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Short filmTranscript
00:00The End
00:29The End
00:59The End
01:29The End
01:59There are at least two sides to every story
02:10Yours and mine
02:12Ours and theirs
02:15His and hers
02:17Which means someone is always lying
02:21Meow
02:27Oh, do you dare?
02:42Do you dare wake me up?
02:46How are you, baby?
02:48Can I ask you a question?
02:50Who's the baddest?
02:51Me
02:51Who's the best?
02:52Me
02:53Who's the bravest?
02:54Me
02:54You damn skippy
02:55Go downstairs and get some breakfast
02:57Let's go, let's go, let's go, let's go
02:58Let's go, let's go, let's go, let's go
03:00Love you, baby
03:01Hey, you take my charger
03:10Hey, Joey, where's my charger?
03:16I don't know
03:18Hey
03:19What, you want to grow horns?
03:22Huh?
03:23Late night?
03:25Not really
03:26What can I get you, baby?
03:28Strawberries
03:28Yeah?
03:29Strawberries?
03:30You got to
03:30I didn't hear you come in
03:33I could have been bumping Megadeth
03:35You wouldn't have heard me come in
03:36Okay, don't start with me, Jack
03:37Vodka's cheaper than Ambien
03:39You know, she's got soccer practice today, right?
03:42Mm-hmm
03:42What time does that start?
03:443, 4
03:454.30, okay?
03:464.30 on Wednesday
03:48What?
03:53Nothing
03:54It just smells good, it's weird
03:56Oh, shit, no, wait
04:01I can't, I can't take her
04:02Why?
04:02I told Barbara I might do something with her
04:04So I can't go?
04:05No, baby, you can't
04:06What do you mean?
04:07I mean, I feel like that's a commitment
04:07You wanna call Barbara and tell her
04:09I can't come tonight?
04:10All right, baby, I'm taking you to practice, all right?
04:12I'm coming straight from work
04:14You know what that means?
04:15You gotta be ready
04:16That means water
04:18Cleats
04:19And
04:20King darts
04:20That's right, baby
04:21Hey, Meg Meg, I love you
04:24I love you, love you
04:25Bye-bye
04:26Ooh, baby, I like it, bro
04:28Yeah, baby, I like it, bro
04:31Shibby, shibby, y'all
04:33Shibby, yeah, shibby, yeah
04:34Give me the mic so I can take her away
04:37Off on the Natsui Chorice phone for yards
04:39Yeah, from the home of the Dodge and Brooklyn squad
04:42Who take the beach on the storm
04:44Rain knows your college ass disc don't come
04:47For you to even touch my skill
04:49You gotta put the one to kill a bee
04:50And he ain't for the game
04:51Yeah, baby, I like it
04:52Oh, I like it
04:54Hey, me, I like it, bro
04:57Morning, coming to you
05:05Hey, what's that, curbside service?
05:08Yeah.
05:09Thank you, Priya.
05:11Okay.
05:12Okay, let's go.
05:13Where we going?
05:14I texted you like 20 times.
05:16You didn't get my texts?
05:17Always fucked.
05:18What's going on?
05:20We've got a dead body.
05:28Right now anesthetic's numbing the pain,
05:30but the root's fractured.
05:32That's causing an infection.
05:35Two options.
05:36One, antibiotics.
05:37Maybe save the tooth.
05:38Two, pull it.
05:40If it were me, I'd pull it,
05:41but if it were me,
05:42I wouldn't have gone a year between appointments.
05:44Give me the pills.
05:45Okay.
05:48Go ahead and write the name down
05:49to the person who found the body.
05:51Anonymous call, sir.
05:52Anonymous?
05:53What?
05:54Kimmy couldn't get a name?
05:56What, male, female, nothing?
05:57No, sir.
05:58But I am told that early indications...
06:00Early indications?
06:01Whose indications?
06:02What, Walters?
06:03Huh?
06:04Yeah.
06:05You got a bill from booking?
06:06Come on.
06:07The morons haven't been on a murder case in ten years,
06:09but they have early indications?
06:11Now, come on, Boston.
06:12Don't do that.
06:13You're better than that.
06:14Don't let their narratives cloud your judgment.
06:16Not on a possible homicide investigation.
06:18You want facts, right?
06:20Not indications.
06:21No hunches.
06:22Anybody comes at you with a hunch, shoot that shit down.
06:25Especially if they're from around here.
06:27You're from around here, sir.
06:29Yes, I am.
06:30I appreciate you pointing that out.
06:35Okay.
06:36Here we go.
06:38I just want you to keep in mind how slow things move around here, right?
06:41Not like Atlanta?
06:43There's not a lot of dead bodies found in Dahlonega if you hadn't noticed.
06:47Oh.
06:57Morning, Detective Priya Patel.
06:59Morning.
07:00How you doing this morning?
07:01Good.
07:04Good morning, Detective.
07:05Yeah, good morning.
07:10We've got a good one down here.
07:12Yeah?
07:13Pretty brutal.
07:14And I hope you guys aren't squeamish.
07:16This is the worst one I've seen in a long time.
07:18Okay.
07:19Do we have an approximate time of death?
07:21Not at this time.
07:23Any weapons found?
07:26No.
07:30There ain't no love in the heart of the city.
07:47There ain't no love in the heart of the town.
07:53There ain't no love in the show no for pity.
07:58Hey, Sam.
07:59It's not working.
08:00It's looking.
08:03Ah.
08:04It expired last year.
08:10All set, Miss Andrews.
08:12Glad to have you back.
08:29I'm going to be back.
08:30I'll be back.
08:31I'll never forget.
08:33I'm going to be back.
08:34I have to be back.
08:35I'm going to be back and forth.
08:36I'm going to be back.
08:37I am going to be back.
08:38I'm having trouble in the house, I'm going to be back.
08:39It was Foxy, right?
08:51Still is.
08:53You look amazing.
08:55What happened to your face?
08:57Excuse me, just on the way to see Jim.
08:59You're coming back.
09:00Of course.
09:03Everybody, we're two minutes to air.
09:05Two minutes to air.
09:07Thrilled you're back.
09:09You gave her my job.
09:11Oh, Christ, Andrews, you know it's not that simple.
09:14Lexi, Anna's back, you're fired.
09:15That's about as complicated as a ham sandwich, Jim.
09:18Call her in here right now.
09:19I'll do it for you.
09:20She's got a contract.
09:21So do I.
09:22Did.
09:24I could only keep her as substitute anchor for so long,
09:28but didn't make her permanent she was going to walk.
09:29How do you suddenly make that woman the face of the station, Jim, in Atlanta?
09:35I don't see color.
09:35Look, Anna, I'm a parent.
09:42I can't imagine the hell that you've been through.
09:47We feel for you.
09:49All of us.
09:49But no matter how much I sympathize, you disappeared for a year.
09:54I don't need your sympathy.
09:58Not that I don't appreciate it, Jim.
10:00I do.
10:00I just...
10:01It's not necessary.
10:02I needed the time, but now I'm good.
10:06And if I have to reinvent myself and earn my job back, I will.
10:14Why now?
10:16A week, a month, a year, what difference does it make?
10:18Now I'm ready.
10:20And I've worked too hard for too long to disappear.
10:22I'm sorry, Anna.
10:28There's nothing I can do.
10:29I really am.
10:37Dahlonega.
10:38Sorry?
10:39They found a body.
10:40I know.
10:41Let me take it as a field reporter.
10:44Field reporter?
10:46I mean, reinvention is one thing, Anna, but that's a little far.
10:48I was born in Dahlonega.
10:49News to me.
10:50And race there.
10:51I know the people.
10:52They'll talk to me.
10:53About what?
10:54It's one body.
10:55We get that every day.
10:56In Atlanta, not in small-town America, and not when that body is a murdered white woman.
11:00Well, you don't know it was a murder.
11:02And how do you know she was white?
11:04In Dahlonega?
11:05Trust me, Jim.
11:05She's white.
11:09It could be nothing.
11:11And if it is, I'll go quietly, but I think we both know it's not nothing.
11:17Oh.
11:20Field reporter, huh?
11:22Mm-hmm.
11:24Field reporter salary.
11:25Done.
11:26And what's up with your face?
11:27I can't have viewers thinking you're stroking out.
11:29Novocaine, it'll wear off by lunch.
11:31Hey, cameraman, who do you want?
11:34Richard.
11:36Richard?
11:39Jones?
11:40As in Lexi's husband?
11:43You know him?
11:43No, just of him, but I hear he's the best.
11:52One story, Andrews.
11:53You fuck it up, you create problems for me, you're out.
11:55You hear me?
11:57You've got two hours.
11:58You better hustle if you're going to make the news at six.
11:59Thank you, Jim.
12:06Yeah.
12:07Lucky me.
12:09Fuck.
12:10Fuck.
12:10Fuck.
12:13The number of stab wounds, the frenzied pattern, it has me thinking about the message
12:18the killer is trying to send, consciously or subconsciously.
12:24She's two-faced.
12:26Well, there's nothing to suggest duplicity as a motivation for this kind of violence?
12:30That's a message, Boston.
12:32It's on her nails.
12:33Ever seen any dead body?
12:40Of course.
12:42Where?
12:43In school.
12:45Different, isn't it?
12:46Yeah, I'll get used to it.
12:48Yeah, I just hope not.
12:49And look, I want everybody, right now, I want you to ask yourself a question.
12:55Do I need to be here?
12:57If the answer is no, please kick rocks and go up to the perimeter and help up there.
13:02Everyone else, let's circle it up, okay?
13:03Okay.
13:03We all got a pretty good idea who that is, laying on the hood of that car.
13:18A woman's died.
13:20We need to respect that, respect her family.
13:23I do not want her husband finding out that he lost his wife today because this apartment
13:27can't keep their mouth shut.
13:30So let's be professional.
13:31We're going to do this properly, yeah?
13:32Yes, sir.
13:33He's going to find out from me.
13:34I'm going to let him know I want no one else making contact with him.
13:37Is that clear?
13:38Yes, sir.
13:39Okay.
13:39I need her cell phone.
13:41I want that phone.
13:42I want it immediately, okay?
13:44Let it be known.
13:45If anyone finds that phone, you don't touch it.
13:48You don't tinker with it.
13:49You just bring it right to me.
13:50Do you understand that?
13:51Yes, sir.
13:51Okay.
13:52Let's fan out.
13:54Ten yards at a pace.
13:56We'll pace off the grid and a hundred yards going each direction.
13:59All right?
14:00Let's move, yeah?
14:02There's work to do.
14:44If you get a chance to join in in all of Europe,
14:45if it's my time, you'll get everything behind me.
14:47I'm sure would appreciate it.
14:49Hey, Andrews.
14:50Richard Jones.
14:51I know.
14:52Yeah, Jim said you asked for me personally.
14:56Crime scene's over there.
14:57They haven't secured it or anything.
14:58You want me to?
14:59Get what you can.
14:59Yeah, I will.
15:01All right.
15:01You need anything?
15:02Touch ups?
15:03Oh, probably yes.
15:05All right.
15:05Well, make yourself at home.
15:06All right.
15:07Will do.
15:09Bobby, you want to look.
15:11Best hustle up before they throw a cheat over.
15:13I'm coming as fast as I can.
15:22We have a boot print.
15:23Do you want to come take a look?
15:24It's worthless, Boston.
15:25It looks recent, sir.
15:26No, no.
15:26The entire crime scene's a forensic disaster.
15:29I don't care if it's recent.
15:30You had a million people tromping around here
15:32like Grand Central Station recent.
15:34What does that mean?
15:34But it's surrounded by the victims' focus, sir.
15:36Look, you can't do it.
15:37Do not jump to conclusions, all right, Boston?
15:39You can't.
15:39How in the world would you possibly know
15:41that those other footprints belong to the victim?
15:43Because they were made by bare feet.
15:45Move back.
15:46For Christ's sake.
15:47Hey, look, I need you to get a group of people together
15:49and keep those parasites off the crime scene.
15:51You see them there?
15:52Go ahead.
15:52Go get to it.
15:53I mean, I could talk to forensics instead.
15:55Just do what I ask, please.
15:58You got it.
15:58Yeah.
15:59Stop right there.
16:00Stop right there.
16:01Stop right there.
16:02Stop right there.
16:03Stop right there.
16:04Stop right there.
16:05Stop right there.
16:06No, you cannot pass.
16:07Sir, what are you doing?
16:08You need to get behind the police line.
16:09Excuse me.
16:10We need you to clear this area.
16:11This is an active crime scene.
16:12We'll be setting up a wider perimeter in a moment.
16:13But for now, we need you to stay back.
16:14Refrain from filming, sir.
16:15Stop.
16:16Please, sir.
16:17Stop filming.
16:18Excuse me, please.
16:19I've asked you to push back.
16:20We are working here.
16:21Clear out to the wider perimeter.
16:22Ladies and gentlemen.
16:23Ladies and gentlemen.
16:24Excuse me.
16:25I'm Detective Harper.
16:26I need everyone just to calm down here.
16:27All right?
16:28Let our deputies just do our job.
16:29I'd really appreciate it.
16:30Now, look, we've formed a larger perimeter by the east entrance.
16:32If you just follow this track down, I'm going to go ahead and go ahead and go ahead and go ahead and go ahead.
16:34Just position yourself there and just give us a bit and we'll come back to you when we have some.
16:53Confirm or deny whether this is a murder investigation?
16:56This morning, Lumpkin County Sheriff's Office got a report,
17:00an anonymous call about a body being found in the National Forest in Dahlonega.
17:05Some deputies came out, and they did find a body.
17:08A female, 30s, Caucasian.
17:11She hasn't been formally identified, and once she has,
17:13and we notified the next kid, then we'll go ahead and release that name.
17:15But right now, we can't give you any more than that.
17:17That's all we got. Thank you very much for being here.
17:18Come on, Detective.
17:19No, I need you to...
17:20Why the large police presence if it's not a murder?
17:22No cause death's been determined at this time.
17:26Again, when we have something, we'll share it with y'all.
17:29Now, look, we have a job to do. You need to respect that.
17:31We're going to go ahead and respect that you have a job to do as well.
17:33I need you to move back to that other perimeter.
17:35Thank you. That's all we got.
17:36That's all we have.
17:37Is there a suspect?
17:38Why do you tell us about what you have?
17:40Detective Harper, is it true you knew her?
17:43Detective Harper.
17:43Is it true you knew her?
17:52Oh, jeez. What was with that reporter?
17:57What are you talking about?
17:58Why would she assume you knew the victim?
18:00Small town. She's just taking a shot.
18:04Seems like more than that to me.
18:06She's a reporter with Austin.
18:07She's stirring shit. It's what she does.
18:09Look, give me a favor.
18:10Why don't you, uh...
18:12Let's get a ride with one of these guys to the coroner's office.
18:14Gotta...
18:15Just gotta go handle something real quick.
18:16I'll see you down there.
18:21Hey, how'd you know?
18:22About the detective and the victim knowing each other.
18:26She hasn't even been ID'd yet.
18:28And in state they knew each other, I asked.
18:31There's a difference.
18:33Not to the average viewer.
18:34Nope. Exactly. That's why it's the perfect question.
18:37Writing a book.
18:48What?
18:48Oh, come on. You were gonna ask me what I've been doing the past year.
18:52That's okay.
18:53Just writing a book.
18:55Well, good for you.
18:56What's it about?
18:58About the historical importance of female news anchors.
19:01Oh.
19:03So what'd you do for the other 11 months?
19:05Oh, I wanted to walk by to do that one, didn't I?
19:18No, um...
19:19I mean, for the record, I know why.
19:26I'm sorry.
19:29About your kid and everything.
19:33Oh.
19:35So, Richard Jones, married to rising star Lexi Jones.
19:48What's that like?
19:52Exciting.
19:54Lonely.
19:56Right.
19:57Friends tell you it must be exciting to have a celebrity wife or what passes for a celebrity in Atlanta, but it's not, is it?
20:06People recognize her in the grocery store, asking to take their photo.
20:10Next to her, you're invisible.
20:12She leaves at 2 for the 4 and the 6, and she stays for the 11.
20:18And then there's meetings after, so she doesn't get home until after 1.
20:21You're already asleep, so goodbye sex.
20:29She makes five times more money than you do.
20:32Oh, no.
20:32Oh, and you're happy that she does.
20:34Oh, no.
20:35But it creates an imbalance, so happy or not, it hurts you both.
20:40Wow.
20:48That's good.
20:54Is that an excerpt from the prologue or from chapter 1?
20:56Oh, please.
21:25Hey, Sheriff.
21:27Rachel Hopkins.
21:28Is Clyde know?
21:29I'm on my way there now.
21:32Stabbed.
21:33Jesus.
21:34What evidence you got so far?
21:36That wolf, just a slow start.
21:38The rain, you know, washed most of the evidence away.
21:40No cell phone foul?
21:42All right, keep me in the loop.
21:43Got it?
21:45Jack.
21:47Peck, you listening to me?
21:48Yes, sir.
21:49Yes, sir.
21:50Yeah, keep me in the loop.
21:50Little loop, you bet.
21:56Janine Wilcox.
22:04Good morning, Jack.
22:06Come to arrest me?
22:08Criminal like you.
22:10She ain't been built bad enough to hold you down.
22:12What room is she in?
22:13You know I'm not supposed to say.
22:19There you go.
22:20Hey, the guy she with, you got his name?
22:23No.
22:26Richard Jones.
22:27Richard Jones.
22:28Appreciate you, Janine.
22:29Mm-hmm.
22:30Tell your mom I say hi, okay?
22:32I will do.
22:33Yeah.
22:41Your fucking body's amazing.
22:43No.
22:44Oh, God.
22:45Oh, God.
22:46Oh, God.
23:07Dad!
23:09Jesus Christ.
23:14Oh, God.
23:21Ignore it.
23:26No, thank you!
23:30Yes, yes.
23:31Don't you fucking dare.
23:34Yes, yes, yes.
23:35Oh, my God, I'm so close.
23:36Oh, my God.
23:43Fuck.
23:48Fuck!
23:49Who is it?
24:00I'll try again.
24:05Is that a note?
24:09Fucking Jack.
24:11Who's Jack?
24:12Detective Harper.
24:15Harper?
24:17You know him?
24:20Pretty well.
24:21How well?
24:25He's my husband.
24:29See you at 5.30.
24:34I don't care about all that, Boston.
24:36I just want the phone.
24:37Yes, sir.
24:37Okay, well, you tell them that the search is not over until it's found.
24:40You understand?
24:40I've asked for a trace on the phone.
24:42Yeah, yeah, yeah.
24:42Hey, listen.
24:43I want you to call Jordan Scott, Atlanta Homicide.
24:45You tell them we need a P2P background check on a Richard...
24:48Wait, sir.
24:48Shh, don't talk.
24:50Just listen.
24:50It's Richard, yeah?
24:52Robert, Ida, Charlie...
24:55Hang on.
24:56Why are we running a check on him?
24:58Anna!
25:00Shit.
25:02Priya, you there?
25:03Yes, sir.
25:04Why am I running a background check on...
25:06Once, and just do what I ask?
25:10Well?
25:11Well, unidentified white female found early this morning off the main drag in Chattahoochee National Forest, and...
25:16For Christ's sake, Anna, tell me something I don't know.
25:18I'm getting to it.
25:19She was murdered.
25:20Has that been confirmed?
25:23Yes.
25:25Suspects?
25:25I'm working on it.
25:28Okay, good.
25:29You and Richard stay in town.
25:31Get some color.
25:32Nice work.
25:33Thanks.
25:33Thanks.
25:33Nice work.
26:03I don't know.
26:33I don't know.
27:03Mom.
27:12It's me.
27:15Oh.
27:17Anna.
27:21Hey, baby.
27:26Hey, baby, hey.
27:32Oh, you're back.
27:35You're back.
27:43Oh, beautiful girl.
27:47Look at yourself.
27:48Hey, Jackie, hey.
27:50What in the hell, Jack?
27:52Did you move the trash bags?
27:53They're in there somewhere, Jackie.
27:55Listen, look here. Look who's here.
27:57You take your pills, Ms. Ellis?
27:59She didn't take pills.
28:00Everybody takes pills.
28:02There he is.
28:04Over there looking like death eating a soda cracker.
28:08How you doing, Ms. Ellis?
28:09Hey, I'm gonna make you some coffee.
28:11Jack don't want coffee.
28:12Jack always wants coffee.
28:14Jack loves coffee.
28:15Why is Jack here?
28:17Ooh, somebody left their manners in Atlanta.
28:20Can we talk?
28:21I don't know. Can we?
28:25Are you following me?
28:32Huh?
28:33Huh?
28:35Are you following me?
28:36Hey, Anna, how are you doing?
28:37You doing good?
28:38Yeah, good, Jack.
28:39Good, good. It's really great to see you.
28:40It's great.
28:43Wanna tell me what you're doing?
28:45What are you doing, Anna?
28:47What are you doing, Jack?
28:53Hm?
28:54Why would you...
28:55In the force, why would you ask me that?
28:57No cause of death.
28:58She was murdered, Jack. I know it.
29:00So?
29:01Who was it?
29:02You cannot cover this story.
29:04You cannot.
29:05Why not?
29:07Just don't.
29:08You're gonna have to give me more than that.
29:11I'll have to give you a fucking thing, Anna.
29:18Oh, for Christ's sake, Jack. It's me.
29:21Who was it, Jack?
29:26What, Jack? You don't trust me?
29:28What? You wanna know who it was?
29:30Yes.
29:31Okay, it was Rachel Hopkins.
29:35How'd she die?
29:37Rachel Hopkins, Anna, your friend Rachel Hopkins.
29:39She was stabbed to death. How about that?
29:41We weren't close.
29:43Okay, don't.
29:44You got any suspects?
29:45Stop.
29:46Persons of interest?
29:47Would you stop? Look, Anna, you...
29:48You can't tell anyone, alright?
29:50Are we clear?
29:51We're clear.
29:52Anna, look, I'm not asking you.
29:53I'm telling you, alright?
29:54No one knows.
29:55Her husband doesn't know.
29:56No one in this town knows, okay?
29:57Jack, I said I won't.
29:58Jackie, boy, when did you get here?
30:03Miss Alice, you know, I'm just...
30:05Just here to check on you, that's all.
30:09Mama, you literally just saw him.
30:11When?
30:13I was about to make some...
30:17I was just about to make some coffee.
30:20Stay.
30:22You like my coffee.
30:23Yeah, I don't like your coffee, Miss Alice.
30:25I love your coffee.
30:28I just...
30:29Get out on the porch.
30:45It was like two or three in the morning.
30:47They found her walking down the middle of the road.
30:50She was naked.
30:54It's getting worse, Anna.
30:57I mean, it really is.
30:58I'm guessing it's some sort of dementia or Alzheimer's or something, but I don't know.
31:01You already mean guessing, Jack.
31:06She hasn't seen a doctor.
31:07No, she hasn't seen a doctor.
31:09She...
31:10She's still your mother.
31:11I can't get her to do anything.
31:12I mean, she's...
31:16We're doing our best, Anna.
31:24I hate you here so fucking much.
31:26So why'd you leave Atlanta then?
31:28Because I just didn't know where else to go.
31:30To your own place?
31:33You're a grown man.
31:34Oh, Jesus Christ.
31:38I lost my job, Anna.
31:40Looking for you, I lost my job.
31:41You know that, right?
31:42Well, I fired you too, Jack.
31:45A detective who can't find his own wife.
31:46Oh, for Christ's sake.
31:48It's a good thing I found you today, right?
31:51We're at the manor, room five.
31:52I sure as shit found you.
31:53You do not want to go there.
31:54I'm not sure whether you're on your belly or your back, but I did find you.
31:57Heard you too.
31:58Yeah.
32:06Hey.
32:07Hey.
32:08Just making up your bed in case you want to stay.
32:10Oh.
32:20Mom, you been feeling okay?
32:24Towels.
32:26I gotta put him in the dryer.
32:27I gotta put him in the dryer.
32:55It's good.
32:56I'm outta here".
32:57I can't take it.
32:58I can't take it.
32:59I can't take it.
33:01No, I can't give it to him.
33:02But I'll do my body.
33:04I can't take a nap.
33:05Look at this.
33:06Do you think I have to be lying?
33:07Oh, boy.
33:09I'm dying.
33:11I'm dying.
33:14I can't take it.
33:15But I don't know what I need.
33:19Oh, boy.
33:20I see you.
33:21I can't take it.
33:22I agree.
33:23Oh, my God.
33:53Hey, Doc. I'm so sorry I'm late.
34:04Detective Harper, I see you've met my better half here.
34:08Detective Harper. Dr. Turner.
34:11Okay.
34:13So what do we got?
34:15The stab wounds killed her.
34:16Okay.
34:17Even though it was a short blade.
34:20How short?
34:20Pairing knife short.
34:21If she had only been stabbed once or twice, she might have survived.
34:25But as you can see, she died of blood loss.
34:27How many?
34:28Forty.
34:29Forty.
34:30Were her fingernails cut post-mortem?
34:32Hmm. Let's hope so.
34:34What? Why is that?
34:36Well, they're cut past the hyponychium, the...
34:39commonly referred to as a quick.
34:41Got it.
34:41Very painful.
34:44Forty stab wounds, but no defensive wounds.
34:46Look at her hands.
34:47She probably knew him.
34:52Him?
34:53We found semen.
34:55Fresh.
34:55And plenty of it.
35:00The semen belongs to the killer?
35:02Either the victim had sex and was stabbed 40 times,
35:05or she was stabbed 40 times and someone had sex with her.
35:08Either way, Scotland Yard and Me says,
35:10there's your killer.
35:10There's your killer.
35:40I'll need DNA samples from everybody who worked the scene this morning,
35:48including both of you, to eliminate any cross-contamination.
35:52I understand the crime scene was a bit of a circus.
35:55I can swab you both right now if you'd like.
35:57Yeah, we'll come back and get those to you tomorrow.
36:00Okay, Detective.
36:01Gotta get back to Dahlonega.
36:03Gotta let her husband know before the whole town finds out.
36:06Hey, Boston, I'll be in the truck.
36:10What's up?
36:22Helen, Rachel.
36:26Happy birthday.
36:27Happy birthday.
36:37Catherine.
36:40Happy birthday, Anna!
36:42Anna, what about you? Are you going to get a birthday kiss?
36:45I don't know about that, Rachel.
36:48Sweet 16.
36:51You sure?
36:53Maybe if I get my nails done, too.
36:57Are there snakes in here?
37:00We're almost there.
37:02Anna, you're going to love when I got us all over me.
37:06What do you think?
37:36What the heck?
37:43What the heck?
37:47Oh.
37:52Oh.
37:57What about this, Boston?
38:18That used to be the pizza king of North Georgia, huh?
38:22Sir, do you find it strange that Ms. Hopkins' husband...
38:29Hasn't reported her missing?
38:31Sure do.
38:33...
38:48You're doing good.
38:56You're not alone.
39:01Come on, we'll look. Come back and do it.
39:06You better not be bullshitting.
39:08I'm not.
39:10Am I live at six or not, Jim?
39:12You're live at six, just like you want it.
39:15Okay, thank you.
39:31At the top of the hour, new details emerge about the Dahlonega woman found dead.
39:54Something finally happens at Dahlonega and I can't even get a hold of my own brother.
39:59Spit it out.
40:01Who's the stiff?
40:16Goddammit, Jack.
40:18Make your sleep.
40:20Shh.
40:20Come on, listen.
40:24We bring you breaking news tonight as the body of a woman was found in Chattahoochee Forest.
40:29Watch, Jack.
40:29They probably saw it before you already.
40:30Today, Lumpkin County Sheriff's Office could not confirm the identity of the victim nor
40:35the circumstances of her death.
40:37But tonight, we can bring you a WSKTV News exclusive.
40:41Anna Andrews is live from Dahlonega with the latest.
40:44Wait, Anna's back?
40:45I'm here.
40:46She looks skinny.
40:48Jack, did you know that Anna's back?
40:49A woman's body was discovered in the woods just behind me.
40:53Now, while the Lumpkin County Sheriff's Office have refused to identify the victim or the
40:57cause of death, our investigation has uncovered both.
41:01A confidential source has told me that 40-year-old local resident Rachel Hopkins was stabbed to
41:07death.
41:07Rachel?
41:08While no further details are available at this point, when I know something, you will, too.
41:13For WSK, I'm Anna Andrews.
41:15God damn it.
41:16God, what a fuck.
41:20Man, we're off.
41:22Fuck yeah.
41:23Rapsy-daisy.
41:30Yeah.
42:00Oh, my God.
42:30Oh, my God.
43:00Oh, my God.
43:30Oh, my God.
44:00Oh, my God.
44:30Oh, my God.
45:00Oh, my God.
45:30Oh, my God.
46:00Oh, my God.
46:30Oh, my God.
46:32Oh, my God.
46:36Oh, my God.
46:38Oh, my God.
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