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Vegan Progress
  • 2 days ago
An amnesiac man begins to think he may have lived a double life.

Director
Duccio Tessari
Writers
Roberto Infascelli(story)Bruno Di Geronimo(screenplay)Duccio Tessari(screenplay)

Stars

Senta Berger
Luc Merenda
Umberto Orsini
Transcript
00:00:00Music
00:00:12Music
00:00:22Music
00:00:26Come parti e si muovono di un enigma per immagini,
00:00:44prima e dopo si compongono, schemi che si sovrappongono,
00:00:59suoni vaghi che ritornano, oggi, ieri, non sai dirtelo,
00:01:10si appollano nella tua mente, passato, presente,
00:01:21e tu non sai più distinguere in un labirinto,
00:01:28di specchie parole, ti insegui perdendoti e vai, vai.
00:01:34Il dubbio ogni volta è di assurda,
00:01:41si muovono che guarda quello che tu fai,
00:01:48guidandoti un gioco di parti,
00:01:52in cui rappresenti la prossima vittima e vai, vai.
00:02:04Visi nuovi e posti insoliti che ti sembra di conoscere,
00:02:18gente, voci, ti contondono,
00:02:25hai fantasmi che ti seguono,
00:02:32e col giorno non scompaiono,
00:02:37sono degli altri, vita, morte,
00:02:42la paura non finisce mai.
00:02:47Visi nuovi e posti insoliti,
00:03:17ma non sapendo chi io sono.
00:03:19Non dovremmo pensare queste domande,
00:03:20non dovremmo pensare queste domande.
00:03:23Non posso pensare queste domande.
00:03:26È come,
00:03:27l'ultima prima volta che io ero in una clinica,
00:03:30l'ultima dove ho vosto in una clinica.
00:03:32È depresso.
00:03:33La humana mente è un misterio organ,
00:03:35e tu devi rilassare, non ti torceri,
00:03:37non ti torceri, non ti torceri,
00:03:38non ti torceri a rilassare a rilassare a rilassare a rilassare.
00:03:40E in un paio mesi oltre,
00:03:42tu ti ti rende totale ricorda di nuovo.
00:03:44Sure. Easier said than done.
00:03:47I get up every morning and I go to work and I eat and I sleep.
00:03:50But who am I, Doc?
00:03:51Who, who, who?
00:03:52The man who had a bad car accident.
00:03:55There must be something else.
00:03:56Don't I have at least a few friends, a family, somebody?
00:03:59Of course you have, Peter.
00:04:04Hi, Doc.
00:04:10Ted!
00:04:14Am I supposed to know this man, Doctor?
00:04:16Well, you should, yes.
00:04:18How do you do?
00:04:19Oh, it's me, Philip.
00:04:22What, don't you remember me?
00:04:30Before we talk of other things, who the hell am I?
00:04:34I'll tell you who you are.
00:04:35You're a dirty son of a double-crosser, a two-bit con artist who thinks he can pretend that he's lost his memory.
00:04:41Well, I'll get it back for you.
00:04:44No, hold it, hold on.
00:04:47Got it back already, have you?
00:04:50No.
00:04:52You may not believe me, but it's the truth.
00:04:54Look, tell me everything from the beginning, it might help.
00:04:56I don't believe you, but we'll do it your way.
00:05:00You say my name is Ted.
00:05:02I've got a passport that says my name is Peter Smith.
00:05:04Hmm, so you even had yourself a passport forged, did you?
00:05:08Where were you planning to go?
00:05:09Philip, I woke up over eight months ago in a clinic.
00:05:13And before that, before that, the past is a mystery.
00:05:17All right, buddy.
00:05:18Your name is Ted Walden, and you were born 30 years ago here in jolly old England at Brockhurst in Kent.
00:05:25You lived here on the continent and in New York.
00:05:28You got married two years ago to an American.
00:05:30Married?
00:05:31Are you sure about that?
00:05:34Yeah.
00:05:35Where's my wife then?
00:05:36In Portofino, Italy.
00:05:37Where you left her.
00:05:40Now then, buddy boy, you tell me where...
00:06:01We're just going to leave.
00:06:05Irwin Gilmore is a place.
00:06:07Drive me to the Father's inn.
00:06:09Bye.
00:06:09Bye.
00:06:104
00:06:10Bye.
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00:09:48He's only joking, darling. Now get in the car. No, I'll take a bus. I prefer it. Hey, come on. Get in
00:10:04Hurry up or you'll get left behind
00:10:18You know, Luca, I appreciate you letting me give your girl a ride home. She's not my girl, but she's not yours either. Oh, Luca, you little rascal. Around the rugged roads, the rugged rascal run.
00:10:44So one has to be rude to get a kiss from you, Sarah, huh? No, you have to be 10 years old.
00:10:49How about a song, Luca?
00:10:50Parole, parole, parole.
00:10:52Parole, parole, parole, parole.
00:11:15Thank you for the ride home, sir.
00:11:18You really are an angel.
00:11:19So have I earned a drink?
00:11:20Angels are incorrigible drunks, you know.
00:11:22I'm a teetotaling.
00:11:23The word is teetotaler, Professor.
00:11:27See you tomorrow, Luca.
00:11:28I know when I know on it.
00:11:32I think you'd better go on home, too.
00:11:34Why?
00:11:35Well, I've got some things to do around the house.
00:11:37I've heard that one before.
00:11:39All right, tomorrow at 10, but don't be late.
00:11:41I have some bone crunching to do, as your fiance calls it.
00:11:44At 10, then.
00:11:46You're not jealous of Luca, I hope.
00:11:48Do I have the right?
00:11:50Ciao, Reinhardt.
00:11:51Ciao, Sara.
00:12:04Sara, if you're afraid to be alone in the house, I could stay with you for a while.
00:12:09No, I'll be all right.
00:12:11Thanks.
00:12:12You live next door, so I can scream for help through the window if I need it.
00:12:17Good night, Luca.
00:12:21Nanna.
00:12:24Nanna.
00:12:25Luca, go and wash.
00:12:27We'll be eating in a minute.
00:12:28Okay.
00:12:29Okay.
00:12:29Okay.
00:12:30Okay.
00:12:31Okay.
00:12:31Okay.
00:12:31Whiskey, oh, sorry, baby.
00:12:59I forgot all about you, and you want to go out.
00:13:06Come on, then.
00:13:09Five minutes in the garden.
00:13:11There you go.
00:13:12I'll leave the door open.
00:13:29I'll leave the door open.
00:13:51Whiskey, I left the door open for you.
00:14:06Come on, then.
00:14:21I'll leave the door open for you.
00:14:40Whiskey, what are you doing under there?
00:14:53What's wrong, huh?
00:14:54You're behaving very badly tonight.
00:14:56You've had supper.
00:14:58What is it?
00:14:59You want a drink, hmm?
00:15:02All right.
00:15:03We'll go get a drink, hmm?
00:15:07I'll leave the door open for you.
00:15:23I'll leave the door open for you.
00:15:28I'll leave the door open for you.
00:15:39I'll leave the door open for you.
00:15:43I'll leave the door open for you.
00:15:47Whiskey.
00:16:08Whiskey.
00:16:21Oh, my God.
00:16:51Oh, my God.
00:17:22Did you check all the house, senora?
00:17:24Yes.
00:17:25Nothing's missing, not a thing.
00:17:26It's all just thrown around.
00:17:28Nothing was taken.
00:17:30Like a month ago.
00:17:32It seems to me somebody just likes to mess up your house for you.
00:17:35The only difference is I wasn't in last time.
00:17:38But you admit, left the door open, senora.
00:17:40Right, but I do that often.
00:17:42The strange thing about it is obviously another thing.
00:17:45So what do you call someone who sneaks in, attacks me, kicks the dog, and destroys the house?
00:17:50A gentleman?
00:17:50No, not really.
00:17:52I'll have the house watch for a while.
00:17:53I'll have the house.
00:18:03Ouch!
00:18:04Vittorio when you finish put this on the cover don't leave it on the table very
00:18:25good good morning John how are you fine only I sure hate this weather I've never
00:18:40known such a rainy man would you like a coffee love one how about seeing a film
00:18:44tonight that's a good idea what's showing I don't know we can find something we can
00:18:48go to Genoa if necessary all right that's elegant for using it for me yeah I'll
00:18:54take it thank you
00:19:11is a bad new setup no it's for my husband it's a bit surprising that's all oh what
00:19:20does he say he's coming back here to join me
00:19:26he's been away nearly a year disappeared in London and now this arriving today at
00:19:343 30 meet train if you can't dad you want to be there I suppose
00:19:39I feel confused Reinhardt I'm angry at him as well but I still want to see him and talk to him
00:19:56you once said you hoped you'd never see him again yes I know you're right only you know how a woman reacts
00:20:03when a man's left her and I realize I want to see him
00:20:10Reinhardt I'd rather be alone for this do you mind yeah be better
00:20:16ciao I get the very distinct impression that you're still in love with him
00:20:23oh
00:20:25oh
00:20:29oh
00:20:33oh
00:20:37oh
00:20:39oh
00:20:41oh
00:20:43oh
00:20:45oh
00:20:47oh
00:21:19Your wife's still standing at the top of the stairs.
00:21:41Sarah?
00:21:43I can't believe it.
00:21:44You simply look straight through me.
00:21:46I can explain, sir. Please listen.
00:21:47I have amnesia.
00:21:50I don't want to hear.
00:21:51I had a car accident.
00:21:52This is some kind of an excuse.
00:21:53Really, I've been ill for months.
00:21:54I can explain. Can we go somewhere quiet?
00:21:58We'll go to my house.
00:21:59You said a car accident.
00:22:01That's right.
00:22:01It's nice to find I have such a beautiful wife.
00:22:18And that's how they found me.
00:22:19In the wreckage of the car.
00:22:21It was rented in the name of Peter Smith.
00:22:24My name.
00:22:25At least that's what it says in the passport.
00:22:27The police did a lot of research, but they couldn't come up with anything.
00:22:32Peter Smith.
00:22:33Stateless.
00:22:33No parents.
00:22:34No friends.
00:22:34And that's all I really know.
00:22:35Well, to start with, your name's Edward Walden.
00:22:39Ted to your friends.
00:22:41We met in New York a year and a half ago at the Guggenheim.
00:22:45And we both fell for each other.
00:22:47Love at first sight.
00:22:48You mean anything?
00:22:51No.
00:22:52A week after we met, we flew off to London and got married there.
00:22:57But in London, I...
00:22:58We didn't see very much of each other.
00:23:01I spent all day alone in the hotel while you were off somewhere working.
00:23:05What kind of work was I doing?
00:23:08I don't know.
00:23:09You never told me about what you were doing.
00:23:10It was secret.
00:23:12I only know...
00:23:13Well, you appeared to have a lot of interest in antiques.
00:23:17Nothing more?
00:23:19Nothing more.
00:23:20A month later, I came here to Portofino knowing that within a week or so, you'd join me.
00:23:25We'd arranged with Peggy Cole to rent her house for a couple of years.
00:23:30Ted, you knew Peggy.
00:23:31She's an old friend of mine, remember?
00:23:33You met her in London.
00:23:35You just disappeared then.
00:23:37Flew into the sunset.
00:23:40I never heard anything more of you.
00:23:42But who am I?
00:23:43And what am I?
00:23:45A dirty, rotten bastard.
00:23:47Well, everyone seems to agree on that.
00:23:59Drondo.
00:24:02Ciao, Reinhard.
00:24:03Yes, fine, thanks.
00:24:06Yes.
00:24:10All right.
00:24:11Good night.
00:24:14Yes, and thanks, Reinhard.
00:24:15Don't worry about him.
00:24:22He's just a friend.
00:24:23I teach swimming now, and he's a doctor at the sports center.
00:24:25Quite a few people have called me a dirty, rotten bastard.
00:24:30Is that how I was in this photo?
00:24:31No, but that was taken only three days after our marriage.
00:24:34Then, why did you leave it out?
00:24:37Loneliness is no fun.
00:24:43Are you telling me?
00:24:46You knew where I was.
00:24:48Why did you take so long before sending me this telegram?
00:24:51What telegram?
00:24:56It wasn't me who sent you this.
00:25:00I should get away from here then, immediately.
00:25:03Why?
00:25:05Because this means they've arranged our meeting.
00:25:08And whoever they are, they're killers.
00:25:12So, you see, it's really safer for both of us to separate again.
00:25:16No, stay here.
00:25:17I'd be frightened alone.
00:25:25There's a spare room upstairs where you could sleep, Ted, and you're welcome to use that, but at least until...
00:25:29Until?
00:25:32Maybe I never will get better again.
00:25:36You know what my doctor said?
00:25:39That it's me who doesn't, doesn't want to remember anything.
00:25:44Of course, I've tried.
00:25:45But it's useless, Sarah.
00:25:47And the more I try, the worse it gets.
00:25:49Or at least, no better.
00:25:52The doctor says I'm scared.
00:25:54Scared of what I'd remember.
00:25:56You remember something.
00:26:13Ted, what is it?
00:26:15Does it have to do with the clock?
00:26:16I don't know.
00:26:17I don't know.
00:26:21Could be.
00:26:23I had an impression of something.
00:26:27Then the image just faded.
00:26:29You bought it for me in London as a wedding gift.
00:26:35It was so expensive and I thought you were totally crazy.
00:26:38But you insisted on getting it.
00:26:42You said that it was a symbol of good fortune.
00:26:46That it would keep our love secure for always.
00:26:48I guess I was wrong.
00:26:53I'm not so sure.
00:26:55We might try beginning at the top.
00:26:58Really?
00:26:59Is that what you want?
00:27:02All right.
00:27:02As from tomorrow, I begin courting you.
00:27:04And I'll sweep you off your feet again like I did in New York.
00:27:07All right?
00:27:08You want a drink?
00:27:10Yes.
00:27:10Give me some port.
00:27:11Port?
00:27:13I should have known what to give you, right?
00:27:16No.
00:27:17Up until the time you disappeared, I never drank.
00:27:19Then the loneliness got to me and I began to drink a little port.
00:27:22Every now and then.
00:27:25Here.
00:27:27Ted, listen.
00:27:28I truly, truly want to, well, believe your story.
00:27:33But I'm a dirty, rotten bastard.
00:27:37And I might be pretending I've lost my memory.
00:27:41Is that why you want me to stay here?
00:27:42To keep an eye on me?
00:27:43To find out if I'm lying?
00:27:45My God, no.
00:27:46No.
00:27:47I asked you to stay here because I really want us to, well, I...
00:27:51Oh, you shouldn't have to ask such questions.
00:28:03This is whiskey.
00:28:06And he's my best friend.
00:28:10Fella, you put on a bit of weight.
00:28:12All right.
00:28:13Off you go.
00:28:15The trouble is they eat too much pasta.
00:28:17The trouble is that I love pasta.
00:28:19Well, take care.
00:28:20Once it's on, it's very difficult to take it off.
00:28:22It's very difficult to take it off.
00:28:23It's very difficult to take it off.
00:28:24It's very difficult to take it off.
00:28:25It's very difficult to take it off.
00:28:26It's very difficult to take it off.
00:28:27It's very difficult to take it off.
00:28:28It's very difficult to take it off.
00:28:29It's very difficult to take it off.
00:28:30It's very difficult to take it off.
00:28:31It's very difficult to take it off.
00:28:32It's very difficult to take it off.
00:28:33It's very difficult to take it off.
00:28:34It's very difficult to take it off.
00:28:35It's very difficult to take it off.
00:28:36It's very difficult to take it off.
00:28:37It's very difficult to take it off.
00:28:38It's very difficult to take it off.
00:28:39It's very difficult to take it off.
00:28:40It's very difficult to take it off.
00:28:41It's very difficult to take it off.
00:28:42Have you two met each other yet?
00:29:01Nice to meet you.
00:29:03Sarah's talked a lot about you.
00:29:04Nothing bad, I hope.
00:29:07That's right, I...
00:29:09I know, you ran on the train yesterday afternoon, right?
00:29:11That's right, yes, who are you?
00:29:13You mean Sarah doesn't talk about me?
00:29:15I'm Luca.
00:29:15Oh, now, Sarah, you didn't tell me about Luca.
00:29:18Can I take whiskey for a walk?
00:29:20Yes, he'd like that, but don't let him run too much, will you?
00:29:25Well, now.
00:29:25Hey, aren't you going to get dressed?
00:29:27Yes, of course.
00:29:28I won't take a minute.
00:29:29Tell my wife I'll wait for her outside.
00:29:42I won't take a marathon.
00:30:29Still the same old violent Ted.
00:30:35Why are you following me?
00:30:36Still playing that game.
00:30:42I'm George.
00:30:44You can stick your hand in your pocket until you've answered my question.
00:30:47We were real good buddies once.
00:30:49Before you went and lost your memory.
00:30:52That's the point.
00:30:54It's the truth, George.
00:30:55That's why I've got to ask questions.
00:30:59Was it you who arranged for me to come here?
00:31:01I guess you could say that.
00:31:02Look, Ted.
00:31:04Quit playing the amnesia act.
00:31:05You'll go better for both of us if we make a deal.
00:31:09You've given me half an answer.
00:31:11Try not to be so vague about it.
00:31:15Look, Ted.
00:31:16Philip didn't go for the story of your amnesia.
00:31:19He believed you were just a bastard trying to screw us.
00:31:22And what do you think?
00:31:24I'm inclined to believe you're a bastard who, having already screwed us, bashed his head.
00:31:28And can no longer remember how it was he screwed us.
00:31:31But Philip didn't agree.
00:31:33And you murdered the man for this?
00:31:35I was saving your life, buddy.
00:31:36Thanks a million.
00:31:41It's beginning to make sense.
00:31:42He could have killed you.
00:31:43You're saying that...
00:31:44After he got the information.
00:31:44I was once a part of your group.
00:31:46Yeah, you sure were.
00:31:48You were the key to the whole operation.
00:31:50And we ain't gonna let you get away with it.
00:31:52Get away with what?
00:31:53One million dollars, Ted.
00:31:57And it's up to me to collect it or I'm a dead duck.
00:32:00Listen, if you're telling the truth,
00:32:03then I want to know all of it.
00:32:05Details, everything.
00:32:07The whole story.
00:32:08It is the truth.
00:32:09And I'll tell you the whole story soon.
00:32:11Oh, look, you better have this.
00:32:21I'd burn the other one if I were you.
00:32:23Peter Smith left a corpse in London.
00:32:26Ah, so it was you who sent me that false passport.
00:32:29Oh, no.
00:32:30You had that one made to double cross us.
00:32:33Ted!
00:32:36Ted!
00:32:36Run along.
00:32:37See if your lovely wife can help.
00:32:39I'll kill you if you even try to bring Sarah into this.
00:32:41Well, that's a good start.
00:32:42You're getting back into character again.
00:32:47Ted, what happened?
00:32:49I've been waiting a quarter of an hour.
00:32:50I'm sorry, darling.
00:32:52Well, where were you?
00:32:53I went for a walk and got lost.
00:32:59Whiskey.
00:33:17Whiskey.
00:33:17Whiskey.
00:33:21Whiskey.
00:33:21Whiskey!
00:33:27Whiskey!
00:33:29Whiskey!
00:33:31Whiskey!
00:33:51Whiskey!
00:34:13Whiskey!
00:34:15Whiskey!
00:34:17Where are you?
00:34:21Whiskey!
00:34:33This is the most beautiful place in the world.
00:34:35We talked about it all the time, remember?
00:34:39Remember?
00:34:41Of course you don't.
00:34:43Even more beautiful
00:34:45is that we're here together.
00:34:47It wouldn't matter where we were.
00:34:49What's important
00:34:51is being with you.
00:34:53Being together again
00:34:55is a completely new experience.
00:34:57It's difficult to explain but
00:34:59well your face is the face of the man I love.
00:35:01You have his body, his hands
00:35:03but it's only a shell
00:35:05that covers someone I don't really know
00:35:07a new personality.
00:35:09Do you like him?
00:35:11Let's say I don't dislike him.
00:35:19No, not yet, Ted.
00:35:21I'm sorry.
00:35:23That was stupid of me.
00:35:25I forgot that you probably have a romantic attachment here
00:35:27and I guess it's natural enough.
00:35:29Who are you thinking of, Reinhardt?
00:35:31Well, it's nearly a year that you haven't shown
00:35:33the slightest concern for me.
00:35:35It's a bit unfair of you.
00:35:37There's no one else, Ted.
00:35:39No one to worry about.
00:35:41I admit I've gone around with Reinhardt for months.
00:35:43But he's a friend, that's all.
00:35:45A good friend and I needed him.
00:35:47I'm glad that you haven't been alone.
00:35:49But maybe now that I'm here
00:35:51you won't need anybody else but me.
00:35:55I want you to get well.
00:35:57Start remembering again.
00:35:59But I want you to stay as you are.
00:36:03As the person you are now.
00:36:05You've got to admit that Sonali plays a very good game.
00:36:08Whiskey!
00:36:09And sometimes Priya.
00:36:10Si, but he is a prima donna.
00:36:11So what?
00:36:12He may be a prima donna, but he's coarse.
00:36:14And that's the main thing.
00:36:15Hey, Luca, where are you off to?
00:36:17I've lost whiskey.
00:36:18Well, don't worry.
00:36:19Maybe he went home by himself.
00:36:20I know, but he may have been run over by a car.
00:36:23Hey, calm down, Luca.
00:36:24It was just an idea.
00:36:25Best on what evidence.
00:36:26Ah, very smart.
00:36:27All right, Luca.
00:36:28Let's go look for him.
00:36:57Ar publishers.
00:36:58Yeah.
00:36:59Yes, it is.
00:37:00Who, Ty, do you think.
00:37:01What are you thinking?
00:37:02Okay.
00:37:03Who, Ty, do you, do you think.
00:37:05What are you thinking?
00:37:06Hey, I see a heart behind you.
00:37:07You must be thinking.
00:37:09So how is a heart?
00:37:11Look what are you feeling of?
00:37:12And your heart will be.
00:37:13All right, pull.
00:37:14What are you thinking?
00:37:15Why are you thinking?
00:37:16When are you thinking?
00:37:17That's right.
00:37:18I think it's kind of you muchísimo.
00:37:19Yeah.
00:37:20For us.
00:37:21It's my heart.
00:37:22Please do you anything.
00:37:23I can tell you everything.
00:37:24Why are you good?
00:37:25I'm afraid of everyone.
00:37:26I want to really jig Yes.
00:37:27Sarah, what is it?
00:37:53Oh, Dad, I killed whiskey.
00:38:23My God, Dad, why would anyone want to murder a little animal like whiskey?
00:38:43I don't know what came over me.
00:39:08I expect it was all that blood.
00:39:10I don't think it was that.
00:39:16What was it you remembered?
00:39:18What was it?
00:39:20Nothing.
00:39:21I got a cramp.
00:39:22I react to blood that way.
00:39:23If you don't trust me, we shouldn't be together, Ted.
00:39:26I think I saw a killing.
00:39:29What do you mean, a killing?
00:39:33I got this image.
00:39:34I was watching a man's throat being cut.
00:39:39Sarah!
00:39:47Sarah!
00:39:48May I come in?
00:39:49Signora Luca is worried.
00:39:50Whiskey disappeared.
00:39:52Somebody killed him, Sergeant.
00:39:54Cosa?
00:39:55He's upstairs on the bed.
00:39:57No, Luca.
00:39:58You stay down here.
00:39:59He ran away.
00:40:02It wasn't my fault.
00:40:03My husband, Sergeant.
00:40:04How do you do?
00:40:05Pleasure.
00:40:06You're not to worry about it.
00:40:07It wasn't your fault, Luca.
00:40:09A crazy person did it.
00:40:10Well, call me if I can help, but I want you, Sarah.
00:40:14You're already being a help, Luca, just by being a good friend.
00:40:17All I can tell you, Signora, is that they cut his truth with a very sharp instrument, most probably a razor.
00:40:27It has to be the work of a sadist or a madman, I think.
00:40:31No one in their right mind would do a thing like that.
00:40:33Do you want me to dispose of the body?
00:40:36No.
00:40:37I'd rather bury him in the garden.
00:40:42Poor Whiskey.
00:40:43You're such a sweet dog.
00:40:48Always trusting and friendly.
00:40:51They're getting at me through you.
00:40:53That's why they killed him.
00:40:56I warned him not to do it.
00:41:00Well, now the bastard will pay.
00:41:09Ted!
00:41:10Ted!
00:41:11Stay in the house.
00:41:13Stay in the house.
00:41:43Stay in the house.
00:41:44Stay in the house.
00:41:45Stay in the house.
00:41:46Stay in the house.
00:41:47Stay in the house.
00:41:48Stay in the house.
00:41:49Stay in the house.
00:41:50Stay in the house.
00:41:51Stay in the house.
00:41:52Stay in the house.
00:41:53Stay in the house.
00:41:54Stay in the house.
00:41:55Stay in the house.
00:41:56Stay in the house.
00:41:57Stay in the house.
00:41:58Stay in the house.
00:41:59Stay in the house.
00:42:00Stay in the house.
00:42:01Stay in the house.
00:42:02Stay in the house.
00:42:03Stay in the house.
00:42:04Stay in the house.
00:42:05Stay in the house.
00:42:06Stay in the house.
00:42:07Stay in the house.
00:42:08Stay in the house.
00:42:09Stay in the house.
00:42:10Stay in the house.
00:42:11Stay in the house.
00:42:12Ted!
00:42:33Hello, sweetheart.
00:42:38Who the hell are you?
00:42:42Who the hell are you?
00:43:04Take it easy, baby doll. I'm a friend of your husband's.
00:43:07Get out. Pearl starts screaming. I mean it.
00:43:09Why? I just came by to visit for a while. That's all.
00:43:13You see, I want to help Ted.
00:43:15Why?
00:43:16Well, it's like this.
00:43:17If he doesn't get any help,
00:43:19then he'll be dead one week from this evening.
00:43:22He and I are together.
00:43:24And if you're going to be killed,
00:43:26a week becomes the equivalent of half a minute.
00:43:29What do you mean?
00:43:31Somebody's going to kill Ted?
00:43:32Ah, no, no, no.
00:43:33No yelling or poof. I'll go.
00:43:36No, don't go. Please.
00:43:37I won't yell again.
00:43:39Tell me about it, will you?
00:43:40Fair enough.
00:43:42Ted has to pay off the debt.
00:43:45Directly to me.
00:43:48And if he doesn't pay me,
00:43:50then I can't pay the others.
00:43:51These others have been very patient
00:43:55and waited eight months already.
00:43:57And now they've run out of patience.
00:43:59You want money?
00:44:01You should have said so earlier.
00:44:07How much does he owe you?
00:44:10A million dollars.
00:44:14Now, how on earth could Ted ever come up
00:44:16with a million dollars?
00:44:19Here, in his head.
00:44:22It's all in his head.
00:44:25Now, he says he can't remember.
00:44:27Whether it's true or not isn't important at all.
00:44:31What is important
00:44:32is that he gives me the cash
00:44:35or the merchandise
00:44:37or tells me where he's hidden it, at least.
00:44:40His memories are blank. It's true.
00:44:43He really is very ill.
00:44:44He didn't recognize me
00:44:46even when he came here.
00:44:47Well, if he's ill,
00:44:48he's got seven days to get better again.
00:44:52I wanted to tell you
00:44:54exactly how things were
00:44:55in the hope that you can help him
00:44:57to get back to normal.
00:44:59Help him to remember
00:44:59what he's forgotten.
00:45:01Help him stay alive.
00:45:05Because I warned you, Sarah.
00:45:14I wanted to tell you who
00:45:15or maybe him.
00:45:16I was missing him.
00:45:17The sovereign is to think about
00:45:18the world's highest
00:45:19and the world does not enter.
00:45:19Just to know if he wanted to
00:45:20and eventually move
00:45:21to his side.
00:45:22The sovereign is to leave
00:45:22and the third is to leave
00:45:23but there's not been
00:45:24there's nothing to do on the field.
00:45:24And now,
00:45:26all right,
00:45:26and it's to have his best
00:45:27and he wants to leave
00:45:28and he wants to leave
00:45:29and he wants him
00:45:30to thank him
00:45:31and he wants to leave
00:45:32and he wants to leave
00:45:33and to him
00:45:34and he wants to come
00:45:35to leave
00:45:36and have his wife
00:45:36and him
00:45:37and he wants
00:45:38to leave
00:45:40and he wants
00:45:41and we can't
00:45:42to leave
00:45:42Before they killed me,
00:46:12I'll cut his throat and yours.
00:46:17The same as my dog.
00:46:22Don't tag me with that one, honey.
00:46:24I don't kill dogs. My hassle is with two-legged animals.
00:46:28Our mutual friend says there's at least one thing you should remember. New York.
00:46:45New York?
00:46:46Mm-hmm.
00:46:47Ah, yes. It's in America, isn't it?
00:46:49Two names and an address in New York.
00:46:53I just can't remember.
00:46:58You've got to try, please.
00:47:00Who's this mutual friend?
00:47:01If I end up telling you everything, what's the point?
00:47:04Nothing, I guess. But who knows?
00:47:06It might be helpful to have a few of the answers.
00:47:10My job is just to give you a message.
00:47:12Think about New York.
00:47:16I saw this man I know, but I never did find him.
00:47:35I saw this man I know, but I never did find him.
00:47:39Why have you been so long?
00:47:41I chased him as far as the port and he disappeared, so I searched around.
00:47:44Who was it?
00:47:45The fellow who got me over here.
00:47:47One who was at the station.
00:47:49One who says his name's George.
00:47:51What does he want from you?
00:47:53Beyond me.
00:47:54Something to do with my past, probably.
00:47:57Why don't we know?
00:47:59I don't know.
00:48:00I don't know.
00:48:01I don't know.
00:48:02I don't know.
00:48:03I don't know.
00:48:04I don't know.
00:48:05I don't know.
00:48:06Why don't we go away from here?
00:48:14To New York, for example?
00:48:16Yes, or London.
00:48:18Any city with a few million people to hide in.
00:48:36No, no, no, please, Ted, I can't.
00:48:56Or else?
00:48:56I don't know.
00:48:58No, no.
00:48:59I don't know.
00:49:00I don't know.
00:49:03We're all over here.
00:52:38Was it really necessary to kill him?
00:53:05That's a silly question where a million dollars is involved.
00:53:08You had the right idea, Sarah.
00:53:14We've got to get out of here.
00:53:19Yes, good.
00:53:22Try this, Aldano, now.
00:53:26And when are you leaving?
00:53:29A couple of days.
00:53:31Why butter?
00:53:33Well, Ted has to leave.
00:53:34And a woman goes where her husband goes, Luca.
00:53:37Bullshit.
00:53:37Hey, now, let's try to be a little pleasant.
00:53:39What language, Luca?
00:53:44And have you made any plans for tomorrow in the afternoon?
00:53:48Nothing in particular.
00:53:49Have you, Sarah?
00:53:50Well, I'll go to the pool.
00:53:51That way I can say goodbye to everyone.
00:53:52Excuse me, sir.
00:53:53There is a man at the bar who wishes to speak with you.
00:53:55I'll be back in a second.
00:53:57I hope.
00:54:08Mr. Adam, I don't understand.
00:54:10He said he was going to wait here.
00:54:11Who?
00:54:12The senor dressed in blue.
00:54:13Si.
00:54:13He went into the toilet.
00:54:15You're welcome.
00:54:16What happened to bring us up?
00:54:22Ted has to leave, that's all.
00:54:26For how long?
00:54:27I don't know.
00:54:41You should understand by now.
00:54:42She's in love with her husband.
00:54:44No?
00:54:45You stay out of this.
00:54:46I just thought maybe you didn't understand.
00:54:55Where are you going?
00:54:57To America.
00:54:59Probably New York.
00:55:00But we haven't decided.
00:55:09Let's quit kidding around.
00:55:11This stuff.
00:55:13Where is it, buddy?
00:55:14What stuff?
00:55:15I don't want to hear any more of your smart wisecracks.
00:55:19Or I'll put a slug in your amnesia.
00:55:21My patience is stretched as far as it'll go.
00:55:24If you'd left the stuff hidden anywhere in London,
00:55:27you wouldn't have come here,
00:55:28not even if you'd received a telegram
00:55:30from the President of the Republic.
00:55:31Right.
00:55:32So that means the stuff's here.
00:55:34And to bring it over here,
00:55:35there's only one person you would have trusted it with.
00:55:37Only one.
00:55:38Your wife, Ted.
00:55:40Now, who gets it first, your wife or you, buddy?
00:55:43Let's recap a minute.
00:55:45You say I've hidden this stuff
00:55:47worth a million dollars.
00:55:48Exactly what is it, George?
00:55:51A string of sausages full of pure heroin.
00:55:53Oh.
00:55:54Fifteen pounds of hard merchandise
00:55:56that'll fetch us at least a million in New York.
00:55:58That much, huh?
00:55:59So what happened?
00:56:00All the usual mess.
00:56:01They couldn't make a decision,
00:56:03but I guess it'll work out.
00:56:04Morning.
00:56:05Morning.
00:56:05And to influence them?
00:56:07Influence that badge?
00:56:08Not a hope.
00:56:09And besides, it's not that important to me.
00:56:10So why should I waste my time?
00:56:13This is terrible news, Sarah.
00:56:15It was a very sudden decision.
00:56:17It was quite a shock even for me.
00:56:18I'm sorry.
00:56:19Such a pity.
00:56:20You got on so well with the children.
00:56:21They all love you.
00:56:23Oh, please.
00:56:24Would you say goodbye to them for me?
00:56:25I hate pardons.
00:56:28Reinhardt, hi.
00:56:29I came by as usual to pick you up.
00:56:31Could be the last time.
00:56:32Who knows?
00:56:32I'll be ready in a minute.
00:56:35Fine.
00:56:46Was I very long?
00:56:48Ah.
00:56:49No time at all.
00:56:52The Guinness Book of Records may even accept it.
00:56:57I parked in the piazza.
00:56:58Listen, I don't want to lose contact with you.
00:57:00Will you send me your address in America?
00:57:01Sure.
00:57:01As soon as we're through moving around.
00:57:08Darn it.
00:57:09Have you got any cigarettes with you?
00:57:11No, I hardly ever carry them.
00:57:12Why don't you check in your bag?
00:57:13I know I don't.
00:57:14Well, I'll have to go get some.
00:57:15Do you mind waiting while I...
00:57:16Sarah!
00:57:20Oh, God.
00:57:21Don't move, Sarah.
00:57:22Just lie, Sarah.
00:57:22What the hell are you doing?
00:57:23Don't touch her.
00:57:24I backed up, but I didn't see anyone.
00:57:26What do you mean you didn't see anyone?
00:57:28We're not invisible.
00:57:28Take me, Sarah.
00:57:30No, no, don't worry.
00:57:31I'm a doctor.
00:57:31Just help me up with that.
00:57:33Give us a hand, will you?
00:57:33Sure.
00:57:34Anything I do.
00:57:35If you want to use my car, it's not too bad.
00:57:39All right, Sarah?
00:57:40I'm going to go, please.
00:57:40Of course.
00:57:41But it's pretty painful, I must admit.
00:57:44All right.
00:57:45Come on.
00:57:46In you go.
00:57:46There we are, Sarah.
00:57:48Sit down first.
00:57:49Here, Sarah.
00:57:50Thank you very much.
00:57:53Well?
00:57:53Here are my insurance details.
00:57:54I'm sorry about all this.
00:57:55I'm going to put in a full report.
00:57:57Now move your car, please.
00:58:00Clean break of the tibia, dislocated kneecap.
00:58:03Well, it could have been worse, much worse.
00:58:05Right.
00:58:06And on the other hand, it could have been better.
00:58:08Ah, well, it depends on how you look at it.
00:58:10I feel we're lucky.
00:58:10I've seen the most terrible fractures caused by a simple fall.
00:58:13The main thing now is, when are we going to be able to think about traveling?
00:58:16Oh, I think if you give the cast a couple of days to harden, and of course take it easy,
00:58:21you'll be able to leave.
00:58:22Two more days.
00:58:23Precious and all.
00:58:25And that American girl, the one who was driving, what do we do about her?
00:58:28Ah, yes.
00:58:29Well, I've got all the insurance details, and I've got friends in the business who will take care,
00:58:32but you won't even have to talk to her.
00:58:34I just can't imagine what we'd have done without you, Reinhard.
00:58:37You would have found another bone cruncher, 2 plus a year.
00:58:40Hey, let's have a little respect around here, young man.
00:58:42You want some more, darling?
00:58:43No, thank you.
00:58:44It's already gone to my head.
00:58:46You're not going anywhere.
00:58:47You can get as drunk as you like.
00:58:50Hello, Di insurance?
00:58:52Hmm.
00:58:52Manager, please.
00:58:54Yeah.
00:58:55Nice to have a leg.
00:58:56Sure, it's a leg.
00:59:01No, those are just painkillers.
00:59:03Not more than three a day, right?
00:59:05The other things are vitamins and calcium to help the bone.
00:59:08Let's hope we can get the same stuff in the state.
00:59:10Have a great effort, and I'll give you a lot.
00:59:11Can I come with you?
00:59:12Yeah, sure, Luca.
00:59:13Your chemist isn't too interesting.
00:59:15What's a chemist?
00:59:16Pharmacy.
00:59:27Ted?
00:59:29You didn't take any money along, did you?
00:59:31I bet.
00:59:33You bet wrong.
00:59:36Ted isn't here right now.
00:59:37Oh, I know.
00:59:41That's a beauty, ain't it?
00:59:44Tough luck, just when the two of you were planning to run off.
00:59:48If you made it, you might have lived a little longer, I guess.
00:59:50Now you're right back where you were with five days left.
00:59:55Just five short...
00:59:56Five short days spent sitting right here.
01:00:04Look, my husband's never stolen anything from anyone.
01:00:07He's just a victim.
01:00:07A victim of this whole rotten affair.
01:00:09Don't you realize he'd tell you what you want to know if he could?
01:00:12You'll get around to it.
01:00:13Be careful.
01:00:14No, please.
01:00:14What...
01:00:15What are you doing?
01:00:15You're mad.
01:00:16Better in the next five days.
01:00:18Because if he doesn't, as I told you, I'll cut both your throats.
01:00:23Stop it.
01:00:24No more.
01:00:25Please.
01:00:25What I want looks like a big string of sausage.
01:00:28Don't.
01:00:29Please.
01:00:29A big string of white sausage.
01:00:32Oh, please.
01:00:33Oh, God, no more.
01:00:35No.
01:00:35When I said I'm going to kill you in five days, I meant it.
01:00:39This is just the beginning.
01:00:41I want you to die.
01:00:43Little by little.
01:00:44Please.
01:00:45Please.
01:00:46No more.
01:00:47No more.
01:00:47Enjoy the little game, isn't it?
01:00:49I saw it in the film once.
01:00:50Very effective.
01:00:55Oh, uh...
01:00:57Tell Ted I want to see him tomorrow.
01:00:59At that villa across the bay.
01:01:01At noon with the stuff.
01:01:05Yeah, in rugby you pass like this.
01:01:16So now you know.
01:01:18See you tomorrow, Luca.
01:01:20And thanks for the company.
01:01:21Good night, Herr.
01:01:22Are you going to make dinner this evening?
01:01:24Well, suppose I'll have to.
01:01:25Ciao.
01:01:26Ciao.
01:01:33You scared me for a second.
01:01:35Nonna.
01:01:42Sarah.
01:01:43Ted.
01:01:48What's wrong?
01:01:51He was here again.
01:01:52Who was here again?
01:01:53The one who says his name's George.
01:01:56He was here the other day.
01:01:57What do you mean, he was here before?
01:01:59Why didn't you tell me?
01:02:00I don't know, Ted.
01:02:01I don't know why I didn't.
01:02:02He wanted to talk to see if I could find out anything.
01:02:05To ask you questions.
01:02:06It was quite nice that day.
01:02:08Then he came back today because he heard we were leaving.
01:02:12Tomorrow he wants you to come to the abandoned old villa across the bay.
01:02:16To be there at noon.
01:02:17And to bring along the stuff.
01:02:18How can I?
01:02:20Even if you can, you mustn't go.
01:02:21He'll kill you.
01:02:22I know he will.
01:02:22He's mad, Ted.
01:02:24Apart from that, the villa can be reached only by the one road.
01:02:27So he'll be able to see you long before you get there and ambush you.
01:02:31Come off it, Sarah.
01:02:32I'll be all right.
01:02:33I may have lost my memory, but I'm not stupid, darling.
01:02:37And I'm not as scared of George as he is of me, you know.
01:02:40It's just a bluff.
01:02:41It's a put-on.
01:02:43Look, if he's convinced I know where the stuff is, he won't kill me, you know.
01:02:46What would be the point?
01:02:47He'd enjoy it.
01:02:48Besides, he's already threatened to kill us if you don't give him the drugs.
01:02:59How do you plan to get the stuff out?
01:03:01Your suggestion yesterday was perfect.
01:03:07I got all your medicines, so you should stop taking-
01:03:09You must remember where you've hidden it.
01:03:13Oh, I'm sorry, but...
01:03:23Sorry for what?
01:03:27I didn't want you to be involved in this in any way.
01:03:31You've already been brought into it, and I'm sorry about that.
01:03:35Something I've got to do alone.
01:03:38Just be careful.
01:03:39He's not fooling around, Ted.
01:03:43I know, Lord.
01:03:43I know.
01:03:45Before the tip of that, I'll see you next time.
01:03:45I'm sorry, Lord.
01:03:58It's a little bit so he's not allowed to finish.
01:05:36How Luca how are you? I'm very fine. I'm sorry. I made you get up. Oh, don't worry. It's good exercise for the rest of me
01:05:49Anyway, my leg doesn't hurt anymore. That's good
01:05:52Give me that blanket. Would you Luca? Yeah, sure
01:05:57Yeah, thank you
01:05:59What's that? My photographs your work, huh? Would you like to see? Yes, I sure would
01:06:06Let's see
01:06:09Where are they?
01:06:10Huh? It's upside down. Ah, here we are. Oh
01:06:15That's a very pretty one
01:06:17Hmm, I'm really surprised
01:06:21You're very good Luca. I don't know if you're taking those. It's better to make pictures when people don't know it
01:06:28But why have you only got photographs of me? Later on there are other people. There's Reiner too, so I can no longer say I'm always jealous
01:06:36And anyway, I don't think I'll miss you like I will when you go away
01:06:40Oh, really? What makes you think that? You see this picture? Otherwise, I won't say anything. It's picture of him and a girl
01:06:47A blonde girl
01:06:50I say she looks American
01:06:52When did you take this? The other day. Remember we were late lunch in a restaurant
01:07:02Was it before I had the accident? Yes, while you were swimming I took it and then he went along to meet you
01:07:20I'm right on time George
01:07:21I don't agree Ted you're eight months late
01:07:25Put it back
01:07:32Well, where's the stuff I?
01:07:36Tried to think George, but all I get is a blank. You're never gonna get away with it Ted
01:07:42You ain't gonna leave me in a pile of shit
01:07:43I think that crazy story you told me that you lost your memory is bull
01:07:47But even if you weren't lying you forget about one thing if I gotta die then first of all I'm gonna kill you and that whore of a wife of yours
01:08:17Yeah
01:08:31This is where I give you yours Ted
01:08:34The thing is he had to have a reason for not letting on that they knew each other rather strange
01:08:39I
01:08:39Mean what they have to go through that act as if they'd never seen each other
01:08:44It shouldn't but it worries me a bit
01:08:47I
01:08:49Hello, is this a sigh insurance
01:08:52This is Sarah Walden. I was knocked down two days ago a car a young lady. She was carrying your insurance
01:09:01Mary Kane just a moment
01:09:05What do you think is wrong I
01:09:08Am very sorry, but we have no Mary Kane listed
01:09:12But that's impossible really
01:09:14Listen a dr. Langer went to your office yesterday
01:09:18The x-rays of my leg for verification and a declaration signed by the other signiora
01:09:25But he telephoned you in front of telephones you in front of me
01:09:29Thank you
01:09:31You want a couple more minutes to say a prayer Teddy I?
01:09:44Swear to you George if I really knew where I put that heroin
01:09:49It'll be here now
01:09:51But I can't remember
01:09:53Then I've got to kill you
01:09:55Back up
01:10:00Go on
01:10:01Go on
01:10:16Come on then kill me go ahead you need help to pull a trigger just get up on the wall
01:10:21By killing you Ted it's myself that I'm killing
01:10:32But before they bury me I'm gonna kill your wife
01:10:51I'm gonna get a doctor to get it off because Luca I don't want anyone
01:11:21It's touching it. I may be wrong, but then I may not be
01:11:31Damn, what's the matter?
01:11:43Rest well Ted
01:11:46But who are you? I'm a mutual friend now that you've killed George we can go to New York together
01:11:51I have the stuff and you have the name of the buyer so we can split 50-50 as agreed
01:11:56All right, all right
01:11:58But in that case let me loose
01:12:00Patience Ted patience
01:12:01You've just killed a man and you say you've lost your memory
01:12:04I don't want to run any risks
01:12:06That doesn't mean a thing
01:12:08Nobody saw me
01:12:10Besides it was self-defense
01:12:11And that's for
01:12:15Remembering
01:12:16I'll remember if I have to
01:12:18You always were a clever son of a bitch
01:12:20So tell me if you can remember who am I?
01:12:23Tell me my name and I'll untie you
01:12:25Your name is that of a killer
01:12:27Isn't that right?
01:12:28That's right
01:12:29But you don't know it
01:12:30So I'll come back later and we'll see how your memory is doing then
01:12:33I'm sorry
01:12:34see you
01:12:36Oh
01:12:38oh
01:12:38Oh
01:12:43oh
01:12:44Oh
01:12:47Oh
01:12:50Oh
01:12:55Oh
01:12:55Oh
01:12:56Oh
01:12:57Oh
01:12:57Oh
01:12:58Oh
01:12:59Oh
01:12:59Oh
01:13:00Oh
01:13:00Oh
01:13:00Oh
01:13:01Oh
01:13:02Oh
01:13:02Oh
01:13:33You catch yourself.
01:13:40It's nothing, Luca.
01:13:41I'll fix it.
01:13:45Where's the alcohol?
01:13:46In the kitchen, I think.
01:13:47The right-hand cupboard.
01:14:33to get the stuff out. Your suggestion yesterday was perfect. And then...
01:14:40Sara can bring it over via Italy. My leg wasn't ever broken.
01:14:59What's that?
01:15:03The face of this clock is a perfect hiding place.
01:15:21The face of this clock is a perfect hiding place.
01:15:26Don't worry, I'll make the pickup when she arrives in Italy.
01:15:29What happens if she doesn't want to do it?
01:15:35That's another very stupid question. Where a million is concerned?
01:15:38Who is it?
01:15:46Reinhardt.
01:15:47Help me clean this up, Luca.
01:15:56Here, take this home and hide it in one of your toys.
01:15:59And don't say anything to anyone, understand?
01:16:01I won't, Sara.
01:16:04Sara, you all right?
01:16:06Yes.
01:16:07I won't be a minute.
01:16:12I'm getting cold out here.
01:16:14Sara.
01:16:15Luca's coming right away.
01:16:17He'll let you in.
01:16:20Let Reinhardt in and then go home, all right?
01:16:25I'll leave it open so I can't get in again.
01:16:26Ah, so you lock yourself in with Sara when I'm not around.
01:16:31That's my business.
01:16:34Ciao Luca.
01:16:37Hello there.
01:16:38You feeling better today?
01:16:39Much better.
01:16:40It doesn't hurt at all now.
01:16:41Ah, that's good.
01:16:44Did you have your injection?
01:16:45Yes, I must say it made a world of difference, Reinhardt.
01:16:47Hi.
01:16:49You're a bit nervous today.
01:16:51Where's Ted upstairs?
01:16:53No, he's not here.
01:16:54He had an appointment.
01:16:57Do you mind if I get something to drink?
01:16:59No, please do.
01:17:01It's been a tough morning at the clinic and I need it.
01:17:05What about you?
01:17:09Can I get you something?
01:17:11Sara?
01:17:12Sara?
01:17:15Can I pour you a drink?
01:17:16Yes, thanks.
01:17:16A pour it.
01:17:22It's a nice looking album.
01:17:34It's Lucas, but maybe you shouldn't look at it.
01:17:36You should wait for Luca to show you, Reinhardt.
01:17:39You know how children are about their things.
01:17:41Ah, he will find if I look at it.
01:17:43Well, as long as I don't tell him, it won't matter, I guess.
01:17:46There's a lot of focus.
01:17:54Tell me the truth.
01:17:55Come on, Sara.
01:17:56Hmm?
01:17:58Yes.
01:18:00Yes.
01:18:02Yes.
01:18:04Yes.
01:18:06Yes.
01:18:08Yes.
01:18:10Yes.
01:18:12Yes.
01:18:14Yes.
01:18:16I'm not sure I really know anything.
01:18:36I get the impression that you do though, so why don't you tell me?
01:18:41Let me ask you something first.
01:18:42Would you mind if I came to New York with you?
01:18:44I mean, with you and Ted.
01:18:46I'd love to take a vacation.
01:18:55here...
01:19:05No, my!
01:19:11Wait, wait.
01:19:12What the hell is my glass?
01:19:13Where the hell's my glass?
01:19:18Over there.
01:19:21Ah.
01:19:28There it is.
01:19:33Choo-choo.
01:19:41All right, where'd you put it?
01:19:43I'm sorry about this.
01:19:56Don't make me ask again.
01:20:04Tell me where the stuff is.
01:20:09Oh, there's no alternative, Sarah.
01:20:11I hate to use violence.
01:20:23But if I have to...
01:20:24Do you have a deal with Ted?
01:20:28That's right.
01:20:31I mean that girlfriend of yours in New York.
01:20:33Peggy.
01:20:35Peggy Cole.
01:20:36It can't be true.
01:20:37Peggy, Peggy Cole.
01:20:40Ah.
01:20:40I couldn't remember her name.
01:20:42Where is it?
01:20:56Ted's meeting me soon.
01:20:57Come on, tell me.
01:20:58No, you're lying.
01:20:58Ted wouldn't make a deal with you.
01:21:00Oh, yes, he did.
01:21:00You're lying.
01:21:01I know you are.
01:21:02Don't let me do it, Sarah.
01:21:03I will if I have to.
01:21:04Believe me.
01:21:04Sarah.
01:21:05Hey, next time before you come in, try knocking, huh?
01:21:13Is this all right?
01:21:17Yes, that's perfect.
01:21:19Just put it down and run along.
01:21:22Go on, Luke.
01:21:22I'm discussing something that's rather private.
01:21:24So run along now like a good boy.
01:21:26Don't be upset, Luca.
01:21:28We're talking about something that really isn't for little boys to listen to.
01:21:32We're talking about marriage.
01:21:45All right, I'll tell you where it is, damn you.
01:21:46It's hidden in that truck.
01:21:58Who were you going to call?
01:22:08I was going to call the police.
01:22:10The police, you bastard.
01:22:11You have to do it, Sarah.
01:22:29You understand me?
01:22:30I can't afford to leave a witness around.
01:22:41I can't afford to leave a witness around.
01:23:11Beeks.
01:23:32Okay.
01:23:32Hey.
01:23:34Hey.
01:23:37Hey.
01:23:37Hey.
01:23:38Hey.
01:23:41Hey.
01:23:41So, let's go.
01:24:12No use of straight lines! Calm down!
01:24:14Hey, where are you?
01:24:16Move back, move back, come on!
01:24:19Come on, be a little fashions, or you'll never get out of this.
01:24:21Come on!
01:24:22Come on, move along, come on!
01:24:32Hey, don't leave it there!
01:24:34Come on, be a little fashions, or you'll never get out of this.
01:24:43Come on!
01:24:44Come on, come on!
01:24:54I have to...
01:24:56I have to.
01:25:07Reinhardt, what the hell's happening?
01:25:11You gone completely crazy?
01:25:13You kill her here, then the police will have us before we can get even halfway to the airport.
01:25:21So you got your memory back, but now
01:25:26Well, everything's more complicated, Ted. Why, because she found it? I guarantee you she won't say a word, Reinhardt.
01:25:32Come on, Sarah, up you get.
01:25:34Don't sulk. We plaster up your leg again and be on our way.
01:25:38To Milan and then to New York.
01:25:41The three of us, all right?
01:25:44Don't be like that, Sarah. Sarah!
01:25:53I should have learned never to trust you.
01:25:56God.
01:26:03God.
01:26:04God.
01:26:05God.
01:26:06God.
01:26:13God.
01:26:15God.
01:26:18My past came back, and it's gone for good now.
01:26:48My husband had nothing to do with this, he's innocent.
01:27:17I'd be dead if he hadn't got here.
01:27:19Reinhardt tried to kill me.
01:27:21I found out he'd hidden drugs in the cast he put on my leg the other day and...
01:27:26That's true about the drugs, I saw them.
01:27:32No, there's much more to the story than that, Sergeant.
01:27:35And I think we'd better have a long talk.
01:27:47If you'd better have a long talk, you'd better have a long talk.
01:28:03If you'd better have a long talk, you'd better have a long talk.
01:28:19If you'd better have a long talk, you'd better have a long talk.
01:28:26The dubious is the one that looks at me.
01:28:33With the one who looks at me, and tells me what's going on!
01:28:38The next victim
01:28:46Bye