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Some songs become so intertwined with iconic movie moments that you can't hear them without picturing the scene. Join us as we count down our picks for those unforgettable musical moments in cinema! Our list includes classic film songs from romantic comedies, action blockbusters, coming-of-age dramas, and more. Which movie-music pairing lives rent-free in your head?
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00:00Hooked on a Feelin', Blue Swede, 1973, that song belongs to me!
00:05Welcome to Ms. Mojo, and today we're counting down our picks for the songs that have become synonymous with scenes from films.
00:12Turning back, she just laughs.
00:20Number 30, Time in a Bottle, X-Men, Days of Future Past.
00:24If I could save time in a bottle.
00:28Quicksilver is among the speediest Marvel superheroes around.
00:32However, his appearances in the X-Men movies wisely slow things down for us mere mortals.
00:36His debut appearance in Days of Future Past sees the mutant take down a kitchen full of guards as Jim Croce's 70s classic Time in a Bottle plays.
00:44If I could make days last forever.
00:49The contrast between the nearly frozen surroundings and Quicksilver's light-hearted rapid-fire defense of the others helped make the scene an instant classic.
00:56Sure, Croce's folk tune is sweet and tender, but it has become cemented in our collective minds as being the anthem of a speedster kicking butt.
01:03Quicksilver almost pulled it off again in the sequel with Sweet Dreams Are Made of This, but that song's a bit more known from other things.
01:14Number 29, I Say a Little Prayer, My Best Friend's Wedding.
01:18There have been many singers associated with this R&B song from Dionne Warwick to Aretha Franklin to Diana King, the last of which even features in this movie.
01:35However, the most memorable performance of I Say a Little Prayer is by actors.
01:39At a wedding lunch, George, who is pretending to be Jules' fiancé, launches into a performance of the song.
01:51He's soon joined by practically the whole wedding party, who managed to put on a surprisingly great rendition of the hit.
02:01It's almost like they had rehearsed it beforehand.
02:03Regardless, we'll think of this scene when we hear the song Forever and Ever.
02:07Number 28, Canned Heat, Napoleon Dynamite.
02:26English band Jamiroquai is famous enough in their own right, and they have never let themselves be tied down by Jara.
02:37However, perhaps their most famous song is Canned Heat, and probably from this scene alone.
02:44To promote his buddy Pedro's class president campaign, the titular Napoleon Dynamite performs a dance set to Jamiroquai's disco number.
02:57Napoleon seems to lose himself in the dance, and his dorky yet skilled moves inspire nearly everyone to vote for Pedro.
03:03The dance may have been improvised by actor John Heater in the moment, but it's now forever impossible to separate from Canned Heat.
03:11Number 27, Don't Stop Me Now, Shaun of the Dead.
03:36We doubt Freddie Mercury had a zombie comedy in mind when he wrote Don't Stop Me Now,
03:49but the upbeat rock anthem has nevertheless become associated with this cult classic.
03:54How about pool?
03:55While trapped in a pub, Sean and his friends are short on weapons and decide to use pool cues against the zombified bartender as Queen's hit song plays on the jukebox.
04:07I can't find this question!
04:10Get the fuses!
04:11From their hits being timed along with the song, to the improvised light show with the fuses being lit,
04:18the scene makes perfect use of Don't Stop Me Now to the point where we don't want it to stop at all.
04:23I don't want to stop you now!
04:25Number 26, Shout, Animal House.
04:28You know you make me wanna shout, kick my heels up and shout, throw my hands up and shout.
04:33The original National Lampoon movie is a classic for many reasons,
04:38not the least of which is because it features a scene that has become inseparable from the Isley Brothers song, Shout.
04:47Performed by Lloyd G. Williams and lip-synced slash acted out by the fictional Otis Day and the Knights,
04:53this rendition gets all of Delta House's party singing, shouting and turtling along with it.
04:57The call-and-response nature of the tune practically begs you to get involved and throw your hands up any time it plays,
05:05but we will always associate it with a bunch of drunk college students in togas.
05:13Number 25, Stayin' Alive, Saturday Night Fever.
05:22The opening scene to this 70s disco-drenched dance movie is iconic,
05:27and was made so by this song by the Bee Gees.
05:34Stayin' Alive plays as John Travolta's Tony Monero struts his way through the streets of Brooklyn.
05:43Sure, the song was written for the movie,
05:45but the Bee Gees went on to great success with the disco number,
05:48and even had their own music video for it.
05:50And yet, it's this intro and Monero's effortless charisma
05:53that have helped Stayin' Alive stay alive in our minds for over half a century.
06:07Number 24, Layla, Goodfellas.
06:11Given that it's an epic seven-minute song by Eric Clapton,
06:15Layla has a lot of moods throughout.
06:17However, its final portion features a wistful piano
06:20that you might associate with a going-away party or graduation.
06:23Months after the robbery, they were finding bodies all over.
06:26Honestly, Martin Scorsese's mob movie Goodfellas surprisingly manages to maintain that impression.
06:31Except in this case,
06:33the song plays over a montage of the discovery of gangsters who have been whacked.
06:36Hi!
06:37Mom, where are you?
06:38Oh, here I am.
06:39And while protagonist Henry Hill may not be among the dead,
06:43Layla helps make it clear that the party's over now.
06:46But what will never be over is our association of the song with dead wise guys in meat trucks.
06:51Number 23, The Sound of Silence, The Graduate.
06:55Hello darkness, my old friend.
06:59I've come to talk with you again.
07:03While the song and especially its opening lyrics have since become associated with various memes,
07:08it remains inextricably tied to this regret-filled ending.
07:21Benjamin interrupts his ex-girlfriend Elaine's wedding,
07:24leading them both to escape her wedding and joyfully board a departing bus.
07:28But after a few moments, it hits them.
07:30Now what?
07:31The sound of silence indeed.
07:32Within the sound of silence.
07:36Using a pre-existing popular song in a film wasn't common at the time,
07:42but The Graduate proved a trendsetter for movies going forward,
07:45and helped make us remember this melancholy conclusion whenever we hear the Simon and Garfunkel tune.
07:50And touch the sound of silence.
07:58Number 22, Stuck in the Middle with You, Reservoir Dogs.
08:01Director Quentin Tarantino's jukebox soundtracks are a well-known part of his style,
08:09and it all started with his first theatrical film.
08:16There are plenty of scenes to choose from, but thanks to the sadistic Mr. Blonde,
08:20we can no longer think of Steeler's wheels stuck in the middle with you
08:23without thinking of a cop getting tortured and getting his ear cut off.
08:26Mr. Blonde's theatrical singing along with the tune
08:32before engaging in the most savage barbarity
08:34is just the kind of thing that epitomizes Tarantino's oeuvre,
08:38and has this scene stuck in our heads right along with this song.
08:42Well, corny, well, I'll be right back.
08:44Number 21, Twist and Shout, Ferris Bueller's Day Off.
08:47This song has been covered many, many times,
08:55perhaps most famously by the Beatles.
08:57And while the fab form may have produced the version performed here,
09:00it's Ferris Bueller lip-syncing the words.
09:06His energetic performance and charisma are so infectious,
09:09it gets the entire parade, the crowd, and bystanders singing along
09:13and performing dances, both impromptu and clearly choreographed.
09:17The unadulterated joy throughout the scene
09:23has become entangled completely with Twist and Shout
09:25to the point where practically everyone will think of
09:28Bueller, Bueller, whenever they need to shake it on out.
09:39Number 20, A Thousand Miles, White Chicks.
09:47How did you know?
09:50I love this song!
09:52Let's admit it, most of us immediately think of Terry Crews
09:55the moment we hear the opening notes of this song.
09:58Two decades since the film's release,
10:00Crews has become synonymous with Vanessa Carlton's breakout hit.
10:03While Carlton originated the song,
10:05Crews brought it to life.
10:06His character's over-enthusiastic reaction,
10:18the way he plays out each lyric,
10:20and the overall absurdity of it all
10:21make for a truly unforgettable moment.
10:24Sure, our first response would be similar
10:26to how Marlon Wayans reacts in the scene.
10:28Cause you know I'd walk a thousand miles
10:33If I could just see you tonight
10:38But Crews' energy and wholesome charm
10:41quickly add an endearing quality to his performance.
10:44Today, the song's legacy stretches far beyond the film,
10:47with Crews dropping multiple other renditions over the years.
10:50If I can just hold you tonight
10:57Number 19. Shake a Tail Feather
11:02The Blues Brothers
11:03Originally recorded in 1963 by the Five Dew Tones Group,
11:07this foot-stomping banger of a song
11:08is generally linked with Ray Charles.
11:10In his cover for this cult classic film,
11:12the singer plays a music store owner
11:14with the power to get anyone grooving.
11:16It's irresistible beat compels everyone around
11:27to start dancing like their lives depend on it.
11:30And it's not just the characters on screen.
11:32With Charles in full flow,
11:34we can't help but hip to the jive ourselves.
11:36The scene inspires us to leave all care behind
11:38and submit to the vibe,
11:40tying into the overall theme of The Blues Brothers.
11:42Come on, let's do the trick
11:45I'm twisting
11:51Shake it, shake it, shake it, shake it, baby
11:54Number 18. Eye of the Tiger
11:57Rocky III
11:58Want to feel like a winner?
12:09One listen to this timeless masterpiece will do the trick.
12:12Eye of the Tiger doesn't just pump you up,
12:14it inspires you to reach for your dreams
12:16no matter how wild they may be.
12:34The Rocky franchise excels at soundtracks
12:37evoking the central theme of each installment,
12:39and this one definitely doesn't miss.
12:41Fittingly, we get a montage of Rocky making it big
12:44while Klebber Lang moves up the ranks to challenge him.
12:46The parallels between the characters
12:48and how they apply to real life
12:49amplify the song's powerful message.
12:51Each build-up to the chorus convinces us
12:53that just like Rocky,
12:55we can punch our tickets to the top.
12:57Number 17. Mr. Blue Sky
13:15Guardians of the Galaxy Vol. 2
13:17If you're in the mood for some classic yet underrated songs,
13:20the Guardians series has you covered.
13:22Each film opens with a track that sets the mood,
13:24and Mr. Blue Sky does the honors for the second entry.
13:27On the face of it,
13:45battling a violent space monster
13:47doesn't exactly sound like the setup for a good time.
13:49But with soft, upbeat tunes from Electric Light Orchestra
13:52keeping us company,
13:53we can see why Baby Groot's having so much fun.
13:55He might be a tiny baby alien,
13:57but Groot shows us how to dance all our troubles away.
13:59Welcome to the human race
14:03The celebration is the blue skies out there waiting
14:07And today is the day we've waited for
14:11The song matches the team's knack
14:13for landing themselves into trouble
14:14while capturing their ability to find a way out every time.
14:18Number 16. Deo
14:19The Banana Boat Song
14:21Beetlejuice
14:22Ever find yourself cutting loose to a song that just gets you?
14:36Something sort of like that happens in Beetlejuice.
14:38Hoping to scare off the house's new residents,
14:40ghostly duo Adam and Barbara take them for a wacky musical ride.
14:44Before anyone knows it,
14:45they're compelled to sway along to wherever Harry Belafonte's vocals take them.
14:49Daylight come and we want to go home
14:52Come Mr. Tallyman, Tally me banana
14:56Though as bizarre as intended,
14:59its vibe provides a sense of peace we can't shake off.
15:02It also helps that everyone seems to be having the time of their life.
15:06Thanks to the cast's eccentric choreography,
15:08fans now associate the song with the wonderfully weird world of Beetlejuice.
15:12Day!
15:13He's a day, oh
15:15Daylight come and we want to go home
15:19Number 15. Old Time Rock and Roll
15:21Risky Business
15:23Tom Cruise's death-defying stunts have cemented him as an action icon,
15:27but for many fans,
15:28he'll always be the boy singing and dancing his heart out to Bob Seger's ode to rock and roll.
15:33Cruise had previously appeared in a few notable roles,
15:35but Risky Business catapulted him into the big leagues,
15:38and if there's any scene immortalized from this movie,
15:41it has to be this one.
15:42Just take those old records off the shelf
15:45I said listen to them by myself
15:49For many teenagers,
15:50getting the house to themselves is like a wonderful dream come true.
15:54Here, Cruise's character portrays that sense of freedom,
15:57embodying an infectiously relatable youthful energy.
16:00That kind of music just soothes my soul
16:03I remember this about the days of old
16:06With that old time of rock and roll
16:10Thanks to the actor's iconic moves,
16:13the song has come to symbolize the carefree spirit that reminds us to live in the moment.
16:17Number 14. All-Star
16:19Shrek
16:19Somebody once told me the world is gonna roll me
16:24I ain't the sharpest tool in the shed
16:27You couldn't ask for a better song to launch the Shrek franchise.
16:32The intro encapsulates everything that makes Shrek, well, Shrek.
16:36This ogre is as unapologetically himself as the track that accompanies the scene.
16:40Smash Mouth's chart-topping hit blends mischief with a whole lot of fun,
16:44setting viewers up for the series' brand of humor.
16:46So much to do, so much to see
16:48So what's wrong with taking the back streets?
16:50You'll never know if you don't go
16:52You'll never shine if you don't glow
16:54Because of its meme-able quality,
16:57All-Star has remained alive and kicking decades later.
16:59But the song owes much of its popularity to Shrek himself,
17:03as the protagonist's antics bring out the song's oomph factor.
17:06His unfiltered charm and rebellious spirit springboarded the song
17:09into its own corner in pop culture history.
17:11Hey now, you're an all-star
17:13Get your game on, go play
17:16Hey now, you're a rock star
17:18Get the show on, get paid
17:21And all that little is gone
17:24Number 13. I've had the time of my life
17:27Dirty Dancing
17:28Nobody puts baby in a corner
17:30Patrick Swayze's classic quote
17:35leads into an equally unforgettable performance.
17:38While the song is about young love blossoming,
17:40it was Swayze and Jennifer Grey
17:41who inspired an entire generation to follow their hearts.
17:44The film's climactic scene hits all the right notes,
17:47with the protagonists bearing their love for the world to see.
17:50So I'll tell you something
17:53This could be love
17:57Because I had the time of my life
18:04I never felt this way before
18:09The marriage between music and dance strikes an emotional chord
18:12And that sentiment persists to this day
18:15By the time the curtain falls on their triumphant performance
18:17The actors had permanently etched their names in film history
18:21Because I had the time of my life
18:28Though I never felt this way before
18:32Because I swear
18:34Yes I swear
18:35It's the truth
18:37And I
18:38Oh it'll do you for mine
18:41Number 12. Oh Pretty Woman
18:44Pretty Woman
18:45Not going with the song would have been a big mistake
18:48Big
18:48Huge
18:49Especially since it inspired the film's title
18:52Fast forward a few decades though
18:54And the first person you think of with the song is Julia Roberts
18:56Set against the backdrop of her character's makeover
18:59Vivian overcomes her fears and embraces the finer life that Beverly Hills offers
19:03It's optimistic celebratory vibe mirrors Vivian's character arc
19:19Putting her on the path to reinventing herself
19:21The song's old time charm exudes a sense of class that our heroine demonstrates
19:25Turning heads along the way
19:27Pretty woman talk a while
19:30Pretty woman give your smile to me
19:35While all that glitz and glamour plays its part
19:39It's her newfound self-confidence that truly makes this woman pretty
19:43Inside and out
19:44I was in here yesterday you wouldn't wait on me?
19:47Oh
19:47You work on commission right?
19:49Uh yes
19:50Big mistake
19:52Big
19:53Huge
19:54I have to go shopping now
19:56Pretty woman
19:59Don't walk on bikes
20:01Pretty woman
20:03Number 11. Johnny B. Goode
20:05Back to the Future
20:06How do you make an old song feel new?
20:09You hop back 30 years on a time-traveling DeLorean, that's how
20:12With the central conflict resolved
20:13Marty finally gets to play the type of music he's passionate about
20:16Alright guys, listen to some blues riff from B
20:19Watch me for the changes
20:20And try and keep up, okay?
20:22Of course, he gets a bit too enthusiastic about it
20:24As his rendition of Chuck Berry's Johnny B. Goode goes off the rails
20:27Berry's original was already a classic by the time of Back to the Future's release
20:31Way down in Louisiana, down in New Orleans
20:34Way back up in the woods among the evergreens
20:37There's still a long cabin made of earth and wood
20:40Where lived a country boy named Johnny B. Goode
20:42He never ever learned to read or write so well
20:45He can play a guitar just like he's ringing a bell
20:48But its inclusion in the film cemented its legacy for future generations
20:53Marty's unrestrained, electrifying performance perfectly sums up the song's thematic qualities
20:58And if it ever gets too much for you, just remember
21:01Your kids are definitely gonna love it
21:03I can't guess you guys aren't ready for that yet
21:05But your kids are gonna love it
21:09Number 10
21:10You Can Never Tell
21:11Pulp Fiction
21:12Few directors use music in their films to such iconic success as Quentin Tarantino
21:21His music selection is as varied as it is perfect for each scene
21:31It's because of Mr. Tarantino that whenever Chuck Berry's You Never Can Tell starts to play
21:38Our body automatically starts to do the twist
21:41Followed by some pretty impressive hand swipes in front of our eyes moves as well
21:51Not only did Pulp Fiction rejuvenate John Travolta's career
21:54It also gave audiences a chance to see him dancing again
21:57And that dance and that song are now forever linked
22:06They had a teenage wedding and the old folk pushed them well
22:10Number 9
22:13Try a Little Tenderness
22:15Pretty in Pink
22:16Furrier next door loves this
22:18Upwork
22:19Neon spokes on Jimtown
22:22Without a doubt, the greatest performance of Otis Redding's Try a Little Tenderness
22:27Is by Andrew Strong and the rest of the band in the 1991 film The Commitments
22:31All you gotta do is try a little tenderness
22:35However, as amazing as it was
22:43Our forever connection to the song had already been imprinted in our movie minds
22:47Five years earlier with the release of the film Pretty in Pink
22:49And while John Cryer, unlike the Commitments band, doesn't actually sing the song
23:01His lip-sync performance around the record store was one for the ages
23:05As if we needed another reason to love Ducky, right?
23:18This is a very good tune, my mother used to sing this, this is Otis, I love Otis
23:22Number 8
23:23Wise Up, Magnolia
23:25For some people, it's jarring in musicals when characters randomly break into song
23:32When I was nine, I fell in love
23:35This Peace Corps guy
23:37So imagine when it happens in a film that isn't a musical
23:41It's not good to start
23:45Well, at least in the case of Paul Thomas Anderson's 1999 masterpiece Magnolia
23:55It's both jarring and mesmerizing
23:58And completely unforgettable
24:00At first, it appears like it might just be one character singing in her apartment
24:16But then, as we cut to another person, and another and another
24:19Prepare a list for what you need
24:23Before you sign away the deed
24:27Cause it's not going to stop
24:31The reality of the situation dissipates
24:34And the cinematic artistry grabs hold
24:36Hearing Amy Mann's Wise Up will always bring to mind the images of this grief-filled sing-along
24:41No, it's not going to stop
24:44So just give up
24:48Number 7
24:49In Your Eyes, Say Anything
24:51Did you know that the famous boombox scene from Say Anything
25:02Was originally scored with the song Question of Life by the brilliant band Fishbone?
25:13And while it might be a good song
25:15We agree with Cameron Crowe
25:16Who, after watching the scene
25:18Decided that it just didn't work
25:19That's when Crowe decided to go with Peter Gabriel's In Your Eyes
25:23And the rest is movie music history
25:25As Gabriel himself has even admitted
25:37He and John Cusack are now, quote
25:39Sort of trapped together in a minuscule moment of contemporary culture
25:43In your eyes
25:46The light, the heat
25:48In your eyes
25:49And completes your eyes
25:51Number 6
25:52Unchained Melody
25:53Ghost
25:54Just let the clay slide between your fingers
25:56Unchained Melody was originally written for the 1955 prison movie Unchained
26:02And until 1990
26:15There might have been movie fans who couldn't separate the song from that film from decades earlier
26:19But in overall pop culture
26:21Those unchained associations went out the window with the release of Ghost
26:25And one now legendary scene
26:27You know the one
26:40And not only did the film forever cement our associations with this beautiful song
26:45Particularly the Righteous Brothers version
26:47It has also forever heightened our appreciation for the romantic power of working with clay
26:53Who knew that pottery could be so darn sexy?
26:55Oh no
26:58I hope it wasn't a masterpiece
27:00Well, it's not now
27:03Can I help?
27:07Yeah
27:08Number 5
27:10Bohemian Rhapsody
27:11Wayne's World
27:12I think we'll go with a little Bohemian Rhapsody, gentlemen
27:15Good call
27:16Why do so many 90s kids know the lyrics to Bohemian Rhapsody?
27:20Why do we always headbang during the guitar solo?
27:25Two words
27:26Wayne's World
27:27And we have Mike Myers to thank for this one
27:36Both the studio and Lorne Michaels were pushing for a Guns N' Roses song to be used for the now iconic headbanging car scene
27:44But Myers was not having it
27:46No way!
27:47Way!
27:48He even threatened to quit the movie if they didn't use Bohemian Rhapsody for the scene
28:06Obviously he got his way
28:07And we got one of the greatest moments in comedy movie and music history combined
28:11Oh no
28:12Mamma Mia
28:13Mamma Mia
28:14Mamma Mia
28:15Let me go
28:16Be Elzebub
28:17Has the devil put a side for me?
28:20Number 4
28:21Tiny Dancer
28:22Almost Famous
28:23Ballerina
28:25You must have seen her
28:29Elton John's beautiful song has been a part of the pop culture landscape since its release in 1971
28:34However, it was the song's inclusion in the film Almost Famous
28:38Almost three decades after its initial release
28:40That has since ingrained it into our cinematic subconscious
28:43And director Cameron Crowe knew he had something from the first take
28:58As he said in an interview
28:59Quote
28:59It was one of those situations where you just felt it
29:02Indeed
29:03They could feel it on set
29:04And we can feel it each and every time we watch the scene
29:07Looking on
29:09She sings her songs
29:13The words she knows
29:15The tune she owns
29:17And since then
29:19Every time we hear the song
29:21We're back on that bus
29:22To paraphrase Penny Lane
29:24We're home
29:25Hold me close to a tiny dancer
29:28I have to go home
29:31Count the headlights on my way
29:35You are home
29:37Number 3
29:38Where is my mind?
29:40Fight Club
29:40Everything's gonna be fine
29:42Yes, we know the first two rules
29:47The first rule of Fight Club is
29:49You do not talk about Fight Club
29:51But for this next song
29:52We have to talk about Fight Club
29:54Because since 1999
30:02We haven't been able to hear
30:03Where is my mind by Pixies
30:05And not think about
30:06Remember
30:07Contemplate
30:08Talk about Fight Club
30:09Particularly that last scene
30:15Over which the song plays
30:16As Edward Norton
30:17And Helena Bonham Carter
30:19Stand there holding hands
30:20Watching the city explode around them
30:21It might have been a strange time
30:23In Norton's character's life
30:25But whenever we hear
30:26Where is my mind?
30:27We immediately go back
30:28To that time in our lives
30:29When we watch this movie
30:30And if you haven't seen it yet
30:32You will too
30:33Number 2
30:37Can't take my eyes off you
30:3910 things I hate about you
30:40There are so, so many things
30:47We love about rom-coms
30:48Do you even know my name, screwboy?
30:51I know a lot more than you think
30:52But one of the best tropes
30:54These films provide
30:55Is the big apology
30:56And or declaration of love scene
30:57Cat!
30:58It wasn't like that, okay?
31:00Really?
31:00What was it like?
31:01A down payment now
31:02And then a bonus for sleeping with me?
31:03No, I didn't care about the money, okay?
31:04I cared
31:05I cared about you
31:07And in 1999's
31:0910 things I hate about you
31:10We get one from each of our main characters
31:13From Julia Stiles'
31:14Katarina Kat Stratford
31:15We get the famous poem
31:17From which the film gets its name
31:18I hate it when you're not around
31:20And the fact that you didn't call
31:21But mostly I hate the way I don't hate you
31:25Not even close
31:26Not even a little bit
31:27Not even at all
31:29And from Heath Ledger's
31:31Patrick Verona
31:32We get his grand rendition
31:34Of Can't take my eyes off you
31:35With the help of the high school marching band
31:37For a generation of teen rom-com lovers
31:48This song will always go hand-in-hand
31:50With Ledger dancing
31:51Singing
31:51And eventually running from security in the stands
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32:16Number 1
32:19Don't you forget about me
32:20The Breakfast Club
32:21See you next Saturday
32:22Whether you're a brain
32:23An athlete
32:24A basket case
32:25A princess
32:26Or a criminal
32:27I really think I give a s***
32:29If you've seen The Breakfast Club
32:30Then the Simple Mind song
32:31Don't You Forget About Me
32:32Will always be emotionally attached
32:34To said film
32:35Don't you forget about me
32:39The song plays
32:41And it's an almost involuntary action
32:43That our right arms make
32:44Fist pumping into the air
32:46Like Judd Nelson's does
32:47In the final moments of the movie
32:48Don't, don't, don't, don't
32:51Don't you forget about me
32:55The movie and song
32:57Are so entwined with each other
32:58That Pitch Perfect
32:59Honored the pairing
33:00In their climactic musical scene
33:01Some 27 years later
33:03Is there a song
33:13You always associate
33:14With a movie
33:15That we forgot to include?
33:16We won't stop you now
33:17Share your picks
33:18In the comments
33:18In the comments
33:19Let им forgets
33:20, let us know
33:20What Seems To Do
33:21Umm
33:21Whereroom
33:22Should be
33:22Or
33:22It's a podcast
33:22You always forget
33:23The Qualcomm
33:24Is there a song
33:24For the Wall wurden
33:25Whereroom
33:25The Qualcomm
33:27I call Stone
33:27Is there a song
33:28To be a friend
33:28The Fox
33:31The machine
33:33Are ma'ime
33:33girl
33:33To be
33:43Or
33:43The
33:43The
33:44plastic
33:45Turns
33:45Or
33:46Is there is
33:46Or
33:47Or
33:47vio
33:47The
33:47주� autom
33:48Are
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