00:00With all due respect to stars and actors and actresses, you also must respect the technicians, the cameraman, the music composer, the lyrics writer, the writer, the director.
00:30What you see on the channels today, is the film of 1970 and 1980.
00:35Twenty years ago, with Rishi Kapoor and Tina Muneen, I started a film called Curse, in 1978, October 24, October 19th.
00:49When clap was given by Mr. Gulchan Roy and the picture was bought by Mr. Gulchan Roy and Curse started.
00:56And since then, there has been a long, long, hard journey with agnes and ecstasies, with anguished moments, with lot of stress, lot of struggle, lot of ups and downs, lot of glories, lot of celebration, lot of media fight, lot of film fight, lot of film industry fight.
01:24And we are still surviving by the grace of God.
01:28At one point of time, you were kind of angry with the star system.
01:32You were kind of angry with the star system.
01:34After that, you introduced what has come.
01:36And how do you work upon the whole thing now?
01:39I don't understand one question from you people.
01:43When I cast stars, you say, why don't you take newcomers?
01:47When I take newcomers, you say, why don't you take star cast?
01:51Why don't you sit, why don't you sit?
01:53Why don't you sit, why don't you sit?
01:55I listen to this from 25 to 21 years.
01:57Why don't you ask that?
01:59And we tell you once again,
02:01Do you take newcomers or newcomers?
02:03The most important thing is our story.
02:05The story of the story of the character.
02:07If he wants newcomers in the character,
02:10we don't take newcomers in the character.
02:12But if he wanted newcomers outside,
02:14he might want newcomers in Manchester and Duca.
02:16.
02:17Japan always took newcomers.
02:19Then he never took away from them.
02:21Whenever you Gerade in downstream,
02:22I did not take a newcomer in the community.
02:31He loved the new generation.
02:33When you étaient within your purchases,
02:35the new generation to управ.
02:37When you art or when you write depression,
02:39you have to write in our profession.
02:40We are called recently,
02:41We decide who will do this.
02:45But one thing I want to say is that you want to know that the star of the film is, actor who is?
02:55Why don't you ask that the story of this film?
02:59Is it a film?
03:01Is it a director?
03:02Is it a producer?
03:03Is this picture when will you start?
03:06Why do you send them every time and buy them every time and buy them every time?
03:13And you forget that the people of the film are making so hard, so hard and so faithful.
03:21With all due respect to stars and actors and actresses, you also must respect the technicians, the cameraman, the music composer, the lyrics writer, the writer, the director.
03:35You also ask about them.
03:37But in every time they say, who is working in this picture?
03:41You say, who is working in this picture?
03:43You ask who is working in this picture?
03:45You ask who is making it.
03:46No, no, we'll tell you who is.
03:48It's not a film.
03:49Oh, my brother, it's a film.
03:51You have to ride.
03:54Why would you sit on the floor?
03:56Why would you sit on the floor?
03:58Why don't you come here?
03:59You take this.
04:00You don't get this.
04:01You don't get this.
04:02Then you will get this.
04:03I'll do it.
04:04I'll get this.
04:05I'll get this.
04:06Right?
04:07So, what?
04:08Aishok.
04:09Aishok.
04:10Aishok.
04:11Aishok.
04:12Take it.
04:13Take it.
04:14Take it.
04:15Take it.
04:16Take it.
04:17It's important for people.
04:19It's important for every family.
04:20It's important to every generalist, it's important to every cameraman and channel to whose music is important.
04:22It's important to whatever channel doesn't have music name.
04:25It's not a national anthem, it's not a national anthem in its music.
04:31It's the devotional song in its music.
04:33It's not a grant.
04:35It's not a rek cambio.
04:36It's not a brand new music.
04:38It's not a brand new festival in each area.
04:41Why is Mokta Arts International? What is the difference between Mokta Arts?
04:52Mokta Arts International is the further step of Mokta Arts Private Limited.
04:56We were making Hindi films from Mokta Arts.
05:01This time, we thought that there will be a difference between Mokta Arts International and Mokta Arts.
05:12Whether it's Hindi or Bengal or Punjabi or Punjabi or English.
05:19It will be made of international.
05:22It will also be made of the internet.
05:25It will also be made of audio albums and video albums.
05:28It will also be made of a global scenario.
05:32That's why Mokta Arts International is the same.
05:35It will not remain in the same way.
05:38It will come from the same way.
05:42That's why I am making the first film of this company.
05:45I am directing myself.
05:47So that it will be a responsibility and a good job.
05:53Shiva Ji helped the huge success of all the overseas territories.
05:57Prompted you to look for these avenues.
06:01Prompted you to look abroad all the way.
06:04So that's why the films are being increased.
06:09The standards are coming to the global level and international level.
06:14Today we can't make the best films of all the foreign films.
06:23The ones that you are watching on the channels.
06:25You can't make the best films of the nation.
06:26After entering 2000, you can't go back 20 years.
06:29This was very important and it is very important today that I have to
06:59be younger than the youngsters, you see, and I have to be senior, as senior and as responsible
07:07that as any good filmmaker should be.
07:32He has thousands of emails, thousands of letters from India
07:39But he has found this film from his heart, heart and soul
07:45And his heart opened his heart
07:47He has not found this film
07:49He has found this way that he wanted to watch the film
07:53He wanted to watch the children who have been drinking
07:57He wanted to watch the children who have been drinking
07:59He wanted to watch the children that he had been drinking
08:04He wanted to watch the children who have been killed
08:06He wanted to watch his father and take a break
08:08He did not like it
08:10But those who do want to show the cinema
08:14And a good story to see the new drama
08:17And the international standards
08:20They liked him
08:22What kind of film was the film?
08:25We are committed to making better films in Mukhtar International and future films.
08:53We are committed to making better films of our future.
09:00I launched an A.B.E. in 1998.
09:02I launched an A.B.E. in 1982.
09:05I launched an A.B.E. in 1984.
09:07I launched an A.B.E. in 1984.
09:10I have been a A.B.E. in 1984.
09:13I have been a A.B.E. in 1994.
09:17I don't want to remember the A.B.E. in 1984,
09:19but I will be a A.B.E. in 2020.
09:21Why do you think the stars always come off if you got permission to stay with all the time?
09:47Stars, because my stars are favorable. You see, when your stars are favorable, stars come, right? When your stars are not favorable, they don't come. So they love me, they respect me because I love them, I respect them. And above all, I do a good job. I committed to do a better job.
10:07I give value to my film and I give value to their performance. They know I respect actors in them, if not star in them.
10:17I give value to my stars.
10:27I give value to my stars.
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