Real Women Have Curves (2002) Full Movie | Comedy Drama
Embracing Self-Love and Acceptance Real Women Have Curves
A Story of Identity and Empowerment Real Women Have Curves (2002)
Real Women Have Curves is a 2002 American comedy-drama film directed by Patricia Cardoso, starring America Ferrera as Ana García, a first-generation Latina struggling to balance her ambitions with her family's cultural expectations.
Ana, an 18-year-old high school graduate, faces pressure from her mother, Carmen, to work at her sister's dress factory, get married, and have children. However, Ana dreams of attending college, encouraged by her teacher, Mr. Guzman. As she navigates her relationships with her family, particularly her domineering mother, and her boyfriend, Jimmy, Ana learns to accept herself and finds the courage to pursue her dreams.
Cast: America Ferrera as Ana García
Lupe Ontiveros as Carmen García
Jorge Cervera Jr. as Raúl García
Ingrid Oliu as Estela García
George Lopez as Mr. Guzman
Brian Sites as Jimmy
#RealWomenHaveCurves, #ComedyDrama, #LatinaEmpowerment, #AmericaFerrera, #LupeOntiveros, #BodyPositivity, #movies, #film, #movie, #cinema, #films, #hollywood, #actor, #s, #love, #art, #cinematography, #netflix, #horror, #actress, #moviescenes, #music, #filmmaking, #cinephile, #tv, #horrormovies, #bollywood, #comedy, #movienight, #photography, #cine, #instagood, #instagram, #director, #moviereview, #drama, #AdultMovies, #RomanceMovies, #SexMovies, #XXX, #XX,
Embracing Self-Love and Acceptance Real Women Have Curves
A Story of Identity and Empowerment Real Women Have Curves (2002)
Real Women Have Curves is a 2002 American comedy-drama film directed by Patricia Cardoso, starring America Ferrera as Ana García, a first-generation Latina struggling to balance her ambitions with her family's cultural expectations.
Ana, an 18-year-old high school graduate, faces pressure from her mother, Carmen, to work at her sister's dress factory, get married, and have children. However, Ana dreams of attending college, encouraged by her teacher, Mr. Guzman. As she navigates her relationships with her family, particularly her domineering mother, and her boyfriend, Jimmy, Ana learns to accept herself and finds the courage to pursue her dreams.
Cast: America Ferrera as Ana García
Lupe Ontiveros as Carmen García
Jorge Cervera Jr. as Raúl García
Ingrid Oliu as Estela García
George Lopez as Mr. Guzman
Brian Sites as Jimmy
#RealWomenHaveCurves, #ComedyDrama, #LatinaEmpowerment, #AmericaFerrera, #LupeOntiveros, #BodyPositivity, #movies, #film, #movie, #cinema, #films, #hollywood, #actor, #s, #love, #art, #cinematography, #netflix, #horror, #actress, #moviescenes, #music, #filmmaking, #cinephile, #tv, #horrormovies, #bollywood, #comedy, #movienight, #photography, #cine, #instagood, #instagram, #director, #moviereview, #drama, #AdultMovies, #RomanceMovies, #SexMovies, #XXX, #XX,
Category
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Short filmTranscript
00:00:00What a beautiful thing is that the sun is,
00:00:09the sun is serene by the tempest.
00:00:15What a beautiful thing is that the sun is,
00:00:23we love
00:00:25I'm sorry.
00:00:28I'm sorry.
00:00:32I'm sorry.
00:00:35I'm sorry.
00:00:36I'm sorry.
00:00:39I'm sorry.
00:00:40I'm sorry.
00:00:42I'm sorry.
00:00:44I'm sorry.
00:00:46I'm sorry.
00:00:47I'm sorry.
00:00:50Hi, Ana.
00:00:51Something happened to a mom.
00:00:53What happened?
00:00:54I don't know.
00:00:55Come and talk to her.
00:00:56Stella, I always have to do what you got.
00:00:58She wants you, not me.
00:01:12Ana's here, ma.
00:01:13Buenos dias.
00:01:14Buenos dias, Ana.
00:01:15Oh.
00:01:19Say something.
00:01:21Mama.
00:01:22Who is it?
00:01:23It's Ana.
00:01:24Ay, mija, come closer.
00:01:28I'm really sick.
00:01:30You have to make breakfast for the men.
00:01:33Breakfast?
00:01:35Mama, can't Estella do that?
00:01:37Estella has a lot of work at the factory.
00:01:40Ay, mija, I woke up in the middle of the night soaking wet.
00:01:44It was like I was on fire.
00:01:47Oh.
00:01:48OK, mama, what's wrong?
00:01:50Is it your legs?
00:01:52I see.
00:01:53And what about your back?
00:01:55I see.
00:01:56And your head?
00:01:58What's wrong?
00:01:59And how's your hearing?
00:02:02OK.
00:02:03Today's my last day of high school, mama.
00:02:05I'm not going to miss that.
00:02:11Oh, so your pain is gone.
00:02:13I struggle with it, just like I struggle to give you birth.
00:02:16And raise you.
00:02:17And take care of this family.
00:02:18Si me duele.
00:02:19Well, I didn't ask for you to give birth to me, OK?
00:02:21Ya, ya, ya, ya.
00:02:22Ya estuvo, eh.
00:02:26Estella, what is wrong with your sister?
00:02:29Andale, yúdame.
00:02:31I wonder if you've played with me.
00:02:33Oh, my God.
00:02:34Go.
00:02:35My God.
00:02:36Look,walking me.
00:02:41I wonder if I'm looking at you.
00:02:46Oh
00:02:59Soy una chica difícil
00:03:03Pero yo valgo la pena
00:03:07Yo busco un santo
00:03:10Un gran Romeo
00:03:12Que por mi vaya
00:03:13Vaya
00:03:16Vaya hasta el cielo
00:03:19Pícame el ojo
00:03:23Pédame el diente
00:03:27Échame flores
00:03:30Hazme canciones
00:03:35Pícame el ojo
00:03:39Pédame el diente
00:03:41Échame flores
00:03:44Hazme canciones
00:03:46Hazme canciones
00:03:48Hazme canciones
00:03:50Hazme canciones
00:03:52Hazme canciones
00:03:53Hazme canciones
00:03:55Hazme canciones
00:03:57Okay, seven years at MIT, four years at Stanford, four years at teacher's college.
00:04:21Oh, um, I'll continue my education, too.
00:04:24I'll backpack through Europe, and...
00:04:29Hi.
00:04:31Hi.
00:04:35Anna, hang on a minute.
00:04:38What's happening with the college applications?
00:04:40I'm not going to college.
00:04:43What do you mean you're not going to college?
00:04:44You're a smart woman. You have something to contribute to this world.
00:04:48My family can't afford college.
00:04:50There are scholarships, grants, financial aid, all that stuff we've been talking about all year.
00:04:54Um, Mr. Guzman, I'm really sorry to have to say this, but you should probably spend your time helping somebody else.
00:05:03You know, I have to go, but you were the best.
00:05:07Thanks.
00:05:13Thank you. I'm coming again, all right?
00:05:15I've been waiting for this day.
00:05:18Yeah, me too.
00:05:19There's your uniform.
00:05:21Just give me my check, okay?
00:05:24That's sick.
00:05:25I was keeping it warm for you until you got here.
00:05:27You know, you can always just kiss my ass to get your job back.
00:05:33You know, you're a smart woman, but you're not going to be a se!
00:05:35You know, you're a kid.
00:05:36You're a kid.
00:05:36Oh, man.
00:05:37I was going to be a kid.
00:05:38You're the old kid.
00:05:39You're the old kid.
00:05:40You're a kid.
00:05:40You're the old kid.
00:06:01Anita!
00:06:01Anita, come on.
00:06:03What?
00:06:04Don't ask why.
00:06:05You don't see us.
00:06:06I have to show you something.
00:06:08Uh...
00:06:09Come on, hurry up.
00:06:10Tommy!
00:06:12Come on.
00:06:20Okay.
00:06:22Congratulations!
00:06:26Congratulations, Anita.
00:06:31Felicidades en este día
00:06:38Que para todos es especial
00:06:42Para nosotros es un orgullo
00:06:46Y es por eso que venimos a cantar
00:06:52Gracias, primo.
00:06:53De nada.
00:06:54Muchas felicidades, Ana.
00:06:56Ay, abuelito.
00:06:57Por muchos años.
00:06:59Y mira.
00:07:00Mira tu pastelote.
00:07:02Pastel?
00:07:03Ay, señor!
00:07:04Pero que no la veis que está madrandota que el pastel?
00:07:10Why did you quit your job?
00:07:12Why do you know about this?
00:07:14I just know.
00:07:15Okay, mom.
00:07:16I quit my job.
00:07:17Why?
00:07:18Because I didn't get along with the manager.
00:07:20Ana, you're just gonna have to get another job.
00:07:23I know, papa, okay?
00:07:24It's just something I have here.
00:07:26Tomorrow you come to work with us in the factory.
00:07:29What?
00:07:30No way!
00:07:31Estela, we're very far behind.
00:07:33We're not behind.
00:07:34Yes, we are.
00:07:35If we don't help your sister, who else is going to?
00:07:39I don't know.
00:07:40And really, I don't care.
00:07:41Why do you have to say that?
00:07:43Because it's true.
00:07:45Estela stays up all night trying to finish those dresses.
00:07:49I can't afford any more help.
00:07:51That takes care of that.
00:07:53If Estela cannot pay Ana, it doesn't really help us.
00:07:56She'll pay.
00:07:58Fine.
00:07:59I'll pay her.
00:08:00She can iron.
00:08:01End of discussion, señor.
00:08:02Who wants cake?
00:08:04Mr. Guzman, what are you doing here?
00:08:13Are your parents here?
00:08:14Yeah, but I told you, you can't.
00:08:15Ana, who is?
00:08:16Buenas tardes, señor.
00:08:19Señora.
00:08:20Soy Liz Guzman.
00:08:21Fui el maestro de ingles de Ana.
00:08:23I speak English.
00:08:24I'm sorry.
00:08:25Ana is an excellent student.
00:08:28I'd like to see her continue her education, go to college.
00:08:32Mr. Guzman, of course we want Ana to get educated.
00:08:38We have already discussed that amongst our family.
00:08:41But we need her to work now.
00:08:44She can go to college later.
00:08:46Señor Garcia, Ana is a very special young woman.
00:08:50She got herself into Beverly Hills High School, which is not easy to do,
00:08:52and now she can go even further.
00:08:54There are all kinds of scholarships.
00:08:56I'm sorry, Mr. Guzman, but tomorrow morning she goes to the factory to sew.
00:09:01With us.
00:09:02May I ask you, Mr. Garcia, just to please think about college.
00:09:07I'll think about it.
00:09:12I'll talk to my wife.
00:09:14Vámonos, Anita.
00:09:16I told you.
00:09:17What do you want to do?
00:09:18Do not clean your room, do not wash your clothes, do not wash your clothes, do not eat like this.
00:09:36It's just a problem.
00:09:38Carmencita, Ana no te da tantos problemas.
00:09:45Mira, su maestro está bien contento con ella.
00:09:50Si hacemos un esfuerzo, yo creo que podemos ayudarla a ir a la universidad para que se eduque.
00:09:57Yo la puedo educar, yo le enseño a coser, le enseño a criar a sus hijos, atender a su marido.
00:10:09Esas cosas no le van a enseñar ahí en el colegio.
00:10:11Está bien, mira, se puede casar después.
00:10:14¿Qué no me estás oyendo, Raúl?
00:10:17Es cuestión de principios.
00:10:20No es justo.
00:10:22Yo trabajo desde la edad de 13 años.
00:10:25Ana tiene 18 años.
00:10:28Ahora le toca a ella que trabaje.
00:10:33La vida está terminada.
00:10:45Así dramática.
00:10:46Just como a mamá.
00:10:48Excuse me, pero no soy como a mamá.
00:10:52Ok?
00:10:54Whatever you say.
00:10:57A ver si.
00:11:14El becerro cuarta el son.
00:11:16No ha comido ni ha mamado.
00:11:18El becerro cuarta el son.
00:11:19No ha comido ni ha mamado.
00:11:21La barca lo abandonó.
00:11:23Por seguir al toro bravo.
00:11:25En la puerta del potrero el pobrecito está bramando.
00:11:28En la puerta del potrero el pobrecito está bramando.
00:11:35El que tenga sus pollitas, que cuide su gallinero.
00:11:38El que tenga sus pollitas, que cuide su gallinero.
00:11:41Las mujeres son bonitas, pero no roban el sueño.
00:11:44Las mulas son muy materas, pero segren con su dueño.
00:11:48Las mulas son muy matreras pero se ingren con su dueño
00:11:52El paño es lo que me diste, aquí lo traigo colgando
00:11:59El paño es lo que me diste, aquí lo traigo colgando
00:12:02Para secarme con él, las lágrimas que he llorado
00:12:06Como la vaca al becerro me dejaste abandonado
00:12:09Como la vaca al becerro me dejaste abandonado
00:12:13No le hace que tengas dueño y al cabo no soy celoso
00:12:19No le hace que tengas dueño y al cabo no soy celoso
00:12:43Ay Dios mío
00:12:57Ay Dios
00:13:19Ni te haga las ilusiones
00:13:29You'll never fit into that one
00:13:31It's a size 7
00:13:32Why do you always have to be like this?
00:13:36I only tell you for your own good
00:13:38No, no, no
00:13:39Don't, stop
00:13:42Mom, what do you think you're doing?
00:13:45Ay como serás exagerada
00:13:47Ay Normita, you must be in love
00:14:03You look so fancy, I hardly recognize you
00:14:07My fiancé bought me this dress
00:14:09Just wait
00:14:13That happened to me with my husband
00:14:15And then he stopped buying me clothes
00:14:17Maybe it was your fault
00:14:18Why would it be my fault?
00:14:22Pues look at you
00:14:23Maybe the material got too expensive
00:14:26Envidia o caridad
00:14:28Como dice mi abuelita
00:14:29No hay mejor aderezo
00:14:31Que la carne encima del hueso
00:14:34And you are not going to make me cry
00:14:35You go ahead and cry, Panchita
00:14:38I'm going to the bakery
00:14:39Are you a new worker?
00:14:42Oh, this is my daughter, Rana
00:14:44Are you going to be working here full time?
00:14:50No
00:14:51I'm just helping out my sister
00:14:53Until I find a better job
00:14:54Oh, me too
00:14:55I'm just working here
00:14:57Until I win the lottery
00:14:57I can't believe you finally made it to the factory
00:15:14Yeah, what took you so long?
00:15:28I had a meeting with a supplier
00:15:29But it's none of your business
00:15:31This is Doña Carlota
00:15:32This is an overlock
00:15:34Which makes hems
00:15:34She's a pro
00:15:36And this is Pancha and her machine
00:15:41We already met
00:15:42Don't touch anything that belongs to Pancha
00:15:44She really gets upset
00:15:46You think it was her baby
00:15:47That's not true
00:15:50It is true
00:15:50This is another overlock machine
00:15:53Norma does the work
00:15:54And she's very fast
00:15:55I'm Carlota's daughter
00:15:56And these are my sisters, Lupita and Angelica
00:15:59And this is Rosalie Buscapleito
00:16:03Buenos dias
00:16:03And this is Amar's station
00:16:05These teasers are yours
00:16:08Don't lose them
00:16:10Everything gets lost in this place
00:16:12Come on, let me show you your job
00:16:13Come on
00:16:13Ana
00:16:14Pay attention
00:16:16Amar, are you doing your work?
00:16:18Si mi general
00:16:19Watch
00:16:23We do high quality work here, okay?
00:16:26That's why I get the orders
00:16:27So, really
00:16:27It's so hot in here
00:16:28Can't you get a fan?
00:16:30We have a fan
00:16:31Ah, you know that the fan blows dust on the dresses
00:16:33Always, always use the steam, okay?
00:16:37Okay
00:16:37And please don't burn the tool
00:16:38Okay, okay
00:16:39Okay, real easy work
00:16:41And always here
00:16:43Check the level of the water
00:16:45And let me know when it gets low, okay?
00:16:47Okay
00:16:47So I can send you out to buy some more
00:16:48When you're done
00:16:50You put the dress here
00:16:51On the bagger
00:16:52You put a plastic bag over it
00:16:54And then you put it on that rack for me, okay?
00:16:56Okay
00:16:56If we work hard today
00:16:58We're gonna finish these
00:16:59That'll be 100 in size 7
00:17:01Oye, Doña Carlota
00:17:02Ya casi lo llegamos a los 100
00:17:04Que lindo vestido
00:17:06We take the finished dresses to the distributor
00:17:08And then we start on size 6
00:17:10Well, how much do they pay us to make these dresses?
00:17:13$18 for assembling each
00:17:14And how much do they sell them for at the stores?
00:17:17Well, they sell them at Bloomingdale's for $600
00:17:19We make them for $18
00:17:22They sell them for $600
00:17:23Does this seem right to you, Estela?
00:17:26Just work
00:17:27Okay?
00:17:30I don't think she knows how to do anything
00:17:33I have chismes from the market
00:17:45Mami, Doña Carmen tiene chisme
00:17:48Me encanta el chisme
00:17:50You should be working
00:17:51El Dorado Ortiz
00:17:54Is secretly in love
00:17:58With Rosalie
00:17:59Ay, no, qué horror
00:18:02Este viejo rabo verde
00:18:05Parece mango chupado
00:18:07El Dorado Ortiz está enamorado de Rosalie
00:18:11He thinks you're too skinny
00:18:13But he would love to fatten you up
00:18:17But don't get as fat as Ana
00:18:19Amma, we have to work now
00:18:22Sí, mi general
00:18:23You burn it
00:18:35Ana, can't you do anything right?
00:18:37¿A dónde vas?
00:18:39Desgraciada, gorda
00:18:41Ven a mi mamá, no me hagas por
00:18:43No me hagas trabajo de tránsito
00:18:45Ana, Ana
00:18:46Ana
00:18:48Ana
00:18:49Hey, hey, hey, hey
00:18:53What's going on here?
00:18:59This is my mom
00:19:00Is this your daughter?
00:19:03Sí
00:19:05My daughter
00:19:09Knock yourself out, ladies
00:19:14Well, I don't know
00:19:19Oh, you're what...
00:19:21On your bus
00:19:33Ay
00:19:35Yo ya no puedo más
00:19:39Ya estoy muy vieja para estos trotes
00:19:44Yeah, Mama, I know, okay? Everybody knows.
00:19:58No me toques.
00:19:59Lárgate.
00:20:01Si quieres ir, lárgate.
00:20:03Lárgate.
00:20:05¿Qué?
00:20:07¿Te avergüenzas conmigo?
00:20:11¿Te da vergüenza trabajar con nosotras?
00:20:17Tanto lomo, tanto sacrificio.
00:20:25¿Y todo para qué?
00:20:28Para ustedes.
00:20:31Tú nomás piensas que yo soy un perro nomás para trabajar.
00:20:36Oh, Mama, come on, let's go.
00:20:38Let's go back, come on.
00:20:41Ay, Diosito.
00:20:44Hold on to me.
00:20:45Come on, Mama, let's go back.
00:20:49Tú me tienes que ayudar.
00:21:02Buenos días, buenos días.
00:21:07Vamos, vamos.
00:21:10A ver, se portan bien, ¿eh?
00:21:16Ay, qué lindo.
00:21:17Mírate en el espejo.
00:21:19Buenos días.
00:21:20Buenos días, Gorgonia.
00:21:29¿Cómo amaneciste?
00:21:30Bien, ¿y tú?
00:21:31¿Cómo crees con el artritis?
00:21:32¿Cómo crees con el artritis?
00:21:33I see you have a new San Antonio.
00:21:45Mm-hmm.
00:21:47That's for Ana.
00:21:48That's for Ana.
00:21:49And how many years have you had this one hanging here?
00:21:56Ese.
00:22:00Eleven years.
00:22:01I put it up on Estela's 18th birthday.
00:22:09I'm gonna take it down.
00:22:11No, no, no, no, no.
00:22:13Leave it there.
00:22:14Who knows?
00:22:15Estela could still get married.
00:22:17It's too late for Estela to get married.
00:22:20Now I have to concentrate on Ana.
00:22:22I have to concentrate on Ana.
00:22:31Están deliciosas.
00:22:33Así es como me gustan.
00:22:37Tú eres un tesoro.
00:22:39Abuelito.
00:22:40Abuelito.
00:22:42¿Te acuerdas de nuestro oro?
00:22:43Cerca de nuestro pueblo, en la sierra,
00:22:47había una cueva llena de oro.
00:22:49Y, papá, esas son puras leyendas.
00:22:53¿Y los hombres que vieron la cueva y el oro?
00:22:58Ese oro no existe, viejito.
00:23:01Abuelito, cuéntame del tesoro.
00:23:03Cómo no.
00:23:04Mira, hace muchos años, durante la Revolución,
00:23:07la gente escondía su oro en las cuevas de las montañas.
00:23:13Después de la Revolución,
00:23:14ocurrió un rumor de que había una cueva llena de oro
00:23:19cerca de nuestro pueblo.
00:23:22Dentro de la cueva había en la pared
00:23:25un letrero pintado que decía
00:23:28este oro no podrá ser entregado
00:23:30sino a un hombre de corazón puro.
00:23:34Yo siempre quise encontrar ese oro.
00:23:37Abuelito, estoy segura que lo vas a encontrar.
00:23:42Mira, yo ya lo encontré.
00:23:45Tú eres mi oro.
00:23:47Ahora yo quiero que tú encuentres el tuyo.
00:23:59No.
00:24:02Cállate.
00:24:07Cállate.
00:24:08Cállate.
00:24:09Cállate.
00:24:10Cállate.
00:24:11Cállate.
00:24:12Cállate.
00:24:13Cállate.
00:24:14Cállate.
00:24:15Cállate.
00:24:16Cállate.
00:24:17Cállate.
00:24:18Cállate.
00:24:19Cállate.
00:24:20Cállate.
00:24:21Cállate.
00:24:22Cállate.
00:24:23Cállate.
00:24:24Cállate.
00:24:25Cállate.
00:24:26Cállate.
00:24:27Cállate.
00:24:28Cállate.
00:24:29Cállate.
00:24:30Cállate.
00:24:31Cállate.
00:24:32Cállate.
00:24:33Cállate.
00:24:34Hállate.
00:24:35Cállate.
00:24:36Cállate.
00:24:37Cállate.
00:24:40Where's the personal statement?
00:24:44I didn't think it was necessary.
00:24:47You didn't write one?
00:24:48You have to write one.
00:24:50Ana.
00:24:52I'm friendly with the Dean of Admissions at Columbia.
00:24:55If you write the essay immediately, I can get it to him,
00:24:57maybe get you in for the new semester in September.
00:24:59Really?
00:25:00But look, you need to write an essay.
00:25:02About what?
00:25:04Write about something you know.
00:25:05You can write about yourself.
00:25:06Myself?
00:25:07Why not?
00:25:09You can do this.
00:25:10I'll hang on to this till you bring me the essay.
00:25:12Go.
00:25:13Write.
00:25:15Bye.
00:25:31When are you going to Europe?
00:25:34Hey, Jimmy.
00:25:35Um, I don't know if I'm going anymore.
00:25:37My sister needs me to stay and help her
00:25:39with her fashion boutique.
00:25:41I was thinking about joining you,
00:25:42but you're not going anymore?
00:25:44No.
00:25:45Europe is so cool.
00:25:46You'll get a whole new perspective.
00:25:48What kind of perspective?
00:25:50It's different in Europe.
00:25:52Things are too easy here.
00:25:53Like, you're handed everything from school to a car.
00:25:58That's why I want to teach.
00:26:00Do something different, you know?
00:26:02I'm doing some assistant work for Mr. Guzman this summer.
00:26:05What are you doing?
00:26:09Um, I have to go, so I'll see you later.
00:26:11I'll see you later.
00:26:17Your number?
00:26:18Maybe we could hang out?
00:26:23Yeah, I gotta go.
00:26:25Bye.
00:26:25Bye.
00:26:26I can't see the face of God.
00:26:51How can it go to heaven without head?
00:26:54The autobus cut the head of his sister, but God has his son.
00:27:01It's over.
00:27:04And with that music, do you want to get out on television?
00:27:11You need to improve a little bit.
00:27:15I think.
00:27:20Carmencita, back hurting again?
00:27:24After 38 years of sewing, what else do you expect?
00:27:31Mom, I don't watch Spanish because they're buffers.
00:27:38It's not a regular novela. It's a Brazilian.
00:27:43What happened?
00:27:52You remember Yanira, the cross-eyed daughter?
00:27:56Yes, I remember.
00:27:57Well, this handsome, dark stranger comes to visit the fishing village, and she meets him at the beach.
00:28:09And he told her that he didn't care what she looked like, that he loved her, that he wants her.
00:28:19But, of course, we know what he wanted, huh?
00:28:22One night, without telling her parents, Yanira goes out with a stranger.
00:28:28Ooh, Mom, let me guess. She gets pregnant?
00:28:31Ayana, don't spoil the story.
00:28:33What happened?
00:28:34She gets pregnant.
00:28:35And worse, he asked her to run away with him. Of course, that means that she has to betray her mother's wishes.
00:28:47Oh, and then?
00:28:48Oh, and then?
00:28:49Wow.
00:28:50Entonces, they're on the bus to Rio de Janeiro, and she sticks out her head to say goodbye a la madre que estaba llorando y unas lágrimas así que lloraba.
00:29:01And all of a sudden, this bus comes by y cuácatela le cortó la cabeza.
00:29:08Oh, that's the stupidest thing I've ever heard.
00:29:11Ana, you better listen. That's what happens to people who don't listen to their mothers.
00:29:15And all you had was the headless body.
00:29:45Hello?
00:29:46Hi, Jimmy. It's Ana.
00:29:47Hey, Ana.
00:29:48Are you busy? I mean, is this about time? Because I can call you back later. I mean, I'm just calling to say hi.
00:30:02No, no, it's a good time, actually. Listen to this insane computer program I found on the web.
00:30:07It's curse words in Spanish.
00:30:13Really?
00:30:14Where did you get this?
00:30:20All right. Okay, Jimmy. I get it.
00:30:26Hello?
00:30:27Do you think I'm your maid? You left dishes in the sink.
00:30:33Shut up. She's coming.
00:30:46We almost finished bringing the batter.
00:30:48All right, get the panes. Okay. Hmm? Okay. We'll just have a few little adjustments here and then we can get started. Huh? Uh-huh.
00:30:58Aren't we supposed to be working? We're already behind schedule. Why isn't everyone here?
00:31:07Norma, why are you late? Where's your mother and your sisters?
00:31:13Estela, I need to talk to you.
00:31:15Okay.
00:31:17Estela, I'm sorry. Te lo digo de mi corazón.
00:31:20Te lo digo de mi corazón. Why are you sorry?
00:31:23I wanted to tell you earlier, but I didn't know how to tell you.
00:31:26Just dímelo qué.
00:31:28I'm getting married sooner than I thought.
00:31:30When's the wedding?
00:31:32Next month.
00:31:33I'm so happy for you.
00:31:35In Mexico. I have to leave tomorrow. My fiancé wants me to move with him to Mexico.
00:31:40Norma, you're my fastest employee. I need you.
00:31:43I know. I'm so proud of the work that I've done for you. I'm sorry that I have to leave. And you're my best boss.
00:31:52Estela, my mother and my sisters are moving with us.
00:31:56You're all leaving me? No, Norma, por favor.
00:31:59We're all leaving because it's always been my mother's dream to go back to her village in Mexico. I'm sorry, Estela. Perdóname.
00:32:06Don't be sorry. I'm happy for you. I just can't pay you right now. Okay? Lo siento.
00:32:14We'll give my check to my cousin at the Chapala market.
00:32:17Okay. Gracias. Y buena suerte.
00:32:36Doña Carmen. Gracias por todo. Que Dios te bendiga.
00:33:06We need those four seamstresses to finish this work. I mean, we never finish on time. You know the Glitz Company. They don't pay me until we do. I have no money to pay any of you. I should just close the factory.
00:33:24No, you can't close the factory. I can't believe you're paying us late again, Estela.
00:33:29You just lost four seamstresses. How are we going to finish this order?
00:33:32Well, I can wait a little bit, but not too long. Gracias, Rosalie.
00:33:37Who, Pancho? I'll charge your interest. Are you serious? No. Well, let's get back to work before I change my mind. Gracias.
00:33:48Y usted, Doña Carmen?
00:33:51What kind of a mother would I be if I didn't help my daughter, eh?
00:33:55Y dices que no te quiero.
00:33:57It's because I love you that I make your life so miserable.
00:34:02Don't love me so much.
00:34:05Y tú, niña?
00:34:07Estela, if you don't pay me, how am I going to save up any money?
00:34:10Por what?
00:34:13Forget it.
00:34:14Ay, Ana, you're so selfish.
00:34:17You expect me to do this dirty work for nothing?
00:34:20This is dirty work?
00:34:22This is a sweatshop.
00:34:24Don't you get it?
00:34:26You're all cheap labor for Bloomingdale's.
00:34:28We are not cheap labor.
00:34:31How would you know what hard work is?
00:34:33All you've done is flip burgers.
00:34:35I'm grateful for what Ama has taught me, and I am proud of what I do.
00:34:39Cosa.
00:34:41I never wanted to work here in the first place.
00:34:44Much less for nothing.
00:34:46See the trouble you caused?
00:35:01Estela.
00:35:02Come on, Estela.
00:35:03I'm sorry, okay?
00:35:04I'm sorry.
00:35:05I'll help you.
00:35:07Can you work until I can pay you?
00:35:12Yeah.
00:35:13Thanks.
00:35:14Let's get back to work.
00:35:16Thanks.
00:35:17Let's get back to work.
00:35:21Okay, let's get back to work.
00:35:22Let's go.
00:35:23I can't wait to go to bed.
00:35:24Let's go.
00:35:25You can't wait for a minute because I'm going to go.
00:35:26Okay.
00:35:27Let's do this.
00:35:28Okay.
00:35:29I look like water.
00:35:30Ouch.
00:35:31I look like water.
00:35:32Ouch.
00:35:33Ouch!
00:35:34Ouch.
00:35:35Ouch.
00:35:36Ouch.
00:35:39Ouch.
00:35:40Ouch.
00:35:41Ouch.
00:35:42Ouch.
00:35:43Ouch.
00:35:44Ouch.
00:35:45Ouch.
00:35:46Ouch.
00:35:47Ouch.
00:35:48Ouch.
00:35:49Sana, sana, colita de rana.
00:35:53Si no sana ahora, sana la mamá.
00:36:19¡Suscríbete!
00:36:49Mi nombre es el Trust.
00:37:06¡Gordita, despertate!
00:37:11¿Qué tiempo?
00:37:12Es la noche.
00:37:15¿Por qué me has despertado a tuve?
00:37:17I have a secret.
00:37:19I'm telling it only to you.
00:37:21Mom, I'm sleeping.
00:37:24Anna, you're not going to believe this, but I'm pregnant.
00:37:27What?
00:37:29I'm pregnant.
00:37:30How could you be pregnant?
00:37:33A woman knows these things, but don't tell anybody.
00:37:37Mom, you're imagining things, okay?
00:37:40Anna, I need you more than ever now, amiga.
00:37:44It's probably just gas.
00:37:47It must be.
00:38:17Why did Norma and the others have to leave?
00:38:19That doesn't look that bad.
00:38:21You're not going to believe this.
00:38:25I heard gossip at the Chapala Market.
00:38:28No food in the workplace?
00:38:31It's her break time, ¿no?
00:38:32Well, then you take a break, because I can't afford one.
00:38:35Anna.
00:38:37Ben.
00:38:38Our Normita ate the cake before the wedding.
00:38:42I heard that Norma's fiance convinced her to have sex with him the night before, and after
00:38:52he had a taste for a hundred people at the church, the priest waiting, and he never showed
00:39:01up for the ceremony.
00:39:02But that's what I did.
00:39:03Norma's mother never approved of the man, but Norma insists it.
00:39:08No, no, no, no, no, no, no.
00:39:11Our mother knows the right man for her daughter.
00:39:15Mom, you're so old-fashioned.
00:39:19Can you believe her?
00:39:21Girls nowadays think they know so much, eh?
00:39:24That's why they end up panzonas.
00:39:26No, Mom.
00:39:27The reason they end up pregnant is because they don't know how to use contraceptives.
00:39:30Look at her.
00:39:31La miss know it all.
00:39:33Your husband's not going to like you knowing so much.
00:39:35Why?
00:39:35A man wants a virgin.
00:39:37Why is a woman's virginity the only thing that matters?
00:39:40A woman has thoughts, ideas, a mind of her own.
00:39:45A mind and thoughts?
00:39:49No more stories, Amma.
00:39:52Ay, Estela.
00:39:53That's what I do best.
00:39:54My reason for living.
00:40:05What are you writing?
00:40:13I'm writing an order to Mrs. Glass.
00:40:16Who's that?
00:40:18She's the owner of the manufacturing company.
00:40:20Oh, she's the one who pays us to make these dresses.
00:40:23Yeah.
00:40:25I'm asking for an advance on the dress order.
00:40:27I need to pay the electricity and the monthly bills.
00:40:30I'm late on the rent.
00:40:31Estela, that's serious.
00:40:34I know.
00:40:34You know, if you really need this money,
00:40:38you should go down and talk to her in person.
00:40:39I mean, a letter's not going to do anything.
00:40:41She's too busy.
00:40:42She won't see me.
00:40:44I'll go with you.
00:40:45She's too busy.
00:40:47Estela, you're not afraid of her, are you?
00:40:50Why should I be afraid of her?
00:40:59Anna, please don't say anything, okay?
00:41:02I can try.
00:41:03Here we go.
00:41:04Hi, is Mrs. Glass here?
00:41:06Who are you?
00:41:08I'm a contractor for Mrs. Glass.
00:41:09My name is Estela Garcia.
00:41:11Do you have an appointment?
00:41:13No.
00:41:14Well, you need an appointment.
00:41:16Okay.
00:41:17I don't have an appointment.
00:41:18Let's go.
00:41:18Oh, hello, Mrs. Glass.
00:41:22Oh, hello, Mrs. Glass.
00:41:22It's Bella.
00:41:23Hi.
00:41:24And what can I do for you?
00:41:26Well, I know that last month we were a couple of days late,
00:41:29but we were hoping that...
00:41:32We need an advance money to pay the bills, electricity, so that we can work and get you your dresses on time when you need them.
00:41:43And who are you?
00:41:46I'm Estela's business partner, Anna.
00:41:51Well, Anna, Estela knows the rules.
00:41:56I can't pay advances.
00:41:58I went out on a limb to hire you in the first place because I believe a woman like me should help a woman like you.
00:42:05But I can only help you so much.
00:42:07You have to help yourself and meet your deadlines.
00:42:11You have until the end of the month.
00:42:12That's when the order has to be shipped.
00:42:14You have ten days, honey.
00:42:16Ten days.
00:42:17That's it.
00:42:18I'll be back at three.
00:42:19It's worse than what you said.
00:42:25Did you say something, Estela?
00:42:27No.
00:42:28Because it sounded like you did.
00:42:30I didn't say anything.
00:42:32I see.
00:42:34Well, you ladies have a nice day.
00:42:45Can't you keep your mouth shut?
00:42:47I was just trying to help Estela.
00:42:50I'm trying to keep the factory open for all of us.
00:42:54You know, people depend on me.
00:43:00Your mom is asking for you, my daughter.
00:43:03Anna!
00:43:04Hey, Anna.
00:43:05Your mom is a little crazy, eh?
00:43:06You're just figuring this out?
00:43:09She's asking for your little girl.
00:43:11What's the day she'll have?
00:43:13Good.
00:43:14Good.
00:43:15Good.
00:43:15Good.
00:43:16What?
00:43:17I have morning sickness.
00:43:32Mom, it's not morning, it's evening.
00:43:35Anna, be serious.
00:43:37Comfort me.
00:43:41Mom, did you ever think that maybe you're not pregnant
00:43:43and you're just imagining all of this?
00:43:47I am pregnant.
00:43:49A woman knows.
00:43:51I haven't had my period for three months.
00:43:54Then why don't you go talk to the doctor, not me?
00:43:58I have no.
00:44:00So, no, I have no.
00:44:04Isabel.
00:44:05Ay, muchas gracias, Paulina.
00:44:07Ay, gracias a ti.
00:44:09A ver, Isabel, ¿tú sabes qué te gustaría ir?
00:44:11Pues sí, porque me van a dar una nueva imagen.
00:44:21Ana, ¿estás lista para irnos?
00:44:23Let's go, Abuelitos.
00:44:29Let's go.
00:44:33You two, where are you going?
00:44:34She invited me to watch a movie this night.
00:44:37That's a very good idea.
00:44:39Don't wait.
00:44:41Enjoy.
00:44:43Thanks.
00:44:44We'll see you in two hours.
00:44:53Okay.
00:44:54Portase bien.
00:44:55You too.
00:45:14Hi.
00:45:19Hey.
00:45:20This is a great place.
00:45:21Yeah.
00:45:26Are you staring at my boobs?
00:45:28Um.
00:45:30No.
00:45:32Yes.
00:45:33No.
00:45:34Okay.
00:45:36I think they're so big, why wouldn't you, right?
00:45:38Um.
00:45:39I'm a guy.
00:45:40I guess I kind of have to.
00:45:42Can we change the subject?
00:45:43Yes.
00:45:44Hi.
00:45:45Hi.
00:45:48Um.
00:45:49I made this list of topics to talk about so that we wouldn't run out of things to talk about.
00:45:58Okay.
00:46:00Can I see the list?
00:46:02I know.
00:46:03You have a really beautiful face.
00:46:18Just my face?
00:46:22I'm sorry.
00:46:23I'm sorry.
00:46:24And you don't take compliments well?
00:46:26No.
00:46:27Compliments, that's, that's not, not one of the topics on my list.
00:46:32And you don't want to show me the list?
00:46:35No.
00:46:36Yeah.
00:46:37Yeah.
00:46:38Yeah.
00:46:39Our big breasts on the list.
00:46:42Hi.
00:46:43Let's order.
00:46:44Oh.
00:46:45The good thing.
00:46:59All right.
00:47:01Yeah.
00:47:02Oh, miña, mi niña, miña querida, miña valera
00:47:09Am I a nice night tonight?
00:47:15Me too.
00:47:19That's where I have to meet my grandpa.
00:47:24I guess this is goodnight.
00:47:26Oh, miña, mi niña, miña querida, miña valera
00:47:32Oh, miña torcida, miña flamenda, miña cadena
00:47:39Okay, bye.
00:47:40Bye.
00:47:42Bye.
00:47:44Bye.
00:47:46Bye.
00:47:48Bye.
00:47:50Bye.
00:47:52Bye.
00:47:54Bye.
00:47:56Bye.
00:47:58Bye.
00:48:00Bye.
00:48:01Bye.
00:48:03Bye.
00:48:05I'm sorry, I'm sorry.
00:48:35It's that time again, eh, Panchita?
00:48:41Yes.
00:48:43It's the anniversary of my father's death.
00:48:53He was so handsome.
00:48:56Yes.
00:48:58He was a very elegant man.
00:49:03The day he died?
00:49:05I couldn't pay the hospital.
00:49:08So I pretended that he was still alive.
00:49:14And I put him in a wheelchair, and I took him home in a taxi.
00:49:24You were a good daughter, Panchita.
00:49:28I tried.
00:49:29Mm.
00:49:30Oh, hi, Mr. Hero.
00:49:41The rent is three weeks late.
00:49:43I'm so sorry.
00:49:44Will you be able to pay rent by the end of the month?
00:49:48Oh, yes, of course, of course.
00:49:50Good, good.
00:49:52I like having you as a tenant, and I'd hate to have to kick you out.
00:49:56No.
00:49:58Say hi to Rosalie for me.
00:50:00Oh, I will.
00:50:00I will.
00:50:01Bye-bye.
00:50:02Bye-bye.
00:50:19Papa!
00:50:21Papa!
00:50:23Anita, what are you doing here?
00:50:27Papi, I need some help.
00:50:29I told Estela this many times.
00:50:33If you do not have the cash up front, do it.
00:50:37Do not do it, yes, papa, I know.
00:50:39But she's working hard, and it's just not working out.
00:50:43She still has to pay the rent.
00:50:47I know, papa, but it's not her fault.
00:50:51I mean, I never realized how hard she works.
00:51:01Está bien.
00:51:03I will lend Estela the money.
00:51:07Thank you, papa.
00:51:17Thank you, Papa.
00:51:31Oh, miña, mi niña, miña querida, miña valera
00:51:38Oh, miña maloca, miña la rica, miña cachaça, miña padeira
00:51:47Miña vagabunda, oh, miña vida, miña mambembe, miña ladera
00:52:01Estela, let me see
00:52:06It's beautiful
00:52:09Did you throw it yourself?
00:52:11Yes
00:52:11You're lying
00:52:13You're probably copied from a magazine
00:52:14No, I did it
00:52:16I'm working on my own line
00:52:17Would you buy a dress like this?
00:52:19Of course I would buy a dress like this
00:52:22If it would fit me
00:52:31This gray dress is the biggest order I've ever had
00:52:36It won't be easy
00:52:38If we don't finish this order by the end of the month
00:52:41The manufacturer won't pay us
00:52:42But prove to them that we can do it
00:52:45Let's make 150 gray dresses of better quality than anyone else
00:52:49Stella, maybe we can turn on a fan in here
00:53:08The fan blows dust on the dresses
00:53:11Can you iron it a little faster?
00:53:15I need help with the hens and we're never going to make the deadline
00:53:17Stella, okay, it's not that I don't iron fast enough
00:53:20It's that every time I finish ironing I stop for a minute
00:53:23It means really look at the dress
00:53:24I never realized how much work
00:53:27Put a little more, as mom says
00:53:29Put it into me
00:53:30And then I wake up
00:53:33And I remind myself that it's not for me
00:53:37So I put a plastic bag over it
00:53:40And I stick it on the rack
00:53:42Push it away
00:53:45She got a point
00:53:47Walk like a lady
00:54:02Even I, in my condition, I walk like a lady
00:54:05A ver
00:54:07Perdida
00:54:14Te ha llamado la gente
00:54:17Sin saber que ha sufrido
00:54:19Con desesperación
00:54:22Muy bonito
00:54:23¿Bueno?
00:54:31Uh, bueno
00:54:34Is Ana there?
00:54:36Who is this?
00:54:39This is Cecilia
00:54:42Uh, yes, I will call her for you
00:54:47Ana, telefono
00:54:52Do you want to hear music tonight?
00:55:11Uh, no, no thank you
00:55:13Vámonos, muchachos
00:55:15Vámonos, muchachos
00:55:16Vámonos, muchachos
00:55:17Vámonos, muchachos
00:55:18Hey
00:55:19Hi
00:55:19You ready to go?
00:55:20What's wrong?
00:55:44Jimmy, does your mom understand you?
00:55:51Uh, most of the time
00:55:55Does your mom?
00:56:00No
00:56:00I don't know
00:56:02It's like she hates me
00:56:03She thinks I'm fat
00:56:04And I'm ugly
00:56:05And God knows
00:56:06Hey, you're not fat
00:56:07You're beautiful
00:56:09And where'd you tell your mom
00:56:15Your word tonight
00:56:16She thinks I'm at mass again
00:56:20So is this a sin?
00:56:27No
00:56:28That's a best of
00:56:30A kiss
00:56:31I can't believe I'm leaving
00:56:41In two weeks
00:56:42To go to Teedra's college
00:56:43Hey
00:56:47Hey, don't worry
00:56:49You're gonna get
00:56:50Incepted to college too
00:56:52Are we done?
00:57:19We have one more dress to iron
00:57:21Stella, this is beautiful
00:57:23Did she make this?
00:57:27What's it for?
00:57:29It's for you
00:57:29Oh, come on, Estella
00:57:32You know I can't fit into this
00:57:34I cut this especially for your body
00:57:37Okay?
00:57:38Pretty dresses aren't just for skinny girls
00:57:40This one's yours
00:57:42Spends a lot of money on this material
00:57:47Shut up
00:57:48What are you doing?
00:58:12Senora, can I please speak to your daughter?
00:58:14No, she's not here
00:58:15Mama, what are you talking about?
00:58:18I'm right here
00:58:18Open the door
00:58:19What's going on now?
00:58:21Ese es hombre que anda siempre buscando a Ana
00:58:23Está bien
00:58:24Déjame ver
00:58:25Buenas tardes
00:58:28You did it
00:58:33What?
00:58:34You got in
00:58:34What?
00:58:36The dean called me personally with the news
00:58:38Oh my god, are you serious?
00:58:40Your daughter's been accepted for admission to Columbia University
00:58:43With a full scholarship
00:58:44Please come in
00:58:47Sit down
00:58:48I got accepted with a scholarship?
00:58:53So, where is this Columbia University?
00:58:56It's in New York City
00:58:57New York?
00:58:59What's wrong with that?
00:59:01Look, Mr. Guzman
00:59:02It isn't that we don't want Ana to go to college
00:59:04But all the way to New York
00:59:07I'm sure there must be wonderful colleges in this area
00:59:10But none of them is Columbia University
00:59:13Papa, you don't understand
00:59:14It's one of the best schools in the nation
00:59:16Sir, you left your country for a better opportunity
00:59:20And now it's Ana's turn
00:59:22Look, Mr. Guzman
00:59:24Raul
00:59:25Mire, señor Guzman
00:59:27We are a family
00:59:28And we intend to stay that way
00:59:31Mama, it's not going to change anything
00:59:33Mr. Guzman
00:59:41Ana is going to go to college
00:59:43But none of them
00:59:44I didn't come this far
00:59:46To see my family break apart
00:59:48Papa, I don't understand
00:59:50How is this breaking us apart?
00:59:52What about Estela and the factory?
00:59:55Mama
00:59:55What about it?
00:59:59What about Abuelo?
01:00:00You want to abandon him?
01:00:16No
01:00:17Well
01:00:23Thank you very much, señor Guzman
01:00:25But this is a family matter
01:00:29Thank you very much
01:00:34For coming all the way here
01:00:35To tell us
01:00:36What about Abuelo?
01:00:37What about Abuelo?
01:00:38What about Abuelo?
01:00:39What about Abuelo?
01:00:40What about Abuelo?
01:00:41What about Abuelo?
01:00:42What about Abuelo?
01:00:43What about Abuelo?
01:00:44What about Abuelo?
01:00:45What about Abuelo?
01:00:46What about Abuelo?
01:00:47What about Abuelo?
01:00:48What about Abuelo?
01:00:49What about Abuelo?
01:00:50What about Abuelo?
01:00:51What about Abuelo?
01:00:52What about Abuelo?
01:00:53What about Abuelo?
01:00:54What about Abuelo?
01:00:55What about Abuelo?
01:00:56What about Abuelo?
01:00:57What about Abuelo?
01:00:58What about Abuelo?
01:00:59What about Abuelo?
01:01:00What about Abuelo?
01:01:01What about Abuelo?
01:01:02What about Abuelo?
01:01:03Carmen, no le pongas chile a los mopalitos porque me hacen mal.
01:01:11Pues no comas.
01:01:14Oye, have you heard that if you take the baby away
01:01:18from San Antonio, he'll work faster?
01:01:20Pues sí. Didn't you know that?
01:01:33Hi, I can wait. How long will it be?
01:01:45It'll be 20 minutes.
01:01:48Hi. Hi.
01:01:51A cigar for my grandpa, please?
01:01:53I know what kind he likes.
01:01:57Um, can I get some condoms, too?
01:02:01What kind do you want?
01:02:05Um, I don't know. What do you recommend?
01:02:09Uh...
01:02:11These are kind of fun.
01:02:15Alright. Yeah? Yeah.
01:02:31The door.
01:02:47Let's do it.
01:02:49Are you sure?
01:02:51I'm ready.
01:03:03Hold on. Damn the shirt.
01:03:05How do you say damn in Spanish?
01:03:07Pincha.
01:03:09Pincha shirt.
01:03:11What are you laughing at?
01:03:15What are you laughing at?
01:03:37Hold up.
01:03:39P-J...
01:03:57Wait.
01:04:01Wait.
01:04:09Turn the lights on.
01:04:11I want you to see me.
01:04:20See, this is what I look like.
01:04:31I'll write to you.
01:04:50No.
01:04:52I'll email you.
01:04:57No.
01:04:58Jimmy, really.
01:04:59Don't worry about me anymore, okay?
01:05:02I mean, once you get to college,
01:05:04we won't have anything to talk about anyway,
01:05:06and, I don't know,
01:05:08you'll probably end up being some skinny girl.
01:05:10Right?
01:05:17I'm only gonna miss you.
01:05:29I don't know.
01:05:30I don't know.
01:05:31I don't know.
01:05:32I don't know.
01:05:34I don't know.
01:05:35I don't know.
01:05:36La blanca paloma
01:05:41Por todos los muertos
01:05:51Un compás de silencio
01:06:06Un compás de silencio
01:06:22Un compás de silencio
01:06:24¿Qué?
01:06:26¿Qué?
01:06:28¿Qué?
01:06:30¿Qué?
01:06:31¿Qué?
01:06:32I can tell you're not only fat
01:06:36Now you're a puta
01:06:38You would say that, wouldn't you?
01:06:40¿Por qué no te diste tu valor?
01:06:42Because there's more to me than what's in between my legs
01:06:47You better not get pregnant and embarrass me
01:06:50Me embarrass you?
01:06:52Oh, come on, mom
01:06:54You're the one who pretends that you're pregnant for attention
01:06:56I am pregnant
01:06:57You're not pregnant
01:06:58Yes, I am
01:06:59You're not pregnant, mom
01:07:00You're only pretending you're pregnant because you want a baby in the house
01:07:03But you can't have a baby
01:07:05I'm not your baby anymore
01:07:11No, señora, you're not pregnant
01:07:15Of course I am
01:07:17Doña Carmen, don't you think I know a thing or two about this?
01:07:20I haven't had a period in four months
01:07:23Doña Carmen, that's not unusual for a woman your age
01:07:27I think it's about time you and I had a little conversation about menopause
01:07:34O sea, el cambio de vida
01:07:37Mom, the doctor said no sugar, why are you eating the flan?
01:07:44I'm having a craving
01:07:45But you're not pregnant, mom
01:07:50Okay, I'm not pregnant
01:07:53I'm going through the change of life
01:07:57It's over
01:07:59I'm no longer a woman
01:08:00Mom
01:08:01Mom
01:08:02Mom
01:08:03A grandmother is what I should be at this age
01:08:07You know, Ana
01:08:09You're not bad looking
01:08:11If you lost weight
01:08:13Just stop it
01:08:14You could be beautiful
01:08:15Stop it
01:08:16You're overweight too
01:08:18So why should I listen to you?
01:08:20Ana
01:08:22Don't eat the flan
01:08:23Come on
01:08:24Come on
01:08:50Ay, this is beautiful
01:08:54I stink
01:08:57I stink
01:08:59Hija-la
01:09:01Who farted?
01:09:03Que primero lo huele, debajo lo tiene
01:09:11Ana, please don't waste the distilled water, it's expensive
01:09:14Oh, hi, Ayala
01:09:15Come on, it's so hot in here
01:09:17Seriously, I feel like I'm in hell
01:09:2515, 16
01:09:26How many more dresses to finish, Estela?
01:09:2918
01:09:30Only 18?
01:09:34Such a relief, we're almost done with this
01:09:37Ana, what are you doing?
01:09:40Ay, mama, come on, it's so hot
01:09:41All the steam has me sweating like a pig
01:09:44Well, we're sweating too, but we're not taking our clothes off
01:09:47Why not? We're all women, mom
01:09:48We all have the same things
01:09:50Ana, optela
01:09:51Estela, Rosalie, Pancha, please
01:09:54Aren't you hot in those clothes?
01:09:56I feel so sticky
01:09:58Aren't you embarrassed?
01:09:59Of what?
01:10:00Look at you, you look awful
01:10:02Mama, I happen to like myself
01:10:04Right on, sister
01:10:06Ito, the two of you should lose weight
01:10:09You would look beautiful without all that fat
01:10:12Ay, Doña Carmen, Ana and Estela are beautiful
01:10:14They look good the way they are
01:10:16Thank you, Pancha
01:10:18Thank you, Pancha
01:10:20Aren't you ashamed?
01:10:21Mama, you look just like us
01:10:23Yes, but I'm married
01:10:25Oh, so that's it? Make myself attractive so that I can catch a man
01:10:28Ana, listen to her, learn now or you'll end up like Estela
01:10:32Mama, I do want to lose weight
01:10:35A part of me doesn't because my weight says to everybody, fuck you
01:10:39Ave Maria, pero que boca
01:10:41How dare anybody try to tell me what I should look like or what I should be
01:10:45When there's so much more to me than just my weight
01:10:47What's wrong with wanting to be thin and sexy?
01:10:50Rosalie, you don't get it
01:10:51Well, I want to be taken seriously, respected for what I think, not for how I look
01:10:55Exactly, thank you
01:10:57What if you don't think anything?
01:10:58Ay, Rosalie
01:11:00Ay, I look like a cow
01:11:02Rosalie, shut up
01:11:04Dan, I mean, look at yourself
01:11:06If you're a cow, then I'm a hippo
01:11:08And I'm an elephant
01:11:10And I'm orca
01:11:12Ay, Rosalie, you are so skinny in comparison to all of us
01:11:16No, I'm not, look at my fat hips
01:11:19Oh, come on
01:11:20My cellulite
01:11:21You want to see cellulite?
01:11:23Alright, here we go
01:11:24You started
01:11:25Hanna
01:11:27Esto, bad cellulite
01:11:28This is cellulite
01:11:30Yes, excuse me, ladies
01:11:32Estela
01:11:34This
01:11:35Is cellulite
01:11:36Ay, Estela, it's not that bad
01:11:38No, no, no
01:11:40But you don't understand
01:11:41I got all these stretch marks in my arms
01:11:44And chichis, look
01:11:45That's small, honey
01:11:46No
01:11:47You want stretch marks?
01:11:48Here you go, okay
01:11:49I have stretch marks to go from north to south
01:11:55Ladies, ladies
01:11:56Let me show you stretch marks
01:12:00Pancha
01:12:03From east to west
01:12:05West
01:12:06Jesus
01:12:07She wins
01:12:08She wins
01:12:14Ladies, look
01:12:15How beautiful we are
01:12:17And how good it feels, right?
01:12:19To be rid of all these moves and just let it all hang out
01:12:23Okay, ladies, we have work to do, come on
01:12:25Come on
01:12:26Who cares what we look like when no one's watching us?
01:12:29No, mama, aren't you hot?
01:12:31Ay, déjame!
01:12:32What was that scar?
01:12:36This one?
01:12:38This one is you
01:12:43That's a big scar
01:12:44Yes
01:12:53Look at you
01:12:55Look at all of you
01:13:01This is who we are, mama
01:13:03Real women
01:13:04Real women
01:13:09Desvergonzadas
01:13:11Doña Carmen
01:13:13Pauncha, let her go
01:13:15Bye, mama
01:13:17Adios, Doña Carmen
01:13:18Mujeres
01:13:25Let's finish the order tonight
01:13:48Oh!
01:14:04Ow!
01:14:18We finished the order
01:14:26We finished the order
01:14:29I wanted to repay Estela's loan
01:14:33So soon
01:14:35Papa, thank you so much for lending Estela the money
01:14:39De nada hijita
01:14:41You are very welcome
01:14:44Papa, I
01:14:45I
01:14:48I have something to tell you
01:14:50I
01:14:51I don't know how to say this
01:14:58You have my blessing
01:14:59Why is everybody so quiet?
01:15:19Why is everybody so quiet?
01:15:30Té?
01:15:32Carmen
01:15:33Siéntate, please
01:15:38Ana has something to tell you
01:15:59No
01:16:25You want something to eat?
01:16:26No
01:16:27Thank you
01:16:28I've got to go to work
01:16:30Estela, I thought you were going to the airport with us
01:16:33I can't
01:16:35I wanted you to be there
01:16:37I've got to go to the factory
01:16:41You're going to do great
01:16:42Call me, okay?
01:16:44Anita
01:16:45Anita
01:16:46I'm going to go to the car
01:16:47I'm going to go to the car
01:16:48I'm going to go to the car
01:16:49Okay
01:16:50We're going to be late
01:16:54I'll wait for you in the truck
01:16:57Okay
01:16:58To go to the car
01:16:59Take care
01:17:05Look
01:17:09Mama?
01:17:12Mama?
01:17:14Mama, I'm going now
01:17:20Would you want to come out and say goodbye?
01:17:21Mama?
01:17:22Mama, come on, open the door.
01:17:35Mama, come on, open the door.
01:18:05Mama, come out and give me your blessing, please.
01:18:30Let's go, you're going to lose the plane.
01:19:00Let's go, Mama.
01:19:07Let's go, Mama.
01:19:09Let's go, Mama.
01:19:11Let's go, Mama.
01:19:13Let's go, Mama.
01:19:14Let's go, Mama.
01:19:15Let's go, Mama.
01:19:20Let's go, Mama.
01:19:36Cierra los ojos pa' no mirarse, en el espejo se va notando, su trabajo la está acabando, es que su santo está en descanso.
01:19:48Todos los días, todas las horas, en esa espuma de sus tristezas, ni así carne, sudor y fuerzas, todo su empeño, todos sus sueños, se van quedando en sus recuerdos.
01:20:03No te preocupes por mí, tú siempre estarás dentro de mi corazón.
01:20:26¿En qué, papá?
01:20:30Cuídate mucho, hijita.
01:20:33Y la cosecha, tu propio fruto, será algún día.
01:20:40Y a la desaparecida le harán justicia.
01:20:47Será algún día.
01:20:50Un día.
01:20:53Un día.
01:20:55Un día.
01:20:56Un día.
01:20:58Un día.
01:21:00Un día.
01:21:03Un día.
01:21:03I don't know.
01:21:33I don't know.
01:22:03I don't know.
01:22:33I don't know.
01:23:03I don't know.
01:23:33I don't know.
01:24:03I don't know.
01:24:33I don't know.
01:25:03I don't know.
01:25:33I don't know.
01:26:03I don't know.
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