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فسيلة - transplant
هي مكتبة رقمية تحتوي علي آلاف الفيديوهات العربية في جميع المجالات
It is a digital library containing thousands of Arabic videos in all fields.
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https://www.dailymotion.com/fasela/playlists
هي مكتبة رقمية تحتوي علي آلاف الفيديوهات العربية في جميع المجالات
It is a digital library containing thousands of Arabic videos in all fields.
قوائم تشغيل فسيلة
https://www.dailymotion.com/fasela/playlists
Category
📚
LearningTranscript
05:45Hello
06:25Subscribe to the channel
06:35I'll go back and get the car from you.
06:43What's the story, Shams?
06:44No one should enter their room now.
06:47My dear requests
06:49Brothers, merchants and dignitaries
06:51They complained about the protection money your men were extorting from them, Mr. Ashour.
06:56None of my men take a penny for themselves.
06:59Sighted in vision
07:01But the fair one says
07:02Everyone pays, everyone doesn't pay
07:05But we pay, and others don't.
07:08The needy
07:10Why does he have a share in his kingdom?
07:12God Almighty has allotted it to him
07:16So you're paying people's livelihoods from your own money?
07:18And you have no credit in it.
07:20May God Almighty reward you.
07:23any
07:25Well, we're suffering because of a lack of sustenance, but it's not your sustenance.
07:27Zakat is a matter between us and God.
07:32Nobody told you to take control of it and act as you see fit.
07:35Twenty years and more
07:38You're the ones who sent me the neighborhood fatwa.
07:40Yes, a fatwa that protects us, God willing.
07:42Not for pay
07:43What you are paying
07:45Not a reward, Mr. Zein, you Sharbatly
07:47Sharbatli
07:49Oh, so why am I taking it from you for a price and then creating it?
07:53If it weren't for the fact that we are one of God's houses
07:56I taught you manners, Zein, you Sharbatly
07:58O tax collector of falsehood
07:59You have no right to claim any credit from me or my men.
08:04Thanks to God and thanks to us
08:07At the time of the second free period
08:10I didn't ask you to be afraid of any of you.
08:12Thanks to God and thanks to us
08:15There is no more Harajjan or Atim
08:18No one is greedy
08:21In the money of one of you
08:22any
08:24You're digging up the ruins
08:27I filled it with safety
08:29Jariya, a teacher of the ages
08:31I swear I don't mean to upset you
08:33I said, "I mean, I'll make the seating area look like yours."
08:37You will pay him for all the steps
08:40And God has forbidden what is between me and my king
08:43Those who can afford it must pay.
08:46So that good may prevail for all
08:48And the length of my paths
08:50He won't sleep in the Al-Harja'an
08:53Jarro Pickens the money
08:55He will not be wronged, nor will he be the wrongdoer.
08:58Justice is a crown upon all our heads
09:02If you think about me, I am old
09:04And you told yourselves, "When the lion grows old..."
09:07The monkeys rode
09:09no
09:10Nobody will be jumping on my shoulders as long as I'm here.
09:14Those who can refrain from paying can refrain from happiness.
09:18But they're just spitting on his side
09:21Ghassan Dahshan
09:30Your orders, Master Teacher
09:33Ensure the safe passage of the honorable ones
09:38No one should harass them
09:40Your orders are obeyed, master of the neighborhood.
09:42No one should harass them
09:52Don't harass them
09:52Life Ah pricing
09:57Thanks
10:27Where are you going, brother?
10:31I pray Fajr at Al-Hussein
10:34Are you going out alone, Al-Saadi?
10:36I'm not alone, Umm Shams
10:39Does the sun mean you can go with it?
10:42Let's not wake him up
10:43I put my trust in the Creator of the universe.
10:57Thanks
11:27Thanks
11:57Thanks
12:27Thanks
12:57Thanks
13:27Thanks
13:57Thanks
14:27Thanks
14:57Thanks
15:27Thanks
15:57Thanks
16:27Thanks
16:57Thanks
17:27Thanks
17:32Thanks
18:33music
19:43music
19:45music
19:47music
19:49music
19:51music
19:53music
19:55music
19:57music
19:59music
20:01music
20:03music
20:33music
20:35music
20:39music
20:41music
20:43music
20:45music
20:49music
20:51music
20:53music
20:55music
20:57music
20:59music
21:01music
21:03music
21:05music
21:07And music
21:09music
21:11music
21:13music
21:17music
21:21Except for Naguib Mahfouz's idea
21:23This is the first time I've read a script this fast.
21:27I went back two days reading because I couldn't put it down.
21:29And I vowed that I would do it in any way possible.
21:33Because it's very difficult to get a script like this.
21:39I was surprised even after I started working on it.
21:42It's not just the script that's so outstanding.
21:45The cast is outstanding, the actors are also very distinguished.
21:52The director is very creative.
21:55It's true, so that you are enjoying yourself.
21:59Nowadays it's rare to do something while enjoying yourself
22:03You work, you might work a lot
22:05But don't enjoy it at all
22:07And I hope that the happiest one of us will be in the series.
22:11He is Professor Naguib Mahfouz
22:12Because he will see the extent of his writings
22:16It was displayed on screen as a picture and a beautiful production by Professor Waqal Abdullah.
22:20And I'm not saying it to flatter him.
22:22This man is one of the greatest directors anyone has ever seen.
22:25This director will not decide based on his comprehension and understanding of the text.
22:32To the point that some scenes had very, very high technical quality.
22:37I mean, I worked with Arabic stimuli a lot.
22:41When I see this technique, especially since I was looking at the script with the professor for an hour and I said
22:45I find the scene to be normal
22:47Two words written on it, empty, nothing there, a book on the right
22:51There's nothing wrong, so I was saying this is easy, meaning we'll make it easy.
22:54He surprised everyone with a very strange cut
22:56And the professor, Waqal, would spend hours on silent mode.
23:00That means there's no discussion because this is easy for the observer.
23:03The end of the sentence is cut off.
23:05And we saw difficulties in the technique.
23:07To the point that I was asking him a question like, "How do you imagine?"
23:10It's possible this scene could be imagined exactly as you wrote it.
23:16Of course we did a lot of things
23:18To the point that the story of all the workers remains very joyful.
23:21This work has great value.
23:23Honestly, I was surprised by the choice.
23:27Professor Waqal Abdullah, to whom this hideous character belongs.
23:31Especially since we all saw the character and the extent
23:39They even call him Iblis (Satan).
23:42The role requires effort.
23:46I hope I have been able to express my point of view
23:51Text and Direction
23:53The Ten-Year Biography
23:56Or the craftsman
23:58a job
24:01I hope you enjoyed it
24:04I am very happy
24:08I worked on this series
24:10Let's start with our world-renowned writer Naguib Mahfouz.
24:16And the creative screenwriter Mohsen Zayed
24:18And the brilliant director
24:20Abdullah brothers
24:22And all the technicians remained, and the lion, the stars, Nour El-Sherif and the mother, Shein
24:28And all the geniuses who contributed to this work
24:31The truth is, competition is always in the best interest of the work.
24:34When one feels that all the elements are complementary
24:37He's trying to prove his existence amidst this beautiful constellation
24:43As hideous as the character
24:46As much as I loved her
24:48As much as I'm afraid you might be Korean,
24:51And I actually forgot about comedy because of Darwish's character and actions.
24:58My only consolation is that it's a role
25:01It means that deep down I am very kind.
25:03Why these malicious actions?
25:05Not even in the complete evil within this character
25:09The greatness of this personality
25:12Its treatment and writing
25:16It really made me happy that I was leading a new experience for me
25:20I feel like I put a lot of effort into it.
25:23I hope the effort has reached you.
25:26I enjoyed the work and the character of Darwish
25:30Amen
25:32O Lord of the Worlds
25:34You
25:40Yes
25:41Amazing, isn't it?
25:44You're still alive
25:51Those standing in front of you are my demons.
25:55There's still life left in me.
25:57What is this world but a cycle of turning and turning and turning?
25:59We'll meet again, my friend.
26:03He doesn't tell you that the neighborhood will become a place to meet
26:09What are we working for?
26:12Tourist
26:16How did you get hurt? You were in me.
26:19When your Lord wills something, He causes the means.
26:23You escaped to the wilderness, and my escape was imprisonment.
26:28the prison?
26:29Actually, I don't work on video much because I make feature films.
26:33I worked with the company owned by the minister's son, Mahrous.
26:36film
26:38When I was offered a job in the crafts, I wished I could work there.
26:41The company is very large
26:43Hot, very hot, big, strong Benina
26:46It features interior designer Nabil Selim, one of the greatest interior designers.
26:50It contains all good elements, of course.
26:53Hajj is safe
26:55Lighting Director
26:56Photographers
26:57Professors Unit
26:58All of the above indicates that the company is very large.
27:01Because it provided all the possibilities
27:03What the company cannot do as a private sector entity
27:07Because the neighborhood itself cost over 2 million pounds
27:12Because there are circumstances that would allow us to build a neighborhood
27:15This neighborhood has a certain character and a certain situation.
27:18And at the same time, it was Big In's time for us to release the artisan in the form that you will of course see it in.
27:26The professors were certainly among the factors that contributed to the success of this work.
27:32Actors' commitment
27:34Professor Nour El-Sherif and Madam Elham
27:36They were elements of truth, meaning they were completely dedicated to the crafts.
27:41The value of the craftsman
27:42Anyone who wanted to work in Al-Harfish was in Al-Harfish because Al-Harfish has parts
27:47I worked on this part and I hope to participate in more than one part.
27:54Because I am truly proud to work for a company like Asr Company.
27:59The free period between design and implementation can be approximately 80 days.
28:05And it's difficult, meaning it's one of the most challenging jobs I've ever encountered in my life.
28:11Although I did a lot of difficult work
28:13But this is one of the most difficult and most beautiful projects I've ever encountered in my life.
28:17Firstly, regarding the Al-Harfish neighborhood
28:20I call it Oscar Lane
28:22Oscar Company is the only Egyptian company that produced a neighborhood like this.
28:28I don't want to mention any other neighborhood names.
28:31We registered a lot in it
28:32But the effort that was put into this neighborhood
28:36And the expenses that the cashier
28:39Perhaps the picture is what best expresses this.
28:43Not the people who say this
28:45The neighborhood took about 80 days to build
28:51He was on two shifts
28:53Each shift has no fewer than 80 workers.
28:56Of course, the first is the design and the solution that works in the area, the space we worked in.
29:02And then of course there is
29:04The blessing can be said for all the people who worked there.
29:09They were high-level executives
29:11They made every effort to make it appear genuine.
29:18The series is very expensive
29:21You know, it means the son of a neighborhood, a neighborhood, nothing in a neighborhood.
29:24A certain character and a certain situation
29:27There are many outdoor locations in the series.
29:30And you have great champions
29:32The big stars have more demanding and costly working conditions.
29:36Secondly, with you, Kenbars, every day there are more than one hundred and fifty people.
29:40How do you eat these?
29:41How do you get them food?
29:42How do you provide for these needs?
29:44How do I place an order?
29:45How to meet the requirements of old needs
29:47All these things are difficulties
29:48The series also features rain, wind, a storm, decorations, and an outdoor setting.
29:54I had a vision for choosing these places, to the point that every place
29:58We saw it, filmed it, and God granted us success in it.
30:01This is considered, for example, the tenth in his selection
30:04The most important scene I consider to have been done in this work
30:07Although it will only take up 3-4 octave on screen
30:09A scene about the storm and the rain
30:12This scene actually had a lot of breathing in the video.
30:14Because it requires high-level implementation elements or
30:18At work, of course, the people are accessories.
30:21Those with us, headed by Professor Di Souki
30:24And his men
30:25They implemented Professor Wael's idea.
30:27In ways that are considered in terms of implementation
30:30Excuse me, but the expression isn't very modern.
30:34But when you see the scene
30:35You'll feel that she walked very hard
30:37It involves a great deal of effort.
30:39role
30:40We register
30:42My free course
30:43Taif 4-3-2
30:471-2-1
30:49It was a scene with Professor Nour at night.
31:15He went to the takiya (Sufi lodge).
31:17So you're obviously in a bind, given the work conditions, the wood, and all that.
31:21So I made a 180-degree turn in the close
31:24So praise be to God, our Lord, who fulfilled His promise, for He was the most gracious and faithful.
31:33The whole thing is very intense.
31:37No matter what I say, I can't give every viewer their due.
31:40Very powerful scenes
31:43And each one dreams of the other, but he, I mean, because he's the closest one I made them yesterday
31:47He was watching
31:50The case of the death of the foundation light
31:54There was a process of digging a hole in the alley.
31:57The camera movement was very nice
31:59Of course, all the faces are at the same level.
32:03The camera only goes out once to the second floor.
32:06Progress
32:09The new championship and the new stage
32:13Part Two
32:14Which is part two
32:15The one who is Professor of Damascus, Salim
32:17And with her too, Madam Elham Shein
32:22And Mohsen Zayed was able, through sheer genius, not just because he signed next to me
32:26He transforms Naguib Mahfouz's ideas
32:29To flesh and blood
32:31Because the problem remains very big when you tackle a task that carries an idea
32:36Big idea
32:37It's easy for someone to address the idea with creative language.
32:40What does the writer's speech reveal about his culture?
32:44The real challenge is instilling this in human beings of flesh and blood.
32:47I believe that Mohsen Zayed is one of the very rare ones.
32:51Those who possess this ability
32:52Because most of his works contain a very big idea
32:55And he can actually spin it in such a simple way
32:59It's so beautiful, so enjoyable
33:01Because I am against art remaining a news bulletin
33:04Against the notion that art remains heavy-handed
33:07Art must remain beautiful and enjoyable to the utmost degree.
33:10What was truly surprising to her in this series
33:14Abdullah said seriously
33:16That was a very big surprise for me.
33:18I saw one of his works, Hayat Al-Jahri
33:20Here, I say, I think it's a very, very big addition.
33:25For the director of television creativity in the Arab world as a whole
33:28Not just in Egypt
33:29I sincerely hope you will watch the series.
33:32God willing, you will like it, thanks to my effort.
33:35What I worked hard on as an actor
33:37And what Mohsen worked hard on as a writer
33:39Wael worked hard on directing it.
33:41And what geniuses worked on, we have a team of imps
33:43I don't like anyone calling me a demon.
33:45We have a very, very large set of genies, I mean
33:48Photographers, editors, and sound engineers
33:53Seriously, you can't imagine how happy I was.
33:55Hajja Mamoun was the lighting manager
33:57From the bottom of my heart, I hope that we can repay the effort we've put in.
34:00Your reaction to the Ashura narrative
34:05Actually, there was a song with an external image.
34:09It was very difficult because the cream was working on it
34:12It comes from top to bottom to outside
34:14And to balance the sun outside and inside
34:17It was very difficult
34:18But thank God for three things, Samen
34:20I was in Kuwait and I came to Marsa Matrouh to finish this series.
34:23He hoped that Professor Wael would share the second part with him.
34:28The truth is, the art of crafting is one of my artistic life dreams.
34:34It's a dream, a dream I've been writing about for 12 years or more.
34:42It was a dream, a wish, that it would be born and become real for people.
34:49It seems our Lord has decreed his time.
34:53Until Wael Abdullah matures, the fate you will see on screen
34:59As Professor Nour said, I'm surprised by the timing.
35:01I was optimistic about it, but not to this extent.
35:04I'm afraid to say more than that, lest he become arrogant.
35:07The boss is one of us, but God willing, he'll stay good.
35:10Beautiful job
35:13How can what I dreamed of be on paper?
35:16I'm watching it on the screen now.
35:18A wonderful dream
35:19I hope God grants them success
35:25So you can enjoy it as much as we enjoyed making it
35:30I am very, very, very happy
35:33I am working with Mahmoud Qataif in the Harfish series
35:37To our great writer, the one who honored us, the one who won the Nobel Prize, Naguib Mahfouz
35:42And the director, I call him a genius
35:45Because this is the second project I've done with him
35:47Wael Hassan Abdullah
35:49It took no effort, it took a very, very, very, very great effort.
35:52Why? Because the truth
35:55Professor Wael's job is not easy.
35:59It means making things very, very difficult.
36:02This is of course in the best interest of the work.
36:04And in favor of the work being done at the required level
36:07The one with the idea of Naji Mahfouz
36:11We're coming, we're coming
36:14What?
37:45The epic of Al-Harfish
37:47Because it consists of ten parts
37:49It will be the talk of every Arab household
37:52One continues to
37:53From the grandfather, Ashour Al-Naji
37:55Or from the time he was a boy until he got married
37:57Until his grandchildren
37:59Over ten generations
38:01It will be something fun, I'm sure of it.
38:02Because Elham will be surprised by it in this part.
38:05Also, it's in the second part.
38:07And I will be there in the second part, God willing.
38:08Kadaf Sharaf with Elham and Hisham
38:11God willing
39:15A great biography and the hero is a human being
39:19Basad is like the joy of joy itself
39:23Al-Hassan and Al-Husayn wept
39:27The heart of strangers
39:30Loved ones come and go
39:36The heart of strangers
39:38The heart of strangers
39:41The loved ones come and go
39:45And you are the one who leads the way to the master of the coats
39:50A great biography and the hero is a human being
39:54Basid is a being and the joy of joy
39:59A great biography and the hero is a human being
40:03Basid is a being and the joy of joy
40:07And the tears of the two sorrowful ones
40:12Good morning, my friend.
40:16You are reborn and you love
40:20Good morning, my friend.
40:25You are reborn and you love
40:29In the hustle and bustle of the world on Earth
40:34In the example, he confirmed that Radi was returning
40:39And praise be to God, even if you return to your old ways.
40:43In the example, he confirmed that Radi was returning
40:48And praise be to God, even if you return to your old ways.
40:52Okay, and your heart is happy, Samer. Dinner.
40:57It is more like family and neighbors than any other people.
41:02If people will tell your story to everyone
41:09A great biography and the hero is a human being
41:14Basid is a being and the joy of joy
41:18A great biography and the hero is a human being
41:23Basid is a being and the joy of joy
41:27A great biography and the hero is a human being
41:32Basid is a being and the joy of joy
41:35Translated by Nancy Qanqar
41:38Translated by Nancy Qanqar