'হোক কলরব' নিয়ে জমজমাট আড্ডায় শাশ্বত ও তাঁর টিম

ETVBHARAT

শাশ্বত চট্টোপাধ্যায় ছাড়াও অন্যান্য গুরুত্বপূর্ণ চরিত্রে রয়েছেন রোহণ ভট্টাচার্য, জন ভট্টাচার্য, অভীকা মালাকার, দেবদত্ত রাহা, সামিউল আলম, ওম সাহানি ।

Transcript

00:00Good night, of course, of course.

00:01Now I will be in the central, to see, the first week of the year,

00:05the week was very tough.

00:06Now, today, apart from my age,

00:08I remember, it was quite serious.

00:09What a very serious case is,

00:11a chance didn't he?

00:12No chance.

00:12What a chance did he?

00:14Why did he take great chance?

00:18My friend is very cheap.

00:20Is that the thing that he sees in the group now,

00:22he must say that the first one is a big amount of photos.

00:25The second one looks at the first time,

00:27and then he has a big one of them.

00:28I guarantee it.

00:30Why are you asking me to hear this?

00:33Because she said that she was afraid of us.

00:36She was afraid of us.

00:38She was afraid of us.

00:40Okay.

00:42She said that she was afraid of us.

00:44She said that she was afraid of us.

00:46She was afraid of us.

00:48So how do you think about us?

00:50What kind of color are you?

00:52My name is Bipool.

00:54I'm a student.

00:56I did that.

00:58I'm very sure.

01:00I want to see a couple of videos.

01:02I've enjoyed her.

01:04I've seen her before.

01:06Then the first time that I've seen her.

01:08I've seen her before.

01:10And the first time she's seen her.

01:12I've seen her before.

01:14I've seen her before.

01:16I've seen her before.

01:18All of us were always excited.

01:20All on the stage.

01:22I've seen her before.

01:24Thank you very much.

01:54Thank you very much.

02:24Thank you very much.

04:45As we see, in our country, it is also important that we can look at our senior leaders ,

04:53who learn it and learn it in our culture.

04:56If we don't know what we are doing, we really don't know what it is.

05:01We don't think we can do it.

05:03But we don't have any disturbance in our country.

05:07So, we don't know what the problem is.

05:09But we don't have to worry about this because of the problem.

05:12We don't have to worry about the problem.

05:15So, I don't want to say that the industry is a whole of our industry, it's a whole of Indian film industry.

05:24People are inspired by watching and watching and watching.

05:29So, I don't want to say that the industry is a whole of our industry.

05:34It's a whole of our promotion.

05:36What a beautiful color of this is USP, which is a good color of this.

05:46I have been doing the party, but the party is on the way I was on the way.

05:53I was the first time I was on the way I was on the way, the producer, Subhasri Ganguli,

05:58My first time he told me that he didn't have a spirit.

06:02I was just surprised in that he wasn't sure that he had a spirit.

06:08He said he'd like to keep a village in front of me.

06:11That he wanted to keep a village.

06:14Obviously, I learn to keep a village.

06:17I thought he said he said he'll keep a village.

06:21I did a village again and he did a village again.

06:25they can make a lot of money.

06:26So, I think it's a very good experience.

06:28I think that's the bad news.

06:30I don't know that.

06:33I think, when it comes to a competition,

06:36I think, if the people ask me,

06:39what kind of things do you want to do?

06:41Okay.

06:42Do I have to say something?

06:45No, I will get you back to the question.

06:47I'm going to tell you the first question.

06:49I'm going to talk to you.

06:51What's going on in our conversation?

06:52When I took one of the spectators, I was talking to everyone in the local local.

07:00I was talking about food, food and food, food, food, food, and fresh things.

07:07I was telling everyone to talk about food.

07:10I was talking to everyone.

07:11You're talking about a lot of food at the time.

07:13In cells, I got all the food.

07:14I got all the food at the time.

07:16I was talking to a lots of people.

07:17I was thinking to make a lot of food and people got all the food to the place.

07:21Yes.

07:23And the local train is going to go ragging.

07:27If you look at the train, you can get up and get up.

07:31The station is not going to get up and get up.

07:33It's not a chance.

07:35It's not a chance.

07:37It's not a chance.

07:39It's not a chance.

07:41No, no, no.

07:43What did you say?

07:45What did you say?

07:47What did you say?

07:49What was your question?

07:51What did you say?

07:53Yes.

07:55It was around 50 years.

07:57What did you say?

07:59You said it was around.

08:01It's around.

08:03It's around.

08:05It was a fun day.

08:07It was fun.

08:09It was fun.

08:11Yes.

08:13It was fun.

08:15I swear.

08:17Today we are looking for the production of Katerer Kejian and the Raja-Dar production of Katerer Katerer.

08:27It's hard. It's hard. It's hard. It's hard. It's hard.

08:31It's hard. It's hard. It's hard.

08:35Yeah, I saw a constant laugh and I saw his name on the name of Nimbaygun Mask.

08:41Today.

08:42What's your name?

08:43Nimbaygun.

08:45Is that a robot?

08:46Nimbaygun.

08:47What did you say about that?

08:48Was it a girl?

08:49What was it?

08:50No, I didn't.

08:51I didn't have a girl.

08:52I didn't have a girl.

08:53No, I didn't have a girl.

08:54I didn't have a girl.

08:55No.

08:56No.

08:57I didn't want to say that.

08:58What do you think about that?

09:00But, how do you say it?

09:02No.

09:03We don't have to say anything about this...

09:05But you can't tell us how many people are going to play.

09:07How many people are going to play in the cinema?

09:09What's up?

09:10What's up?

09:11What's up?

09:12What's up?

09:13We were like, since our first-year-old ragging,

09:17we were all in the same time.

09:19We were all in the shooting of the whole night.

09:22We were all in the entire college,

09:25in the entire entire scene,

09:27we were all in the whole night.

09:29We were all in the same day,

09:30we were all in the same day.

09:33I just said,

09:35We were all in the same day.

09:37We were all in the same time.

09:39We were all in the same week,

09:41we were all in the same day again.

09:42We were all in return.

09:43Have you ever been a dude?

09:47Miss her?

09:48I was toda...

09:49Miss like that...

09:50Miss her?

09:51Miss?

09:52Miss like that!

09:54Miss like that...

09:55Miss like that...

09:56You are the only one who am I to the show?

09:59I am going to see the dessert in the kitchen.

10:02So, I am going to show you a picture in the room.

10:08Baba?

10:10Huh?

10:11Shivalji, do you think?

10:13What is it?

10:13Is it Balboa Hara?

10:15Balboa Hara.

10:16Balboa Hara.

10:16Okay, okay.

10:18Okay, now we have talked about a Christian.

10:20Why did you say that the manager had said that the kids got a kid in the house?

10:25But what do you think of it?

10:28I think of it.

10:29I think of it.

10:30I think of it.

10:31I think of it.

10:32I was a little bit of a schedule.

10:38I thought I was a little bit worried about it.

10:42But I think of it as a patent.

10:46I was able to say it.

10:48So I was able to say it.

10:50No.

10:50I was able to say it.

10:52They were able to say it.

10:56So we were going to say it.

10:58I was able to say that only I was feeling.

11:02But I was able to give up on this step.

11:04We'll try to give up on a step.

11:09Then I thought,

11:14I don't know what I was going to say.

11:16So we can play the same step.

11:17I think that happened.

11:19So, I think that's a very rare version of the person who is a kid.

11:24I guess, they say that, he's not a kid, he's a kid.

11:27He's not a kid, he's a kid.

11:30He's a kid, he's a kid.

11:33So, I don't think if I'm a kid, he's a kid.

11:37He's very bad.

11:37So, you're saying that he's not a kid?

11:39Is he a kid?

11:40He's a kid, he's a kid.

11:41Yeah, he's a kid.

11:42the

11:44or

11:51a

11:53a

11:56a

11:58Can't see the future...

12:04Da mama, da mama,

12:06e je no bo jo bono, da mama!

12:08Aii! Da mama, da mama!

12:10Vecci kha ce o y siono!

12:12Da mama! Da mama, da mama!

12:15E je no bo jo bono, da mama!

12:18Da mama, da mama!

12:20E je no bo jo bono, da mama!

12:23What?

12:25It's what it is.

12:27It's too big, too.

12:29It's too big.

12:31The one thing that was really big, I guess.

12:33What?

12:35The other thing is that the actual action is to show you.

12:37No.

12:39This is a very strange actor angle.

12:41The first one is that the student is not a criminal.

12:45He says he will treat his own right.

12:47This is an interesting actor angle.

12:49It's a very interesting actor angle, the character, which I keep in mind, means that it's very annoying.

12:56There's a lot of people who don't like it, but there's a lot of people who don't like it.

13:04Do you have a message?

13:07There's a lot of people who don't like it.

13:11I don't like it.

13:15What did you say to me?

13:18Oh, my!

13:19My mom, my mom, my mom...

13:21My mom, my mom, my mom...

13:25I was going to go to the city...

13:27I was going to go to the city...

13:29I was going to go to the city for years...

13:32I was going to say, I don't know.

13:34I was going to say, I was talented to be infinity.

13:36I was going to say, I was the best, I was a superstar.

13:40Wow!

13:41There was seriously a woman, and she had to do the pampers.

13:45Nice.

13:46She put her in her pocket. How did she do the pampers?

13:49The poor, who gave me the pampers, all of them had to do the pampers.

13:54Why did they put us there?

13:55They are the best.

13:57As I was kind, I put my mom here on my own.

14:01Some of them were all the poor.

14:03Since I was kind, I was kind.

14:05I don't know if she said that.

14:07She had the pampers twice as 8 years since then...

14:10No, actually, I'm going to go to the studio, so I'm going to see you, I'm going to see you, I'm going to see you.

14:16And what did you say?

14:18I'm very happy, I'm very happy, my director is very happy.

14:23I mean, every day shooting, I'm saying that it's amazing.

14:27I'm saying that it's amazing.

14:31Oh, sorry, sorry, sorry.

14:33It's amazing, but it's amazing.

14:37So, this is actually the artist, the director, the whole team, actually.

14:42The artist is also the technician.

14:44He got a sing, a boat, and got the boat, and the captain is very good.

14:50So, that's the feeling that you're going to be.

14:52All the best.

14:54Thank you, thank you, thank you.

14:55Thank you so much, thank you so much, thank you, Apuda.

14:57Thank you for your support, thank you.

15:00Samir, you didn't say anything.

15:02No, no, no, no, no, no, no, no, no, no, no.

15:05Come on.

15:07Come on put it in the oh, put it in the and then.

15:09Let's always finish, let's

15:26HOOK! HOOK! HOOK! HOOK!

15:28HOOK! HOOK KALORA!

15:30What did you say about Raging?

15:32I didn't see Raging.

15:34I didn't see Raging.

15:36It's a dialogue.

15:38Sir, Raging has a character build.

15:44I don't want to say anything about Raging.

15:46I don't want to say anything about Raging.

15:48I'm going to say something about Raging.

15:50I'm going to say something about Raging.

15:52What level is bonding?

15:54I'm going to say something about Raging.

15:56Who is the best producer and director.

16:00I've always loved my family.

16:02No, it's not a thing about Raging.

16:04No, it's not a thing about Raging.

16:06No, it's not a thing about Raging.

16:08No, it's a thing about Raging.

16:10Well, it's a thing about Raging.

16:12I'm going to say anything.

16:14You're doing good.

16:16Thank you so much.

16:18All the best.

16:20I'm going to say this.

Category

Transcript

Be the first to comment

Recommended