- 2 days ago
Maa Making Episode [ BTS ] 16th January 2026 _ Aina Asif - Ahmed Rafique _ Green TV Entertainment
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00:00You are my life, you are my love
00:07Raha is completely different from the beginning and towards the end of the drama is completely different from the end of the drama
00:12You are my life, you are my love
00:18You are my love
00:21Zainab Mi, Zainab Mi, Arman Kaur
00:24There were so many layers that were an obstacle for me
00:28But as an actor, I like obstacles when you have to think about how to adapt your character
00:34Raha
00:38It's a very strange thing too
00:40What is the most difficult thing to do in front of us is to make a good character
00:44And what is the most difficult thing to do in front of us is to make a bad character
00:47I was very happy
00:49It was a delight
00:51I was playing Raha's character very good
00:53I was having to think about
00:55I was having to read the scenes
00:56I had to remember backstories
00:58Tell me, who is my mother?
01:05How could this be a mistake?
01:07Now, we don't have to talk to our children
01:08We don't have to talk to our children
01:10What is the most difficult thing to do in front of us is to make a bad character?
01:11What is the most difficult thing to do in front of us is to make a bad character?
01:12What is the most difficult thing to do in front of our mother?
01:14What is the most difficult thing to do in front of us is to make a bad character?
01:16You have all made that up on me
01:18Actually, the story is the story of mother-in-law
01:19This is a story of my mother's daughter, so it's going to be a story about my daughter, and also a parallel story about my mother.
01:26My love has never changed my love.
01:31It was all my happiness.
01:35Why did you do this with me?
01:39This is a very big issue for any woman.
01:42When I read the script, I was reading this scene.
01:49At that time, I got emotional.
01:51I thought, how can a woman leave her children?
02:09At that time, I thought, when I had to do this scene, it would be so difficult.
02:19My mother didn't believe me.
02:21And your mother just left us from a house.
02:27Why don't we go there?
02:29I think that we all have choices in our lives.
02:35The question is, which choice is?
02:37Is it right or not the right choice?
02:41I want to see my father who has never seen me.
02:44I've never seen my life in my life.
02:45I've never seen my feelings.
02:46I've never seen my feelings.
02:47I've never seen a lot of our dreams.
02:48I've never seen my dreams.
02:49I've never seen my dreams.
02:50I've never seen my life.
02:51But you know who is the biggest threat in it?
02:53My daughter.
02:54I feel like I'm playing your father with you.
03:01And sometimes when I was playing this character or I was putting in some breath,
03:06I thought that Kabir's choices were a little bit like that,
03:12which I would not respect as a man.
03:15So maybe these only viewers liked it.
03:18You can't forgive me.
03:24To be very honest,
03:26whenever I play a character,
03:29unless there is a character in which we change the language
03:33or have an accent,
03:35or a Punjabi character,
03:36or a Hindi character,
03:38or a Pashto character,
03:40I do work on that way
03:43to adopt his accent or mannerism.
03:48What is Malkin?
03:50His work will be done,
03:53and your work will be done.
03:55But Aasiyah,
03:57how many times have you said that?
03:59Don't call me my name!
04:01You say Begum Sahibah,
04:03there is death.
04:04There are characters that I work.
04:06Otherwise,
04:07there is no negative character,
04:09loud or positive character,
04:11so as an artist,
04:12I don't have to do research on that.
04:14It happens to be done by Allah,
04:16and we can do it.
04:18He's calling from Badun Palir,
04:20go and get ready.
04:21Mama, I'm not interested.
04:23I am interested, son.
04:25It's a very good family.
04:27They are exactly the same people
04:28that I thought for you.
04:30He will keep you with your enemies.
04:32Let's just go get ready.
04:34Mama, I want to say that
04:36your whole life will kill you.
04:38You won't have to kill me.
04:40In this story,
04:41in my story,
04:42there is no such character
04:43that is misfit.
04:46And if it's gone from there,
04:48it's a story that is complete.
04:49So, Zainab,
04:51it will be difficult to understand you.
04:54Those who have read the story
04:55in the first time,
04:56only one time,
04:57they will feel it.
04:58But this is a pillar.
05:00It's a pillar.
05:01It's a pillar.
05:02It's a pillar.
05:03It's a pillar.
05:04It's a pillar.
05:05It's a pillar.
05:06It's a pillar.
05:07And then what happened
05:08that the house
05:10becomes a pillar.
05:11The person who's a part.
05:12Zainab,
05:13it's a pleasure.
05:15It's that.
05:16It's delicious.
05:17If you're a girl for a walk,
05:18it's my first time.
05:19It's a pillar.
05:20If you're a girl for a walk,
05:21it's my work.
05:23It's a pillar.
05:24You're a pillar.
05:25I've always thought
05:26that you don't come to the camp.
05:27Why came out?
05:28There's a story.
05:29This is a very common story.
05:31In this particular drama, what kind of story has been shown in this story is going to be the best of her work.
05:39So, inshallah, we will see how it became.
06:01In this particular drama, I felt like my mother was better.
06:31And I hope I played that well.
07:01In this particular drama, I wanted something to say.
07:15I'm going to give up your sins.
07:31In the beginning, I think, we started shooting from mid to mid.
07:38After that, we came to the first and second episode so that you can get a flow.
07:42So, what we did from mid to mid was a bit of a difficulty.
07:46It was a hyper feeling.
07:51But as we did shoot, the character was easy.
07:55My director, my team and my cast helped me.
07:59It was my mother's character, Anoshini Shahan.
08:02Aina, who is my cousin.
08:03And Zaryoon, who is my track.
08:05Why do you do so much investigation?
08:11Now, I'm not confirmed.
08:13When it's confirmed, I'll tell you.
08:15I won't tell you.
08:17I like Zaryoon.
08:29When two people love each other, the whole world wants to get them.
08:36You will never see them in life, right?
08:38So, you will always stand in front of me.
08:47I mean, I have to play with a special.
08:51Acting is not easy.
09:06It's a very difficult job.
09:08People are watching TV.
09:09They don't think they have so much effort.
09:12But this is a teamwork.
09:14I can't do anything alone.
09:16Our cameras, our lights, our directors.
09:21They are all guiding you.
09:23So, that's why your character came out.
09:26So, of course, it was very difficult for me.
09:28Don't talk to me.
09:30But I'll forgive myself.
09:33Please.
09:34Please.
09:39And the one who left us here,
09:41what's the fault of her?
09:43You can forgive her from her.
09:48But, of course,
09:49because it's so emotional drama,
09:52it's a very difficult work to bring emotions out of any actor.
09:57Now, I don't know if I did good or not.
10:01I don't know if I can.
10:02If I can see the audience,
10:03I'll know if I can.
10:04My mom is my face.
10:06And I can't say mom.
10:07Mom, don't.
10:08Mom, don't.
10:09Mom, don't.
10:10Mom, don't.
10:15My first scene is the most important part of any project.
10:19Because you are here on the set.
10:21And you meet everyone.
10:22And my first experience was mostly with everyone.
10:26Except for Muhammad Ahmed Sir.
10:28The whole cast was made.
10:30The whole production team was not included.
10:32Including director.
10:33So,
10:34the first scene was with my Noshin Shah.
10:37And it was slightly
10:39slightly removed from the usual.
10:42But Raha has gone to office.
10:44Why are you still waiting for him?
10:46Yes, he's gone to office with Zaryoon.
10:48Now, don't say this to me that you don't know anything.
10:54But Raha has no known anything.
10:56It's obvious.
10:57Why won't he tell you?
10:58I've seen both of them.
10:59I've seen both of them.
11:00I've seen it.
11:01But Daras,
11:02Israel and I have it.
11:03So,
11:04It happens when you are thrown out.
11:06But when you are thrown out when you have a person with love,
11:09people care for them.
11:10The other thing is that you are thrown out.
11:13The other things get away from them.
11:14The other things get away from them.
11:15The other things get away from them.
11:16And you are thrown out.
11:18But Tara's problems were very different and Zainab's problems were very different.
11:48I want to name your own in my eyes. I'm tired.
12:00It wasn't a problem for me. This was pleasantly, thoroughly enjoyable.
12:05This character is unlike any other that I've done.
12:08This is very close to my heart.
12:10And it's just that everyone's dreams.
12:13Whether he's a caretaker or businessman.
12:17So, the journey that he has made, you know, starting from having absolutely no resources but just passion.
12:25And then where God has reached it.
12:28So, it wasn't a problem. It was very enjoyable.
12:31God, Zainab,
12:34It's a bad person.
12:36Whatever it is, it doesn't need power.
12:39It was the most difficult in front of myself.
12:42Our dramas are made in Pakistan.
12:44We always have a lesson for the audience.
12:50This lesson is for those girls who take their decisions at a very young age.
13:00And in the future, they realize that we've made a mistake.
13:04When someone has to learn the potential of a heart and to learn the potential of a human life,
13:10So, it becomes very necessary for that.
13:12I'm sorry for this marriage.
13:14I'm sorry for this marriage.
13:15I'm sorry for you for your life.
13:17I'm sorry for your mother to say that.
13:21I'm sorry for my mother to say that.
13:23If you both went from here, then you will run with me with my body.
13:30I can't give you an old house to you.
13:33A house?
13:34You don't have a name in my name.
13:36What did you say about this?
13:38When you were my mother and my childhood?
13:42When you were my mother and my childhood?
13:51In these dramas, my father should have to think that if they are involved with someone,
14:00then they will not be involved.
14:03But think and understand and give time to them.
14:07Then decide whether I am doing this or not.
14:12You are very special for me.
14:15Very special.
14:18My decision is to make your eyes open.
14:25You are the only one.
14:27You are the only one.
14:29You are the only one.
14:31Your expression.
14:36What makes you say that?
14:38The expression of love.
14:40So straightforward, no?
14:44Hmm.
14:45Straightforward.
14:46So I will let you see my art.
14:48And you don't talk about love.
14:50Why?
14:51No.
14:52Why?
14:53Why can't I talk about love?
14:55Love is love here.
14:58What is it?
14:59In your art.
15:00In your art.
15:01Arman's character, Arman's character has taught me that patience and patience has a big role in terms of getting what you want.
15:18You can't grab at and go at everything that you want every time, because there are many loopholes in it.
15:25The foundation is not strong for you.
15:27We will not change the designation of the house.
15:31That's why the house has to do all the work.
15:35Yes.
15:37I am working on this house from my childhood.
15:39So, the constant energy, consistency, if you are saying that it was the end goal of knowing what I need, what I want to do, what I want to do, what I want to do, what I want to do, what I want to do.
15:48So, the end goal was to put the horse blinders and focus on it.
15:53He kept staying patient and eventually, maybe, reached to his goal.
16:00The way that this is a complex story and the way that there are characters, they will obviously excite people.
16:11People will definitely think about it.
16:13We say that the children of children are much more loving.
16:16You are right, you are very loving me.
16:18Yes, but you do much love me, you do much love me.
16:20You do much love me.
16:21I have never realized that you are my best friend.
16:28How long have you been told me?
16:29I have no level of you and your child.
16:32I can't tell you.
16:33I am going to stop you as a girl.
16:35That's a good one.
16:36You are going to be the best friend.
16:37In every house, there are certain people who have a certain approach.
16:46Our mother's project is like Sunita's character.
16:52That character has a lot of shades.
16:54I have a great reward for her.
16:58And the one who left me here, what is the fault of her?
17:03Can I forgive her?
17:05The character of Anna or All the Boys.
17:08The character of my husband or my husband is very positive.
17:13When a positive person is with a negative partner,
17:17he has to face some challenges.
17:20Many people will relate to him.
17:23When a mother is far away from her husband,
17:25and their experiences are also very different.
17:29Obviously, the character of each person relates to each character.
17:33And definitely people will relate to him.
17:35Arman or Rahha is a train sequence.
17:38We have played at 2.30am at 2.30am.
17:43It was like a street theatre,
17:45because people were gathered at 2.30am.
17:48We had security on the train.
17:51Our team was also standing.
17:53But here, there were 100 people.
17:55And we had to do that scene.
17:57It was like a live theatre at 2.30am.
18:00So it was a beautiful experience.
18:02It was a beautiful experience.
18:03No tears at 2.30am
18:17No tears at 2.30am.
18:18I just sat down quite a few scenes.
18:20My first scene is very
18:22kówfficiently portraits.
18:24It's hard and difficult in our country.
18:26It was the first day of the time,
18:28I had already done a lot of scenes,
18:30but it was the first day of the time.
18:32I had a perception about it, obviously,
18:36because he was a senior actor,
18:38and I worked at times,
18:40and I watched him a lot on TV.
18:54The first scene was really amazing,
18:56but after that,
19:02we really needed to play with us,
19:04and we knew how to do it.
19:06We all wanted to play with you,
19:08and we really just wanted to play with you.
19:10I had to come back,
19:12and I had and worked with him
19:14and I wanted to play with you.
19:16And then I was younger.
19:18I wanted to play it.
19:20And with this time,
19:22I thought it was cool.
19:24We will go with a discussion.
19:26When there will be a life partner in your life,
19:28I will say that he will accept his cousin and his death print.
19:35What? I can't accept it.
19:37It's not only his mother's lack.
19:40It's not his father.
19:42It's not his parents.
19:44It's not his parents.
19:46It's not his parents.
19:48It's not his parents.
19:50It's not his parents.
19:52He took me out of the house.
19:54People tell you,
19:56everyone is small.
19:58When he meets his mother,
20:00he has a question.
20:02It's true.
20:04But the father is who?
20:06I think that if the mother is still alive,
20:08the father's lack.
20:10Because the father is still alive.
20:14How bad are you?
20:16I'm not.
20:18I haven't seen the father.
20:20I think that my mother should never die.
20:22I never wanted to go back.
20:24But the child's love has been given me.
20:26I'm not.
20:28I'm not.
20:30I'm not.
20:32Don't say that.
20:33Don't say that.
20:34Don't say that.
20:36I don't know.
20:38No,
20:40I've said to them.
20:41See,
20:42all this now is,
20:44as an actor,
20:46you work to see,
20:48and the character is coming after that scene.
20:50And like the scene is cut down,
20:52you have to come back home.
20:54This switch to the on and off
20:56is really necessary for each actor.
20:58You are Tara's daughter.
21:00You are my daughter.
21:01During the scene, when we are doing the scene, you have to take the responsibility of your acting.
21:17That's your skill.
21:19I wouldn't say that I would be personally a responsibility,
21:22but of course, the scene was like that it would be a responsibility.
21:26Yes, I had to do it.
21:28Why do you have to listen to my mother with me?
21:33Don't say that.
21:35Don't say that.
21:36Don't say that.
21:37Don't say that.
21:38I don't know how to do it.
21:40I don't know how to do it.
21:41But I say that it was very violent.
21:44It was very violent.
21:47It was very violent.
21:50It was too much.
21:52There was a scene in which I had to take my hand to take my hand.
21:59It was very violent.
22:00What happened to my sister's hand to take my hand to take my hand?
22:05Why are they doing this?
22:07There was a scene, I remember, with my husband.
22:10Where he hits her.
22:12My character, Asiya's character.
22:15She puts her hands and she falls on the floor.
22:18That was very hard.
22:22That was hard.
22:23I'd say one of my favourite scenes.
22:25She's a girl.
22:26My daughter is a girl.
22:28She's a girl.
22:29She's the girl.
22:30She's a girl.
22:31And she's a girl.
22:32She's a girl.
22:33She's a girl.
22:34It's like a girl.
22:35She's a girl.
22:36She's a girl.
22:37She's a girl.
22:38If she's a girl after 20 years,
22:40We are a girl.
22:42You've got to be a girl.
22:43How many waters have been left,
22:46The woman?
22:47You can't mimic any of anyone's feelings.
22:52We are involved in it.
22:56That's our story.
22:58After that, we will execute it in front of you.
23:02You have to do whatever you want.
23:04Do whatever you want.
23:05But not when it comes to my daughter.
23:06You stay away from this situation.
23:08It's better for you.
23:09To take the child to take the child,
23:11to sit in the rain,
23:13it's very strange.
23:15If you can connect with someone,
23:17it's like a rain.
23:18It's like a rain.
23:20It's like a rain.
23:21It's like a mother's condition.
23:23The other mother is standing there.
23:25And there's a father behind the scene.
23:27It's a very touchy scene.
23:36When you see her,
23:38it's like this.
23:40Every person who was in the story,
23:42was in the story of the scene,
23:44she also perceived it.
23:45She also perceived it.
23:48And the people who were in the house also perceived it.
23:51And I believe that you will also perceive it.
23:53But the rain will fall in your hearts.
23:56The rain will fall in your hearts.
23:58The rain will fall in your hearts.
23:59The rain will fall in your hearts.
24:00The rain will fall in your hearts
24:02and you have days and you will fall in
24:23the dome of Avengers.
24:25I will talk about Asiya. Asiya would never accept the fact that
24:30her husband is under father's influence.
24:35You know, that the husband will do what he says.
24:39So, he didn't have any decision power.
24:42So, when he said that this is his house, this is his father's house,
24:47he will do all the decisions.
24:49So, when he said that, Asiya would bother me.
24:54And you are forgetting that this is his house.
24:56I know that this house is his father's house.
24:58I will never forget these things.
25:00I wish I was that.
25:01I wish that I could take my serious decisions,
25:03such difficult decisions,
25:04so easily and so headstrong,
25:07that now it will happen.
25:09Obviously, there is a thing called opportunity cost.
25:12So, that always happens in my mind.
25:15I think Raha is very good at handling that.
25:18And I don't.
25:19So, I think that is something that I didn't have
25:21in my character,
25:23because that's a quality I wish I had.
25:26I hope people have fun.
25:28I hope people have fun.
25:29I hope people have fun.
25:31I hope people can learn.
25:32I hope you have enjoyed this video.
25:34I hope you enjoy it.
25:36I hope you enjoy it.
25:38I hope you enjoy it.
25:40I hope you enjoy it.
25:42You will feel good acting and good job.
25:46You will not know any artist or not.
25:48You will not know any artist.
25:50Sir, don't you have any surprise?
25:52You call on the wrong number.
25:54It's so bad.
25:56You don't know this guy.
25:58He is crazy.
26:00Don't do it, boss. Thank you.
26:02You understand me, right?
26:04I have a lot of love.
26:06We have always discussed everything.
26:08Even if there is a scene,
26:10I am a little confused.
26:12I am a little confused.
26:14So, we made sure that
26:16we all have a major contribution to the scene.
26:18We do not want to do it.
26:20Why do you want to do it?
26:22Yes, yes.
26:24We did not eat anything.
26:26We did not eat anything.
26:28Exactly.
26:30We did not eat anything.
26:32We did not eat anything.
26:34We did not eat anything.
26:36We did not eat anything.
26:38We did not eat anything.
26:40We did not eat anything.
26:42Because he is the captain of the ship.
26:44And that is why our whole team
26:45and our whole set is so good.
26:46Our journey is so good.
26:47So, big thanks to them and Production House.
26:49We did not eat anything.
26:51We did not eat anything.
26:53We did not eat anything.
26:55I am going to do it.
26:57If you need anything else,
26:59then-
27:00You.
27:01We did not eat anything.
27:02We did not eat anything.
27:03You did not eat anything.
27:04We did not eat anything.
27:05But our director, Ali Farhan,
27:07who helped me so much.
27:08I think that I did not eat anything.
27:09We did not eat anything.
27:10But I did not eat anything.
27:11That was very helpful.
27:12It was very helpful and obviously when a big hardship in your hands and you can do it and you get so much evidence of support,
27:24then you play off that thing.
27:26And I hope you watch the drama that this factor has become a play-off.
27:42No, when our co-artists are very good, our directors are very good.
27:47And our DOP is very good.
27:50And we have to be free from that place that you have to run away from light, shadows and other things.
27:56And there is only work.
27:58And this is our director's understanding.
28:01We don't want to get out of the scene.
28:04There is a problem when we go out of the scene.
28:07You have to cut the scene again.
28:09You go out of the scene a little while.
28:11I feel like my child won't be able to do anything.
28:17What?
28:18I forgot.
28:19No one listens to me.
28:21I'm a fool.
28:22I'm a fool.
28:23I'm a fool.
28:24I'm a fool.
28:25Cute fool.
28:34How is your mother's relationship with your mother?
28:37You have to be a child.
28:38You have to make it better in a few words.
28:41Best friends.
28:42Definitely.
28:43If you have to make it better in a few words.
28:45You have to be here, you're not a child.
28:47You're not a child.
28:48You can't do that.
28:50So they give us a chance to get rid of the trans.
28:54And we are going back to the other scene.
28:58This is very important.
29:00My mother and son of a chemistry becomes necessary.
29:02And every mother and son of a son of a son.
29:04But if I talk about Zainab and Arman,
29:07they are the same with each other.
29:09Can I say one thing?
29:11Yes?
29:13I'm asking about my family.
29:20I'm asking.
29:23What do you want to ask and tell me?
29:28People will see.
29:30People will relate to it.
29:31They will appreciate it.
29:32His creativity.
29:33The acting parts.
29:35And the way we have portrayed it.
29:38Mr. Jafar is so rich.
29:40He wants to love our daughter.
29:43But no.
29:44He wants to love her.
29:45One minute.
29:46That's not her daughter.
29:47I am her daughter.
29:50This is a very easy thing.
29:52The person who had eaten ice cream yesterday.
29:54You had eaten ice cream yesterday.
29:55And after the night you drank coffee with sugar.
29:57The woman's sleeping.
29:59The woman's sleeping on the roof.
30:00The woman's sleeping on the roof.
30:02The woman's sleeping on the roof.
30:03The woman's sleeping on the roof.
30:05That's how I am 100% sure.
30:07Because we have a lot of time.
30:09And when you get the heart from a place with your heart.
30:12that they do anything, so obviously, they look at the efforts in front of them.
30:18The relationship between these girls is not possible for a good family family.
30:25The relationship is good.
30:28That's why I want to marry them. That's it.
30:31No, that's the right thing.
30:34Ahmed, when they play a character, my heart is like,
30:37yes, now the chemistry will come, now the friends will be friends,
30:40because the actors are so good friends, absolutely adore.
30:43But if we talk about the relationship between the grandma and Raha,
30:46then the relationship between my mother and my family,
30:49I have taken the relationship between my mother and my family,
30:51because I am very close with them.
30:53What will I do?
30:54I'm going to get the blood of my mother.
30:56Why are you struggling with that?
30:58I'm struggling with that.
31:00I'm struggling with that.
31:01I feel like when I was born, she was still struggling with that.
31:07Obviously, there are many moments in this project
31:12where people will always irritate her,
31:16and will also be afraid of how she is.
31:18You know, she has a young girl,
31:20but she has a child who has aged her daughter,
31:24and is treated like a daughter like her negatively.
31:29How many times have you?
31:30There is no level of your mother and her.
31:33In our lives, there are many people who don't respect this.
31:36And Aasiyah actually is very, very...
31:40Basically, Aasiyah is not bad in many things.
31:44She is not a bad person.
31:46There are some moments in the past that make her bitter.
31:51She is not the first day.
31:53She is still a bad person.
31:54She is still a bad person.
31:55She gets hurt.
31:56She gets hurt.
31:57She is still a bad person.
31:58She gets hurt.
31:59She gets hurt.
32:00Do you know?
32:01Who is it coming before?
32:02God bless you!
32:03Who has hurt my heart?
32:05There are no intentions of my.
32:07What do I have to go?
32:08What do I have to go to?
32:10What is my A.G. now?
32:12What is my A.G.?
32:42Now it's my turn.
33:09What do you mean?
33:12What do you mean?
33:14What do you mean, Rose?
33:19Pajar Sipan, remember?
33:24I feel like this is a team work
33:26and it's a big role of the director
33:30to take the whole team.
33:32Not only the cast, I think all the members,
33:35even the production team, our crew,
33:37all the work is done.
33:39It's a big project that you can see.
33:42I'm very lucky.
33:43I'm very happy to see that
33:44I got a better team
33:46for 7-7 days.
33:47I literally felt like
33:49that one's coming from home
33:50and the other's coming from home.
33:51So it was wonderful.
33:53Luckily, I got to work with amazing people.
33:56to have a great project.
33:58It's doing well.
33:59But you can mark their calendars
34:00and sign in mobile documents
34:01that you don't want to leave
34:02completely.
34:03Mashallah, the team was very good.
34:05We all worked with Miljul and had a lot of delicious food.
34:10My director, my DOP, all the actors, all my ENG staff,
34:16who are making our tea, who are making our clothes, literally.
34:21When we make a drama or project,
34:23our hope is that people will give so much love
34:26as we have made a project.
34:28We hope that people will love it and relate to it.
34:31We will love it and see it very much.
34:34And we will get a lot of love.
34:35The best thing is that in Green,
34:37we always show a lot of different subjects of drama.
34:41Which is a very good thing.
34:43It doesn't happen in our majority channels.
34:47Green has this initiative.
34:49Obviously, as an actor, we are very happy.
34:51This is my first project with Green
34:53and I hope this turns out to be amazingly well.
34:57Let's hope for the best.
34:59As they promote the drama,
35:01I feel like they have a lot of love in this drama.
35:04They are also very attached to it.
35:05They are also very attached to it.
35:06After that, I feel very good.
35:07I am very, very flattered and very excited
35:10about reaching a new audience to Green.
35:13And I am very excited to work with Green.
35:16They are very nice people.
35:18And their previous projects are so spectacular
35:21and they are so good.
35:22But it's an honor that they are now on their screen.
35:25I am very excited.
35:26I am very excited.
35:27I am very excited.
35:29I am very excited.
35:30I am very excited.
35:32I am very excited.
35:37I am happy with you.
35:40I am about to love you.
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