- 1 week ago
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FunTranscript
00:00:00I'm a night manager.
00:00:30What's your name?
00:00:32Thomas Quince?
00:00:34No, he's not there.
00:00:36Thank you very much, sir.
00:00:38You're welcome, Danny.
00:00:40Welcome to the family.
00:00:42Angela Burr, Richard Rupert,
00:00:44is the only way to get rid of Richard Rupert.
00:00:46The name is Trade Pass,
00:00:48and the name is
00:00:50Trade Pass,
00:00:52and the name is
00:00:54Trade Pass,
00:00:56and the name is
00:00:58Trade Pass.
00:01:00You're my hero.
00:01:02You'll complete the deal.
00:01:04No one doesn't know what we're going to find.
00:01:06If someone knows,
00:01:08then he'll go out.
00:01:10This is our small help.
00:01:12We're going to get rid of people.
00:01:14So we're going to be right here.
00:01:16We're going to fight for all the money.
00:01:18We're going to find all our money,
00:01:20the rest of us.
00:01:26We're going to get rid of them.
00:01:28If you have a safe plan,
00:01:30you have to decide.
00:01:32Stop.
00:01:34We're going to get rid of them,
00:01:36Mr. Rupert.
00:01:38If you haven't given the money,
00:01:40then it will be full.
00:01:42Why did you do this, Javad?
00:01:43The purpose was clean,
00:01:44and the decision was done.
00:01:48Stop.
00:01:49Stop.
00:01:50Stop.
00:01:51One minute.
00:01:52Go.
00:01:56Go.
00:01:57Go.
00:01:59Go.
00:02:00Bethlehem.
00:02:01Go.
00:02:02Go.
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00:03:56I don't know exactly what you're doing.
00:03:58And you, Jonathan Pine, never came in these days.
00:04:06Are you okay?
00:04:08Yes, I'm not sleeping tonight.
00:04:10Only tonight?
00:04:12You'll have to sleep after this.
00:04:26Where are you?
00:04:38Where are you?
00:04:42No.
00:04:44Someone will recognize her both.
00:04:46Who's to say?
00:04:48My to say.
00:04:50See, I've been working here for a long time.
00:04:52Angela, leave.
00:04:54Why don't you stay here?
00:04:56You won't do that.
00:04:58We'll recognize her both.
00:05:00We've been waiting for her both.
00:05:02You've been waiting for her more.
00:05:06Angela.
00:05:10Angela!
00:05:22Ready?
00:05:23Yes.
00:05:28Can you confirm?
00:05:29Here's Richard Roper.
00:05:31Here's Richard Roper.
00:05:32Here's Richard Roper.
00:05:33Here's Richard Roper.
00:05:34Can you confirm?
00:05:35Yes.
00:05:36How?
00:05:37Huh.
00:06:06Yes, one minute.
00:06:07Thanks.
00:06:08Thanks.
00:06:09You're still here?
00:06:10No, just because we're not going to be here.
00:06:13No, it's just that you're not going to be here.
00:06:15Alex?
00:06:16Alex.
00:06:17Yeah, a minute.
00:06:18Alex.
00:06:19Yeah, a minute.
00:06:20Shreeza, hi.
00:06:21Hi.
00:06:22Kauke, I'm still running.
00:06:23Yeah, maaf.
00:06:24Yes, maaf.
00:06:25I'm sorry.
00:06:26It's all right.
00:06:27You didn't want it?
00:06:28You didn't want it?
00:06:29No, because it's really 2 weeks or half, actually.
00:06:32Yeah, it's already.
00:06:33No, because now it's 2-3, 4 o'clock.
00:06:35Yes, we'll be staying in the morning. Of course. Sorry.
00:06:38You're a big badmarsh. Why are you complaining to our neighbor?
00:06:44Badmarsh.
00:06:44So you're working at night?
00:06:46Yes, the whole night.
00:06:47What are you doing? You're getting drunk and you're scared of people?
00:06:51I'm working at the bank. And you're scared of people sometimes.
00:06:56So, okay. I'm going to tell you to eat a little bit faster.
00:07:00So, I'm going to go two steps.
00:07:03Um, yes, maybe it's time for some time, so...
00:07:08Okay.
00:07:09Sorry again.
00:07:09No problem.
00:07:10Okay, Corky.
00:07:12Okay, bye.
00:07:13Yes, bye.
00:07:16Corky.
00:07:19Did you put it in a problem?
00:07:22This is the director of the Night Owls Unit, Alex Goodwin,
00:07:27MI6 quarterly evaluation.
00:07:29So, start it.
00:07:30Absolutely.
00:07:31So, Alex, what do you think you're going to do at night?
00:07:35What do you think you're going to do at night?
00:07:35What do you think you're going to do at night?
00:07:37No.
00:07:39No.
00:07:41And your relationship is okay?
00:07:43The relationship is okay.
00:07:45Do you have any new relationship?
00:07:45Do you have any new relationship you want to do at night?
00:07:49Yes.
00:07:49Actually, my neighbor's relationship is okay.
00:07:52Oh.
00:07:52Why do you want to do at night owls?
00:07:55Do you think you have three years with Night Owls?
00:07:58Yes, absolutely.
00:08:00What's your opinion on that?
00:08:02It's all right.
00:08:03I'm the boss of Lex Mayhew Kamal.
00:08:06My team is very good.
00:08:10If we look at Central Ops,
00:08:12we have a lot of intel from Alex Goodwin's Night Owls Surveillance Unit.
00:08:17We don't have enough on-feed agents.
00:08:20We can create a lot of great hotels in the night.
00:08:26This is not...
00:08:30The Night Owls, which is a lot of surveillance in the night.
00:08:41Yes, Saika.
00:08:42Are you famous?
00:08:44Famous is necessary.
00:08:47No, but...
00:08:49You, Graham?
00:08:59Guests came from the river.
00:09:01Thanks, Graham.
00:09:08You work hard.
00:09:10It's not any kind of drama.
00:09:13We don't need heroes.
00:09:15That's the best reason you came from here.
00:09:18Okay, thank you, guys.
00:09:19Hello, Alex.
00:09:20Basil.
00:09:21I was left it by leaving a new list list.
00:09:23Some of those are old people.
00:09:25How do you do this? How do you do this work? You stay here at night and you see the whole world on the screen.
00:09:32Don't worry, don't go anywhere.
00:09:55You don't have any promotions. You don't have any post in the village.
00:10:00I like this. I'm sorry. I'm sorry.
00:10:05You didn't get me wrong, Alex. If I'm telling you, you're scared.
00:10:16Just remember, don't go away from your head. I don't want to open this beautiful face.
00:10:23There are many intelligence officers in this camera.
00:10:26They hear a lot. They also hear a lot. They also hear a lot.
00:10:30They also hear a lot. They also hear a lot.
00:10:32They also hear a lot.
00:10:33But I'm the one who is the most important thing.
00:10:35They come every three months.
00:10:37They sit here and they just regret it.
00:10:40It's your way.
00:10:42They don't know anything.
00:10:45And then one day, they go back.
00:10:53You need to talk to me, Alex.
00:10:55Tell me what's your truth.
00:10:58I am the one that doesn'tне check forever.
00:10:59I don't know.
00:11:00What have my mind to keep it so far?
00:11:01He doesn't have anysay.
00:11:02I am the one who will never die.
00:11:33Hi, Mike.
00:11:34Hey.
00:11:35When you get settled,
00:11:36you will have to ask the phone calls from the hotel switchboard.
00:11:39There is a list of new people.
00:11:41Basil said,
00:11:42he will come back and see himself.
00:11:44That man is also grateful to his mother.
00:11:50Sorry, it was late.
00:11:52The traffic of Dolbenz is too late.
00:11:54Who was so far?
00:11:55My wife also said that.
00:11:57How was your day, Alex?
00:11:58It was good. Thank you, Valid.
00:12:01Did you sleep today?
00:12:03A little bit.
00:12:16Kaderhoff is going somewhere.
00:12:18Mike, go back.
00:12:20In this list, his name is on the 12th number.
00:12:23Bulgarian Mafia is involved and is responsible for the children.
00:12:26Where are you going, Mr. Kaderhoff?
00:12:31I was working in the 90's in Mumbai.
00:12:36It was the meaning of the receptionist people who have sex.
00:12:40Or just a paper.
00:12:43This is for the white room.
00:12:45Sally, today has a body in white room.
00:12:47Copy that. On road.
00:12:49I'm a good one.
00:12:50I'm a good one.
00:12:51I'm a good one.
00:12:52I'm good.
00:12:54I'm good.
00:12:55I'm good.
00:12:56I'm good.
00:12:57I'm good.
00:12:58It's so great.
00:12:59Oh, a weekday is so late.
00:13:02Sally, you are getting ready, or not?
00:13:04I'm getting ready.
00:13:05How are you getting ready?
00:13:06I'm getting ready.
00:13:07How are you getting ready?
00:13:09I'm getting ready.
00:13:10Just keep listening, please.
00:13:13Number 12, Kamali Dain Taraf. Whiskey on the rocks.
00:13:43Sallie, don't take a look at them, today you're not a hero.
00:13:49No, it's not.
00:13:51Mike, look at all the angles, I have to see the whole camera.
00:14:01Who is the hit list of this night?
00:14:08What's going on?
00:14:10Mike, do you want to zoom in to anyone?
00:14:14Who is this?
00:14:16Where do you zoom in?
00:14:25You're in front of the United Nations.
00:14:28All Americans, Russians, Ukrainians, Serbs, Gruets, Angolans, and all of them together.
00:14:35You're in front of the United Nations.
00:14:37You're on the right side.
00:14:38You're in front of the United Nations.
00:14:39You're in front of the United Nations.
00:14:40But if you're in front of the United Nations, you'll keep your head close to your head.
00:14:45Yow.
00:14:46Hello Serbs.
00:14:49Hello, Serbs.
00:14:50Hi.
00:14:51Is she not coming back?
00:14:52I'm sorry, I was coming back to her house, and I wasn't coming back to my house.
00:14:54What can I see from the outside?
00:14:55Is she not coming back at home?
00:14:56Well, I'm coming back.
00:14:57Hello, Sarah. Hi.
00:14:59She didn't come back soon.
00:15:01I'm sorry, I wanted to meet Rex before.
00:15:03She didn't come back. She's talking about her.
00:15:05She's working on her birthday.
00:15:07She's doing something more than her.
00:15:09She's doing something more than her.
00:15:11Okay, listen, I'll help you.
00:15:13Will you take this and tell us about her handsome people?
00:15:17Glasses? Okay.
00:15:21Sorry, but she can't go there.
00:15:23Can you tell me what else you can call her?
00:15:27The taxi is here.
00:15:29And I'm going to go where to.
00:15:31Roxanna, if you know anything about this,
00:15:33then I'll call her.
00:15:35Okay, thank you, Rex.
00:15:37And who knows about her?
00:15:39Okay?
00:15:57It's okay.
00:15:59I don't want to get here.
00:16:01Can you tell us what you've been talking about?
00:16:03Thanks, Max.
00:16:05Thanks, Max.
00:16:07Thanks, Max.
00:16:11Thanks, Mike.
00:16:13Thanks, Max.
00:16:15And I got your message, and tell you,
00:16:17what you've been talking about.
00:16:19I'm here tonight.
00:16:21He's a real man of rope.
00:16:23But why did he use his name in London?
00:16:25He's a good guy.
00:16:27Absolutely.
00:16:29What did he talk about?
00:16:31How can I do?
00:16:33I'm Alex Goodwin.
00:16:35And you should be the one who is there.
00:16:39Rex, I want to talk about you.
00:16:41No. Angela has retired.
00:16:43Everything is far away.
00:16:45She doesn't go out to her French resort.
00:16:47She doesn't want to disturb her.
00:16:49She doesn't want to disturb her.
00:16:51Who was the girl?
00:16:53She met her before the party.
00:16:55You.
00:16:57She was my friend.
00:16:59Who is my friend?
00:17:01She doesn't need to know me.
00:17:03Listen to me.
00:17:05If you're going to go to me,
00:17:07at this time, you're going to meet someone.
00:17:09You have a pension.
00:17:11You have a yoga teacher.
00:17:13You have to stay here.
00:17:15Only one thing.
00:17:17Jonathan Pine has never been there.
00:17:21In this garden, no one knows who you are.
00:17:25Who is who you are?
00:17:26I'm standing in my face.
00:17:27I'm standing in my face.
00:17:28I'm standing in my face.
00:17:29I'm standing in my face.
00:17:30I'm feeling good.
00:17:31I'm feeling good.
00:17:32I'm feeling good.
00:17:33I'm feeling good.
00:17:34The roper has died.
00:17:36The adit, the adit, the adit.
00:17:38The adit has been five years.
00:17:39I've been getting a new knowledge.
00:17:41I don't want to do this.
00:17:43I need to do this for a fair matter.
00:17:47I'll keep it to me.
00:17:49Oh, my...
00:17:51...one new number.
00:17:53This is a new number.
00:17:55I'll use this for today.
00:17:57I'll use this for today.
00:17:59I'll use this for today.
00:18:05Let go and eat it.
00:18:07You know it.
00:18:09Alex!
00:18:10What are you doing here?
00:18:12What is theソas?
00:18:13How did you get?
00:18:14You know, you're dead.
00:18:15They're bad luck.
00:18:16Rex told me you have vitamin D.
00:18:18I'm getting rid of nice things.
00:18:20It's true.
00:18:21Alex!
00:18:22What are you doing here?
00:18:23What are you doing here?
00:18:24What am I doing?
00:18:25How are you doing?
00:18:26You know the get the owl?
00:18:27You know when you hear a owl!
00:18:28I'm getting a bad luck.
00:18:29Rex told him that he is featuring vitamin D.
00:18:30So I'm getting up.
00:18:32It's true.
00:18:33I'm getting up.
00:18:34You're telling me.
00:18:35Thanks to Rex.
00:18:36Thank you for your time, Rex.
00:18:38When I got a command of the river, he always gave me a message.
00:18:42Yes, a man.
00:18:43Yes, you too.
00:18:45Yes, he did.
00:18:46He was in Nigeria, right?
00:18:47Yes, he was in Nigeria.
00:18:49Private contractor.
00:18:50He was in IT.
00:18:52We met him, and he was there.
00:18:54And I stood up for questions.
00:18:56Right?
00:18:57Do you think that he's okay?
00:19:01Why? Why are you asking?
00:19:03I'm thinking.
00:19:05He didn't tell you anything, right?
00:19:07No.
00:19:08Nothing.
00:19:09Okay, let's do it.
00:19:10Thank you, you too.
00:19:11Put sunscreen.
00:19:12Okay, okay.
00:19:1350 SPF.
00:19:22I'll leave you.
00:19:32Take care of this.
00:19:36Thank you very much.
00:19:38Thank you very much.
00:19:39Nice to see you.
00:19:40I have a blessed story of the people that love me from the country.
00:19:42It is a country that is burdened.
00:19:44The people who love me as a country who are burdened on this country are burdened on this country.
00:19:51That's why we are still alive.
00:19:53You know, a country's security service is the same as this country.
00:20:00That's right?
00:20:01That's why we are the same as it is the same as it is.
00:20:06That's why the decision is ours.
00:20:08We can serve as a country where we need to.
00:20:12Or we can't give ourselves.
00:20:15Understand yourself.
00:20:19So, let's talk about a former soldier when he says this.
00:20:25Now go and drink and drink.
00:20:28Okay?
00:20:30Now go and enjoy.
00:20:38Hey Danny, Paul is in the middle.
00:20:41You haven't seen Cups with attention, Danny.
00:20:45Thomas has seen Cups with attention, right?
00:20:47Thomas?
00:20:55He looks like Teddy Bear.
00:20:57But if his mood is bad, he doesn't stay away from his grave.
00:21:01I'm going to stay with him.
00:21:03I'm going to stay with him.
00:21:05You see he is coming over there?
00:21:08Thomas will not have access to Thomas.
00:21:10I know Thomas.
00:21:17You're a man.
00:21:25In the 40-year-old sailing Maria into the Americans.
00:21:28South African.
00:21:29But in the past 6 years,
00:21:30I had to fight for South America.
00:21:32That was London.
00:21:33That was also a Dutch passport.
00:21:35His name was Michelle Hebbe.
00:21:37He is now in Richmond's small hotel.
00:21:40The Rogers.
00:21:41So, how did the poker play this game come from?
00:21:43I don't know.
00:21:45I'm surprised that he was away from London's main hotel,
00:21:47but he didn't stop himself.
00:21:49I don't know what he was doing in London.
00:21:52How do you know this?
00:21:54It's my dream.
00:21:58Can we also tell you?
00:22:00No, Mike.
00:22:01There's no need to tell.
00:22:02There's no need to tell me.
00:22:03There's no need to tell me.
00:22:04There's no need to tell me.
00:22:05So, as you say.
00:22:11I've never gone to Richmond.
00:22:15Guys, cancel all the plans.
00:22:17Tomorrow we'll do fishing fishing.
00:22:19There's no need to open air.
00:22:21There's no need to open air.
00:22:30The camera is out of here.
00:22:32What?
00:22:33I don't care about him.
00:22:34I don't care about him.
00:22:35Okay.
00:22:36He's running away from him.
00:22:38I'm taking your position on Salih Bridge.
00:22:40I got it.
00:22:42What?
00:22:44In position.
00:22:45Yes.
00:22:46I've seen you.
00:22:51Yes.
00:22:52There's no need to go.
00:22:53Do you want me to go?
00:22:54Yes.
00:22:55Where are you on?
00:22:58Yes.
00:22:59Now back to Jam.
00:23:02Yes.
00:23:03Yes.
00:23:04And you go.
00:23:05Yes.
00:23:06Yes.
00:23:07Yes.
00:23:08I'm coming.
00:23:09Yes.
00:23:11A little bit more.
00:23:13A little bit more.
00:23:16A little bit more.
00:23:20A little bit more.
00:23:24That is a little bit more.
00:23:27We'll see.
00:23:30What is this?
00:23:32Do you know where it is?
00:23:39Do you know anyone?
00:23:40No.
00:23:41What are you saying?
00:23:43Okay.
00:24:09No.
00:24:11No.
00:24:13No.
00:24:14No.
00:24:15No.
00:24:16No.
00:24:17You've been playing.
00:24:18No.
00:24:19No.
00:24:20No.
00:24:21I'm glad I am going to leave my pen for now.
00:24:22I am planning to leave my pen for now.
00:24:23Don't leave me.
00:24:24You've been a douchecure!
00:24:25You've been a douchecure!
00:24:26You've been a douchecure!
00:24:27You've been a douchecure!
00:24:28Let's do it!
00:24:29I'll take your pen for now!
00:24:30Let go.
00:24:32Let go.
00:24:33Don't go!
00:24:34No.
00:24:35But you can't even go out for London.
00:24:39I'm just not playing.
00:24:41I'm not playing.
00:24:42I'm not playing.
00:24:43I'm not playing.
00:24:44I'm not playing.
00:24:46Stop getting away.
00:24:47Stop getting away.
00:24:49Get your hands off.
00:24:51Get clear.
00:24:53Get clear.
00:24:54Yeah, it's done.
00:24:56You're on your side, Chief.
00:24:59You're the chief.
00:25:01You've learned from best.
00:25:03You'll be responsible for the role of the propacastity.
00:25:07Do you know anything about this?
00:25:15No.
00:25:17No.
00:25:37Okay, Alex.
00:25:38I know what Jacob came from.
00:25:42Yes.
00:25:43Go.
00:25:44Go.
00:25:45Go.
00:25:46Go.
00:25:47Go.
00:25:48Go.
00:25:50Go.
00:25:51Go.
00:25:52Go.
00:25:53Go.
00:25:54Go.
00:25:55Go.
00:25:56Go.
00:25:57Go.
00:25:58Go.
00:25:59Go.
00:26:00Go.
00:26:01Go.
00:26:02Go.
00:26:03Go.
00:26:04Go.
00:26:05Go.
00:26:06Go.
00:26:07Okay. Adam Holliwell is a Dalai. He finds 10 or 12 companies from U.S. to the U.S. and calls an alternative foreign office.
00:26:19The question is, is he working for this time?
00:26:30Palmer Street Hall Park. Okay.
00:26:37Just here on the left. Thank you.
00:27:04Sally.
00:27:05Okay. I know who is the house.
00:27:07Who is the house?
00:27:08Who is the house?
00:27:09Our house.
00:27:13I'll call you later.
00:27:14Alex.
00:27:15Alex.
00:27:16Alex.
00:27:17I'm coming to you tomorrow.
00:27:18I don't have to talk to you.
00:27:19I don't have to talk to you.
00:27:20I don't have to talk to you.
00:27:21I don't have to talk to you.
00:27:22I don't have to talk to you.
00:27:28Alex, I'm coming to meet you tomorrow, you don't have to talk to me.
00:27:47Me too.
00:27:48When you come, you have to leave the car from home,
00:27:50to the side entrance, to the library.
00:27:52I want to show you something.
00:27:58For me, don't worry.
00:28:03I'm coming to the library, just in the library.
00:28:06I am coming to the library here.
00:28:09I am going to leave the library here.
00:28:13I'm coming to the library here.
00:28:17I'm coming to the library here.
00:28:23I don't know what he's going to do, but I don't know what he's going to do.
00:28:53And the police, and you don't want to come, please, you don't want to come.
00:29:02Alex, you can go to the river.
00:29:23And the police, and you don't want to come.
00:29:29You're not alone.
00:29:31You're alone.
00:29:32I'm alone.
00:29:34I'm alone.
00:29:35I'm alone.
00:29:37You're alone.
00:29:38I'm alone.
00:29:40I'm alone.
00:29:42You're alone.
00:29:45I have no idea.
00:29:48You're alone.
00:29:50Hmm.
00:30:20I didn't see Rex from Rex.
00:30:22Celia won't be afraid.
00:30:23So then?
00:30:32I'll send a whole team here tomorrow.
00:30:34If you remember anything, call me.
00:30:50Celia, what happened?
00:30:52She was very frustrated.
00:30:54She was saying something about you.
00:30:56I wanted to talk to you about the man.
00:31:01Then I got a phone with a vet,
00:31:04because she was ready for drugs.
00:31:08When I came back,
00:31:10I opened the door of the man.
00:31:12I didn't understand that.
00:31:15You gave her a dream.
00:31:20Please.
00:31:45Take hold of it and eat it.
00:31:47You know.
00:47:02So,
00:47:05I,
00:47:15I,
00:47:44I have to hide you once.
00:47:51About your father.
00:47:58They have been killed by them.
00:48:05When?
00:48:13How long?
00:48:16Six years before.
00:48:18Six years?
00:48:21Tell me why!
00:48:22I'm sorry, Danny.
00:48:42I'm sorry, Danny.
00:48:52Excuse me, but when will your friends come back?
00:49:05They will come.
00:49:07Look.
00:49:09People are waiting for me in Miami.
00:49:11I'm going to go there. Please.
00:49:14They haven't come from night.
00:49:15Give me my phone.
00:49:17Look, I'm sorry, but I can't do this.
00:49:19I can't do this.
00:49:20I've said that it will come soon.
00:49:21It will come soon.
00:49:25I'm going to go.
00:49:26Put something for you.
00:49:28I'm going to go.
00:49:30Yacob Rower has received an delivery of the hotel.
00:49:33I have a diplomatic briefcase.
00:49:34Tomorrow, he has booked a flight for Barcelona to get to.
00:49:39To get the Valkyrie from Barcelona.
00:49:40Okay.
00:49:45Going through the wall, we're going through the setting.
00:49:46Time to go to the back of the room.
00:49:49I can't believe...
00:49:50It's a brief case.
00:49:51It's a booking of the flight tomorrow at 8 p.m. to Barcelona.
00:49:55Okay, we're going to go from the team.
00:49:58Okay, I'll tell you.
00:50:06I'm going to cover the entrance.
00:50:15Graham told you to put a book.
00:50:19We're night owls. Operators are not.
00:50:21It's only for safety.
00:50:27That was what you told the last year.
00:50:31Will you tell me about that?
00:50:36My identity was something else before.
00:50:38But it was necessary to die.
00:50:40Who was that?
00:50:43I'll tell you all about everything.
00:50:45I'll tell you all about everything.
00:50:51That's right.
00:50:52Taxi!
00:50:54Taxi!
00:50:55Excuse me!
00:50:56Excuse me!
00:50:58Oh no!
00:50:59Oh no!
00:51:01Thank you so much!
00:51:02Taxi!
00:51:03Yeah, thanks.
00:51:04Thank you so much.
00:51:05Taxi!
00:51:06Let's go!
00:51:13Let's go!
00:51:15Let's go!
00:51:16No!
00:51:17No!
00:51:18No!
00:51:19No!
00:51:20No!
00:51:21No!
00:51:22No!
00:51:23No!
00:51:24No!
00:51:25No!
00:51:28No!
00:51:30We're going to go to the north highway.
00:51:31Copy that. We'll be right back.
00:52:01Go, Miltree.
00:52:32Thank you, Miltree.
00:52:34Okay, thanks.
00:52:36Masuke, room 249.
00:53:01Thank you, we're going to bring you back.
00:53:04A pleasure to see you again.
00:53:23Mr. Balaron.
00:53:24How are you?
00:53:25How are you?
00:53:26How are you?
00:53:27How are you?
00:53:28Very good.
00:53:29All right, all right. We have an habitual habit for you in the fourth floor.
00:54:00So, what do you want me to do?
00:54:02Yes, the shipment list was the same as the government stamp.
00:54:06But before the anniversary, there are no contact before the anniversary.
00:54:11All right, all right, let's stay away from them.
00:54:14Come on, let's check the document in the camera.
00:54:17I'll do it a little bit.
00:54:19Tomorrow, the flight will be very long.
00:54:29There are two friends here, and they're going up on the other side.
00:54:34They won't be able to do it.
00:54:35They'll keep them in the room, I'll talk to them.
00:54:45So, room number 249, huh?
00:54:47Yes, second floor.
00:54:59You're a good man, Yakko.
00:55:04There were the best soldiers on the row.
00:55:19Look at me.
00:55:20Okay.
00:55:39Daddy, I'm going to go to the house.
00:55:41I'm not going to go to the house.
00:55:42I'm not going to go.
00:55:44Okay.
00:55:50I'm not going to go.
00:55:51I'm not going to go to the house.
00:55:53I'm not going to go.
00:55:54It's going to go to the house.
00:55:55No, listen.
00:55:56There's no sound.
00:55:57The signal has hit.
00:55:58They're going to know it's going.
00:55:59Let's clear the system and let us out.
00:56:01Mike, delete everything from the system.
00:56:03Why?
00:56:04Let's delete everything from the system.
00:56:05Now or now?
00:56:09They're even here.
00:56:11There, leave.
00:56:12Now.
00:56:13Room service.
00:56:24Please, phone without me.
00:56:27Gone, Herr.
00:56:43Yeah.
00:56:46Oh, God.
00:56:49Graham.
00:56:50Graham.
00:56:51Graham.
00:56:51Hey.
00:56:53Varlida.
00:56:56No, no, no, no, no.
00:57:03Varlida.
00:57:04Está más lejos.
00:57:05No.
00:57:13Hello, I'm a old friend of Mr. Baradon.
00:57:37I think he has a room in the fourth floor.
00:57:39I think he has a room in the fourth floor.
00:58:09Go on, Hotham.
00:58:14I think he has a room in the fourth floor.
00:58:19I think he has a room in the fourth floor.
00:58:24I think he has a room in the fourth floor.
00:58:28I think he has a room in the fourth floor.
00:58:33I think he has a room in the fourth floor.
00:58:38Hi, this is Alex Goodwin.
00:58:57Please leave a message.
00:59:04I think he has a room in the fourth floor.
00:59:11I don't think you're going to kill me in the hotel room, but you won't be able to do anything alone.
00:59:28I think Teddy is giving me a hand in Columbia.
00:59:31I think he is the leader of Richard Ropakas.
00:59:33And I'm sure he's helping him.
00:59:38He needs cash.
00:59:39This is the opportunity to become a steen.
00:59:43So what do you want me to do?
00:59:45A very strong man who is suffering from his money.
00:59:48Matthew Ellis.
00:59:52Do you think you're new?
00:59:53Yes, I'm coming.
00:59:54Do you want to take a risk?
00:59:55In court and in life.
01:00:01Welcome to Columbia.
01:00:03Proxy told me that you're looking at investment opportunities.
01:00:07But I'm sure that you won't ask me.
01:00:08You won't ask me any questions.
01:00:09And I'll ask you too.
01:00:13It will only be true.
01:00:19You're not your fault, right?
01:00:20You can give me your fault.
01:00:24What's the biggest problem of humans?
01:00:27The fault is in our hearts.
01:00:30I don't think I'm close to them.
01:00:36This is for civil war.
01:00:38British government wants to change the government.
01:00:41And we won't stop it.
01:00:44Where is Jonathan Pine?
01:00:49We're looking for you.
01:00:51There's nothing here.
01:00:53You left me.
01:00:54And there's nothing else.
01:00:57No!
01:00:57No!
01:00:58No!
01:00:58way!
01:01:01Your fault is nothing.
01:01:07Thanks a lot.
01:01:09You're lying somewhere.
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