- 2 days ago
- #sherlockastudyinpink
#sherlockastudyinpink full episode
sherlock a study in pink full episode
sherlock a study in pink full episode
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00:00:00This is the best, the best, the best, the best!
00:00:30Oh, my God.
00:01:00Oh, my God.
00:01:30How's your blog going?
00:01:44Yeah, good.
00:01:46Very good.
00:01:48You haven't written a word, have you?
00:01:49You just wrote, still has trust issues.
00:01:51And you read my writing upside down.
00:01:56You see what I mean?
00:01:59John, you're a soldier.
00:02:04It's going to take you a while to adjust to fill your life.
00:02:08And writing a blog about everything that happens to you will honestly help you.
00:02:12Nothing happens to me.
00:02:16I'll see you next time.
00:02:17Hi, my.
00:02:24Hi.
00:02:25Hi.
00:02:26Hi.
00:02:26Hi.
00:02:28Hi.
00:02:34What do you mean there's no ruddy car?
00:02:55You went to Waterloo, I'm sorry.
00:02:57Get a cab.
00:02:58I never get cabs.
00:03:01I love you.
00:03:03When?
00:03:03Get a cab.
00:03:25My husband was a happy man who lived life to the full.
00:03:31He loved his family and his work.
00:03:36And that he should have taken his own life in this way is a mystery and a shock to all
00:03:44who knew him.
00:03:45Yes!
00:03:46Yes!
00:03:47Yes!
00:03:48Yes!
00:03:49Yes!
00:03:50Yes!
00:03:51Yes!
00:03:52Yes!
00:03:53Yes!
00:03:54Yes!
00:03:55Yes!
00:03:56I'm back in two minutes, mate.
00:03:57What?
00:03:58What?
00:03:59I'm just going home getting my umbrella.
00:04:00You can share mine.
00:04:01Two minutes, all right?
00:04:02Two minutes, all right?
00:04:03Yes!
00:04:04I'm back in two minutes, mate.
00:04:05What?
00:04:06I'm just going home getting my umbrella.
00:04:07You can share mine.
00:04:08Two minutes, all right?
00:04:09Two minutes, all right?
00:04:10Two minutes, all right?
00:04:11Two minutes.
00:04:12Two minutes, all right?
00:04:43She's still dancing.
00:04:48Yeah, if you can call it that.
00:04:50Just to get the car keys.
00:04:51Got them out of her bag.
00:04:54Where is she?
00:05:10The body of Beth Davenport, junior minister for transport.
00:05:13It was found late last night on a building site in Greater London.
00:05:18Preliminary investigations suggest that this was suicide.
00:05:21We can confirm that this apparent suicide closely resembles those of Sir Geoffrey Patterson and James Villamore.
00:05:28In the light of this, these incidents are now being treated as linked.
00:05:31The investigation is ongoing, but Detective Inspector Lestrade will take questions now.
00:05:36Detective Inspector, how can suicides be linked?
00:05:38Well, they all took the same poison.
00:05:41They were all found in places they had no reason to be.
00:05:45None of them had shown any prior indication of...
00:05:48But you can't have serial suicides.
00:05:49Well, apparently you can.
00:05:51These three people, there's nothing that links them?
00:05:53There's no link you found yet, but...
00:05:55We're looking for it.
00:05:56There has to be one.
00:05:57If you've all got texts, please ignore them.
00:06:07It just says wrong.
00:06:08Yeah, well, just ignore that.
00:06:09If there are no more questions for Detective Inspector Lestrade, I'm going to bring the session to an hour.
00:06:13If there's suicides, what are you investigating?
00:06:15As I say, these suicides are clearly linked.
00:06:21But it's an unusual situation.
00:06:23We've got our best people investigating.
00:06:28It says wrong again.
00:06:30One more question.
00:06:32Is there any chance that these are murders?
00:06:35And if they are, is this the work of a serial killer?
00:06:37I know that you like writing about these, but these do appear to be suicides.
00:06:42We know the difference.
00:06:43The poison was clearly self-administered.
00:06:46Yes, but if they are murders, how do people keep themselves safe?
00:06:49Well, don't commit suicide.
00:06:52Daily Mail.
00:06:53Obviously, this is a frightening time for people, but all anyone has to do is exercise reasonable precautions.
00:07:01We are all as safe as we want to be.
00:07:17You've got to stop him doing that.
00:07:18He's making us look like idiots.
00:07:20If you can tell me how he does it, I'll stop him.
00:07:34John.
00:07:36John Watson.
00:07:37Stumford.
00:07:40Mike Stumford, we were at Bart's together.
00:07:41Yes, sorry.
00:07:42Yes, Mike.
00:07:42Hello.
00:07:43Yeah, I know.
00:07:44I got fat.
00:07:45No.
00:07:46I heard you were brought somewhere getting shot at.
00:07:48What happened?
00:07:49I got shot.
00:07:57Are you still at Bart's then?
00:07:58Teaching now.
00:07:59Yeah.
00:08:00Bright, young things like we used to be.
00:08:02God, I hate them.
00:08:03What about you?
00:08:05Just staying in town until you get yourself sorted?
00:08:07I can't afford London on an army pension.
00:08:09And you couldn't bear to be anywhere else.
00:08:11That's not the John Watson I know.
00:08:12Yeah, I'm not the John Watson.
00:08:13Couldn't Harry help?
00:08:21I feel like that's going to happen.
00:08:23I don't know.
00:08:24Get a flat share or something.
00:08:26Come on.
00:08:27Who'd want me for a flatmate?
00:08:28What?
00:08:32Are you the second person to say that to me today?
00:08:35Who's the first?
00:08:40How fresh?
00:08:41Just in.
00:08:4267 natural causes.
00:08:44Used to work here.
00:08:45I knew him.
00:08:46He was nice.
00:08:48Fine.
00:08:49We'll start with the riding crop.
00:08:51So, bad day was it?
00:09:06I need to know what bruises form in the next 20 minutes.
00:09:08A man's alibi depends on it.
00:09:09Text me.
00:09:11Listen, I was wondering, maybe later, when you're finished...
00:09:14You're wearing lipstick.
00:09:14You weren't wearing lipstick before.
00:09:17I, er...
00:09:18I refreshed it a bit.
00:09:21Sorry, you were saying?
00:09:23I was wondering if you'd like to have coffee.
00:09:26Black, two sugars, please.
00:09:27I'll be upstairs.
00:09:30Okay.
00:09:42Oh.
00:09:43A bit different from my day.
00:09:45You have no idea.
00:09:46Mike, can I borrow your phone?
00:09:48There's no signal on mine.
00:09:49Well, what's wrong with the landline?
00:09:50I prefer to text.
00:09:52Sorry.
00:09:53It's in my coat.
00:09:55Er, here.
00:09:57Use mine.
00:09:59Oh.
00:10:01It's an old friend of mine, John Watson.
00:10:08Afghanistan or Iraq?
00:10:12Sorry?
00:10:13Which was it?
00:10:13Which was it?
00:10:13Afghanistan or Iraq?
00:10:18Afghanistan.
00:10:19Sorry, how did you...
00:10:20Ah, Molly.
00:10:20Coffee.
00:10:23What happened to the lipstick?
00:10:24It wasn't working for me.
00:10:26Really?
00:10:26I thought it was a big improvement.
00:10:27Mouth's too small now.
00:10:29Okay.
00:10:30Okay.
00:10:33How do you feel about the violin?
00:10:38Sorry, what?
00:10:39I play the violin when I'm thinking.
00:10:41Sometimes I don't talk for days on.
00:10:43And would that bother you?
00:10:44Potential flatmates should know the worst about each other.
00:10:46You told him about me?
00:10:50Not a word.
00:10:51Then who said anything about flatmates?
00:10:53I did.
00:10:54Told Mike this morning that I must be a difficult man to find a flatmate for.
00:10:57Now here he is, just after lunch with an old friend,
00:10:59clearly just home for military service in Afghanistan.
00:11:02Wasn't that a difficult leap?
00:11:04How did you know about Afghanistan?
00:11:05Got my eye on a nice little place in central London.
00:11:08Together we ought to be able to afford it.
00:11:09We'll meet there tomorrow evening, seven o'clock.
00:11:11Sorry, I've got to dash.
00:11:12I think I left my riding crop in the mortuary.
00:11:16Is that it?
00:11:17Is that what?
00:11:19We've only just met.
00:11:20We're going to go look at a flat.
00:11:23Problem?
00:11:27We don't know a thing about each other.
00:11:28I don't know where we're meeting.
00:11:29I don't even know your name.
00:11:32I know you're an army doctor and you've been a village at home from Afghanistan.
00:11:35I know you've got a brother who's worried about you,
00:11:36but you won't go to him for help because you don't approve of him.
00:11:39Possibly because he's an alcoholic.
00:11:40More likely because he recently walked out on his wife.
00:11:42And I know that your therapist thinks you're limp psychosomatic quite correctly, I'm afraid.
00:11:47It's enough to be going on with, don't you think?
00:11:53The name's Sherlock Holmes and the address is 221B Baker Street.
00:11:58Afternoon.
00:12:04He's always like that.
00:12:05He's always like that.
00:12:35He's always like that.
00:12:36He's always like that.
00:12:37He's always like that.
00:12:38He's always like that.
00:12:39He's always like that.
00:12:40He's always like that.
00:12:41He's always like that.
00:12:42He's always like that.
00:12:43He's always like that.
00:12:44He's always like that.
00:12:45He's always like that.
00:12:46He's always like that.
00:12:47He's always like that.
00:12:48He's always like that.
00:12:49He's always like that.
00:12:50He's always like that.
00:12:51He's always like that.
00:12:52He's always like that.
00:12:53He's always like that.
00:12:54He's always like that.
00:12:55He's always like that.
00:12:56He's always like that.
00:12:57He's always like that.
00:12:58He's always like that.
00:12:59He's always like that.
00:13:00He's always like that.
00:13:01He's always like that.
00:13:02Hello.
00:13:03Ah.
00:13:04Mr. Holmes.
00:13:05Charlotte, please.
00:13:06Well, this is what, Ryan Scott.
00:13:07Must be expensive.
00:13:08Mrs. Hudson, the landlady, has given me a special deal.
00:13:09Wows me a favor.
00:13:10A few years back, her husband got himself sentenced to death
00:13:11in Florida.
00:13:12I was able to help out.
00:13:13Sorry, you stopped her husband being executed?
00:13:14Oh, no.
00:13:15I insured it.
00:13:16Sherlock.
00:13:17Look.
00:13:18Mrs. Hudson, the landlady, has given me a special deal.
00:13:21Wows me a favor.
00:13:22A few years back, her husband got himself sentenced to death
00:13:24in Florida.
00:13:25I was able to help out.
00:13:26Sorry, you stopped her husband being executed?
00:13:29Oh, no.
00:13:30I insured it.
00:13:31Sherlock.
00:13:33Look.
00:13:34Mrs. Hudson, Dr. John Watson.
00:13:36Hello.
00:13:37Come in.
00:13:39Shall we?
00:13:40Yeah.
00:13:46Well, this could be very nice.
00:14:09Very nice indeed.
00:14:10Yes.
00:14:13Yes, I think so.
00:14:14My thoughts, precisely.
00:14:15So I went straight ahead and moved in.
00:14:16Soon we get all this rubbish cleaned out.
00:14:17Oh.
00:14:21So this is all...
00:14:22Well, obviously I can, um, straighten things up a bit.
00:14:27It's a skull.
00:14:28Friend of mine.
00:14:29Well, I say friend.
00:14:31What do you think then, Dr. Watson?
00:14:34There's another bedroom upstairs if you'd be needing two bedrooms.
00:14:38Of course we'll be needing two.
00:14:40Oh, don't worry.
00:14:41There's all sorts round here.
00:14:42Mrs. Turner next door's got married once.
00:14:44Oh.
00:14:45Sherlock.
00:14:46The mess you've made.
00:14:47I looked you up on the internet last night.
00:15:00Anything interesting?
00:15:01Found your website.
00:15:02The Science of Deduction.
00:15:03What did you think?
00:15:04You said you could identify a software designer by his tie and an airline pilot by his left thumb?
00:15:14Yes.
00:15:15And I can read your military career and your face and your leg and your brother's drinking
00:15:19habits and your mobile phone.
00:15:20How?
00:15:21What about these suicides then, Sherlock?
00:15:22Thought that'd be right up your street.
00:15:23Three, exactly the same.
00:15:24Four.
00:15:25There's been a fourth.
00:15:26There's something different this time.
00:15:27A fourth?
00:15:28Where?
00:15:29Brixton and Oriston Gardens.
00:15:30What's new about this one?
00:15:31You wouldn't have come to get me if there wasn't something different.
00:15:32You know how they never leave notes?
00:15:33Yeah.
00:15:34This one did.
00:15:35Will you come?
00:15:36Who's on forensics?
00:15:37It's Anderson.
00:15:38Anderson won't work with me.
00:15:39Well, he won't be your assistant.
00:15:40I need an assistant.
00:15:41Will you come?
00:15:42Not in a police car.
00:15:43I'll be right behind.
00:15:48Brilliant!
00:15:49Yes!
00:15:50Ah!
00:15:51Four serial suicides and now a note.
00:15:52Ah, it's Christmas.
00:15:53It's Christmas.
00:15:54It's Christmas.
00:15:55It's Christmas.
00:15:56It's Christmas.
00:15:57It's Christmas.
00:15:58It's Christmas.
00:15:59It's Christmas.
00:16:00It's Christmas.
00:16:01It's Christmas.
00:16:02It's Christmas.
00:16:03It's Christmas.
00:16:04It's Christmas.
00:16:05Yeah.
00:16:06This one did.
00:16:07Will you come?
00:16:08Who's on forensics?
00:16:09It's Anderson.
00:16:10Anderson won't work with me.
00:16:11Well, he won't be your assistant.
00:16:12I need an assistant.
00:16:13Will you come?
00:16:14Not in a police car.
00:16:15I'll be right behind.
00:16:17Ah, it's Christmas.
00:16:18Mrs Hudson, I'll be late.
00:16:20Might need some food.
00:16:21I'm your landlady, dear, not your housekeeper.
00:16:24Something cold will do.
00:16:25John, have a cup of tea.
00:16:26Make yourself at home.
00:16:28Don't wake up.
00:16:29Look at him, dashing about.
00:16:32My husband was just the same.
00:16:34But you're more the sitting down type, I can tell.
00:16:38I'll make you that cuppa.
00:16:40You rest your leg.
00:16:41Damn my leg!
00:16:42Sorry.
00:16:43I'm so sorry.
00:16:44It's just sometimes this bloody thing.
00:16:46I understand, dear.
00:16:47I've got a hip.
00:16:48A cup of tea would be lovely.
00:16:51Just this once, dear.
00:16:52I'm not your housekeeper.
00:16:53Couple of biscuits, too, if you've got them.
00:16:55Not your housekeeper.
00:16:56You're a doctor.
00:17:01In fact, you're an army doctor.
00:17:04Yes.
00:17:08Any good?
00:17:10Very good.
00:17:12Seen a lot of injuries then.
00:17:14Violent deaths.
00:17:15Oh, yes.
00:17:16Bit of trouble, too, I bet.
00:17:18Of course, yes.
00:17:20Enough for a lifetime.
00:17:22Far too much.
00:17:23Want to see some more?
00:17:25Oh, God, yes.
00:17:30Sorry, Mrs. Hudson.
00:17:31I'll skip the tea.
00:17:32Puff out.
00:17:33Both of you?
00:17:34Impossible suicides.
00:17:36Four of them.
00:17:37There's no point sitting at home when there's finally something fun going on.
00:17:40Look at you all happy.
00:17:41It's not decent.
00:17:42Who cares about decent?
00:17:43The game, Mrs. Hudson, is on.
00:17:52Taxi!
00:18:13Okay, you've got questions.
00:18:31Yeah, where are we going?
00:18:33Crime scene.
00:18:34Next.
00:18:35Who are you?
00:18:36What do you do?
00:18:37What do you think?
00:18:38I'd say private detective.
00:18:40But?
00:18:41But the police don't go to private detectives.
00:18:44I'm a consulting detective.
00:18:46The only one in the world I invented the job.
00:18:48What does that mean?
00:18:49It means when the police are out of their depth, which is always, they consult me.
00:18:53The police don't consult amateurs.
00:18:58When I met you for the first time yesterday, I said Afghanistan or Iraq.
00:19:01You looked surprised.
00:19:02Yes, how did you know?
00:19:03I didn't know.
00:19:04I saw.
00:19:05Your haircut, the way you hold yourself, says military.
00:19:08But your conversation as you entered the room.
00:19:10A bit different from my day.
00:19:11Said, trained at bar.
00:19:12So, army doctor.
00:19:13Obvious.
00:19:15Your face is tanned.
00:19:16But no tan above the wrists.
00:19:18You've been abroad, but not sunbathing.
00:19:20Your lips really bad when you walk, but you don't ask for a chair when you stand like you've forgotten about it.
00:19:24So it's at least partly psychosomatic.
00:19:26That says the original circumstances of the injury were traumatic.
00:19:29Rooted in action then.
00:19:30Rooted in action?
00:19:31Suntan.
00:19:32Afghanistan.
00:19:33Norway.
00:19:34Iraq.
00:19:35You said I had a therapist.
00:19:36You've got a psychosomatic limp.
00:19:37Of course you've got a therapist.
00:19:39Then there's your brother.
00:19:40Your phone.
00:19:41It's expensive.
00:19:42Email-enabled.
00:19:43MP3 player.
00:19:44Are you looking for a flash?
00:19:45Are you going to waste money on this?
00:19:46It's a gift then.
00:19:47Scratch is not one.
00:19:48Many over time.
00:19:49It's been in the same pocket as keys and coins.
00:19:51Man-saving next bit wouldn't treat as one luxury item like this.
00:19:53So it's had a previous owner.
00:19:54Next bit's easy.
00:19:55You know it already.
00:19:56The engraving.
00:19:58Harry Watson.
00:19:59Clearly a family member who's given you his old phone.
00:20:01Not your father.
00:20:02This is a young man's gadget.
00:20:03Could be a cousin.
00:20:04But you're a war hero who can't find a place to live.
00:20:06Unlikely you've got an extended family.
00:20:08Certainly not one you're close to.
00:20:09So brother it is.
00:20:10Now Clara.
00:20:11Who's Clara?
00:20:12Three kisses.
00:20:13Says there's a romantic attachment.
00:20:14Expense to the phone.
00:20:15Says wife, not girlfriend.
00:20:16She must have given it to him recently.
00:20:17This model's only six months old.
00:20:19Marriage in trouble then.
00:20:20Six months old.
00:20:21He's just given it away.
00:20:22If she'd left him, he would have kept it.
00:20:23People do.
00:20:24Sentiment.
00:20:25Left her.
00:20:26He gave the phone to you.
00:20:27That says he wants you to stay in touch.
00:20:28You're looking for cheap accommodation.
00:20:30And you're not going to your brother for help.
00:20:32Says you've got problems with him.
00:20:33Maybe you liked his wife.
00:20:35Maybe you don't like his drinking.
00:20:36How can you possibly know about the drinking?
00:20:40Shot in the dark.
00:20:41Good one though.
00:20:42Power connection tiny little scuff marks around the edge of it.
00:20:44Every night goes to plug it in to charge.
00:20:46But his hands are shaking.
00:20:47You never see those marks on a sober man's phone.
00:20:49Never see a drunk's without them.
00:20:50There you go.
00:20:51So you were right.
00:20:52Right.
00:20:53Right about what?
00:20:54The police don't consult amateurs.
00:20:58That was amazing.
00:21:04Do you think so?
00:21:05Of course it was.
00:21:06Extraordinary.
00:21:07It was quite extraordinary.
00:21:08That's not what people normally say.
00:21:09That's not what people normally say.
00:21:10That's not what people normally say.
00:21:11Piss off.
00:21:24Did I get anything wrong?
00:21:26Harry and me don't get on.
00:21:28Never have.
00:21:29Clara and Harry split up.
00:21:32Three months ago and they're getting a divorce.
00:21:34Harry is a drinker.
00:21:36Spot on then.
00:21:37I didn't expect to be right about everything.
00:21:39Harry is short for Harriet.
00:21:41Harry is your sister.
00:21:43What exactly am I supposed to be doing here?
00:21:45Sister?
00:21:46No, seriously.
00:21:47What am I doing here?
00:21:48There's always something.
00:21:49Hello, freak.
00:21:50I'm here to see Detective Inspector Lestrade.
00:21:53Why?
00:21:54I was invited.
00:21:56Why?
00:21:57I think he wants me to take a look.
00:21:58Well, you know what I think, don't you?
00:21:59Always, Sally.
00:22:00You know you didn't make it home last night.
00:22:03Who's this?
00:22:05A colleague of mine, Dr. Watson.
00:22:07Dr. Watson, Sergeant Sally Donovan.
00:22:09Old friend.
00:22:10A colleague?
00:22:12How do you get a colleague?
00:22:14Did he follow you home?
00:22:16Would it be better if I just waited?
00:22:17No.
00:22:18Freak's here bringing him in.
00:22:30Ah, Anderson.
00:22:32Here we are again.
00:22:34It's a crime scene.
00:22:35I don't want it contaminated.
00:22:36Are we clear on that?
00:22:37Quite clear.
00:22:39And is your wife away for long?
00:22:41Oh, don't pretend you've worked that out.
00:22:43Somebody told you that.
00:22:44Your deodorant told me that.
00:22:45My deodorant?
00:22:46It's for men.
00:22:48Well, of course it's for men.
00:22:49I'm wearing it.
00:22:50So, Sergeant Donovan.
00:22:52Whew.
00:22:53I think it just vaporized.
00:22:55May I go in?
00:22:56Now, look.
00:22:57Whatever you're trying to imply...
00:22:58I'm not implying anything.
00:22:59I'm sure Sally came round for a nice little chat
00:23:01and just happened to stay over.
00:23:03And I assume she scrubbed your floors,
00:23:06going by the state of her knees.
00:23:18Need to wear one of these.
00:23:20Who's this?
00:23:21He's with me.
00:23:22But who is he?
00:23:24I said he's with me.
00:23:27Aren't you gonna put one on?
00:23:32So where are we?
00:23:33Upstairs.
00:23:43I can give you two minutes.
00:23:45May need longer.
00:23:46Her name's Jennifer Wilson, according to her credit cards.
00:23:50We're running them now for contact details.
00:23:52Hasn't been here long.
00:23:54And kids found her.
00:23:55Kids found her.
00:24:25She's with me.
00:24:26She's with me.
00:24:27She's with me.
00:24:28She's with me.
00:24:29She's with me.
00:24:30Shut up.
00:24:31What am I saying?
00:24:32You were thinking.
00:24:33It's annoying.
00:24:34She's with me.
00:24:35I don't think so.
00:24:36It's annoying to go around the corner.
00:24:37I know he's doing.
00:24:39I don't think he should do that.
00:24:40I don't think so, it's annoying.
00:24:41I don't think so.
00:24:42I know.
00:24:43I'm just going to get the camera.
00:24:44And that's a little more funny.
00:24:46Oh.
00:24:47Oh.
00:24:48Oh.
00:24:49Oh.
00:24:51Oh.
00:24:53Oh.
00:24:55Oh.
00:24:56Oh.
00:24:57Oh.
00:24:58Oh.
00:24:59Oh.
00:25:00Oh.
00:25:01Oh, sorry.
00:25:02Let's go.
00:25:32Let's go.
00:25:46Got anything?
00:25:48Not much.
00:25:50She's German.
00:25:52Rache is German for revenge.
00:25:55She could be trying to tell us something.
00:25:57Yes, thank you for your input.
00:25:58So she's German?
00:25:59Of course she's not.
00:26:00She's from out of town, though.
00:26:01Intended to stay in London for one night
00:26:03before returning home to Cardiff.
00:26:05So far, so obvious.
00:26:06Sorry, obvious?
00:26:07What about the message, though?
00:26:08Dr. Watson, what do you think?
00:26:09Of the message?
00:26:10Of the body.
00:26:11You're a medical man.
00:26:12Well, no, we have a whole team outside.
00:26:13They won't work with me.
00:26:14I'm breaking every rule letting you in here.
00:26:16Yes, because you need me.
00:26:18Yes, I do.
00:26:21God help me.
00:26:23Dr. Watson.
00:26:24All the busy says help yourself.
00:26:28Anderson, keep everyone out for a couple of minutes.
00:26:33Well?
00:26:34What am I doing here?
00:26:35Helping me make a point.
00:26:36I'm supposed to be helping you pay the rent.
00:26:37Yeah, well, this is more fun.
00:26:38Fun?
00:26:39There's a woman lying dead.
00:26:40Perfectly sound analysis, but I was hoping you'd go deeper.
00:26:43Yep.
00:27:08Asphyxiation.
00:27:09Probably.
00:27:10Passed out.
00:27:11Choked on her own vomit.
00:27:12Can't smell any alcohol on her.
00:27:13Could have been a seizure.
00:27:14Possibly drugs.
00:27:15You know what it was.
00:27:16You've read the papers.
00:27:17Well, she's one of the suicides, the four.
00:27:20Shut up.
00:27:21Two minutes, I said.
00:27:22I'll need anything you got.
00:27:23Victim is in her late thirties.
00:27:24Professional person going by her clothes and guessing something in the media.
00:27:27Going by the frankly alarming shade of pink.
00:27:29Traveled from Cardiff today, intending to stay in London for one night.
00:27:32It's obvious from the size of a suitcase.
00:27:33A suitcase?
00:27:34A suitcase, yes.
00:27:35She's been married for at least ten years, but not happily.
00:27:38She's had a string of lovers, but none of them knew she was married.
00:27:41Oh, for God's sake.
00:27:42If you're just making this up.
00:27:43Her wedding ring.
00:27:44Ten years old at least.
00:27:45The rest of her jewellery has been regularly cleaned, but not her wedding ring.
00:27:48State of a marriage right there.
00:27:50The inside of the ring is shinier than the outside.
00:27:52That means it's regularly removed.
00:27:53The only polishing it gets is when she works it off her finger.
00:27:55It's not for work.
00:27:56Look at her nails.
00:27:57She doesn't work with her hands.
00:27:58So what, or rather, who does she remove her rings for?
00:28:00Clearly not one lover.
00:28:01She'd never sustain the fiction of being single over that amount of time.
00:28:04So more likely a string would look simple.
00:28:05It's brilliant.
00:28:06Sorry.
00:28:07Cardiff?
00:28:08It's obvious, isn't it?
00:28:10It's not obvious to me.
00:28:12Dear God, what is it like in your funny little brains?
00:28:15It must be so boring.
00:28:16Her coat is slightly damp.
00:28:18She's been in heavy rain in the last few hours.
00:28:20No rain anywhere in London in that time.
00:28:22Under her coat collar is damp too.
00:28:23She's turned it up against the wind.
00:28:25She's got an umbrella in her left hand pocket, but it's dry and unused.
00:28:28Not just wind, strong wind.
00:28:29Too strong to use her umbrella.
00:28:30We know from her suitcase that she was intending to stay overnight,
00:28:33so she must have come a decent distance,
00:28:34but she can't have travelled all the two or three hours
00:28:36because her coat still hasn't dried.
00:28:37So where has there been heavy rain and strong wind
00:28:40within the radius of that travel time?
00:28:42Cardiff.
00:28:43It's fantastic.
00:28:44Do you know you do that out loud?
00:28:46Sorry, I'll shut up.
00:28:47No, it's fine.
00:28:48Why do you keep saying suitcase?
00:28:50Yes, where is it?
00:28:51She must have had a phone or an organiser.
00:28:53Find out who Rachel is.
00:28:55She was writing Rachel?
00:28:56No, she was leaving an angry note in German.
00:28:58Of course she was writing Rachel.
00:29:00No other word it can be.
00:29:01Question is, why did she wait until she was dying to write it?
00:29:03So how do you know she had a suitcase?
00:29:05Back of her right leg, tiny splash marks on the heel and calf,
00:29:07not present on the left.
00:29:08She was dragging a wheeled suitcase behind her with her right hand.
00:29:11Don't get that splash pattern any other way.
00:29:12Smallish case going by this spread.
00:29:14Case that size, woman this clothes conscious.
00:29:16Could only be an overnight bag, so we know she was staying one night.
00:29:19Now where is it? What have you done with it?
00:29:20There wasn't a case.
00:29:22There was never any suitcase.
00:29:23Suitcase!
00:29:24Did anyone find a suitcase?
00:29:25Was there a suitcase in this house?
00:29:26Sir, there was no case.
00:29:27But they take the poison themselves.
00:29:28They chew, swallow the pills themselves.
00:29:29There are clear signs even you lot couldn't miss them.
00:29:30Right, yeah, thanks.
00:29:31And?
00:29:32It's murder.
00:29:33All of them.
00:29:34I don't know how.
00:29:35They're not suicides.
00:29:36They're killings.
00:29:37Serial killings.
00:29:38They got ourselves a serial kill.
00:29:39I love those.
00:29:40There's always something to look forward to.
00:29:41Why are you saying that?
00:29:42Her case.
00:29:43Come on, where is her case?
00:29:44Did she eat it?
00:29:45Someone else was here and they took her case.
00:29:46Said the killer must have driven her here.
00:29:47Forgot the case was in the car.
00:29:48She could have checked into a hotel, left her case there.
00:29:49No, she never got to the hotel.
00:29:50Look at her hair.
00:29:51She color coordinates her lipstick and her shoes.
00:29:52She'd never have left any hotel with her hair still looking.
00:29:53Oh.
00:29:54Sherlock?
00:29:55What is it?
00:29:56Serial killers always hard.
00:29:57Have to wait for them to make a mistake.
00:29:58Can't just wait.
00:29:59No, we're done.
00:30:00We're done.
00:30:01We're done.
00:30:02We're done.
00:30:03What?
00:30:04We're done.
00:30:05We're done.
00:30:06We're done.
00:30:07We're done.
00:30:08We're done.
00:30:09We're done.
00:30:10Oh.
00:30:11What is it?
00:30:12What?
00:30:13Serial killers always hard.
00:30:14You have to wait for them to make a mistake.
00:30:15We can't just wait.
00:30:16No, we're done.
00:30:17What?
00:30:18We've done.
00:30:19What?
00:30:20Thank you, sir.
00:30:21What?
00:30:22Look at her. Really? Look, Houston, we have a mistake.
00:30:24Get on to Cardiff.
00:30:26Find out who Jennifer Wilson's family and friends were.
00:30:28Find Rachel.
00:30:29Of course, yeah, but what mistake?
00:30:32Pink!
00:30:35Let's get on with it.
00:30:52Come on.
00:31:15He's gone.
00:31:16Is this Sherlock Holmes?
00:31:17Yeah, he just took off. He does that.
00:31:19Is he coming back?
00:31:20Didn't look like it.
00:31:22Right.
00:31:24Okay.
00:31:25Right.
00:31:28Yes.
00:31:29Sorry, where am I?
00:31:31Brixton.
00:31:33Uh, do you know where I could get a cab?
00:31:35It's just, uh...
00:31:38Well.
00:31:39My leg.
00:31:41Ugh.
00:31:44Try the main road.
00:31:46Thanks.
00:31:47But you're not his friend.
00:31:50He doesn't have friends.
00:31:53So who are you?
00:31:55I'm...
00:31:56I'm nobody.
00:31:57I just met him.
00:31:58Okay, bit of advice then.
00:31:59Stay away from that guy.
00:32:00Why?
00:32:04You know why he's here?
00:32:07He's not paid or anything.
00:32:08Donovan.
00:32:09He likes it.
00:32:10He gets off on it.
00:32:12The weirder the crime the more he gets off.
00:32:14And you know what?
00:32:17One day just showing up won't be enough.
00:32:19One day we'll be standing around the body and Sherlock Holmes will be the one that put it there.
00:32:23Why would he do that?
00:32:24Because he's a psychopath.
00:32:26Psychopaths get bored.
00:32:28Donovan!
00:32:29He's coming.
00:32:34Stay away from Sherlock Holmes.
00:32:35So how can you see him?
00:32:36I'm hungry.
00:32:37Ya'll take that.
00:32:38Go to Sherlock Holmes.
00:32:39I'll be there.
00:33:07Taxi?
00:33:08Taxi!
00:33:38PHONE RINGS
00:33:44Hello?
00:33:45There is a security camera on the building to your left. Do you see it?
00:33:54Who's this?
00:33:56Who's speaking?
00:33:58Do you see the camera, Dr. Watson?
00:34:02Yeah, I see it.
00:34:04Watch.
00:34:08There is another camera on the building opposite you. Do you see it?
00:34:17And finally at the top of the building on your right.
00:34:28How are you doing this?
00:34:30Get into the car, Dr. Watson.
00:34:32I would make some sort of threat, but I'm sure your situation is quite clear to you.
00:34:38Hello?
00:34:39Hi.
00:34:40What's your name, then?
00:34:41Uh, Anthea.
00:34:42Is that your real name?
00:34:43No.
00:34:44Is that your real name?
00:34:45No.
00:34:46No.
00:34:47I'm John.
00:34:48I'm John.
00:34:49Yes.
00:34:50I know.
00:34:51I'm John.
00:34:52Yes.
00:34:53I know.
00:34:54Hmm.
00:34:55Any point in asking where I'm going?
00:34:56No.
00:34:57I'm John.
00:34:58Yes, I know.
00:34:59Any point in asking where I'm going?
00:35:00None at all.
00:35:01No.
00:35:02John.
00:35:03John.
00:35:04Okay.
00:35:05Okay.
00:35:07Okay.
00:35:08Name?
00:35:09No.
00:35:14I'm John.
00:35:15Yes, I know.
00:35:21Any point in asking where I'm going?
00:35:26None at all, John.
00:35:31Okay.
00:35:38Have a seat, John.
00:35:58You know, I've got a phone.
00:36:01It's very clever and all that.
00:36:04But you could just phone me.
00:36:09On my phone.
00:36:12When one is avoiding the attention of Sherlock Holmes,
00:36:15one learns to be discreet, hence this place.
00:36:17Your leg must be hurting you.
00:36:20Sit down.
00:36:21I don't want to sit down.
00:36:24You don't seem very afraid.
00:36:26You don't seem very frightening.
00:36:28Yes.
00:36:30The bravery of the soldier.
00:36:33Bravery is by far the kindest word for stupidity,
00:36:35don't you think?
00:36:36What is your connection to Sherlock Holmes?
00:36:40I don't have one.
00:36:41I barely know him.
00:36:42I met him...
00:36:44yesterday.
00:36:46And since yesterday you've moved in with him
00:36:47and now you're solving crimes together.
00:36:50Might we expect a happy announcement by the end of the week?
00:36:53Who are you?
00:36:54An interested party.
00:36:56Interested in Sherlock? Why?
00:36:58I'm guessing you're not friends.
00:36:59You've met him.
00:37:01How many friends do you imagine he has?
00:37:04I'm the closest thing to a friend that Sherlock Holmes is capable of having.
00:37:08And what's that?
00:37:09An enemy.
00:37:10An enemy?
00:37:11In his mind, certainly.
00:37:12If you were to ask him, he'd probably say his arch enemy.
00:37:16He does love to be dramatic.
00:37:19Well, thank God you're above all that.
00:37:27I hope I'm not distracting you.
00:37:29You're not distracting me at all?
00:37:31Do you plan to continue your association with Sherlock Holmes?
00:37:34I could be wrong, but I think that's none of your business.
00:37:38It could be.
00:37:39You really couldn't.
00:37:41If you do move into, um...
00:37:46221B Baker Street,
00:37:51I'd be happy to pay you a meaningful sum of money on a regular basis to ease your way.
00:37:57Why?
00:37:58Because you're not a wealthy man.
00:37:59In exchange for what?
00:38:02Information.
00:38:04Nothing indiscreet.
00:38:05Nothing you'd feel uncomfortable with.
00:38:07Just tell me what he's up to.
00:38:09Why?
00:38:11I worry about him constantly.
00:38:15He's nice of you.
00:38:17But I would prefer for various reasons that my concern go unmentioned.
00:38:21We have what you might call a difficult relationship.
00:38:28No.
00:38:32I haven't mentioned a figure.
00:38:33Don't bother.
00:38:35You're very loyal, very quickly.
00:38:37No, I'm not. I'm just not interested.
00:38:44Trust issues, it says here.
00:38:47What's that?
00:38:51Could it be that you've decided to trust Sherlock Holmes of all people?
00:38:56Who says I trust him?
00:38:57You don't seem the kind to make friends easily.
00:38:59Have we done?
00:39:01You tell me.
00:39:10I imagine people have already warned you to stay away from him, but I can see from your left hand that's not going to happen.
00:39:19My what?
00:39:20Show me.
00:39:33Don't.
00:39:34Remarkable.
00:39:35What is?
00:39:36Most people blunder around this city and all they see are streets and shops and cars.
00:39:51When you walk with Sherlock Holmes, you see the battlefield.
00:39:54You've seen it already, haven't you?
00:39:56What's wrong with my hand?
00:39:58You have an intermittent tremor in your left hand.
00:40:02Your therapist thinks it's post-traumatic stress disorder.
00:40:05She thinks you're haunted by memories of your military service.
00:40:08Who the hell are you?
00:40:11How do you know that?
00:40:12Fire her.
00:40:13She's got it the wrong way around.
00:40:15You're under stress right now and your hand is perfectly steady.
00:40:20You're not haunted by the war, Dr. Watson.
00:40:24You'll miss it.
00:40:28Welcome back.
00:40:36Time to choose a side, Dr. Watson.
00:40:49I have to take you home.
00:40:57Address?
00:40:58Uh, Baker Street.
00:40:59221B, Baker Street.
00:41:00Come on, I need to stop off somewhere first.
00:41:09Listen, you're both.
00:41:10Any chance you're gonna get to see this.
00:41:11Hello?
00:41:12All right.
00:41:13I'm sorry, man.
00:41:14I need to take some güven.
00:41:15No.
00:41:16I mean, stop you coming.
00:41:19No.
00:41:20I'm sorry.
00:41:21No.
00:41:22No.
00:41:23I love that.
00:41:24I need to take you home.
00:41:25No.
00:41:26No.
00:41:27Anyone.
00:41:28No.
00:41:29No, no, no.
00:41:30You're been playing it.
00:41:31No, no.
00:41:32I ain't getting any better.
00:41:33No.
00:41:34No, no.
00:41:35Listen, your boss, any chance you could not tell him this is where I went?
00:41:41Sure.
00:41:42You've told him already, haven't you?
00:41:44Yeah.
00:41:49Hey, um, do you ever get any free time?
00:41:53Oh, yeah, lots.
00:42:01Bye.
00:42:02Okay.
00:42:05What are you doing?
00:42:32Nicotine patch.
00:42:34Helps me think.
00:42:36Impossible to sustain a smoking habit in London these days.
00:42:40Bad news for brain work.
00:42:42What's good news for breathing?
00:42:43Oh, breathing. Breathing's boring.
00:42:45Is that three patches?
00:42:47It's a three-patch problem.
00:42:53Well...
00:42:54You asked me to come, I'm assuming it's important.
00:43:00Oh, yeah, of course. Can I borrow your phone?
00:43:03My phone?
00:43:04Don't want to use mine. Always a chance the number will be recognised. It's on the website.
00:43:07Mrs. Hudson's got a phone.
00:43:09Yeah, she's downstairs. I tried shouting, but she didn't hear.
00:43:11I was the other side of London.
00:43:12It was no hurry.
00:43:17Here.
00:43:18Here.
00:43:19So what's this about? The case?
00:43:25Her case.
00:43:26Her case?
00:43:27Her suitcase, yes, obviously.
00:43:29The murderer took her suitcase first. Big mistake.
00:43:32Okay, he took her case, sir.
00:43:34There's no use. There's no other way. We'll have to risk it.
00:43:38On my desk, there's a number. I want you to send a text.
00:43:44You've brought me here to send a text?
00:43:46Text, yes. The number on my desk.
00:44:00What's wrong?
00:44:01Just met a friend of yours.
00:44:03A friend?
00:44:04An enemy.
00:44:05Oh. Which one?
00:44:08Your arch enemy, according to him. Do people have arch enemies?
00:44:13Did he offer you money to spy on me?
00:44:16Yes.
00:44:17Did you take it?
00:44:18No.
00:44:19Pity we could have split the fee. Think it through next time.
00:44:22Who is he?
00:44:23The most dangerous man you've ever met, and not my problem right now.
00:44:26On my desk, the number.
00:44:31Jennifer Wilson. That was... Hang on. Wasn't that the dead woman?
00:44:40Yes, that's not important. Just enter the number.
00:44:43Are you doing it?
00:44:44Yes.
00:44:45Hang on.
00:44:46These words exactly.
00:44:48What happened at Lauriston Gardens? I must have blacked out.
00:44:5622 Northumberland Street.
00:44:59Please come.
00:45:00You blacked out?
00:45:01What?
00:45:02No.
00:45:03Type and send it. Quickly.
00:45:10Have you sent it?
00:45:11What's the address?
00:45:1222 Northumberland Street. Hurry up.
00:45:14That's...
00:45:15That's the pink lady's case. That's Jennifer Wilson's case.
00:45:27Yes, obviously.
00:45:31Oh, perhaps I should mention I didn't kill her.
00:45:34I never said you did.
00:45:35Why not, given the text I just had you send her. The fact that I have her case is a perfectly logical assumption.
00:45:40Do people usually assume you're the murderer?
00:45:43Now and then, yes.
00:45:45Okay.
00:45:49How did you get this?
00:45:50By looking.
00:45:51Where?
00:45:52The killer must have driven her to Lauriston Gardens.
00:45:54He could only keep her case by accident if it was in a car.
00:45:57Nobody could be seen with this case without drawing attention to themselves, particularly a man which is statistically more likely.
00:46:02So obviously he felt compelled to get rid of it the moment he noticed he still had it.
00:46:05It wouldn't have taken him more than five minutes to realize his mistake.
00:46:09I checked every back street wide enough for a car five minutes from Lauriston Gardens,
00:46:12and anywhere you could dispose of a bulky object without being observed.
00:46:17Took me less than an hour to find the right skip.
00:46:22Pink, you got all that because you realized the case would be pink.
00:46:25Well, it had to be pink, obviously.
00:46:26Why didn't I think of that?
00:46:27Because you're an idiot.
00:46:28No, no, no, don't be like that. Practically everyone is.
00:46:31Now look.
00:46:33Do you see what's missing?
00:46:34From the case? How could I?
00:46:36Her phone.
00:46:37Where's her mobile phone?
00:46:38There was no phone on the body.
00:46:39There's no phone in the case.
00:46:40We know she had one.
00:46:41That's her number there. You just texted her.
00:46:42Maybe she left it at home.
00:46:44She has a string of lovers, and she's careful about it.
00:46:46She never leaves her phone at home.
00:46:49Oh, well.
00:46:52Why didn't I just send that text?
00:46:54Well, the question is, where is her phone now?
00:46:57Did you could have lost it?
00:46:58Yes, or...
00:47:01The murderer. You think the murderer has the phone?
00:47:04Maybe she left it when she left her case.
00:47:07Maybe he took it from her for some reason.
00:47:10Either way, the balance of probability is the murderer has her phone.
00:47:13Sorry.
00:47:15What are we doing? Did I just text a murderer?
00:47:17What good will that do?
00:47:22A few hours after his last victim, and now he receives a text that can only be from her.
00:47:29If somebody just found that phone, they'd ignore a text like that.
00:47:31But the murderer...
00:47:34would panic.
00:47:35Have you talked to the police?
00:47:39Four people are dead. There isn't time to talk to the police.
00:47:41So why are you talking to me?
00:47:43Mrs Hudson took my skull.
00:47:46So I'm basically filling in for your skull?
00:47:48Relax, you're doing fine.
00:47:50Well?
00:47:51Well what?
00:47:52Well, you could just sit there and watch telly.
00:47:54Well, you want me to come with you?
00:47:55I like company when I go out, and I think better when I talk aloud.
00:47:58The skull just attracts attention, so...
00:48:01Problem?
00:48:03Yeah, Sergeant Donovan.
00:48:04What about her?
00:48:05She said.
00:48:07You get off on this, you enjoy it.
00:48:10And I said dangerous.
00:48:12And here you are.
00:48:17Damn it.
00:48:26Where are we going?
00:48:29Northumberland Street's a five minute walk from here.
00:48:31You think he's stupid enough to go there?
00:48:33No, I think he's brilliant enough.
00:48:34I love the brilliant ones.
00:48:35They were so desperate to get caught.
00:48:38Why?
00:48:39Appreciation.
00:48:40Applause.
00:48:41At long last, the spotlight.
00:48:43Frailty of genius, John.
00:48:44It needs an audience.
00:48:46Yeah.
00:48:47This is his hunting ground.
00:48:49Right here in the heart of the city.
00:48:51Now that we know his victims were abducted, that changes everything.
00:48:54Because all of his victims disappeared from busy streets, crowded places, but nobody saw them well.
00:49:00Think!
00:49:01Who do we trust, even though we don't know them?
00:49:03Who passes unnoticed, wherever they go?
00:49:06Who hunts in the middle of a crowd?
00:49:09I don't know who.
00:49:11I'm the faintest.
00:49:12Hungry?
00:49:17Thank you, Billy.
00:49:1822 Northumberland Street.
00:49:24Keep your eyes on it.
00:49:27He's not just going to ring the doorbell though, is he?
00:49:28I need to be mad.
00:49:30He has killed four people.
00:49:33Okay.
00:49:36Sherlock, anything on the menu, whatever you want, free.
00:49:40On the house for you and for your date.
00:49:41Do you want to eat?
00:49:42I'm not his date.
00:49:43This man got me off a murder charge.
00:49:45He's an Angelo.
00:49:46Three years ago, I successfully proved to Lestrade at the time of a particularly vicious triple murder that Angelo is in a completely different part of townhouse breaking.
00:49:53You cleared my name?
00:49:54I cleared it a bit.
00:49:55Anything happening opposite?
00:49:57Nothing.
00:49:58But for this man, I'd have gone to prison.
00:50:00You did go to prison.
00:50:01I'll get a candle for the table.
00:50:02It's more romantic.
00:50:04I'm not his date.
00:50:06You may as well eat.
00:50:08We might have a long wait.
00:50:11Thanks.
00:50:20People don't have arch enemies.
00:50:23Sorry?
00:50:24In real life?
00:50:26There are no arch enemies in real life.
00:50:27Doesn't happen.
00:50:28Doesn't it?
00:50:29Sounds a bit dull.
00:50:31So who did I meet?
00:50:32What do real people have, then, in their real lives?
00:50:37Friends?
00:50:38There are people they know, people they like, people they don't like.
00:50:43Girlfriends? Boyfriends?
00:50:44Well, as I was saying, dull.
00:50:47You don't have a girlfriend, then?
00:50:49Girlfriend? No.
00:50:50Not really my area.
00:50:54Oh, right.
00:50:57Do you have a boyfriend?
00:50:58Which is fine, by the way.
00:50:59I know it's fine.
00:51:02So you've got a boyfriend?
00:51:03No.
00:51:04Right.
00:51:05Okay.
00:51:08You're unattached.
00:51:09Just like me.
00:51:11Fine.
00:51:12Good.
00:51:21John, um...
00:51:23I think you should know that I consider myself married to my work.
00:51:25While I'm flattered by your interests, I'm really not looking for anything.
00:51:28No.
00:51:29I'm not asking...
00:51:30No.
00:51:32I'm just saying...
00:51:34It's all fine.
00:51:38Good.
00:51:44Look across the street.
00:51:45Taxi.
00:51:46Stopped.
00:51:47Nobody getting...
00:51:48Nobody getting out.
00:51:50Why a taxi?
00:51:52Oh, that's clever.
00:51:53Is it clever?
00:51:54Why is it clever?
00:51:55That's it.
00:51:56Don't stare.
00:51:57Well, you're staring.
00:51:58We can't both stare.
00:51:59There.
00:52:24Sorry.
00:52:26I've got the cab number.
00:52:27Good for you.
00:52:28Right turn.
00:52:29One way.
00:52:30Road work.
00:52:31Traffic lights.
00:52:32Bus lane.
00:52:33Pedestrian crossing.
00:52:34Left turn only.
00:52:35Traffic lights.
00:52:40Sorry.
00:52:51Come on, John.
00:52:57We're losing him.
00:52:58Come on, John, we're losing him.
00:53:28Oh! This way! No, this way!
00:53:46Sorry.
00:53:58Police! Open her up!
00:54:18No. Teeth turn what? Californian?
00:54:23LA, Santa Monica. Just arrived.
00:54:25How can you possibly know that?
00:54:27The luggage.
00:54:29Probably your first trip to London, right?
00:54:31Going by your final destination,
00:54:33the route the cabbie was taking you.
00:54:35Sorry, are you guys the police?
00:54:37Yeah. Everything all right?
00:54:40Yeah.
00:54:42Welcome to London.
00:54:46Any problems? Just let us know.
00:54:52Basically just a cab that happened to slow down.
00:54:54Basically.
00:54:55Not the murderer.
00:54:56Not the murderer, no.
00:54:57Wrong country. Good alibi.
00:54:59As they go.
00:55:00Where did you get this?
00:55:02Detective Inspector Lestrade?
00:55:04Yeah. I pickpocket him when he's annoying.
00:55:07You can keep that one. I've got plenty at the flat.
00:55:09What?
00:55:10Nothing. Just, uh, welcome to London.
00:55:18Got your breath back?
00:55:19Ready when you are.
00:55:20Okay.
00:55:21That was ridiculous. That was the most ridiculous thing I've ever done.
00:55:35And you invaded Afghanistan.
00:55:37That wasn't just me.
00:55:41That wasn't just me.
00:55:42Why aren't we back at the restaurant?
00:55:43Oh, if they could keep an eye out.
00:55:46It was a long shot anyway.
00:55:47So what were we doing there?
00:55:49Oh, just passing the time.
00:55:54And proving a point.
00:55:56What point?
00:55:57You.
00:55:58Mrs. Hudson?
00:55:59Dr. Watson will take the room upstairs.
00:56:02Says who?
00:56:03Says the man at the door.
00:56:05Sherlock texted me.
00:56:18He said you forgot this.
00:56:25Uh, thank you.
00:56:28Sherlock, what have you done?
00:56:30Mrs. Hudson?
00:56:31Upstairs.
00:56:35What are you doing?
00:56:39Well, I knew you'd find a case.
00:56:40I'm not stupid.
00:56:41You can't just break into my flat.
00:56:42You can't withhold evidence.
00:56:44And I didn't break into your flat.
00:56:45Well, what do you call this, then?
00:56:47It's a drug's bust.
00:56:48Seriously.
00:56:50This guy.
00:56:51A junkie.
00:56:52Have you met him?
00:56:53John.
00:56:54I'm pretty sure you can search this flat all day.
00:56:55You wouldn't find anything you could call recreation.
00:56:57John, you probably want to shut up.
00:56:58No.
00:56:59Yeah, but come on.
00:57:02No.
00:57:03What?
00:57:04You.
00:57:05Shut up.
00:57:06I'm not your sniffer dog.
00:57:07No, Anderson's my sniffer dog.
00:57:08What?
00:57:09Anderson, what are you doing here on a drugs bust?
00:57:12Oh, I volunteered.
00:57:13They all did.
00:57:14They're not strictly speaking on the drug squad, but they're very keen.
00:57:17Are these human eyes?
00:57:18Put those back.
00:57:19They were in the microwave.
00:57:20It's an experiment.
00:57:21Keep looking, guys.
00:57:22Or you could start helping us properly and I'll stand them down.
00:57:25Shut up.
00:57:26Well, I'm dealing with a child.
00:57:27Sherlock, this is our case.
00:57:28I'm letting you in, but you do not go off on your own.
00:57:31Clear?
00:57:32Oh, what?
00:57:33So, so, so you set up a pretend drugs bust to bully me?
00:57:36It stops being pretend if they find anything.
00:57:37I am clean.
00:57:38Is your flat all of it?
00:57:41Don't even smoke.
00:57:42Neither do I.
00:57:47So let's work together.
00:57:50We found Rachel.
00:57:51Who is she?
00:57:52Jennifer Wilson's only daughter.
00:57:53A daughter?
00:57:55Why would she write her daughter's name?
00:57:57Why?
00:57:58Never mind that.
00:57:59We found the case.
00:58:00According to someone, the murderer has the case.
00:58:02And we found it in the hands of our favourite psychopath.
00:58:05I'm not a psychopath, Anderson.
00:58:06I'm a high-functioning sociopath.
00:58:08Do your research.
00:58:09You need to bring Rachel in.
00:58:10And then you need to question her.
00:58:11I need to question her.
00:58:12She's dead.
00:58:13Excellent.
00:58:14How am I?
00:58:15Is there a connection?
00:58:16There has to be.
00:58:17Well, I doubt it since she's been dead for 14 years.
00:58:18Technically, she was never alive.
00:58:20Rachel was Jennifer Wilson's stillborn daughter 14 years ago.
00:58:25Oh, that's...
00:58:27That's not right.
00:58:28How...
00:58:29Why would she do that?
00:58:30Why?
00:58:31Why would she think of her daughter in her last moments?
00:58:33Yup.
00:58:34Sociopath.
00:58:35Seeing it now...
00:58:36She didn't think about her daughter.
00:58:37She scratched her name on the floor with her fingernails.
00:58:40She was dying.
00:58:41It took effort.
00:58:42It would have hurt.
00:58:43You said that the victims all took the poison themselves.
00:58:46That he makes them take it.
00:58:48Well, maybe he, I don't know, talks to them.
00:58:51Maybe he used the death of her daughter somehow.
00:58:53Yeah, but that was ages ago.
00:58:54Why would she still be upset?
00:58:56Not good?
00:58:57A bit not good, yeah.
00:58:58Yeah, but if you were dying...
00:58:59If you'd been murdered in your very last few seconds, what would you say?
00:59:00Please, God, let me live.
00:59:01Use your imagination.
00:59:02I don't have to.
00:59:03Yeah, but if you were clever.
00:59:04Really clever.
00:59:05Jennifer Wilson running all those lovers.
00:59:06She was clever.
00:59:07She's trying to tell us something.
00:59:08Isn't the doorbell working?
00:59:09Your taxi's here, Shirley.
00:59:10Order a taxi.
00:59:11Go away.
00:59:12Oh dear, they're making such a mess.
00:59:13What are they looking for?
00:59:14It's a drugs bust, Mrs Hudson.
00:59:15But they're just for my hip.
00:59:16They're herbal soothers.
00:59:17Shut up, everybody!
00:59:18Shut up!
00:59:19Don't move, don't speak, don't breathe.
00:59:20I'm trying to think.
00:59:21Anderson, face the other way.
00:59:22You're putting me off.
00:59:23What?
00:59:24My face is.
00:59:25Everybody quiet and still.
00:59:26Anderson, turn your back.
00:59:27Oh, for God's sake.
00:59:28Get back now, please.
00:59:29Come on, think.
00:59:30Quick.
00:59:31What about your taxi?
00:59:32Mrs Hudson!
00:59:33Oh.
00:59:34Oh.
00:59:35She was clever, clever, yes.
00:59:38She's cleverer than you lot, and she's dead.
00:59:40Do you see?
00:59:41Do you get it?
00:59:42Do you get it?
00:59:43Do you get it?
00:59:44Do you get it?
00:59:45Oh.
00:59:46Oh.
00:59:47Oh.
00:59:48Oh.
00:59:50Oh.
00:59:51Oh.
00:59:52Oh.
00:59:53Oh.
00:59:54Oh.
00:59:55Oh, my God.
00:59:56Oh, my God.
00:59:57Oh, my God.
00:59:58Oh, my God.
00:59:59Oh, my God.
01:00:00Oh, my God.
01:00:01She didn't lose her phone.
01:00:02She never lost it.
01:00:03She planted it on him.
01:00:04When she got out of the car, she knew that she was going to her death.
01:00:07She left the phone in order to lead us to her killer.
01:00:10How?
01:00:11What?
01:00:12What do you mean, how?
01:00:14Rachel!
01:00:17Did you see?
01:00:18Rachel!
01:00:22Look at you lot.
01:00:23You're all so vacant.
01:00:24Is it nice not being me?
01:00:26It must be so relaxing.
01:00:27Rachel is not a name.
01:00:28Then what is it?
01:00:29John.
01:00:30On the luggage, there's a label.
01:00:31Email address.
01:00:35Jenny.pink at mephone.org.uk.
01:00:37I've been too slow.
01:00:38She didn't have a laptop, which means she did her business on her phone.
01:00:41So it's a smartphone.
01:00:42It's email-enabled.
01:00:43So there was a website for her account.
01:00:45The username is her email address.
01:00:46And all together now, the password is...
01:00:48Rachel.
01:00:49So we can read her emails.
01:00:50So what?
01:00:51Anderson, don't talk out loud.
01:00:52You lower the IQ of the whole street.
01:00:54We can do much more than just read her emails.
01:00:56It's a smartphone.
01:00:57It's got GPS.
01:00:58Which means if you lose it, you can locate it online.
01:01:00She's leading us directly to the man who killed her.
01:01:02Unless he got rid of it.
01:01:03We know he didn't.
01:01:04Come on.
01:01:05Come on.
01:01:06Quickly!
01:01:07Sherlock, dear.
01:01:08This taxi driver...
01:01:09Mrs Hudson, isn't it time for your evening soother?
01:01:12Get vehicles.
01:01:13Get a helicopter.
01:01:14We're gonna have to move fast.
01:01:15This phone battery won't last forever.
01:01:16We'll just have a map reference, not a name.
01:01:18It's a start.
01:01:19Sherlock?
01:01:20No, is it time for just anyone in London?
01:01:21It's the first property that we've had.
01:01:23Sherlock?
01:01:24Where is it quickly?
01:01:25Where?
01:01:26It's here.
01:01:27It's in 221 Baker Street.
01:01:30I'm gonna be here.
01:01:33How?
01:01:34Well, maybe it was in the case when you brought it back
01:01:37and it fell out somewhere.
01:01:39Well, I didn't notice it.
01:01:40Me.
01:01:41Anyway, we texted him and he called back.
01:01:43Guys, we're also looking for a mobile somewhere here.
01:01:47Who do we trust?
01:01:48Even if we don't know them.
01:01:59Who passes unnoticed wherever they go?
01:02:06Who hunts in the middle of a crowd?
01:02:11Who happens next to him?
01:02:12No.
01:02:43Sherlock, you okay?
01:02:48What?
01:02:50Yeah, yeah, I'm fine.
01:02:52So, how can the phone be here?
01:02:55Don't know.
01:02:56I'll try it again.
01:02:57Good idea.
01:02:58Hey, where are you going?
01:02:59Fresh air.
01:03:00Just popping outside for a moment.
01:03:01Won't be long.
01:03:03You sure you're all right?
01:03:04I'm fine.
01:03:13Taxi for Sherlock Holmes.
01:03:20I didn't order a taxi.
01:03:23Doesn't mean you don't need one.
01:03:25You're the cabbie.
01:03:28The one who stopped outside Northumberland Street.
01:03:31It was you, not your passenger.
01:03:39See, no one ever thinks about the cabbie.
01:03:42It's like you're invisible.
01:03:44Just the back of an head.
01:03:47Proper advantage for a serial killer.
01:03:48Is this a confession?
01:03:53Oh, yeah.
01:03:55I'll tell you what else.
01:03:57If you call the coppers now, I won't run.
01:04:00I'll sit quiet and they can take me down.
01:04:02I promise.
01:04:04Why?
01:04:05Because you're not going to do that.
01:04:07Am I not?
01:04:07I didn't kill those four people, Mr. Holmes.
01:04:13I spoke to them.
01:04:15And they killed themselves.
01:04:19If you get the coppers now, I'll promise you one thing.
01:04:23I will never tell you what I said.
01:04:31No one else will die, though, and I believe they call that a result.
01:04:34And you won't ever understand how those people died.
01:04:39What kind of result do you care about?
01:04:57If I wanted to understand, what would I do?
01:05:02Let me take you for a ride.
01:05:03So you can kill me, too?
01:05:05I don't want to kill you, Mr. Holmes.
01:05:09I'm going to talk to you.
01:05:12And then you're going to kill yourself.
01:05:13He just got in a cab.
01:05:34It's Sherlock.
01:05:34He just drove off in a cab.
01:05:36I told you, he does that.
01:05:37He bloody left again.
01:05:39We're wasting our time.
01:05:41I'm calling the phone.
01:05:42It's ringing out.
01:05:43If it's ringing, it's not here.
01:05:57I'll try the search again.
01:05:58Does it matter?
01:05:59Does any of it?
01:06:01He's just a lunatic, and he'll always let you down,
01:06:03and you're wasting your time.
01:06:05All our time.
01:06:06Okay, everybody.
01:06:15Done here.
01:06:19How did you find me?
01:06:20Oh, I recognized you.
01:06:24As soon as I saw you chasing my cab,
01:06:27Sherlock Holmes.
01:06:30I was warned about you.
01:06:33I've been on your website, too.
01:06:34Brilliant stuff.
01:06:35Loved it.
01:06:37Who warned you about me?
01:06:39There's someone out there who's noticed you.
01:06:42Who?
01:06:43Who would notice me?
01:06:53You're too modest, Mr. Owen.
01:06:54I'm really not.
01:06:56You've got yourself a fan.
01:06:59Tell me more.
01:07:01That's all you're gonna know.
01:07:04In this lifetime.
01:07:06Why did he do that?
01:07:08Why did he have to leave?
01:07:09You know him better than I do.
01:07:11I've known him for five years.
01:07:13I never doubt.
01:07:16So why do you put up with him?
01:07:18Because I'm desperate, that's why.
01:07:22Because Sherlock Holmes is a great man.
01:07:25And I think one day,
01:07:27if we're very, very lucky,
01:07:29we might even be a good one.
01:07:41Where are we?
01:07:54You know every street in London.
01:07:56You know exactly where we are.
01:07:58Roland Kerrfeather Education College.
01:08:01Why here?
01:08:02It's open.
01:08:04Cleaners are in.
01:08:04One thing about being a cabbie,
01:08:07you always know a nice, quiet spot for a murder.
01:08:10I'm surprised more of us don't branch out.
01:08:13And you just walk your victims in?
01:08:15How?
01:08:18Oh, doll.
01:08:19Don't worry.
01:08:20It gets better.
01:08:22You can't make people take their own lives at gunpoint.
01:08:25I don't.
01:08:26It's much better than now.
01:08:28I don't need this with you,
01:08:31because you'll follow me.
01:08:32It gets better.
01:08:55Oh, what?
01:08:55Oh, I don't need an ending.
01:08:57Oh, my God.
01:08:57Oh, my God.
01:08:57Oh, my God.
01:08:58Oh, my God.
01:09:00Oh, my God.
01:09:01Oh, my God.
01:09:01Oh, my God.
01:09:01No, my God.
01:09:02Oh, my God.
01:09:02Well, what do you think?
01:09:27It's up to you.
01:09:29You're the one who's going to die here.
01:09:32No, I'm not.
01:09:35That's what they all say.
01:09:38Shall we talk?
01:09:55Bit risky, wasn't it?
01:09:57Took me away under the eye of about half a dozen policemen.
01:10:01They're not that stupid.
01:10:02And Mrs. Hudson will remember you.
01:10:05You call that a risk?
01:10:06Nah.
01:10:08This is a risk.
01:10:17Oh, I like this bit.
01:10:19Because you don't get it yet, do you?
01:10:24But you're about to.
01:10:27I'll just have to do this.
01:10:28You weren't expecting that, were you?
01:10:38Oh, you're going to love this.
01:10:39Love what?
01:10:41Sherlock Holmes.
01:10:42Look at you.
01:10:44Here in the flesh.
01:10:47That website of yours.
01:10:48Your fan told me about it.
01:10:50My fan?
01:10:51You are brilliant.
01:10:52You are a proper genius.
01:10:56The science of deduction.
01:10:59Now that is proper thinking.
01:11:03Between you and me sitting here, why can't people think?
01:11:06Don't it make you mad?
01:11:11Why can't people just think?
01:11:18Oh, I see.
01:11:19So you're a proper genius, too.
01:11:22Don't look it, do I?
01:11:25Funny little man driving a cab.
01:11:27But you know better in a minute.
01:11:30Chances aren't be the last thing you ever know.
01:11:32Okay, two bottles.
01:11:37Explain.
01:11:38There's a good bottle and a bad bottle.
01:11:41You take the pill from the good bottle you live.
01:11:44Take the pill from the bad bottle.
01:11:46You die.
01:11:48Both bottles are, of course, identical.
01:11:49In every way.
01:11:50And you know which is which?
01:11:51Of course I know.
01:11:52But I don't.
01:11:53Wouldn't be a game if you knew.
01:11:55You're the one who chooses.
01:11:56Why should I?
01:11:57I've got nothing to go on.
01:11:59What's in it for me?
01:12:01I haven't told you the best bit yet.
01:12:02Whatever bottle you choose,
01:12:06I take the pill from the other one.
01:12:08And then together,
01:12:10we take our medicine.
01:12:14I won't cheat.
01:12:16It's your choice.
01:12:19I'll take whatever pill you don't.
01:12:24Didn't expect that, did you, Mr. Holmes?
01:12:27This is what you did to the rest of them.
01:12:29You gave them a choice.
01:12:30And now I'm giving you one.
01:12:33You take your time.
01:12:35Get yourself together.
01:12:37I want your best game.
01:12:39It's not a game, it's a chance.
01:12:41I've played four times.
01:12:42I'm alive.
01:12:44It's not a chance, Mr. Holmes.
01:12:46It's chess.
01:12:49It's a game of chess.
01:12:50With one move.
01:12:53And one survivor.
01:12:54This, this, this, is the move.
01:13:08Did I just give you the good bottle or the bad bottle?
01:13:11You can choose either one.
01:13:17Detective Inspector Lestrade, I need to speak to him.
01:13:20It's important.
01:13:21It's an emergency.
01:13:23Left here, please.
01:13:24Left here.
01:13:24You ready yet, Mr. Holmes?
01:13:39Ready to play?
01:13:40Play what?
01:13:41It's a 50-50 chance.
01:13:43You're not playing the numbers, you're playing me.
01:13:47Did I just give you the good pill or the bad pill?
01:13:51Is it a bluff?
01:13:53Or a double bluff?
01:13:55Or a triple bluff?
01:13:56It's still just chance.
01:13:57Four people in a row is not chance.
01:13:59Luck.
01:13:59It's genius.
01:14:02I know how people think.
01:14:04I know how people think I think.
01:14:07I can see it all like a map inside my head.
01:14:11Everyone's so stupid, even you.
01:14:14Or maybe God just loves me.
01:14:19Either way, you're wasted as a cabbie.
01:14:26So, you risked your life four times just to kill strangers.
01:14:37Why?
01:14:38Time to play.
01:14:39Oh, I am playing.
01:14:42This is my turn.
01:14:44There's shaving foam behind your left ear.
01:14:46Nobody's pointed it out to you.
01:14:48Traces of where it's happened before,
01:14:50so obviously you live on your own.
01:14:51There's no one to tell you.
01:14:52But there's a photograph of children.
01:14:54And the children's mother's been cut out of the picture.
01:14:56If she died, she'd still be there.
01:14:58Photographs old, but the frame's new.
01:14:59You think of your children, but you don't get to see them.
01:15:02Strange father.
01:15:04She took the kids.
01:15:06But you still love them, and it still hurts.
01:15:11Barberism.
01:15:14Your clothes recently laundered.
01:15:16But everything you're wearing is at least three years old.
01:15:19Keeping up appearances, but not planning ahead.
01:15:22And here you are in a kamikaze night.
01:15:26This week, what's that about?
01:15:32Ah.
01:15:34Three years ago.
01:15:35Is that when they told you?
01:15:36Told me what?
01:15:38That you're a dead man walking.
01:15:40So are you.
01:15:41You don't have long, though.
01:15:43Am I right?
01:15:46Aneurysm.
01:15:47Right in here.
01:15:47Any breath could be my last.
01:15:54And because you're dying, you've just murdered four people.
01:15:57I've outlived four people.
01:16:01That's the most fun you can have with an aneurysm.
01:16:04No.
01:16:06No, there's something else.
01:16:08You didn't just kill four people because your bitter bitterness is a paralytic.
01:16:11Love is a much more vicious motivator.
01:16:18Somehow, this is about your children.
01:16:21Oh.
01:16:24You are good, aren't you?
01:16:25But how?
01:16:28When I die, they won't get much, my kids.
01:16:33Not a lot of money in driving cabs.
01:16:35Or serial killer.
01:16:36You'd be surprised.
01:16:38Surprise me.
01:16:39I have a sponsor.
01:16:44You have a what?
01:16:45For every life I take, money goes to my kids.
01:16:48The more I kill, the better off they'll be.
01:16:53You see?
01:16:54It's nicer than you think.
01:16:56Let's sponsor a serial killer.
01:16:58You'd be a fan of Sherlock Holmes.
01:17:04You're not the only one to enjoy a good murder.
01:17:06There's others out there just like you, except you're just a man.
01:17:12And there's so much more than that.
01:17:16What do you mean?
01:17:18More than a man.
01:17:21An organization what?
01:17:23There's a name.
01:17:25No one says.
01:17:26And I'm not going to say it either.
01:17:31Now, enough chatter.
01:17:35Time to choose.
01:17:41Sherlock!
01:17:48Sherlock!
01:17:49What if I don't choose either?
01:17:51I could just walk out of here.
01:17:52You can take a 50-50 chance.
01:17:59Or I can shoot you in the head.
01:18:03Funny enough, no one's ever gone for that option.
01:18:07I'll have the gun, please.
01:18:10Are you sure?
01:18:12Definitely.
01:18:14The gun.
01:18:15You don't want to phone a friend?
01:18:18The gun.
01:18:19I know a real gun when I see one.
01:18:29Not only how this did.
01:18:30Clearly.
01:18:32Well, this has been very interesting.
01:18:36I look forward to the court case.
01:18:42Just before you go, did you figure it out?
01:18:46Which one's the good bottle?
01:18:47Of course.
01:18:49Child's play.
01:18:51Which one, then?
01:18:54Which one would you have picked?
01:18:55Just so I know whether I could have beaten you.
01:18:59Come on.
01:19:01Play the game.
01:19:02Oh, interesting.
01:19:20Interesting.
01:19:29So, what do you think?
01:19:30Shall we?
01:19:36Really, what do you think?
01:19:41Can you beat me?
01:19:45Clever enough?
01:19:48To bet your life?
01:19:49I bet you get bored, don't you?
01:20:06I know you do.
01:20:10A man like you.
01:20:12So clever.
01:20:13But what's the point of being clever, if you can't prove it?
01:20:20Still the addict.
01:20:23But this, this is what you're really addicted to.
01:20:29You do anything, anything at all, to stop being bored.
01:20:35You're not bored now, are ya?
01:20:41Nicod.
01:20:42Was I right?
01:20:58I was, wasn't I?
01:21:00Did I get it right?
01:21:06Okay.
01:21:07Tell me this.
01:21:09Your sponsor.
01:21:11Who was it?
01:21:12The one who told you about me, my fan.
01:21:15I want a name.
01:21:16No.
01:21:18You're dying, but there's still time to hurt you.
01:21:21Give me a name.
01:21:26A name.
01:21:28Now.
01:21:31The name.
01:21:34Mariati!
01:21:34Why have I got this blanket?
01:21:59They keep putting this blanket on me.
01:22:00Yeah, it's for shock.
01:22:01I'm not in shock.
01:22:03Yeah, but some of the guys want to take photographs.
01:22:07So, the shooter, no sign?
01:22:09Cleared off before we got here.
01:22:10But a guy like that would have had enemies, I suppose.
01:22:13One of them could have been following him, but...
01:22:15Got nothing to go on.
01:22:16Oh, I wouldn't say that.
01:22:21Okay, give me.
01:22:23The bullet they just dug out of the walls from a handgun.
01:22:26A kill shot over that distance from that kind of a weapon, that's a crack shot you're looking for.
01:22:29But not just a marksman, a fighter, his hands couldn't have shaken at all, so clearly he's acclimatised to violence.
01:22:34He didn't find until I was in immediate danger, though, so strong moral principle.
01:22:38You're looking for a man probably with a history of military service and...
01:22:42nerves of steel.
01:22:50Actually, do you know what? Ignore me.
01:22:51Sorry?
01:22:52Ignore all of that.
01:22:53It's just the shock talking.
01:22:55Where are you going?
01:22:56I just need to talk about the rent.
01:22:58Yeah, I've still got questions for you.
01:22:59Oh, what now?
01:23:00I'm in shock. Look, I've got a blanket.
01:23:02Sherlock!
01:23:03And I just caught you a serial killer.
01:23:06More or less.
01:23:10Okay.
01:23:11We'll put you in tomorrow if you go.
01:23:21Sergeant Donovan's just been explaining everything.
01:23:25Two pills.
01:23:26Dreadful business, isn't it? Dreadful.
01:23:31Good shot.
01:23:33Yes.
01:23:33Yes, must have been through that window.
01:23:35Well, you'd know.
01:23:39Need to get the powder burns out of your fingers.
01:23:40I don't suppose you'd serve time for this, but let's avoid the court case.
01:23:44Are you all right?
01:23:46Yes, of course I'm all right.
01:23:47You have just killed a man.
01:23:48Yes, I...
01:23:50It's true.
01:23:56But he wasn't a very nice man.
01:23:59No.
01:24:00No, he wasn't really, was he?
01:24:01You know, frankly, a bloody awful cabbie.
01:24:04That's true.
01:24:05He was a bad cabbie.
01:24:06Should have seen the route he took us to get there.
01:24:09Stop.
01:24:09You can't giggle.
01:24:10It's a crime scene.
01:24:11Stop it.
01:24:11You're the one who shot him.
01:24:12Don't know me.
01:24:13Keep your voice now.
01:24:14Sorry, it's just nerves, I think.
01:24:15Sorry.
01:24:18You were going to take that damn pill, weren't you?
01:24:20Of course I wasn't.
01:24:22Biding my time.
01:24:24You'd turn up.
01:24:25You didn't.
01:24:26That's how you get your kicks, isn't it?
01:24:28You risk your life to prove you're clever.
01:24:30Why would I do that?
01:24:31Because you're an idiot.
01:24:35Dinner?
01:24:36Starving.
01:24:37And to Baker Street.
01:24:38There's a good Chinese.
01:24:39Stay's open till two.
01:24:40You can always tell a good Chinese back.
01:24:41Something with the bottom third of the door handle.
01:24:43Sherlock.
01:24:43That's him.
01:24:44That's the man I was talking to you about.
01:24:46I know exactly who that is.
01:24:49So, another case cracked.
01:24:52How very public-spirited.
01:24:54That's never really your motivation.
01:24:56What is it?
01:24:57What are you doing here?
01:24:58As ever, I'm concerned about you.
01:25:01Yes, I've been hearing about your concern.
01:25:03Oh, it's so aggressive.
01:25:05It never occurred to you that you and I belong on the same side.
01:25:08Oddly enough, no.
01:25:10We have more in common than you like to believe.
01:25:13This petty feud between us is simply childish.
01:25:16People will suffer.
01:25:18And you know how it always upset mummy.
01:25:21I upset her?
01:25:23Me?
01:25:23It wasn't me that upset her, Mycroft.
01:25:27No.
01:25:28No, wait.
01:25:29Mummy?
01:25:29Who's mummy?
01:25:30Mother.
01:25:30Our mother.
01:25:32This is my brother, Mycroft.
01:25:35Putting on weight again.
01:25:37Losing it, in fact.
01:25:39He's your brother?
01:25:39Of course, he's my brother.
01:25:42Is he not?
01:25:43Not what?
01:25:45I know.
01:25:46Criminal mastermind?
01:25:49Close enough.
01:25:50For goodness sake.
01:25:51I occupy a minor position in the British government.
01:25:54He is the British government when he's not too busy being the British Secret Service or the CIA on a freelance basis.
01:26:00Good evening, Mycroft.
01:26:02Try not to start a war before I get home.
01:26:04You know what it does with the traffic.
01:26:08So, when you say you're concerned about him, you actually are concerned?
01:26:12Yes, of course.
01:26:14I mean, it actually is a childish feud.
01:26:17He's always been so resentful.
01:26:19You could imagine the Christmas dinners.
01:26:22Yeah.
01:26:23No, God, no.
01:26:24I'd better, um, hello again.
01:26:30Hello.
01:26:31Yes, we met earlier on this evening.
01:26:35Oh.
01:26:35Okay, good night.
01:26:36Good night, Dr. Watson.
01:26:40So, dim sum, man.
01:26:41I can always predict the fortune cookies.
01:26:43No, you can't.
01:26:44Almost can.
01:26:44You did get shot, though.
01:26:46Sorry?
01:26:46In Afghanistan, there was an actual wound.
01:26:48Oh, yeah, the shoulder.
01:26:50The shoulder, I thought so.
01:26:51No, you didn't.
01:26:51The left one.
01:26:52Lucky guess.
01:26:53Never guess.
01:26:54Yes, you do.
01:26:56What are you so happy about?
01:26:57Moriarty.
01:26:58What's Moriarty?
01:26:59I've absolutely no idea.
01:27:03Sir, shall we go?
01:27:06Interesting, that soldier fellow.
01:27:08He could be the making of my brother.
01:27:11Can't make him worse than ever.
01:27:14Either way, we'd better upgrade their surveillance status.
01:27:18Grade three, active.
01:27:19Sorry, sir.
01:27:20Whose status?
01:27:21Sherlock Holmes and Dr. Watson.
01:27:26Sherlock Holmes and Dr. Watson.
01:27:26Hmm.
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