00:00Isai, our Buddhist scripture known as Shisrameshaka,
00:03is the nomad-nathist,
00:05Brahmapuraya-janma,
00:06Ganjam Mat Chantan.
00:08I was the Word of God.
00:09He is playing on the Word of God,
00:11and he was playing on the Word of God.
00:13His Buddhist scripture name as Shisrameshaka,
00:15his name is Tha Rampakhar.
00:17Here are the best way to speak in Brahman.
00:21This is the Word of God.
00:23All for all, this is the Word of God.
00:27What is the director of the cinema?
00:34The director of cinema is the director of the cinema department.
00:44He must be a director, a writer also.
00:48The director of cinema, the director of cinema and business,
00:55told you about ten years ago.
00:58He slowly takes the cinema into the cinema and takes the cinema and takes the cinema.
01:01Then he can't stop by seeing this version.
01:04He thinks he needs to be shown a better version of the cinema.
01:10So he takes the time.
01:13Then we developed a new age in this stage.
01:18Then we developed a new age in 24 hours a day.
01:25Then we developed a drama director.
01:29So with the college, we have a dramatic secretary.
01:33It's a great college.
01:35The queen of the mission is high school.
01:38It was very interesting to me that if I was a lecturer, I would like to go to the ISL, I would like to go to the collector, I would like to go to the collector.
01:49Let me do something, because I am a creator, let me create something, some stories.
01:56I would like to create a story, I would like to create a story, I would like to create a story.
02:03This is what I would like to do, I would like to create a story, and I would like to go back to Bombay.
02:11That's why I would like to go to Bombay.
02:15I would like to go to Bombay, I would like to talk about the godfather of the Odiya film industry.
02:21This is how I would like to talk about it.
02:23I would like to talk about this, I would like to talk about it,
02:27Jāo Bombay, Prapalī shikha đirection, then watch in atam guza đirection dhevi kāhi chintā gurdhya.
02:35Chaligari – Bombay, Jaligari.
02:37Agurudī tīnthar jai tili, Chaligari assistant director he kāma gani.
02:43Kāma shikhi li, dherovāya ready tili fata-fata đirection dehi dhele.
02:49Sindhura bendu uŋne ṣa panchostari vajayate, stari stari, chaustari panchostari.
02:54This is the situation where we can start.
02:58We can see more cinema.
03:01We can get all the characters from the world.
03:05We can get all the characters from the world.
03:08We can get all the characters from the world.
03:11So, how do you conceive of this?
03:13We have to create a story from the world.
03:16How do you conceive of this?
03:19We can develop this story.
03:21develop and develop.
03:24This is where I insult myself,
03:27you can use the material to keep up with the flesh.
03:30M-30, 3-0. Stop!
03:33You can like pictures!
03:37My confidence will not be included.
03:40You can easily see that.
03:41So you can find out the這樣 places.
03:44I should have been living the buildings.
03:46I should have been learning the buildings.
03:48And if you are a Sahaja, you can convince yourself, and you can convince yourself, and you can become a Sahaja.
03:58So, if you look at yourself, you see your grandfather, you can call him,
04:05and you're where he has gone, and you can do it.
04:09I had a screenplay that I was able to pay for my dad, I would like to ask him,
04:14I would say, I am going to move this to Bengal, so I would like to ask him.
04:20I would like to give up a second to the living room and for not to have much money.
04:26I would like to give up a second to the living room.
04:30I would like to give up the screenplay, and have 10 people who give up the screenplay.
04:38I am very happy because more money was made.
04:45I would have to keep a lot of money.
04:48This is how much life is.
04:50It is very very very popular.
04:53It is very popular because it is not a Hindi direction.
04:57In Hindi, I have seen a picture of a super duper silver jubil.
05:03No.
05:04We have tried to ask him.
05:05We are not going to do this.
05:06The Tsch sodas came as a headshot.
05:07We have a good one.
05:08We are not going to do this.
05:09We are not going to do that.
05:11We are not going to do that.
05:12We are also going to take a few more.
05:14We are not going to do it.
05:15We are going to throw it.
05:17So, we are going to try it.
05:19But we have friends who have got some money.
05:24We are going to drop it.
05:29The intention of Rohila Maroon is where Swami is going to go.
05:32He was ghostwriting in the Bengali picture.
05:37So, he was going to be properly conceived and conceived in Hindi.
05:44So, the picture was in the 38th century.
05:48He was going to go to the Javaddas.
05:50Look at this picture, I was able to show my parents in the background of this picture and he was able to give my parents a few original stories about this picture.
06:03I just told him that I didn't get rid of this picture.
06:06But I started living in life and had a big picture.
06:11So, when you get some of these, you are when you crue all the time.
06:20You are at work class.
06:22You are at work class.
06:24But you are at work class.
06:27So you have to work better than you are at work.
06:32Then you are at work class.
06:38How do you see this?
06:45If you have to do this, you will have to do this.
06:53It is not a producer or a director.
06:59We are very capable of the government.
07:04Because of the responsibility of people being under a lint,
07:09we would not have to believe in the government,
07:14nor have these groups,
07:16we would not have to believe in our association,
07:21but we would never know how bad it is,
07:25but we really had to believe,
07:28We are still in the same place.
07:32We are still in the same place.
07:36We have been doing 100,000 projects.
07:42We are still in the same place.
07:44If you have a connection with the connection,
07:48you will have to be able to find the connection.
07:52We will have to bring the connection with the connection.
07:56We have to make cinema and hall of cinema.
08:00We have to make a difference to us in the country.
08:03The India of Tamil and Tamil people compete.
08:07We have to make cinema and hall of cinema.
08:11We have to make the producer's famous.
08:14We have to make a picture of the world now.
08:17Our industry is very large.
08:19Our government is very rich.
08:21This government is very rich.
08:23How did we compare the data when we saw the data we started with the class?
08:36No, it was another reason that we started the director.
08:46The director used to have money, and it was a worker.
08:51You could be able to pay a cinema.
08:53You can have money in your debt, or not in your debt.
08:57You can have money through your money.
08:59You can do money in this day and work.
09:02You can make a production of this istrotransmis.
09:05You can make a story like that into a restaurant.
09:07You can make a movie like this.
09:09The whole emotional perception, the culture,
09:15All of these things have been seen in the cinema.
09:20It's called Lungri dance.
09:22All of these things have been seen.
09:24All of these things have been identified in the cinema.
09:32In other words, the cinema hall has been found in the cinema hall.
09:38All of these things have been found in the government.
09:45All of these things have been found in the film industry.
09:51We have been able to do the cinema hall,
09:53and the film industry has been found in the film industry.
09:59All of these things have been taken over the years.
10:03There were only people who came in, that either error or comment.
10:18Sir, how did I take you to Brahmapur?
10:21What do I try from Brahmapur?
10:25I had a lot of experience in that dialogue.
10:29I would like to call the dialogue with all those people.
10:34I thought I would like to call it Barhampura.
10:37Because I said, I would like to call it Barhampura.
10:41I never liked the dialogue, just the characters.
10:44Then I knew you would like to know about the villain.
10:49Because it was a lot of experience now.
10:51Then there was a villain.
10:54and I'm going to go out and play a movie.
10:56So, everyone says that I'm a Barhampur tiger,
11:00I'm a Barhampur tiger.
11:02I didn't say that I was going to film a cinema.
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