- 2 days ago
Ek Jhooti Kahani ep 7 Pakistani drama
Category
🎥
Short filmTranscript
00:00You will forget these battles.
00:04Neither we meet the shoes nor the camera.
00:10What will your friends will be with you all over the world?
00:13No, no, no, no, no, no, no, no, no, no.
00:17You never thought that we should look at this camera.
00:23Man is a mistake.
00:27No one will do wrong.
00:31Jinn ki shadhi, unki shadhi.
00:338 September se, Peer or Mangal shab 8 baje.
00:45I'm very nervous.
00:46I'm very nervous.
00:47Very nervous.
00:48It's good.
00:49Natural acting.
00:53Why don't I stay here?
00:55How are we going now?
00:56How are we going now?
00:57How are we going now?
00:58How are we going now?
00:59How are we going now?
01:00How are we going now?
01:01How are we going now?
01:02How are we going now?
01:03How are we going now?
01:04How are we going now?
01:05How are we going now?
01:06How are we going now?
01:07How are we going now?
01:08How are we going now?
01:09How are we going now?
01:10It's time to come here.
01:17Sweetie, sweetie.
01:19Oh, Sherry, sweetie is a child now.
01:22And the child is so fast.
01:24No problem.
01:26I've gone from here at night.
01:28I'm sleeping right now.
01:30And I realized that I got the first time.
01:32I didn't get it properly.
01:34I want to keep something in my hand.
01:36I want to keep it in my hand?
01:38I'll take it right now.
01:45We'll take money from Sherry.
01:51I don't know who I am.
01:57So she will come?
01:59What do I know?
02:00I'm her assistant.
02:02Why are you laughing?
02:04She has asked.
02:05I don't have to ask.
02:06I'm thinking about plans.
02:07I'm thinking about your children.
02:09We're kids.
02:11Okay?
02:12You're the one.
02:14I'm not.
02:15You're the one.
02:16I'm the one.
02:17I'm the one.
02:18You're the one.
02:19You're the one.
02:20And you'll be the one.
02:21I'm not the one.
02:22Now, let me know about plans.
02:24You're the two.
02:25Let's go.
02:26Tell her.
02:27You're the one.
02:28That's all.
02:29No, not the other one.
02:30Don't you know.
02:31It's all done.
02:33You're the one.
02:34No, no.
02:35No.
02:36You're the one.
02:37You're the one.
02:38That's all.
02:39Do it.
02:40No, no.
02:41No, no, no.
02:42No, no.
02:43No.
02:44No, no.
02:45No, no.
02:46So...
03:04Let's go! Where?
03:05The main door. The enemy comes from here.
03:08Let's go.
03:10Go...
03:11Go...
03:12Go!
03:14How are you?
03:20Because of you, I have left my work and left acting so that I can live here with respect.
03:27But all the girls are gone.
03:29Because of this man, Shari is sitting outside.
03:32She says that I have to meet the streets.
03:34What do you want to do?
03:36What do you want to do?
03:37I'm going to be a sweet girl today.
03:39I'm going to be a sweet girl today.
03:41She's going to be a sweet girl.
03:43She's got to know this.
03:45If she's gone out, she's going to eat it.
03:47Don't say that she's a sweet girl.
03:50Why?
03:51I'm going to be a sweet girl.
03:53She's going to eat it.
03:55She's going to eat it.
03:56If she's eaten,
03:58I'll give it to me this week.
04:00If she's not eaten,
04:02tell me a month.
04:04Please.
04:05Okay.
04:07I'm going to eat it.
04:08Let's see.
04:09Move through!
04:11Come!
04:16How many years?
04:18Come on!
04:19Come on!
04:21Come on!
04:23You come to me!
04:27Hey, Gushra.
04:28Why did you come here?
04:30Didn't get asked?
04:31Never asked her.
04:32Now you ran away.
04:33Let's go inside!
04:34Move!
04:35Sweetie, let's see, Shaili is coming.
04:40Shaili is coming, Shaili is coming, Shaili is coming.
04:45Shaili is coming, now you will have 10,000 rupees,
04:48then you will come out and get less.
04:56What happened? What happened?
04:58Come on, Shaili, tell me.
05:01I was thinking, but...
05:06Now, the money is over.
05:09Come on.
05:11What?
05:13Shaili, the money is over.
05:16Shaili is coming, Shaili is coming.
05:19When the money is over, it will not be over.
05:22No, no. Sweetie, they are not saying that they are big.
05:26They are coming to sleep in their sleep.
05:30No, no.
05:31Come on, come on, come on.
05:32Come on, come on, come on.
05:33Come on, take the money, the money.
05:34Can you send him.
05:35Give him the money.
05:36Take the money.
05:38Shall I?
05:39Sorry, baby.
05:40Now, let's go.
05:41There is a lot of rage in this moment.
05:43He is very low.
05:44His hand is very low.
05:45You will start the money.
05:47Now, let's go, go.
05:48So, go, go.
05:49It will be very low.
05:51No, no, no, Shaili, come on.
05:53Come on, come on.
05:54Come on, come on, come on.
05:55Come on, come on.
05:56Don't worry, it's gone.
05:58What?
06:04Come on, come on, come on.
06:06What's going on?
06:08It's gone.
06:10It's gone.
06:12You said that she will come back to the night.
06:15We'll be ready.
06:17Absolutely.
06:19Have you watched Home Alone movie?
06:22Yes.
06:23This movie's life is inspired.
06:27What do you mean?
06:29If you come, you'll come inside.
06:31Then you'll come back.
06:33Then you'll come back.
06:35You won't go on your own.
06:38What do you mean?
06:41You'll come back to this house?
06:44Yes.
06:45If you get married to your sister,
06:48Mrs. Khan and Habib have been married.
06:53You won't go on your own.
06:55This is it.
06:57I couldn't think that you can do so well.
07:02You won't win.
07:03Yes, you won't win.
07:05But tell me,
07:07what happened when you went there?
07:09What happened there?
07:10It's a reality show.
07:11It will never come on TV.
07:12But it's a lot of shock.
07:14It's not hidden cameras everywhere.
07:16And all are acting extemporary.
07:18This is a strange thing.
07:19What happens in your life,
07:21they act in it?
07:23Yes, of course.
07:24And in my situation,
07:25I have to become five daughters of my sister,
07:27who don't give my brother's marriage.
07:29Okay.
07:30So this is the story?
07:31When I went there,
07:32I was scared of my sister.
07:34I was scared.
07:35Hey, son.
07:36They will be dead, right?
07:37Yes.
07:38But now I'm at home.
07:39I told myself that
07:40they will be acting.
07:41So why are you scared?
07:42Why are you scared?
07:43Then I thought,
07:44I will not run away.
07:47I will go with you.
07:53Fakira, son.
07:54Fakira, son.
07:55Who is the film that
07:56is running away from the girl's love?
07:58What's the name of her?
08:00Oh, my God.
08:01When someone's scene is being taken
08:02by the scene,
08:03they don't tell us the name of her.
08:05Shut up.
08:06Fakira,
08:07Fakira,
08:08you've heard me about
08:10without your head and your head.
08:12I don't get a sense of my head.
08:14But one thing I remember.
08:16We are the people of artists.
08:19We are the people of artists.
08:20We have the people of artists.
08:21And the people of artists
08:22they are very rich.
08:25I am so very rich.
08:27I can't tell you.
08:28I can't tell you.
08:29I can't tell you.
08:31I'm talking about artists
08:33who are the people of artists
08:34who are very rich.
08:38I thought that
08:39you would like to
08:41get the people of people.
08:43You would like to get the people.
08:45But,
08:46you are very special.
08:48And the things
08:51I think
08:52are weird and strange.
08:53I am very special.
08:55But
08:56I…
08:57…
08:58…
08:59…
09:00…
09:01…
09:02There is no doubt.
09:04But he will have to use protein shake.
09:08He will have to use it.
09:10That's okay.
09:12You go and tell your producer.
09:14If you don't want to be a dinosaur,
09:18either I will live in that house,
09:20or he will live in that house.
09:22Oh my God!
09:24Oh my God!
09:26Oh my God!
09:32Oh my God!
09:54What a message is here.
10:02It's online. I've seen it right now.
10:07Yes. Are you okay?
10:11I don't have any problem at home.
10:13Yes, Allah. How do you know this?
10:16I don't know, but I have no idea.
10:19Did you have no choice?
10:22Yes, no. My father is very liberal.
10:25He gave me a choice.
10:28Whatever happens, you have to know that I have given everything.
10:37Yes, but I didn't know that it will be at this point.
10:44Sorry, I want everyone to know.
10:49Sorry, I've also gone.
10:56I have no choice.
10:58It's very real.
11:00Normally, my mind wants to show these things.
11:04What did you say?
11:08I don't mean it. I'm talking about the show.
11:12So now, the second entry is possible.
11:21Problem solved.
11:23The whole situation is very natural and very comic.
11:26I was thinking about it.
11:28If you leave it in the middle of the show,
11:30how will the sequence be done?
11:32How will the sequence be done?
11:36My first chance was my first chance.
11:39If you were to become a group,
11:40you would have gone.
11:41But it's also good.
11:43The story is good.
11:44The story is good.
11:46I have no choice.
11:50So, how will the entry be done?
11:52Are you going to come here?
11:54Or do I pick?
11:55Do I pick?
11:57Done
12:09Sorry, that's not really
12:27Have a good day
12:57It's been made by my dreams
13:01On the walls of the walls
13:04The stories are written on the walls
13:07This is the whole thing.
13:14The girl can't wait for a night.
13:19And now she's going to go to her house.
13:22I'll tell her.
13:25She's my daughter.
13:37I don't want to sleep, you guys.
13:57Are you going to sleep?
13:58Cease fire, man.
14:00What do you know about them?
14:03What?
14:07The enemy has forgotten his jewelry.
14:18Wow.
14:24This is great.
14:29The purpose of the death.
14:31I will keep keeping my mind.
14:34When we took the camera, we realized that this will also give you a fool of your brother.
14:41And why do you do not afford the samoso?
14:46We do not afford the samoso, but we do not give our daughters.
14:51Look at our brother, we have the furniture.
14:55Actually, the samoso should be married before, and the samoso should also be able to get you.
15:00It was possible to be my own.
15:03It was possible to be my own.
15:06I was just three years old.
15:09Why? Why are you?
15:11I am the big one.
15:12Hey, now, let's stop the boy.
15:14We are the brothers who are scared of us.
15:19We are married, we will go to the honeymoon tomorrow.
15:24But then, we are the good for Ayashi.
15:28But, we are going to have to do today, right?
15:32Today, we will come again.
15:34And if it will come...
15:44What happened?
15:45What happened?
15:47What happened?
15:48What happened?
15:49What happened?
15:50What happened?
15:51What happened?
15:52What happened?
15:53Why are you?
15:54What happened?
15:55What happened?
15:57What's going on?
15:59Sahil, Satya!
16:01What's going on?
16:03What's going on?
16:05You were you?
16:07My marbles were you?
16:09I mean, in the evening,
16:11you were all alone
16:13and playing here?
16:15It's gone.
16:17It's gone. It's gone.
16:19It's gone.
16:21It's gone.
16:23What's going on?
16:25What's going on?
16:27We've come to see.
16:29They were playing with these two little marbles
16:31and then they fell down?
16:33Why would I play?
16:35I was running.
16:37I fell down.
16:39I fell down.
16:41God!
16:45I was running?
16:47Why?
16:49I called the ambulance.
16:51I'm going to tell you.
16:55I was running.
16:57I fell down.
16:59I fell down.
17:01I fell down.
17:03I fell down.
17:05I fell down.
17:07I fell down.
17:09This trap was for us.
17:11We lost 40 minutes.
17:13I'm saying
17:15that I will see the car.
17:17I will see you.
17:19You have to stay here and save us.
17:21I'm saying that.
17:23I'm saying that.
17:25Don't think about it.
17:27Don't think about it tomorrow.
17:29Don't think about it tomorrow.
17:31I'm saying that.
17:43Don't think about it tomorrow.
17:45Yeah, that's why she left the house.
17:49Yesterday, I met.
17:50Yes, I met. So, this is your fault?
17:52Boss, I was just saying that yesterday, she didn't fly away from the street.
17:55And when you left the house, she was in the house.
17:58Yes, she was in the house. She was in the house.
18:01She was also in the house.
18:02But there will be another way to go, right?
18:04Hmm. This is also the right way to go from the street.
18:08But, man, there is a lot of trouble now.
18:11Boss, what happened to you in this situation?
18:14You have to ask for a job to take the bodyguard.
18:16I'll give you one more.
18:18Now, you have to ask for a job to keep the mangetar.
18:21I mean, I'm going to be the mangetar.
18:24Yes.
18:25But, boss, you said that he is going to go to this time.
18:28Now, you're saying that he keeps keeping the mangetar.
18:31When you know that he can go from the other side,
18:34he will go to the other side.
18:36And if he doesn't go, he will go to the main road.
18:38Before I tell you, he will go to the main road.
18:40There are two roads that keep the mangetar.
18:42So, let's go to the gym, let's go.
18:48Abba Ji!
18:49I'm going to go to the location.
18:50But I am going to go the next part.
18:52You can't go to the other side.
18:54You're going to go to your own home.
18:55You're going to be the mangetar.
18:56You're going to be the mangetar.
18:57You're going to be the mangetar.
18:58Abba Ji!
18:59I'm fine, fine, I'm going to go to my own home.
19:01Abba, listen.
19:02You'll finish the whole drama.
19:04to come back and come back.
19:06Listen, he's giving some money like this.
19:12What kind of money like this?
19:14Do you give a chance to these newcomers?
19:17Do you want to say thank you or have a chance?
19:19Yes.
19:20It's so tired.
19:21It's like you guys working on it.
19:24It's not a story or a story.
19:26In the showbiz, it's a lot of money.
19:28Yes, it's a lot of money.
19:30But people are not so busy
19:32and they will give you anything.
19:34That's not my purpose.
19:36You'll see.
19:37I'll be working.
19:39And I'll hit the show without the script.
19:41Yes, yes.
19:42Inshallah.
19:43Put the producer on you.
19:44And listen.
19:45Sherry told you about it
19:47because she told me that
19:48she's standing on the door
19:49and standing in front of the girls.
19:51I love you, Papa.
19:53I do.
19:54Okay.
19:55I'll go to the other side.
19:56You don't have to think about it.
19:58Go, my dear.
19:59Go.
20:02Come along.
20:03Come along.
20:04You have a...
20:05Go along.
20:06Get this energia.
20:07Come along.
20:08Now don't have to join girls.
20:09Come along.
20:10Let's move along again Hariri.
20:11Can traffic.
20:12Please go us together.
20:13Come and put it up now.
20:14The girlshhh.
20:15Even have to give to it.
20:16Duke.
20:17I've also stayed living on the Karena case.
20:19I don't have to go to bed.
20:21I don't have to go to bed.
20:23But if you have to go to bed,
20:25then you would have to do all these things.
20:27You are giving me a gift.
20:29Why am I doing this?
20:31You didn't have any work in the first day.
20:33I was going to leave.
20:35You are crying.
20:37What am I doing?
20:39What am I doing?
20:43I am alone.
20:45I am alone.
20:47I thought that someone is gone.
20:49I will have to deal with this house.
20:53I will talk about my small world,
20:55but you are not leaving me.
20:57Sorry, Habib.
20:59Look,
21:01Allah has given me a reward.
21:03I am so bad.
21:05You are going to leave me.
21:07You are going to leave me alone.
21:09You are going to leave me alone.
21:11You are going to leave me alone.
21:13You are going to leave me alone.
21:15You will not leave me alone.
21:17Yes.
21:18Yes.
21:19I will leave you alone.
21:21I will leave you alone.
21:23Then you will also leave me alone.
21:25If you have to leave me alone,
21:27you will leave me alone.
21:29You will also leave me alone.
21:31You will also leave me alone.
21:33Say this,
21:35just do it.
21:37Okay, I would like to say that the staff that you have already left and left and left and left, I will also be able to do the staff.
21:51And the staff will never break back?
21:57Okay, Baba, I will also break the staff. Don't cry.
22:05God will always keep the staff with their hands.
22:24I will also say that the staff will not be able to put their hands on their hands.
22:30Okay, this will not be able to put their hands on their hands.
22:37And the staff will be able to put their hands on their hands.
22:39I will also say that the staff will not be able to put their hands on their hands.
22:46I will also say that the staff will not be able to put their hands on their hands.
22:53I will also say that the staff will not be able to put their hands on their hands.
22:59Look, my brother has our hope in front of us, Baba.
23:04And now if we are sitting like this, we will be able to put their hands on their hands on their hands.
23:11We will do this again.
23:12Why?
23:13We will leave everything for them.
23:14We are also committed to the staff.
23:15We will also be able to marry them.
23:16We will also get married, right?
23:17We will also get married, and this will also be able to get married.
23:20And then come to the staff, the staff, the staff, the staff and the staff, the staff, the staff.
23:25We will not come to the staff.
23:26The staff is okay.
23:28Then you are going to the showroom.
23:30Yes.
23:31You are not going to the driver.
23:33There is no driver, you are not a driver.
23:37So, my hands are broken.
23:39No, no, you can do a little driver in the city.
23:43I was thinking that if I say Farid, he will leave you.
23:48Yes, he will be better.
23:50I feel like my brother is going to take the bushras in the morning.
23:55You are not thinking.
23:58That's why I am enough.
24:00Did someone ask Safiya?
24:30Yes, I am.
24:37If you have a friend to be friends, then you will be with us.
24:41That's why I am so grateful.
24:43What happened to you?
24:45You are like Irfan.
24:47If you can say all the things you can say.
24:52What do you mean?
24:53What do you mean?
24:54Everything is in front of you.
24:56You are not surprised.
24:58Yes.
24:59Okay.
25:00I am saying that.
25:02I just...
25:05Irfan doesn't want to do this harm.
25:08We were watching the old movies when the girl was shot.
25:11At that time, there were such bad situations.
25:15I didn't know about her.
25:16But I did not think so much.
25:17I was very shocked.
25:18I was so shocked.
25:20Where do you think I was just thinking about being alone?
25:21I'm so shocked.
25:23One time I was thinking about it,
25:25I was standing and standing and standing
25:27and I was like,
25:29I was going to go this way.
25:31Uh...
25:33What do I mean?
25:35Who is that girl?
25:37I also know about her as much as you know.
25:41I know,
25:43but now,
25:45I have to see my whole business.
25:47I have to see her.
25:49I'm going to take a look at this girl.
25:51I'm going to take a look at this girl.
25:57What do you do here?
26:07Look at that.
26:09If you're getting hurt,
26:11you'll get hurt.
26:13You're my sister,
26:15I'm only a friend.
26:17Problem solved.
26:19Problem solved.
26:21Problem solved.
26:27Where did you go?
26:29Where did you go?
26:31Where did you go?
26:33The butcher?
26:35Is it in your house?
26:37I, or Sherry,
26:39saw her eyes
26:41in a dark red car
26:43and sat with someone.
26:45Yeah,
26:47I am going to get hurt.
26:49If anything,
26:51I could go and sit there.
26:53We're not going to get hurt.
26:55So this is what I am very surprised when it was a relationship between Sheree and Sheree.
27:00So the relationship between Sheree and Sheree is not as good.
27:04See Sheree, your surgery is no such as the one.
27:09If you're a woman, your surgery is no such as the one.
27:15Is it inside?
27:18Yes, I see.
27:20Yes, I see.
27:21Yes, I see.
27:22No.
27:23My sister!
27:25My sister!
27:27Look who is here!
27:29Come out, Sherry has come!
27:36Hello!
27:37Hello!
27:39You also sit down.
27:40Uncle, please call her.
27:42I have to talk about her.
27:43Sherry, when she comes to her,
27:45you talk about her.
27:47Yes, she is.
27:49She has to talk about her and her.
27:51Let us call her.
27:53Come on.
27:54Come on.
27:56But my sister is sleeping.
27:58She is sleeping.
27:59She is sleeping.
28:00There is no surprise.
28:02I am sitting here.
28:04No problem with her.
28:06Okay.
28:08Until you talk about her,
28:10I will take her to her.
28:12Yes, okay.
28:21Yes, my sister.
28:23Now, let's see what we do.
28:29Sherry, it's not easy to be a stranger.
28:32What do you have to talk about with Busha?
28:36Come on.
28:37There will be a story.
28:38Come on.
28:39Come on.
28:40Come on.
28:41Come on.
28:42There will be a story.
28:43Come on.
28:44Come on.
28:50Let's talk about the location.
28:52I am sorry.
28:53I am sorry.
28:54I didn't understand the story of yesterday.
28:56It was a joke.
28:57Let's leave that story.
28:58They are very small.
29:00They are living with big daughters.
29:03I have done a lot of work on stage.
29:05But this is the first time.
29:08But they are all very trained.
29:10But today, you have to give a break from your acting.
29:15Yes.
29:16Okay.
29:17You have to give a brief about exactly what you have to do.
29:22Two people.
29:24Come on.
29:30This is a stable place.
29:31Here.
29:39Come on.
29:45You are the one who made a beautiful dream of a life.
29:53In the past, the other ones were made possible.
29:54In the past, the other one had to solve the problem.
29:56The school has arrived.
29:57The girl has done it.
29:58The young man.
29:59The young man has been on fire.
30:02The young man has been on fire.
30:04And the young man of the young man.
30:05All of the young man who gave the child to be a hero.
30:06And the young man have been on fire.
30:08I decided to do whatever he wanted to do.
30:09I was studying a novel of the school.
30:10His wife was two sisters with his wife.
30:12Then he wanted to learn to be mad when all of the young people would be on fire.
30:13I had to do all the people who were doing well.
30:16I had to do it.
30:17I understood.
30:18Absolutely.
30:21But when I was reading the novel,
30:23I thought that all the people of the house,
30:26the husband, the husband, the sister,
30:29why were they so desperate?
30:31Why were they waiting for a couple of years,
30:34and they would be able to help them,
30:36and they wouldn't be able to do anything.
30:38The story is totally fine.
30:40But in many years, the story has reached
30:42that all the people of the house can't be able to do anything else.
30:48Excuse me, sir.
30:49Yes.
30:50Welcome, sir.
30:55What are you?
30:56What do I do?
30:57I'm going to take my hand.
30:58No, no.
31:12I'm going to take my hand.
31:30the
31:33the
31:37the
31:39the
31:44the
31:48the
31:50the
31:58Come to the camera and see.
32:28?
32:38?
32:41?
32:42?
32:43?
32:44?
32:46?
32:47?
32:48?
32:50?
32:52?
32:54?
32:56?
32:57Like you grow up, you start to be jealous and you start to get to my age, you start to be jealous of me.
33:03Hmm.
33:05Something else.
33:06It's strange.
33:08In fact, when I was in childhood, the team of polio was in our house.
33:12Why did our team fight against them?
33:15The video was viral.
33:17So...
33:18So it was polio?
33:20No, it was polio.
33:22So it was very good for him.
33:24It was a big effect.
33:26Oh...
33:28So this was polio, or was it polio?
33:30Or was it polio?
33:32Or was it polio?
33:34I'm going to take a look at it.
33:36But I'm not listening to you.
33:39Oh...
33:40Oh...
33:41Oh...
33:42Oh...
33:43Oh...
33:44Oh...
33:45Oh...
33:46Oh...
33:47Oh...
33:48Oh...
33:49Oh...
33:50Oh...
33:51Oh...
33:53Oh...
33:54Oh...
33:55Oh...
33:56Oh...
33:57Oh...
33:58Oh...
33:59Oh...
34:00Oh...
34:01Oh...
34:02Oh...
34:03Oh...
34:04Oh...
34:05Oh...
34:06Oh...
34:07Oh...
34:08Oh...
34:09Oh...
34:10Ha...
34:12Oh...
34:13Oh...
34:14Oh...
34:16Oh...
34:17Oh...
34:18Oh...
34:19We can play a song...
34:20Where I am it...
34:23Coming from the street...
34:24Tell me when I go around...
34:25Oh...
34:26Your hand is full of your hand.
34:28What? You said to me,
34:30you're going to have nothing to do with Alpha Mail.
34:32I'll put two or six more.
34:34It's a matter of time.
34:36You want to take care of the things that happen.
34:38I'm going to go.
34:40I'm going to go.
34:42I'm going to go.
34:56I'm going to go.
34:58I'm going to go.
35:00My sister is Pachra.
35:02Why do you call this old Fashion name?
35:06No.
35:08It's not.
35:10I'm confused with all of them.
35:12Today, I've seen a new sister in car.
35:16She's gone to the other side of her.
35:18Oh boss,
35:20you've gone all over there.
35:22I've had to go to the other side of my car.
35:24If he saw a girl with a girl, he would have to take a note of the car.
35:28What would he have to get to the house?
35:30Wait, wait.
35:31When he went there, he was sleeping there.
35:35And Fakhra...
35:36Both of them were there.
35:37Yes, both of them were there.
35:39And Fakhra was also teaching me.
35:42Fakhra told him,
35:44because he is my salary, he will also teach me.
35:48It's a strange thing.
35:49It's a strange thing.
35:51It's okay.
35:52Who does he meet with his parents?
35:55Oh, really?
35:56Yes, people are like this.
35:58Hmm...
36:00But Fakhra's hand is very full.
36:04You can kill me too.
36:06What are you doing?
36:07Why are you enjoying it?
36:09My salary is killing me.
36:10What are you doing?
36:11You're doing your job.
36:13And Fakhra's hand is only Sherry's hand.
36:17Because Sherry is an alpha male.
36:20Let's go.
36:31Let's finish the coffee.
36:33Nassarah was a showroom for me so that I can see her at home.
36:37Okay.
36:38I'm done.
36:39Can you tell me, Nassarah has become another girl in your drama?
36:42Yes, another girl in your drama.
36:44Okay.
36:45Yeah.
36:46Another girl in your drama.
36:48Okay.
36:49Okay.
36:49You heard me, Nassarah is a showroom for me.
36:52I'm the one who is a showroom for me.
36:53Yes.
36:54I'm a fan of my mind.
36:56You're not a showroom for me.
36:57I'm not a showroom for you.
36:59Let's go here both of them.
37:04Both of them are dead.
37:09They are sitting here.
37:12Police are standing outside.
37:17What are you talking about?
37:19We are going to Moses Sherry.
37:21Moses Sherry is like this.
37:23They are sitting here.
37:25Let's go here.
37:29Let's go here.
37:33Let's go here.
37:35Let's go here.
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