcasm.
30:09You literally haven't won any past arguments.
30:11Golding disagrees.
30:13It's going to be a long night.
30:15Oh, my...
30:15No.
30:16Why?
30:16What's wrong with that?
30:16You can't do...
30:17You can't do that.
30:18No, no, oh, my God.
30:20Can I not do that?
30:20No.
30:21You had to shop a trip when about it all wrong.
30:24Died to pull you in close as we locked on the phone.
30:28Buy yourself outwork cause I'm moving on.
30:32Oh, you're showing up at my door.
30:37Holding your heart there inside your hands.
30:40Maybe he's not so awful after all.
30:43Um, who are you?
30:56What are you doing here?
30:59Well, your parents said you were still at home.
31:01Thank God you skipped that boring grand tour.
31:03Who needs Italy and France again, right?
31:05When did you get back?
31:07Last night, from Zurich.
31:09You didn't answer my messages.
31:12I missed you.
31:14Anyway, thought I'd come surprise you.
31:16Apparently, I'm transferring to Ashford.
31:19Your parents were so thrilled.
31:21They didn't tell me about this.
31:22I wanted to deliver the happy news myself.
31:25They said it'd be lovely for us to reconnect.
31:28You know, considering the engagement and all.
31:31Oh, did no one tell you?
31:37He's promised.
31:38Old money stuff.
31:39Very retro.
31:40I didn't agree to that.
31:41You didn't have to.
31:42It's never up to us.
31:45Where did you find this little toy?
31:48Serena.
31:48I can hear you, you know.
31:50Oh, an American.
31:53How refreshing.
31:58Goodbye.
31:59Wait.
32:01Where are you going?
32:17You still owe me breakfast.
32:19You only paid for dinner.
32:21I had homework.
32:23Goodbye.
32:26Your little toy has quite the temper.
32:28Serena, can you please just stop?
32:30What?
32:30Teasing the help.
32:38That's her.
32:39That's the one from Kenwood's house.
32:42Was she like, the maid or something?
32:43Oh my god, what's wrong with people?
33:02They're saying you live with Charles.
33:03Oh, and Serena.
33:05What about her?
33:06Well, apparently she told everyone you were caught sneaking into his room.
33:10Of course she did.
33:24Careful, Alice.
33:25You're starting to look desperate.
33:27Come to the music room.
33:32I just remembered I need to check something.
33:46You guys go ahead.
33:47You guys go ahead.
33:47Yeah, okay.
33:54Hello?
33:55Is someone there?
33:57Seriously?
33:59This is getting old.
34:00Wait.
34:11Music room?
34:14What?
34:16James?
34:17Is anybody in here earlier?
34:19Just Miss Serena.
34:20Said she was waiting for you.
34:23Sir?
34:25Sir, it's raining.
34:26Come on, Alice.
34:38You're fine.
34:40You're not that girl again.
34:48Wait.
34:48Can you remind me one more time?
34:51Okay.
34:52Rooks move in straight lines.
34:54Yep.
34:54Bishops move diagonally.
34:56And knights...
34:57The knights...
34:58The knights the weird one.
35:04Rooks.
35:06Straight lines.
35:08Bishops.
35:10Diagonally.
35:12Hello?
35:24The text.
35:25Are you okay?
35:26Are you hurt?
35:27I...
35:28I'm okay.
35:29I...
35:30I saw the text and I thought...
35:31I didn't see the message.
35:32Serena took my phone.
35:33I didn't know.
35:34I'm sorry.
35:35I'm...
35:36Okay.
35:37You're gonna catch a cold.
35:38You're freezing.
35:39You didn't have to come.
35:40Don't tell me what I have to do.
35:43Give me hope that feels like home.
35:45I'm...
35:46I'm...
35:47I'm...
35:48I'm...
35:49I'm...
35:50I'm sorry.
35:51I'm sorry.
35:52I'm sorry.
35:53I'm sorry.
35:54I'm sorry.
35:55Okay.
35:56You're gonna catch a cold.
35:57You're freezing.
35:58That wasn't a mistake, if that's what you're about to say.
36:23I wasn't going to.
36:28I'm really bad at this, you know.
36:40What? Kissing?
36:41Hiding feelings.
36:42I don't like that.
36:58Dump those Ewok pyjamas.
37:07Oh, you wish.
37:10Seriously, it's a cock block.
37:13You kissed me.
37:15That's basically consent to everything.
37:19Dangerous words, Keaton. I might hold you to that.
37:36You'll be working in pairs on your comparative essays.
37:39The list is on the board.
37:41One, two, three, four.
37:48Are you okay?
37:49Fly me to outer space
37:53That's where I'll see your face
37:58And have you with me
38:01It may seem dark
38:07But you always like my eyes part
38:12You're welcome
38:19They're either enemies or secretly married
38:25Honestly, right?
38:28I was sure I'd never find someone
38:33To make my head spin around
38:35No one's ever gonna be the thing I need
38:37They all just let me down
38:39But baby, you saved me
38:42Time been new
38:44Everything's so different now
38:47So, the night goes in an L shape, right?
38:52Why is that the only one you remember?
38:54Because it's weird
38:56And I like weird
38:59Check
39:07You're cheating
39:13I'm winning
39:14There's a difference
39:16You are very distracting
39:17And you like it
39:20I would eat before you think
39:22I'd be in the dark and space
39:27I'll hold you in my arms
39:30Charles
39:30We need to talk
39:33I expected poor judgment
39:42But this in my house
39:44It isn't what it looks like
39:46No
39:46Kissing a servant's daughter
39:49In the family library
39:51Enlighten me then, Charles
39:52We came back tonight
39:54After speaking with Serena
39:55Imagine our surprise
39:57Walking in on
39:58This
39:59She isn't just
40:00You have no right
40:02To barge in
40:03On my property
40:04I care about her
40:08I'm not ashamed
40:10That's enough
40:11Why do you care?
40:15We're protecting our son's future
40:17And our name
40:20You think this protects me?
40:21We think
40:22She does not belong
40:24In your world
40:25Then maybe I don't either
40:29You're ready to give up everything
40:33For a girl you barely know
40:35Yes
40:38Then
40:40Are you sure
40:41She's ready?
40:49I'm asking you
40:50Do you think she's ready
40:51To lose everything
40:53Regardless of how little
40:54That is
40:55Just to be with you?
40:57What are you talking about?
40:58You left us no choice, son
40:59You shouldn't disobey your father
41:01Pelton
41:05It's Frederick Kenwood
41:07Ah, Mr. Kenwood
41:09How can I help?
41:10If a scholarship student
41:11Were to violate our behavioural code
41:14In a public setting
41:16With photographic evidence
41:17Would that warrant a review?
41:20Yes, sir
41:21So
41:24Answer me again
41:26Do you think she's ready
41:28To lose everything
41:29Just to be with you?
41:41Charles
41:41What happened?
41:43Did your parents say something?
41:44Are they mad?
41:44Is everything okay?
41:47Pack your things
41:47You can't stay here anymore
41:50What?
41:53My parents fired your mother
41:54She's leaving
41:56So are you
41:57Wait, why?
41:59Is it because of us?
42:00We can fix this
42:01I'll get a job
42:02Stop, stop it
42:02You don't get it
42:04If I don't walk away from this
42:06They'll cut me off
42:07Okay?
42:09No card
42:10No trust
42:11No support
42:12Nothing
42:13Then
42:14Then we'll figure it out
42:16We don't need all that
42:18Do you really think
42:20I'm going to live like that?
42:21So that's what this was
42:25Just fun
42:27Until it got inconvenient
42:29What did they promise you?
42:34Nothing
42:35They just reminded me
42:39Of what's real
42:40Charles, I'm not stupid
42:45You don't just turn into a cold stranger
42:48Because of one conversation
42:49What did they threaten you with?
42:56What did they threaten you with?
42:58This is the difference between me and you
43:00What?
43:00You think you know me
43:02Or what I have
43:04You don't
43:05Alice
43:06You're still lying
43:08I'm not
43:08Alice
43:09Look around you
43:10This mansion
43:12You thought was a museum
43:13It's my house
43:16My world
43:17I was bored into this
43:19I am not choosing
43:20Between this
43:22And something I picked up
43:26For a moment
43:27Of fun
43:27Don't do this Charles
43:31You don't mean it
43:33It was fun
43:34But you
43:35You don't compare to what I own
43:39I'll survive the loss
43:42Right
43:45I should have known
43:48Guys like you
43:51Don't end up with girls like me
43:52You play with them
43:56Then you throw them away
43:57Go to sleep Alice
44:00This fall is a little more
44:14Than I expected
44:15In so deep
44:19I can barely see myself
44:22Yeah around me
44:25Feels so heavy
44:27But depleted
44:28But I find
44:31Just a place
44:32To test myself
44:34Oops
44:43Oops
44:44Oops
44:45Oops
44:46Oops
44:47Oops
44:48Oops
44:49Oops
44:50Oops
44:51Oops
44:52Oops
44:53Oops
44:54Oops
44:55Oops
44:56Oops
44:57Oops
44:57Oh sorry
45:01Didn't see that
45:02Then again
45:03Nobody does
45:04Move please
45:06Hmm
45:07Try begging
45:09You know what
45:15Keep it
45:16Poor thing
45:22So dramatic
45:23Dance
45:25Excuse me
45:27I warned you
45:28Walk away Serena
45:30Last week's group assignments were mostly forgettable
45:40Last week's group assignments were mostly forgettable
45:54But one pair surprised me in a good way
45:57Charles Kenwood and Alice Keaton
46:00Would you mind giving us a short summary?
46:03If she loves the sound of her voice, she loves the sound of her own voice, better have it
46:06I couldn't stay
46:07I couldn't wait
46:09I thought that you should know that I would have
46:13Can hang around
46:14Our essay explored what happens when two fundamentally different voices meet
46:19Like logic and chaos or silence and noise
46:22Different worlds
46:23Different worlds
46:25Different rules
46:26At first glance, they clash
46:30But what makes the story interesting is what happens next
46:34Confusion
46:35Curiosity
46:36But in the end, some stories aren't about staying
46:39And yes, there is no such thing as a happy ending
46:43And yes, there is no such thing as a happy ending
46:55Is she still talking about the essay?
47:01Miss Keaton
47:02Dramatic as always
47:05All right
47:06Thank you, Alice
47:07That was
47:08Laid
47:09Are you okay?
47:12A reminder
47:12That good literature
47:14Always stirs something
47:16Hello?
47:20Hi, here's Alice Keaton
47:21This is Whitmore Press
47:22We've been following your work
47:23We'd like to offer you a long-term publishing contract
47:26Name your price
47:27We'll make it work
47:28Sorry, what?
47:32That's
47:33Kind of
47:34Insane
47:35Who's behind this?
47:37Your sponsor wishes to remain anonymous
47:39Can
47:40Can I meet them?
47:44I want to
47:45Please
47:46Or at least tell me a name
47:48Sorry, they wish to stay in office
47:53So they're only interested in words, not the person
47:55I'd really like to meet them
47:57I'm sorry, just keep them
47:58They were very good
47:59And they're the most generous offer we've ever given a new year
48:01I see
48:03Congratulations again
48:05You got the interview?
48:10It's just an interview, I haven't gotten it yet
48:12Still, Alice Keaton at Oxford
48:15That's iconic
48:16You okay?
48:26Yeah
48:27I'm so excited
48:30It's done, Mr. Kenwood
48:43Miss Keaton signed the contract
48:45Good
48:47It's a generous deal
48:49You sure you don't want it to know?
48:50No
48:52No, it's better if I stay out of her life
48:56I will be there for you, babe
48:59I'll be there in your darkest days
49:04Congratulations, Alice Keaton
49:07Go live the life you were always meant to
49:11Your engagement announcement should align perfectly with the Foundation Gala
49:20You know what?
49:20That's okay
49:20Now for now, you're coming back to the Foundation Gala
49:21You're welcome
49:22Now for now to support this
49:23What do you want to do?
49:24You're welcome
49:24Thank you
49:25You're welcome
49:25Thank you
49:26To support this
49:38You're welcome
49:39For now to help you
49:40You're welcome
49:41You're welcome
49:42You're welcome